book
American directors : volume II / Jean-Pierre Coursodon with Pierre Sauvage New York: McGraw-Hill, c1983.
Call No: 802.25(73) COU vol.2Author: Coursodon, Jean-Pierre ; Sauvage, Pierre Place: New YorkPublisher: McGraw-HillPubDate: c1983PhysDes: 2 v. ; 24 cmSubject: DIRECTORS. USA ; ALDRICH, ROBERT ; ALLEN, WOODY ; ALTMAN, ROBERT ; BOETTICHER, BUDD ; BOGDANOVICH, PETER ; BROOKS, RICHARD ; CASSAVETES, JOHN ; CASTLE, WILLIAM ; COPPOLA, FRANCIS FORD ; CORMAN, ROGER ; DASSIN, JULES ; DE PALMA, BRIAN ; DMYTRYK, EDWARD ; DONEN, STANLEY ; EASTWOOD, CLINT ; EDWARDS, BLAKE ; FLEISCHER, RICHARD ; FRANKENHEIMER, JOHN ; FULLER, SAMUEL ; HARRINGTON, CURTIS ; KAZAN, ELIA ; KELLY, GENE ; KERSHNER, IRVIN ; KUBRICK, STANLEY ; LEWIS, JERRY ; LOGAN, JOSHUA ; LOSEY, JOSEPH ; LUMET, SIDNEY ; Lupino, Ida ; MANKIEWICZ, JOSEPH L. ; MINNELLI, VINCENTE ; PARRISH, ROBERT ; Peckinpah, Sam ; PENN, ARTHUR ; POLLACK, SYDNEY ; POLONSKY, ABRAHAM ; RAFELSON, BOB ; RAFELSON, BOB ; RAY, NICHOLAS ; RITCHIE, MICHAEL ; ROSSEN, ROBERT ; SCORSESE, MARTIN ; SIDNEY, GEORGE ; SIEGEL, DON ; SPIELBERG, STEVEN ; STURGES, JOHN ; TASHLIN, FRANK ; WELLES, ORSON ; WISE, ROBERT ; ZINNEMANN, FRED Notes: Includes filmographies and indexesISBN: 0070132623 (pbk. : v. 2) : $8.95; 0070132631 (v. 1) : $13.95; 0070132615 (pbk. : v. 1) : $8.95; 007013264X (v. 2) : $13.95LON: 2198273
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journal article
The Big Heat in Montage (June 1965) p.14-16
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Coming to terms with Hollywood / edited by Jim Cook and Alan Lovell London: British Film Institute, 1981.
Call No: 45:32(73) COMAuthor: Lovell, Alan ; Cook, Jim Place: LondonPublisher: British Film InstitutePubDate: 1981PhysDes: 83 p. : 30 cmSeries: BFI dossier ; no. 11Subject: POLITICS AND THE CINEMA. USA ; CENSORSHIP. USA ; ROTHA, PAUL ; KAZAN, ELIA ; LOSEY, JOSEPH ; DMYTRYK, EDWARD ; GARFIELD, JOHN ; HELLMAN, LILLIAN ; POLONSKY, ABRAHAM ; RAY, NICHOLAS ; WELLES, ORSON ; ODETS, CLIFFORD ; ROSSEN, ROBERT ; ON THE WATERFRONT (US, Elia Kazan, 1954) ; CROSSFIRE (US, Edward Dmytryk, 1947) Notes: Includes bibliographical referencesLON: 2888114
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Film fables / Jacques Rancier ; translated by Emiliano Battista New York: Berg Publishers, 2006.
