Search Catalogue

Call No: 462-054.72 NAF
Author: Naficy, Hamid
Source: US
Place: Princeton, N.J.
Publisher: Princeton University Press
PubDate: 2001
PhysDes: v, 374 p. : ill. ; 24 cm
Subject: NATIONAL CULTURE AND THE CINEMA; EMIGRANT FILM WORKERS; EGOYAN, ATOM; KHLEIFI, MICHEL; NAIR, MIRA; SOLANAS, FERNANDO E.; AKERMAN, CHANTAL; NADERI, AMIR; MEKAS, JONAS; MARKER, CHRIS; GITAI, AMOS; TARKOVSKY, ANDREI
Notes: Includes bibliographical references and index.
ISBN: 0691043914

Call No: 201(94)(083.4) ART
CorpAuthor: Australia Council
Edition: 5th ed
Place: Redfern, N.S.W.
Publisher: Australia Council for the Arts
PubDate: 1996
PhysDes: viii, 131 p. : ill. ; 30 cm
Subject: INDUSTRY, FILM. AUSTRALIA; STATISTICS. AUSTRALIA; GOVERNMENT AID. AUSTRALIA; FILM WORKERS. AUSTRALIA
Notes: "The Australia Council's compendium of arts statistics" --Cover; Includes index
ISBN: 1862571368
LON: 12349327

Call No: 462(94)(083.4) AUS
CorpAuthor: Australia Council; National Centre for Culture and Recreation Statistics
Place: Strawberry Hills, N.S.W.
Publisher: Australia Council for the Arts
PubDate: 1997
PhysDes: vi, 109 p. : ill. ; 30 cm
Subject: INDUSTRY, FILM. AUSTRALIA; STATISTICS. AUSTRALIA; FILM WORKERS. AUSTRALIA; SALARIES. AUSTRALIA; WORKING CONDITIONS. AUSTRALIA
Notes: Bibliography: p. 109
ISBN: 1862571422
LON: 13229584

Call No: 462-02 (94) FRE v.2
Author: French, Lisa
Source: AT
PubDate: 1995
PhysDes: p. 123-135. ; 30 cm
Subject: FILM WORKERS AUSTRALIA; FILM WORKERS. AUSTRALIA; WOMEN FILM WORKERS. AUSTRALIA; WOMEN FILMMAKERS. AUSTRALIA; PRODUCERS. AUSTRALIA; SCRIPTWRITERS. AUSTRALIA; DIRECTORS. AUSTRALIA; AUSTRALIA. 1970's; AUSTRALIA. 1980's; AUSTRALIA. 1990's; FILMOGRAPHIES. AUSTRALIA
Notes: 'This data base was prepared by Lisa French as an appendix to the thesis 'Do Contemporary Australian Women Filmmakers Share A Feminist Perspective In Their Work?'

Call No: 20(058)(94) BEI
Author: Beilby, Peter
Source: AU
Place: North Melbourne, Victoria
Publisher: Cinema Papers Pty Ltd
PubDate: 1980
PhysDes: 319 pages : black and white illustrations ; 25 cm
Series: Australian motion picture yearbook
Subject: AWARDS; DIRECTORS; DISTRIBUTION; EXHIBITION; FESTIVALS; FILM WORKERS; INDUSTRY, FILM. AUSTRALIA; LEGISLATION. AUSTRALIA; PERIODICALS, FILM. AUSTRALIA; PRODUCTION CENTRES. AUSTRALIA
Summary: Overview of activities and output of the Australian film industry in 1980
Notes: published by Cinema Papers Pty Ltd in association with the New South Wales Film Corporation
ISBN: 0158698X
Donation: Simon Wincer

Call No: 81BUC BUC
Author: Buckley, Anthony
Source: AT
Place: Prahran, Vic.
Publisher: Hardie Grant
PubDate: 2009
PhysDes: x, 406 p. : ill. (some col.), ports. ; 26 cm
Subject: BUCKLEY, ANTHONY; PRODUCERS; DIRECTORS. AUSTRALIA; FILM WORKERS; FILM WORKERS. AUSTRALIA; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978)
Summary: Almost from the inception of movies, the Buckley family were involved, so it was natural for the young Tony Buckley to get a job at a film laboratory, and move into film editing. Despite being warned by a veteran of film, "There's no future in it", Buckley began a career that was to involve a cast of thousands including Australian film pioneers, Raymond Longford and Ken G. Hall, Australian and international stars, and the pick of the Australian film and television industry. As an acclaimed editor, then producer, Tony Buckley's films have attracted numerous accolades and awards. In Behind a Velvet Light Trap, Buckley chronicles the frequent disasters on the set and the antics of actors and film crew with wry humour and a firm sense of professionalism. It is an insider's view of Australian movies and television where we get to meet some of the vivid personalities including Rudolf Nureyev, Michael Powell, Patrick White, James Mason, Ruth Park, Leo McKern and Joan Sutherland. --BOOK JACKET
ISBN: 9781740667906
Contents: -- Preface -- Acknowledgement -- PART ONE -- 1 -- Saturdays At The Sesqui -- 2 --The Sentimental Bloke - Meeting Raymond Longford -- 3 -- Discovering 'The Hidden Power' -- 4 -- The Voice Of Australia -- 5 -- 'There's No Future In It, Son!' -- 6 -- Seven Miles From Sydney And 10,000 Miles From Care -- 7 -- Letters Home: 189 Cromwell Road - 'Hurry, My Milliner Is Waiting!' -- 8 -- Five For Europe: A Telegram From Home -- 9 -- Another Cinesound Excusive! -- 10 -- Forgotten Cinema And The Australian Renaissance -- 11-- Michael Powell and S.Y.M -- 12 -- Home to Avening -- 13 -- 'The Locomotive that Drives Everything Else -- 14 -- Mercer Clips and Hollywood -- 15 -- Le Reveil Dans La Terreur - Wake in Fright -- 16 -- Ballet in the Bedroom -- 17 -- Insular Fairyland - anyone for Croquet? -- 18 -- ...'You wanna make a film about a woman???!!' -- 19 -- My Sons, My Horses - The Anatomy of a Motion Picture -- 20 -- 'This Bizarre Work' - The Night of the Prowler -- 21 -- The very strange case of the Unknown Industrial Prisoner -- 22 -- Not In The Public Interest - the Juanita Factor -- 23 -- Flight Ten From Honolulu - A complete Change Of Direction -- 24 -- A Landmark Australian Film -- PART TWO -- 25 -- ...And Now For Something Completely Different - Television! -- 26 -- The Tree Of Humankind - Man On A Limb! -- 27 -- The Heroes Of The Miniseries -- 28 -- Prostitution - Adapting Bryce Courtenay - And The Mysterious Case Of The Stolen Logie -- PART THREE -- 29 -- Back To The Reel World -- 30 -- On Their Selection - The $24,000 Lunch! -- 31 -- A Celebration - Then Shadows Fall -- 32 -- 'That Resilient Little Beast' - But Not Quite A Heart Stopper! -- 33 -- An Apple For The Teacher - Food for thought -- 34 -- Shattered Dreams - Broken Promises -- The Final Reel - The Full Circle

Call No: 222.22 REI
Author: Reilly, Tom
Edition: 1st ed
Source: US
Place: New York
Publisher: Thomas Dunne Books
PubDate: 2009
PhysDes: xi, 239 p. ; 22 cm
Subject: LOCATION PRODUCTION; LOCATION SHOOTING; DIRECTORS; FILM WORKERS; REILLY, TOM
Summary: This is a must-have book for any aspiring filmmaker who wants to know the secrets of the pros, or for movie buffs who want to know what really happens on the sets of their favourite films.
ISBN: 9780312380380
Donation: donated by Senses of Cinema, 2012

Call No: REFERENCE SECTION; 058.7-054(=1-81)BLA
Author: Perkins, Rose; Perkins, Hope
CorpAuthor: Blackfella Films
Source: AT
Place: Rose Bay, NSW
Publisher: Blackfella Films
PubDate: 2000
PhysDes: 277 p. ill. ; 21 cm. Spiral bound
Subject: INDUSTRY, FILM. AUSTRALIA; AUSTRALIAN ABORIGINAL CINEMA; ACTORS. AUSTRALIA; FILM WORKERS. AUSTRALIA
Notes: Includes index
ISBN: 0646386336
ISSN: 1443-4342

Call No: 209.5 FIT
Author: Fitzsimmons, April
Source: US
Place: Los Angeles
Publisher: Lone Eagle Publishing Co.
PubDate: c1997
PhysDes: xx, 204 pages : black and white illustrations : 23 cm
Subject: EXTRAS; FILM WORKERS; FILMMAKING; INDUSTRY, FILM; LABOUR; PRODUCTION
Summary: "BREAKING AND ENTERING is a book designed to give you a general idea about how to break into production and have a good time along the way. With the proper tools and information, your first steps into film production will be a little easier." [TAKEN FROM INTRODUCTION]
Notes: includes bibliography and index
ISBN: 0945728916
Donation: Simon Wincer
Contents: Foreword -- Preface -- Acknowledgements --; Part I -- Chapter 1: the production assistant -- Chapter 2: the production assistant's golden rules --; Part II -- Chapter 3: base camp -- Chapter 4: the set -- Chapter 5: heating and air-conditioning --; Part III -- Chapter 6: a day in the life of a set PA -- Chapter 7: lock ups -- Chapter 8: the shot -- Chapter 9: paperwork --; Part IV -- Chapter 10: the cast -- Chapter 11: the crew -- chapter 12: background (extras) -- Chapter 13: stand-ins (second team) -- Chapter 14: helping out --; Part V -- Chapter 15: communications -- Chapter 16: radios -- Chapter 17: the phone -- Chapter 18: the pager --; Part VI -- Chapter 19: the production kit -- Chapter 20: tools -- Chapter 21: necessities --; Part VII -- Chapter 22: landing your first job in film production -- Chapter 23: future jobs -- Chapter 24: the DGA --; Production forms -- United States film commissions -- Appendix -- Index -- About the author

Call No: 209(94) SHE
Author: Sheehan, Annabelle
CorpAuthor: Australian Film Commission
Place: Sydney
Publisher: Australian Film Commission
PubDate: 1998
PhysDes: vi, 82 p. : ill. ; 30 cm
Subject: AUSTRALIAN FILM INSTITUTE; FILM WORKERS. AUSTRALIA
Notes: Includes bibliographical references
ISBN: 0642487103
Order Received: 1999
Order Type: Donation
LON: abn98410343; 14291647

Call No: SUBJECT CLIPPINGS FILE; PERIODICALS, FILM. AUSTRALIA
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: INSIDEFILM [publication]; PERIODICALS, FILM. AUSTRALIA; FILM WORKERS. AUSTRALIA; PEEDOM, JENNIFER; MICHOD, DAVID; SMITH, REBECCA; TURK, RACHAEL; FIELDER, ANGIE
Summary: Looking at the Australian film industry magazine Inside Film (IF) and how a number of its staff have since gone onto successful career in the film and television industry

Call No: SUBJECT CLIPPINGS FILE; SPECIAL EFFECTS
Author: Pickett, Mallory
PhysDes: Clippings
Subject: SPECIAL EFFECTS; DIGITAL TECHNOLOGY; SPECIAL EFFECTS DESIGNERS; FILM WORKERS
Summary: The changes brought to bear on the American special effects industry by the fierce competition of special effects companies worldwide

Call No: 738.1 GIL
Author: Gillespie, Stirling
Source: UK
Place: London
Publisher: Blackie & Son Limited
PubDate: 1939
PhysDes: x, 278 p. : illus
Subject: FILM WORKERS; ANIMALS IN FILMS
Notes: Photographs by J.Blake Dalrymple and the author.; Includes map of Africa showing route of Celluloid Safari.

