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book		At the end of the street in the shadow : Orson Welles and the city / Matthew Asprey Gear New York: Wallflower Press, 2016. Call No: 81WEL GEA Author: Gear, Matthew Asprey Source: US Place: New York Publisher: Wallflower Press PubDate: 2016 PhysDes: ix, 292 pages ; 24 cm Subject: EXPRESSIONISM; FASCISM AND THE CINEMA; WELLES, ORSON; MAGNIFICENT AMBERSONS, THE (US, Orson Welles, 1942); MR. ARKADIN (FR/SP/IT, Orson Welles, 1955); CITIZEN KANE (US, Orson Welles, 1941) Summary: "The films of Orson Welles inhabit the spaces of cities -- from America's industrializing midlandto its noirish borderlands, from Europe's medieval fortresses to its Kafkaesque labyrinths and postwar rubblescapes. His movies take us through dark streets to confront nightmarish struggles for power, the carnivalesque and bizarre, and the shadows and light of human character. This ambitious new study explores Welles's vision of cities by following recurring themes across his work, including urban transformation, race relations and fascism, the utopian promise of cosmopolitanism, and romantic nostalgia for archaic forms of urban culture. It focuses on the personal and political foundation of Welles's cinematic cities -- the way he invents urban spaces on film to serve his dramatic, thematic, and ideological purposes. The book's critical scope draws on extensive research in international archives and builds on the work of previous scholars." -- BOOK BLURB Notes: Includes bibliographical references and index ISBN: 9780231173414 Donation: donated by Senses of Cinema More info
book		Behind the Spanish lens : Spanish cinema under fascism and democracy / by Peter Besas Denver, Colo.: Arden Press, 1985. Call No: 71(46) BES Author: Besas, Peter Place: Denver, Colo. Publisher: Arden Press PubDate: 1985 PhysDes: xix, 291 p. : ill. ; 24 cm Subject: SPAIN; FASCISM AND THE CINEMA. SPAIN; ARMINAN, JAIME DE; ALMODOVAR, PEDRO; PATINO, BASILIO MARTIN Notes: Includes indexes; Bibliography: p. 267-270; "Filmographies of directors interviewed": p. 263-265 ISBN: 0912869062 : $26.00 LON: 4214610 More info
Interim book		Dietrich's ghosts : the sublime and the beautiful in Third Reich film / Erica Carter London: BFI, 2004. Call No: 71(430) CAR Author: Carter, Erica Source: UK Place: London Publisher: BFI PubDate: 2004 PhysDes: 246 p. ; ill. ; 24 cm Subject: NAZIS IN FILMS; FASCISM AND THE CINEMA Summary: This work argues that many German films made under the Third Reich featured the images of the beautiful and the sublime in a way to further the Reich’s cause. In particular it focuses on three actors: Emil Jannings, Zarah Leander, and Marlene Dietrich. ISBN: 0851708838 More info
book		Documentary : a history of the non-fiction film / Erik Barnouw New York: Oxford University Press, 1974. Call No: 761 BAR Author: Barnouw, Erik, 1908 Source: US Place: New York Publisher: Oxford University Press PubDate: 1974 PhysDes: vi, 332 p. : ill. ; 24 cm Subject: DOCUMENTARY FILMS; FASCISM AND THE CINEMA; DOCUMENTARY FILMS. JAPAN; DOCUMENTARY FILMS. UK; OLYMPICS IN FILMS; ART AND THE CINEMA; ARCHIVES & INSTITUTES, FILM; NUCLEAR ISSUES IN FILMS; COMPILATION FILMS; DOCUMENTARY FILMS. US; DOCUMENTARY FILMS. USSR; VIETNAM WAR IN FILMS; CINEMA-DIRECT; CINEMA VERITE; NAZIS IN FILMS; NEWSREELS; POETRY AND THE CINEMA; DOCUMENTARY FILMS. FRANCE; PARAMOUNT STUDIOS; WORLD WAR II FILMS; SHELL FILM UNIT [AUSTRALIA]; EMPIRE MARKETING BOARD; GPO FILM UNIT; BRITISH BROADCASTING CORPORATION; COLUMBIA BROADCASTING SYSTEM; REISZ, KAREL; RIEFENSTAHL, LENI; ROUCH, JEAN; RUTTMAN, WALTER; FLAHERTY, ROBERT; CAPRA, FRANK; GRIERSON, JOHN; IVENS, JORIS; JENNINGS, HUMPHREY; KAUFMAN, MIKHAIL; LEACOCK, RICHARD; LORENTZ, PARE; MAYSLES, ALBERT & DAVID; MURROW, EDWARD R.; LUMIERE, AUGUSTE & LOUIS; VERTOV, DZIGA; WRIGHT, BASIL; SUCKSDORFF, ARNE; MOANA (US, Robert Flaherty, 1926); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); BACK OF BEYOND, THE (AT, John Heyer, 1953); AMERICAN DREAM (US, Barbara Kopple, 1990); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NIGHT MAIL (UK, Basil Wright & Harry Watt, 1936); PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); SONG OF CEYLON, THE (UK, Basil Wright, 1934); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); WHY WE FIGHT SERIES (US, 1942-44) Summary: Barnouw traces the documentary from its beginning at the dawn of film history - the work of the Lumiere brothers - to the remarkable group of films that have portrayed the Vietnam war. Films are placed within their broader social perspective, and Barnouw traces filmmaking developments in a single country to global uptake. Particular emphasis is placed on the influence of governments and large corporations on the content of films. The book covers television documentary, direct cinema, cinema verite as well as film-makers dealing with exploration, animals, aspects of war, human behaviour, social problems and propaganda. Such diverse film-makers as Flaherty, Vertov, Grierson, Ivens, Lorentz, Jennings, Sucksdorff, Rouch, Leacock, and the Maysles are included. Notes: Includes index; Bibliography: p. [297]-311 ISBN: 0195018354 : $10.95 LON: 74079618; 462942 More info
