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Call No: 62 KOL
Author: Kolker, Robert Phillip
Source: US
Place: Oxford
Publisher: Oxford University Press
PubDate: 1983
PhysDes: 428 p. : ill. ; 21 cm
Subject: HISTORY OF CINEMA; CRITICISM; PHILOSOPHY AND THE CINEMA; DE SICA, VITTORIO; GODARD, JEAN-LUC
Summary: " Most filmmakers, especially in the United States, have chosen not to upset their audiences. But since World War 2, an alternative cinema has emerged on a significant scale, particularly in Europe and Latin America- a cinema that challenges rather than soothes, that questions assumptions rather than reinforces them. This kind of film - "made in a spirit of resistance, rebellion, and refusal" - is the focus of this important and stimulating study. Investigating many movements and styles, Robert Phillip Kolker illuminates both their diversity and their common threads. He starts with the seminal achievements of the Italian neo-realists (Rossellini, De Sica, Visconti), examining the filmmakers who influenced them and their influence in turn on later filmmakers in Engalnd, Brazil, India and Europe. He looks at the modernist experiments of Resnais and Antonioni and pays special attention to the directors of the French New Wave (Godard, Truffaut, Chabrol, Rohmer, Rivette), who broke down the remaining traditions of cinematic storytelling and invented new ones. With deftness and clarity, Kolker discusses the New Wave's influence on such older directors as Bresson and Bunuel, as well as on younger ones, such as Ken Russell, Nicolas Roeg, and Jean-Marie Straub. He investigates the New German Cinema of Fassbinder, Wenders, and Herzog, filmmakers who have furthered the effort to make cinema a tool of enquiry and visual invention. He concludes with a look at specific political and psychological elements in contemporary film, particularly in the work of revolutionary Latin American filmmakers, the Hungarian director Miklos Jancso, as well as Godard, Bertolucci, Fassbinder, Losey, and Bunuel." -- BOOK BLURB
Notes: Includes index; Bibliography: p. 405-415
ISBN: 0195033027
Contents: -- introduction -- one: the vaildity of image -- two: the substance of form -- three: politics, psychology, and memory -- notes -- bibliography -- index --
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Call No: 70 CAS
Author: Casty, Alan
Source: US
Place: New York
Publisher: Harcourt Brace Jovanovich
PubDate: 1973
PhysDes: 425 p. ; 23 cm
Subject: EDITING; HISTORICAL FILMS; HISTORY AND THE CINEMA; PRODUCTION TECHNOLOGY; GENRES; SOCIAL HISTORY AND THE CINEMA; BOGART, HUMPHREY; BRECHT, BERTOLT; BUNUEL, LUIS; CAPRA, FRANK; CARNE, MARCEL; CHAPLIN, CHARLES; CLAIR, RENE; COOPER, GARY; CURTIZ, MICHAEL; DEMILLE, CECIL B.; DE SICA, VITTORIO; DIETRICH, MARLENE; DOVZENKO, ALEKSANDR; DREYER, CARL TH.; DUVIVIER, JULIEN; Fellini, Federico; FLAHERTY, ROBERT; FORD, JOHN; GARBO, GRETA; GODARD, JEAN-LUC; GRIFFITH, DAVID WARK; HITCHCOCK, ALFRED; HUSTON, JOHN; HAWKS, HOWARD; KINGSLEY, STANLEY; KAZAN, ELIA; LANG, FRITZ; Lean, David; LEROY, MERVYN; LUBITSCH, ERNST; MCCREA, JOEL; MAMOULIAN, ROUBEN; MARX BROTHERS; MILESTONE, LEWIS; MURNAU, FRIEDRICH WILHELM; NEWMAN, PAUL; PABST, GEORG WILHELM; Pasolini, Pier Paolo; Peckinpah, Sam; PUDOVKIN, VSEVELOD; REED, CAROL; RENOIR, JEAN; ROSSELLINI, ROBERTO; ROSSEN, ROBERT; Stewart, James; TOLAND, GREGG; TRUFFAUT, FRANCOIS; VIGO, JEAN; VISCONTI, LUCHINO; VON STERNBERG, JOSEF; VON STROHEIM, ERICH; WAYNE, JOHN; WELLES, ORSON; WELLMAN, WILLIAM; WILDER, BILLY; WISE, ROBERT; WYLER, WILLIAM; ZOLA, EMILE; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); INTOLERANCE (US, David Wark Griffith, 1916); REGLE DU JEU, LA (FR, Jean Renoir, 1939); STRAW DOGS (UK, Sam Peckinpah, 1971)
Summary: The development of the cinemictic styles and genres in films worldwide and the important professical within the film industry.
ISBN: 0155176226

