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Call No: 761 BAR
Author: Barnouw, Erik, 1908
Source: US
Place: New York
Publisher: Oxford University Press
PubDate: 1974
PhysDes: vi, 332 p. : ill. ; 24 cm
Subject: DOCUMENTARY FILMS; FASCISM AND THE CINEMA; DOCUMENTARY FILMS. JAPAN; DOCUMENTARY FILMS. UK; OLYMPICS IN FILMS; ART AND THE CINEMA; ARCHIVES & INSTITUTES, FILM; NUCLEAR ISSUES IN FILMS; COMPILATION FILMS; DOCUMENTARY FILMS. US; DOCUMENTARY FILMS. USSR; VIETNAM WAR IN FILMS; CINEMA-DIRECT; CINEMA VERITE; NAZIS IN FILMS; NEWSREELS; POETRY AND THE CINEMA; DOCUMENTARY FILMS. FRANCE; PARAMOUNT STUDIOS; WORLD WAR II FILMS; SHELL FILM UNIT [AUSTRALIA]; EMPIRE MARKETING BOARD; GPO FILM UNIT; BRITISH BROADCASTING CORPORATION; COLUMBIA BROADCASTING SYSTEM; REISZ, KAREL; RIEFENSTAHL, LENI; ROUCH, JEAN; RUTTMAN, WALTER; FLAHERTY, ROBERT; CAPRA, FRANK; GRIERSON, JOHN; IVENS, JORIS; JENNINGS, HUMPHREY; KAUFMAN, MIKHAIL; LEACOCK, RICHARD; LORENTZ, PARE; MAYSLES, ALBERT & DAVID; MURROW, EDWARD R.; LUMIERE, AUGUSTE & LOUIS; VERTOV, DZIGA; WRIGHT, BASIL; SUCKSDORFF, ARNE; MOANA (US, Robert Flaherty, 1926); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); BACK OF BEYOND, THE (AT, John Heyer, 1953); AMERICAN DREAM (US, Barbara Kopple, 1990); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NIGHT MAIL (UK, Basil Wright & Harry Watt, 1936); PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); SONG OF CEYLON, THE (UK, Basil Wright, 1934); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); WHY WE FIGHT SERIES (US, 1942-44)
Summary: Barnouw traces the documentary from its beginning at the dawn of film history - the work of the Lumiere brothers - to the remarkable group of films that have portrayed the Vietnam war. Films are placed within their broader social perspective, and Barnouw traces filmmaking developments in a single country to global uptake. Particular emphasis is placed on the influence of governments and large corporations on the content of films. The book covers television documentary, direct cinema, cinema verite as well as film-makers dealing with exploration, animals, aspects of war, human behaviour, social problems and propaganda. Such diverse film-makers as Flaherty, Vertov, Grierson, Ivens, Lorentz, Jennings, Sucksdorff, Rouch, Leacock, and the Maysles are included.
Notes: Includes index; Bibliography: p. [297]-311
ISBN: 0195018354 : $10.95
LON: 74079618; 462942

Call No: 761 BAR
Author: Barnouw, Erik, 1908
Edition: 2nd rev. ed
Place: New York
Publisher: Oxford University Press
PubDate: 1993
PhysDes: 400 p. : ill. ; 21 cm
Subject: DOCUMENTARY FILMS; ARCHIVES & INSTITUTES, FILM; NUCLEAR ISSUES IN FILMS; CINEMA VERITE; COMPILATION FILMS; DOCUMENTARY FILMS. USSR; DOCUMENTARY FILMS. USA; VIETNAM WAR IN FILMS; CINEMA-DIRECT; NAZIS IN FILMS; NEWSREELS; POETRY AND THE CINEMA; DOCUMENTARY FILMS. FRANCE; FASCISM AND THE CINEMA; DOCUMENTARY FILMS. JAPAN; DOCUMENTARY FILMS. UK; OLYMPICS IN FILMS; ART AND THE CINEMA; PARAMOUNT STUDIOS; WORLD WAR II FILMS; SHELL FILM UNIT [AUSTRALIA]; EMPIRE MARKETING BOARD; GPO FILM UNIT; BRITISH BROADCASTING CORPORATION; COLUMBIA BROADCASTING SYSTEM; REISZ, KAREL; RIEFENSTAHL, LENI; ROUCH, JEAN; RUTTMAN, WALTER; FLAHERTY, ROBERT; CAPRA, FRANK; Grierson, John; IVENS, JORIS; JENNINGS, HUMPHREY; KAUFMAN, MIKHAIL; LEACOCK, RICHARD; LORENTZ, PARE; MAYSLES, ALBERT & DAVID; MURROW, EDWARD R.; LUMIERE, AUGUSTE & LOUIS; VERTOV, DZIGA; WRIGHT, BASIL; SUCKSDORFF, ARNE; MOANA (US, Robert Flaherty, 1926); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); BACK OF BEYOND, THE (AT, John Heyer, 1953); AMERICAN DREAM (US, Barbara Kopple, 1990); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NIGHT MAIL (UK, Basil Wright & Harry Watt, 1936); PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); SONG OF CEYLON (UK, Basil Wright, 1934); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); WHY WE FIGHT SERIES (US, 1942-44)
Summary: This is the second revised edition of Documentary: A History of the Non-fiction Film. Barnouw traces the documentary from its beginning at the dawn of film history - the work of the Lumiere brothers - to the remarkable group of films that have portrayed the Vietnam war. Films are placed within their broader social perspective, and Barnouw traces filmmaking developments in a single country to global uptake. Particular emphasis is placed on the influence of governments and large corporations on the content of films. The book covers television documentary, direct cinema, cinema verite as well as film-makers dealing with exploration, animals, aspects of war, human behaviour, social problems and propaganda. Such diverse film-makers as Flaherty, Vertov, Grierson, Ivens, Lorentz, Jennings, Sucksdorff, Rouch, Leacock, and the Maysles are included.