book		Documentary : a history of the non-fiction film / Erik Barnouw New York: Oxford University Press, 1993. Call No: 761 BAR Author: Barnouw, Erik, 1908 Edition: 2nd rev. ed Place: New York Publisher: Oxford University Press PubDate: 1993 PhysDes: 400 p. : ill. ; 21 cm Subject: DOCUMENTARY FILMS; ARCHIVES & INSTITUTES, FILM; NUCLEAR ISSUES IN FILMS; CINEMA VERITE; COMPILATION FILMS; DOCUMENTARY FILMS. USSR; DOCUMENTARY FILMS. USA; VIETNAM WAR IN FILMS; CINEMA-DIRECT; NAZIS IN FILMS; NEWSREELS; POETRY AND THE CINEMA; DOCUMENTARY FILMS. FRANCE; FASCISM AND THE CINEMA; DOCUMENTARY FILMS. JAPAN; DOCUMENTARY FILMS. UK; OLYMPICS IN FILMS; ART AND THE CINEMA; PARAMOUNT STUDIOS; WORLD WAR II FILMS; SHELL FILM UNIT [AUSTRALIA]; EMPIRE MARKETING BOARD; GPO FILM UNIT; BRITISH BROADCASTING CORPORATION; COLUMBIA BROADCASTING SYSTEM; REISZ, KAREL; RIEFENSTAHL, LENI; ROUCH, JEAN; RUTTMAN, WALTER; FLAHERTY, ROBERT; CAPRA, FRANK; Grierson, John; IVENS, JORIS; JENNINGS, HUMPHREY; KAUFMAN, MIKHAIL; LEACOCK, RICHARD; LORENTZ, PARE; MAYSLES, ALBERT & DAVID; MURROW, EDWARD R.; LUMIERE, AUGUSTE & LOUIS; VERTOV, DZIGA; WRIGHT, BASIL; SUCKSDORFF, ARNE; MOANA (US, Robert Flaherty, 1926); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); BACK OF BEYOND, THE (AT, John Heyer, 1953); AMERICAN DREAM (US, Barbara Kopple, 1990); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NIGHT MAIL (UK, Basil Wright & Harry Watt, 1936); PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); SONG OF CEYLON (UK, Basil Wright, 1934); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); WHY WE FIGHT SERIES (US, 1942-44) Summary: This is the second revised edition of Documentary: A History of the Non-fiction Film. Barnouw traces the documentary from its beginning at the dawn of film history - the work of the Lumiere brothers - to the remarkable group of films that have portrayed the Vietnam war. Films are placed within their broader social perspective, and Barnouw traces filmmaking developments in a single country to global uptake. Particular emphasis is placed on the influence of governments and large corporations on the content of films. The book covers television documentary, direct cinema, cinema verite as well as film-makers dealing with exploration, animals, aspects of war, human behaviour, social problems and propaganda. Such diverse film-makers as Flaherty, Vertov, Grierson, Ivens, Lorentz, Jennings, Sucksdorff, Rouch, Leacock, and the Maysles are included. Notes: Includes bibliographical references (p. [361]-375) and index ISBN: 0195078985 (pbk. : acid-free paper) : $10.95 LON: 9430204 More info
Levy Collection book		Documentary : a history of the non-fiction film / written by Eric Barnouw New York: Oxford University Press, 1974. Call No: 761 BAR Author: Barnouw, Eric Source: US Place: New York Publisher: Oxford University Press PubDate: 1974 PhysDes: 332 p. ; 24 cm Subject: DOCUMENTARY FILMS; ARCHIVES & INSTITUTES, FILM; NUCLEAR ISSUES IN FILMS; CINEMA VERITE; COMPILATION FILMS; DOCUMENTARY FILMS. USSR; DOCUMENTARY FILMS. USA; VIETNAM WAR IN FILMS; CINEMA-DIRECT; NAZIS IN FILMS; NEWSREELS; POETRY AND THE CINEMA; DOCUMENTARY FILMS. FRANCE; FASCISM AND THE CINEMA; DOCUMENTARY FILMS. JAPAN; DOCUMENTARY FILMS. UK; OLYMPICS IN FILMS; ART AND THE CINEMA; PARAMOUNT STUDIOS; WORLD WAR II FILMS; SHELL FILM UNIT [AUSTRALIA]; EMPIRE MARKETING BOARD; GPO FILM UNIT; BRITISH BROADCASTING CORPORATION; COLUMBIA BROADCASTING SYSTEM; REISZ, KAREL; RIEFENSTAHL, LENI; ROUCH, JEAN; RUTTMAN, WALTER; FLAHERTY, ROBERT; CAPRA, FRANK; Grierson, John; IVENS, JORIS; JENNINGS, HUMPHREY; KAUFMAN, MIKHAIL; LEACOCK, RICHARD; LORENTZ, PARE; MAYSLES, ALBERT & DAVID; MURROW, EDWARD R.; LUMIERE, AUGUSTE & LOUIS; VERTOV, DZIGA; WRIGHT, BASIL; SUCKSDORFF, ARNE; MOANA (US, Robert Flaherty, 1926); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); BACK OF BEYOND, THE (AT, John Heyer, 1953); AMERICAN DREAM (US, Barbara Kopple, 1990); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NIGHT MAIL (UK, Basil Wright & Harry Watt, 1936); PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); SONG OF CEYLON, THE (UK, Basil Wright, 1934); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); WHY WE FIGHT SERIES (US, 1942-44) Summary: Barnouw traces the documentary from its beginning at the dawn of film history - the work of the Lumiere brothers - to the remarkable group of films that have portrayed the Vietnam war. Films are placed within their broader social perspective, and Barnouw traces filmmaking developments in a single country to global uptake. Particular emphasis is placed on the influence of governments and large corporations on the content of films. The book covers television documentary, direct cinema, cinema verite as well as film-makers dealing with exploration, animals, aspects of war, human behaviour, social problems and propaganda. Such diverse film-makers as Flaherty, Vertov, Grierson, Ivens, Lorentz, Jennings, Sucksdorff, Rouch, Leacock, and the Maysles are included. ISBN: 0195018354 Donation: donated by the family of Wayne Levy, 2006 Contents: -- 1: glimpse of wonders -- 2: images at work -- 3: sound and fury -- 4: clouded lens -- sharp focus -- afterword -- source notes -- bibliography -- index -- More info