Call No: 79 DOL LEV
Author: Levy, Shawn
Source: UK
Place: London
Publisher: Weidenfeld & Nicolson
PubDate: 2018
PhysDes: xxiii, 447 pages, 16 pages of unnumbered plates : Illustrations ; 20 cm
Subject: DOLCE VITA, LA (FR/IT, Federico Fellini, 1960); CINECITTA FILM STUDIO; ANTONIONI, MICHELANGELO; DE LAURENTIIS, DINO; DE SICA, VITTORIO; EKBERG, ANITA; FASHION AND THE CINEMA; FELLINI, FEDERICO; LOREN, SOPHIA; MASTROIANNI, MARCELLO; ROSSELLINI, ROBERTO; VISCONTI, LUCHINO
Summary: "From the ashes of war, the Eternal City is reborn as the epicentre of film, style, boldfaced libertinism and titillating journalism. It’s the heyday of fashion icons such as Pucci and Brioni, and the height of ‘Hollywood on the Tiber’, when a dizzying array of stars flock to Cinecittà, the huge movie studio on the outskirts of Rome. At the bars on Via Veneto the likes of Ingrid Bergman, Audrey Hepburn and Elizabeth Taylor mix with blue bloods and bohemians, while behind them trail street photographers in pursuit of the most unflattering and dramatic portraits of fame. In a fast-paced, kaleidoscopic narrative, Shawn Levy shows how all roads lead to Federico Fellini’s world-conquering movie La Dolce Vita, starring Marcello Mastroianni and the Swedish bombshell Anita Ekberg. He recreates Rome’s stunning ascent with vivid and compelling tales of its glitterati and artists, down to every last outrageous detail of the city’s magnificent transformation." - taken from publisher's website
Notes: Includes bibliographical references and index.
ISBN: 9781474606158
Contents: 1. Buzzing Through Ruins -- 2. "An Old River Among the Great Hotels" -- 3. Made in Italy -- 4. "The Three-Sided Mirror" -- 5. "Paris Didn't Move Us Like This" -- 6. "Motion Pictures Are the Most Powerful Weapon" -- 7."Hollywood on the Tiber" -- 8. Scattini and Fumetti -- 9. A Girl on a Beach -- 10. A Nose for the Shot -- 11. The Curvy Girls -- 12. "She Will Be a Sensation" -- 13. "She's Impossible to Photograph" -- 14. "I'm a Peasant" -- 15. Signor Sigarone -- 16. "Sit Down, If You Dare" -- 17. "Florence Is a Lost Cause" -- 18. "A Fine Race Horse and a Ghost" -- 19. "A Charnel House Under a Green Marque" -- 20. "Poor Starving Devils" -- 21. "We Take Their Pictures, and They Beat Us Up" -- 22. "The Most Sinful, Transgressive Thing" -- 23. Babylon, 2000 Years After Christ -- 24. "Poor You" -- 25. "I Am Not a Sexy Pot" -- 26. "You've Done It. You've Won"-- 27. "A Ravenous Wolf Pack" -- 28. "Everybody Becomes a Roman Within Three Days" -- 29. "There's No Erotic Charge in Me" -- 30. "We Are on Stage All the Time" -- 31. "Please Stop Crying"

Call No: 71(45) FAB
Author: Apra, Adriano; Pistagnesi, Patrizia
CorpAuthor: Incontri Internazionali d'Arte Roma
Place: Milan
Publisher: Electra International
PubDate: c1979
PhysDes: 113 p. : ill. ; 24 cm
Subject: ITALY; BLASETTI, ALESSANDRO; CASTELLANI, RENATO; DE SICA, VITTORIO; ROSSELLINI, ROBERTO; VISCONTI, LUCHINO; GENINA, AUGUSTO; MATARAZZO, RAFFAELLO; MATTOLI, MARIO; PALERMI, AMLETO; POGGIOLI, FERDINANDO MARIA; ALESSANDRINI, GOFFREDO; CAMERINI, MARIO; CHIARINI, LUIGI; GALLONE, CARMINE; SOLDATI, MARIO
LON: 1570161