Call No: 63 RANAuthor: Rancier, Jacques ; Battista, Emiliano Source: FR/USPlace: New YorkPublisher: Berg PublishersPubDate: 2006PhysDes: viii, 196 pages ; 24 cmSubject: AESTHETICS ; ART AND THE CINEMA ; ART CINEMA ; AUTEUR THEORY ; CINEMATOGRAPHY ; DOCUMENTARY FILMS ; HISTORY AND THE CINEMA ; HISTORY OF CINEMA ; NARRATIVE IN FILMS ; PHILOSOPHY AND THE CINEMA ; SYMBOLISM IN FILMS ; BRESSON, ROBERT ; DELEUZE, GILLES ; EPSTEIN, JEAN ; EISENSTEIN, SERGEI M. ; GODARD, JEAN-LUC ; HITCHCOCK, ALFRED ; LANG, FRITZ ; MANN, ANTHONY ; MARKER, CHRIS ; MEDVEKIN, ALEXANDER ; MURNAU, FRIEDRICH WILHELM ; YASUJIRO OZU ; RAY, NICHOLAS ; ROSSELLINI, ROBERTO ; VERTOV, DZIGA ; AU HASARD, BALTHAZAR (FR/SW, Robert Bresson, 1966) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; CHINOISE, LA (FR, Jean-Luc Godard, 1967) ; FAUST (G, Friedrich Wilhelm Marnau, 1926) ; WHILE THE CITY SLEEPS (US, Fritz Lang, 1955) Summary: "Film Fables traces the history of modern cinema, moving effortlessly from Eisenstein's and Murnau's transition from theatre to film to Fritz Lang's confrontation with television, from the classical poetics of Mann's Westerns to Ray's romantic poetics of the image, from Rossellini's neo-realism to Deleuze's philosophy of the cinema and Marker's documentaries."Notes: Includes indexISBN: 9781845201685ID2: 291
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journal article
The French New Wave and World Films : Appreciation of a Recent Season in Montage (1962) vol.1 iss.2 p.4-11
Author: Mogg, Kenneth M. PhysDes: ReviewSubject: KRAMER, STANLEY ; RAY, SATYAJIT ; APUR SANSAR (II, Satyajit Ray, 1958) ; VERTIGO (US, Alfred Hitchcock, 1958) ; HITCHCOCK, ALFRED ; RAY, NICHOLAS ; FRENCH CANCAN (FR/IT, Jean Renoir, 1955) ; RENOIR, JEAN ; ORFEU NEGRO (FR/IT/BL, Marcel Camus, 1958) ; IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]) ; MALLE, LOUIS ; AND GOD CREATED WOMAN (US, Roger Vadim, 1988) ; VADIM, ROGER ; COUSINS, THE [COUSINS, LES] (FR, Claude Chabrol, 1959) ; CHABROL, CLAUDE ; HIROSHIMA, MON AMOUR (FR/JA, Alain Resnias, 1959) ; RESNAIS, ALAIN ; NOUVELLE VAGUE Summary: Reviews of "The Defiant Ones", "The World of Apu", "Vertigo", "Party Girl", "French Can-Can", "Black Orpheus", "The Lovers", "And God Created Woman", "The Cousins", "Hiroshima Mon Amour", "Ivan The Terrible" in the context of the French New Wave and new World Cinema.
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Hollywood directors, 1941-1976 / [compiled by] Richard Koszarski New York: Oxford University Press, 1977.
Call No: 802.25(73) HOLAuthor: Koszarski, Richard Place: New YorkPublisher: Oxford University PressPubDate: 1977PhysDes: xvii, 426 p. : ill. ; 22 cmSubject: DIRECTORS. USA ; WELLES, ORSON ; LEWIN, ALBERT ; VIDOR, KING ; HUSTON, JOHN ; ROSSEN, ROBERT ; CAPRA, FRANK ; JONES, CHUCK ; WYLER, WILLIAM ; RENOIR, JEAN ; LANG, FRITZ ; ZINNEMANN, FRED ; MILESTONE, LEWIS ; HITCHCOCK, ALFRED ; BROWN, CLARENCE ; SIDNEY, GEORGE ; BROOKS, RICHARD ; DIETERLE, WILLIAM ; FLEISCHER, RICHARD ; VON STERNBERG, JOSEF ; CURTIZ, MICHAEL ; RAY, NICHOLAS ; KAZAN, ELIA ; WILDER, BILLY ; LEROY, MERVYN ; ALDRICH, ROBERT ; KUBRICK, STANLEY ; LOGAN, JOSHUA ; STURGES, JOHN ; KING, HENRY ; MANN, ANTHONY ; FULLER, SAMUEL ; FRANKENHEIMER, JOHN ; KELLY, GENE ; PENN, ARTHUR ; SAKS, GENE ; Lupino, Ida ; DMYTRYK, EDWARD ; CORMAN, ROGER ; FRIEDKIN, WILLIAM ; RITCHIE, MICHAEL ; GRINDE, NICK ; PICHEL, IRVING ; SEATON, GEORGE ; BENEDEK, LASLO ; KOSTER, HENRY ; OBOLER, ARCH ; SANDERS, TERRY ; SIODMAK, ROBERT ; MARTON, ANDREW ; DEATH OF A SALESMAN (US, Laslo Benedek, 1951) ; FACE IN THE CROWD, A (US, Elia Kazan, 1957) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; SMILE (US, Michael Ritchie, 1975) ; MONSIEUR VERDOUX (US, Charles Chaplin, 1947) ; BEN HUR (US, William Wyler, 1959) Notes: Includes indexISBN: 0195022173 : $15.00; 0195022181(pbk. :) $4.95LON: 851041
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Hollywood voices : interviews with film directors / edited by Andrew Sarris London: Secker & Warburg, c1967.