journal article		Envisioning modernity : desire and discipline in the Italian fascist film in Critical inquiry (Autumn 1996) vol.23 iss.1 p.109-144 Call No: SUBJECT CLIPPINGS FILE; FASCISM AND THE CINEMA Author: Ben-Ghiat, Ruth PhysDes: Article Subject: FASCISM AND THE CINEMA; ITALY Summary: The ways that the cinema contributed to the definition and dissemination of an Italian fascist discourse about modernity and mass society is explored. The films examined portray modern existence as rife with destabilizing desires and suggest ways the technologies of vision and mass organization could neutralize those desires. -- article abstract provided by publisher. More info
subject clippings file		FASCISM AND THE CINEMA Call No: SUBJECT CLIPPINGS FILE PhysDes: Clippings Subject: FASCISM AND THE CINEMA More info
book		Film as a subversive art / Amos Vogel New York: Random House, [1974]. Call No: 412 VOG Author: Vogel, Amos Place: New York Publisher: Random House PubDate: [1974] PhysDes: 336 p. : ill. ; 26 cm Subject: PSYCHOLOGICAL EFFECTS OF FILMS; EXPERIMENTAL FILMS; REVOLUTIONARY THEMES IN FILMS; MONTAGE; FASCISM AND THE CINEMA; SEX AND THE CINEMA; RELIGION AND THE CINEMA Notes: Includes index; Bibliography: p. 329-331 ISBN: 0394490789 : $15.00 LON: 511546 More info
book		Film on the left : American documentary film from 1931 to 1942 / William Alexander Princeton, N.J.: Princeton University Press, c1981. Call No: 761(73) ALE Author: Alexander, William, 1938 Place: Princeton, N.J. Publisher: Princeton University Press PubDate: c1981 PhysDes: xviii, 355 p., [6] leaves of plates : ill. ; 24 cm Subject: DOCUMENTARY FILMS. USA; FASCISM AND THE CINEMA; WORKER'S FILM & PHOTO LEAGUE; WORLD WAR II AND THE CINEMA; VAN DYKE, WILLARD; IVENS, JORIS; LORENTZ, PARE; KLINE, HERBERT; NATIVE LAND (US, Leo Hurwitz & Paul Strand, 1942) Notes: Includes index; Bibliography: p. [327]-340 ISBN: 0691046786 : $27.50; 0691101116 (lim. print. ed.) : $12.50 LON: 1856120 URL status: URL: 'http://-' Checked: 31/08/2021 12:58:58 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest) More info
book		From Caligari to Hitler : a psychological history of the German film / by Siegfried Kracauer [Princeton, N.J.]: Princeton University Press, c1947. Call No: 71(430) KRA Author: Kracauer, Siegfried, 1889-1966 Place: [Princeton, N.J.] Publisher: Princeton University Press PubDate: c1947 PhysDes: xii, 361 p., [32] p. of plates : ill., ports Subject: GERMANY; FASCISM AND THE CINEMA; PROPAGANDA FILMS Notes: Includes as supplement (p. [273]-331) "Propaganda and the Nazi war film" which, with a few changes, is a reprint of the author's pamphlet of the same title issued in 1942 by the Museum of Modern Art Film Library. cf. p. [273]; Bibliography: p. 333-346 ISBN: 0691025053 (pbk.); 0691087083 (hardcover ed.) LON: 633184 633184 More info
book		From Weimar to Hitler : a documentary film program by the Goethe-Institut MFunchen: Goethe-Institut, 1981. Call No: 767.2(430) MOM CorpAuthor: Goethe-Institut (Munich, Germany) Place: MFunchen Publisher: Goethe-Institut PubDate: 1981 PhysDes: 47 p. : ill. ; 21 cm Subject: DOCUMENTARY FILMS. GERMANY; FASCISM AND THE CINEMA; NAZIS IN FILMS Notes: Cover title LON: 2820924 More info
book		German newsreels, 1933-1947 : a program by the Goethe institute Munich / Goethe Institute; editorial: Stefan Dolezel; translation: Peter Green Munich: Goethe Institute, 1984. Call No: 762.1(430) GER CorpAuthor: Goethe Institute Source: GW Place: Munich Publisher: Goethe Institute PubDate: 1984 PhysDes: 56 pages : illustrations ; 21 cm Subject: NEWSREELS. GERMANY; PROPAGANDA FILMS. GERMANY; WAR AND THE CINEMA; NAZIS IN FILMS; FASCISM AND THE CINEMA Summary: An examination and breakdown of newsreels that were created for news/propaganda purposes in Germany between 1933-1947 Donation: Bruce Hodsdon Contents: Preface -- Introduction: the evolution of the newsreel in Germany -- 1. A newsreel dating for the early phase of the Third Reich: EMELKA-TONWOCHE of 1 April 1933 -- 2. Military parade as a "showpiece of film reporting": Hitler's 50th birthday in the UFA-Wochenschau, 1939 -- 3. The first war-time edition of the UFA-TONWOCHE dating from 7 September 1939 -- 4. Film propaganda for abroad prior to the collapse of 1945 in the Agfacolor monthly newsreel PANORAMA from the winder of 1944-45 -- 5. The end of March 1945 in the final war-time edition of the "DEUTSCHE WOCHENSCHAU" -- 6. The Anglo-American occupation newsreel WELT IM FILM as an instrument of "re-education" in 1945 -- 7. Retrospect of the year 1947 by the Anglo-American occupation weekly newsreel WELT IM FILM More info