Call No: 67(04) FIL
Author: Spinazzola, Vittorio
Place: Milano
Publisher: Feltrinelli
PubDate: 1962
PhysDes: 273 p. 24 plates, 18 cm.
Subject: ITALY; SPAIN; BUNUEL, LUIS; BROOK, PETER; DAMIANI, DAMIANO; DE SICA, VITTORIO; MORIN, EDGAR; OLMI, ERMANNO; PETRI, ELIO; PONTECORVO, GILLO; ROGOSIN, LIONEL; WEISS, JIRI; VIRIDIANA (SP/MX, Luis Bunuel, 1961); BREVE VACANZA, UNA (IT/SP, Vittorio De Sica, 1973); VIRIDIANA (SP/MX, Luis Bunuel, 1961)
Language: Italian

Call No: 67(04) FIL
Author: Spinazzola, Vittorio
Place: Milano
Publisher: Feltrinelli
PubDate: 1964
PhysDes: 236 p. 24 plates, 18cm.
Subject: BOLOGNINI, MAURO; DE SICA, VITTORIO; MONICELLI, MARIO; ROSI, FRANCESCO; VISCONTI, LUCHINO; CIOCIARIA, LA (IT/FR, Vittorio De Sica, 1960); NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961); NOTTI BIANCHE, LE (IT/FR, Luchino Visconti, 1957); ROCCO E I SUOI FRATELLI (IT/FR, Luchino Visconti, 1960); SENSO (IT, Luchino Visconti, 1954); TERRA TREMA, LA (IT, Luchino Visconti, 1948)
Language: Italian

Call No: 70 FEL
Author: Fell, John
Source: US
Place: New York
Publisher: Holt, Rinehart and Winston
PubDate: 1979
PhysDes: 588 p. : ill. ; 23 cm
Subject: HISTORY AND THE CINEMA; PRODUCTION; ALEXANDROV, GROGORIO; ANTONIONI, MICHELANGELO; BRECHT, BERTHOLD; CAPRA, FRANK; CHAPLIN, CHARLES; DE SICA, VITTORIO; COCTEAU, JEAN; DEMILLE, CECIL B.; DREYER, CARL TH.; DISNEY, WALT; DOVZENKO, ALEKSANDR; EPSTEIN, JEAN; FELLINI, FEDERICO; FRANJU, GEORGES; LANG, FRITZ; MURNAU, FRIEDRICH WILHEL; Pasolini, Pier Paolo; PAUL, ROBERT; PORTER, EDWIN S.; PUDOVKIN, VSEVELOD; RENOIR, JEAN; RESNAIS, ALAIN; ROSSELLINI, ROBERTO; THALBERG, IRVING; TRUFFAUT, FRANCOIS; VERTOV, DZIGA; VIGO, JEAN; VISCONTI, LUCHINO; ZAVATTINI, CESARE; WELLES, ORSON; WYLER, WILLIAM; ZUKOR, ADOLPH; L'­AGE D'OR (FR, Luis Bruñell, 1930); L'ATALANTE (FR, Jean Vigo, 1930); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); BALLET MÉCANIQUE (FR, Fernand Lèger && Dudley Murphy,1934); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); CABINET DES DR. CALIGARI, DAS (G, Robert Wiene, 1920); METROPOLIS (G, Fritz Lang, 1926); SANG D'UN POETE, LE (FR, Jean Cocteau, 1932)
Notes: Bibliography: p.546-548 Includes index
ISBN: 0030363160
Donation: donated by the family of Wayne Levy, 2006

Call No: 71(45) BON
Author: Bondanella, Peter E., 1943
Place: New York
Publisher: F. Ungar Pub. Co.
PubDate: c1983
PhysDes: viii, 440 p. : ill. ; 22 cm
Series: Ungar film library
Subject: ITALY; NEOREALISM; WESTERNS. ITALY; CAVANI, LILIANA; WERTMULLER, LINA; COMENCINI, LUIGI; ROSSELLINI, ROBERTO; DE SICA, VITTORIO; VISCONTI, LUCHINO; ANTONIONI, MICHELANGELO; Fellini, Federico; BERTOLUCCI, BERNARDO; LEONE, SERGIO; Pasolini, Pier Paolo; FERRERI, MARCO; GERMI, PIETRO; LATTUADA, ALBERTO; MONICELLI, MARIO; PONTECORVO, GILLO; RISI, DINO; ROSI, FRANCESCO; TAVIANI, PAOLO & VITTORIO; OLMI, ERMANNO; PETRI, ELIO; BRUSATI, FRANCO; BELLOCCHIO, MARCO
Notes: Includes index; Bibliography: p. 413-421
ISBN: 0804420645 : $17.95; 0804460612 (pbk.) : $10.95
LON: 2315799 2315799