Call No: 802.25 HOLAuthor: Sarris, Andrew Place: LondonPublisher: Secker & WarburgPubDate: c1967PhysDes: 180p. : millus. ; 21 cmSubject: CUKOR, GEORGE ; MAMOULIAN, ROUBEN ; PREMINGER, OTTO ; STURGES, PRESTON ; HUSTON, JOHN ; LOSEY, JOSEPH ; RAY, NICHOLAS ; POLONSKY, ABRAHAM ; WELLES, ORSON ISBN: 0436441519LON: 13212256 13212256Donation: Patrick O'Brien
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Kings of the B's : working within the Hollywood system: an anthology of film history and criticism / edited by Todd McCarthy and Charles Flynn New York: E.P. Dutton,
Call No: 730.2(73) KINAuthor: McCarthy, Todd ; Flynn, Charles Edition: 1975Place: New YorkPublisher: E.P. DuttonPhysDes: x, 562 pages : illustrated ; 21 cmSubject: B-MOVIES ; CORMAN, ROGER ; KATZMAN, SAM ; LEWIS, JOSEPH H. ; LEWTON ,VAL ; MEYER, RUSS ; ULMER, EDGAR G. ; RAY, NICHOLAS ; ALTMAN, ROBERT ; TEEN FILMS ; ARKOFF, SAMUEL ; CASTLE, WILLIAM ; KARLSON, PHIL ; LEWIS, HERSCHELL GORDON ISBN: 9780525473787
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Movie love in the fifties / James Harvey New York: Alfred A. Knopf,
Call No: 733.3(73)"5" HARAuthor: Harvey, James Edition: 2001Place: New YorkPublisher: Alfred A. KnopfPhysDes: 464 pages : illustrated ; 25 cmSubject: ACTORS ; STARS ; DIRECTORS ; HITCHCOCK, ALFRED ; RAY, NICHOLAS ; KAZAN, ELIA ; SIRK, DOUGLAS ; SIODMAK, ROBERT Summary: From the author of Romantic Comedy (“brilliant, meticulous, a monumental work of scholarship” —Margo Jefferson, New York Times), a fresh, illuminating look at the films of the 1950s.
Harvey begins by mapping the progression from 1940s film noir to the living-room melodramas of the 1950s. He shows us the femme fatale of the 1940s (Barbara Stanwyck, Joan Bennett) becoming blander and blonder (Doris Day, Debbie Reynolds) and younger and more traditionally sexy (Marilyn Monroe, Grace Kelly) in the 1950s. And he shows us how women were finally replaced as objects of desire by the new boy-men—Clift, Brando, Dean, and other rebels without causes.
Harvey discusses the films of Hitchcock (Vertigo), Ophuls (The Reckless Moment), Siodmak (Christmas Holiday), and Welles (Touch of Evil, perhaps the single greatest influence on the “post-classical” movies). He writes about the quintessential 1950s directors: Nicholas Ray, who made movies in the old Hollywood tradition (In a Lonely Place, Johnny Guitar), and Douglas Sirk, who portrayed suburbia as an emotional deathtrap (Imitation of Life, Magnificent Obsession). And he discusses the “serious” directors, such as Stanley Kramer and Elia Kazan, whose films exhibited powerful new realism.
Comprehensive, insightful, written with intelligence, humor, and affection, Movie Love in the Fifties is a masterful work of American film, and cultural, history. -- publisher's blurbISBN: 9780394585918Donation: James Sabine
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Movies and methods : an anthology / edited by Bill Nichols Berkeley: University of California Press, c1976.
