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newspaper article		A-team look to a gilded future : Australia's Mad Maxers have risen the bar for action movies in Daily Telegraph (05/03/2016) p.64 Call No: TITLE CLIPPINGS FILE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Author: Johnson, Neala -- Roach, Vicky PhysDes: Clippings File Article Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: Interview snippets with the Australian crew who received Oscars for their work on MAD MAX: FURY ROAD. The winners mentioned are: Lesley Vanderwalt, Damian Martin, Elka Wardega, Ben Osmo, Colin Gibson, Lisa Thompson, David White, Margaret Siskel, as well as British costume designer Jenny Beavan More info
book		Anxious cinephilia : pleasure and peril at the movies / Sarah Keller New York: Columbia University Press, Call No: 412.3 KEL Author: Keller, Sarah Edition: 2020 Place: New York Publisher: Columbia University Press PhysDes: vii, 302 pages : illustrated ; 24 cm Subject: APOCALYPSE IN FILMS; BLOWUP (UK/IT, Michelangelo Antonioni, 1966); BAZIN, ANDRE; FILM CULTURE; CINEPHILIA; DIGITAL CINEMA; FRANCE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015); STAR WARS [...] (US, 1977-2015); WAR OF THE WORLDS (US, Steven Spielberg, 2005); WORLD WAR Z (US/MT, Marc Forster, 2013) Summary: The advent of new screening practices and viewing habits in the twenty-first century has spurred a public debate over what it means to be a “cinephile.” In Anxious Cinephilia, Sarah Keller places these competing visions in historical and theoretical perspective, tracing how the love of movies intertwines with anxieties over the content and impermanence of cinematic images. Keller reframes the history of cinephilia from the earliest days of film through the French New Wave and into the streaming era, arguing that love and fear have shaped the cinematic experience from its earliest days. This anxious love for the cinema marks both institutional practices and personal experiences, from the curation of the moviegoing experience to the creation of community and identity through film festivals to posting on social media. Through a detailed analysis of films and film history, Keller examines how changes in cinema practice and spectatorship create anxiety even as they inspire nostalgia. Anxious Cinephilia offers a new theoretical approach to the relationship between spectator and cinema and reimagines the concept of cinephilia to embrace its diverse forms and its uncertain future. -- publisher's web site ISBN: 9780231180870 Contents: Acknowledgments -- Introduction -- 1. Ardor and Anxiety: The History of Cinephilia -- 2. Enchanting Images -- 3. Cinephilia and Technology: Anxieties and Obsolescence -- 4. The Exquisite Apocalypse -- Conclusion: Anxious Times, Anxious Cinema -- Notes -- Selected Bibliography -- Index More info
book		The art of Mad Max Fury Road / Abbie Bernstein ; foreword by George Miller ; afterword by Brendan McCarthy London: Titan Books, 2015. Call No: 79MAD BER Author: Bernstein, Abbie Source: UK Place: London Publisher: Titan Books PubDate: 2015 PhysDes: 1 volume of unnumbered pages : illustrations ; portraits ; 28 x 31 cm Subject: ART DIRECTION; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: The Art of Mad Max: Fury Road is the official companion picture book to George Miller's blockbuster film. Pages are filled with graphics and motion picture stills to capture the extensive production design process -- from storyboarding to concept art and screenwriting. ISBN: 9781783298167 More info
box office. australia		Australian films bounce back in The Age [The Shortlist] (18 Sep 15) p.5 Call No: SUBJECT CLIPPINGS FILE; BOX OFFICE. AUSTRALIA Author: Maddox, Garry PhysDes: Clippings Subject: BOX OFFICE. AUSTRALIA; ODDBALL (AT, Stuart McDonald, 2015); THAT SUGAR FILM (AT, Damon Gameau, 2014); MAD MAX: FURY ROAD (AT/US, George Miller, 2015); CUT SNAKE (AT, Tony Ayres, 2014); WATER DIVINER, THE (AT/TU, Russell Crowe, 2014) More info