Call No: 71(45) ITA
Author: Bondanella, Peter
Source: UK
Place: London
Publisher: British Film Institute ; Palgrave Macmillan
PubDate: 2014
PhysDes: xi, 380 pages : illustrations ; 25 cm
Subject: ITALY; ITALY IN FILMS; NEOREALISM; NATIONAL CULTURE AND THE CINEMA; NATIONAL IDENTITY AND THE CINEMA; FASCISM AND THE CINEMA. ITALY; HISTORY OF CINEMA. ITALY; REALISM IN FILMS; SCRIPTWRITING; HOLOCAUST IN FILMS; FASHION AND THE CINEMA; GANGSTER FILMS; WESTERNS. ITALY; WOMEN FILMMAKERS. ITALY; BLASETTI, ALESSANDRO; CAMERINI, MARIO; DE SICA, VITTORIO; LOREN, SOPHIA; LOLLOGRIGIDA, GINA; MONICELLI, MARIO; MORETTI, NANNI
Summary: "The Italian Cinema Book is an essential guide to the most important historical, aesthetic and cultural aspects of Italian cinema, from 1895 to the present day. With contributions from 39 leading international scholars, the book is structured around six chronologically organised sections [...] Acutely aware of the contemporary 'rethinking' of Italian cinema history, Peter Bondanella has brought together a diverse range of essays which represent the cutting edge of Italian film theory and criticism." -- BOOK BLURB
Notes: Includes bibliographic references and index -- "A BFI book published by Palgrave Macmillan." - title page.
ISBN: 9781844574049
Contents: Introduction / Peter Bondanella; PART ONE THE SILENT ERA -- Silent Italian Cinema: An International Story / Giorgio Bertellini -- The Beginnings of Film Stardom and the Print Media of Divismo / John P. Welle -- The Diva Film: Context, Actresses, Issues / Angela Dalle Vacche -- Italian Silent Film Genres: Comics, Serials, Historical Epics and Strongmen / Jacqueline Reich; PART TWO THE BIRTH OF THE TALKIES AND THE FASCIST ERA -- Fascism and Italian Cinema / David Forgacs -- Italian Matinee Idols in the Era of the Talkies / Marcia Landy -- The First Comedy, Italian Style: Blasetti, Camerini and De Sica / Vito Zagarrio -- Censorship from the Fascist Period to the Present / Guido Bonsaver; PART THREE POSTWAR CINEMATIC CULTURE – REALISM AND BEYOND -- Neorealism and Left-wing Culture / Stephen Gundle -- Cityscapes and Cinematic Space / Mark Shiel -- Dislocated Spaces for New Thought: Paths of Nomadic Wandering in Neorealist Film and Literature / Torunn Haaland -- Seeing Anew: Children in Italian Cinema, 1944 to the Present / Giovanna De Luca -- Italian Cinema from the Perspective of Female Friendship / Danielle Hipkins --The Maggiorata or Sweater Girl of the 1950s: Mangano, Lollobrigida, Loren / Pauline Small -- Hollywood and Italy: Industries and Fantasies / Robert S. C. Gordon; PART FOUR THE GOLDEN AGE OF ITALIAN CINEMA -- Material Dreams: Costume and Couture Italian Style: From Hollywood on the Tiber to the Italian Screen / Reka Buckley --Italian Film Music / M. Thomas Van Order -- Production around 1960 / Christopher Wagstaff -- The Muscleman Peplum: From Le fatiche di Ercole (1958) to Hercules and the Princess of Troy (1965) / Jon Solomon -- Mondo Cane and the Invention of the Shockumentary / Gino Moliterno -- Spaghetti Westerns and Their Audience / Flavia Brizio-Skov -- Chronicles of a Hastened Modernisation: The Cynical Eye of the Commedia all'italiana / Remi Fournier Lanzoni -- The Political Film / Gaetana Marrone -- The Giallo and the Spaghetti Nightmare Film / Mikel J. Koven -- European Co-productions and Artistic Collaborations: The Italian Response to the Hollywood Studio System / Jean A. Gili -- How the Italians Happened to Cherish and Then to Disdain Their Cinema / Pierre Sorlin; PART FIVE AN AGE OF CRISIS, TRANSITION AND CONSOLIDATION -- Scriptwriting, Italian Style: Scriptwriting for Fellini / Gianfranco Angelucci -- Modern Mob Movies: Twenty Years of Gangsters on the Italian Screen / Dana Renga -- Screening Terrorism: Cinematic Portrayals of the Italian Armed Struggle / Giancarlo Lombardi -- Italian Cinema and Holocaust Memory / Millicent Marcus -- Italian National Cinema: The Cinepanettone / Alan O'Leary -- Stars and Masculinity in Contemporary Italian Cinema / Catherine O'Rawe -- Women behind the Camera: New Horizons in Contemporary Cinema / Flavia Laviosa; PART SIX NEW DIRECTIONS IN CRITICAL APPROACHES TO ITALIAN CINEMA -- Italian Cinema in the Post-national Age / Laura Rascaroli -- Post-colonial Theory and Italy's `Multicultural' Cinema / Aine O'Healy -- Italian Film Genres and Mario Bava / Mary P. Wood -- The Unwanted Guest: Some Remarks on Italian Cinema's Love Affair with Psychoanalysis / Fabio Vighi -- Fellini and Contemporary International Cinema / Peter Bondanella -- The Heritage of the Past and New Frontiers for the History of Italian Cinema / Gian Piero Brunetta.