Call No: SUBJECT CLIPPINGS FILE; AUSTRALIANS IN FILM [Organisation]
Author: Idato, Michael
PhysDes: Clippings File Article
Subject: PRODUCTION; AUSTRALIANS IN FILM [Organisation]; FILM WORKERS. AUSTRALIA; SCREEN QUEENSLAND; SCREEN NSW; FILM VICTORIA; RALEIGH STUDIOS
Summary: Report on a new initiative by the Australians in Film organisation who have set up, with the assistance of a number of state film/tv funding bodies, an office space called Charlie's located in Raleigh Studios in Los Angeles.

Call No: 058(94) CIN "1986"
Publisher: B. L. Kay Pub. Co. Ltd
PubDate: [1986]
PhysDes: 317 p. : ill. ; 20 cm
Subject: FILM WORKERS. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; INDUSTRY, TV. AUSTRALIA
Summary: Contains contact details for various people and businesses involved in the film, tv, and video industries in Australia in 1986
Notes: Cover title - The 1986 Cinema Papers Australasian production yearbook: film - television - video
ISBN: 0946919100

Call No: 461 COM
Author: Smith, Stacy L.; Choueiti, Marc; Pieper, Katherine
Source: US
Publisher: USC Anneberg School of Communication and Journalism
PubDate: Feb 22 2016
Subject: WOMEN FILM WORKERS; ETHNIC GROUPS AND THE CINEMA; RACE AND THE CINEMA; FILM WORKERS; INDUSTRY, FILM
Summary: The Comprehensive Annenberg Report on Diversity examines inclusion from CEO to every speaking character across film, television and digital content in America. This report was developed by The Media, Diversity, & Social Change (MDSC) Initiative at USC's Annenberg School for Communication and Journalism dedicated to addressing issues of inequality in entertainment. "The Comprehensive Annenberg Report on Diversity (CARD) assesses inclusion on screen and behind the camera in fictional films, TV shows, and digital series distributed by 10 major media companies (21st Century Fox, CBS, Comcast NBC Universal, Sony, The Walt Disney Company, Time Warner, Viacom, Amazon, Hulu, and Netflix). Movies theatrically released in 2014 by the major studios or their art house divisions were included in the sample, provided they met a certain threshold of domestic box office performance (see Appendix A).¹ Prime-time first run scripted series as well as digital offerings airing from September 1st 2014 to August 31st 2015 were sampled on broadcast, popular basic cable, premium channels or streaming services associated with the companies listed above (see Appendix B).² In total, the sample included 414 stories or 109 motion pictures and 305 broadcast, cable, and digital series. The major unit of analysis was the speaking or named character.³ Each speaking character was assessed for role, demographics, domesticity, and hypersexualization.4 Behind the camera, the gender of directors and writers of each film and every episode within a sampled series was evaluated. Race/ethnicity was assessed for directors of movies as well as those helming the season premiere episode of television/digital programs. Finally, the gender composition of CEOs, members of executive suites, boards of directors, and employees at the Executive" [Taken from the executive summary included in the report]
Notes: Available at: http://annenberg.usc.edu/pages/~/media/MDSCI/CARDReport%20FINAL%2022216.ashx

Call No: 97 ROB
Author: Robinson, Martha
Source: UK
Place: London
Publisher: Geoffrey Cumberlege, Oxford University Press
PubDate: 1946
PhysDes: 181 p. : ill. ; 20 cm
Subject: CONTINUITY; WOMEN FILM WORKERS
Summary: Authored by an experienced film worker in continuity this is a fictionalised account of how a young woman interested in the film industry becomes a continuity girl
Donation: donated by the family of Wayne Levy, 2006

Call No: SUBJECT CLIPPINGS FILE; FILM WORKERS. AUSTRALIA
Author: White, Dominic
PhysDes: Clippings File Article
Subject: FILM WORKERS. AUSTRALIA; ACTORS; TRADE UNIONS. AUSTRALIA; SHERMAN, EMILE
Summary: Australian producers are trying to lobby the federal government to deregulate the subclass 420 visa rules so as to allow foreign workers, especially actors, to work on Australian productions. This move is being lobbied against by the Media, Entertainment, and Arts Alliance, who claim that the move will harm the local film industry.

Call No: 462-02(94) DON
Copy Management: Copy 1; Copy 2
Author: Blonski, Annette; Creed, Barbara; Freiberg, Freda
Place: Richmond, Vic.
Publisher: Greenhouse
PubDate: 1987
PhysDes: 400 p. : ill., facsims., ports. ; 28 cm
Subject: WOMEN AND THE CINEMA. AUSTRALIA; WOMEN FILM WORKERS. AUSTRALIA; INDEPENDENT FILMMAKERS. AUSTRALIA; INDEPENDENT FILMS. AUSTRALIA; EXPERIMENTAL FILMS. AUSTRALIA; FEMINISM AND THE CINEMA. AUSTRALIA; ADDIS, ERIKA; ANSARA, MARTHA; ASH, EVE; CANTRILL, ARTHUR & CORINNE; FISKE, PAT; GIBSON, SARAH; GRACE, HELEN; LAMBERT, SUSAN; HARTMAN, RIVKA; HOASS, SOLRUN; KEARNEY, BRIANN; KELLY, GABRIELLE; ROLLE, DI; SCHWARZ, MONIQUE; THORNLEY, JENI; TILSON, ALISON; ARMSTRONG, GILLIAN; CAMPION, JANE; BEHIND CLOSED DOORS (AT, Sarah Gilbert & Susan Lambert, 1980); IN THIS LIFE'S BODY (AT, Corinne Cantrill, 1987); FOR LOVE OR MONEY (AT, Megan McMurchy & Jeni Thornley, 1983); MY LIFE WITHOUT STEVE (AT, Gillian Leahy, 1986); WE AIM TO PLEASE (AT, Robin Laurie & Margot Nash, 1977); SERIOUS UNDERTAKINGS (AT, Helen Grace, 1983); SONG OF CEYLON, A (AT, Laleen S.B. Jayamanne, 1984)
Summary: Don't shoot darling! affirms the significant role played by women filmmakers. Various contributors examine the institutions and organisation which provide support for women's films; the achievements and limitations of affirmative action training schemes for women; and the reception and coverage of women's independent films by the press. A number of particular films - among them, For love or mone, My life without Steve, Serious Undertakings and Behind closed doors - are analused from feminist critical perspectives, and the book includes a collection of statements by individual women filmmakers about their own experiences and attitudes. -- Back cover
Notes: Includes bibliographical references and indexes
ISBN: 0864360584 : price unknown
LON: anb86436058; 5042996
Contents: Preface -- Beginnings -- Big brother - women and the state -- Feminist initiatives -- Training and affirmative action -- Personal statements -- The press -- Textual analysis

Call No: 451-02 SMI
Author: Pieper, Katherine; Choueiti, Marc; Smith, Stacy L.
Source: US
Publisher: University of Southern California
PubDate: 2013
PhysDes: 43p. : ill. ; 30cm
Subject: WOMEN FILM WORKERS; WOMEN FILMMAKERS; WOMEN AND THE CINEMA; WOMEN DIRECTORS; WOMEN, FILMS MADE BY
Summary: "The purpose of this research is to examine how females are faring in American independent film. Studies have been conducted in the past on women in the mainstream U.S film industry, but little research has yet been done in the U.S independent film arena. To this end, we developed a research strategy with a two-prong approach. First, we quantitatively document the involvement of female content creators of U.S films at the Sundance Film Festival, assessing the gender of 11,197 directors, writers, producers, cinematographers, and editors across 820 films classified as U.S narratives (534 films) or documentaries (286 films) between 2002 and 2012. The second prong documents the qualitative experiences of female filmmakers through interviews with emerging and seasoned content creators as well as key industry gate-keepers. Here, we surveyed 51 individuals to unpack the specific obstacles that face female directors and producers in the independent film arena. We also assessed participants' perceptions of opportunities that may increase women's involvement behind the camera" -- taken from the Executive Summary
Notes: This research was commissioned by the Sundance Insitute and Women in Film Los Angeles thorugh their 'Women Filmmakers Initiative'.
Contents: -- pages 3-4: case statement: Independent Women Filmmakers: setting the agenda for change -- page 5: allied organizations list -- page 7: 2012-2013 mentorship program participants -- pages 9-11: research study executive summary -- pages 13-33: research study: exploring the barriers and opportunities for independent women filmmakers -- page 34: acknowledgments -- pages 35-43: works cited and notes --

Call No: SUBJECT CLIPPINGS FILE; GENDER MATTERS
Author: Quinn, Karl
PhysDes: Clippings File Article
Subject: GENDER MATTERS; WOMEN FILM WORKERS. AUSTRALIA; WOMEN FILMMAKERS. AUSTRALIA; WOMEN TV WORKERS. AUSTRALIA; WOMEN DIRECTORS. AUSTRALIA; SCREEN AUSTRALIA
Summary: Reports on the gender balance of filmmaking in Australia and how recent measures put into place by Screen Australia have helped equalise opportunities for women and men filmmakers. However there is still some way to go before women have achieved equal opportunity

Call No: 931 KAM
Author: Kamp, David; Levi, Lawrence
Edition: First edition
Source: US
Place: New York
Publisher: Broadway Books
PubDate: copyright 2006
PhysDes: xviii, 114 pages ; 21cm
Subject: FILM; FILM CULTURE; FILM TERMINOLOGY; FILM WORKERS
Summary: "From the same brain trust that brought you The Rock Snob*s Dictionary, the hilarious, bestselling guide to insiderist rock arcana, comes The Film Snob*s Dictionary, an informative and subversively funny A-to-Z reference guide to all that is held sacred by Film Snobs, those perverse creatures of the repertory cinema. No longer must you suffer silently as some clerk in a “Tod Browning’s Freaks” T-shirt bombards you with baffling allusions to “wire-fu” pictures, “Todd-AO process,” and “Sam Raimi.” By helping to close the knowledge gap between average moviegoers and incorrigible Snobs, the dictionary lets you in on hidden gems that film geeks have been hoarding (such as Douglas Sirk and Guy Maddin movies) while exposing the trash that Snobs inexplicably laud (e.g., most chop-socky films and Mexican wrestling pictures). Delightfully illustrated and handily organized in alphabetical order for quick reference, The Film Snob*s Dictionary is your fail-safe companion in the video store, the cineplex, or wherever insufferable Film Snobs congregate. " -- BOOK BACK COVER
ISBN: 9780767918763
Contents: -- acknowledgments -- an introductory note by the authors -- the film snob*s dictionary --

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FILM WORKERS

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FILM WORKERS AUSTRALIA

Call No: SUBJECT CLIPPINGS FILE; WOMEN FILMMAKERS. AUSTRALIA
Author: Neill, Rosemary
PhysDes: Clippings File Article
Subject: WOMEN FILMMAKERS. AUSTRALIA; WOMEN IN FILMS. AUSTRALIA; WOMEN FILM WORKERS. AUSTRALIA; STATE AND THE CINEMA. AUSTRALIA; ARMSTRONG, GILLIAN
Summary: Article about the lack of women filmmakers in Australia and in key roles in theatre. Quotes from Gillian Armstrong, Courtney Gibson, Fiona Cameron, Sue Maslin, Bruce Beresford, Kate Cherry, Lee Lewis, and WITS founders Maryann Wright and Lizze Schebesta

Author: Griffiths, Peter
PhysDes: Article; Illustration(s)
Subject: INDUSTRY, FILM. AUSTRALIA; FILM WORKERS. AUSTRALIA; EQUIPMENT
Summary: Discusses current trends for major grip companies and individual grips.