Notes: Includes bibliographical references (p. [361]-375) and index
ISBN: 0195078985 (pbk. : acid-free paper) : $10.95
LON: 9430204

Call No: 761 BAR
Author: Barnouw, Eric
Source: US
Place: New York
Publisher: Oxford University Press
PubDate: 1974
PhysDes: 332 p. ; 24 cm
Subject: DOCUMENTARY FILMS; ARCHIVES & INSTITUTES, FILM; NUCLEAR ISSUES IN FILMS; CINEMA VERITE; COMPILATION FILMS; DOCUMENTARY FILMS. USSR; DOCUMENTARY FILMS. USA; VIETNAM WAR IN FILMS; CINEMA-DIRECT; NAZIS IN FILMS; NEWSREELS; POETRY AND THE CINEMA; DOCUMENTARY FILMS. FRANCE; FASCISM AND THE CINEMA; DOCUMENTARY FILMS. JAPAN; DOCUMENTARY FILMS. UK; OLYMPICS IN FILMS; ART AND THE CINEMA; PARAMOUNT STUDIOS; WORLD WAR II FILMS; SHELL FILM UNIT [AUSTRALIA]; EMPIRE MARKETING BOARD; GPO FILM UNIT; BRITISH BROADCASTING CORPORATION; COLUMBIA BROADCASTING SYSTEM; REISZ, KAREL; RIEFENSTAHL, LENI; ROUCH, JEAN; RUTTMAN, WALTER; FLAHERTY, ROBERT; CAPRA, FRANK; Grierson, John; IVENS, JORIS; JENNINGS, HUMPHREY; KAUFMAN, MIKHAIL; LEACOCK, RICHARD; LORENTZ, PARE; MAYSLES, ALBERT & DAVID; MURROW, EDWARD R.; LUMIERE, AUGUSTE & LOUIS; VERTOV, DZIGA; WRIGHT, BASIL; SUCKSDORFF, ARNE; MOANA (US, Robert Flaherty, 1926); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); BACK OF BEYOND, THE (AT, John Heyer, 1953); AMERICAN DREAM (US, Barbara Kopple, 1990); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NIGHT MAIL (UK, Basil Wright & Harry Watt, 1936); PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); SONG OF CEYLON, THE (UK, Basil Wright, 1934); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); WHY WE FIGHT SERIES (US, 1942-44)
Summary: Barnouw traces the documentary from its beginning at the dawn of film history - the work of the Lumiere brothers - to the remarkable group of films that have portrayed the Vietnam war. Films are placed within their broader social perspective, and Barnouw traces filmmaking developments in a single country to global uptake. Particular emphasis is placed on the influence of governments and large corporations on the content of films. The book covers television documentary, direct cinema, cinema verite as well as film-makers dealing with exploration, animals, aspects of war, human behaviour, social problems and propaganda. Such diverse film-makers as Flaherty, Vertov, Grierson, Ivens, Lorentz, Jennings, Sucksdorff, Rouch, Leacock, and the Maysles are included.