Call No: 71(45) SOR
Author: Sorlin, Pierre
Place: New York
Publisher: Routledge
PubDate: 1996
PhysDes: viii, 202 p. : ill. ; 23 cm
Series: National cinemas series
Subject: ITALY; NEOREALISM; TELEVISION AND THE CINEMA. ITALY; FASCISM AND THE CINEMA. ITALY; DOCUMENTARY FILMS. ITALY; ANTONIONI, MICHELANGELO; BLASETTI, ALESSANDRO; PAGANO, BARTOLOMEO; NAZZARI, AMEDEO; ROSSELLINI, ROBERTO; DE SICA, VITTORIO; VISCONTI, LUCHINO; Pasolini, Pier Paolo; Fellini, Federico
Notes: Filmography: p. (181)-202; Includes bibliographical references and index
ISBN: 0415116988 (pbk. : alk. paper); 041511697X (hbk. : alk. paper)
LON: 12008493

Author: Russell, Edward
PhysDes: Article
Subject: NEOREALISM; ROSSELLINI, ROBERTO; ROMA CITTA APERTA (IT, Roberto Rossellini, 1945); VISCONTI, LUCHINO; TERRA TREMA, LA (IT, Luchino Visconti, 1948); DE SICA, VITTORIO; SCIUSCIA (IT, Vittorio De Sica, 1946); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949)
Summary: Essay on the beginnings of Italian Neorealism, and filmographies of the three main directors of the period: Rossellini, Visconti and De Sica.

Call No: 70 MOV
Author: Robinson, David, 1930; Lloyd, Ann, 1945
Place: London
Publisher: Orbis Publishing
PubDate: 1982
PhysDes: 219 p. : ill. (some col.) ; 30 cm.
Subject: HISTORY OF CINEMA. 1940's; ENFANTS DU PARADIS, LES (FR, Marcel Carne, 1945); HAWKS, HOWARD; BERGMAN, INGRID; ROSSELLINI, ROBERTO; VISCONTI, LUCHINO; DE SICA, VITTORIO; WELLES, ORSON; CITIZEN KANE (US, Orson Welles, 1941); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); WYLER, WILLIAM; GOLDWYN, SAMUEL; REED, CAROL; THIRD MAN, THE (UK, Carol Reed, 1949); Powell, Michael; GUINNESS, ALEC; KIND HEARTS AND CORONETS (UK, Robert Hamer, 1949); Lean, David; HUSTON, JOHN; MALTESE FALCON, THE (US, John Huston, 1941); BOGART, HUMPHREY; GARFIELD, JOHN; HAYWORTH, RITA; KELLY, GENE; DONEN, STANLEY; GARLAND, JUDY; BALCON, MICHAEL; DISNEY, WALT; MCLAREN, NORMAN; WELLMAN, WILLIAM; STURGES, PRESTON; HEPBURN, KATHARINE; WALSH, RAOUL
Summary: A look at film in the 1940s with short chapters devoted to films, filmmakers, actors and genres of the period, as well as reports on non-US cinemas.
Notes: Includes index. Includes filmographies.
ISBN: 0856134546