Call No: SUBJECT CLIPPINGS FILE; GENDER MATTERS
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: GENDER MATTERS; WOMEN AND THE CINEMA. AUSTRALIA; WOMEN AND TV. AUSTRALIA; WOMEN FILM WORKERS. AUSTRALIA; WOMEN FILMMAKERS. AUSTRALIA
Summary: Report on the Gender Matters initiative by Screen Australia, which is looking to give women in Australian film and tv a fastrack to creating productions that feature womens stories and talent behind the scenes. Interviewed are Bruna Papandrea, Graeme Mason, Imogen Banks, and Sarah Snook

Call No: SUBJECT CLIPPINGS FILE; SCREEN AUSTRALIA
Author: Westwood, Matthew
PhysDes: Clippings File Article
Subject: SCREEN AUSTRALIA; WOMEN AND THE CINEMA. AUSTRALIA; WOMEN FILM WORKERS. AUSTRALIA; WOMEN FILMMAKERS. AUSTRALIA; WOMEN, FILMS MADE BY. AUSTRALIA
Summary: Report on the new Screen Australia program called Gender Matters, which looks to redress the gender imbalance of women making feature films in Australia. Details of the fund are listed in the article

Call No: 46(794) MAY
Author: Mayersberg, Paul
Source: UK
Place: London
Publisher: Penguin
PubDate: 1967
PhysDes: 188p. ; 23cm
Subject: INDUSTRY, FILM. USA; HISTORY OF CINEMA. 1960's; FILM WORKERS; BROOKS, RICHARD; CUKOR, GEORGE; DAVES, DELMER; HITCHCOCK, ALFRED; KRAMER, STANLEY; STURGES, JOHN
Notes: Includes bibliography

Call No: New Holdings Shelves
Author: Mayersberg, Paul
Source: UK
Place: Harmondsworth
Publisher: Penguin Books
PubDate: 1969
PhysDes: 172 p ; 18 cm
Subject: INDUSTRY, FILM. USA; HISTORY OF CINEMA. 1960's; FILM WORKERS; BROOKS, RICHARD; CUKOR, GEORGE; DAVES, DELMER; HITCHCOCK, ALFRED; KRAMER, STANLEY; STURGES, JOHN
Summary: This book by a young British critic is an experience of Hollywood today, and an inside account of the process of modern film-making - how Hollywood movies are planned, financed, written, directed, shot, cut and publicized... -- Book cover
Notes: Includes bibliography
Donation: donated by the family of Wayne Levy, 2006
Contents: 1. The haunted house -- 2. The big break -- 3. Above and below the thin red line -- 4. The wench is dead -- 5. The world's greatest train set -- 6. The great rewrite -- 7. The conscience of the crowd -- 8. The formula for failure -- 9. The paper cup -- 10. Epilogue

Call No: 71(73) BRO
Author: Brownlow, Kevin
Source: UK
Place: London
Publisher: Collins
PubDate: 1979
PhysDes: 268 p. ; 26 cm
Subject: HISTORY OF CINEMA. SILENT PERIOD; PIONEER FILM WORKERS; HOLLYWOOD
ISBN: 0002160471
Donation: donated by the family of Wayne Levy, 2006

Author: Pratt, David
PhysDes: Article; Illustration(s)
Subject: MASON, ANDREW; INDUSTRY, FILM. AUSTRALIA; FILM WORKERS. AUSTRALIA
Summary: At the annual Ausfilm breakfast in Los Angeles Andrew Mason discussed the pros and cons of shooting in Australia.

Call No: 71(73) STE
Author: Steen, Mike
Source: US
Place: New York
Publisher: G.P. Putnam's Sons
PubDate: 1974
PhysDes: 379 p. ; 21 cm
Subject: FILM WORKERS; ACTORS; ACTING; CHARACTER ACTORS; SCRIPTWRITERS; SCRIPTWRITING; DIRECTION; PRODUCERS; PRODUCING; PRODUCTION MANAGERS; PRODUCTION MANAGING; ASSISTANT DIRECTORS; CINEMATOGRAPHERS; CINEMATOGRAPHY; ART DIRECTION; ART DIRECTORS; SET DESIGNING; SET DESIGNERS; COSTUME DESIGNERS; COSTUME DESIGNING; MAKE-UP ARTISTS; MAKE-UP; SPECIAL EFFECTS DESIGNERS; SPECIAL EFFECTS; MUSICALS; CHOREOGRAPHY; EDITING; EDITORS; SOUND; MUSIC IN FILMS; PRE-PRODUCTION; CASTING; PRODUCTION, TV; FONDA, HENRY; RUSSELL, ROSALIND; MOOREHEAD, AGNES; CANNON, DAVID; STERN, STEWART; WELLMAN, WILLIAM; BERMAN, PANDRO S.; PRATT, JAMES; MOONJEAN, HANK; HENDERSON, RANDELL; HOWE, JAMES WONG; AMES, PRESTON; KRAMS, ARTHUR; HEAD, EDITH; WESTMORE, PERC; MANLEY, NELLIE; GILLESPIE, A. ARNOLD; BERKELEY, BUSBY; SMITH, FREDERICK Y.; FREERICKS, BERNARD; GREEN, JOHN; LAWRENCE, CATALINA; BURCH, RUTH; ROACH, HAL; MCCLEERY, ALBERT
Summary: "'Hollywood Speaks' is a fascinating collection of interviews with the dazzled and the dazzlers, the multitalented professionals - stars and stagehands alike - who make up the motion-picture industry. Each interview follows the same general format: an extensive autobiographical sketch, the 'big break, or how I got into Hollywood', followed by the techniques and problems, the tricks and plain hard work, that go into the making of movies. The interviews are loaded with humour, bitter feuds, and personal anecdotes of the great and near great." (Taken from back cover)
ISBN: 39911162X
Donation: donated by the family of Wayne Levy, 2006

Call No: SUBJECT CLIPPINGS FILE; FILM WORKERS. AUSTRALIA
Author: Brookfield, Joanne
PhysDes: Clippings File Article
Subject: ACTORS. AUSTRALIA; ACTING. AUSTRALIA; FILM WORKERS. AUSTRALIA
Summary: Australian actors, producers, and screenwriters discuss finding regular work in Los Angeles and the method's they adapted to trying to make it in the lucrative American market. People interviewed include: Ben Mendelsohn, Lilly Dawson, Callan McAuliffe, Julian McMahon, Matilda Brown, Kathy Charles and Lisa Shaunessy

Call No: 462-02(94) WIS
Author: Wisdom-Hill, J. C. (Jan Claire)
CorpAuthor: Australia. Office of the Status of Women; Women in Film and Television (Australia)
Place: [Canberra
Publisher: Office for the Status of Women]
PubDate: 1995
PhysDes: 66 p. ; 30 cm
Subject: WOMEN FILM WORKERS. AUSTRALIA; WOMEN TV WORKERS. AUSTRALIA; WOMEN IN FILM AND TELEVISION (WIFT); MULTIMEDIA. AUSTRALIA
Notes: Cover title; Bibliography: p. 62-66
Order Received: 2000
Order Type: Donation
LON: 12345061

Call No: 209(94) INF
Place: Melbourne, Vic. : Arts Training Victoria, 1996
PhysDes: 1 v
Subject: FILM WORKERS. AUSTRALIA; COURSES, FILM. AUSTRALIA
Notes: Fax. 19.3.96
ISBN: 0730692329 (set : prepublication); 0730692337 (pt.1. : prepublication); 0730692345 (pt.2. : prepublication)
LON: 12184273

Call No: 462-02(94) INP
Author: Melov, Louise
CorpAuthor: Women in Film and Television (Australia)
Place: Surry Hills, NSW
Publisher: Women in Film & Television
PubDate: 1993
PhysDes: 68 p. : ill., ports. ; 1993
Subject: CONFERENCES. AUSTRALIA. WOMEN IN FILM AND TELEVISION; WOMEN AND THE CINEMA. AUSTRALIA; WOMEN FILM WORKERS. AUSTRALIA; MULTICULTURALISM AND THE CINEMA. AUSTRALIA
Notes: Papers given at a conference held at the Australian Film, Television and Radio School, Sydney 26-27 September, 1992
ISBN: 0646130676
LON: 9721426

Call No: 24 MUR
Author: Murch, Walter
CorpAuthor: Australian Film, Television and Radio School
Source: AT
Place: Sydney
Publisher: Australian Film, Television & Radio School
PubDate: c1992
PhysDes: viii, 108 p. : 6 col. ports. ; 21 cm
Subject: AUDIENCES; CONTINUITY; EDITING; EMOTION IN FILMS; FILM WORKERS; POST-PRODUCTION; TECHNOLOGICAL DEVELOPMENTS; TECHNOLOGY AND THE CINEMA; COPPOLA, FRANCIS FORD; MURCH, WALTER; UNBEARABLE LIGHTNESS OF BEING, THE (US, Philip Kaufman, 1988)
Summary: "It was 1988 when Walter Murch first presented his fascinating lecture, IN THE BLINK OF AN EYE, to an audience in Sydney, Australia. His comments and insights are as relevant now as they were then, and will be in a decade's time. Included with the lecture is an equally important new chapter on changing editing technologies." [Book blurb]
Notes: Includes bibliographical references and index
ISBN: 0642180377 : price unknown
LON: 9030756 9030756