book		History on/and/in film : selected papers from the 3rd Australian History and Film Conference, Perth / edited by Tom O'Regan & Brian Shoesmith Perth, [W.A.]: History and Film Association of Australia (W.A.), 1987. Call No: 45:93 HIS Author: O'Regan, Tom, 1956; Shoesmith, Brian CorpAuthor: Australian History and Film Conference (3rd :, 1985 : Perth (W.A.)); History and Film Association of Australia (W.A.) Place: Perth, [W.A.] Publisher: History and Film Association of Australia (W.A.) PubDate: 1987 PhysDes: 180 p. ; 30 cm Subject: HISTORY AND THE CINEMA; HISTORICAL FILMS; EUROPEAN COUNTRIES; FRANCE; INDIA; JAPAN; COMMONWEALTH FILM UNIT; HISTORY OF EXHIBITION. AUSTRALIA; AUSTRALIA. 1970's; FASCISM AND THE CINEMA; MARXISM AND THE CINEMA; Grierson, John; CHAUVEL, CHARLES; HEIMAT [TV] (GW, Edgar Reitz, 1984); SHOAH (FR/SZ, Claude Lanzmann, 1985); SEE IT NOW (US, Edward Murrow, 1954?); ROMAN SCANDALS (US, Frank Tuttle, 1933); ASSAULT ON SALAMAUA (AT, 1943); FORTINI/CANI (IT, Jean-Marie Straub & Daniele Huillet, 1976) Notes: Cover subtitle : Proceedings of the 3rd History and Film Conference, Perth, 1985 ISBN: 0729800563 (pbk.) LON: 5567713 More info
book		The Hollywood social problem film : madness, despair, and politics from the Depression to the fifties / Peter Roffman and Jim Purdy Bloomington: Indiana University Press, 1981. Call No: 744 ROF Author: Roffman, Peter, 1950; Purdy, Jim, Place: Bloomington Publisher: Indiana University Press PubDate: 1981 PhysDes: x, 364 p., [5] leaves of plates : ill. ; 25 cm Subject: SOCIAL PROBLEMS IN FILMS. USA; DEPRESSION IN FILMS; DRUGS IN FILMS; MADNESS IN FILMS; BAD GUYS; FASCISM AND THE CINEMA; FALLEN WOMEN IN FILMS; DELINQUENTS IN FILMS; JEWS IN FILMS; BLACKS IN FILMS. USA; COMMUNISM AND THE CINEMA. USA; BLACKLISTING. USA; JOURNALISTS IN FILMS; POLITICAL PERSONALITIES IN FILMS; POPULISM AND THE CINEMA. USA; RACIAL PROBLEMS IN FILMS; RURAL LIFE IN FILMS; WARNER BROS.; Metro-Goldwyn-Mayer; LANG, FRITZ; BORZAGE, FRANK; CHAPLIN, CHARLES; GARFIELD, JOHN; CAPRA, FRANK; VIDOR, KING; BLACK LEGION (US, Archie L. Mayo, 1936); CABIN IN THE COTTON, THE (US, Michael Curtiz, 1932); DEAD END (US, William Wyler, 1937); FORCE OF EVIL (US, Abraham Polonsky, 1948); GABRIEL OVER THE WHITE HOUSE (US, Gregory La Cava, 1933); STATE'S ATTORNEY (US, George Archainbaud, 1932); SULLIVAN'S TRAVELS (US, Preston Sturges, 1942); THEY WON'T FORGET (US, Mervyn LeRoy, 1937); THREE COMRADES (US, Frank Borzage, 1938); GENTLEMAN'S AGREEMENT (US, Elia Kazan, 1947); I WAS A COMMUNIST FOR THE F.B.I. (US, Gordon Douglas, 1951); LAWLESS, THE (US, Joseph Losey, 1950); LAWYER MAN (US, Wilhelm Dieterle, 1932); LITTLE MAN, WHAT NOW? (US, Frank Borzage, 1934); MASSACRE (US, Alan Crosland, 1933); MEET JOHN DOE (US, Frank Capra, 1941); MOUTHPIECE, THE (US, James Flood & Elliott Nugent, 1932); OUR DAILY BREAD (US, King Vidor, 1934); PINKY (US, Elia Kazan, 1949); PRESIDENT VANISHES, THE (US, William Wellman, 1934); RIFFRAFF (US, J. Walter Ruben, 1936); [MISTER] MR. DEEDS GOES TO TOWN (US, Frank Capra, 1936); [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939); MODERN TIMES (US, Charles Chaplin, 1936); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); MORTAL STORM, THE (US, Frank Borzage, 1940); MY MAN GODFREY (US, Gregory La Cava, 1936); ON THE WATERFRONT (US, Elia Kazan, 1954); BODY AND SOUL (US, Robert Rossen, 1947); GRAPES OF WRATH, THE (US, John Ford, 1940); GREAT DICTATOR, THE (US, Charles Chaplin, 1940); HEROES FOR SALE (US, William A. Wellman, 1933); I AM A FUGITIVE FROM A CHAIN GANG (US, Mervyn LeRoy, 1932); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); SALT OF THE EARTH (US, Herbert J. Biberman, 1954); YOU ONLY LIVE ONCE (US, Fritz Lang, 1937) Notes: Includes index; Bibliography: p. 319-329; Filmography: p. 331-351 ISBN: 0253127076; 0253202612 (pbk.) LON: 1763505 More info
book		The Italian cinema book / edited by Peter Bondanella London: British Film Institute ; Palgrave Macmillan, 2014. Call No: 71(45) ITA Author: Bondanella, Peter Source: UK Place: London Publisher: British Film Institute ; Palgrave Macmillan PubDate: 2014 PhysDes: xi, 380 pages : illustrations ; 25 cm Subject: ITALY; ITALY IN FILMS; NEOREALISM; NATIONAL CULTURE AND THE CINEMA; NATIONAL IDENTITY AND THE CINEMA; FASCISM AND THE CINEMA. ITALY; HISTORY OF CINEMA. ITALY; REALISM IN FILMS; SCRIPTWRITING; HOLOCAUST IN FILMS; FASHION AND THE CINEMA; GANGSTER FILMS; WESTERNS. ITALY; WOMEN FILMMAKERS. ITALY; BLASETTI, ALESSANDRO; CAMERINI, MARIO; DE SICA, VITTORIO; LOREN, SOPHIA; LOLLOGRIGIDA, GINA; MONICELLI, MARIO; MORETTI, NANNI Summary: "The Italian Cinema Book is an essential guide to the most important historical, aesthetic and