Search Catalogue

Call No: 71(73) AME
Author: Hillier, Jim
Place: London
Publisher: British Film Institute
PubDate: 2001
PhysDes: xvii, 283 p. : ill., ports. ; 24 cm
Subject: USA; INDEPENDENT FILMS. USA; CASSAVETES, JOHN; BRAKHAGE, STAN; WARHOL, ANDY; ETHNIC GROUPS IN FILMS. USA; BLACK FILMMAKERS. US; DASH, JULIE; DAUGHTERS OF THE DUST (US, Julie Dash, 1991); RIGGS, MARLON; TONGUES UNTIED (US, Marlon Riggs, 1989); CROOKLYN (US, Spike Lee, 1994); FRIDAY (US, F. Gary Gray, 1995); CLOCKERS (US, Spike Lee, 1995); LEE, SPIKE; GIRL SIX (US, Spike Lee, 1996); GET ON THE BUS (US, Spike Lee, 1996); SLAM (US, Marc Levin, 1998); HOMOSEXUALITY AND THE CINEMA; POISON (US, Todd Haynes, 1991); MY OWN PRIVATE IDAHO (US, Gus Van Sant, 1991); VAN SANT, GUS; SWOON (US, Tom Kalin, 1992); GO FISH (US, Rose Troche, 1994); TOTALLY F***ED UP (US, Gregg Araki, 1993); HAYNES, TODD; SAFE (US, Todd Haynes, 1995); DOOM GENERATION, THE (US, Gregg Araki, 1995); PEIRCE, KIMBERLY; BOYS DON'T CRY (US, Kimberly Peirce, 1999); JARMUSCH, JIM; NIGHT ON EARTH (US, Jim Jarmusch, 1991); SLACKER (US, Richard Linklater, 1990); SURE FIRE (US, Jon Jost, 1990); LINKLATER, RICHARD; BEFORE SUNRISE (US, Richard Linklater, 1995); LIVING IN OBLIVION (US, Tom DiCillo, 1995); WALKING AND TALKING (US, Nicole Holofcener, 1996); HARTLEY, HAL; HENRY FOOL (US, Hal Hartley, 1997); HAPPINESS (US, Todd Solondz, 1998); GHOST DOG: THE WAY OF THE SAMURAI (US, Jim Jarmusch, 1999); TIMECODE (US, Mike Figgis, 2000); ALTMAN, ROBERT; SHORT CUTS (US, Robert Altman, 1993); ANDERSON, PAUL THOMAS; BOOGIE NIGHTS (US, Paul Thomas Anderson, 1997); MAGNOLIA (US, Paul Thomas Anderson, 1999); FERRARA, ABEL; BAD LIEUTENANT (US, Abel Ferrara, 1992); BLACKOUT, THE (US, Abel Ferrara, 1997); ADDICTION, THE (US, Abel Ferrara, 1995); FUNERAL, THE (US, Abel Ferrara, 1996); JONZE, SPIKE; BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); KORINE, HARMONY; GUMMO (US, Harmony Korine, 1997); JULIEN DONKEY-BOY (US, Harmony Korine, 1999); LYNCH, DAVID; TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992); LOST HIGHWAY (US, David Lynch, 1996); SAYLES, JOHN; CITY OF HOPE (US, John Sayles, 1991); LONE STAR (US, John Sayles, 1996); LIMBO (US, John Sayles, 1999); HENRY: PORTRAIT OF A SERIAL KILLER (US, John McNaughton, 1986); ONE FALSE MOVE (US, Carl Franklin, 1991); BALLAD OF LITTLE JO, THE (US, Maggie Greenwald, 1993); EVEN COWGIRLS GET THE BLUES (US, Gus Van Sant, 1993); PULP FICTION (US, Quentin Tarantino, 1994); Tarantino, Quentin; USUAL SUSPECTS, THE (US, Bryan Singer, 1995); BOUND (US, Larry Wachowski & Andy Wachowski, 1996); NORMAL LIFE (US, John McNaughton, 1996); THIS WORLD, THEN THE FIREWORKS (US, Michael Oblowitz, 1997); JACKIE BROWN (US, Quentin Tarantino, 1997); BIG LEBOWSKI, THE (US, Joel Coen, 1998); OUT OF SIGHT (US, Steven Soderbergh, 1998); LIMEY, THE (US, Steven Soderbergh, 1999); SODERBERGH, STEVEN; HANGIN' WITH THE HOMEBOYS (US, Joseph B. Vasquez, 1991); JUST ANOTHER GIRL ON THE I.R.T. (US, Leslie Harris, 1992)
ISBN: 0851707580 : ¦40.00; 0851707599(pbk.) : ¦12.99
LON: 20980358

