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City Lights in October (Winter 1980) iss.15 p.4-5
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Focus on Chaplin / Donald W. McCaffrey New Jersey: Prentice Hall, [1971].
Call No: 81CHA MCCAuthor: McCaffrey, Donald W. (ed.) Source: USPlace: New JerseyPublisher: Prentice HallPubDate: [1971]PhysDes: 174 p. : ill. ; 21 cmSeries: Film FocusSubject: TYPE CHARACTERS IN FILMS ; CHAPLIN, CHARLES ; SENNETT, MACK ; KID, THE (US, Charles Chaplin, 1921) ; GOLD RUSH, THE (US, Charles Chaplin, 1925) ; GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927) ; CIRCUS, THE (US, Charles Chaplin, 1928) ; CITY LIGHTS (US, Charles Chaplin, 1931) ; MODERN TIMES (US, Charles Chaplin, 1936) ; GREAT DICTATOR, THE (US, Charles Chaplin, 1940) ; MONSIEUR VERDOUX (US, Charles Chaplin, 1947) ; LIMELIGHT (US, Charles Chaplin, 1952) ISBN: 131282077Donation: donated by the family of Wayne Levy, 2006Contents: Introduction - Donald W. McCaffrey -- CAREER -- A brief overall view - John Montgomery -- Creating the role of Dr. Body in Casey's Court Circus - Charlie Chaplin -- Acting-directing apprenticeship with Mack Sennett - Charlie Chaplin -- WORKING METHOD -- Development of the comic story and the Tramp character - Charlie Chaplin -- What people laugh at - Charlie Chaplin -- Max Linder's and Elsie Codd's views on the working method - Louis Delluc -- A rejection of the talkies - Charlie Chaplin -- ESSAYS -- The art of Charlie Chaplin - Minnie Maddern Fiske -- Is the Charlie Chaplin vogue passing? - Harcourt Farmer -- Everybody's Language - Winston Churchill -- A reaction to the praise given to Chaplin's artistry - George Jean Nathan -- An evaulation of Chaplin's silent comedy films, 1916-36 - Donald W. McCaffrey -- REVIEWS -- Impressions of two early comedy films - Louis Delluc -- An early detailed account of the action in The Pawnshop - Gilbert Seldes -- The Kid - Francis Hackett -- The Pilgrim - Robert E. Sherwood -- With the bunk left out - Charles W. Wood -- The idea in The Gold Rush: a study of Chaplin's use of the comic technique of pathos-humor - Timothy J. Lyons -- A comparison of The Gold Rush and The General - Gerald Mast -- The Circus - Alexander Bakshy -- City Lights and Modern Times: skirmishes with romance, pathos, and social significance - Donald W. McCaffrey -- The Great Dictator - Herman G. Weinberg -- Monsieur Verdoux - Roger Manvell -- The lineage of Limelight - Walter Kerr
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Growing up in Hollywood / [by] Robert Parrish London: Bodley Head, 1976.
Call No: 81PAR PARAuthor: Parrish, Robert Place: LondonPublisher: Bodley HeadPubDate: 1976PhysDes: [10], 229 p., [24] p. of plates : ill., facsims., ports. ; 22 cmSubject: COLUMBIA PICTURES ; SCREEN ACTORS GUILD ; PARRISH, ROBERT ; BORZAGE, FRANK ; CHAPLIN, CHARLES ; COHN, HARRY ; DEMILLE, CECIL B. ; FAIRBANKS, DOUGLAS ; FORD, JOHN ; GRIFFITH, DAVID WARK ; HAMILTON, WILLIAM ; HOWE, JAMES WONG ; INDRISANO, JOHNNY ; ROSSEN, ROBERT ; SCHREIBER, LEW ; VALENTINO, RUDOLPH ; INFORMER, THE (US, John Ford, 1935) ; ONE IN A MILLION (US, Sidney Lanfield, 1936) ; DIVINE LADY, THE (US, Frank Lloyd, 1929) ; CITY LIGHTS (US, Charles Chaplin, 1931) ; ALL THE KINGS MEN (US, Robert Rossen, 1949) ; BODY AND SOUL (US, Robert Rossen, 1947) ; CRY DANGER (US, Robert Parrish, 1951) ; HAVING WONDERFUL TIME (US, Alfred Santell, 1938) Summary: "Hollywood has thrown up a host of great actors and directors, geniuses and eccentrics, but remarkably few chroniclers of any brilliance. At last, in Growing up in Hollwood, Robert