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Classics of the foreign film : a pictorial treasury / by Parker Tyler New York: Citadel Press, [1962].
Call No: 67(04) TYLAuthor: Tyler, Parker Edition: [1st ed.]Place: New YorkPublisher: Citadel PressPubDate: [1962]PhysDes: 253 p. : illus. ; 29 cmSubject: CABINET DES DR. CALIGARI, DAS (G, Robert Wiene, 1920) ; LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924) ; NAPOLEON (FR, Abel Gance, 1927) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; VARIETE (G, E.A. Dupont, 1925) ; CHAPEAU DE PAILLE D'ITALIE, UN (FR, Rene Clair, 1927) ; METROPOLIS (G, Fritz Lang, 1926) ; PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928) ; BLAUE ENGEL, DER (G, Josef von Sternberg, 1930) ; ZEMLJA (UR, Alexksandr Dovzenko, 1930) ; SANG D'UN POETE, LE (FR, Jean Cocteau, 1932) ; CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928) ; AGE D'OR, L' (FR, Luis Bunuel, 1930) ; MADCHEN OHNE GRENZEN (DK, Geza Radvanyi, 1958) ; DREIGROSCHENOPER, DIE (G/US, Georg Wilhelm Pabst, 1931) ; M (G, Fritz Lang, 1931) ; A NOUS, LA LIBERTE! (FR, Rene Clair, 1931) ; QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]) ; ZERO DE CONDUITE (FR, Jean Vigo, 1945 [prod 1933]) ; MATERNELLE, LA (FR, Marie Epstein & Jean Benoit-Levy, 1933) ; KERMESSE HEROIQUE, LA (FR, Jacques Feyder, 1935) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; OLYMPIA (G, Leni Riefenstahl, 1938) ; DYBUK (PL, Michal Waszynski, 1938) ; ALEX & EVE (AT, Peter Andrikidis, 2015) ; ALEKSANDR NEVSKI (UR, Sergei M. Eisenstein, 1938) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; VREDENS DAG (DK, Carl Th. Dreyer, 1943) ; ENFANTS DU PARADIS, LES (FR, Marcel Carne, 1945) ; ROMA CITTA APERTA (IT, Roberto Rossellini, 1945) ; IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]) ; SCIUSCIA (IT, Vittorio De Sica, 1946) ; BELLE ET LA BETE, LA (FR, Jean Cocteau, 1946) ; LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949) ; FROKEN JULIE (SW, Alf Sjoberg, 1950) ; RASHOMON (JA, Akira Kurosawa, 1950) ; UGETSU MONOGATARI (JA, Kenji Mizoguchi, 1953) ; JIGOKUMON (JA, Teinosuke kinugasa, 1953) ; STRADA, LA (IT, Federico Fellini, 1954) ; KUMONOSU-JO (JA, Akira Kurosawa, 1957) ; POPIOL I DIAMENT (PL, Andrzej Wajda, 1959) ; HIROSHIMA, MON AMOUR (FR/JA, Alain Resnias, 1959) ; SMULTRONSTALLET (SW, Ingmar Bergman, 1957) ; PICKPOCKET (FR, Robert Bresson, 1959) ; LIAISONS DANGEREUSES, LES (FR, Roger Vadim, 1959) ; AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960) ; DOLCE VITA, LA (FR/IT, Federico Fellini, 1960) ; NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961) ; ROCCO E I SUOI FRATELLI (IT/FR, Luchino Visconti, 1960) ; YOJIMBO (JA, Akira Kurosawa, 1961) ; SANG DES BETES, LE (FR, Georges Franju,1949) ; VIRIDIANA (SP/MX, Luis Bunuel, 1961) ; ECLISSE, L' (FR/IT, Michelangelo Antonioni, 1962) ; TYSTNADEN (SW, Ingmar Bergman, 1963) Summary: "This pictorial history of some of the great foreign classics of the last half-century was compiled by a distinguished film historian and critic, for whom the cinema at its best is a genuine art-form; and the special success of the book is the way in which the author evokes the 