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Stills; Clippings; Article
Subject: BEFORE SUNRISE (US, Richard Linklater, 1995)
URL status: URL: 'http://file://Q:/T/BEFORE_SUNRISE.zip' Checked: 31/08/2021 12:49:26 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 227.01(73) CLO
Place: UK
Publisher: Edinburgh University Press
PubDate: 2018
Series: International film stars
Subject: ACTORS; CHARACTER ACTORS; STARS; WOMEN IN FILMS. USA; WATERS, ETHEL; DUNNE, IRENE; GRANT, CARY; GAYNOR, JANET; HEPBURN, KATHARINE; DAVIS, BETTE; CLIFT, MONTGOMERY; CURTIS, TONY; SELLERS, PETER; Stewart, James; Lombard, Carole; MASON, JAMES; BURTON, RICHARD; LEWIS, JERRY; POITIER, SIDNEY; HACKMAN, GENE; ROWLANDS, GENA; NICHOLSON, JACK; HOFFMAN, DUSTIN; GOULD, ELLIOTT; PACINO, AL; GOLDBERG, WHOOPI; BLANCHETT, CATE; ISAAC, OSCAR; STEWART, KRISTEN; CLOUDS OF SILS MARIA (FR/SZ/GG/US/BE, Olivier Assayas, 2014); MOST VIOLENT YEAR, A (US, J. C. Chandor, 2014); BLUE JASMINE (US, Woody Allen, 2013); COLOR PURPLE, THE (US, Steven Spielberg, 1985); DONNIE BRASCO (US, Mike Newell, 1997); LONG GOODBYE, THE (US, Robert Altman, 1973); RAIN MAN (US, Barry Levinson, 1988); PASSENGER, THE (IT/SP/FR, Michelangelo Antonioni, 1975); GLORIA (US, John Cassavetes, 1980); CONVERSATION, THE (US, Francis Ford Coppola, 1974); IN THE HEAT OF THE NIGHT (US, Norman Jewison, 1967); KING OF COMEDY, THE (US, Martin Scorsese, 1983); SPY WHO CAME IN FROM THE COLD, THE (UK, Martin Ritt, 1965); PINK PANTHER, THE (US, Blake Edwards, 1964); SWEET SMELL OF SUCCESS (US, Alexander Mackendrick, 1957); PLACE IN THE SUN, A (US, George Stevens, 1951); LOLITA (US, Stanley Kubrick, 1962); TO BE OR NOT TO BE (US, Ernst Lubitsch, 1942); VERTIGO (US, Alfred Hitchcock, 1958); LION IN WINTER, THE (UK, Anthony Harvey, 1968); HIS GIRL FRIDAY (US, Howard Hawks, 1940); AWFUL TRUTH, THE (US, Leo McCarey, 1937); MEMBER OF THE WEDDING (US, Fred Zinnemann, 1952); DANGEROUS (US, Alfred E. Green, 1935); SUNRISE (US, Friedrich Wilhelm Murnau, 1927)
Summary: "Examines the significance of women's participation in popular genres. Analyses what makes an acting performance excellent, through a range of examples from world cinema. What actors do on-screen is a fascination for audiences all over the world. Indeed, the cultural visibility of movie stars is so pronounced that stardom has often been regarded as intrinsic to the medium's specificity. Yet not all great cinematic performances are star turns, and so, what really makes a cinematic performance good, interesting, or important has been a neglected topic in film criticism. This two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history, asking in many different and complementary ways what makes performance meaningful, how it reflects a director's style, as well as how it contributes to the development of national cinemas and cultures. Whether noting the precise ways actors shape film narrative, achieve emotional effect, or move toward political subversion, the essays in these books innovate new approaches to studying screen performance as an art form and cultural force"--Page 4 of cover.
Notes: Includes bibliographical references and index.
ISBN: 9781474417006
Contents: Intro -- Acknowledgments -- Close-up: great American performances -- Chapter 1 Ethel Waters in The Member of the Wedding -- Chapter 2 Irene Dunne in The Awful Truth -- Chapter 3 Cary Grant in His Girl Friday -- Chapter 4 Janet Gaynor in Sunrise: A Song of Two Humans -- Chapter 5 Katharine Hepburn in The Lion in Winter -- Chapter 6 Bette Davis in Dangerous -- Chapter 7 James Stewart in Vertigo -- Chapter 8 Carole Lombard in To Be or Not to Be -- Chapter 9 James Mason in Lolita -- Chapter 10 Montgomery Clift in A Place in the Sun -- Chapter 11 Tony Curtis in Sweet Smell of Success. Chapter 12 Peter Sellers in The Pink Panther -- Chapter 13 Richard Burton in The Spy Who Came in from the Cold -- Chapter 14 Jerry Lewis in The King of Comedy -- Chapter 15 Sidney Poitier in In the Heat of the Night -- Chapter 16 Gene Hackman in The Conversation -- Chapter 17 Gena Rowlands in Gloria -- Chapter 18 Jack Nicholson in The Passenger -- Chapter 19 Dustin Hoffman in Rain Man -- Chapter 20 Elliott Gould in The Long Goodbye -- Chapter 21 Al Pacino in Donnie Brasco -- Chapter 22 Whoopi Goldberg in The Color Purple -- Chapter 23 Cate Blanchett in Blue Jasmine -- Chapter 24 Oscar Isaac in A Most Violent Year -- Chapter 25 Kristen Stewart in Clouds of Sils Maria -- Index.
ID2: 362

