Search Catalogue

Call No: 62 DIC
Author: Dick, Bernard F
Edition: Third edition
Source: US/UK
Place: New York -- Hampshire
Publisher: St Martins Press -- Macmillan Press
PubDate: 1998
PhysDes: xv, 302 pages : illustrations ; 23 cm
Subject: AGE OF ILLUSIONS, THE [ALMODOZÁSOK KORA] (HU, Istvan Szabo, 1965); ALLEN, WOODY; BOGART, HUMPHREY; CAPRA, FRANK; CITIZEN KANE (US, Orson Welles, 1941); HITCHCOCK, ALFRED; PSYCHO (US, Alfred Hitchcock, 1960); WELLES, ORSON; WILDER, BILLY
Summary: "Exploring both the humanistic and analytical aspects of film evaluation and criticism, [the book] encourages students to develop a critical awareness of film as art, as literature, and as everyday life. This highly readable and jargon-free classic illustrates the most recent film techniques and includes examples from films students are likely to have seen on television or video. This edition has been updated with examples from recent films such as Shine, Thelma and Louise, Natural Born Killers, and the Age of Innocence, as well as examples of film adaptation for film and literature classes, such as Sabrina and Clueless." -taken from back cover
Notes: Previous ed.: 1990 -- Includes bibliographical references and index
ISBN: 0312153996
Contents: Film, cinema, or movie: Understanding the medium -- Graphics and sound -- Film, space and image -- Film genres -- Film subtext -- Film director -- Film and literature -- Film as film -- Film criticism: Theory and practice -- Appendices: Films discussed and directors; Art vs. violence in a Clockwork Orange; Basic film library

Call No: 81WEL GEA
Author: Gear, Matthew Asprey
Source: US
Place: New York
Publisher: Wallflower Press
PubDate: 2016
PhysDes: ix, 292 pages ; 24 cm
Subject: EXPRESSIONISM; FASCISM AND THE CINEMA; WELLES, ORSON; MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942); MR. ARKADIN (FR/SP/IT, Orson Welles, 1955); CITIZEN KANE (US, Orson Welles, 1941)
Summary: "The films of Orson Welles inhabit the spaces of cities -- from America's industrializing midlandto its noirish borderlands, from Europe's medieval fortresses to its Kafkaesque labyrinths and postwar rubblescapes. His movies take us through dark streets to confront nightmarish struggles for power, the carnivalesque and bizarre, and the shadows and light of human character. This ambitious new study explores Welles's vision of cities by following recurring themes across his work, including urban transformation, race relations and fascism, the utopian promise of cosmopolitanism, and romantic nostalgia for archaic forms of urban culture. It focuses on the personal and political foundation of Welles's cinematic cities -- the way he invents urban spaces on film to serve his dramatic, thematic, and ideological purposes. The book's critical scope draws on extensive research in international archives and builds on the work of previous scholars." -- BOOK BLURB
Notes: Includes bibliographical references and index
ISBN: 9780231173414
Donation: donated by Senses of Cinema

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BATTLE OVER CITIZEN KANE, THE (US, Thomas Lennon & Michael Epstein, 1996)

Call No: 67(04) BAZ
Author: Bazin, Andre, 1918-1958; Cardullo, Bert
Place: New York
Publisher: Routledge
PubDate: 1996
PhysDes: xvi, 252 p. : ill. ; 24 cm
Subject: STALIN [J.] IN FILMS; RELIGIOUS FILMS; SPECIAL EFFECTS; SUPERNATURAL IN FILMS; CINEMASCOPE; MARXISM AND THE CINEMA; USSR; ADAPTATIONS; WYLER, WILLIAM; PAGNOL, MARCEL; CAYATTE, ANDRE; FARREBIQUE (FR, Georges Rouquier, 1945); SCARFACE (US, Howard Hawks, 1932); STRADA, LA (IT, Federico Fellini, 1954); JEUX INTERDITS (FR, Rene Clement, 1952); DERNIERES VACANCES, LES (FR, Roger Leenhardt, 1948); ORO DI NAPOLI, L' (IT, Vittorio De Sica, 1954); GOLD OF NAPLES (IT, Vittorio De Sica, 1954); M. RIPOIS (FR, Rene Clemont, 1954); DUE SOLDI DI SPERANZA (IT, Renato Castellani, 1951); TWO CENTS WORTH OF HOPE (IT, Renato Castellani, 1951); WHY WE FIGHT SERIES (US, 1942-44); BATAILLE DU RAIL, LA (FR, Rene Clemont, 1946); BATTLE OF THE RAILS (FR, Rene Clement, 1946); MYSTERE PICASSO, LE (FR, Henri-Georges Clouzot, 1956); PICASSO MYSTERY, THE (FR, Henri-Georges Clouzot, 1956); BIDONE, IL (IT, Federico Fellini, 1955); BRIDGE ON THE RIVER KWAI, THE (UK/US, David Lean, 1957); CITIZEN KANE (US, Orson Welles, 1941); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); IVAN GROZNY KINO BALET (UR, Vadim Derbenev & Yuri Grigorovich, 1977)
Notes: Includes bibliographical references and index
ISBN: 0415900174 (hb); 0415900182 (pb)
LON: 12242179
Contents: La Strada, p113-120 -- Jeux Interdits, p129-135 -- Les Dernieres Vacances, p141-149 -- M. Ripois, p167-177 -- Ivan Groznyj, p197-203 -- Le Mystere Picasso, p211-219 -- Citizen Kane, p231-239

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: CITIZEN KANE (US, Orson Welles, 1941)
URL status: URL: 'http://file://Q:/T/CITIZEN_KANE.zip' Checked: 31/08/2021 12:54:03 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Author: Christopher Bell
PhysDes: Article
Subject: CITIZEN KANE (US, Orson Welles, 1941); BIOGRAPHICAL FILMS; WELLES, ORSON; CINEMATOGRAPHY; TOLAND, GREGG
Summary: A film synopsis and brief overview of the film's production is followed by a discussion of the virtuosity in cinematography and the collaborative nature of the film. Article ends with a comparison of the film's subject and author.

Call No: 79 CIT MUL
Author: Mulvey, Laura
Source: Estate of Adrian Miles
Place: London
Publisher: bfi Publishing
PubDate: 1992
PhysDes: 87 p. : ill., ports. ; 19 cm.
Series: BFI film classics
Subject: CITIZEN KANE (US, Orson Welles, 1941)
Summary: Criticism of Citizen Kane, including historical context.
Notes: Bibliography: p. 87. Also issued online.
ISBN: 0851703399

Call No: 79CIT CIT
Copy Management: Copy 1; Copy 2
Author: Kael, Pauline; Mankiewicz, Herman J. (Herman Jacob), 1897-1953; Welles, Orson, 1915-1985
Place: London
Publisher: Secker and Warburg
PubDate: 1971
PhysDes: [5], 440 p. : ill., ports ; 28 cm
Subject: CITIZEN KANE (US, Orson Welles, 1941)
Notes: List of films p. 427-433. - Index
ISBN: 0436230305
LON: isb43623030; 2590463

Author: Carringer, Robert L.
PhysDes: Article
Subject: NARRATIVE IN FILMS; CITIZEN KANE (US, Orson Welles, 1941)
Summary: Essay explores the notion of Americanness with a comparison of Orson Welles' citizen kane and F. Scott Fitzgerald's novel the great gatsby.

