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Bazin at work : major essays and reviews from the forties and fifties / Andre Bazin ; translated from the French by Alain Piette and Bert Cardullo ; edited by Bert Cardullo New York: Routledge, 1996.
Call No: 67(04) BAZAuthor: Bazin, Andre, 1918-1958 ; Cardullo, Bert Place: New YorkPublisher: RoutledgePubDate: 1996PhysDes: xvi, 252 p. : ill. ; 24 cmSubject: STALIN [J.] IN FILMS ; RELIGIOUS FILMS ; SPECIAL EFFECTS ; SUPERNATURAL IN FILMS ; CINEMASCOPE ; MARXISM AND THE CINEMA ; USSR ; ADAPTATIONS ; WYLER, WILLIAM ; PAGNOL, MARCEL ; CAYATTE, ANDRE ; FARREBIQUE (FR, Georges Rouquier, 1945) ; SCARFACE (US, Howard Hawks, 1932) ; STRADA, LA (IT, Federico Fellini, 1954) ; JEUX INTERDITS (FR, Rene Clement, 1952) ; DERNIERES VACANCES, LES (FR, Roger Leenhardt, 1948) ; ORO DI NAPOLI, L' (IT, Vittorio De Sica, 1954) ; GOLD OF NAPLES (IT, Vittorio De Sica, 1954) ; M. RIPOIS (FR, Rene Clemont, 1954) ; DUE SOLDI DI SPERANZA (IT, Renato Castellani, 1951) ; TWO CENTS WORTH OF HOPE (IT, Renato Castellani, 1951) ; WHY WE FIGHT SERIES (US, 1942-44) ; BATAILLE DU RAIL, LA (FR, Rene Clemont, 1946) ; BATTLE OF THE RAILS (FR, Rene Clement, 1946) ; MYSTERE PICASSO, LE (FR, Henri-Georges Clouzot, 1956) ; PICASSO MYSTERY, THE (FR, Henri-Georges Clouzot, 1956) ; BIDONE, IL (IT, Federico Fellini, 1955) ; BRIDGE ON THE RIVER KWAI, THE (UK/US, David Lean, 1957) ; CITIZEN KANE (US, Orson Welles, 1941) ; IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]) ; IVAN GROZNY KINO BALET (UR, Vadim Derbenev & Yuri Grigorovich, 1977) Notes: Includes bibliographical references and indexISBN: 0415900174 (hb); 0415900182 (pb)LON: 12242179Contents: La Strada, p113-120 -- Jeux Interdits, p129-135 -- Les Dernieres Vacances, p141-149 -- M. Ripois, p167-177 -- Ivan Groznyj, p197-203 -- Le Mystere Picasso, p211-219 -- Citizen Kane, p231-239
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Christian film and video catalogue / Australian Religious Film Society North Ryde, NSW: Australian Religious Film Society,
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journal article
Diary of a Country Priest in Montage (1962) vol.1 iss.1 p.8-9
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newspaper article
Faith-based features enjoy a resurrection in The Australian [Arts & Entertainment] (30/03/2016) p.15
Call No: SUBJECT CLIPPINGS FILE; RELIGIOUS FILMSAuthor: Schwartzel, Erich PhysDes: Clippings File ArticleSubject: RELIGIOUS FILMS Summary: A number of religious films are due for release this year: Risen, The Young Messiah, Miracles from Heaven, God's Not Dead 2.
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The Hollywood history of the world / George MacDonald Fraser ; film stills from the Kobal Collection London: Penguin, 1988.
Call No: 741.9 FRAAuthor: Fraser, George MacDonald Source: USPlace: LondonPublisher: PenguinPubDate: 1988PhysDes: xix, 268 p. : ill. ; 25 cmSubject: HOLLYWOOD ; HISTORY AND THE CINEMA. USA ; RELIGIOUS FILMS ; CITIES IN FILMS ; WESTERNS Summary: The book looks at the history of mankind, divided into seven stages ranging from the Creation to the Vietnam war, and attempts to compare historical fact with the way history is presented by Hollywood, and shows where Hollywood got it right and where it got it wrong.Notes: Includes indexISBN: 0718129970Donation: donated by the family of Wayne Levy, 2006Contents: Introduction -- First age: the ancient world -- Second age: knights and barbarians -- Third age: Tudors and sea-dogs -- Fourth age: romance and royalty -- Fifth age: rule Britannia -- Sixth age: new world, old west -- Seventh age: the violent century -- References -- Index
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Religion and Film : cinema and the re-creation of the world / S. Brent Plate London: Wallflower, c2008.
Call No: 45:2 PLAAuthor: Plate, S. Brent Source: UKPlace: LondonPublisher: WallflowerPubDate: c2008PhysDes: x, 112 p. : ill. ; 20cmSeries: Short Cuts SeriesSubject: RELIGION AND THE CINEMA ; RELIGION IN FILMS ; RELIGIOUS FILMS Summary: " Religions and films both operate by recreating the known world and presenting that alternative version to their viewers/worshippers. This book brings together religious studies and film studies, asking how the world on film affects religious attitudes, and how millennia-old myths and rituals alter the ways films are made, viewed and interpreted. Films covered range from Hollywood blockbusters like Star Wars and The Matrix to cult films such as The Rocky Horror Picture Show and avant-garde and experimental films like Man with a Movie Camera and Stan Brakhage's The Act of Seeing with Ones Own Eyes. " -- BOOK BLURBNotes: Includes index; Formerly CIP; Includes bibliographical references (p. 100-108) and index; Includes filmographyISBN: 9781905674695Contents: -- acknowledgements -- preface -- introduction: world onscreen and at the altar -- 1: visual mythologising -- 2: ritualising film in space and time -- 3: religious cinematics: the immediate body in the media of film -- 4: the footprints of film: after-images of religion in space and time -- notes -- filmography -- bibliography -- index --
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Religion in film / edited by John R. May and Michael Bird Knoxville: University of Tennessee Press, c1982.