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEAD SUNRISE (AT, Michal Imielski, 2016)

Call No: 71(94) HOD
Author: Hodsdon, Bruce
Place: [Canberra]
Publisher: National Library of Australia; Australian Council of Film Societies
PubDate: June 1995
PhysDes: 24 p. : illus. ; 30 cm
Subject: HISTORY OF CINEMA. AUSTRALIA; HISTORY OF CINEMA. SILENT PERIOD; CORRICK FAMILY; BIOGRAPH; ON OUR SELECTION (AT, Raymond Longford, 1920); KID STAKES, THE (AT, Tal Ordell, 1927); SUNRISE (US, Friedrich Wilhelm Murnau, 1927); BEN HUR (US, Fred Niblo, 1925); CAMERAMAN, THE (US, Edward Sedgwick, 1928); WIND, THE (US, Victor Sjostrom, 1928)
Notes: Looseleaf sheets in A4 folio
ISBN: 0642106487

Call No: 233.6(73) KEA
Author: Keting, Patrick
Edition: 2019
Place: New York; Chichester, UK
Publisher: Columbia University Press
PhysDes: xi,350 pages : illustrated ; 24 cm
Subject: BERKELEY, BUSBY; BORDWELL, DAVID; CAMERA ANGLES; CITIZEN KANE (US, Orson Welles, 1941); CONVERGENCE; FORD, JOHN; HAWKS, HOWARD; HITCHCOCK, ALFRED; LAST LAUGH, THE (G, Friedrich Wilhelm Murnau, 1924); MAMOULIAN, ROUBEN; MURNAU, FRIEDRICH WILHEL; PREMINGER, OTTO; SUNRISE (US, Friedrich Wilhelm Murnau, 1927); TOLAND, GREGG; VIDOR, KING; WELLES, ORSON
Summary: The camera’s movement in a film may seem straightforward or merely technical. Yet skillfully deployed pans, tilts, dollies, cranes, and zooms can express the emotions of a character, convey attitude and irony, or even challenge an ideological stance. In The Dynamic Frame, Patrick Keating offers an innovative history of the aesthetics of the camera that examines how camera movement shaped the classical Hollywood style. In careful readings of dozens of films, including Sunrise, The Grapes of Wrath, Rear Window, Sunset Boulevard, and Touch of Evil, Keating explores how major figures such as F. W. Murnau, Orson Welles, and Alfred Hitchcock used camera movement to enrich their stories and deepen their themes. Balancing close analysis with a broader poetics of camera movement, Keating uses archival research to chronicle the technological breakthroughs and the changing division of labor that allowed for new possibilities, as well as the shifting political and cultural contexts that inspired filmmakers to use technology in new ways. An original history of film techniques and aesthetics, The Dynamic Frame shows that the classical Hollywood camera moves not to imitate the actions of an omniscient observer but rather to produce the interplay of concealment and revelation that is an essential part of the exchange between film and viewer. -- publisher's web site
ISBN: 9780231190510
Contents: Acknowledgments -- Introduction -- 1. American Cinema, German Angles -- 2. Purposes and Parallels -- 3. Dynamism, Seriality, and Convergence -- 4. Constructing Scenes with the Camera -- 5. Between Subjective and Objective -- 6. An Art of Disclosures -- Conclusion -- Notes -- Bibliography -- Index