Call No: 411.1(45) GUN
Author: Gundle, Stephen
Source: US
Place: New York
Publisher: Berghahn Books
PubDate: 2013
PhysDes: xii, 320 pages : illustrations ; 24 cm
Series: Berghahn on film.
Subject: FASCISM AND THE CINEMA. ITALY; STAR SYSTEM; DE SICA, VITTORIO; NAZZARI, AMEDEO; VALLI, ALIDA
Summary: Focused on the period from the start of sound cinema to the final end of Fascism in 1945, this book examines the development of an Italian star system and evaluates its place in film production and distribution. The performances and careers of several major stars, including Isa Miranda, Vittorio De Sica, Amedeo Nazzari and Alida Valli, are closely analysed in terms of their relationships to the political sphere and broader commercial culture, with consideration of their fates in the aftermath of Fascism. A final shapter explores the place of the stars in popular memory and representations of the Fascist film world in postwar cinema.-- [Extract taken from the back of the book.]
Notes: Includes bibliographical references (pages 297-309) and index
ISBN: 9781782382447
Contents: Introduction -- Fascism, cinema and stardom. Italian cinema under fascism -- The creation of a star system -- Stars and commercial culture -- The public and the stars -- Italian stars of the Fascist Era. The national star: Isa Miranda -- The matine idol: Vittorio De Sica -- Everybody's fiance: Assia Noris -- The star as hero: Amedeo Nazzari -- The uniformed role model: Fosco Giachetti -- The photogenic beauty: Alida Valli -- The Duce's whim: Miria Di San Servolo -- The aftermath of stardom. Civil war, liberation and reconstruction -- Survival, memory and forgetting.

Author: Husson, R.
PhysDes: Article Notes
Subject: LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); DE SICA, VITTORIO; ZAVATTINI, CESARE; NEOREALISM
Summary: Brief points concerning the history of the director, de Sica; themes in the film, "Bicycle Thieves"; and characteristics of Neorealism.