ISBN: 0195018354
Donation: donated by the family of Wayne Levy, 2006
Contents: -- 1: glimpse of wonders -- 2: images at work -- 3: sound and fury -- 4: clouded lens -- sharp focus -- afterword -- source notes -- bibliography -- index --

Call No: 761 JAC
Author: Jacobs, Lewis, comp
Edition: 2nd ed
Place: New York
Publisher: W. W. Norton
PubDate: c1979
PhysDes: 594 p. : ill. ; 24 cm
Subject: DOCUMENTARIES; DOCUMENTARY FILMS. USSR; HISTORY OF CINEMA; NEWSREELS; FLAHERTY, ROBERT; GRIERSON, JOHN; VERTOV, DZIGA; RIEFENSTAHL, LENI; LEACOCK, RICHARD; WISEMAN, FREDERICK; NANOOK OF THE NORTH (US, Robert Flaherty, 1922); GRASS (US, Ernest B. Schoedsack, 1926); CHANG (US, Ernest B. Schoedsack & Merian C. Cooper, 1927); MOANA (US, Robert Flaherty, 1926); RAIN (US, Louis Milestone, 1932); STARK LOVE (US, Karl Brown, 1927); TURKSIB (US, Victor A. Turin, 1929); DRIFTERS (SW, John Grierson, 1929); A PROPOS DE NICE (FR, Jean Vigo, 1930); QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]); SONG OF CEYLON, THE (UK, Basil Wright, 1934); THREE SONGS ABOUT LENIN (UR, Dziga Vertov, 1934); TRI PESNI O LENINE (UR, Dziga Vertov, 1934); CITY, THE (US, Ralph Steiner, 1939); MAISONS DE LA MISERE, LES (BE, Henri Storck, 1937); OLYMPIA (G, Leni Riefenstahl, 1938); TRIUMPH OF THE WILL (G, Leni Riefenstahl, 1935); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); SPANISH EARTH, THE (US, Joris Ivens, 1937); FIGHT FOR LIFE, THE (US, Pare Lorentz, 1940); RIVER, THE (US, Pare Lorentz, 1938); CITY, THE (US, Ralph Steiner and Willard Van Dyke, 1939); LAND WITHOUT BREAD (SP, Luis Bunuel, 1933); LAND, THE (US, Robert Flaherty, 1942); NATIVE LAND (US, Leo Hurwitz & Paul Strand, 1942); NEGRO SOLDIER, THE (US, Frank Capra, 1944); DIARY FOR TIMOTHY, A (UK, Humphrey Jennings, 1946); FARREBIQUE (FR, Georges Rouquier, 1945); SAVAGE EYE, THE (US, Ben Maddow, Sidney Meyers, Joseph Strick, 1959); JOLI MAI, LE (FR, Chris Marker & Pierre Lhomme, 1963); CHRONIQUE D' UN ETE (FR, Jean Rouch/Edgar Morin, 1961); TITICUT FOLLIES (US, Frederick Wiseman, 1967); MARRIED COUPLE, A (CN, Allan King, 1969); WOODSTOCK (US, Michael Wadleigh, 1970); SORROW AND THE PITY, THE (SZ/GW, Marcel Ophuls, 1971); CHAGRIN ET LA PITIE, LE (SZ/GW, Marcel Ophuls, 1971); HEARTS AND MINDS (US, Peter Davis, 1974); HARLAN COUNTY, U.S.A. (US, Barbara Kopple, 1976)
Summary: "Originally published in 1971, The Documentary Tradition is the essential survey of development and achievements of one of the most distinctive and influential genres of film. Edited by the distinguished filmmaker and historian Lewis Jacobs, the book has become an indispensable reference for both students and practitioners of documentary. This new edition brings The Documentary Tradition up to date and includes the writings of almost 100 filmmakers and critics. To the five parts which trace the development of the genre from the 1920s Jacobs has added a new section of seven essays on the documentaries of the 1970s. The section is introduced by his own survey of the filmmaking of the period, "From Political Activism to Women's Consciousness," and accompanied by a selected list of documentaries of the 1970s together with photographs from a number of these films. The bibliography of works on documentary films and filmmakers has been expanded." -- BOOK BLURB
Notes: Includes index; Bibliography: p. 577-579
ISBN: 0393950425
LON: 1437994

Call No: 761 DOC
Author: Grant, Barry Keith; Sloniowski, Jeanette
Place: Detroit MI
Publisher: Wayne State University Press
PubDate: 1998
PhysDes: 488 p. ; 23 cm
Subject: DOCUMENTARY FILMS; FLAHERTY, ROBERT; VERTOV, DZIGA; EISENSTEIN, SERGEI M.; BUNUEL, LUIS; WRIGHT, BASIL; RIEFENSTAHL, LENI; NANOOK OF THE NORTH (US, Robert Flaherty, 1922); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); QUE VIVA MEXICO! (UR, Sergei Eisenstein, [prod. 1932]); HURDES, LAS (SP, Luis Bunuel, 1933); SONG OF CEYLON, THE (UK, Basil Wright, 1934); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936); CITY, THE (US, Ralph Steiner, 1939); SPANISH EARTH, THE (US, Joris Ivens, 1937); LISTEN TO BRITAIN (UK, Humphrey Jennings/Stewart McAllister, 1942); BLOOD OF THE BEASTS (FR, Georges Franju,1949); SANG DES BETES, LE (FR, Georges Franju,1949); MAITRES FOUS, LES (FR, Jean Rouch, 1955); NUIT ET BROUILLARD (FR, Alain Resnais, 1955); DONT LOOK BACK (US, D.A. Pennebaker, 1967); TITICUT FOLLIES (US, Frederick Wiseman, 1967); HORA DE LOS HORNOS, LA (AG, Fernado E. Solanos, 1968); ACT OF SEEING WITH ONE'S OWN EYES, THE (US, Stan Brakhage, 1971); AMERICAN FAMILY, AN [TV](US, 1973); DAISY, THE STORY OF A FACELIFT (CN, Michael Rubbo, 1982); THIS IS SPINAL TAP (US, Rob Reiner, 1984); SHERMAN'S MARCH (US, Ross McElwee, 1986 [prod. 1981]); I DO NOT KNOW WHAT IT IS I AM LIKE (US, Bill Viola, 1986); JOURNEY, THE (CN, Peter Watkins, 1987); THIN BLUE LINE, THE (US, Errol Morris, 1988); ROGER AND ME (US, Michael Moore, 1989); TONGUES UNTIED (US, Marlon Riggs, 1989); PARIS IS BURNING (US, Jennie Livingston, 1990); FINDING CHRISTA (US, Camille Billops/James Hatch, 1991)