Call No: 70 JAC
Author: Jacobs, Lewis, comp
Place: New York
Publisher: Hopkinson and Blake
PubDate: [c1969]
PhysDes: 453 p. illus. 25 cm
Subject: HISTORY OF CINEMA; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. SOUND PERIOD; COLORIZATION; SOCIETY AND THE CINEMA; GERMANY; ANIMATED FILMS; CINEMA VERITE; AUTEUR THEORY; NOUVELLE VAGUE; MUSIC IN FILMS; NEOREALISM; AVANT-GARDE FILMS; MELIES, GEORGES; GRIFFITH, DAVID WARK; CLAIR, RENE; FORD, JOHN; PORTER, EDWIN S.; LESTER, RICHARD; DISNEY, WALT; BERGMAN, INGMAR; TRUFFAUT, FRANCOIS; SARRIS, ANDREW; KAEL, PAULINE; KUROSAWA AKIRA; RESNAIS, ALAIN; FELLINI, FEDERICO; ANTONIONI, MICHELANGELO; BASS, SAUL; MEKAS, JONAS; CITIZEN KANE (US, Orson Welles, 1941); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928)
Notes: Bibliography: p. 438-439
LON: 5011
ID2: 291

Author: Rathgeb, Douglas
PhysDes: Article
Subject: CITIZEN KANE (US, Orson Welles, 1941)
Summary: The comparison of the protagonists in the movies "Citizen Kane" and "Zelig"

Call No: 62 MUL
Author: Mulvey, Laura
Place: Bloomington London
Publisher: Indiana University Press British Film Institute
PubDate: 1996
PhysDes: xv, 188 p. ; 25 cm
Subject: MELODRAMA; FETISHISM IN FILMS; CLOSE-UPS; SIRK, DOUGLAS; GODARD, JEAN-LUC; SHERMAN, CINDY; XALA (SG, Ousmane Sembene, 1974); BLUE VELVET (US, David Lynch, 1986); CITIZEN KANE (US, Orson Welles, 1941); IMITATION OF LIFE (US, Douglas Sirk, 1959)
Notes: Includes bibliographical references (p. 177-184) and index
ISBN: 0851705480 (British Film Institute); 0851705472 (British Film Institute : pbk.)
LON: 12120800

Call No: 62 BOR
Author: Bordwell, David, 1947; Thompson, Kristin, 1950
Edition: 2nd ed
Place: New York
Publisher: Knopf Distributed by Random House
PubDate: 1986
PhysDes: xiii, 400 p., [2] p. of plates : ill. (some col.) ; 26 cm
Subject: PRODUCTION; NARRATIVE IN FILMS; CINEMATOGRAPHY; EDITING; SOUND; CRITICISM; HISTORY OF CINEMA; MOVEMENTS IN FILM HISTORY; BALLET MECANIQUE, LE (FR, Fernand Leger, 1924); CITIZEN KANE (US, Orson Welles, 1941)
Notes: Includes index; Bibliography: p. 387-389
ISBN: 0394352378 (pbk.)
LON: 85018198; 4389326
URL status: URL: 'http://-' Checked: 31/08/2021 12:39:16 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 62 MAS
Author: Mast, Gerald, 1940
Edition: University of Chicago Press ed
Place: Chicago
Publisher: University of Chicago Press
PubDate: 1983
PhysDes: xvii, 299 p., [4] p. of plates : ill. (some col.) ; 23 cm
Subject: SOUND; CINEMATOGRAPHY; THEORY; YOU ONLY LIVE ONCE (US, Fritz Lang, 1937); CITIZEN KANE (US, Orson Welles, 1941); WAVELENGTH (US, Michael Snow, 1967); PLAYTIME (FR, Jacques Tati, 1967); SCENER UR ETT AKTENSKAP (SW, Ingmar Bergman, 1974)
Notes: Reprint. Originally published: New York : Harper & Row, c1977; Includes index; Bibliography: p. [287]-290
ISBN: 0226509745 (pbk.)
LON: 83004819; 2872482
URL status: URL: 'http://-' Checked: 31/08/2021 12:38:56 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Author: Beja, Morris
Source: US
Place: New York
Publisher: Longman
PubDate: 1979
PhysDes: 335 p. ; 23 cm
Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; ADAPTATIONS. DICKENS, CHARLES; ADAPTATIONS. GREENE, GRAHAM; ADAPTATIONS. JAMES, HENRY; ADAPTATIONS. MANN, THOMAS; ADAPTATIONS. SHAKESPEARE, WILLIAM; ADAPTATIONS. STEINBECK, JOHN; ADAPTATIONS. WILLIAMS, TENNESSEE; GRAPES OF WRATH, THE (US, John Ford, 1940); CABINET DES DR. CALIGARI, DAS (G, Robert Weine, 1920); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); CITIZEN KANE (US, Orson Welles, 1941); MALTESE FALCON, THE (US, John Huston, 1941); HENRY V (UK, Laurence Olivier, 1944); GREAT EXPECTATIONS (UK, David Lean, 1946); HAMLET (UK, Laurence Olivier, 1948); THIRD MAN, THE (UK, Carol Reed, 1949); RASHOMON (JA, Akira Kurosawa, 1950); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); CAT ON A HOT TIN ROOF (US, Richard Brooks, 1958); PSYCHO (US, Alfred Hitchcock, 1960); INNOCENTS, THE (UK, Jack Clayton, 1962); ANNÉE DERNIÈRE À MARIENBAD, L' (FR, Alain Resnais, 1961); JULES ET JIM (FR, Francois Truffaut, 1962); LOLITA (US, Stanley Kubrick, 1962); PROCES, LE (FR/IT/GW, Orson Welles, 1962); PAWNBROKER, THE (US, Sidney Lumet, 1964); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); 2001: A SPACE ODYSSEY (US, Stanley Kubrick, 1968); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); MORTE A VENEZIA (IT/FR, Luchino Visconti, 1971); [OTTO E MEZZO]8 1/2 (IT, Federico Fellini, 1963); TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948)
Summary: This book discusses the relationship between film and literature, looking specifically at the adaptation of novels into films. It concentrates mainly on the narrative aspects of film and literature and how they translate between the two mediums. The first half of the book looks at the concepts relating to narrative, literature and film in a general sense; the second half of the book analyses specific films.
Notes: Includes glossary, list of film distributors, bibliographic references and index; Collection holds two copies of this item
ISBN: 058228094X
Donation: donated by the family of Wayne Levy, 2006

Call No: 753 BEJ
Copy Management: Copy 1; Copy 2
Author: Beja, Morris
Source: US
Place: New York
Publisher: Longman
PubDate: 1979
PhysDes: xv, 335 p. : ill. ; 24 cm
Subject: ADAPTATIONS; ADAPTATIONS. DICKENS, CHARLES; ADAPTATIONS. GREENE, GRAHAM; ADAPTATIONS. JAMES, HENRY; ADAPTATIONS. MANN, THOMAS; ADAPTATIONS. SHAKESPEARE, WILLIAM; ADAPTATIONS. STEINBECK, JOHN; ADAPTATIONS. WILLIAMS, TENNESSEE; LITERATURE AND THE CINEMA; GRAPES OF WRATH, THE (US, John Ford, 1940); CABINET DES DR. CALIGARI, DAS (G, Robert Wiene, 1920); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); CITIZEN KANE (US, Orson Welles, 1941); MALTESE FALCON, THE (US, John Huston, 1941); HENRY V (UK, Laurence Olivier, 1944); GREAT EXPECTATIONS (UK, David Lean, 1946); HAMLET (UK, Laurence Olivier, 1948); THIRD MAN, THE (UK, Carol Reed, 1949); RASHOMON (JA, Akira Kurosawa, 1950); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); CAT ON A HOT TIN ROOF (US, Richard Brooks, 1958); PSYCHO (US, Alfred Hitchcock, 1960); INNOCENTS, THE (UK, Jack Clayton, 1962); ANNEE DERNIERE A MARIENBAD, L' (FR, Alain Resnais, 1961); JULES ET JIM (FR, Francois Truffaut, 1962); LOLITA (US, Stanley Kubrick, 1962); PROCES, LE (FR/IT/GW, Orson Welles, 1962); PAWNBROKER, THE (US, Sidney Lumet, 1964); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); MORTE A VENEZIA (IT/FR, Luchino Visconti, 1971); [OTTO E MEZZO]8 1/2 (IT, Federico Fellini, 1963); TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948)
Summary: This book discusses the relationship between film and literature, looking specifically at the adaptation of novels into films. It concentrates mainly on the narrative aspects of film and literature and how they translate between the two mediums. The first half of the book looks at the concepts relating to narrative, literature and film in a general sense; the second half of the book analyses specific films.
Notes: Includes index; Bibliography: p. 319-327; Collection holds two copies of this item
ISBN: 058228094X
Order Received: 2000
Order Type: Donation
LON: 78026167; 1314099