'feeling' of the films which have aroused his keenest interest and admiration." -- BOOK JACKETLON: 712285Contents: The cabinet of Dr Caligari -- The story of Gosta Berling -- The last laugh -- Napoleon -- Battleship Potemkin -- Variety -- The Italian straw hat -- Metropolis -- The passion of Joan of Arc -- Storm over Asia -- The blue angel -- Earth -- Le sang d'un Poete -- Chien Andalou and L'age d'or -- Madchen in uniform -- The threepenny opera -- M -- A nous la liberte -- Que viva Mexico! -- Don Quixote -- Marius trilogy 00 Zero de conduite -- Ecstasy -- Poil de carotte - La maternelle -- La kermess heroique -- The eternal mask -- La grande illusion -- Olympia -- The childhood of Maxim Gorky -- La femme de boulanger -- The dybbuk -- Alexander Nevsky -- La regle du jeu -- Day of wrath -- Frenzy -- Les enfants du paradis -- Open city -- Ivan the terrible, parts I & II -- Shoe shine -- La belle et la bete -- Monsieur Vincent -- Bicycle thieves -- Miss Julie -- OPrphee -- Rashomon -- Infidelity -- The seven deadly sins -- The forbidden Christ -- Le Plaisir -- Ugetsu Monogatari -- Gate of hell -- Love in the city -- La strada -- Throne of blood -- Ashes and diamonds -- Hiroshima, mon amour -- Apu trilogy -- Wild Strawberries -- Pickpocket -- Les liaisons dangereuses -- L'avventura -- La dolce vita -- La notte -- Rocco and his brothers -- Yojimbo -- Le sang des betes & Mondo Cane -- Viridiana -- L'eclisse -- The silence
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The documentary tradition / selected arranged, and introduced by Lewis Jacobs New York: W. W. Norton, c1979.
Call No: 761 JACAuthor: Jacobs, Lewis, comp Edition: 2nd edPlace: New YorkPublisher: W. W. NortonPubDate: c1979PhysDes: 594 p. : ill. ; 24 cmSubject: DOCUMENTARIES ; DOCUMENTARY FILMS. USSR ; HISTORY OF CINEMA ; NEWSREELS ; FLAHERTY, ROBERT ; GRIERSON, JOHN ; VERTOV, DZIGA ; RIEFENSTAHL, LENI ; LEACOCK, RICHARD ; WISEMAN, FREDERICK ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; GRASS (US, Ernest B. Schoedsack, 1926) ; CHANG (US, Ernest B. Schoedsack & Merian C. Cooper, 1927) ; MOANA (US, Robert Flaherty, 1926) ; RAIN (US, Louis Milestone, 1932) ; STARK LOVE (US, Karl Brown, 1927) ; TURKSIB (US, Victor A. Turin, 1929) ; DRIFTERS (SW, John Grierson, 1929) ; A PROPOS DE NICE (FR, Jean Vigo, 1930) ; QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]) ; SONG OF CEYLON, THE (UK, Basil Wright, 1934) ; THREE SONGS ABOUT LENIN (UR, Dziga Vertov, 1934) ; TRI PESNI O LENINE (UR, Dziga Vertov, 1934) ; CITY, THE (US, Ralph Steiner, 1939) ; MAISONS DE LA MISERE, LES (BE, Henri Storck, 1937) ; OLYMPIA (G, Leni Riefenstahl, 1938) ; TRIUMPH OF THE WILL (G, Leni Riefenstahl, 1935) ; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) ; SPANISH EARTH, THE (US, Joris Ivens, 1937) ; FIGHT FOR LIFE, THE (US, Pare Lorentz, 1940) ; RIVER, THE (US, Pare Lorentz, 1938) ; CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939) ; LAND WITHOUT BREAD (SP, Luis Bunuel, 1933) ; LAND, THE (US, Robert Flaherty, 1942) ; NATIVE LAND (US, Leo Hurwitz & Paul Strand, 1942) ; NEGRO SOLDIER, THE (US, Frank Capra, 1944) ; DIARY FOR TIMOTHY, A (UK, Humphrey Jennings, 