Summary: Documenting the Documentary features essays by twenty-seven film scholars from a wide range of critical and theoretical perspectives. Each essay focuses on one or two important documentaries, engaging in questions surrounding ethics, ideology, politics, power, race, gender, and representation -- but always in terms of how they arise out of or are involved in the reading of specific documentaries as particular textual constructions. By closely reading documentaries as rich visual works, this anthology fills a void in the critical writing on documentaries, which tends to privilege production over aesthetic pleasure. As we perceive and comprehend the world through visual media increasingly, understanding the textual strategies by which individual documentaries are organized has become critically important. Together, the essays cover the significant developments in the history of the documentary, from the first commercially released feature, Nanook of the North (1922), to modern independent productions, such as An American Family (1973), Tongues Untied (1989), and Finding Christa (1991), and including important national and stylistic movements and various production contexts from the mainstream to the avant-garde. Seth Feldman places Dziga Vertov's Man with a Movie Camera (1929) within the context of constructivism and futurism; Vivian Sobchack discusses the strategies of Bunuel's Las Hurdas (Land without Bread, 1931) in relation to surrealism; and Joanne Hershfield explores Que viva Mexico! (1932) as the presentation of an exotic culture by a European director. Documenting the Documentary offers clear, serious, and insightful analyses of documentary films, and is a welcome balancebetween theory and criticism, abstract conceptualization and concrete analysis. --FROM PUBLISHER'S SITE
Notes: includes bibliiographic references and index
ISBN: 0814326390
Contents: Filmmaker as hunter / William Rothman -- Peace between man and machine / Seth Feldman -- Paradise regained / Joanne Hershfield -- Synthetic vision / Vivian Sobchack -- Art of national projection / William Guynn -- Mass psychology of fascist cinema / Frank P. Tomasulo -- American documentary finds its voice / Charlie Keil -- Men cannot act before the camera in the presence of death / Thomas Waugh -- Poetics of propaganda / Jim Leach -- It was an atrocious film / Jeannette Sloniowski -- Dialogic imagination of Jean Rouch / Diane Scheinman -- Documenting the ineffable / Sandy Flitterman-Lewis -- Don't you ever just watch? / Jeanne Hall -- Ethnography in the first person / Barry Keith Grant -- Two avant-gardes / Robert Stam -- Seeing with experimental eyes / Bart Testa -- Bastard union of several forms / Jeffrey K. Ruoff -- Documentary of displaced persona / Joan Nicks -- Gender, power, and a cucumber / Carl Plantinga -- Documentary film and the discourse of hysterical/historical narrative / Lucy Fischer -- Subjectivity lost and found / Catherine Russell -- Filmmaker as global circumnavigator / Scott MacDonald -- Mirrors without memories / Linda Williams -- Documentaphobia and mixed modes / Matthew Bernstein -- Silence and its opposite / Sheila Petty -- Containing fire / Caryl Flinn -- Contested territory / Julia Lesage

Call No: 62 DEN
Author: DeNitto, Dennis,
Place: New York
Publisher: Harper & Row
PubDate: c1985
PhysDes: xv, 544 p. : ill. ; 23 cm
Subject: THEORY; CRITICISM; EDITING; HISTORY OF CINEMA; REALISM IN FILMS; EXPRESSIONISM; MONTAGE; NEOREALISM; NOUVELLE VAGUE; COMEDIES; DOCUMENTARY FILMS; CINEMA VERITE; PROPAGANDA FILMS; WESTERNS; MUSICALS; VARIETE (G, E.A. Dupont, 1925); GOLD RUSH, THE (US, Charles Chaplin, 1925); PRODUCERS, THE (US, Mel Brooks, 1967); TITICUT FOLLIES (US, Frederick Wiseman, 1967); BROKEN BLOSSOMS (US, David Wark Griffith, 1919); OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); QUATRE CENTS COUPS, LES (FR, Francois Truffaut, 1959); MAN OF ARAN (UK, Robert Flaherty, 1934); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); NUIT ET BROUILLARD (FR, Alain Resnais, 1955); STAGECOACH (US, John Ford, 1939); SHANE (US, George Stevens, 1953); WILD BUNCH, THE (US, Sam Peckinpah, 1969); TOP HAT (US, Mark Sandrich, 1935); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); WEST SIDE STORY (US, Robert Wise, 1961); SOMMARNATTENS LEENDE (SW, Ingmar Bergman, 1956)
Notes: Includes indexes; Bibliography: p. 493-503
ISBN: 0060416297 (pbk.)