Call No: 51 INF
Author: Lyons, Timothy J.; Staples, Donald E.; Wagner, Robert W.
Source: US
Place: Houston, Texas
Publisher: University of Houston
PubDate: Fall 1979
Series: Journal of the University Film Association, Monograph No. 4
Subject: FILM WORKERS; DIRECTORS. JAPAN; DIRECTORS. MEXICO; DIRECTORS. UK; DIRECTORS. USA; DIRECTORS. USSR; DIRECTORS. AUSTRALIA; DIRECTORS. GERMANY; DIRECTORS. INDIA; DIRECTORS. ITALY
Notes: Papers from the XIXth Congress and General Assembly of Centre International de Liaison des Ecoles de Cinema et de Television (CILECT), Washington, DC 11-18 September 1978

Call No: 792(41)(088.94) INS
Author: Petrie, Duncan (ed); Pettigrew, Nick (ed)
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 1996
PhysDes: x, 205 p. ; 24 cm
Subject: FILM WORKERS. UK; PRODUCERS. UK; DIRECTORS. UK
Summary: "Inside Stories reveals the fascinating diaries of key film-makers working today - all with a British connection. It takes you behind the scenes and gives a gripping account of pre-production (Hollow Reed), shooting (Crash, Breaking the Waves), post-production (Twelve Monkeys), certification (from Tank Girl to soft-porn videos) and exhibition. For those who make films, want to make them, or simply love to watch them, Inside Stories is an unmissable read. " -- BOOK BLURB
Notes: Includes filmography (p. 202-205)
ISBN: 0851705839
Contents: Introductions. Stephen Woolley. David Aukin -- The Producer. Nik Powell. Mark Shivas. Simon Relph. Julie Baines. Keith Griffiths. Christopher Wicking -- The Director. Gillies MacKinnon. Michael Apted. Gary Sinyor -- The Writer. Peter Capaldi. Allan Shiach. Richard Curtis -- The Actor. Alfred Molina. Katrin Cartlidge -- The Cinematographer. Peter Suschitzky. Seamus McGarvey -- The Designer. John Bloomfield. Christopher Hobbs -- The Editor. Mick Audsley. Anne Sopel -- The Composer. Simon Fisher Turner -- The Distributor. Pam Engel -- The Exhibitor. Philip Grey. Jim Hamilton -- The Censor. Richard Falcon -- The Journalist. Neil McCartney -- The Television Documentarist. David Thompson -- Checklist of films.

Call No: 81CAM JAN
Author: Radner, Hilary; Fox, Alistair; Bessiere, Irene
Place: Detroit, Mich
Publisher: Wayne State University Press
PubDate: 2009
PhysDes: xiv, 329 p. : ill. ; 23 cm
Series: Contemporary approaches to film and television
Subject: CAMPION, JANE; DIRECTORS; WOMEN FILM WORKERS. AUSTRALIA; WOMEN AND THE CINEMA; PIANO, THE (AT, Jane Campion, 1993); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996)
Notes: Includes bibliographical references, filmography and index
ISBN: 9780814334324
Contents: Introduction: an antipodean filmmaker in an international context / Alistair Fox and Hilary Radner -- Subjectivities and the construction of identity in Jane Campion's films. "In extremis": Jane Campion and the woman's film / Hilary Radner -- Her-land: Jane Campion's cinema, or another poetic of the inner sense / Muriel Andrin -- The Campions indulge in the audition / Harriet Margolis -- Campion-Keitel Connections, a.k.a. "We are the piano" / Chris Holmlund -- Jane Campion and her sources. "I can really see myself in her story": Jane Campion's adaptation of Janet Frame's autobiography / Lawrence Jones -- Puritanism and the erotics of transgression: the New Zealand influence in Jane Campion's thematic imaginary / Alistair Fox -- Portraits of a woman: Jane Campion and Henry James / Irene Bessiere -- Jane Campion: adaptation, signature, autobiography / Kathleen A. McHugh -- Jane Campion's "Geographies". Jane Campion and the international theme: from The portrait of a lady to An angel at my table / Jean Bessiere -- The suburb in Jane Campion's films / Rochelle Simmons -- From antipodean cinema to international art cinema / Raphaelle Moine -- Viewers respond to Jane Campion. "Comme une invitation au voyage": French reception of Jane Campion, An angel at my table, and The piano / Simon Sigley -- "The piano is mine. It's mine." My (free association with) Jane Campion, or, the child in the spectator / Sue Gillett -- Jane Campion and the moral occult / Ann Hardy -- On viewing Jane Campion as an antipodean / Annabel Cooper

Call No: 70(084.2) LIF; FOLIO
Author: Scherman, David E. (ed.)
CorpAuthor: Time-Life Books
Source: US
Place: New York
Publisher: Time-Life Books
PubDate: 1975
PhysDes: III, 304p. :ill. (some col.) ; 34cm
Subject: HISTORY OF CINEMA; ACTORS; FILM WORKERS; FILM. USA; FILMMAKING; FILM CULTURE; STYLES, FILM; PHOTOGRAPHY AND THE CINEMA
Summary: "This book is about a magazine's love affair with an industry.From the start, Life and the movies were hooked by each other, behaving by turns like partners or rivals, soul mates or ragged enemies.....we had a wonderful time together. During Life's span, from 1936 to 1972. The movie department filled more pages than any other editorial beat except the focal " Newsfronts"section.....All this is reflected in the book you are now holding in your hands.It is by no means a systematic, conscientious history of Hollywood....We have chosen, instead, to win now the finest pictures in in LIFE's files more than 750 selections, which recaptures both the symbiosis between reporters and reportees and the art that the magazine itself brought to its photographic coverage of moviemaking." By Tom Prideaux former Entertainment Editor of Life. COVER JACKET
Notes: This book contains portraits and images of filmworkers and film scenes, had been publishing in Life Magazie during 1936 to 1972
ISBN: 0809416433
Donation: donated by the family of Wayne Levy, 2006
Contents: -- Chapter I: The Stars -- Chapter II: The Buildup -- Chapter III: The Movies --Chapter IV: The Studio -- Chapter V: Behind the Scenes --
ID2: 229

Call No: SUBJECT CLIPPINGS FILE; WOMEN FILM WORKERS
Author: Quinn, Karl
PhysDes: Clippings File Article
Subject: WOMEN FILM WORKERS
Summary: Paula Wagner is the the headline guest at the 2015 Screen Forever conference. She talks about the changing role of women in Hollywood and addresses the issues about why there are not more women writing, producing and directing.

Call No: SUBJECT CLIPPINGS FILE; CINEMATOGRAPHY. AUSTRALIA
Author: Quinn, Karl
PhysDes: Clippings File Article
Subject: WOMEN FILM WORKERS. AUSTRALIA; CINEMATOGRAPHY. AUSTRALIA; ELLIOT, BONNIE; KERRIGAN, JUSTINE; WALKER, MANDY; WEGNER, ARI
Summary: Looking at women cinematographers in Australia. Quotes from Ari Wegner, Bonnie Elliot, Justine Kerrigan, Mandy Walker

Call No: 81MCM MCM
Author: McMurty, Larry
Source: US
Place: New York
Publisher: Simon and Schuster
PubDate: 2009
PhysDes: 175 pages ; 23 cm
Subject: CRITICISM; FILM WORKERS; SCRIPTWRITERS; SCRIPTWRITING; BOGDANOVICH, PETER; MCMURTRY, LARRY; LAST PICTURE SHOW, THE (US, Peter Bogdanovich, 1971); LONESOME DOVE (US, Simon Wincer, 1989)
Summary: "Larry McMurtry is that rarest of artists, a prolific and genre-transcending writer who has delighted generations with his witty and elegant prose. In LITERARY LIFE, the sequel to BOOKS, he expounds on the private trials and triumphs of being a writer. From his earliest inkling of his future career while at Rice University, to his tenure as a Wallace Stegner fellow at Stanford with Ken Kesey in 1960, to his incredible triumphs as a best-selling author, this intimate and charming autobiography is replete with literary anecdotes and packed with memorable observations about writing, writers, and the author himself. It is a work to be cherished not only by McMurtry's admirers, but by the innumerable aspiring writers who seek to make their own mark on American literature." [BOOK BLURB]
ISBN: 9781439159941
Donation: Simon Wincer

Call No: SUBJECT CLIPPINGS FILE; FILM WORKERS AUSTRALIA
Author: Quinn, Karl
PhysDes: Clippings File Article
Subject: INDUSTRY, FILM. AUSTRALIA; FILM WORKERS AUSTRALIA; MEDIA, ENTERTAINMENT AND ARTS ALLIANCE

Call No: 802.3 SCH
Author: Schaefer, Dennis; Salvato, Larry
Source: US
Place: Berkeley, Calif.
Publisher: University of California Press
PubDate: 1984
PhysDes: 355 p. :23 cm
Subject: LIGHTING; CINEMATOGRAPHY; FILM WORKERS; ALMENDROS, NESTOR; ALONZO, JOHN; BAILEY, JOHN; BUTLER, BILL; CHAPMAN, MICHAEL; FRAKER, BILL; HALL, CONRAD; KOVACS, LASZLO; ROIZMAN, OWEN; STORARO, VITTORIO; TOSI, MARIO; WEXLER, HASKELL; WILLIAMS, BILLY; WILLIS, GORDON; ZSIGMOND, VILMOS
Summary: "Through conversations held with fifteen of the most accomplished contemporary cinematographers, the authors explore the working world of the person who controls the visual look and style of a film. In the past two decades a whole new generation of cinematographers has emerged on the international film scene. Often using spare and original lighting and camera techniques that would have horrified oldtime Hollywood, directors of photography have made a public mark on the film-making process that was all but un-thinkable in earler years. No other volume of in-depth conversations with the generation of cinematographers is available to students and moviegoers. These interviews are rich in practical detail as well as stimulating discussions of aesthetic issues. Thus, reading this book is like taking a class from fifteen top cameramen. Taken together, the conversations in this book reveal the remarkable range of creativity and dedication demanded of the visual artist in feature filmmaking today." -- BOOK BLURB
Notes: Includes index
ISBN: 0520053362
Donation: donated by the family of Wayne Levy, 2006
Contents: -- introduction -- Nestor Almendros -- John Alonzo -- John Bailey -- Bill Butler -- Michael Chapman -- Bill Draker -- Conrad Hall -- Laszlo Kovacs -- Owen Roizman -- Vittorio Storaro -- Mario Tosi -- Haskell Wexler -- Billy Williams -- Gordon Willis -- Vilmos Zsigmond -- glossary -- index --