newspaper article		'Australian gothic vs the apocalypse' in Sunday Age (29/11/2015) p.14 Call No: SUBJECT CLIPPINGS FILE; AWARDS. AUSTRALIAN ACADEMY OF CINEMA AND TELEVISION ARTS Author: Maddox, Garry PhysDes: Clippings File Article Subject: AWARDS. AUSTRALIAN ACADEMY OF CINEMA AND TELEVISION ARTS; DRESSMAKER, THE (AT, Jocelyn Moorhouse, 2015); MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: Preview of the upcoming AACTA awards, with discussion around the films MAD MAX: FURY ROAD and THE DRESSMAKER More info
title clippings file		BALLS OF FURY : (US, Robert Ben Garant, 2007) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: BALLS OF FURY (US, Robert Ben Garant, 2007) More info
newspaper article		Bikers kickstart Mad Max auditions in The Australian (30/01/2003) p.3 Call No: TITLE CLIPPINGS FILE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Author: Tedmanson, Sophie PhysDes: Clippings File Article Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: Pre production auditions have begun for stunt crews More info
still		[Blanche fury: stills file] Call No: TITLE STILLS INTERNATIONAL Source: AT PhysDes: 1 photograph : b&w ; 17 x 22 cm Subject: BLANCHE FURY (UK, Marc Allégret, 1948) Summary: Valerie Hobson and Stewart Granger in BLANCHE FURY Notes: Image donated by Brian McFarlane More info
title clippings file		Blind Fury : US, Phillip Noyce, 1989 Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: BLIND FURY (US, Phillip Noyce, 1989) More info
book		Blood, sweat & chrome : the wild and true story of Mad Max: Fury Road / Kyle Buchanan New York: Harper Collins, 2022. Call No: 79 MAD BUC Author: Bachanan, Kyle Edition: 2022 Place: New York Publisher: Harper Collins PubDate: 2022 PhysDes: 359 pages ; 23 cm Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: A full-speed-ahead oral history of the nearly two-decade making of the cultural phenomenon Mad Max: Fury Road—with more than 130 new interviews with key members of the cast and crew, including Charlize Theron, Tom Hardy, and director George Miller, from the pop culture reporter for The New York Times, Kyle Buchanan. It won six Oscars and has been hailed as the greatest action film ever, but it is a miracle Mad Max: Fury Road ever made it to the screen... or that anybody survived the production. The story of this modern classic spanned nearly two decades of wild obstacles as visionary director George Miller tried to mount one of the most difficult shoots in Hollywood history. Production stalled several times, stars Tom Hardy and Charlize Theron clashed repeatedly in the brutal Namib Desert, and Miller’s crew engineered death-defying action scenes that were among the most dangerous ever committed to film. Even accomplished Hollywood figures are flummoxed by the accomplishment: As the director Steven Soderbergh has said, “I don’t understand how they’re not still shooting that film, and I don’t understand how hundreds of people aren’t dead.” Kyle Buchanan takes readers through every step of that moviemaking experience in vivid detail, from Fury Road’s unexpected origins through its outlandish casting process to the big-studio battles that nearly mutilated a masterpiece. But he takes the deepest dive in reporting the astonishing facts behind a shoot so unconventional that the film’s fantasy world began to bleed into the real lives of its cast and crew. As they fought and endured in a wasteland of their own, the only way forward was to have faith in their director’s mad vision. But how could Miller persevere when almost everything seemed to be stacked against him With hundreds of exclusive interviews and details about the making of Fury Road, readers will be left with one undeniable conclusion: There has never been a movie so drenched in sweat, so forged by fire, and so epic in scope. -- publisher's web site ISBN: 9780063245419 Donation: AUD 34.99 More info