cultural aspects of Italian cinema, from 1895 to the present day. With contributions from 39 leading international scholars, the book is structured around six chronologically organised sections [...] Acutely aware of the contemporary 'rethinking' of Italian cinema history, Peter Bondanella has brought together a diverse range of essays which represent the cutting edge of Italian film theory and criticism." -- BOOK BLURB Notes: Includes bibliographic references and index -- "A BFI book published by Palgrave Macmillan." - title page. ISBN: 9781844574049 Contents: Introduction / Peter Bondanella; PART ONE THE SILENT ERA -- Silent Italian Cinema: An International Story / Giorgio Bertellini -- The Beginnings of Film Stardom and the Print Media of Divismo / John P. Welle -- The Diva Film: Context, Actresses, Issues / Angela Dalle Vacche -- Italian Silent Film Genres: Comics, Serials, Historical Epics and Strongmen / Jacqueline Reich; PART TWO THE BIRTH OF THE TALKIES AND THE FASCIST ERA -- Fascism and Italian Cinema / David Forgacs -- Italian Matinee Idols in the Era of the Talkies / Marcia Landy -- The First Comedy, Italian Style: Blasetti, Camerini and De Sica / Vito Zagarrio -- Censorship from the Fascist Period to the Present / Guido Bonsaver; PART THREE POSTWAR CINEMATIC CULTURE – REALISM AND BEYOND -- Neorealism and Left-wing Culture / Stephen Gundle -- Cityscapes and Cinematic Space / Mark Shiel -- Dislocated Spaces for New Thought: Paths of Nomadic Wandering in Neorealist Film and Literature / Torunn Haaland -- Seeing Anew: Children in Italian Cinema, 1944 to the Present / Giovanna De Luca -- Italian Cinema from the Perspective of Female Friendship / Danielle Hipkins --The Maggiorata or Sweater Girl of the 1950s: Mangano, Lollobrigida, Loren / Pauline Small -- Hollywood and Italy: Industries and Fantasies / Robert S. C. Gordon; PART FOUR THE GOLDEN AGE OF ITALIAN CINEMA -- Material Dreams: Costume and Couture Italian Style: From Hollywood on the Tiber to the Italian Screen / Reka Buckley --Italian Film Music / M. Thomas Van Order -- Production around 1960 / Christopher Wagstaff -- The Muscleman Peplum: From Le fatiche di Ercole (1958) to Hercules and the Princess of Troy (1965) / Jon Solomon -- Mondo Cane and the Invention of the Shockumentary / Gino Moliterno -- Spaghetti Westerns and Their Audience / Flavia Brizio-Skov -- Chronicles of a Hastened Modernisation: The Cynical Eye of the Commedia all'italiana / Remi Fournier Lanzoni -- The Political Film / Gaetana Marrone -- The Giallo and the Spaghetti Nightmare Film / Mikel J. Koven -- European Co-productions and Artistic Collaborations: The Italian Response to the Hollywood Studio System / Jean A. Gili -- How the Italians Happened to Cherish and Then to Disdain Their Cinema / Pierre Sorlin; PART FIVE AN AGE OF CRISIS, TRANSITION AND CONSOLIDATION -- Scriptwriting, Italian Style: Scriptwriting for Fellini / Gianfranco Angelucci -- Modern Mob Movies: Twenty Years of Gangsters on the Italian Screen / Dana Renga -- Screening Terrorism: Cinematic Portrayals of the Italian Armed Struggle / Giancarlo Lombardi -- Italian Cinema and Holocaust Memory / Millicent Marcus -- Italian National Cinema: The Cinepanettone / Alan O'Leary -- Stars and Masculinity in Contemporary Italian Cinema / Catherine O'Rawe -- Women behind the Camera: New Horizons in Contemporary Cinema / Flavia Laviosa; PART SIX NEW DIRECTIONS IN CRITICAL APPROACHES TO ITALIAN CINEMA -- Italian Cinema in the Post-national Age / Laura Rascaroli -- Post-colonial Theory and Italy's `Multicultural' Cinema / Aine O'Healy -- Italian Film Genres and Mario Bava / Mary P. Wood -- The Unwanted Guest: Some Remarks on Italian Cinema's Love Affair with Psychoanalysis / Fabio Vighi -- Fellini and Contemporary International Cinema / Peter Bondanella -- The Heritage of the Past and New Frontiers for the History of Italian Cinema / Gian Piero Brunetta. More info
book		Italian national cinema, 1896-1996 / Pierre Sorlin New York: Routledge, 1996. Call No: 71(45) SOR Author: Sorlin, Pierre Place: New York Publisher: Routledge PubDate: 1996 PhysDes: viii, 202 p. : ill. ; 23 cm Series: National cinemas series Subject: ITALY; NEOREALISM; TELEVISION AND THE CINEMA. ITALY; FASCISM AND THE CINEMA. ITALY; DOCUMENTARY FILMS. ITALY; ANTONIONI, MICHELANGELO; BLASETTI, ALESSANDRO; PAGANO, BARTOLOMEO; NAZZARI, AMEDEO; ROSSELLINI, ROBERTO; DE SICA, VITTORIO; VISCONTI, LUCHINO; Pasolini, Pier Paolo; Fellini, Federico Notes: Filmography: p. (181)-202; Includes bibliographical references and index ISBN: 0415116988 (pbk. : alk. paper); 041511697X (hbk. : alk. paper) LON: 12008493 More info