Call No: 802 MER
Author: Raw, Laurence (ed.)
Source: US
Place: Jackson
Publisher: University of Mississippi
PubDate: 2012
PhysDes: xliv, 174 p. ; 24 cm
Series: Conversations with filmmakers series
Subject: FILM WORKERS; IVORY, JAMES; MERCHANT, ISMAIL; JHABVALA, RUTH PRAWER; CITY OF YOUR FINAL DESTINATION, THE (US, James Ivory, 2009)
Summary: " Merchant-Ivory: Interviews gathers together for the first time interviews made over the past five decades with director James Ivory (b.1928), producer Ismail Merchant (1936-2005), and screenwriter Ruth Prawer Jhabvala (b. 1927), the creators of such films as Maurice, Howards End, The Remains of the Day, and A Room with a View. Beginning with their earliest work in India and ending with James Ivory's latest film, The City of Your Final Destination (2009), the book traces their careers together, while offering valuable insights into their creative filmmaking process. As independent filmmakers, they have developed an idiosyncratic approach that resists facile classification. This book shows how the filmmaking tea has always taken considerable care in casting their films, as well as treating actors with respect. This is a deliberate policy, designed to bring out one of the triumvirate's principal thematic concerns - the impact of the "clash of cultures" on individuals. Partly this has been inspired by their collective experiences of living and working in different cultures. They do not offer any answers to this issue; rather they believe that their task is simply to raise awareness, to make filmgoers conscious of the importance of cultural senstivities that assume paramount significance in any exchange, whether verbal or nonverbal. " -- BOOK BLURB
Notes: Includes filmography, bibliographical references and index
ISBN: 9781617032370
Donation: Donated by Senses of Cinema, 2013
Contents: -- introduction -- chronology -- filmography -- James Ivory and Ismail Merchant: an interview / Jag Mohan, Basu Chatterji, Arun Kaul (1968) -- Interview with James Ivory / Stephan Varble (1972) -- Merchant-Ivory / John Gillett (1973) -- The Merchant-Ivory synthesizers / Judith Trojan (1974) -- Hollywood versus Hollywood / James Ivory (1976) -- Where could I meet other screenwriters? a conversation with Ruth Prawer Jhabvala / John Pym (1978) -- Ismail Merchant: snowballs to Eskimos / Charles Newman (1984) -- James Ivory: an interview / Pat Anderson (1984) -- The trouble with Olive: divine madness in Massachusetts / James Ivory (1985) -- Interview with Ruth Prawer Jhabvala / Michael McDonough (1986) -- Dialogue on film: Merchant and Ivory / American Film Institute (1987) -- A film of two halves / Graham Fuller (1990) -- A truly flourishing plant / Michael Simpson (1992) -- Buttling under / Brian Case (1993) -- The elegance of James Ivory: 1994 D. W. Griffith award winner / Carolyn Hill (1995) -- Ismail Merchant: the maker of dreams / Shahrukh Husain (1995) -- James Ivory / Geoffrey MacNab (1999) -- Conversation with Ruth Prawer Jhabvala / Philip Horne (2000) -- James Ivory interview / Mike Goodridge (2002) -- Ismail Merchant transcript / Chris Neumer (2003) -- Interview with Ruth Prawer Jhabvala / Declan McGrath and Felim MacDermott (2003) -- James Ivory on his final destination and working without Ismail Merchant / Erick Larnick (2010) -- additional resources -- index --

Call No: SUBJECT CLIPPINGS FILE; WOMEN FILM WORKERS
PhysDes: Clippings File Article
Subject: WOMEN FILM WORKERS; RACE AND THE CINEMA
Summary: An article about the treatment of women and ethnicity in the film industry, referencing the 2016 Acadmeny Awards and Amy Pascal resignation as co-chairwoman of Sony Pictures.

Call No: 802.25 FIN; FOLIO
Author: Finler, Joel W. (Joel Waldo), 1938
Source: UK
Place: London
Publisher: Octopus Books
PubDate: 1985
PhysDes: 272 p. : ill. ; 33 cm
Subject: DIRECTORS; FILM WORKERS; HISTORY OF CINEMA; HOLLYWOOD; INDUSTRY, FILM. USA; STAR SYSTEM
Summary: "Since the earliest days of cinema, the director has combined and controlled all the elements of film-making. His status and independence have waxed and waned but he has always - rightly or wrongly - been credited with a film's success or blamed for its failure. Here is the absorbing account of 140 careers, ranging across the spectrum from studio work-horse to acknowledged genius. The famous director-star partnerships, such as Clarence Brown and Greta Garbo, John Ford and John Wayne, Josef von Sternberg, and Marlene Dietrich, Martin Scorsese and Robert de Niro are all here, as are the unknown but invaluable contract directors, the great innovators, the writer-directors and the rebels. Each entry is generously illustrated with pictures of the directors themselves, as well as scenes from their most characteristic movies. The selection has been made to give a has been made to give a varied and representative view of the director's contribution to the English speaking cinema in general and Hollywood in particular." [Taken from book jacket]
Notes: Includes indexes
ISBN: 0706422880
LON: 4458266 4458266

Call No: 67 MOV
Author: Cameron, Ian (ed.)
Source: US
Place: New York
Publisher: Praeger Publishers
PubDate: 1972
PhysDes: 120 p. : ill. ; 28cm
Subject: PRODUCERS; FILM WORKERS
Summary: "Movie was the first major journal in English to be founded on the principles that have since become known as the auteur theory. The magazine has been distinguished by its enthusiasm for previously neglected areas of the American cinema. It has paid homage to directors whose reputations had been stifled by the belief of previous generations of critics that good films emerged from Hollywood only as a result of happy accidents that brought together a compatible group of craftsmen, some competent actors, and a well-written script. As part of the process of rediscovering the American cinema, the editors and contributors of Movie interviewed many of the major directors at some length. These interviews are far more searching than the usual show-business chatter. Among the directors interviewed were Alfred Hitchcock, Vincente Minnelli, Nicholas Ray, and Otto Preminger. However, the magazine has not dealt exclusively with Hollywood- among the interviews included in this anthology are one with Claude Chabrol and a revealing conversation between Jean-Luc Godard and Michaelangelo Antonioni. A number of previously unpublished interviews are also included. The first-person accounts of the business of directing films gathered here form a fascinating and invaluable collection of source material." -- BOOK BLURB
Notes: "The articles ... are taken from the first fourteen issues of Movie, covering the years 1962 to 1965.".; Includes bibliographical references.
Contents: -- introduction -- General Articles -- the British cinema -- films, directors, and critics -- the iconography of the movies -- Alfred Hitchcock -- the mechanics of suspense -- suspense and meaning -- rope -- the universal Hitchcock -- Otto Preminger -- why Preminger? -- from laura to angel face -- carmen and Bess -- bonjour Tristesse -- exodus -- attitudes in advise and content -- Howard Hawks --Hawks' comedies -- gentlemen prefer blondes -- Hatari! -- Nicholas Ray -- the cinema of Nicholas Ray -- Joesph Losey -- contamination -- king and country -- Director Studies -- the Darwinian world of Claude Chabrol -- Michael Powell -- Frank Tashlin & the new world -- six films of Josef von Sternberg -- Film Reviews -- Now about these women -- Tokyo story -- Judex -- Vanina Vanini -- the trial of Joan of Arc -- La baie des anges -- Paris nous appartient -- Hercules conquers Atlantis -- Freaks --

Call No: 802 CHE
Author: Chell, David
Source: US
Place: Redmond, Wash
Publisher: Microsoft Press
PubDate: 1987
PhysDes: ix, 357 p. : ill. ; 24 cm
Subject: CINEMATOGRAPHY; EDITING; SOUND; ART DIRECTION; MAKE-UP; SPECIAL EFFECTS; ANIMATION; COMPUTER GRAPHICS; COSTUME DESIGNING; FILM WORKERS; DAVIAU, ALLEN; MENGES, CHRIS; LITTLETON, CAROL; NOBLE, THOM; NEWMAN, CHRIS; VARNEY, BILL; ISHIOKA, EIKO; BRANDENSTEIN, PATRIZIA VON; ZEA, KRISTI; WESTMORE, MICHAEL; CRUIKSHANK, SALLY; PICKER, JIMMY; ABEL, ROBERT; DEMOS, GARY; ARBOGAST, ROY; MUREN, DENNIS; EVANS, CHRIS; FULMER, MIKE; ERLAND, JONATHAN
Summary: A series of interviews with a number of filmmakers involved in film cinematography, editing, sound, production design, costume design, makeup, animation, computer graphics and special effects. The interviews contain anecdotes about their experiences, and details and tips about their craft.
ISBN: 1556150032
Donation: donated by the family of Wayne Levy, 2006

Call No: 634 MUS
Author: Wierzbicki, James (ed.)
Source: US/UK
Place: New York : London
Publisher: Routledge
PubDate: 2012
PhysDes: xv, 210 p. : ill. ; 23 cm
Series: Routledge music and screen media series
Subject: DIRECTORS; FILM; FILM WORKERS; LYNCH, DAVID; MUSIC AND THE CINEMA; MUSIC IN FILMS; PRODUCERS; SOUND; SOUND EDITING; SOUND EFFECTS; SOUND RECORDING; ANDERSON, WES; BERGMAN, INGMAR; COEN, JOEL & ETHAN; GREENAWAY, PETER; KIESLOWSKI, KRZYSZTOF; KUBRICK, STANLEY; SELZNICK, DAVID O.; TARANTINO, QUENTIN; TARKOVSKY, ANDREI; VAN SANT, GUS
Summary: "Music, Sound and filmmakers: Sonic Style in Cinema examines the work of filmmakers whose concern is not just for the eye, but also for the ear. The bulk of the text focuses on the work of directors Wes Anderson, Ingmar Bergman, the Coen brothers, Peter Greenaway, Krzysztof Kieslowski, Stanley Kubrick, David Lynch, Quentin Tarantino, Andrey Tarkovsky and Gus Van Sant. Significantly, the anthology includes a discussion of films administratively controlled by such famously sound-conscious producers as David O. Selznick and Val Lewton. Written by the leading film music scholars from Europe, North America, and Australia, Music, Sound and Filmmakers: Sonic Style in Cinema will complement other volumes in Film Music Coursework, or stand on its own among a body of research. " -- BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references and index
ISBN: 9780415898942
Contents: -- series foreword -- preface -- acknowledgments -- 1: sonic style in cinema / James Wierzbicki -- 2: Music, sound, and silence in the films of Ingmar Bergman / Per F. Broman -- 3: Andrey Tarkovsky : the refrain of the sonic fingerprint / Elizabeth Fairweather -- 4: "It's all really happening" : sonic shaping in the films of Wes Anderson / Ben Winters -- 5: Kieslowski's musique concre`te / Joseph G. Kickasola -- 6: Gus Van Sant's soundwalks and audio-visual musique concre`te / Danijela Kulezic-Wilson -- 7: Blowin' in the wind : music and meaning in the Coen Brothers' films / Matthew McDonald -- 8: Sound and uncertainty in the horror films of the Lewton Unit / Michael Lee -- 9: Conducting the composer : David O. Selznick and the Hollywood film score / Nathan Platte -- 10: The Stanley Kubrick experience : music, firecrackers, disorientation, and you / Kate McQuiston -- 11: The filmmaker's contract : controlling sonic space in the films of Peter Greenaway / Ian Sapiro -- 12: The attractions of repetition : Tarantino's sonic style / Lisa Coulthard -- 13: Dream timbre : notes on Lynchian sound design / Isabella van Elferen -- list of contributors -- bibliography -- index --

Call No: 71(540) NAT
Author: Ghatak, Ritwick
CorpAuthor: National Film Archive of India
Source: II
Place: Bombay
Publisher: National Film Archive of India
PubDate: ??
PhysDes: 52 p. ; 29 cm
Subject: INDIA; FILM WORKERS; GHATAK, RITWIK; AJANTRIK (II, Ritwik Ghatak, 1958); MEGHE DHAKA TARA (II, Ritwik Ghatak, 1959)
Notes: Includes filmography.
Contents: The film and I,; My thoughts on cinema,; Ritwick Ghatak: an interview,; Bengali Cinema - Literary influences,; My present efforts,; Ritwick Ghatak says - by Sudhendu Dasgupta,; Outline of films: Bari thekey paliyne (1959), Ajantrik (1958), Meghe dhaka tara (1960), Komal gandhar (1961), Subarnarekha (1968) and Jukti takko aar goppo (1974).