Parrish has produced a picture of Hollywood which is consistently well-observed, intelligent, evocative and, best of all, very, very funny. Robert Parrish, a child actor in the 1920's (in Chaplin's City Lights he was one of the two pea-shooting news boys), served his apprenticeship both in front of the camreas as an extra, and in the cutting rooms under famous directors in 1950. This book is a series of lively, skillfully told anecdotes of working in motion pictures in the golden days between the coming of talkies and the spread of television. In a series of fascinating close-ups we are shown, for instance, Charlie Chaplin rehearsing a scene from City Lights, Cecil B. de Mille bullying his cast of thousands, Raoul Walsh getting the best out of John Wayne, Ian Keith and an assortment of quadrupeds in The Big Trail, and John Ford cracking his whip on and off the set. What makes these memories so compelling is the charm and vivacity, the clear-sighted innocence of the author (a rare gift in hollywood) and his remarkable ability to bring scenes and dialogue to life so that the reader is constantly ready for more. " BOOK JACKETISBN: 0370113128LON: bnb37011312; 1934872Contents: -- 1 The black pirate -- 2 A new hero -- 3 Shall we gather at the river? -- 4 Breakfast with champions -- 5 Silent star -- 6 Charlie -- 7 Our gang -- 8 The black pirate returns -- 9 Always say yes -- 10 I left my love at fractured jaw -- 11 Dragnet -- 12 C.B. -- 13 Soap gets in your eyes -- 14 Having a wonderful time -- 15 Billy Hamilton, positive cutter -- 16 The ice age comes to hollywood -- 17 Producer-director relations -- 18 Director-cast relations (female) -- 19 The first lesson -- 20 Director-cast relations (male) -- 21 The battle of midway -- 22 Do good by stealth, etc -- 23 Detente with Russia -- 24 In memoriam -- 25 Linoleum OOgie -- 26 Tiger, tiger, burning bright -- 27 Oscar -- 28 Interior Columbia Studio - day -- 29 You don't want to go to Europe... -- 30 Is it fun yet? -- 31 anybody can direct -- 32 petition -- 33 the final lesson -- 34 the winds of change -- conclusion -acknowledgements -index
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Hollywood as historian : American film in a cultural context / edited by Peter C. Rollins Lexington, Ky.: University Press of Kentucky, 1983.
Call No: 49:930.2 HOLAuthor: Rollins, Peter C. Source: USPlace: Lexington, Ky.Publisher: University Press of KentuckyPubDate: 1983PhysDes: x, 276 p. : ill. ; 24 cm.Subject: HOLLYWOOD ; HISTORY AND THE CINEMA. USA ; FOX STUDIOS ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; CITY LIGHTS (US, Charles Chaplin, 1931) ; MODERN TIMES (US, Charles Chaplin, 1936) ; GREAT DICTATOR, THE (US, Charles Chaplin, 1940) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; WILSON (US, Henry King, 1944) ; NEGRO SOLDIER, THE (US, Frank Capra, 1944) ; SNAKE PIT (US, Anatole Litvak, 1948) ; CULTURE AND THE CINEMA. USA ; ON THE WATERFRONT (US, Elia Kazan, 1954) ; WHO'S AFRAID OF VIRGINIA WOOLF? (US, Mike Nichols, 1966) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; ADAPTATiONS. CONRAD, JOSEPH ; CHAPLIN, CHARLES ; VIETNAM WAR IN FILMS ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; NATIVE LAND (US, Leo Hurwitz & Paul Strand, 1942) ; CENSORSHIP. USA ; RIVER, THE (US, Lorentz Pare, 1937) Notes: Includes bibliographical references.ISBN: 0813101549 (pbk.)
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The "I" of the camera : essays in film criticism, history, and aesthetics / William Rothman Cambridge [England] New York: Cambridge University Press, 1988.