Call No: 62 AND
Author: Andrew, Dudley, 1945
Place: Princeton, N.J.
Publisher: Princeton University Press
PubDate: 1984
PhysDes: xiv, 207 p., [17] p. of plates : ill. (some col.) ; 23 cm
Subject: Mizoguchi, Kenji; SUNRISE (US, Friedrich Wilhelm Murnau, 1927); BROKEN BLOSSOMS (US, David Wark Griffith, 1919); ATALANTE, L' (FR, Jean Vigo, 1934)
Notes: Includes bibliographical references and index
ISBN: 0691065853 : $22.50
LON: 84001788; 3055205
URL status: URL: 'http://-' Checked: 31/08/2021 12:38:59 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LISTEN TO THE SUNRISE (AT, Queensland Government Tourist Bureau, 1974)

Call No: 70"192" MUL
Author: Muller, Jurgen
Edition: 2007
Place: Koln
Publisher: Taschen GMBH
PubDate: 2007
PhysDes: 482 pgaes : illustrated ; 26 cm
Subject: HISTORY OF CINEMA. 1920's; HISTORY OF CINEMA. SILENT PERIOD; TRIP TO THE MOON [VOYAGE DANS LA LUNE] (FR, George Melies, 1902); GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903); STUDENT VON PRAG, DER (G, Stellan Rye, 1913); CABIRIA (IT, Giovanni Pastrone, 1914); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); INTOLERANCE (US, David Wark Griffith, 1916); MADAME DUBARRY (G, Ernst Lubitsch, 1919); CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920); EROTIKON (SW, Mauritz Stiller, 1920); GOLEM, THE [; KID, THE (US, Charles Chaplin, 1921); FOOLISH WIVES (US, Erich Von Stroheim, 1922); [FOUR] 4 HORSEMEN OF THE APOCALYPSE, THE (US, Rex Ingram, 1921); THREE MUSKETEERS, THE (US, Fred Niblo, 1921); ABENTEUER DES PRINZEN ACHMED, DIE (GE/GG, Carl Koch & Lotte Reiniger, 1925); TOL'ABLE DAVID (US, Henry King, 1921); NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); HAXAN [WITCHCRAFT THROUGH THE AGES] (SW/DK, Benjamin Christensen, 1922); [DOCTOR] DR MABUSE: THE GAMBLER [DR. MABUSE DER SPIELER] (G, Fritz Lang, 1922); SAFETY LAST (US, Fred Newmayer/Sam Taylor, 1923); HUNCHBACK OF NOTRE DAME (US, Wallace Worsley, 1923); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1923); WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924); THIEF OF BAGDAD (US, Raoul Walsh, 1924); SHERLOCK, JR. (US, Buster Keaton, 1924); NIBELUNGEN, DIE (G, Fritz Lang, 1922-24); LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924); NAVIGATOR, THE (US, Buster Keaton & Donald Crisp, 1924); GREED (US, Erich von Stroheim, 1925); IRON HORSE, THE (UK, John Ford, 1924); GOLD RUSH, THE (US, Charles Chaplin, 1925); BEN HUR (US, Fred Niblo, 1925); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); VARIETE (G, E.A. Dupont, 1925); BIG PARADE, THE (US, King Vidor, 1925); FREUDLOSE GASSE, DIE (G, Wilhelm Pabst, 1925); PHANTOM OF THE OPERA, THE (US, Rupert Julian, 1925); SON OF THE SHEIK, THE (US, George Fitzmaurice, 1926); LODGER, THE (UK, Alfred Hitchcock, 1926); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); BLACK PIRATE, THE (US, Albert Parker, 1926); FAUST (G, Friedrich Wilhelm Marnau, 1926); ABENTEUER DES PRINZEN ACHMED, DIE (GE/GG, Carl Koch & Lotte Reiniger, 1925); METROPOLIS (G, Fritz Lang, 1926); KONETS SANKT-PETERSBURGA (UR, Vsevolod Pudovkin, 1927); NAPOLEON (FR, Abel Gance, 1927); CHAPEAU DE PAILLE D'ITALIE, UN (FR, Rene Clair, 1927); SUNRISE (US, Friedrich Wilhelm Murnau, 1927); JAZZ SINGER, THE (US, Alan Crosland, 1927); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); CROWD, THE (US, King Vidor, 1928); WIND, THE (US, Victor Sjostrom, 1928); CIRCUS, THE (US, Charles Chaplin, 1928); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); BLACKMAIL (UK, Alfred Hitchcock, 1929); BUCHSE DER PANDORA, DIE (G, Georg Wilhelm Pabst, 1929); CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928); LITTLE CAESAR (US, Mervyn LeRoy, 1931); BLAUE ENGEL, DER (G, Josef von Sternberg, 1930); ALL QUIET ON THE WESTERN FRONT (US, Lewis Milestone, 1930); SOUS LES TOITS DE PARIS (FR, Rene Clair, 1929); MOROCCO (US, Josef von Sternberg, 1930); WESTFRONT 1918 (G, Georg Wilhelm Pabst, 1930); AGE D'OR, L' (FR, Luis Bunuel, 1930)
Notes: From the invention of the moving picture to the first sound movies From the first moving pictures (the Lumiere brothers' 1895 L'arrive d'un train), early westerns, fantastic pictures, and nickelodeons all the way through the golden age of silent film in the 1920s, this book covers the first three decades of the moving picture around the world. In America, we witness the birth of Hollywood, circa 1910, where film quickly became a powerful industry and D. W. Griffith put American cinema on the map; later, Charlie Chaplin and Buster Keaton developed a new language of visual comedy while eccentrics like Erich von Stroheim and Cecil B. DeMille turned cinema into a high art form and show biz respectively, and sex symbols like Rudolph Valentino and Greta Garbo heated up the screens. Meanwhile, in Europe, German directors such as Ernst Lubitsch and Fritz Lang were establishing their careers and Russian greats Eisenstein and Pudovkin were already revolutionizing a nascent art form. At the end of the 1920s the very first "talkies", albeit rudimentary ones, brutally crushed the silent art, but by 1930 sound masterpieces such as Sternberg's The Blue Angel and Milestone's All Quiet on the Western Front were produced. This exploration of the founding years of cinema offers a fascinating perspective on a period in movie history that is far too often overlooked in our times. -- jacket blurb
ISBN: 9783822846131
Donation: Megan McMurchy