Call No: 512.1 PAR
Author: Partridge, Dinah; Hughes, Peter, 1949
Place: Melbourne
Publisher: Oxford University Press
PubDate: 1992
PhysDes: viii, 184 p. : ill., ports. ; 26 cm
Subject: TEACHING MATERIALS; DEAD POETS SOCIETY (US, Peter Weir, 1989); MALCOLM (AT, Nadia Tass, 1986); YEAR MY VOICE BROKE, THE (AT, John Duigan, 1987); SHAME (AT, Steve Jodrell, 1988); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); RADIO DAYS (US, Woody Allen, 1987); ACCIDENTAL TOURIST, THE (US, Lawrence Kasdan, 1988); KILLING FIELDS, THE (UK, Roland Joffe, 1984); CRY FREEDOM (UK, Richard Attenborough, 1987); NEWSFRONT (AT, Phillip Noyce, 1978); GALLIPOLI (AT, Peter Weir, 1981); CITIZEN KANE (US, Orson Welles, 1941); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); STAND AND DELIVER (US, Ramon Menendez, 1988); GROUND ZERO (AT, Michael Pattison & Bruce Myles, 1987); BACK TO THE FUTURE (US, Robert Zemeckis, 1985); STREET HERO (AT, Michael Pattinson, 1984); STAND BY ME (US, Rob Reiner, 1986); DELINQUENTS, THE (AT, Chris Thomson, 1989); EDUCATING RITA (UK, Lewis Gilbert, 1983); HANNAH AND HER SISTERS (US, Woody Allen, 1986); HIGH TIDE (AT, Gillian Armstrong, 1987); DUNERA BOYS, THE [TV] (AT, Bob Weis, 1985); KISS OF THE SPIDER WOMAN (US/BL, Hector Babenco, 1985); PLACE AT THE COAST, THE (AT, George Ogilvie, 1987); SCALES OF JUSTICE [TV] (AT, 1983); WOMEN OF THE SUN [TV] (AT, James Ricketson, David Stevens, Stephen Wallace, Geoffrey Nottage, 1982); NAVIGATOR, THE (NZ/AT, Vincent Ward, 1988); EVIL ANGELS (AT, Fred Schepisi, 1988); MY LEFT FOOT (UK, Jim Sheridan, 1989); CANNIBAL TOURS (AT, Dennis O'Rourke, 1987)
Notes: Includes index; Bibliography: p. 183
ISBN: 019553218X
LON: 8815950
ID2: 290

Call No: 512.1 PAR
Author: Partridge, Dinah; Hughes, Peter, 1949
Edition: 2nd ed
Source: AT
Place: Melbourne
Publisher: Oxford University Press
PubDate: 1998
PhysDes: viii, 248 p. : ill., ports. ; 26 cm
Subject: TEACHING MATERIALS; PRINCESS BRIDE, THE (US, Rob Reiner, 1987); ABSOLUTELY FABULOUS [TV] (UK, 1992 - 1996); BLADE RUNNER (US, Ridley Scott, 1982); CITIZEN KANE (US, Orson Welles, 1941); CHARACTERIZATION IN FILMS; CLUELESS (US, Amy Heckerling, 1995); COOLBAROO CLUB, THE (AT, Roger Scholes, 1996); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); EMMA (UK, Douglas McGrath, 1996); FRONTLINE [TV] (AT, 1994- ); GALLIPOLI (AT, Peter Weir, 1981); GENRES; HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990); HEARTS OF DARKNESS : A FILMMAKERS APOCALYPSE (US, Fax Bahr & George Hinkenlooper, 1991); HOUSEKEEPING (US, Bill Forsyth, 1987); MITT LIV SOM HUND (SW, Lass Hallestrom, 1985); MURIEL'S WEDDING (AT, P.J. Hogan, 1994); NARRATIVE IN FILMS; NOT FOURTEEN AGAIN (AT, Gillian Armstrong, 1996); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); POLICE ON TV; PROOF (AT, Jocelyn Moorhouse, 1991); REALISM IN FILMS; SCHINDLER'S LIST (US, Steven Spielberg, 1993); SECRET GARDEN, THE (US, Agnieszka Holland, 1993); SEINFELD [TV] (US, 1990-98); SENSE AND SENSIBILITY (US, Ang Lee, 1995); SHAME (AT, Steve Jodrell, 1988); SHINE (AT/UK, Scott Hicks, 1996); SITUATION COMEDY; STAR WARS (US, George Lucas, 1977); WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996)
Notes: Bibliography
ISBN: 0195506774 : $26.95; 0195506774 (pbk.)
LON: 13455821
ID2: 290

Call No: 79CIT FOC
Source: US
Place: Englewood, New Jersey
Publisher: Prentice-Hall
PubDate: 1971
PhysDes: xi, 178 p. : [8] p. of plates : ill., ports. ; 21 cm
Series: Film Focus
Subject: WELLES, ORSON; CITIZEN KANE (US, Orson Welles, 1941)
Summary: "The contributors to this volume, including Arthur Knight, Andrew Sarris, and Francois Truffaut - as well as those who played key roles in making it - analyze Citizen Kane and its impact on modern film and culture"- Book Blurb
Notes: Includes bibliographic references and index
ISBN: 0131347594
Donation: donated by the family of Wayne Levy, 2006

Call No: 70 COO
Author: Cook, David A
Edition: 1st ed
Place: New York
Publisher: Norton
PubDate: c1981
PhysDes: xxiii, 721 p. : ill. ; 24 cm
Subject: HISTORY OF CINEMA; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. 1950's; NARRATIVE IN FILMS; STAR SYSTEM; EXPRESSIONISM; MOTION PICTURE PRODUCERS AND DISTRIBUTORS OF AMERICA; STUDIO SYSTEM; ITALY; NEOREALISM; WAR AND THE CINEMA; FILM NOIR; NOUVELLE VAGUE; WIDE-SCREEN SYSTEMS; EASTERN EUROPEAN COUNTRIES; JAPAN; THIRD WORLD; GERMAN FEDERAL REPUBLIC; USSR; MELIES, GEORGES; PORTER, EDWIN S.; GRIFFITH, DAVID WARK; PUDOVKIN, VSEVELOD; CHAPLIN, CHARLES; Keaton, Buster; VON STROHEIM, ERICH; CITIZEN KANE (US, Orson Welles, 1941); CABINET DES DR. CALIGARI, DAS (G, Robert Wiene, 1920)
Notes: Includes index; Bibliography: p. 671-692
ISBN: 0393090221 (pbk.); 0393013707
LON: 1583335 1583335

Author: Thornhill, Michael and Gardner, Geoffrey
PhysDes: Article
Subject: WISE, ROBERT; CITIZEN KANE (US, Orson Welles, 1941); WELLES, ORSON; MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942); LEWTON ,VAL; TOURNEUR, JACQUES; ROBSON, MARK; HAUNTING, THE (US, Robert Wise, 1963); WEST SIDE STORY (US, Robert Wise, 1961); SOUND OF MUSIC, THE (US, Robert Wise, 1965); STAR (US, Robert Wise, 1968); CURSE OF THE CAT PEOPLE, THE (US, Gunther von Fritsch & Robert Wise, 1944)
Summary: Interview with editor and director Robert Wise, discussing his films and work with other filmmakers, such as Orson Welles.

Author: Hanson, Curtis Lee
PhysDes: Article
Subject: PENN, ARTHUR; BONNIE AND CLYDE (US, Arthur Penn, 1967); CHASE, THE (US, Arthur Penn, 1966); LEFT-HANDED GUN, THE (US, Arthur Penn, 1958); VIOLENCE IN FILMS; VIOLENCE IN FILMS. USA; CITIZEN KANE (US, Orson Welles, 1941); DIRECTORS. USA
Summary: Interview with filmmaker Arthur Penn, where in the wake of "Bonnie and Clyde", he remarks on claims that his films are 'distinctly American', as well as his influences as a director. Reprinted from "Cinema" with kind permission of the Editor.