1946) ; FARREBIQUE (FR, Georges Rouquier, 1945) ; SAVAGE EYE, THE (US, Ben Maddow, Sidney Meyers, Joseph Strick, 1959) ; JOLI MAI, LE (FR, Chris Marker & Pierre Lhomme, 1963) ; CHRONIQUE D' UN ETE (FR, Jean Rouch/Edgar Morin, 1961) ; TITICUT FOLLIES (US, Frederick Wiseman, 1967) ; MARRIED COUPLE, A (CN, Allan King, 1969) ; WOODSTOCK (US, Michael Wadleigh, 1970) ; SORROW AND THE PITY, THE (SZ/GW, Marcel Ophuls, 1971) ; CHAGRIN ET LA PITIE, LE (SZ/GW, Marcel Ophuls, 1971) ; HEARTS AND MINDS (US, Peter Davis, 1974) ; HARLAN COUNTY, U.S.A. (US, Barbara Kopple, 1976) Summary: "Originally published in 1971, The Documentary Tradition is the essential survey of development and achievements of one of the most distinctive and influential genres of film. Edited by the distinguished filmmaker and historian Lewis Jacobs, the book has become an indispensable reference for both students and practitioners of documentary. This new edition brings The Documentary Tradition up to date and includes the writings of almost 100 filmmakers and critics. To the five parts which trace the development of the genre from the 1920s Jacobs has added a new section of seven essays on the documentaries of the 1970s. The section is introduced by his own survey of the filmmaking of the period, "From Political Activism to Women's Consciousness," and accompanied by a selected list of documentaries of the 1970s together with photographs from a number of these films. The bibliography of works on documentary films and filmmakers has been expanded." -- BOOK BLURBNotes: Includes index; Bibliography: p. 577-579ISBN: 0393950425LON: 1437994URL status: URL: 'http://-'
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DUKAKIS, OLYMPIA
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Leni Riefenstahl : a memoir / Leni Riefenstahl New York: St. Martin's Press, 1993.
Call No: 81RIE RIEAuthor: Riefenstahl, Leni Edition: 1st U.S. edSource: USPlace: New YorkPublisher: St. Martin's PressPubDate: 1993PhysDes: 669 p. : ill. ; 25 cmSubject: AFRICA IN FILMS ; DOCUMENTARIES ; DOCUMENTARIES. GERMANY ; FASCISM AND THE CINEMA ; NAZIS IN FILMS ; PROPAGANDA FILMS ; FANCK, ARNOLD ; RIEFENSTAHL, LENI ; HEILIGE BERG, DER (G, Arnold Fanck, 1926) ; HOLY MOUNTAIN, THE (G, Arnold Fanck, 1926) ; OLYMPIA (G, Leni Riefenstahl, 1938) ; TIEFLAND (GW, Leni Riefenstahl, 1954 [prod. 1940-1953]) ; TRIUMPH OF THE WILL (G, Leni Riefenstahl, 1935) ; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) Summary: "Fifteen years in the making, and first written to commemorate her ninetieth birthday, Leni Riefenstahl's memoir is a remarkable achievement in itself. Yet only Riefenstahl's extraordinary life could render this volume a minor accomplishment. Finally available in the United States, here is a passionate self-portrait by a truly original artist." -- BOOK BLURBNotes: Includes index; First published in German under the title 'Memoiren'; First published in Great Britain under the title 'The sieve of time'ISBN: 031209843X : $35.00 ($48.99 Can.)LON: 93021621; 10183426
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Leni Riefenstahl : the fallen film goddess / by Glenn B. Infield New York: Crowell, 1976.