Call No: 40(94)[043] HAR
Author: Harrington, Stephen
Source: AT
Place: Queensland
PubDate: 2009
PhysDes: 355 p. : ill. ; 30 cm
Subject: AUDIENCES; AUDIENCES. AUSTRALIA; POLITICS AND TV; POLITICS AND TV. AUSTRALIA; MEDIA; NEWS PROGRAMMES. AUSTRALIA; JOURNALISM; JOURNALISTS ON TV. AUSTRALIA; SATIRE ON TV; TELEVISION; TELEVISION. AUSTRALIA; CHASER'S WAR ON EVERYTHING, THE [TV] (AT, Mark FitzGerald, Bradley Howard, Craig Melville, 2006); CHASER, THE [TV], (AT, 2001-); SUNRISE [TV] (AT, 2003); SUNRISE [TV] (AT, 2003-)
Summary: "This thesis examines the changing relationships between television, politics, audiences and the public sphere." -- ABSTRACT
Notes: Presented to the Creative Industries Faculty, Queensland University of Technology.; Thesis (Ph.D.)--Queensland University of Technology, Brisbane, 2009.; Includes bibliographical references (p. 315-353); Appears to be missing 17 pages from the index at the back?
Contents: -- introduction -- chapter 1: politics, 'old' news, chaos and the public sphere -- chapter 2: 'new' news, 'fake' news, audiences and public knowledge -- chapter 3: research methods -- chapter 4: 'reciprocal' journalism: Sunrise, ordinariness and breakfast television -- chapter 5: Sunrise and Public knowledge: newstainment, politics and the 'televisual' sphere -- chapter 6: push it to the limits: political satire, cultural satire and The Chasers War -- Chapter 7: chasing reporters: media satire, intertextuality and public knowledge -- conclusion -- appendix a -- appendix b -- references -- acknowledgements --