Call No: 630.31 KIN
Author: Fowler, Douglas
CorpAuthor: Florida State University Conference on Literature and Film (10th : 1985 : Tallahassee)
Place: Tallahassee
Publisher: University Presses of Florida
PubDate: 1986
PhysDes: 148 p. ; 21 cm
Subject: DREAMS IN FILMS; HITCHCOCK, ALFRED; S.O.B. (US, Blake Edwards, 1981); FLASHDANCE (US, Adrian Lyne, 1983); CITIZEN KANE (US, Orson Welles, 1941); KOYAANISQATSI (US, Godfrey Reggio, 1982); MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969); CARMEN (SP, Carlos Saura, 1983); CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928)
Notes: Includes bibliographical references and index
ISBN: 0813008638 (pbk. :alk. paper)
LON: 86022393; 4823250

Call No: REFERENCE SECTION; 02 WOL
Author: Wolf, William; Wolf, Lillian Kramer
Place: London
Publisher: Paddington Press
PubDate: 1979
PhysDes: 429 p. : ill. ; 25 cm
Subject: BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); JAZZ SINGER, THE (US, Alan Crosland, 1927); LITTLE CAESAR (US, Mervyn LeRoy, 1931); FRANKENSTEIN (US, James Whale, 1931); DUCK SOUP (US, Leo McCarey, 1933); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); THIRTY-NINE STEPS, THE (UK, Alfred Hitchcock, 1935); MODERN TIMES (US, Charles Chaplin, 1936); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); STAGECOACH (US, John Ford, 1939); GONE WITH THE WIND (US, Victor Fleming, 1939); GRAPES OF WRATH, THE (US, John Ford, 1940); FANTASIA (US, Walt Disney, 1940); CITIZEN KANE (US, Orson Welles, 1941); ROMA CITTA APERTA (IT, Roberto Rossellini, 1945); RASHOMON (JA, Akira Kurosawa, 1950); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); CHAGRIN ET LA PITIE, LE (SZ/GW, Marcel Ophuls, 1971); PATHER PANCHALI (II, Satyajit Ray, 1955); ROOM AT THE TOP (UK, Jack Clayton, 1959); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); 8 1/2 (IT/FR, Federico Fellini, 1963); DR STRANGELOVE (UK, Stanley Kubrick, 1964); ULYSSES (UK/US, Joseph Strick, 1967); BONNIE AND CLYDE (US, Arthur Penn, 1967); 2001: A SPACE ODYSSEY (US, Stanley Kubrick, 1968); Z (FR/AE, Constantin Costa-Gavras, 1969); EASY RIDER (US, Dennis Hopper, 1969); SWEET SWEETBACK'S BAADASSSSS SONG (US, Melvin Van Peebles, 1971); DEEP THROAT (US, Jerry Gerard, 1972); HEAVY TRAFFIC (US, Ralph Bakshi, 1973); SLEEPER (US, Woody Allen, 1973); NASHVILLE (US, Robert Altman, 1975); PASQUALINO SETTEBELLEZZE (IT, Lina Wertmuller, 1976); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957)
Notes: incl. index
ISBN: 0709208758
LON: vtb00270168; 10429365

Call No: 79CIT CAR
Copy Management: Copy 1; Copy 2
Author: Carringer, Robert L
Place: Berkeley
Publisher: University of California Press
PubDate: c1985
PhysDes: xiv, 180 p. : ill. ; 24 cm
Subject: CITIZEN KANE (US, Orson Welles, 1941); WELLES, ORSON
Notes: Includes index; Bibliography: p. 165-171
ISBN: 0520053672
LON: 84008777; 3270611

Call No: 62(082) MOV v.1
Author: Nichols, Bill
Place: Berkeley
Publisher: University of California Press
PubDate: c1976
PhysDes: xi, 640 p. : ill. ; 24 cm
Subject: STRUCTURALISM; CRITICISM; IDEOLOGY AND THE CINEMA; IDEOLOGY IN FILMS; POLITICS AND THE CINEMA; POLITICS IN FILMS; GENRES; AUTEUR THEORY; FILM NOIR; THEORY; WESTERNS; WOMEN AND THE CINEMA; FILM NOIR; SEMIOLOGY; METHODOLOGY OF FILM CRITICISM; ETHNOGRAPHIC FILMS; FEMINISM AND THE CINEMA; CAPRA, FRANK; RAY, NICHOLAS; VON STERNBERG, JOSEF; GODARD, JEAN-LUC; CITIZEN KANE (US, Orson Welles, 1941); SERPICO (US, Sidney Lumet, 1973); GODFATHER PART II, THE (US, Francis Ford Coppola, 1974); VENT D'EST (FR/IT/GW, Jean-Luc Godard & Dziga Vertov Group, 1970); WIND FROM THE EAST (FR/IT/GW, Jean-Luc Godard & Dziga Vertov Group, 1970); VIVRE SAVIE (FR, Jean-Luc Godard, 1962); KLUTE (US, Alan J. Pakula, 1971); TRUFFAUT, FRANCOIS; SHOCK CORRIDOR (US, Samuel Fuller, 1963); TO HAVE AND HAVE NOT (US, Howard Hawks, 1944); BLOW JOB (US, Andy Warhol, 1963); RIO LOBO (US, Howard Hawks, 1970); YOUNG MR. LINCOLN (US, John Ford, 1939)
Summary: "Film teachers and students will welcome this new anthology, which makes available in one source a comprehensive selection of recent theoretical work on film, including many articles difficult to locate in the scattered literature. The contents are drawn almost entirely from the publications of the past fifteen years, and include work by the most original film thinkers - some well known to a wide public, some widely known among readers of film journals. Several important film-makers are also represented." -- BOOK BLURB
Notes: Includes index; This is volume 1
ISBN: 0520031512
LON: cln74022969; 10151896
Contents: --- part 1 contextual criticism -- political criticism -- genre criticism -- feminist criticism -- part 2 formal criticism -- auteur criticism -- mise-en-scene criticism -- part 3 theory -- film theory -- structuralism-semiology --

Call No: 70 MOV
Author: Robinson, David, 1930; Lloyd, Ann, 1945
Place: London
Publisher: Orbis Publishing
PubDate: 1982
PhysDes: 219 p. : ill. (some col.) ; 30 cm.
Subject: HISTORY OF CINEMA. 1940's; ENFANTS DU PARADIS, LES (FR, Marcel Carne, 1945); HAWKS, HOWARD; BERGMAN, INGRID; ROSSELLINI, ROBERTO; VISCONTI, LUCHINO; DE SICA, VITTORIO; WELLES, ORSON; CITIZEN KANE (US, Orson Welles, 1941); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); WYLER, WILLIAM; GOLDWYN, SAMUEL; REED, CAROL; THIRD MAN, THE (UK, Carol Reed, 1949); Powell, Michael; GUINNESS, ALEC; KIND HEARTS AND CORONETS (UK, Robert Hamer, 1949); Lean, David; HUSTON, JOHN; MALTESE FALCON, THE (US, John Huston, 1941); BOGART, HUMPHREY; GARFIELD, JOHN; HAYWORTH, RITA; KELLY, GENE; DONEN, STANLEY; GARLAND, JUDY; BALCON, MICHAEL; DISNEY, WALT; MCLAREN, NORMAN; WELLMAN, WILLIAM; STURGES, PRESTON; HEPBURN, KATHARINE; WALSH, RAOUL
Summary: A look at film in the 1940s with short chapters devoted to films, filmmakers, actors and genres of the period, as well as reports on non-US cinemas.
Notes: Includes index. Includes filmographies.
ISBN: 0856134546

Call No: 67(04) FAR
Author: Farber, Manny
Edition: Expanded ed
Place: New York
Publisher: Da Capo Press
PubDate: 1998
PhysDes: xiv, 412 p. ; 21 cm
Subject: FESTIVALS. NEW YORK; HAWKS, HOWARD; HUSTON, JOHN; LEWTON ,VAL; AGEE, JAMES; STURGES, PRESTON; CAPRA, FRANK; SIEGEL, DON; FULLER, SAMUEL; SNOW, MICHAEL; GODARD, JEAN-LUC; BUNUEL, LUIS; WALSH, RAOUL; ROEG, NICOLAS; HERZOG, WERNER; FASSBINDER, RAINER WERNER; FARBER, MANNY; AKERMAN, CHANTAL; JONES, CHUCK; Stewart, James; FORD, JOHN; WALSH, RAOUL; WARHOL, ANDY; PATTERSON, PATRICIA; WAVELENGTH (US, Michael Snow, 1967); FAR COUNTRY, THE (US, Anthony Mann, 1955); CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963); DETECTIVE STORY (US, William Wyler, 1951); HOME OF THE BRAVE (US, Mark Robson, 1949); SPY WHO CAME IN FROM THE COLD, THE (UK, Martin Ritt, 1965); HOW I WON THE WAR (UK, Richard Lester, 1967); CITIZEN KANE (US, Orson Welles, 1941); GRADUATE, THE (US, Mike Nichols, 1967); IN COLD BLOOD (US, Richard Brooks, 1967); JEANNE DIELMAN, 23 QUAI DU COMMERCE, 1080 BRUXELLES (BE, Chantal Akerman, 1975); TAXI DRIVER (US, Martin Scorsese, 1976); THIRD MAN, THE (UK, Carol Reed, 1949); SKAMMEN (SW, Ingmar Bergman, 1968); CHINOISE, LA (FR, Jean-Luc Godard, 1967); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967)
Summary: Manny Farber, one of the most important and entertaining critics in movie history, championed the American action film - the bravado of Howard Hawks, the art brut styling of Samuel Fuller, the crafty, sordid entertainments of Don Siegel - at a time when other critics dismissed the genre. His witty, incisive criticism later worked exacting language into an exploration of the feelings and strategies that went into low-budget and radical films as diverse as Michael Snow's Wavelength, Werner Herzog's Fata Morgana, and Shantal Akerman's Jeanne Dielman. Expanded with an in-depth interview and seven essays written in collaboration with his wife, artist Patricia Patterson, Negative Space gathers Farber's most influential writings, making this an indispensable collection for all lovers of film
Notes: "First Da Capo Press edition"--T.p. verso; Includes index
ISBN: 0306808293 (pbk. : alk. paper)
LON: 13667387