Order Received: 2000
Order Type: Donation
LON: 3664711

Call No: 761 MAC
Author: Macdonald, Kevin, 1967-; Cousins, Mark
Place: London
Publisher: Faber and Faber
PubDate: 1996
PhysDes: xii, 400 p. : ill. ; 24 cm
Subject: DOCUMENTARY FILMS; JEWS IN FILMS; CINEMA VERITE; CINEMA-DIRECT; GENOCIDE IN FILMS; NEWSREELS; PROPAGANDA FILMS; SOCIAL PROBLEMS IN FILMS; WAR IN FILMS; VERTOV, DZIGA; ROUCH, JEAN; IMAMURA, SHOHEI; KIESLOWSKI, KRZYSZTOF; MALLE, LOUIS; MARKER, CHRIS; OPHULS, MARCEL; Grierson, John; HUSTON, JOHN; ANDERSON, LINDSAY; BUNUEL, LUIS; ALVAREZ, SANTIAGO; ANTONIO, EMILE DE; BALAZS, BELA; BLUE, JAMES; BROOMFIELD, NICK; CAVALCANTI, ALBERTO; COLINA, JOSE DE LA; COOPER, MERIAN C.; DIETRICH, MARLENE; FLAHERTY, ROBERT; IVENS, JORIS; IWASAKI, AKIRA; JENNINGS, HUMPHREY; KAUFMAN, MIKHAIL; KAUL, MANI; LANZMANN, CLAUDE; LEACOCK, RICHARD; MAYSLES, ALBERT & DAVID; MORRIS, ERROL; RIEFENSTAHL, LENI; SCHELL, MAXIMILIAN; SHUB, ESTHER; TSUCHIMOTO, NORIAKI; WISEMAN, FREDERICK; WRIGHT, BASIL; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); WITH LAWRENCE IN ARABIA (US, Lowell Thomas, 1919); INDE FANTOME, L' (FR, Louis Malle, 1968); LET THERE BE LIGHT (US, John Huston, 1946); MARLENE (GW, Maximilian Schell, 1984); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NIGHT MAIL (UK, Basil Wright & Harry Watt, 1936); REGEN (NE, Joris Ivens, 1929); SONG OF CEYLON (UK, Basil Wright, 1934); SPANISH EARTH, THE (US, Joris Ivens, 1937); THIN BLUE LINE, THE (US, Errol Morris, 1988); SANS SOLEIL (FR, Chris Marker, 1983); SHOAH (FR/SZ, Claude Lanzmann, 1985); A PROPOS DE NICE (FR, Jean Vigo, 1930); CRUMB (US, Terry Zwigoff, 1994); HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935); YUKI YUKITE SHINGUN (JA, Kazuo Hara, 1987); VERITES ET MENSONGES (FR/IR, Orson Welles, 1975[prod.1973]); FIRST LOVE (US, Joan Darling, 1977); GIMME SHELTER (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1970); HOOP DREAMS (US, Steve James, 1994); LAS HURDES (SP, Luis Bunuel, 1932)
Summary: Imagining Reality takes the reader on a tour of the evolution of documentary film as an increasingly vibrant, polemical, experimental and entertaining form. It gathers a wide-ranging collection of writings by and about such groundbreaking documentary-makers as Vertov, Flaherty, Marcel Ophuls, Chris Marker, Kieslowski, Claude Lanzmann, and Nick Broomfield. The story is carried up to date by attention to the success documentaries have had among mainstream movie audiences in recent years, including Michael Moore's Bowling For Columbine and Fahrenheit 9/11, The Buena Vista Social Club, Spellbound, Capturing The Friedmans, Être Et Avoir, and The Fog Of War. --TAKEN FROM PUBLISHER'S SITE
Notes: Includes bibliographical references and index; Faber book of the documentary
ISBN: 0571177239
LON: 13068333
Contents: Part 1. -- 1.The Kingdom of Shadows -- 2. Going to Extremes -- 3. Kino Eyes and Agit Trains -- 4. Documentary and the Avante Guarde -- Part 2. -- 5. The British Movement -- 6. Battling for minds -- 7. Aspects of Asia -- Part 3. -- 8. The Essayists -- 9. The Grain of Truth -- Part 4. -- 10. The Cinema of Social Concern -- 11. Diversity -- 12. The Burning Question
ID2: 47

Call No: 81RIE RIE
Author: Riefenstahl, Leni
Edition: 1st U.S. ed
Source: US
Place: New York
Publisher: St. Martin's Press
PubDate: 1993
PhysDes: 669 p. : ill. ; 25 cm
Subject: AFRICA IN FILMS; DOCUMENTARIES; DOCUMENTARIES. GERMANY; FASCISM AND THE CINEMA; NAZIS IN FILMS; PROPAGANDA FILMS; FANCK, ARNOLD; RIEFENSTAHL, LENI; HEILIGE BERG, DER (G, Arnold Fanck, 1926); HOLY MOUNTAIN, THE (G, Arnold Fanck, 1926); OLYMPIA (G, Leni Riefenstahl, 1938); TIEFLAND (GW, Leni Riefenstahl, 1954 [prod. 1940-1953]); TRIUMPH OF THE WILL (G, Leni Riefenstahl, 1935); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935)
Summary: "Fifteen years in the making, and first written to commemorate her ninetieth birthday, Leni Riefenstahl's memoir is a remarkable achievement in itself. Yet only Riefenstahl's extraordinary life could render this volume a minor accomplishment. Finally available in the United States, here is a passionate self-portrait by a truly original artist." -- BOOK BLURB
Notes: Includes index; First published in German under the title 'Memoiren'; First published in Great Britain under the title 'The sieve of time'
ISBN: 031209843X : $35.00 ($48.99 Can.)