Call No: 632 WOO; Misplaced - Aug 10 2009
Author: Wood, Robin, 1931
Place: New York
Publisher: Columbia University Press
PubDate: c1998
PhysDes: x, 352 p. : ill. ; 23 cm
Series: Film and culture
Subject: NARRATIVE IN FILMS; SEX AND THE CINEMA; SEX IN FILMS; MARRIAGE IN FILMS; FAMILY IN FILMS; ROMANTIC FILMS; WOMEN IN FILMS; RACIAL ISSUES AND THE CINEMA; GENDER AND THE CINEMA; FASCISM AND THE CINEMA; RIVETTE, JACQUES; MCCAREY, LEO; Mizoguchi Kenji; YASUJIRO OZU; MANDINGO (US, Richard Fleischer, 1975); GASLIGHT (UK, Thorold Dickinson, 1940); GASLIGHT (US, George Cukor, 1944); LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948); PERSONA (SW, Ingmar Bergman, 1966); LIFE CLASSES (CN, William D. MacGillivray, 1987); BEFORE SUNRISE (US, Richard Linklater, 1995); DOOM GENERATION, THE (US, Gregg Araki, 1995); CELINE ET JULIE VONT EN BATEAU (FR, Jacques Rivette, 1974); AMOUR FOU, L' (FR, Jacques Rivette, 1968)
Notes: Includes index
ISBN: 0231076053 (paper : alk. paper); 0231076045 (cloth : alk. paper)
LON: 13757049
ID2: 291

Call No: 79SUN FIS
Author: Fischer, Lucy
Place: London
Publisher: BFI Publishing
PubDate: 1998
PhysDes: 79 p. : ill. ; 20 cm
Series: BFI film classics
Subject: SUNRISE (US, Friedrich Wilhelm Murnau, 1927)
Summary: For Nestor Almendros, Sunrise is 'a dialectical movie'. Similarly, for Tony Rayns, its 'meaning springs largely from [its] oppositions'. For Dorothy Jones, it 'communicate[s] by establishing significant contrasts'. While these critical views highlight the film's antitheses (a trope that Berman associates with modernity), they stress separation at the expense of continuity (or 'disunity' at the expense of 'unity'). Rather than embrace fixed divisions, Sunrise is a text marked by fluid boundaries - junctions that trace the subtle connection between entities rather than their clear demarcation. It is this complex mode of 'border crossing' (this world of 'Both/And' - not 'Either/Or' [Berman]) that makes the film so poignant, resonant, fascinating and modern
Notes: Includes bibliographical references (p. 77-79)
ISBN: 0851706681 (pbk.) : $10.95
LON: 14106263

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Programme; Press kit
Subject: SUNRISE (US, Friedrich Wilhelm Murnau, 1927)
URL status: URL: 'http://file://Q:/T/SUNRISE.zip' Checked: 31/08/2021 1:02:58 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: SUNRISE (II/FR, Partho Sen-Gupta, 2014)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: SUNRISE FILM STUDIOS

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: SUNRISE [TV] (AT, 2003-)
URL status: URL: 'http://file://Q:/T/SUNRISE.TV.zip' Checked: 31/08/2021 1:11:03 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: TEQUILA SUNRISE (US, Robert Towne, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TJINTU-PAKANI: SUNRISE AWAKENING (AT, Ande Reese, 1976)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WEEKEND SUNRISE [TV](AT, 2005)

Call No: 19NIN STO
Author: Stone, Gerald
Source: AT
Place: Sydney
Publisher: Pan Macmillan Australia
PubDate: 2007
PhysDes: xi, 292 p., [12] p. of plates : ill., ports. ; 25 cm
Subject: NINE NETWORK; OWNERSHIP TV. AUSTRALIA; SEVEN NETWORK; CURRENT AFFAIRS PROGRAMMES. AUSTRALIA; ETHICS AND TV; PUBLISHING AND BROADCASTING LTD; PACKER, KERRY; PACKER, JAMES; ALEXANDER, JOHN; MUNRO, MIKE; WENDT, JANA; LECKIE, DAVID; MEAKIN, PETER; GYNGELL, DAVID; NOBLE, KRIS; GRAEME-EVANS, POSIE; BOWER, SUSAN; STEPHENS, JOHN; CRESS, JULIAN; BARBOUR, DAVID; CHISHOLM, SAM; WALEY, JIM; BOLAND, ADAM; LLEWELLYN, MARK; MCGUIRE, EDDIE; LYONS, JOHN; [SIXTY] 60 MINUTES (AT, 1979-); BLOCK, THE [TV] (AT, 2003-); CURRENT AFFAIR, A [TV] (AT, 1971- ); McLEOD'S DAUGHTERS [TV] (AT, 2001-); SUNDAY [TV] (AT, 1981-); SUNRISE [TV] (AT, 2003-); TODAY [TV] (AT, 1982-); TODAY TONIGHT [TV] (AT, 1995-)
Summary: Gerald Stone charts the changes that Channel 9 has gone through from 2000 onwards. The book shows reveals that changes within the structure Channel 9's parent company (Publishing and Broadcasting Ltd) had a strong impact on 9's operations and business ethos.
ISBN: 9781405038157