Call No: 67(04) ROTAuthor: Rothman, William Place: Cambridge [England] New YorkPublisher: Cambridge University PressPubDate: 1988PhysDes: xix, 210 p. : ill. ; 24 cmSeries: Cambridge studies in filmSubject: USA ; THEATRE AND THE CINEMA ; ADAPTATIONS ; EROTICISM IN FILMS ; MELODRAMA ; GRIFFITH, DAVID WARK ; RENOIR, JEAN ; BOGART, HUMPHREY ; CHAPLIN, CHARLES ; GRANT, CARY ; HAWKS, HOWARD ; HITCHCOCK, ALFRED ; GUZZETTI, ALFRED ; BACALL, LAUREN ; ASTOR, MARY ; JUDITH OF BETHULIA (US, David Wark Griffith, 1913) ; CITY LIGHTS (US, Charles Chaplin, 1931) ; RED DUST (US, Victor Fleming, 1932) ; STELLA DALLAS (US, King Vidor, 1937) ; BRINGING UP BABY (US, Howard Hawks, 1938) ; RIVER, THE (II/US, Jean Renoir, 1951) ; FAMILY PORTRAIT SITTINGS (US, Alfred Guzzetti, 1976) ; TO HAVE AND HAVE NOT (US, Howard Hawks, 1944) ; TRUE HEART SUSIE (US, David Wark Griffith, 1919) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; VERTIGO (US, Alfred Hitchcock, 1958) Notes: Includes index; Bibliography: p. xviii-xixISBN: 0521368286 (pbk.); 052136048XLON: 5831391
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My autobiography / Charlie Chaplin London: Bodley Head, 1964.
Call No: 81CHA CHAAuthor: Chaplin, Charlie Source: UKPlace: LondonPublisher: Bodley HeadPubDate: 1964PhysDes: 545 p., [21] leaves of plates : ill., ports. ; 22 cmSubject: CHAPLIN, CHARLES ; VANITY FAIR (US, Chester M Franklin, 1932) ; KID, THE (US, Charles Chaplin, 1921) ; CITY LIGHTS (US, Charles Chaplin, 1931) ; GREAT DICTATOR, THE (US, Charles Chaplin, 1940) ; WOMAN OF PARIS, A (US, Charles Chaplin, 1923) ; GOLD RUSH, THE (US, Charles Chaplin, 1925) ; CIRCUS, THE (US, Charles Chaplin, 1928) ; LIMELIGHT (US, Charles Chaplin, 1952) ; KING IN NEW YORK (US, Charles Chaplin, 1957) Notes: Includes index.LON: abn84206881; 3369279
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Theory of film : the redemption of physical reality / Siegfried Kracauer New York: Oxford University Press, 1965.
Call No: 62 KRAAuthor: Kracauer, Siegfried Place: New YorkPublisher: Oxford University PressPubDate: 1965PhysDes: xix, 364 p. ill., 20 cm.Subject: ACTORS ; ADAPTATIONS ; EXPERIMENTAL FILMS ; THEORY ; AGEE, JAMES ; ALEXANDROV, GROGORIJ ; ANGER, KENNETH ; ANSTEY, EDGAR ; ARNHEIM, RUDOLF ; ASTAIRE, FRED ; BALAZS, BELA ; BENJAMIN, WALTER ; BERGMAN, INGMAR ; BOGART, HUMPHREY ; BRAKHAGE, STAN ; BRANDO, MARLON ; BUNUEL, LUIS ; CAGNEY, JAMES ; CAPRA, FRANK ; CASTELLANI, RENATO ; CAVALCANTI, ALBERTO ; CHANEY, LON ; CHAPLIN, CHARLES ; CLAIR, RENE ; CLEMENT, RENE ; CLOUZOT, HENRI-GEORGES ; COCTEAU, JEAN ; DALI, SALVADOR ; DE FILIPPO, EDUARDO ; DEMILLE, CECIL B. ; DE SICA, VITTORIO ; DISNEY, WALT ; DOVZENKO, ALEKSANDR ; DREYER, CARL TH. ; DUCHAMP, MARCEL ; DUVIVIER, JULIEN ; ELTON, ARTHUR ; ENGEL, MORRIS ; EPSTEIN, JEAN ; FELLINI, FEDERICO ; FEUILLADE, LOUIS ; FEYDER, JACQUES ; FISCHINGER, OSKAR ; FLAHERTY, ROBERT ; FORD, JOHN ; FRANJU, GEORGES ; FREUD, SIGMUND ; GANCE, ABEL ; GARNETT, GALE ; GIDE, ANDRE ; GREENE, GRAHAM ; GRIERSON, JOHN ; GRIFFITH, DAVID WARK ; GRIFFITHS, RICHARD ; GUITRY, SACHA ; HARRINGTON, CURTIS ; HILL, DAVID ; HITCHCOCK, ALFRED ; WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924) ; SMULTRONSTALLET (SW, Ingmar Bergman, 1957) ; VITELLONI, I (IT, Federico Fellini, 1953) ; VAMPYR : DER TRAUM DES ALLEN GRAY (G/FR, Carl Th. Dreyer, 1932) ; VARIETE (G, E.A. Dupont, 1925) ; VALLEY TOWN - A STUDY OF MACHINES AND MEN (US, Willard Van Dyke, 1940) ; UMBERTO D. (IT, Vittorio De Sica, 1952) ; TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935) ; THIRD MAN, THE (UK, Carol Reed, 1949) ; OKTIABR (UR, Sergei M. Eisenstein, 1928) ; TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956) ; SYMPHONIE PASTORALE, LA (FR, Jean Delannoy, 1946) ; SWING TIME (US, George Stevens, 1936) ; STRADA, LA (IT, Federico Fellini, 1954) ; ROMAN D'UN TRICHEUR, LE (FR, Sacha Guitry, 1936) ; MATTER OF LIFE AND DEATH, A (UK, Michael Powell & Emeric Pressburger, 1946) ; SPIONE (G, Fritz Lang, 1928) ; SPELLBOUND (US, Alfred Hitchcock, 1945) ; SOUS LES TOITS DE PARIS (FR, Rene Clair, 1930) ; SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937) ; SMILING LIEUTENANT, THE (US, Ernst Lubitsch, 1931) ; SHANE (US, George Stevens, 1953) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) ; GEHEIMNISSE EINER SEELE (G, Georg Wilhelm Pabst, 1926) ; SCARFACE (US, Howard Hawks, 1932) ; SANG DES BETES, LE (FR, Georges Franju,1949) ; SAN FRANCISCO (US, W.S. Van Dyke, 1936) ; ROUE, LA (FR, Abel Gance, 1922) ; ROMEO I DZULETTA (UR, Lev Arnstam & Leonid Lavrovskij, 1954) ; RICHARD III (UK, Laurence Olivier, 1955) ; REGLE DU JEU, LA (FR, Jean Renoir, 1939) ; RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948) ; RASHOMON (JA, Akira Kurosawa, 1950) ; REGEN (NE, Joris Ivens, 1929) ; PYGMALION (UK, Anthony Asquith & Leslie Howard, 1938) ; PLACE IN THE SUN, A (US, George Stevens, 1951) ; PATHER PANCHALI (II, Satyajit Ray, 1955) ; PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928) ; PARIS 1900 (FR, Nicole Vedres, 1948) ; PARADINE CASE, THE (US, Alfred Hitchcock, 1947) ; OTELLO (UR, Sergej Jutkevic, 1956) ; ON THE WATERFRONT (US, Elia Kazan, 1954) ; OLVIDADOS, LOS (MX, Luis Bunuel, 1951) ; OF MEN AND MUSIC (US, Irving Reis, 1950) ; NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922) ; NIGHT MAIL (UK, Basil Wright & Harry Watt, 1936) ; NIGHT AT THE OPERA, A (US, Sam Wood, 1935) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; MOULIN ROUGE (UK, E.A. Dupont, 1928) ; MONSIEUR VERDOUX (US, Charles Chaplin, 1947) ; MODERN TIMES (US, Charles Chaplin, 1936) ; MOBY DICK (UK, John Huston, 1956) ; MOANA (US, Robert Flaherty, 1926) ; MILLION, LE (FR, Rene Clair, 1931) ; METROPOLIS (GG, Fritz Lang, 1927) ; MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943) ; MENSCHEN AM SONNTAG (G, Robert Siodmak & Edgar G. Ulmer, 1929) ; MARTY (US, Delbert Mann, 1954) ; MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936) ; MAJOR BARBARA (UK, Gabriel Pascal, 1941) ; MADAME BOVARY (FR, Claude Chabrol, 1991) ; MACBETH (US, Orson Welles, 1948) ; M (G, Fritz Lang, 1931) ; LOVE PARADE, THE (US, Ernst Lubitsch, 1929) ; LIMELIGHT (US, Charles Chaplin, 1952) ; LIFEBOAT (US, Alfred Hitchcock, 1944) ; OSTATNI ETAP (PL, Wanda Jakubowska, 1948) ; LADY IN THE LAKE (US, Robert Montgomery, 1946) ; KID, THE (US, Charles Chaplin, 