LON: 93021621; 10183426

Call No: 45:32 FUR
Author: Furhammar, Leif, 1937; Isaksson, Folke, 1927-, joint author
Place: London
Publisher: Studio Vista
PubDate: 1971
PhysDes: 3-257 p. illus. 26 cm
Subject: POLITICS AND THE CINEMA; PROPAGANDA FILMS; ZAVATTINI, CESARE; MAN ON A STRING (US, Andre de Toth, 1960); CHE! (US, Richard Fleischer, 1969); EWIGE JUDE, DER (G, Fritz Hippler, 1942); OHM KRUEGER (G, Hans Steinhoff, 1941); NOVYI VAVILON (UR, Grigorij Kozincev & Leonid Trauberg, 1929); HITLERJUNGE QUEX (G, Hans Steinhoff, 1933); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); SPANISH EARTH, THE (US, Joris Ivens, 1937); MRS. MINIVER (UK, William Wyler, 1942); TORN CURTAIN (US, Alfred Hitchcock, 1966); GREEN BERETS, THE (US, Ray Kellogg & John Wayne, 1968); HITLER GANG, THE (US, John Farrow, 1944); STALINGRADSKAYA BITVA (UR, Vladimir Petrov, 1949)
Notes: Rev. translation of Politik och film; Bibliography: p. 248-250
ISBN: 0289798132
LON: 616948
ID2: 127

Call No: 744(=924) AVI
Author: Avisar, Ilan, 1951
Place: Bloomington
Publisher: Indiana University Press
PubDate: c1988
PhysDes: xi, 212 p., [6] p. of plates : ill. ; 25 cm
Series: Jewish literature and culture
Subject: GENOCIDE IN FILMS; CZECHOSLOVAKIA; NAZIS IN FILMS; PONTECORVO, GILLO; RIEFENSTAHL, LENI; ULICA GRANICZNA (PL, Aleksander Ford, 1948); DIARY OF ANNE FRANK, THE (US, Geoarge Stevens, 1959); ...A PATY JEZDEC JE STRACH (CS, Zbynek Brynych, 1964); OSTATNI ETAP (PL, Wanda Jakubowska, 1948); OBCHOD NA KORZE (CS, Jan Kadar & Elmar Klos, 1965); SHOP ON MAIN STREET, THE (CS, Jan Kadar & Elmar Klos, 1965); TRANSPORT Z RAJE (CS, Zbynek Brynych, 1962); KAPO (IT/FR/YU, Gillo Pontecorvo, 1960); [MONSIEUR] M. KLEIN (FR/IT, Joseph Losey, 1976); NUIT ET BROUILLARD (FR, Alain Resnais, 1955); NIGHT AND FOG (FR, Alain Resnais, 1995); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); GREAT DICTATOR, THE (US, Charles Chaplin, 1940); CADUTA DEGLI DEI, LA (IT/GW, Luchino Visconti, 1969); DAMNED, THE (IT/GW, Luchino Visconti, 1969); DALEKA CESTA (CS, Alfred Radok, 1949); GIARDINO DEI FINZI-CONTINI, IL (IT, Vittorio De Sica, 1970); GARDEN OF THE FINZI-CONTINIS, THE (IT, Vittorio De Sica, 1970)
Summary: "Over the past four decades filmmakers have struggled with the task of depicting the atrocities of the Holocaust - the unimaginable brutalities of the Nazis and the incredible suffering of their victims. Avisar bases his discussion of these filmic efforts on the assumption that the Holocaust was a unique and unprecedented historical experience and that as such it poses special problems for those, particularly artists, who seek to reflect upon this historical event. He disagrees with theorists who believe that art cannot deal with the Holocaust in a meaningful way. This study examines how cinematic art meets the challenge of dealing with the extraordinary nature of the Holocaust. Avisar uses the concepts of representation, presentation, and comprehension to analyze a select number of Holocaust films. The cinematic medium offers a wide range of artistic visions of historical events. Avisar combines theoretical concepts peculiar to the nature of cinema with arguments on the uniqueness of Hitler's Final Solution in presenting detailed analyses of such remarkable films as Night and Fog, The Damned, The Great Dictator, The Diary of Anne Frank, The Shop on Main Street, The Garden of the Finzi-Continis, and Mr. Klein." -- BOOK BLURB
Notes: Includes index; Bibliography: p. [194]-200; Filmography: p. [201]-205
ISBN: 0253303761; 0253204755 (pbk.)