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: DE SICA, VITTORIO

Call No: 62 KRA
Author: Kracauer, Siegfried
Place: New York
Publisher: Oxford University Press
PubDate: 1965
PhysDes: xix, 364 p. ill., 20 cm.
Subject: ACTORS; ADAPTATIONS; EXPERIMENTAL FILMS; THEORY; AGEE, JAMES; ALEXANDROV, GROGORIJ; ANGER, KENNETH; ANSTEY, EDGAR; ARNHEIM, RUDOLF; ASTAIRE, FRED; BALAZS, BELA; BENJAMIN, WALTER; BERGMAN, INGMAR; BOGART, HUMPHREY; BRAKHAGE, STAN; BRANDO, MARLON; BUNUEL, LUIS; CAGNEY, JAMES; CAPRA, FRANK; CASTELLANI, RENATO; CAVALCANTI, ALBERTO; CHANEY, LON; CHAPLIN, CHARLES; CLAIR, RENE; CLEMENT, RENE; CLOUZOT, HENRI-GEORGES; COCTEAU, JEAN; DALI, SALVADOR; DE FILIPPO, EDUARDO; DEMILLE, CECIL B.; DE SICA, VITTORIO; DISNEY, WALT; DOVZENKO, ALEKSANDR; DREYER, CARL TH.; DUCHAMP, MARCEL; DUVIVIER, JULIEN; ELTON, ARTHUR; ENGEL, MORRIS; EPSTEIN, JEAN; FELLINI, FEDERICO; FEUILLADE, LOUIS; FEYDER, JACQUES; FISCHINGER, OSKAR; FLAHERTY, ROBERT; FORD, JOHN; FRANJU, GEORGES; FREUD, SIGMUND; GANCE, ABEL; GARNETT, GALE; GIDE, ANDRE; GREENE, GRAHAM; GRIERSON, JOHN; GRIFFITH, DAVID WARK; GRIFFITHS, RICHARD; GUITRY, SACHA; HARRINGTON, CURTIS; HILL, DAVID; HITCHCOCK, ALFRED; WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); VITELLONI, I (IT, Federico Fellini, 1953); VAMPYR : DER TRAUM DES ALLEN GRAY (G/FR, Carl Th. Dreyer, 1932); VARIETE (G, E.A. Dupont, 1925); VALLEY TOWN - A STUDY OF MACHINES AND MEN (US, Willard Van Dyke, 1940); UMBERTO D. (IT, Vittorio De Sica, 1952); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); THIRD MAN, THE (UK, Carol Reed, 1949); OKTIABR (UR, Sergei M. Eisenstein, 1928); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956); SYMPHONIE PASTORALE, LA (FR, Jean Delannoy, 1946); SWING TIME (US, George Stevens, 1936); STRADA, LA (IT, Federico Fellini, 1954); ROMAN D'UN TRICHEUR, LE (FR, Sacha Guitry, 1936); MATTER OF LIFE AND DEATH, A (UK, Michael Powell & Emeric Pressburger, 1946); SPIONE (G, Fritz Lang, 1928); SPELLBOUND (US, Alfred Hitchcock, 1945); SOUS LES TOITS DE PARIS (FR, Rene Clair, 1930); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); SMILING LIEUTENANT, THE (US, Ernst Lubitsch, 1931); SHANE (US, George Stevens, 1953); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); GEHEIMNISSE EINER SEELE (G, Georg Wilhelm Pabst, 1926); SCARFACE (US, Howard Hawks, 1932); SANG DES BETES, LE (FR, Georges Franju,1949); SAN FRANCISCO (US, W.S. Van Dyke, 1936); ROUE, LA (FR, Abel Gance, 1922); ROMEO I DZULETTA (UR, Lev Arnstam & Leonid Lavrovskij, 1954); RICHARD III (UK, Laurence Olivier, 1955); REGLE DU JEU, LA (FR, Jean Renoir, 1939); RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948); RASHOMON (JA, Akira Kurosawa, 1950); REGEN (NE, Joris Ivens, 1929); PYGMALION (UK, Anthony Asquith & Leslie Howard, 1938); PLACE IN THE SUN, A (US, George Stevens, 1951); PATHER PANCHALI (II, Satyajit Ray, 1955); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); PARIS 1900 (FR, Nicole Vedres, 1948); PARADINE CASE, THE (US, Alfred Hitchcock, 1947); OTELLO (UR, Sergej Jutkevic, 1956); ON THE WATERFRONT (US, Elia Kazan, 1954); OLVIDADOS, LOS (MX, Luis Bunuel, 1951); OF MEN AND MUSIC (US, Irving Reis, 1950); NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); NIGHT MAIL (UK, Basil Wright & Harry Watt, 1936); NIGHT AT THE OPERA, A (US, Sam Wood, 1935); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); MOULIN ROUGE (UK, E.A. Dupont, 1928); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); MODERN TIMES (US, Charles Chaplin, 1936); MOBY DICK (UK, John Huston, 1956); MOANA (US, Robert Flaherty, 1926); MILLION, LE (FR, Rene Clair, 1931); METROPOLIS (GG, Fritz Lang, 1927); MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943); MENSCHEN AM SONNTAG (G, Robert Siodmak & Edgar G. Ulmer, 1929); MARTY (US, Delbert Mann, 1954); MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936); MAJOR BARBARA (UK, Gabriel Pascal, 1941); MADAME BOVARY (FR, Claude Chabrol, 1991); MACBETH (US, Orson Welles, 1948); M (G, Fritz Lang, 1931); LOVE PARADE, THE (US, Ernst Lubitsch, 1929); LIMELIGHT (US, Charles Chaplin, 1952); LIFEBOAT (US, Alfred Hitchcock, 1944); OSTATNI ETAP (PL, Wanda Jakubowska, 1948); LADY IN THE LAKE (US, Robert Montgomery, 1946); KID, THE (US, Charles Chaplin, 1921); JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953); JAZZ SINGER, THE (US, Alan Crosland, 1927); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); INVISIBLE MAN, THE (US, James Whale, 1933); INTOLERANCE (US, David Wark Griffith, 1916); HUMAN DESIRE (US, Fritz Lang, 1954); HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935); HOTEL DES INVALIDES (FR, Georges Franju, 1952); HIGH NOON (US, Fred Zinnemann, 1952); HENRY V (UK, Laurence Olivier, 1944); HEIRESS, THE (US, William Wyler, 1949); HATFUL OF RAIN, A (US, Fred Zinnemann, 1957); HAMLET (UK, Laurence Olivier, 1948); HALLELUJAH! (US, King Vidor, 1929); GREED (US, Erich von Stroheim, 1925); GREAT EXPECTATIONS (UK, David Lean, 1946); GRAPES OF WRATH, THE (US, John Ford, 1940); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); GOLD RUSH, THE (US, Charles Chaplin, 1925); ORO DI NAPOLI, L' (IT, Vittorio De Sica, 1954); GOLD OF NAPLES (IT, Vittorio De Sica, 1954); GLASS MENAGERIE, THE (US, Irving Rapper, 1950); VORMITTAGSSPUK (G, Hans Richter, 1928); GHOST GOES WEST, THE (UK, Rene Clair, 1935); GHOST AND MRS. MUIR, THE (US, Joseph L. Mankiewicz, 1947); GERVAISE (FR, Rene Clement, 1956); JIGOKUMON (JA, Teinosuke kinugasa, 1953); FURY (US, Fritz Lang, 1936); FOUR HORSEMEN OF THE APOCALYPSE, THE (US, Vincente Minnelli, 1962); FARREBIQUE (FR, Georges Rouquier, 1945); FANTASIA (US, Walt Disney, 1940); ZEMLJA (UR, Alexksandr Dovzenko, 1930); JOURNAL D'UN CURE DE CAMPAGNE (FR, Robert Bresson, 1951); DESTRY RIDES AGAIN (US, George Marshall, 1939); MUDE TOD, DER (G, Fritz Lang, 1921); DEATH OF A SALESMAN (US, Laslo Benedek, 1951); DEAD OF NIGHT (UK, Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer, 1945); CONDAMNE A MORT S`EST ECHAPPE, UN (FR, Robert Bresson, 1956); CITY LIGHTS (US, Charles Chaplin, 1931); CITIZEN KANE (US, Orson Welles, 1941); CINDERELLA (US, Wilfred Jackson & Hamilton Laske & Clyde Geronomi, 1950); CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928); BROKEN BLOSSOMS (US, David Wark Griffith, 1919); BROADWAY MELODY OF 1938 (US, Norman Taurog, 1940); BRIEF ENCOUNTER (UK, David Lean, 1945); BOOMERANG (US, Elia Kazan, 1947); SANG D'UN POETE, LE (FR, Jean Cocteau, 1932); BLACKMAIL (UK, Alfred Hitchcock, 1929); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); BEZZERIDES, A.I.; BEN HUR (US, Fred Niblo, 1925); BAMBI (US, David Hand, 1942); BALLET MECANIQUE, LE (FR, Fernand Leger, 1924); BACK STREET (US, John M. Stahl, 1932); ATALANTE, L' (FR, Jean Vigo, 1934); A PROPOS DE NICE (FR, Jean Vigo, 1930); APARAJITO (II, Satyajit Ray, 1957); ANNA CHRISTIE (US, Clarence Brown, 1930); ANATOMY OF A MURDER (US, Otto Preminger, 1959); AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931); ALEKSANDR NEVSKI (UR, Sergei M. Eisenstein, 1938); BROADWAY MELODY, THE (US, Harry Beaumont, 1929); LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924)
Notes: Frist published 1960; Previously published as: Nature of films. England : Dobson ;1965; Includes bilbiograpy: p. 351-364; Includes index
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Call No: 81DES AGE
Author: Agel, Henri
Place: Paris
Publisher: Editions Universitaires
PubDate: 1955
Series: Les Classiques du cinGema 3
Subject: De Sica, Vittorio, 1901-1974
Language: French
LON: nun00357434; 4191897

Call No: 81DES HAR
Author: Harvey, Stephen
Place: Rome : Cinecitta International, 1991
PhysDes: 89 p. ; 24 cm
Subject: DE SICA, VITTORIO
LON: abn99026630; 14466571

Author: Kael, Pauline and Manvell, Roger
PhysDes: Review
Subject: DE SICA, VITTORIO; UMBERTO D. (IT, Vittorio De Sica, 1952); SCIUSCIA (IT, Vittorio De Sica, 1946); NEOREALISM
Summary: Two separate reviews from other published works. 1. Review of "Umberto D" with regard to neorealist film, by Roger Manvell in "Film and the Public". 2. Brief review of "Sciusca" ("Shoeshine"), by Pauline Kael in "I lost it at the Movies".