Call No: 81RIE INFAuthor: Infield, Glenn B. (Glenn Berton) Source: USPlace: New YorkPublisher: CrowellPubDate: 1976PhysDes: 278 p., [13] leaves of plates : ill. ; 24 cmSubject: FASCISM AND THE CINEMA ; GERMANY ; JEWS AND THE CINEMA ; JEWS IN FILMS ; WOMEN FILMMAKERS ; WOMEN IN FILMS. GERMANY ; WORLD WAR II AND THE CINEMA ; RIEFENSTAHL, LENI ; BLAUE LICHT, DAS (G, Leni Riefenstahl, 1932) ; BLUE LIGHT, THE (G, Leni Riefenstahl, 1932) ; OLYMPIA (G, Leni Riefenstahl, 1938) ; TRIUMPH OF THE WILL (G, Leni Riefenstahl, 1935) Summary: "Notoriety clings to [Leni] Riefenstahl's name. She is reputed to have danced nude for the Fuhrer. She is linked to Goebbels, Striecher, Borman, and other evil luminaries of the Nazi party. After the war, she was investigated by the Nuremburg Commission, and found innocent; she had never been a Party member. Yet Leni's cinema helped to create the myth of Nazi supremacy; her sense of drama and destiny, her imagery, mesmerized Germany during Hitler's climb to power. Was she responsible? Was she conscious of the political meaning of her work? Or was she a naive opportunist, an incomparable technician, exploiting the chance of a lifetime? Was she Hitler's mistress, as has been alleged? Or was she just a free spirit, the pagan sensualist of her own films? These are only some of the intriguing questions Glenn B. Infield explores in Leni Riefenstahl: The Fallen Film Goddess." -- BOOK BLURBNotes: Includes index; Bibliography: p. 262-267ISBN: 0690011679LON: 76007084; 760131
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OLYMPIA : (G, Leni Riefenstahl, 1938)
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Olympia / Taylor Downing London: BFI Publishing, 1992.
Call No: 79OLY DOWAuthor: Downing, Taylor CorpAuthor: British Film InstitutePlace: LondonPublisher: BFI PublishingPubDate: 1992PhysDes: 96 p. : ill., ports. ; 19 cmSeries: BFI film classicsSubject: OLYMPIA (G, Leni Riefenstahl, 1938) Notes: Bibliography: p. 96ISBN: 0851703410; 0851703410 (pbk) : No priceLON: 9206320 9206320
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The walls of Berlin : urban surfaces : art : film / Stephen Barber USA: Solar Books, 2011.
Call No: 756 (430) BARAuthor: Barber, Stephen Place: USAPublisher: Solar BooksPubDate: 2011PhysDes: 189 p. : ill. ; 21 cmSeries: Solar Art Directives: Seminal CitiesSubject: GERMANY ; GERMAN DEMOCRATIC REPUBLIC ; GERMAN FEDERAL REPUBLIC ; CHRISTIANE F.- WE CHILDREN FROM BAHNHOF ZOO (GW, Ulrich Edel, 1981) ; CHRISTIANE F.- WIR KINDER VOM BAHNHOF ZOO (GW, Ulrich Edel, 1981) ; BERLIN ALEXANDERPLATZ (GW/IT, Rainer Werner Fassbinder, 1980) ; IVAN'S CHILDHOOD (UR, Andrei Tarkovsky, 1962)
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IVANOVO DETSTVO ; FOREIGN AFFAIR, A (US, Billy Wilder, 1948) ; OLYMPIA (G, Leni Riefenstahl, 1938) Summary: Berlin's unique history of conflict, transmutation and violence has created an arena of extraordinary urban surfaces, from which the present-day city and its layered, wounded past are projected simultaneously. THE WALLS OF BERLIN explores the intimate connections between those surfaces and the works of art and film which have both incised Berlin's urban screens and been inspired by them.
Drawing on a vast range of material – from the first films of Berlin in the 1890s to the city's impact on contemporary digital art – THE WALLS OF BERLIN probes many of Berlin's overlooked but most illuminating spaces inflected by art and film: the Hansa recording-studios, the Buch asylum, ruined hotels and cinemas, and Berlin's immense slaughterhouse sub-city.
It is essential reading for those engaged with the transformations of contemporary cities, and students of urban-history, architecture, art and film.ISBN: 9780982046463Contents: The Baltic Wall -- The Skladanowsky Projector -- WALLS OF BERLIN -- Berlin-by-the-Sea -- A `Wall' of Berlin -- Images
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