Call No: SUBJECT CLIPPINGS FILE; FILM WORKERS. AUSTRALIA
Author: White, Dominic
PhysDes: Clippings File Article
Subject: FILM WORKERS. AUSTRALIA; TRADE UNIONS. AUSTRALIA; ACTORS
Summary: Traditional Australian tv broadcasters and Foxtel are asking the government to end the current restrictions of granting visas to foreign actors. The Media Entertainment Arts Alliance opposes this move.

Call No: SUBJECT CLIPPINGS FILE; FILM WORKERS. AUSTRALIA
Author: White, Dominic
PhysDes: Clippings File Article
Subject: FILM WORKERS. AUSTRALIA; TRADE UNIONS. AUSTRALIA; ACTORS
Summary: Traditional Australian tv broadcasters and Foxtel are asking the government to end the current restrictions of granting visas to foreign actors. The Media Entertainment Arts Alliance opposes this move.

PhysDes: Article
Subject: PIONEER FILM WORKERS; INDUSTRY, FILM. AUSTRALIA : VICTORIA
Summary: Article on the Cinema Pioneer's Victoria dinner, hosted by Reg Potter.

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA : WESTERN AUSTRALIA; PIONEER FILM WORKERS
Summary: Article on the success of the Society of Australian Cinema Pioneers meeting in Western Australia.

Call No: 802 PRO V.12
Author: Boorman, John; Donohue, Walter; MacDonald, Fraser
Source: UK
Place: London
Publisher: Faber and Faber Limited
PubDate: 2002
PhysDes: viii, 369p. ; illus. ; 24cm.
Series: Projections
Subject: FILM STUDY AND RESEARCH; FILM WORKERS; SCHOOLS, FILM. USA; ALEKAN, HENRI; ANTONIONI, MICHELANGELO; HAWKE, ETHAN; KERRIGAN, LODGE; O'DONNELL, DAMIEN; OZON, FRANCOIS; RAY, NICHOLAS; PAR-DELA LES NUAGES (FR/IT/GG, Michelangelo Antonioni, 1995); WAKING LIFE (US, Ricahrd Linklater, 2001)
ISBN: 0571206948

Call No: 224.2 KAT
Author: Katahn, T. L
Edition: 1st ed
Source: US
Place: Los Angeles, Calif.
Publisher: Blue Arrow Books
PubDate: 1990
PhysDes: 177 p. ; 22 cm
Subject: SCRIPTWRITING; FILM WORKERS; PRE-PRODUCTION
ISBN: 0962580392
LON: 7551728

Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. AUSTRALIA
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: INDUSTRY, FILM. AUSTRALIA; FILM WORKERS. AUSTRALIA; AUSTRALIAN DIRECTORS GUILD; CONFERENCE AUSTRALIAN INTERNATIONAL DOCUMENTARY; AWARDS. ACADEMY; BOX OFFICE. AUSTRALIA
Summary: Roundup of news for the week including: 420 entertainment visa discussion/review, Australian Directors Guild applying to become a union, Australian International Documentary Conference Stanley Hawes award winner Pauline Clague, box office figures for the week and for the acaedmy award nominees, and production news on 'Pirates of the Caribbean: Dead men tell no tales' and new untitled film by Blue Tongue studios.
Notes: filed in the INDUSTRY, FILM. AUSTRALIA. 2015 file

Call No: SUBJECT CLIPPINGS FILE; SCREEN QUEENSLAND
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: SCREEN QUEENSLAND; WOMEN FILM WORKERS; WOMEN FILMMAKERS. AUSTRALIA
Summary: Snippet on Screen Queensland's moves to promote women in creative roles in cinmea

Call No: 462-02(94) BAI
Author: James Bailey, Julie
Place: Sydney
Publisher: Australian Film, Television and Radio School
PubDate: 1999
PhysDes: xii, 408 p. : ports. ; 21 cm
Subject: WOMEN FILM WORKERS. AUSTRALIA; KENNY, JAN; THORNBURN, GRETCHEN; COCKSEDGE, ANNIE; BILCOCK, JILL; PRYOR, SALLY; DEVINE, KIT; ARMSTRONG, GILLIAN; MCKIMMIE, JACKIE; BROWNE, DINA; PHILLIPSON, MARGOT; MURPHY, BRONWYN; KERR, SUE; SHEEHAN, ANNABELLE; TYSON-CHEW, NERIDA; COOPER, DANY; SMITH, MANDY; GAYNOR, HELEN; REID, CAROLYN; WOOD, SUSAN; BENNETT, SARA; CARTWRIGHT, LYNNE; RUDD, CAMILLA; GIL, GLENYS
Notes: Includes bibliographical references (p. [391]-394) and index
ISBN: 1876351047
LON: 20169058

Author: Alexander, Katy
PhysDes: Book review; Illustration(s)
Subject: WOMEN FILM WORKERS. AUSTRALIA

Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, FILM. AUSTRALIA 2015
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: WOMEN FILM WORKERS. AUSTRALIA; FUNDING. AUSTRALIA; AWARDS. AUSTRALIAN ACADEMY OF CINEMA AND TELEVISION ARTS
Summary: This article contains snippets on the following topics: The Australian Director's Guild has called for a quoto to increase the number of films directed by women; nominations for AACTA awards announced soon; Entries open for 63rd Sydney bFilm Festival; Sherpa has won the award for best documentary at BFI London film festival

Author: Labato, Ramon
PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; PRODUCTION ASIA; PRODUCTION DEALS. AUSTRALIA; ASIANS AND THE CINEMA. AUSTRALIA; FILM WORKERS
Summary: This article examines some of the material dimensions of Asian Australian cinema through an analysis of selected regional production and post-production flows since 1980, and the debates surrounding them. It begins with a theoretical discussion of the role of labour within the global film industry, before moving on to consider controversies around the offshoring of film production to lower-cost destinations. Specific examples of production relays between Asia and Australia are analysed in the context of models of cultural labour offered by Toby Miller et al. and Ben Goldsmith. The author proposes a definition of Asian Australian cinema that seeks to attend to cross-border collaboration at a variety of levels and to render visible ‘below-the-line’ Asian Australian interfaces that do not necessarily register on screen. -- Abstract
Notes: Part of Special Issue: Transnational Asian Australian Cinema, part 2

Call No: SUBJECT CLIPPINGS FILE; SCREEN AUSTRALIA
Author: Quinn, Karl
PhysDes: Clippings File Article
Subject: SCREEN AUSTRALIA; WOMEN DIRECTORS. AUSTRALIA; WOMEN FILM WORKERS. AUSTRALIA; WOMEN FILMMAKERS. AUSTRALIA; DRESSMAKER, THE (AT, Jocelyn Moorhouse, 2015)
Summary: Report on the new Screen Australia initiative to encourage funding of films made by and for women. Quotes from the producer of the film THE DRESSMAKER, Sue Maslin, who talks of the difficulty to obtain funding for the film due to the large female presence and themes in the film

Call No: 451-02 MAR
Author: Margolis, Harriet; Krasilovsky, Alexis; Stein, Julia
Source: UK/US
Place: Bristol, U.K. ; Chicago, USA
Publisher: Intellect
PubDate: c2015
PhysDes: xxvii, 338 pages ; 23 cm
Subject: WOMEN FILM WORKERS; WOMEN TV WORKERS; WOMEN FILMMAKERS; CINEMATOGRAPHY; PRODUCTION; CAMERAS; WOMEN AND THE CINEMA; DOCUMENTARIES; WOMEN, FILMS MADE BY
Summary: "Shooting Women takes readers around the world to explore the lives of camerawomen working in features, TV news, and documentaries. From first-world pioneers like African American camerawoman Jessie Maple Patton who got her job only after suing the union to China's first camerawomen who traveled with Mao, to rural India where poor women have learned camerawork as a means of empowerment, Shooting Women reveals a world of women working with courage and skill in the male-dominated film and televsion industries." -- BOOK BACK COVER BLURB
Notes: Includes bibliographical references and index
LON: 9781783205066
Contents: -- acknowledgments -- prefaces -- from Alex Krasilovsky -- from Harriet Margolis-- ch: 1 How do women become camerawomen? -- Learning on the Job -- Still Photography -- Film School -- Training Programs -- Two Examples of Feminist Groups: Women in Film and Behind the Lens -- Women-Supportive Workshops and Production Groups -- Filming in the Service of Social Activism: Video SEWA and Aina -- Collectives -- Rental Houses -- ch: 2 How hard can it be? -- Gender Discrimination -- Unions and Guilds -- When Cameras Were Heavy -- Helpful Men -- Ssh! (Secret Sexual Harassment) -- Sabotage -- Getting Paid Jobs -- Breaking Out of Isolation -- Rising through the Ranks -- Budgets and Glass Ceilings -- ch: 3 Documentary: A good and satisfying career choice that is statistically friendlier to women than feature fiction filmmaking -- Filming History Being Made in China -- Documentary: Historical and Personal -- ch: 4 Hollywood, Bollywood, independents, and short forms -- Hollywood -- Indian Cinema -- The Freedom of Independent Films -- Music Videos -- Commercials and Such -- Experimental/Avant-Garde Films and Videos -- Art Films and Videos -- Shooting Special Material: Birth -- ch: 5 Special skills and creativity -- Handheld Camerawork -- Cranes -- Underwater -- Helicopters -- Special Effects -- Lighting as a Cinematographer's Dream Job -- Digital Technology -- Style -- ch: 6 Shooting around the world -- Erika Addis on Beginning her Career -- Arlene Burns on Filming in the Kuril Islands -- Young-Joo Byun on Filming Comfort Women in Korea -- Nancy Durham on Filming the Balkan War -- Jolanta Dylewska on Filming in Kazakhstan -- Sabeena Gadihoke on Filming Three Women and a Camera -- Rozette Ghadery on Filming in Kurdistan -- Sue Gibson on Filming in Jordan -- Joan Giummo on Filming Homeless Women in New York -- Agnes Godard Pays Homage to Beauty -- Marina Goldovskaya on Filming History Being Made in Russia -- Ellen Kuras on Pivotal Moments in Shooting -- Heather MacKenzie on Filming Romanian Orphans -- Sandi Sissel on Filming Salaam Bombay! -- Agnes Varda on Filming the Human Body -- Liz Ziegler on Filming Eyes Wide Shut (1999) for Stanley Kubrick -- ch: 7 Can camerawomen also be women? -- Parents -- Fathers -- Mothers -- Friends and Extended Family -- Husbands -- A Happy Marriage -- Pregnancy -- Children and Childcare -- Daughters -- ch: 8 What's it really like? -- A Typical Day -- Where Do Camerawomen Go? -- What Do Camerawomen Wear? -- Working with the Crew -- Working with Directors and Producers -- Acting Like Men to Fit In -- The Advantages of Being Female -- ch: 9 Magic moments, worst moments -- Satisfactions -- Worst Moments, Dangers, and Risking One's Life -- ch: 10 What do camerawomen see? -- Representation and Gender -- Ethics -- Camerawomen Teaching -- "Just Do It" -- Aspirations for the Future -- List of camerawomen whose interviews are included in this book -- bibliography -- index --