1921) ; JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953) ; JAZZ SINGER, THE (US, Alan Crosland, 1927) ; IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; INVISIBLE MAN, THE (US, James Whale, 1933) ; INTOLERANCE (US, David Wark Griffith, 1916) ; HUMAN DESIRE (US, Fritz Lang, 1954) ; HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935) ; HOTEL DES INVALIDES (FR, Georges Franju, 1952) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HENRY V (UK, Laurence Olivier, 1944) ; HEIRESS, THE (US, William Wyler, 1949) ; HATFUL OF RAIN, A (US, Fred Zinnemann, 1957) ; HAMLET (UK, Laurence Olivier, 1948) ; HALLELUJAH! (US, King Vidor, 1929) ; GREED (US, Erich von Stroheim, 1925) ; GREAT EXPECTATIONS (UK, David Lean, 1946) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; GRANDE ILLUSION, LA (FR, Jean Renoir, 1937) ; GOLD RUSH, THE (US, Charles Chaplin, 1925) ; ORO DI NAPOLI, L' (IT, Vittorio De Sica, 1954) ; GOLD OF NAPLES (IT, Vittorio De Sica, 1954) ; GLASS MENAGERIE, THE (US, Irving Rapper, 1950) ; VORMITTAGSSPUK (G, Hans Richter, 1928) ; GHOST GOES WEST, THE (UK, Rene Clair, 1935) ; GHOST AND MRS. MUIR, THE (US, Joseph L. Mankiewicz, 1947) ; GERVAISE (FR, Rene Clement, 1956) ; JIGOKUMON (JA, Teinosuke kinugasa, 1953) ; FURY (US, Fritz Lang, 1936) ; FOUR HORSEMEN OF THE APOCALYPSE, THE (US, Vincente Minnelli, 1962) ; FARREBIQUE (FR, Georges Rouquier, 1945) ; FANTASIA (US, Walt Disney, 1940) ; ZEMLJA (UR, Alexksandr Dovzenko, 1930) ; JOURNAL D'UN CURE DE CAMPAGNE (FR, Robert Bresson, 1951) ; DESTRY RIDES AGAIN (US, George Marshall, 1939) ; MUDE TOD, DER (G, Fritz Lang, 1921) ; DEATH OF A SALESMAN (US, Laslo Benedek, 1951) ; DEAD OF NIGHT (UK, Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer, 1945) ; CONDAMNE A MORT S`EST ECHAPPE, UN (FR, Robert Bresson, 1956) ; CITY LIGHTS (US, Charles Chaplin, 1931) ; CITIZEN KANE (US, Orson Welles, 1941) ; CINDERELLA (US, Wilfred Jackson & Hamilton Laske & Clyde Geronomi, 1950) ; CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928) ; BROKEN BLOSSOMS (US, David Wark Griffith, 1919) ; BROADWAY MELODY OF 1938 (US, Norman Taurog, 1940) ; BRIEF ENCOUNTER (UK, David Lean, 1945) ; BOOMERANG (US, Elia Kazan, 1947) ; SANG D'UN POETE, LE (FR, Jean Cocteau, 1932) ; BLACKMAIL (UK, Alfred Hitchcock, 1929) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949) ; BEZZERIDES, A.I. ; BEN HUR (US, Fred Niblo, 1925) ; BAMBI (US, David Hand, 1942) ; BALLET MECANIQUE, LE (FR, Fernand Leger, 1924) ; BACK STREET (US, John M. Stahl, 1932) ; ATALANTE, L' (FR, Jean Vigo, 1934) ; A PROPOS DE NICE (FR, Jean Vigo, 1930) ; APARAJITO (II, Satyajit Ray, 1957) ; ANNA CHRISTIE (US, Clarence Brown, 1930) ; ANATOMY OF A MURDER (US, Otto Preminger, 1959) ; AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931) ; ALEKSANDR NEVSKI (UR, Sergei M. Eisenstein, 1938) ; BROADWAY MELODY, THE (US, Harry Beaumont, 1929) ; LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924) Notes: Frist published 1960; Previously published as: Nature of films. England : Dobson ;1965; Includes bilbiograpy: p. 351-364; Includes indexURL status: URL: 'http://-'
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