Call No: 62(082) MOV v.1Author: Nichols, Bill Place: BerkeleyPublisher: University of California PressPubDate: c1976PhysDes: xi, 640 p. : ill. ; 24 cmSubject: STRUCTURALISM ; CRITICISM ; IDEOLOGY AND THE CINEMA ; IDEOLOGY IN FILMS ; POLITICS AND THE CINEMA ; POLITICS IN FILMS ; GENRES ; AUTEUR THEORY ; FILM NOIR ; THEORY ; WESTERNS ; WOMEN AND THE CINEMA ; FILM NOIR ; SEMIOLOGY ; METHODOLOGY OF FILM CRITICISM ; ETHNOGRAPHIC FILMS ; FEMINISM AND THE CINEMA ; CAPRA, FRANK ; RAY, NICHOLAS ; VON STERNBERG, JOSEF ; GODARD, JEAN-LUC ; CITIZEN KANE (US, Orson Welles, 1941) ; SERPICO (US, Sidney Lumet, 1973) ; GODFATHER PART II, THE (US, Francis Ford Coppola, 1974) ; VENT D'EST (FR/IT/GW, Jean-Luc Godard & Dziga Vertov Group, 1970) ; WIND FROM THE EAST (FR/IT/GW, Jean-Luc Godard & Dziga Vertov Group, 1970) ; VIVRE SAVIE (FR, Jean-Luc Godard, 1962) ; KLUTE (US, Alan J. Pakula, 1971) ; TRUFFAUT, FRANCOIS ; SHOCK CORRIDOR (US, Samuel Fuller, 1963) ; TO HAVE AND HAVE NOT (US, Howard Hawks, 1944) ; BLOW JOB (US, Andy Warhol, 1963) ; RIO LOBO (US, Howard Hawks, 1970) ; YOUNG MR. LINCOLN (US, John Ford, 1939) Summary: "Film teachers and students will welcome this new anthology, which makes available in one source a comprehensive selection of recent theoretical work on film, including many articles difficult to locate in the scattered literature. The contents are drawn almost entirely from the publications of the past fifteen years, and include work by the most original film thinkers - some well known to a wide public, some widely known among readers of film journals. Several important film-makers are also represented." -- BOOK BLURBNotes: Includes index; This is volume 1ISBN: 0520031512LON: cln74022969; 10151896Contents: --- part 1 contextual criticism -- political criticism -- genre criticism -- feminist criticism -- part 2 formal criticism -- auteur criticism -- mise-en-scene criticism -- part 3 theory -- film theory -- structuralism-semiology --
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Movies as politics / Jonathan Rosenbaum Berkeley, Calif.: University of California Press, 1997.
Call No: 45:32 ROSAuthor: Rosenbaum, Jonathan Place: Berkeley, Calif.Publisher: University of California PressPubDate: 1997PhysDes: xi, 359 p. ; 24 cmSubject: POLITICS AND THE CINEMA ; POLITICAL FILMS ; RACIAL ISSUES IN FILMS ; WELLES, ORSON ; KIESLOWSKI, KRZYSZTOF ; BUNUEL, LUIS ; BRESSON, ROBERT ; TATI, JACQUES ; RAY, NICHOLAS ; ZWIGOFF, TERRY ; ENDFIELD, CY ; HOU HSIAO-HSIEN ; CARAX, LEOS ; AKERMAN, CHANTAL ; ACE VENTURA, PET DETECTIVE (US, Tom Shadyac, 1994) ; HEARTS OF DARKNESS : A FILMMAKERS APOCALYPSE (US, Fax Bahr & George Hinkenlooper, 1991) ; PIANO, THE (AT, Jane Campion, 1993) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; BITTER MOON (FR/UK, Roman Polanski, 1992) ; NOIRE DE..., LA (SG, Ousmane Sembene, 1965) ; BLOOD IN THE FACE (US, Anne Bohlen, Kevin Rafferty & James Ridgeway, 1991) ; CRUMB (US, Terry Zwigoff, 1994) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; FORREST GUMP (US, Robert Zemeckis, 1994) ; NUIT ET JOUR (FR/BE/SZ, Chantal Akerman, 1991) ; OUT 1 (FR, Jacques Rivette, 1990[prod. 1970]) ; PLOT AGAINST HARRY, THE (US, Michael Roemer, 1989[prod.1969]) ; PUPPET MASTER, THE (US, David Schmoeller, 1989) ; REDS (US, Warren Beatty, 1981) ; SAFE (US, Todd Haynes, 1995) ; SCHINDLER'S LIST (US, Steven Spielberg, 1993) ; SOLARIS (UR, Andrei Tarkovsky, 1972) Notes: Includes bibliographical references and indexISBN: 0520206142 (acid-free paper); 0520206150 (pbk. : alk. paper)Order Received: 1997LON: 96009916; 12700123
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Narrative mortality : death, closure, and new wave cinemas / Catherine Russell Minneapolis: University of Minnesota Press, 1995.