Call No: SUBJECT CLIPPINGS FILE; WOMEN DIRECTORS. AUSTRALIA
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: QUOTA. AUSTRALIA; WOMEN DIRECTORS. AUSTRALIA; WOMEN FILM WORKERS. AUSTRALIA; FUNDING. AUSTRALIA; SCREEN AUSTRALIA
Summary: Snippet on the Australian Directors Guild's push to get Screen Australia to enforce a quota on film funding that makes it 50 percent for female and male filmmakers

Call No: TITLE CLIPPINGS FILE; THOR: RAGNAROK (US, Taika Waititi, 2017)
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: FILM WORKERS. AUSTRALIA; WAITITI, TAIKA; THOR: RAGNAROK (US, Taika Waititi, 2017)
Summary: Snippet on Taika Waititi's support of Australian Indigenous attachments during the shoot of the film he is directing THOR: RAGNAROK

Call No: 721.02 (94) CHA
Author: Chapman, Jan
Edition: 1st ed.
Source: Australia
Place: Australia
Publisher: Screen sound Australia
PubDate: 2002
PhysDes: 1 v ; 20.5 cm, b&w ill.
Series: Longford Lyell lecture 2002, ScreenSound Australia Monograph no.3
Subject: WOMEN AND THE CINEMA. AUSTRALIA; WOMEN FILM WORKERS. AUSTRALIA; WOMEN FILMMAKERS. AUSTRALIA; WOMEN IN FILMS; WOMEN ON TV. AUSTRALIA; WOMEN, FILMS FOR; WOMEN, FILMS MADE BY; FEMINISM AND THE CINEMA; FEMINISM AND TV; CHAPMAN, JAN; ARMSTRONG, GILLIAN; CAMPION, JANE; LYELL, LOTTIE; BARRETT, SHIRLEY; MILLIKEN, SUE; Lovell, Patricia; ROBB, JILL; SCOTT, JANE; LONG, JOAN; FINK, MARGARET; DAVIS, JUDY; LEVY, SANDRA; GRIFFITHS, RACHEL; BLANCHETT, CATE; KIDMAN, NICOLE; COLLETTE, TONI; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); WOMAN SUFFERS, THE (AT, Raymond Longford, 1918); ON OUR SELECTION (AT, Raymond Longford, 1920); SHOWTIME (AT, Jan Chapman, 1978); SWEET AND SOUR [TV] (AT, 1984); SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977); SMOKES AND LOLLIES (AT, Gillian Armstrong, 1976); BINGO BRIDESMAIDS AND BRACES (AT, Gillian Armstrong, 1988); MORE SMOKES, LESS LOLLIES (AT, Gillian Armstrong, 1981); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); WELL, THE (AT, Samantha Lang, 1997); LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992); TWO FRIENDS [TV] (AT, Jane Campion, 1986); LITTLE WOMEN (US, Gillian Armstrong, 1994); OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997); CHARLOTTE GRAY (G/UK/AT, Gillian Armstrong, 2001); PIANO, THE (AT, Jane Campion, 1993); GIRL'S OWN STORY, A (AT, Jane Campion, 1983)
Summary: The ScreenSound Australia Annual Longford Lyell Lecture was established in 2001. It is named in honour of two significant pioneers of Australian cinema, Lottie Lyell and Raymond Longford, who were the foremost creative partnership in the pioneering years of Australian cinema. Jan Chapman is one of Australia’s most famous producers having been involved in the production of ‘Come in Spinner’, ‘Sweet and Sour’, ‘the Piano’ and ‘Lantana’ to name but a few. Chapman talks about the development of her career in relation to other Australian women involved in filmmaking such as Gillian Armstrong and New Zealand born Jane Campion
ISBN: 0642365172

Call No: 802(047.53) TIB
Author: Tibbetts, John C.; Thomson, David (foreword)
Source: UK/US
Place: Basingstoke, Hampshire
Publisher: Palgrave Macmillan
PubDate: 2015
PhysDes: xi, 235 pages : illustrations (black and white) ; 23 cm
Subject: DIRECTORS; FILM WORKERS; HOLLYWOOD; PRODUCERS; HISTORY OF CINEMA; HISTORY OF CINEMA. USA
Summary: "Those Who Made It is a collection of original interviews conducted over a span of more than thirty-five years by film historian, educator and broadcaster, John C. Tibbetts. Captured are the voices of prominent film personnel chronicling at first-hand the behind-the-scenes story of Hollywood in its classical studio period. Interviewees include Steven Spielberg, Robert Altman, Bernardo Bertolucci, Terry Gilliam, Jim Henson, and Philip Glass. " -- BOOK BACK COVER BLURB
Notes: Includes bibliographical references and index
ISBN: 9781137541901
Contents: -- List of Figures -- Foreword by David Thomson-- Acknowledgments -- Introduction: Interviews and Conversations -- 1 Innovations in 1920s and 1930s Hollywood Cinematography, Sound Technology, and Feature-Length Animation -- Cinematographer Glen MacWilliams: “We were trained by trial and error!” -- Sound engineer Bernard B. Brown: “Now hear this!” -- Animator Ollie Johnston: “We are just actors with a pencil!” -- 2 Hollywood at Home and at War in the 1940s -- Producer John Houseman: “It was a great magic act!” -- Catherine Wyler and the crew of The Memphis Belle: “In the crossfire of history and fiction” -- 3 Cold War Film and Television in the 1950s -- Writer Ray Bradbury: “All my short stories can be shot right off the page!” -- Television showman “Buffalo Bob” Smith: “Fifty years later Howdy is still just ten years old!” -- Hollywood stuntman Richard Farnsworth: “The ground got too hard!” -- 4 “New Hollywood” Filmmakers in the 1970s and 1980s -- Director Robert Altman: “My films are not factual; they are truthful!” (Additional remarks from set designer Stephen Altman) -- Director Steven Spielberg on The Color Purple: “I didn’t want to make another E.T.!” (Additional remarks from actress Whoopi Goldberg) -- Cinematographer Allen Daviau: “Every film I do is a year out of my life!” -- Director Terry Gilliam: “I see things with cartoonist’s eyes!” -- Director Michael Moore: “I’m supposed to be making a Buick!” (Additional remarks from producer Wendey Stanzler) -- Producer Jim Henson: “Kermit is always here!” (Additional remarks from production assistant Cheryl Henson) -- Special effects producer Richard Edlund: “You only see the stars from the dark side of the moon!” -- Film editor Neal Travis: “I’m creating a pattern!” -- 5 Late Twentieth Century Cultural Inclusion -- Director Bernardo Bertolucci: “Movies are my sand mandalas!” -- Director Wayne Wang: “Epic radiance!” -- Director Mira Nair: “I love to choreograph the chaos!” -- Director George Miller: “People understand car crashes in any language!” -- Composer Philip Glass: “Films become history quicker than any other art!” -- Film critic Roger Ebert: “Everybody’s a critic!” -- 6 Epilogue: Past is Prologue 197 Film preservationist Kevin Brownlow: “I never expected to make my living at film preservation!” -- Composer Carl Davis: “Why don’t I try to score a complete silent film?” -- Notes -- Index --

Call No: 036(945) SEM
Author: Semmens, Sally
CorpAuthor: Film Victoria
Place: [Melbourne]
Publisher: Film Victoria
PubDate: 1984
PhysDes: 25 p. ; 30 cm
Subject: AUSTRALIAN FILM INSTITUTE; AUSTRALIAN CHILDREN'S TELEVISION FOUNDATION; AUSTRALIAN FILM AND TELEVISION SCHOOL; DISTRIBUTION. AUSTRALIA; FILM VICTORIA; FILMOGRAPHIES. AUSTRALIA; PRODUCTION. AUSTRALIA; WOMEN FILM WORKERS. AUSTRALIA
Summary: "This resource kit is designed to outline the breadth and scope of film activity in Victoria. The first section lists some of the production taking place in Victoria this year. The list is not meant to be comprehensive but gives a fair sample of the range of production. The films listed are funded by a variety of sources including the Australian Film Commission, Film Victoria, and private investors. The list does not include the huge number of commercials, documentaries nor trade and training films which will be produced in this State this year. THe second section includes profile information on film and video organisations in Victoria. These organisations form an important part in the dissemination of films and information and contribute to Victoria's diverse and expanding film culture." - INTERIOR BLURB

Call No: 462-02(94) MOR
Author: Morgan, Leonie
CorpAuthor: Women Working in Television Project
Source: AT
Place: Woolloomooloo, NSW
Publisher: Australian Film Commission
PubDate: c2001
PhysDes: iv, 32 pages : portraits ; 30 cm
Series: Women Working in Television Project
Subject: FAMILY AND TV. AUSTRALIA; FILM WORKERS. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; WOMEN AND TV. AUSTRALIA; WORKING CONDITIONS. AUSTRALIA
Summary: "(This booklet) is aimed at assisting women (and men) in the industry who wish to improve the balance between work and family. It includes practical advice and information on balancing work and family, as well as case studies drawn from real life experience working in television." -book introduction.
Contents: acknowledgements -- Foreword -- Introduction -- Family and work in television -- The challenge -- Some key things to consider -- Views from senior industry managers -- Keeping it all in balance -- Making it work -- Flexibility is the key -- Managing the guilt -- Dealing with the unusual hours -- Travelling for work -- What to do during the school holidays -- Providing support for older dependents -- Moving in and moving out -- Where to go for more assistance -- Acheiving the right balance -- The family friendly support that might work for you -- Finding assistance with childcare -- Accessing support for older dependents -- Other support that might be available -- The assistance that may be available in your workplace -- Other useful contacts and resources

Call No: SUBJECT CLIPPINGS FILE; WOMEN FILM WORKERS. AUSTRALIA
Author: Maslin, Sue
PhysDes: Clippings File Article
Subject: WOMEN FILMMAKERS. AUSTRALIA; WOMEN FILM WORKERS. AUSTRALIA; MASLIN, SUE
Summary: In this article, Sue Maslin describes the challenges faced by female filmmakers and the need for and benefits of increasing the number of women in leadership roles in the screen industry.