Call No: 626:335.8 STO
Author: Stoehr, Kevin L.
Edition: 1st ed.
Source: US
Place: Jefferson, North Carolina
Publisher: McFarland & Company Inc.
PubDate: 2006
PhysDes: ix, 216 p. : ill. ; 23 cm
Subject: PHILOSOPHY AND THE CINEMA; JORDAN, NEIL; FORD, JOHN; KUBRICK, STANLEY; SOPRANOS, THE [TV] (US, 1999); WAKING LIFE (US, Ricahrd Linklater, 2001); CITIZEN KANE (US, Orson Welles, 1941); CRYING GAME, THE (UK, Neil Jordan, 1992); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971)
Summary: "This book explores the idea of nihilism through its appearance in modern popular culture. The author defines and reflects upon nihilism, then explores its manifestation in films and television shows... Finally, the author considers nihilism in terms of the decay of traditional values in the genre of westersm mostly through works of filmmaker John Ford." -- BACK COVER
Notes: Formerly CIP.; Includes bibliographical references (p. 205-207) and index
ISBN: 0786425474
Donation: Donated by Senses Of Cinema, 2009
Contents: Preface : when nothing matters -- 1. Nietzsche, nihilism, and existentialism -- 2. The nihilistic vision of film noir and The Sopranos -- 3. "The on-going wow" : tuning in to dreams of Waking life -- 4. The ambiguity of horizons : on the nihilism and perspectivism of Citizen Kane -- 5. Through the glass wall : welcoming the stranger in Neil Jordan's The crying game -- 6. When the legends die : John Ford and the fading of traditions and heroes -- 7. Kubrick's nihilistic clockwork -- 8. Nihilism as detached existence

Call No: 792(047.1) GEL
Author: Van Gelder, Peter
Place: London
Publisher: Aurum
PubDate: 1990
PhysDes: 288 p. : ill. ; 24 cm
Subject: AIRPLANE (US, Jim Abrahams & David Zucker & Jerry Zucker, 1980); ANNIE HALL (US, Woody Allen, 1977); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BATMAN (US, Tim Burton, 1989); BEVERLY HILLS COP (US, Martin Brest, 1984); BONNIE AND CLYDE (US, Arthur Penn, 1967); BRIEF ENCOUNTER (UK, David Lean, 1945); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); CARRY ON CLEO (UK, Gerald Thomas, 1964); CASABLANCA (US, Michael Curtiz, 1942); CHARIOTS OF FIRE (UK, Hugh Hudson, 1981); CITIZEN KANE (US, Orson Welles, 1941); CROCODILE DUNDEE (AT, Peter Faiman, 1986); DAM BUSTERS, THE (UK, Michael Anderson, 1955); DIRTY HARRY (US, Don Siegel, 1971); DUCK SOUP (US, Leo McCarey, 1933); EASY RIDER (US, Dennis Hopper, 1969); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); EXORCIST, THE (US, William Friedkin, 1973); FANTASIA (US, Walt Disney, 1940); FATAL ATTRACTION (US, Adrian Lyne, 1987); [FORTY-SECOND] 42ND STREET (US, Lloyd Bacon, 1933); FRANKENSTEIN (US, James Whale, 1931); FRENCH CONNECTION, THE (US, William Friedkin, 1971); GENEVIEVE (UK, Henry Cornelius, 1953); GODFATHER, THE (US, Francis Ford Coppola, 1972); GOLDFINGER (UK, Guy Hamilton, 1964); GONE WITH THE WIND (US, Victor Fleming, 1939); GRADUATE, THE (US, Mike Nichols, 1967); GREASE (US, Randal Kleisner, 1978); HARD DAY'S NIGHT, A (UK, Richard Lester, 1964); HENRY V (UK, Laurence Olivier, 1944); HIGH NOON (US, Fred Zinnemann, 1952); HIGH SOCIETY (US, Charles Walters, 1956); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); KING KONG (US, Merian C. Cooper & Ernest B. Schoedsack, 1933); LAVENDER HILL MOB, THE (UK, Charles Crichton, 1951); LAWRENCE OF ARABIA (UK, David Lean, 1962); MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960); MALTESE FALCON, THE (US, John Huston, 1941); M*A*S*H (US, Robert Altman, 1969); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); PINK PANTHER, THE (US, Blake Edwards, 1964); PSYCHO (US, Alfred Hitchcock, 1960); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); RAMBO : FIRST BLOOD PART II (US, George Pan Cosmatos, 1985); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); ROAD TO MOROCCO (US, David Butler, 1942); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); SOME LIKE IT HOT (US, Billy Wilder, 1959); SOUND OF MUSIC, THE (US, Robert Wise, 1965); STAGECOACH (US, John Ford, 1939); STAR WARS (US, George Lucas, 1977); THIRD MAN, THE (UK, Carol Reed, 1949); TOOTSIE (US, Sydney Pollack, 1982); TOP HAT (US, Mark Sandrich, 1935); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); WHO FRAMED ROGER RABBIT (US, Roger Zemekis, 1988); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
ISBN: 1854101617; 1854101617 (pbk) : ¦9.95 : CIP confirmed
LON: bnc85410161; 7335916

Call No: 62 BOR
Author: Bordwell, David
Place: Cambridge, Mass.
Publisher: Harvard University Press
PubDate: 1997
PhysDes: x, 322 p. : ill. ; 25 cm
Subject: THEORY; EDITING; CAHIERS DU CINEMA; HOLLYWOOD; LENSES; MODERNISM AND THE CINEMA; MONTAGE; REALISM IN FILMS; WIDE-SCREEN SYSTEMS; BAZIN, ANDRE; BURCH, NOEL; ASTRUC, ALEXANDRE; BARDECHE, MAURICE; BENJAMIN, WALTER; BRASILLACH, ROBERT; COMOLLI, JEAN-LOUIS; GUNNING, TOM; KULESOV, LEV; LEENHARDT, ROGER; LUMIERE, LOUIS; WYLER, WILLIAM; MELIES, GEORGES; TOLAND, GREGG; WELLES, ORSON; CITIZEN KANE (US, Orson Welles, 1941)
Notes: Includes bibliographical references and index
ISBN: 0674634284 (cloth : alk. paper); 0674634292 (pbk. : alk. paper)
LON: 97004016; 13106257
Contents: 1. The Way Movies Look: The Significance of Stylistic History -- 2. Defending and Defining the Seventh Art: The Standard Version of Stylistic History -- 3. Against the Seventh Art: Andre Bazin and the Dialectical Program -- 4. The Return of Modernism: Noel Burch and the Oppositional Program -- 5. Prospects for Progress: Recent Research Programs -- 6. Exceptionally Exact Perceptions: On Staging in Depth

PhysDes: Article
Subject: CITIZEN KANE (US, Orson Welles, 1941)
Summary: review

Call No: 79CIT KAE
Author: Kael, Pauline
Source: UK
Place: London
Publisher: Methueun Publishing Ltd.
PubDate: c.1971 (2002)
PhysDes: 146 p. : 18cm.
Series: Sight and sound supplement
Subject: WELLES, ORSON; KAEL, PAULINE; CITIZEN KANE (US, Orson Welles, 1941)
Notes: First published as "Raising Kane" in The New Yorker 1971.; This edition was produced as a supplement to Sight and Sound magazine September 2002.