book		Leni Riefenstahl : a memoir / Leni Riefenstahl New York: St. Martin's Press, 1993. Call No: 81RIE RIE Author: Riefenstahl, Leni Edition: 1st U.S. ed Source: US Place: New York Publisher: St. Martin's Press PubDate: 1993 PhysDes: 669 p. : ill. ; 25 cm Subject: AFRICA IN FILMS; DOCUMENTARIES; DOCUMENTARIES. GERMANY; FASCISM AND THE CINEMA; NAZIS IN FILMS; PROPAGANDA FILMS; FANCK, ARNOLD; RIEFENSTAHL, LENI; HEILIGE BERG, DER (G, Arnold Fanck, 1926); HOLY MOUNTAIN, THE (G, Arnold Fanck, 1926); OLYMPIA (G, Leni Riefenstahl, 1938); TIEFLAND (GW, Leni Riefenstahl, 1954 [prod. 1940-1953]); TRIUMPH OF THE WILL (G, Leni Riefenstahl, 1935); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) Summary: "Fifteen years in the making, and first written to commemorate her ninetieth birthday, Leni Riefenstahl's memoir is a remarkable achievement in itself. Yet only Riefenstahl's extraordinary life could render this volume a minor accomplishment. Finally available in the United States, here is a passionate self-portrait by a truly original artist." -- BOOK BLURB Notes: Includes index; First published in German under the title 'Memoiren'; First published in Great Britain under the title 'The sieve of time' ISBN: 031209843X : $35.00 ($48.99 Can.) LON: 93021621; 10183426 More info
book		Leni Riefenstahl : the fallen film goddess / by Glenn B. Infield New York: Crowell, 1976. Call No: 81RIE INF Author: Infield, Glenn B. (Glenn Berton) Source: US Place: New York Publisher: Crowell PubDate: 1976 PhysDes: 278 p., [13] leaves of plates : ill. ; 24 cm Subject: FASCISM AND THE CINEMA; GERMANY; JEWS AND THE CINEMA; JEWS IN FILMS; WOMEN FILMMAKERS; WOMEN IN FILMS. GERMANY; WORLD WAR II AND THE CINEMA; RIEFENSTAHL, LENI; BLAUE LICHT, DAS (G, Leni Riefenstahl, 1932); BLUE LIGHT, THE (G, Leni Riefenstahl, 1932); OLYMPIA (G, Leni Riefenstahl, 1938); TRIUMPH OF THE WILL (G, Leni Riefenstahl, 1935) Summary: "Notoriety clings to [Leni] Riefenstahl's name. She is reputed to have danced nude for the Fuhrer. She is linked to Goebbels, Striecher, Borman, and other evil luminaries of the Nazi party. After the war, she was investigated by the Nuremburg Commission, and found innocent; she had never been a Party member. Yet Leni's cinema helped to create the myth of Nazi supremacy; her sense of drama and destiny, her imagery, mesmerized Germany during Hitler's climb to power. Was she responsible? Was she conscious of the political meaning of her work? Or was she a naive opportunist, an incomparable technician, exploiting the chance of a lifetime? Was she Hitler's mistress, as has been alleged? Or was she just a free spirit, the pagan sensualist of her own films? These are only some of the intriguing questions Glenn B. Infield explores in Leni Riefenstahl: The Fallen Film Goddess." -- BOOK BLURB Notes: Includes index; Bibliography: p. 262-267 ISBN: 0690011679 LON: 76007084; 760131 More info
book		Modes of representation in Spanish cinema / Jenaro Talens and Santos Zunzunegui, editors ; foreword by Tom Conley Minneapolis: University of Minnesota Press, c1998. Call No: 71(46) MOD Author: Talens, Jenaro, 1946; Zunzunegui DGiez, Santos Place: Minneapolis Publisher: University of Minnesota Press PubDate: c1998 PhysDes: xxvi, 346 p. ; 22 cm Subject: SPAIN; WAR IN FILMS. SPAIN; FASCISM AND THE CINEMA. SPAIN; CIFESA; NATIONAL IDENTITY IN FILMS. SPAIN; FAMILY IN FILMS. SPAIN; ALMODOVAR, PEDRO; BIGAS LUNA; IGLESIA, ELOY DE LA; ORDUNA, JUAN DE; GUTIERREZ ARAGON, MANUEL; PORTABELLA, PERE; VERBENA DE LA PALOMA, LA (SP, Jose Luis Saenz de Heredia, 1963); NOVIO A LA VISTA (SP, Luis G. Berlanga, 1953); ASIGNATURA PENDIENTE (SP, Jose-Luis Garci, 1977); PASODOBLE (SP, Jose Luis Garcia Sanchez, 1988); PADRE NUESTRO (SP, Francisco Regueiro, 1985); AMANTES (SP, Vincente Aranda, 1991); ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973) Notes: Includes bibliographical references and index ISBN: 0816629749 (alk. paper); 0816629757 (pbk. : alk. paper) LON: 13736504 More info
book		Mussolini's dream factory : film stardom in fascist Italy / Stephen Gundle New York: Berghahn Books, 2013. Call No: 411.1(45) GUN Author: Gundle, Stephen Source: US Place: New York Publisher: Berghahn Books PubDate: 2013 PhysDes: xii, 320 pages : illustrations ; 24 cm Series: Berghahn on film. Subject: FASCISM AND THE CINEMA. ITALY; STAR SYSTEM; DE SICA, VITTORIO; NAZZARI, AMEDEO; VALLI, ALIDA Summary: Focused on the period from the start of sound cinema to the final end of Fascism in 1945, this book examines the development of an Italian star system and evaluates its place in film production and distribution. The performances and careers of several major stars, including Isa Miranda, Vittorio De Sica, Amedeo Nazzari and Alida Valli, are closely analysed in terms of their relationships to the political sphere and broader commercial culture, with consideration of their fates in the aftermath of Fascism. A final shapter explores the place of the stars in popular memory and representations of the Fascist film world in postwar cinema.-- [Extract taken from the back of the book.] Notes: Includes bibliographical references (pages 297-309) and index ISBN: 9781782382447 Contents: Introduction -- Fascism, cinema and stardom. Italian cinema under fascism -- The creation of a star system -- Stars and commercial culture -- The public and the stars -- Italian stars of the Fascist Era. The national star: Isa Miranda -- The matine idol: Vittorio De Sica -- Everybody's fiance: Assia Noris -- The star as hero: Amedeo Nazzari -- The uniformed role model: Fosco Giachetti -- The photogenic beauty: Alida Valli -- The Duce's whim: Miria Di San Servolo -- The aftermath of stardom. Civil war, liberation and reconstruction -- Survival, memory and forgetting. More info