LON: 5515271

Call No: 62 KRA
Author: Kracauer, Siegfried
Place: New York
Publisher: Oxford University Press
PubDate: 1965
PhysDes: xix, 364 p. ill., 20 cm.
Subject: ACTORS; ADAPTATIONS; EXPERIMENTAL FILMS; THEORY; AGEE, JAMES; ALEXANDROV, GROGORIJ; ANGER, KENNETH; ANSTEY, EDGAR; ARNHEIM, RUDOLF; ASTAIRE, FRED; BALAZS, BELA; BENJAMIN, WALTER; BERGMAN, INGMAR; BOGART, HUMPHREY; BRAKHAGE, STAN; BRANDO, MARLON; BUNUEL, LUIS; CAGNEY, JAMES; CAPRA, FRANK; CASTELLANI, RENATO; CAVALCANTI, ALBERTO; CHANEY, LON; CHAPLIN, CHARLES; CLAIR, RENE; CLEMENT, RENE; CLOUZOT, HENRI-GEORGES; COCTEAU, JEAN; DALI, SALVADOR; DE FILIPPO, EDUARDO; DEMILLE, CECIL B.; DE SICA, VITTORIO; DISNEY, WALT; DOVZENKO, ALEKSANDR; DREYER, CARL TH.; DUCHAMP, MARCEL; DUVIVIER, JULIEN; ELTON, ARTHUR; ENGEL, MORRIS; EPSTEIN, JEAN; FELLINI, FEDERICO; FEUILLADE, LOUIS; FEYDER, JACQUES; FISCHINGER, OSKAR; FLAHERTY, ROBERT; FORD, JOHN; FRANJU, GEORGES; FREUD, SIGMUND; GANCE, ABEL; GARNETT, GALE; GIDE, ANDRE; GREENE, GRAHAM; GRIERSON, JOHN; GRIFFITH, DAVID WARK; GRIFFITHS, RICHARD; GUITRY, SACHA; HARRINGTON, CURTIS; HILL, DAVID; HITCHCOCK, ALFRED; WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); VITELLONI, I (IT, Federico Fellini, 1953); VAMPYR : DER TRAUM DES ALLEN GRAY (G/FR, Carl Th. Dreyer, 1932); VARIETE (G, E.A. Dupont, 1925); VALLEY TOWN - A STUDY OF MACHINES AND MEN (US, Willard Van Dyke, 1940); UMBERTO D. (IT, Vittorio De Sica, 1952); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); THIRD MAN, THE (UK, Carol Reed, 1949); OKTIABR (UR, Sergei M. Eisenstein, 1928); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956); SYMPHONIE PASTORALE, LA (FR, Jean Delannoy, 1946); SWING TIME (US, George Stevens, 1936); STRADA, LA (IT, Federico Fellini, 1954); ROMAN D'UN TRICHEUR, LE (FR, Sacha Guitry, 1936); MATTER OF LIFE AND DEATH, A (UK, Michael Powell & Emeric Pressburger, 1946); SPIONE (G, Fritz Lang, 1928); SPELLBOUND (US, Alfred Hitchcock, 1945); SOUS LES TOITS DE PARIS (FR, Rene Clair, 1930); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); SMILING LIEUTENANT, THE (US, Ernst Lubitsch, 1931); SHANE (US, George Stevens, 1953); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); GEHEIMNISSE EINER SEELE (G, Georg Wilhelm Pabst, 1926); SCARFACE (US, Howard Hawks, 1932); SANG DES BETES, LE (FR, Georges Franju,1949); SAN FRANCISCO (US, W.S. Van Dyke, 1936); ROUE, LA (FR, Abel Gance, 1922); ROMEO I DZULETTA (UR, Lev Arnstam & Leonid Lavrovskij, 1954); RICHARD III (UK, Laurence Olivier, 1955); REGLE DU JEU, LA (FR, Jean Renoir, 1939); RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948); RASHOMON (JA, Akira Kurosawa, 1950); REGEN (NE, Joris Ivens, 1929); PYGMALION (UK, Anthony Asquith & Leslie Howard, 1938); PLACE IN THE SUN, A (US, George Stevens, 1951); PATHER PANCHALI (II, Satyajit Ray, 1955); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); PARIS 1900 (FR, Nicole Vedres, 1948); PARADINE CASE, THE (US, Alfred Hitchcock, 1947); OTELLO (UR, Sergej Jutkevic, 1956); ON THE WATERFRONT (US, Elia Kazan, 1954); OLVIDADOS, LOS (MX, Luis Bunuel, 1951); OF MEN AND MUSIC (US, Irving Reis, 1950); NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); NIGHT MAIL (UK, Basil Wright & Harry Watt, 1936); NIGHT AT THE OPERA, A (US, Sam Wood, 1935); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); MOULIN ROUGE (UK, E.A. Dupont, 1928); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); MODERN TIMES (US, Charles Chaplin, 1936); MOBY DICK (UK, John Huston, 1956); MOANA (US, Robert Flaherty, 1926); MILLION, LE (FR, Rene Clair, 1931); METROPOLIS (GG, Fritz Lang, 1927); MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943); MENSCHEN