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Call No: 71(430.1) PFL
Author: Pflaum, Hans GFunther; Prinzler, Hans Helmut
Place: Bonn
Publisher: Inter Nationes
PubDate: 1983
PhysDes: 180 p. : ill. ; 21 cm
Subject: GERMANY; GERMAN FEDERAL REPUBLIC; DIRECTORS. GERMANY; ACHTERNBUSCH, HERBERT; ACKEREN, ROBERT VAN; FASSBINDER, RAINER WERNER; GEISSENDORFER, HANS W.; HERZOG, WERNER; KLUGE, ALEXANDER; WILDENHAHN, KLAUS; ZIEWER, CHRISTIAN; SCHROETER, WERNER; STRAUB, JEAN-MARIE; THOME, RUDOLPH; SANDER, HELKE; SCHILLING, NIKLAUS; NEKES, WERNER; COSTARD, HELLMUTH; HAUFF, REINHARD; LILIENTHAL, PETER; OTTINGER, ULRIKE; PETERSEN, WOLFGANG; PRAUNHEIM, ROSA VON; SANDERS-BRAHMS, HELMA; SCHLONDORFF, VOLKER; SYBERBERG, HANS JURGEN; TROTTA, MARGARETHE VON; Wenders, Wim
Notes: Translation of: Film in der Bundesrepublik Deutschland; Bibliography: p. 179
LON: 3594169

Call No: 81SYB SYB
Place: Madrid, 1980
Subject: SYBERBERG, HANS JURGEN
LON: abn81010531; 1946746

Call No: 71(430.1) FRA
Author: Franklin, James, 1943
Place: London
Publisher: Columbus
PubDate: 1986, c1983
PhysDes: [230] p. : ill., ports ; 22cm
Subject: GERMANY; KLUGE, ALEXANDER; HUILLET, DANIELE; SCHLONDORFF, VOLKER; HERZOG, WERNER; FASSBINDER, RAINER WERNER; Wenders, Wim; SYBERBERG, HANS JURGEN; STRAUB, JEAN-MARIE
Notes: German cinema films,. 1950-1980 - Critical studies (BNB/PRECIS); Originally published: Boston, Mass.: Twayne, 1983; Includes bibliography and index
ISBN: 086287209X : ª5.95 : CIP confirmed
LON: 4636613

Call No: 71(430.1) SAN
Author: Sandford, John, 1944
Place: London
Publisher: Eyre Methuen
PubDate: 1981
PhysDes: 180p : ill ; 24cm
Subject: GERMANY; DIRECTORS. GERMANY; WOMEN IN FILMS. GERMANY; KLUGE, ALEXANDER; SCHLONDORFF, VOLKER; HERZOG, WERNER; FASSBINDER, RAINER WERNER; Wenders, Wim; SYBERBERG, HANS JURGEN; STRAUB, JEAN-MARIE
Notes: Includes bibliography
ISBN: 041348890X
LON: 2273202 2273202 2383809

Call No: 802.25(430.1) HEW
Author: Phillips, Klaus
Place: New York
Publisher: Ungar Pub. Co.
PubDate: c1984
PhysDes: xxv, 462 p. : ill., ports. ; 22 cm
Subject: DIRECTORS. GERMANY; ACHTERNBUSCH, HERBERT; BRUSTELLIN, ALF; COSTARD, HELLMUTH; FASSBINDER, RAINER WERNER; GEISSENDORFER, HANS W.; HAUFF, REINHARD; HERZOG, WERNER; KLUGE, ALEXANDER; LILIENTHAL, PETER; SCHLONDORFF, VOLKER; TROTTA, MARGARETHE VON; STOCKL, ULA; STRAUB, JEAN-MARIE; HUILLET, DANIELE; SYBERBERG, HANS JURGEN; Wenders, Wim; BOHM, HARK; SINKEL, BERNHARD; REITZ, EDGAR; SPILS, MAY; ENKE, WERNER
Notes: Includes index; Bibliography: p. 428-462
ISBN: 0804426880 : $16.95; 0804466483 (pbk.) : $9.95
LON: 3146469

Call No: PERSONALITY CLIPPINGS COLLECTION; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: SYBERBERG, HANS JURGEN

Call No: 634.6 HIL
Author: Hillman, Roger
Source: US
Place: Bloomington, Indiana
Publisher: Indiana University Press
PubDate: 2005
PhysDes: 219 p. : ill. ; 24 cm
Subject: MUSIC AND THE CINEMA; GERMANY; NEW GERMAN CINEMA; CLASSICAL MUSIC IN FILMS; MOVEMENTS IN FILM HISTORY; MUSIC IN FILMS; NATIONAL CULTURE AND THE CINEMA. GERMANY; FASCISM AND THE CINEMA. GERMANY; NATIONALISM AND THE CINEMA. GERMANY; POLITICS AND THE CINEMA. GERMANY; SYBERBERG, HANS JURGEN; KLUGE, ALEXANDER; FASSBINDER, RAINER WERNER; HERZOG, WERNER; VISCONTI, LUCHINO; HITLER - EIN FILM AUS DEUTSCHLAND (GW/UK/FR, Hans Jurgen Syberberg, 1977); DIE PATRIOTIN (GW, Alexander Kluge, 1979); LILI MARLEEN (GW, Rainer Werner Fassbinder, 1981); SENSO (IT, Luchino Visconti, 1954); WOYZECK (GW, Werner Herzog, 1979); FITZCARRALDO (GW, Werner Herzog, 1982); LEKTIONEN IN FINSTERNIS (GG, Werner Herzog, 1992); DIE ALLSEITIG REDUZIERTE PERSÖNLICHKEIT - REDUPERS (GW, Helke Sander, 1977); NOSTALGHIA (IT, Andre Tarkovsky, 1983); COVEK NIJE TICA (YU, Dusan Makavejev, 1965); STALKER (UR, Andrei Tarkovsky, 1979)
Summary: "'Unsettling Scores: German Film, Music, and Ideology' examines the use of classical music in film, particularly in the New German Cinema of the 1970s and early 1980s. By integrating the music of Beethoven, Mahler, and others into their films, directors such as Fassbinder, Kluge, and Syderberg consciously called attention to its cultural significance. Through this music their films could reference and, in some cases, explore an embedded cultural tradition that included German nationalism and the rise of Nazism, especially during a period when German films were gaining international attention for the first time since the 1920s. Classical music conditioned the responses of German audiences in the 1970s and 1980s and was, in turn, reinterpreted in new cinematic contexts. In this pioneering volume, Hillman enriches our understanding of the powerful effects of music in cinema and the aesthetic and dramatic concerns of postwar German filmmakers." (Taken from back cover)
Notes: Includes selected bibliography, index
ISBN: 0253217547
Donation: Donated by Senses of Cinema, 2009