Call No: 626 FAL
Author: Falzon, Christopher
Edition: third edition
Place: London
Publisher: Routledge
PubDate: 2002
PhysDes: 330p. : illustrations ; 24 cm
Subject: PHILOSOPHY AND THE CINEMA; THEORY; FOUCAULT, MICHEL; A NOUS, LA LIBERTE! (FR, Rene Clair, 1931); ADDICTION, THE (US, Abel Ferrara, 1995); AGNES OF GOD (US, Norman Jewison, 1985); AGUIRRE, DER ZORN GOTTES (GW, Werner Herzog, 1972); ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997); ALL OF ME (US, Carl Reiner, 1984); ALPHAVILLE (FR, Jean-Luc Godard, 1965); AMADEUS (US, Milos Forman, 1984); AMATEUR (US, Hal Hartley, 1994); ANGEL HEART (US, Alan Parker, 1987); ANTZ (US, Eric Darnell, Lawrence Guterman & Tim Johnson II, 1998); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BASIC INSTINCT (US, Paul Verhoeven, 1992); BEAVIS AND BUTTHEAD DO AMERICA (US, Mike Judge, 1996); BEDAZZLED (US, Stanely Donen, 1967); BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); BEING THERE (US, Hal Ashby, 1979); BIG (US, Penny Marshall, 1988); BIG SLEEP, THE (US, Howard Hawkes, 1946); BLADE RUNNER (US, Ridley Scott, 1982); BLAISE PASCAL (IT, Roberto Rossellini, 1972); BLUE VELVET (US, David Lynch, 1986); BOB ROBERTS (US, Tim Robbins, 1992); BRAZIL; BREAKER MORANT (AT, Bruce Beresford, 1980); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); CABARET (US, Bob Fosse, 1972); CASABLANCA (US, Michael Curtiz, 1942); CASPER (US, Brad Silberling, 1995); CHANCES ARE (US, Emile Ardolino, 1989); CHINATOWN (US, Roman Polanski, 1974); CINEMA PLUS; CITIZEN KANE (US, Orson Welles, 1941); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); COLOSSUS: FORBIN PROJECT (US, Joseph Sargent, 1970); CONFORMISTA, IL (IT/FR, Bernardo Bertolucci, 1970); COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); CRIMES AND MISDEMEANORS (US, Woody Allen, 1989); CRIMES OF PASSION (US, Ken Russell, 1984); CRUCIBLE, THE (US, Nicholas Hytner, 1996); CRYING GAME, THE (UK, Neil Jordan, 1992); DANGEROUS LIAISONS (US, Stephen Frears, 1988); DARK CITY (US, Alex Proyas, 1997); DARK STAR (US, John Carpenter, 1974); DEAD AGAIN (US, Kenneth Branagh, 1991); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); DRACULA (US, Tod Browning, 1931); EASY RIDER (US, Dennis Hopper, 1969); EDUCATING RITA (UK, Lewis Gilbert, 1983); ELEPHANT MAN, THE (US, David Lynch, 1980); ENEMY OF THE STATE (US, Tony Scott, 1998); JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974); FACE/OFF (US, John Woo [pseud. of Wu Yusen], 1997); FAHRENHEIT 451 (UK, Francois Truffaut, 1966); FATAL ATTRACTION (US, Adrian Lyne, 1987); FIVE EASY PIECES (US, Bob Rafelson, 1970); FLY, THE (US, David Cronenberg, 1986); FORTRESS (AT/US, Stuart Gordon, 1993); FRANKENSTEIN (US, James Whale, 1931); FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996); FULL METAL JACKET (UK, Stanley Kubrick, 1987); GATTACA (US, Andrew Niccol, 1997); GHOST (US, Jerry Zucker, 1990); GHOSTS. . . OF THE CIVIL DEAD (AT, John Hillcoat, 1988); ANGST DES TORMANNS BEIM ELFMETER, DIE (GW/AU, Wim Wenders, 1972); GROUNDHOG DAY (US, Harold Ramis, 1993); HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990); HANNAH AND HER SISTERS (US, Woody Allen, 1986); HE SAID, SHE SAID (US, Ken Kwapis and Marisa Silver, 1991); HIGH HOPES (UK, Mike Leigh, 1988); HIGH NOON (US, Fred Zinnemann, 1952); HILARY AND JACKIE (UK, Anand Tucker, 1998); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); IF... (UK, Lindsay Anderson, 1968); INHERIT THE WIND (US, Stanley Kramer, 1960); INTERIORS (US, Woody Allen, 1978); INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961); JURASSIC PARK (US, Steven Spielberg,, 1993); KOYAANISQATSI (US, Godfrey Reggio, 1982); LADYBIRD, LADYBIRD (UK, Kenneth Loach, 1994); ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976); MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979); LOVE AND DEATH (US, Woody Allen, 1975); M (G, Fritz Lang, 1931); MAD MAX (AT, George Miller, 1979); MALTESE FALCON, THE (US, John Huston, 1941); MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962); MATEWAN (US, John Sayles, 1987); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); MONTY PYTHON'S THE MEANING OF LIFE (UK, Terry Jones, 1983); MEPHISTO (HU/GW, Istvan Szabo, 1981); METROPOLIS (G, Fritz Lang, 1926); MISSION, THE (UK, Roland Joffe, 1986); MODERN TIMES (US, Charles Chaplin, 1936); MON ONCLE (FR/IT, Jacques Tati, 1958); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); MONTY PYTHON'S FLYING CIRCUS[TV] (UK, 1969-1974); MY FAIR LADY (US, George Cukor, 1964); NAME DER ROSE, DER (GW/IT/FR, Jean-Jacques Annaud, 1986); NORMA RAE (US, Martin Ritt, 1979); NUTTY PROFESSOR, THE (US, Jerry Lewis, 1963); O LUCKY MAN! (UK, Lindsay Anderson, 1973); OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928); OLIVIER, OLIVIER (FR, Agnieszka Holland, 1992); ON THE BEACH (US, Stanley Kramer, 1959); ON THE WATERFRONT (US, Elia Kazan, 1954); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); PEOPLE VS LARRY FLYNT, THE (US, Milos Forman, 1996); PLAYER, THE (US, Robert Altman, 1992); PLAYTIME (FR, Jacques Tati, 1967); PRINCESS BRIDE, THE (US, Rob Reiner, 1987); PURA FORMALITA, UNA (IT/FR, Guiseppe Tornatore, 1994); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); QUIZ SHOW (US, Robert Redford, 1994); RAIN (US, Louis Milestone, 1932); RAIN MAN (US, Barry Levinson, 1988); RAPTURE, THE (US, Michael Tolkin, 1991); RASHOMON (JA, Akira Kurosawa, 1950); REAR WINDOW (US, Alfred Hitchcock, 1954); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982); ROBOCOP (US, Paul Verhoeven, 1987); ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990); SALT OF THE EARTH (US, Herbert J. Biberman, 1954); SAVING PRIVATE RYAN (US, Steven Spielberg, 1998); SCHINDLER'S LIST (US, Steven Spielberg, 1993); SEA OF LOVE (US, Harold Becker, 1989); SEVEN [SE7EN] (US, David Fincher, 1995); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); SHOCKER (US, Wes Craven, 1989); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); SIMON DEL DESIERTO (MX, Luis Bunuel, 1965); SLEEPER (US, Woody Allen, 1973); SOPHIE'S CHOICE (US, Alan J. Pakula, 1982); STAGE FRIGHT (UK, Alfred Hitchcock, 1950); STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982); STAR TREK; STAR WARS (US, George Lucas, 1977); SUTURE (US, Scott McGehee & David Siegel, 1993); SWITCH (US, Blake Edwards, 1991); TERMINATOR, THE (US, James Cameron, 1984); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961); THINGS TO COME (UK, William Cameron Menzies, 1936); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); THREE FACES OF EVE (US, Nunnally Johnson, 1957); TOTAL RECALL (US, Paul Verhoeven, 1990); TRUMAN SHOW, THE (US, Peter Weir, 1998); USUAL SUSPECTS, THE (US, Bryan Singer, 1995); VICE VERSA (US, Brian Gilbert, 1988); JUNGFRUKALLAN (SW, Ingmar Bergman, 1960); WAG THE DOG (US, Barry Levinson, 1997); WALL STREET (US, Oliver Stone, 1987); WILD ONE, THE (US, Laslo Benedek, 1953); WITTGENSTEIN (UK, Derek Jarman, 1993); YOU ONLY LIVE ONCE (US, Fritz Lang, 1937)
Summary: Now emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the two earlier editions so successful. Drawing on many popular and some lesser known films from around the world, Christopher Falzon introduces students to key areas in philosophy, like: Ethics, Social and Political Philosophy, The Theory of Knowledge, The Self and Personal Identity, Critical Thinking. Perfect for beginners, this book guides the reader through philosophy using illuminating cinematic works, like Avatar, Inception, Fight Club, Wings of Desire, Run Lola Run, A Clockwork Orange, Blade Runner, Dirty Harry and many other films. The fully revised and updated Third Edition features: an expanded introduction that provides a new discussion of the relationship between film and philosophy; new material on notable philosophers such as Aristotle, Merleau-Ponty and Rawls; and coverage of new topics like virtue ethics and what Socrates offers for critical thinking. An updated glossary, references and bibliography, and a filmography, are also included in the Third Edition. -- publisher's web site
Notes: Includes glossary
ISBN: 9780415538169
Contents: Preface -- Introduction -- 1 - Plato’s Picture Show - the theory of knowledge -- 2 - All of Me - the self and personal identity -- 3 - Crimes and Misdemeanors - moral philosophy -- 4 - Antz - social and political philosophy -- 5 - Modern Times - society, science, and technology -- 6 - The Holy Grail - critical thinking -- Further Reading -- Glossary -- Bibliography -- Filmography -- Index