AM SONNTAG (G, Robert Siodmak & Edgar G. Ulmer, 1929); MARTY (US, Delbert Mann, 1954); MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936); MAJOR BARBARA (UK, Gabriel Pascal, 1941); MADAME BOVARY (FR, Claude Chabrol, 1991); MACBETH (US, Orson Welles, 1948); M (G, Fritz Lang, 1931); LOVE PARADE, THE (US, Ernst Lubitsch, 1929); LIMELIGHT (US, Charles Chaplin, 1952); LIFEBOAT (US, Alfred Hitchcock, 1944); OSTATNI ETAP (PL, Wanda Jakubowska, 1948); LADY IN THE LAKE (US, Robert Montgomery, 1946); KID, THE (US, Charles Chaplin, 1921); JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953); JAZZ SINGER, THE (US, Alan Crosland, 1927); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); INVISIBLE MAN, THE (US, James Whale, 1933); INTOLERANCE (US, David Wark Griffith, 1916); HUMAN DESIRE (US, Fritz Lang, 1954); HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935); HOTEL DES INVALIDES (FR, Georges Franju, 1952); HIGH NOON (US, Fred Zinnemann, 1952); HENRY V (UK, Laurence Olivier, 1944); HEIRESS, THE (US, William Wyler, 1949); HATFUL OF RAIN, A (US, Fred Zinnemann, 1957); HAMLET (UK, Laurence Olivier, 1948); HALLELUJAH! (US, King Vidor, 1929); GREED (US, Erich von Stroheim, 1925); GREAT EXPECTATIONS (UK, David Lean, 1946); GRAPES OF WRATH, THE (US, John Ford, 1940); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); GOLD RUSH, THE (US, Charles Chaplin, 1925); ORO DI NAPOLI, L' (IT, Vittorio De Sica, 1954); GOLD OF NAPLES (IT, Vittorio De Sica, 1954); GLASS MENAGERIE, THE (US, Irving Rapper, 1950); VORMITTAGSSPUK (G, Hans Richter, 1928); GHOST GOES WEST, THE (UK, Rene Clair, 1935); GHOST AND MRS. MUIR, THE (US, Joseph L. Mankiewicz, 1947); GERVAISE (FR, Rene Clement, 1956); JIGOKUMON (JA, Teinosuke kinugasa, 1953); FURY (US, Fritz Lang, 1936); FOUR HORSEMEN OF THE APOCALYPSE, THE (US, Vincente Minnelli, 1962); FARREBIQUE (FR, Georges Rouquier, 1945); FANTASIA (US, Walt Disney, 1940); ZEMLJA (UR, Alexksandr Dovzenko, 1930); JOURNAL D'UN CURE DE CAMPAGNE (FR, Robert Bresson, 1951); DESTRY RIDES AGAIN (US, George Marshall, 1939); MUDE TOD, DER (G, Fritz Lang, 1921); DEATH OF A SALESMAN (US, Laslo Benedek, 1951); DEAD OF NIGHT (UK, Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer, 1945); CONDAMNE A MORT S`EST ECHAPPE, UN (FR, Robert Bresson, 1956); CITY LIGHTS (US, Charles Chaplin, 1931); CITIZEN KANE (US, Orson Welles, 1941); CINDERELLA (US, Wilfred Jackson & Hamilton Laske & Clyde Geronomi, 1950); CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928); BROKEN BLOSSOMS (US, David Wark Griffith, 1919); BROADWAY MELODY OF 1938 (US, Norman Taurog, 1940); BRIEF ENCOUNTER (UK, David Lean, 1945); BOOMERANG (US, Elia Kazan, 1947); SANG D'UN POETE, LE (FR, Jean Cocteau, 1932); BLACKMAIL (UK, Alfred Hitchcock, 1929); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); BEZZERIDES, A.I.; BEN HUR (US, Fred Niblo, 1925); BAMBI (US, David Hand, 1942); BALLET MECANIQUE, LE (FR, Fernand Leger, 1924); BACK STREET (US, John M. Stahl, 1932); ATALANTE, L' (FR, Jean Vigo, 1934); A PROPOS DE NICE (FR, Jean Vigo, 1930); APARAJITO (II, Satyajit Ray, 1957); ANNA CHRISTIE (US, Clarence Brown, 1930); ANATOMY OF A MURDER (US, Otto Preminger, 1959); AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931); ALEKSANDR NEVSKI (UR, Sergei M. Eisenstein, 1938); BROADWAY MELODY, THE (US, Harry Beaumont, 1929); LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924)
Notes: Frist published 1960; Previously published as: Nature of films. England : Dobson ;1965; Includes bilbiograpy: p. 351-364; Includes index

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935)