Call No: REFERENCE SECTION; 014 KOW
Author: Kowalski, Rosemary Ribich
Source: US
Place: Metuchen, NJ
Publisher: Scarecrow Press, Inc.
PubDate: 1976
PhysDes: ix, 278 p. ; 23 cm
Subject: WOMEN AND THE CINEMA; WOMEN FILM WORKERS; WOMEN IN FILMS
Notes: Includes index.
ISBN: 0810809745
Contents: -- Introduction -- 1: Women as performers: A. Reference and historical works B: Specific works -- 2: Women as filmmakers: A. Reference and historical works B. Catalogues C. Specific works -- 3. Images of women A. Reference and historical works B. Catalogues C. Specific works -- 4. Women columnists and critics -- Subject index

Call No: 802.253 QUA
Author: Quart, Barbara
Place: New York
Publisher: Praeger
PubDate: 1988
PhysDes: xvi, 268 p. : ill. ; 25 cm
Subject: WOMEN FILM WORKERS; GUY-BLACHE, ALICE; WEBER, LOIS; ARZNER, DOROTHY; Lupino, Ida; WERTMULLER, LINA; SILVER, JOAN MICKLIN; WEILL, CLAUDIA; SEIDELMAN, SUSAN; COOLIDGE, MARTHA; DEITCH, DONNA; STREISAND, BARBRA; HAWN, GOLDIE; TROTTA, MARGARETHE VON; DORRIE, DORIS; VARDA, AGNES; KURYS, DIANE; GORRIS, MARLEEN; MESZAROS, MARTA; SEPIT'KO, LARISA; HOLLAND, AGNIESZKA; PALCY, EUZHAN; HUI, ANN; BEMBERG, MARIA LUISA
Notes: Includes index; Bibliography: p. [259]-262
ISBN: 0275929620 (alk. paper)
LON: 5689031

Call No: 246 QUI
Author: Quigley, Marian
Place: Mentone, Vic.
Publisher: Insight
PubDate: 2005
PhysDes: vi, 160 p. : ill. ; 22 cm + 1 DVD
Subject: WOMEN FILM WORKERS; WOMEN AND TV. AUSTRALIA; WOMEN AND TV; DIRECTORS; ANIMATION; ANIMATORS; JOLLIFFE, ANNE; CARTER-HANSEN, JILL; WHITMORE, LEE; STARKIEWICZ, ANTOINETTE; SHENFIELD, ANN; CLUTTERBUCK, LUCINDA; SMITH, KATHY; CHANDLER, WENDY; PARKER, SHARON LEE; KIM, SUSAN
Summary: This work presents the story of Australian women animators. It introduces the work and views of independent women animators in Australia and the factors that have contributed to their emergence, growth and development. -Libraries Australia
ISBN: 1-921088-14-1
Contents: Acknowledgements -- glossary -- chapter : Introduction by Marian Quigley -- Interviews and filmographies -- Chapter 2: Anne Jollife -- Chapter 3: Jill Carter-Hansen -- Chapter 4: Lee Whtimore -- Chapter 5: Antoinette Starkiewicz -- Chapter 6: Ann Shenfield -- Chapter 7: Lucinda Clutterbuck -- Chapter 8: Kathy Smith -- Chapter 9: Wendy Chandler -- Chapter 10: Sharon Lee Parker -- Chapter 11: Susan Kim -- Resources

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: WOMEN FILM WORKERS

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: WOMEN FILM WORKERS. AUSTRALIA

Call No: 61:792-02 WOM
Author: Chinoy, Helen Krich (ed.); Jenkins, Linda Walsh (ed.)
Edition: First edition
Source: US
Place: New York
Publisher: Crown Publishers, Inc
PubDate: c1981
PhysDes: xi, 370 p., [16] leaves of plates : ill. ; 24 cm
Subject: ACTING; WOMEN FILM WORKERS; USA
Summary: "This collection of essays, illustrations, and sources is the first attempt to put together the story of women in American theatre" -- BOOK JACKET
Notes: "A Herbert Michelman book."; Includes index; Bibliography: p. 357-364
ISBN: 051753729X
Contents: -- preface -- acknowledgments -- introduction: art versus business: the role of women in American theatre -- 1: female rites -- 2: the actress -- 3: where are the women playwrights? --4: if not an actress, what...? -- 5: images -- 6: feminist theatre -- sourcebook -- text notes -- references and resources -- index --

Call No: 462-02(94) RYA
Copy Management: Copy 1; Copy 2
Author: Ryan, Penny; Eliot, Margaret; Appleton, Gil
CorpAuthor: Australian Film Commission. Women's Film Fund; Australian Film and Television School
Place: North Sydney
Publisher: Women's Film Fund : Australian Film and Television School
PubDate: 1983
PhysDes: viii, 43 p. ; 26 cm
Subject: WOMEN FILM WORKERS. AUSTRALIA
ISBN: 0642925496 : price unknown
LON: abn83193885; 2987755

Call No: 462-02(94) WOM
Copy Management: Copy 1; Copy 2
Author: Appleton, Gil
CorpAuthor: Women and Arts Project (N.S.W.). Research Advisory Group; Australia Council. Policy and Planning Division
Place: North Sydney, N.S.W.
Publisher: Policy and Planning, Australia Council
PubDate: 1983
PhysDes: 122 p. : ill., ports. ; 25 cm
Subject: WOMEN FILM WORKERS. AUSTRALIA; WOMEN TV WORKERS. AUSTRALIA
Notes: Bibliography: p. [94]-106
ISBN: 0908024614 (pbk.) : $9.95
LON: abn83198737; 2998909

Call No: 462-02(94) WOM
CorpAuthor: Australia Council. Policy and Planning Division
Place: North Sydney
Publisher: Australia Council
PubDate: 1984]
PhysDes: 22, 5, 8 p. ; 25 cm
Subject: WOMEN FILM WORKERS. AUSTRALIA; WOMEN TV WORKERS. AUSTRALIA
Notes: Prepared by the Policy and Planning Division of the Council to follow up Women in the arts : report. North Sydney : Australia Council, 1983; Cover title; Includes bibliographical references
ISBN: 0908024711 : price unknown
LON: abn84141915; 3261356

Call No: 462-02(94) FRE
Author: French, Lisa
Source: AT
PubDate: 2012
PhysDes: 62 p. ; 30 cm
Subject: WOMEN FILM WORKERS. AUSTRALIA; WOMEN TV WORKERS. AUSTRALIA; WORKING CONDITIONS. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA : VICTORIA
Summary: Report investigating the 'quality of the working lives of Victorian women in the film. television and related industries (including digital media and games).' Quote from report p.4

Call No: 626:396 WHI
Author: White, Patricia
Source: UK
Place: Durham; London
Publisher: Duke University Press
PubDate: c2015
PhysDes: ix, 270 pages : illustrations ; 24 cm
Subject: WOMEN DIRECTORS; WOMEN FILM WORKERS; WOMEN FILMMAKERS; WOMEN IN FILMS; WOMEN, FILMS MADE BY; FEMINISM AND THE CINEMA; WOMEN AND THE CINEMA
Summary: "In Women's Cienma, World Cinema the author explores the dynamic intersection of feminism and film in the twenty-first century by highlighting the work of a new generation of women directors from around the world: Samira and Hana Makhmalbaf, Nadine Labaki, Zero Chou, Jasmila Zbanic, and Claudia Llosa, among others. The emergence of a globalized network of film festivals has enabled these young directors to make and circulate films that are changing the aesthetics and politics of art house cinema and challenging feminist genealogies. Extending formal analysis to the production and reception contexts of a variety of feature films, White explores how women filmmakers are both implicated in and critique gendered concepts of authorship, taste, genre, national identity, and human rights. Women's Cinema, World Cinema revitalizes feminist film studies as it argues for an alternative vision of global media culture." -- BACK COVER BOOK BLURB
Notes: Formerly CIP; Also issued online; Includes filmography; Includes bibliographical references (pages 235-246) and index
ISBN: 9780822358053
Contents: -- acknowledgments -- introduction -- To each her own cinema : world cinema and the woman cineaste : Jane Campion's Cannes connections; Lucrecia Martel's vertiginous authorship; Samira Makhmalbaf's sororal cinema -- Framing feminisms : women's cinema as art cinema : Deepa Mehta's elemental feminism; Iranian diasporan women directors and cultural capital -- Feminist film in the age of the chick flick : global flows of women's cinema : engendering new Korean cinema in Jeong Jae-eun's Take care of my cat; Nadine Labaki's celebrity -- Network narratives : Asian women directors two-timing the system in Nia Dinata's Love for share -- Zero Chou and the spaces of Chinese lesbian film -- Is the whole world watching? Fictions of women's human rights : Sabiha Sumar's Democratic cinema; Jasmila Zbanic´'s Grbavica and Balkan cinema's incommensurable gazes; Claudia Llosa's Trans/national address -- afterword -- notes -- bibliography -- filmography -- index --

Call No: 451-02 WOM
Author: French, Lisa (ed.)
Source: AT
Place: Melbourne, Australia
Publisher: Damned Publishing
PubDate: 2003
PhysDes: 336 p. : ill. ; 24 cm
Subject: WOMEN AND THE CINEMA; WOMEN FILM WORKERS; GENDER AND THE CINEMA. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; AUSTRALIAN ABORIGINES AND THE CINEMA; PIANO, THE (AT, Jane Campion, 1993); MOFFATT, TRACEY
Summary: Provides an insight into the diversity and breadth of recent women's filmmaking and digital production in australia.
Notes: Includes index
ISBN: 1876310014

Call No: SUBJECT CLIPPINGS FILE; SOUTH AUSTRALIAN FILM CORPORATION
Author: -
PhysDes: Clippings File Article
Subject: SOUTH AUSTRALIAN FILM CORPORATION; SOUTH AUSTRALIAN FILM CORPORATION ABORIGINAL SCREEN STRATEGY; FILM WORKERS. AUSTRALIA; THORNTON, WARWICK; COLE, BECK
Summary: Report on the new SAFC initiatve called the Aboriginal Screen Strategy, which will provide funds and training (by Warwick Thornton and Beck Cole) to indigenous filmmakers

Call No: SUBJECT CLIPPINGS FILE; WORKING CONDITIONS. AUSTRALIA
Author: Rosemary Neill
PhysDes: Clippings File Article
Subject: WORKING CONDITIONS. AUSTRALIA; WORKING CONDITIONS, TV. AUSTRALIA; WOMEN FILM WORKERS; WOMEN TV WORKERS. AUSTRALIA
Summary: How the entertainment business enabled a culture of sexual abuse