Author: manago, James V
PhysDes: Article
Subject: CITIZEN KANE (US, Orson Welles, 1941)

Call No: 756 ROH
Author: Rohdie, Sam, 1939
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: viii, 280 p. ; 24 cm
Subject: ETHNOGRAPHIC FILMS; CULTURE AND THE CINEMA; BAZIN, ANDRE; CITIZEN KANE (US, Orson Welles, 1941); GIDE, ANDRE; GODARD, JEAN-LUC; ART AND THE CINEMA; Pasolini, Pier Paolo; ROHMER, ERIC; ROSSELLINI, ROBERTO; MODERNISM AND THE CINEMA
Notes: Includes bibliographical references and index
ISBN: 0851708536(pbk.) : ¦15.99; 0851708544(cased) : ¦48.00
LON: 22645289

Call No: 623.3 WOL
Author: Wollen, Peter, 1938
Place: London
Publisher: NLB
PubDate: 1982
PhysDes: ix, 228 p. ; 21 cm
Subject: SEMIOLOGY; PSYCHO (US, Alfred Hitchcock, 1960); CITIZEN KANE (US, Orson Welles, 1941); VENT D'EST (FR/IT/GW, Jean-Luc Godard & Dziga Vertov Group, 1970)
Notes: "Essays ... written during the period from 1968 to 1982"--Pref; Includes bibliographical references and index
ISBN: 0860910555 : ª15.00; 086091755X (pbk.)
LON: bnb86091055; 2319525

Call No: 745 CHR
Author: Christensen, Terry
Place: Oxford New York
Publisher: Blackwell
PubDate: 1987
PhysDes: x, 244 p. : ill. ; 24 cm
Subject: POLITICAL FILMS. USA; WORLD WAR II FILMS; FASCISM AND THE CINEMA; COMMUNISM AND THE CINEMA; VIETNAM WAR FILMS; WORKERS IN FILMS; NUCLEAR ISSUES IN FILMS; REVOLUTIONARY THEMES IN FILMS; WAR AND THE CINEMA; POLITICAL PERSONALITIES IN FILMS; FONDA, HENRY; FORD, JOHN; GRIFFITH, DAVID WARK; REDS (US, Warren Beatty, 1981); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); GABRIEL OVER THE WHITE HOUSE (US, Gregory La Cava, 1933); [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939); GRAPES OF WRATH, THE (US, John Ford, 1940); CITIZEN KANE (US, Orson Welles, 1941); CASABLANCA (US, Michael Curtiz, 1942); CANDIDATE, THE (US, Michael Ritchie, 1972); FRONT, THE (US, Martin Ritt, 1976); ADVISE AND CONSENT (US, Otto Preminger, 1962); STATE OF THE UNION (US, Frank Capra, 1948); SISTERS (US, Brian De Palma, 1972)
Notes: Includes index; Bibliography: p.[224]-227
ISBN: 0631158448 : $24.95 (U.S.)
LON: 5549737

Call No: 67(04) REN
Author: Bellone, Julius, comp
Place: [New York]
Publisher: Collier Books
PubDate: [1970]
PhysDes: xi, 366 p. illus. 21 cm
Subject: Ray, Satyajit; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); BONNIE AND CLYDE (US, Arthur Penn, 1967); CITIZEN KANE (US, Orson Welles, 1941); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); DOLCE VITA, LA (FR/IT, Federico Fellini, 1960); FARREBIQUE (FR, Georges Rouquier, 1945); GERTRUD (DK, Carl Th. Dreyer, 1964); HIROSHIMA, MON AMOUR (FR/JA, Alain Resnias, 1959); ANNEE DERNIERE A MARIENBAD, L' (FR, Alain Resnais, 1961); LOLA (FR/IT, Jacques Demy, 1961); MASCULIN-FEMININ (FR, Jean-Luc Godard, 1966); ORDET (DK, Carl Th. Dreyer, 1955); RASHOMON (JA, Akira Kurosawa, 1950); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); STRADA, LA (IT, Federico Fellini, 1954); UGETSU MONOGATARI (JA, Kenji Mizoguchi, 1953); UMBERTO D. (IT, Vittorio De Sica, 1952); JUNGFRAUENMASCHINE, DIE (GW, Monika Treut, 1989); VIRIDIANA (SP/MX, Luis Bunuel, 1961); TYSTNADEN (SW, Ingmar Bergman, 1963); SERVANT, THE (UK, Joseph Losey, 1963); THIS SPORTING LIFE (UK, Lindsay Anderson, 1963); KUMONOSU-JO (JA, Akira Kurosawa, 1957); THRONE OF BLOOD (JA, Akira Kurosawa, 1957); TIREZ SUR LE PIANISTE (FR, Francois Truffaut, 1960); FROKEN JULIE (SW, Alf Sjoberg, 1950); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); MARNIE (US, Alfred Hitchcock, 1964); AU HASARD, BALTHAZAR (FR/SW, Robert Bresson, 1966); SUNA NO ONNA (JA, Hiroshi Teshigahara, 1964)
Notes: Bibliography: p. [349]-353
LON: 102599

Call No: 81WEL THO
Author: Thomson, David
Source: UK
Place: London
Publisher: Little, Brown and Co
PubDate: 1996
PhysDes: 463 p. : ill. ; 24 cm
Subject: WELLES, ORSON; CITIZEN KANE (US, Orson Welles, 1941); XANADU (US, Robert Greenwald, 1980)
Notes: Includes index. Includes bibliography
ISBN: 0316881953