book		A new deal in entertainment : Warner Brothers in the 1930s / Nick Roddick London: British Film Institute, 1983. Call No: 19WAR ROD Author: Roddick, Nick Place: London Publisher: British Film Institute PubDate: 1983 PhysDes: viii, 332 p. : ill. ; 22 cm Subject: WARNER BROS.; CRIME FILMS; RACIAL PROBLEMS IN FILMS; FASCISM AND THE CINEMA; HISTORICAL FILMS. USA; EPIC FILMS; LEROY, MERVYN; WALLIS, HAL B.; CURTIZ, MICHAEL; GIBNEY, SHERIDAN; CAPTAIN BLOOD (US, Michael Curtiz, 1935); CHARGE OF THE LIGHT BRIGADE, THE (US, Michael Curtiz, 1936); DOORWAY TO HELL, THE (US, Archie L. Mayo, 1930); MOBY DICK (US, Lloyd Bacon, 1930); ROARING TWENTIES, THE (US, Raoul Walsh, 1939); SERGEANT YORK (US, Howard Hawks, 1941); ANTHONY ADVERSE (US, Mervyn LeRoy, 1936); BLESSED EVENT (US, Roy del Ruth, 1932); "G" MEN (US, William Keighley, 1935); KNUTE ROCKNE - ALL AMERICAN (US, Lloyd Bacon, 1940); JUAREZ (US, William Dieterle, 1939); LIFE OF EMILE ZOLA, THE (US, William Dieterle, 1937); MASSACRE (US, Alan Crosland, 1933); PUBLIC ENEMY, THE (US, William Wellmen, 1931); SEA WOLF, THE (US, Michael Curtiz, 1941); ANGELS WITH DIRTY FACES (US, Michael Curtiz, 1938); BLACK FURY (US, Michael Curtiz, 1934); BLACK LEGION (US, Archie L. Mayo, 1936); CONFESSIONS OF A NAZI SPY (US, Anatole Litvak, 1939); DISRAELI (US, Alfred E. Green, 1929); I AM A FUGITIVE FROM A CHAIN GANG (US, Mervyn LeRoy, 1932) Notes: Includes index; Bibliography: p. 320-326 ISBN: 0851701256 : ª11.95; 0851701264 (pbk.) : ª6.95 LON: 2656181 More info
book		Politics and cinema / Andrew Sarris New York: Columbia University Press, 1978. Call No: 45:32 SAR Author: Sarris, Andrew Place: New York Publisher: Columbia University Press PubDate: 1978 PhysDes: 215 p. : ill. ; 24 cm Subject: POLITICS AND THE CINEMA; FASCISM AND THE CINEMA; VIOLENCE IN FILMS; PORNOGRAPHY AND THE CINEMA; CENSORSHIP; SEMIOLOGY; AVANT-GARDE FILMS; MONROE, MARILYN; MAILER, NORMAN; FAIRBANKS, DOUGLAS; RIEFENSTAHL, LENI; SONTAG, SUSAN; PROMISED LANDS (FR, Susan Sontag, 1974); MON ONCLE ANTOINE (CN, Claude Jutra, 1971); SACCO E VANZETTI (IT/FR, Giuliano Montaldo, 1971); CASO MATTEI, IL (IT, Francesco Rosi, 1972); DOG DAY AFTERNOON (US, Sidney Lumet, 1975); FRONT, THE (US, Martin Ritt, 1976); LENNY (US, Bob Fosse, 1974); CASO DOS IRMAOS NAVES, O (BL, Luiz Sergio Person, 1967); SLAUGHTERHOUSE-FIVE (US, George Roy Hill, 1972); MAN, THE (US, Joseph Sargent, 1972); CANDIDATE, THE (US, Michael Ritchie, 1972); GODFATHER, THE (US, Francis Ford Coppola, 1972); CONVERSATION, THE (US, Francis Ford Coppola, 1974); ASSASSINATION OF TROTSKY, THE (UK/FR/IT, Joseph Losey, 1972); ETAT DE SIEGE (FR/IT/GW, Constantin Costa-Gavras, 1973); CHAGRIN ET LA PITIE, LE (SZ/GW, Marcel Ophuls, 1971); HEARTS AND MINDS (US, Peter Davis, 1974) Notes: Includes index ISBN: 0231040342 LON: 1221130 More info
book		Popular film culture in Fascist Italy : the passing of the Rex / James Hay Bloomington: Indiana University Press, c1987. Call No: 71(45) HAY Author: Hay, James, 1952 Place: Bloomington Publisher: Indiana University Press PubDate: c1987 PhysDes: xvii, 280 p. : ill., map ; 25 cm Subject: ITALY; FASCISM AND THE CINEMA. ITALY Notes: Includes index; Bibliography: p. 271-274 ISBN: 0253361079; 0253204321 (pbk.) LON: 4805318 More info
book		Reel politics : American political movies from Birth of a nation to Platoon / Terry Christensen Oxford New York: Blackwell, 1987. Call No: 745 CHR Author: Christensen, Terry Place: Oxford New York Publisher: Blackwell PubDate: 1987 PhysDes: x, 244 p. : ill. ; 24 cm Subject: POLITICAL FILMS. USA; WORLD WAR II FILMS; FASCISM AND THE CINEMA; COMMUNISM AND THE CINEMA; VIETNAM WAR FILMS; WORKERS IN FILMS; NUCLEAR ISSUES IN FILMS; REVOLUTIONARY THEMES IN FILMS; WAR AND THE CINEMA; POLITICAL PERSONALITIES IN FILMS; FONDA, HENRY; FORD, JOHN; GRIFFITH, DAVID WARK; REDS (US, Warren Beatty, 1981); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); GABRIEL OVER THE WHITE HOUSE (US, Gregory La Cava, 1933); [MISTER] MR SMITH GOES TO WASHINGTON (US, Frank Capra, 1939); GRAPES OF WRATH, THE (US, John Ford, 1940); CITIZEN KANE (US, Orson Welles, 1941); CASABLANCA (US, Michael Curtiz, 1942); CANDIDATE, THE (US, Michael Ritchie, 1972); FRONT, THE (US, Martin Ritt, 1976); ADVISE AND CONSENT (US, Otto Preminger, 1962); STATE OF THE UNION (US, Frank Capra, 1948); SISTERS (US, Brian De Palma, 1972) Notes: Includes index; Bibliography: p.[224]-227 ISBN: 0631158448 : $24.95 (U.S.) LON: 5549737 More info