Call No: 747.19 RUSAuthor: Russell, Catherine, 1959 Place: MinneapolisPublisher: University of Minnesota PressPubDate: 1995PhysDes: vii, 271 p. : ill. ; 24 cmSubject: NOUVELLE VAGUE ; NARRATIVE IN FILMS ; DEATH IN FILMS ; ALLEGORY IN FILMS ; MELODRAMA ; LANG, FRITZ ; Wenders, Wim ; OSHIMA, NAGISA ; GODARD, JEAN-LUC ; ALTMAN, ROBERT ; BENJAMIN, WALTER ; LYNCH, DAVID ; Peckinpah, Sam ; PENN, ARTHUR ; RAY, NICHOLAS ; MEPRIS, LE (FR/IT, Jean-Luc Godrad, 1963) ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; STAND DER DINGE, DER (GW/US/PO, Wim Wenders, 1982) ; PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965) ; NASHVILLE (US, Robert Altman, 1975) ; NICK'S MOVIE (GW/US, Nicholas Ray & Wim Wenders, 1979) ; SEISUN ZANKOKU MONOGATARI (JA, Nagisa Oshima, 1960) ; SHONEN (JA, Nagisa Oshima, 1969) ; BEYOND A REASONABLE DOUBT (US, Fritz Lang, 1956) Notes: Includes bibliographical references (p. 253-262) and indexISBN: 0816624852 (hbk. : acid-free paper); 0816624860 (pbk. : acid-free paper)LON: 10942855
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Nicholas Ray : an American journey / Bernard Eisenschitz ; translated by Tom Milne London: Faber and Faber, 1993.
Call No: 81RAY EISAuthor: Eisenschitz, Bernard ; Milne, Tom Place: LondonPublisher: Faber and FaberPubDate: 1993PhysDes: xx, 599 p. : ill. ; 25 cmSubject: RAY, NICHOLAS Notes: Includes bibliographical references (p. 493-549), filmography (p. 550-571) and indexISBN: 0571178308 (pbk.); 0571140866 : ª20.00LON: bnb57114086; 9819636
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Nicholas Ray Paris: Editions Universitaires, 1965].
Call No: 81RAY TRUAuthor: Truchaud, Francois Place: ParisPublisher: Editions UniversitairesPubDate: 1965]PhysDes: 191pSeries: Les Classiques du cinema 20Subject: RAY, NICHOLAS LON: flu00028338; 8784031
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Interim
book
Projections 12 : film-makers on film schools / Edited by John Boorman, Fraser MacDonald and Walter Donohue London: Faber and Faber Limited, 2002.
Call No: 802 PRO V.12Author: Boorman, John ; Donohue, Walter ; MacDonald, Fraser Source: UKPlace: LondonPublisher: Faber and Faber LimitedPubDate: 2002PhysDes: viii, 369p. ; illus. ; 24cm.Series: ProjectionsSubject: FILM STUDY AND RESEARCH ; FILM WORKERS ; SCHOOLS, FILM. USA ; ALEKAN, HENRI ; ANTONIONI, MICHELANGELO ; HAWKE, ETHAN ; KERRIGAN, LODGE ; O'DONNELL, DAMIEN ; OZON, FRANCOIS ; RAY, NICHOLAS ; BEYOND THE CLOUDS [PAR-DELA LES NUAGES] (FR/IT/GG, Michelangelo Antonioni, 1995) ; WAKING LIFE (US, Ricahrd Linklater, 2001) ISBN: 0571206948
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personality microfilm collection
RAY, NICHOLAS
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: RAY, NICHOLAS
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book
Underworld U.S.A London: Secker and Warburg [for] the British Film Institute, 1972.
Call No: 734.2(73) MCAAuthor: McArthur, Colin, 1934 CorpAuthor: British Film InstitutePlace: LondonPublisher: Secker and Warburg [for] the British Film InstitutePubDate: 1972PhysDes: 176 p. illus., ports. 20 cmSubject: GENRES ; GANGSTER FILMS. USA ; THRILLERS. USA ; LANG, FRITZ ; HUSTON, JOHN ; DASSIN, JULES ; SIODMAK, ROBERT ; KAZAN, ELIA ; RAY, NICHOLAS ; FULLER, SAMUEL ; SIEGEL, DON ; MELVILLE, JEAN-PIERRE ; PUBLIC ENEMY, THE (US, William Wellmen, 1931) ; BIG HEAT, THE (US, Fritz Lang, 1953) ; MALTESE FALCON, THE (US, John Huston, 1941) ; BIG SLEEP, THE (US, Howard Hawkes, 1946) ; LITTLE CAESAR (US, Mervyn LeRoy, 1931) ; SCARFACE (US, Howard Hawks, 1932) ISBN: 0436098857 0436098849 (pbk.)LON: 73155714; 541899
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