Call No: 45:2 MAYAuthor: Bird, Michael (Michael S.), 1941 ; May, John R Edition: 1st edPlace: KnoxvillePublisher: University of Tennessee PressPubDate: c1982PhysDes: xviii, 257 p. : ill. ; 23 cmSubject: RELIGION AND THE CINEMA ; RELIGIOUS FILMS ; DEVIL IN FILMS ; CENSORSHIP ; ALLEGORY IN FILMS ; ALTMAN, ROBERT ; BERGMAN, INGMAR ; BRESSON, ROBERT ; BUNUEL, LUIS ; CHAPLIN, CHARLES ; COPPOLA, FRANCIS FORD ; Fellini, Federico ; HITCHCOCK, ALFRED ; JUTRA, CLAUDE ; KUBRICK, STANLEY ; Peckinpah, Sam ; RUSSELL, KEN ; TRUFFAUT, FRANCOIS ; WERTMULLER, LINA ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; COOL HAND LUKE (US, Stuart Rosenberg, 1967) ; DOLCE VITA, LA (FR/IT, Federico Fellini, 1960) ; EXORCIST, THE (US, William Friedkin, 1973) ; NASHVILLE (US, Robert Altman, 1975) ; NOTTI DI CABIRIA, LE (IT, Federico Fellini, 1957) ; QUINTET (US, Robert Altman, 1979) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) Notes: Includes index; Bibliography: p. 242-244ISBN: 0870493523LON: 2165498
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Sanctuary cinema : origins of the Christian film industry / Terry Lindvall New York: New York University Press, c2007.
Call No: 743.6 LINAuthor: Lindvall, Terry Source: USPlace: New YorkPublisher: New York University PressPubDate: c2007PhysDes: x, 303 p., [8] p. of plates : ill. (some col.) ; 24 cmSubject: HISTORY AND THE CINEMA ; RELIGION AND THE CINEMA ; RELIGIOUS FILMS ; HISTORY OF CINEMA. SILENT PERIOD Summary: " Sanctuary Cinema provides the first history of the origins of the Christian film industry. Focusing on the early days of film during the silent era, it traces the ways in which the Church came to adopt film making as a way of conveying the Christian message to adherents. Surprisingly, rather than separating themselves from Hollywood or the American entertainment culture, early Christian film makers embraced Hollywood cinematic techniques and often populated their films with attractive actors and actresses. But they communicated their sectarian message effectively to believers, and helped to shape subsequent understandings of the Gospel message, which had historically been almost exclusively verbal, not communicated through visual media. While radio eclipsed the motion picture as the Christian communication media of choice by then1920s, the early film makers had laid the foundations for the current re-emergence of Christian film and entertainment, from Veggie Tales to The Passion of the Christ. " -- BOOK BLURBISBN: 9780814752500Contents: -- acknowledgements -- introduction -- The Brazen serpent -- Sanctuary cinema --
Divine shows -- Better films -- conclusion: Film as religion -- notes -- bibliography -- index -- about the author --
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Theology and film : challenging the sacred/secular divide / written by Christopher Deacy and Gaye Williams Ortiz Malden, MA: Blackwell Publishing, c2008.
Call No: 45:2 DEAAuthor: Deacy, Christopher ; Ortiz, Gaye Williams Source: US/UKPlace: Malden, MAPublisher: Blackwell PublishingPubDate: c2008PhysDes: xiv, 245 p. : ill. ; 23 cmSubject: RELIGION AND THE CINEMA ; RELIGION IN FILMS ; RELIGIOUS FILMS ; JARHEAD (US, Sam Mendes, 2005) ; PASSION OF THE CHRIST, THE (US, Mel Gibson, 2004) ; SOMETHING'S GOTTA GIVE (US, Nancy Meyers, 2003) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; VANILLA SKY (US, Cameron Crowe, 2001) Summary: "This textbook is the ideal introduction to exploring how film can enrich our study of theology, opening up debates surrounding contemporary culture and theological inquiry. It uses film to challenge the sacred/secular divide, spanning a broad range of themes from religion and violence, eschatology, war and peace, to justice, feminism, and the environment. The accessible structure lays out both the methods and theological perspectives required for understanding theology through film. Examples of films discussed range from Unforgiven, Jarhead, and The Passion of the Christ, to An Inconvenient Truth, Something's Gotta Give, and Vanilla Sky. The book is also accompanied by website resources available at www.blackwellpublishing.com/theologyandfilm" -- BOOK BLURBNotes: Includes bibliographical references and indexISBN: 9781405144384Donation: Donated by Senses of CinemaContents: -- note on the text -- preface -- Acknowledgements -- Part One: Methodological considerations -- Chapter 1: -- Theology and Film -- Part Two: Theological perspectives and filmic themes -- Chapter 2: -- Introduction -- Chapter 3: -- Woman as Spectacle: Theological Perspectives on Women and Film -- Chapter 4: -- The Green Screen: Theological Perspectives on the Environment and Film -- Chapter 5: -- A Time to Kill?: Theological Perspectives on Violence and Film -- Chapter 6: -- The Final Verdict: Theological Perspectives on Justice and Film -- Chapter 7: -- Dark Beauty: Theological Perspectives on War as Cinematic Mythology -- Chapter 8: -- Heaven, Hell and the Sweet Hereafter: -- Theological Perspectives on Eschatology and Film -- Chapter 9: -- Conclusion: Theological Perspectives on Cinematic Storytelling -- Bibliography -- Filmography -- Index --
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