book		Sexual politics and narrative film : Hollywood and beyond / Robin Wood New York: Columbia University Press, c1998. Call No: 632 WOO; Misplaced - Aug 10 2009 Author: Wood, Robin, 1931 Place: New York Publisher: Columbia University Press PubDate: c1998 PhysDes: x, 352 p. : ill. ; 23 cm Series: Film and culture Subject: NARRATIVE IN FILMS; SEX AND THE CINEMA; SEX IN FILMS; MARRIAGE IN FILMS; FAMILY IN FILMS; ROMANTIC FILMS; WOMEN IN FILMS; RACE AND THE CINEMA; GENDER AND THE CINEMA; FASCISM AND THE CINEMA; RIVETTE, JACQUES; MCCAREY, LEO; Mizoguchi Kenji; OZU YASUJIRO; MANDINGO (US, Richard Fleischer, 1975); GASLIGHT (UK, Thorold Dickinson, 1940); GASLIGHT (US, George Cukor, 1944); LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948); PERSONA (SW, Ingmar Bergman, 1966); LIFE CLASSES (CN, William D. MacGillivray, 1987); BEFORE SUNRISE (US, Richard Linklater, 1995); DOOM GENERATION, THE (US, Gregg Araki, 1995); CELINE ET JULIE VONT EN BATEAU (FR, Jacques Rivette, 1974); AMOUR FOU, L` (FR, Jacques Rivette, 1968) Notes: Includes index ISBN: 0231076053 (paper : alk. paper); 0231076045 (cloth : alk. paper) LON: 13757049 ID2: 291 More info
book		Spanish film under Franco / Virginia Higginbotham Austin: University of Texas Press, 1988. Call No: 71(46) HIG Author: Higginbotham, Virginia, 1935 Edition: 1st ed Place: Austin Publisher: University of Texas Press PubDate: 1988 PhysDes: xiii, 160 p. : ill. ; 23 cm Subject: SPAIN; FASCISM AND THE CINEMA. SPAIN Notes: Includes index; Filmography: p. [153]-156; Bibliography: p. [143]-151 ISBN: 0292775911 : $20.00; 0292776039 (pbk.) : $9.95 LON: 5425626 More info
journal article		The success and failure of WR in Lumiere (May, 1973) iss.23 p.8-12 Author: Webster, Owen PhysDes: Article Subject: CENSORSHIP; FASCISM AND THE CINEMA; POLITICS AND THE CINEMA. USSR; SEX IN FILMS; SEXUALITY AND THE CINEMA; U.S.S.R IN FILMS; WR MISTERIJE ORGANIZMA (YU/GW, Dusan Makaveyev, 1971) Summary: Discussion of Yugoslavian film WR: THE MYSTERIES OF THE ORGANISM, based on the theories of William Reich, which was censored and denounced for its political and sexual content More info
book		Unsettling scores : German film, music, and ideology / Roger Hillman Bloomington, Indiana: Indiana University Press, 2005. Call No: 634.6 HIL Author: Hillman, Roger Source: US Place: Bloomington, Indiana Publisher: Indiana University Press PubDate: 2005 PhysDes: 219 p. : ill. ; 24 cm Subject: MUSIC AND THE CINEMA; GERMANY; NEW GERMAN CINEMA; CLASSICAL MUSIC IN FILMS; MOVEMENTS IN FILM HISTORY; MUSIC IN FILMS; NATIONAL CULTURE AND THE CINEMA. GERMANY; FASCISM AND THE CINEMA. GERMANY; NATIONALISM AND THE CINEMA. GERMANY; POLITICS AND THE CINEMA. GERMANY; SYBERBERG, HANS JURGEN; KLUGE, ALEXANDER; FASSBINDER, RAINER WERNER; HERZOG, WERNER; VISCONTI, LUCHINO; HITLER - EIN FILM AUS DEUTSCHLAND (GW/UK/FR, Hans Jurgen Syberberg, 1977); DIE PATRIOTIN (GW, Alexander Kluge, 1979); LILI MARLEEN (GW, Rainer Werner Fassbinder, 1981); SENSO (IT, Luchino Visconti, 1954); WOYZECK (GW, Werner Herzog, 1979); FITZCARRALDO (GW, Werner Herzog, 1982); LEKTIONEN IN FINSTERNIS (GG, Werner Herzog, 1992); DIE ALLSEITIG REDUZIERTE PERSÖNLICHKEIT - REDUPERS (GW, Helke Sander, 1977); NOSTALGHIA (IT, Andre Tarkovsky, 1983); COVEK NIJE TICA (YU, Dusan Makavejev, 1965); STALKER (UR, Andrei Tarkovsky, 1979) Summary: "'Unsettling Scores: German Film, Music, and Ideology' examines the use of classical music in film, particularly in the New German Cinema of the 1970s and early 1980s. By integrating the music of Beethoven, Mahler, and others into their films, directors such as Fassbinder, Kluge, and Syderberg consciously called attention to its cultural significance. Through this music their films could reference and, in some cases, explore an embedded cultural tradition that included German nationalism and the rise of Nazism, especially during a period when German films were gaining international attention for the first time since the 1920s. Classical music conditioned the responses of German audiences in the 1970s and 1980s and was, in turn, reinterpreted in new cinematic contexts. In this pioneering volume, Hillman enriches our understanding of the powerful effects of music in cinema and the aesthetic and dramatic concerns of postwar German filmmakers." (Taken from back cover) Notes: Includes selected bibliography, index ISBN: 0253217547 Donation: Donated by Senses of Cinema, 2009 More info
book		Visions of yesterday London: Routledge & K. Paul, [1973]. Call No: 70 RIC Author: Richards, Jeffrey Place: London Publisher: Routledge & K. Paul PubDate: [1973] PhysDes: xvi, 391 p. illus. 25 cm Subject: HISTORY OF CINEMA; FASCISM AND THE CINEMA; IMPERIALISM AND THE CINEMA; RACE AND THE CINEMA; CAPRA, FRANK; MCCAREY, LEO; FORD, JOHN; RIEFENSTAHL, LENI Notes: Bibliography: p. [377]-380 ISBN: 0710075766 LON: 401259 More info

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