Call No: 62 KRA
Author: Kracauer, Siegfried
Place: New York
Publisher: Oxford University Press
PubDate: 1965
PhysDes: xix, 364 p. ill., 20 cm.
Subject: ACTORS; ADAPTATIONS; EXPERIMENTAL FILMS; THEORY; AGEE, JAMES; ALEXANDROV, GROGORIJ; ANGER, KENNETH; ANSTEY, EDGAR; ARNHEIM, RUDOLF; ASTAIRE, FRED; BALAZS, BELA; BENJAMIN, WALTER; BERGMAN, INGMAR; BOGART, HUMPHREY; BRAKHAGE, STAN; BRANDO, MARLON; BUNUEL, LUIS; CAGNEY, JAMES; CAPRA, FRANK; CASTELLANI, RENATO; CAVALCANTI, ALBERTO; CHANEY, LON; CHAPLIN, CHARLES; CLAIR, RENE; CLEMENT, RENE; CLOUZOT, HENRI-GEORGES; COCTEAU, JEAN; DALI, SALVADOR; DE FILIPPO, EDUARDO; DEMILLE, CECIL B.; DE SICA, VITTORIO; DISNEY, WALT; DOVZENKO, ALEKSANDR; DREYER, CARL TH.; DUCHAMP, MARCEL; DUVIVIER, JULIEN; ELTON, ARTHUR; ENGEL, MORRIS; EPSTEIN, JEAN; FELLINI, FEDERICO; FEUILLADE, LOUIS; FEYDER, JACQUES; FISCHINGER, OSKAR; FLAHERTY, ROBERT; FORD, JOHN; FRANJU, GEORGES; FREUD, SIGMUND; GANCE, ABEL; GARNETT, GALE; GIDE, ANDRE; GREENE, GRAHAM; GRIERSON, JOHN; GRIFFITH, DAVID WARK; GRIFFITHS, RICHARD; GUITRY, SACHA; HARRINGTON, CURTIS; HILL, DAVID; HITCHCOCK, ALFRED; WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); VITELLONI, I (IT, Federico Fellini, 1953); VAMPYR : DER TRAUM DES ALLEN GRAY (G/FR, Carl Th. Dreyer, 1932); VARIETE (G, E.A. Dupont, 1925); VALLEY TOWN - A STUDY OF MACHINES AND MEN (US, Willard Van Dyke, 1940); UMBERTO D. (IT, Vittorio De Sica, 1952); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); THIRD MAN, THE (UK, Carol Reed, 1949); OKTIABR (UR, Sergei M. Eisenstein, 1928); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956); SYMPHONIE PASTORALE, LA (FR, Jean Delannoy, 1946); SWING TIME (US, George Stevens, 1936); STRADA, LA (IT, Federico Fellini, 1954); ROMAN D'UN TRICHEUR, LE (FR, Sacha Guitry, 1936); MATTER OF LIFE AND DEATH, A (UK, Michael Powell & Emeric Pressburger, 1946); SPIONE (G, Fritz Lang, 1928); SPELLBOUND (US, Alfred Hitchcock, 1945); SOUS LES TOITS DE PARIS (FR, Rene Clair, 1930); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); SMILING LIEUTENANT, THE (US, Ernst Lubitsch, 1931); SHANE (US, George Stevens, 1953); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); GEHEIMNISSE EINER SEELE (G, Georg Wilhelm Pabst, 1926); SCARFACE (US, Howard Hawks, 1932); SANG DES BETES, LE (FR, Georges Franju,1949); SAN FRANCISCO (US, W.S. Van Dyke, 1936); ROUE, LA (FR, Abel Gance, 1922); ROMEO I DZULETTA (UR, Lev Arnstam & Leonid Lavrovskij, 1954); RICHARD III (UK, Laurence Olivier, 1955); REGLE DU JEU, LA (FR, Jean Renoir, 1939); RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948); RASHOMON (JA, Akira Kurosawa, 1950); REGEN (NE, Joris Ivens, 1929); PYGMALION (UK, Anthony Asquith & Leslie Howard, 1938); PLACE IN THE SUN, A (US, George Stevens, 1951); PATHER PANCHALI (II, Satyajit Ray, 1955); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); PARIS 1900 (FR, Nicole Vedres, 1948); PARADINE CASE, THE (US, Alfred Hitchcock, 1947); OTELLO (UR, Sergej Jutkevic, 1956); ON THE WATERFRONT (US, Elia Kazan, 1954); OLVIDADOS, LOS (MX, Luis Bunuel, 1951); OF MEN AND MUSIC (US, Irving Reis, 1950); NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); NIGHT MAIL (UK, Basil Wright & Harry Watt, 1936); NIGHT AT THE OPERA, A (US, Sam Wood, 1935); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); MOULIN ROUGE (UK, E.A. Dupont, 1928); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); MODERN TIMES (US, Charles Chaplin, 1936); MOBY DICK (UK, John Huston, 1956); MOANA (US, Robert Flaherty, 1926); MILLION, LE (FR, Rene Clair, 1931); METROPOLIS (GG, Fritz Lang, 1927); MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943); MENSCHEN AM SONNTAG (G, Robert Siodmak & Edgar G. Ulmer, 1929); MARTY (US, Delbert Mann, 1954); MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936); MAJOR BARBARA (UK, Gabriel Pascal, 1941); MADAME BOVARY (FR, Claude Chabrol, 1991); MACBETH (US, Orson Welles, 1948); M (G, Fritz Lang, 1931); LOVE PARADE, THE (US, Ernst Lubitsch, 1929); LIMELIGHT (US, Charles Chaplin, 1952); LIFEBOAT (US, Alfred Hitchcock, 1944); OSTATNI ETAP (PL, Wanda Jakubowska, 1948); LADY IN THE LAKE (US, Robert Montgomery, 1946); KID, THE (US, Charles Chaplin, 1921); JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953); JAZZ SINGER, THE (US, Alan Crosland, 1927); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); INVISIBLE MAN, THE (US, James Whale, 1933); INTOLERANCE (US, David Wark Griffith, 1916); HUMAN DESIRE (US, Fritz Lang, 1954); HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935); HOTEL DES INVALIDES (FR, Georges Franju, 1952); HIGH NOON (US, Fred Zinnemann, 1952); HENRY V (UK, Laurence Olivier, 1944); HEIRESS, THE (US, William Wyler, 1949); HATFUL OF RAIN, A (US, Fred Zinnemann, 1957); HAMLET (UK, Laurence Olivier, 1948); HALLELUJAH! (US, King Vidor, 1929); GREED (US, Erich von Stroheim, 1925); GREAT EXPECTATIONS (UK, David Lean, 1946); GRAPES OF WRATH, THE (US, John Ford, 1940); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); GOLD RUSH, THE (US, Charles Chaplin, 1925); ORO DI NAPOLI, L' (IT, Vittorio De Sica, 1954); GOLD OF NAPLES (IT, Vittorio De Sica, 1954); GLASS MENAGERIE, THE (US, Irving Rapper, 1950); VORMITTAGSSPUK (G, Hans Richter, 1928); GHOST GOES WEST, THE (UK, Rene Clair, 1935); GHOST AND MRS. MUIR, THE (US, Joseph L. Mankiewicz, 1947); GERVAISE (FR, Rene Clement, 1956); JIGOKUMON (JA, Teinosuke kinugasa, 1953); FURY (US, Fritz Lang, 1936); FOUR HORSEMEN OF THE APOCALYPSE, THE (US, Vincente Minnelli, 1962); FARREBIQUE (FR, Georges Rouquier, 1945); FANTASIA (US, Walt Disney, 1940); ZEMLJA (UR, Alexksandr Dovzenko, 1930); JOURNAL D'UN CURE DE CAMPAGNE (FR, Robert Bresson, 1951); DESTRY RIDES AGAIN (US, George Marshall, 1939); MUDE TOD, DER (G, Fritz Lang, 1921); DEATH OF A SALESMAN (US, Laslo Benedek, 1951); DEAD OF NIGHT (UK, Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer, 1945); CONDAMNE A MORT S`EST ECHAPPE, UN (FR, Robert Bresson, 1956); CITY LIGHTS (US, Charles Chaplin, 1931); CITIZEN KANE (US, Orson Welles, 1941); CINDERELLA (US, Wilfred Jackson & Hamilton Laske & Clyde Geronomi, 1950); CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928); BROKEN BLOSSOMS (US, David Wark Griffith, 1919); BROADWAY MELODY OF 1938 (US, Norman Taurog, 1940); BRIEF ENCOUNTER (UK, David Lean, 1945); BOOMERANG (US, Elia Kazan, 1947); SANG D'UN POETE, LE (FR, Jean Cocteau, 1932); BLACKMAIL (UK, Alfred Hitchcock, 1929); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); BEZZERIDES, A.I.; BEN HUR (US, Fred Niblo, 1925); BAMBI (US, David Hand, 1942); BALLET MECANIQUE, LE (FR, Fernand Leger, 1924); BACK STREET (US, John M. Stahl, 1932); ATALANTE, L' (FR, Jean Vigo, 1934); A PROPOS DE NICE (FR, Jean Vigo, 1930); APARAJITO (II, Satyajit Ray, 1957); ANNA CHRISTIE (US, Clarence Brown, 1930); ANATOMY OF A MURDER (US, Otto Preminger, 1959); AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931); ALEKSANDR NEVSKI (UR, Sergei M. Eisenstein, 1938); BROADWAY MELODY, THE (US, Harry Beaumont, 1929); LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924)
Notes: Frist published 1960; Previously published as: Nature of films. England : Dobson ;1965; Includes bilbiograpy: p. 351-364; Includes index
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Author: Norton, Thelma
PhysDes: Article
Subject: CITIZEN KANE (US, Orson Welles, 1941)
Summary: Ill.