newspaper article		Broken Mad Max dream in Canberra Times (04/11/2011) p.25 Call No: TITLE CLIPPINGS FILE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Author: Mitchell, Peter PhysDes: Clippings File Article Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: Location of Mad Max 4 More info
title clippings file		CAGED FURY : (US, Bill Milling, 1990) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: CAGED FURY (US, Bill Milling, 1990) More info
newspaper article		The celluloid warrior in Saturday Age [Good Weekend] (25/04/2015) p.1 Call No: TITLE CLIPPINGS FILE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Author: Maddox, Garry PhysDes: Clippings File Article Subject: MILLER, GEORGE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: Extensive article that previews the upcoming Mad Max film, as well as looking at Dr George Miller's career as a filmmaker and producer More info
title clippings file		CERTAIN FURY : (US, Stephen Gyllenhaal, 1985) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: CERTAIN FURY (US, Stephen Gyllenhaal, 1985) More info
title clippings file		CHILDREN OF THE NORTH : (UK, David Fury, 1990) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: CHILDREN OF THE NORTH (UK, David Fury, 1990) More info
Interim book		The cinematic imagination : writers and the motion pictures / by Edward Murray New York: Frederick Ungar Publishing Co., 1972. Call No: 753.1 MUR Author: Murray, Edward Source: US Place: New York Publisher: Frederick Ungar Publishing Co. PubDate: 1972 PhysDes: xi, 330 p. ; 22cm. Subject: ADAPTATIONS. BECKETT, SAMUEL; ADAPTATIONS. HEMINGWAY, ERNEST; ADAPTATIONS. MILLER, ARTHUR; ADAPTATIONS. O'NEILL, EUGENE; ADAPTATIONS. STEINBECK, JOHN; ADAPTATIONS. WILLIAMS, TENNESSEE; ADAPTATIONS. WOOLF, VIRGINIA; EXPRESSIONISM; LITERATURE AND THE CINEMA; THEATRE AND THE CINEMA; BRECHT, BERTOLT; EISENSTEIN, SERGEI M.; FAULKNER, WILLIAM; FITZGERALD, F. SCOTT; GREENE, GRAHAM; AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931); ANNA CHRISTIE (US, Clarence Brown, 1930); CAT ON A HOT TIN ROOF (US, Richard Brooks, 1958); DEATH OF A SALESMAN (US, Laslo Benedek, 1951); END OF THE AFFAIR, THE (UK, Neil Jordan, 1999); SOUND AND THE FURY, THE (US, Martin Ritt, 1959) Summary: An exploration of the relationships between cinema, theatre and literature. While the book does discuss adaptation, it also discusses the influence that cinema has had on drama and novels. Notes: Includes bibliographic details ISBN: 0804426430 More info
book		The Classic American novel and the movies / edited by Gerald Peary and Roger Shatzkin New York: Ungar, 1977. Call No: 753.4 CLA Author: Peary, Gerald; Shatzkin, Roger Place: New York Publisher: Ungar PubDate: 1977 PhysDes: xii, 356 p. : ill. ; 22 cm Series: Ungar Film Library Subject: ADAPTATIONS; BOGDANOVICH, PETER; EISENSTEIN, SERGEI M.; ADVENTURES OF TOM SAWYER, THE (US, Norman Taurog, 1938); ALICE ADAMS (US, George Stevens, 1935); BABBITT (US, Harry Beaumont, 1924); BILLY BUDD (UK, Peter Ustinov, 1962); CARRIE (US, William Wyler, 1952); DAISY MILLER (US, Peter Bogdanovich, 1974); DODSWORTH (US, William Wyler, 1936); FAREWELL TO ARMS, A (US, Frank Borzage, 1933); GREAT GATSBY, THE (US, Elliott Nugent, 1949); GREAT GATSBY, THE (US, Jack Clayton, 1974); GREED (US, Erich von Stroheim, 1925); HEIRESS, THE (US, William Wyler, 1949); HOUSE OF SEVEN GABLES, THE (US, Joe May, 1940); I MARRIED A DOCTOR (US, Archie L. Mayo, 1936); INNOCENTS, THE (UK, Jack Clayton, 1962); LAST OF THE MOHICANS, THE (US, Maurice Tourneur, 1920); LITTLE WOMEN (US, George Cukor, 1933); LITTLE CAESAR (US, Mervyn LeRoy, 1931); LITTLE WOMEN (US, Mervyn LeRoy, 1948); MOBY DICK (UK, John Huston, 1956); PRINCE AND THE PAUPER, THE (US, William Keighley, 1937); RED BADGE OF COURAGE, THE (US, John Huston, 1951); SEA WOLF, THE (US, Michael Curtiz, 1941); SCARLET LETTER, THE (US, Victor Sjostrom, 1926); SOUND AND THE FURY, THE (US, Martin Ritt, 1959); SUN ALSO RISES, THE (US, Henry King, 1957); VIRGINIAN, THE (US, Stuart Gilmore, 1946); VIRGINIAN, THE (US, Victor Fleming, 1929); WIZARD OF OZ, THE (US, Victor Fleming, 1939) Summary: "Does a successfl novel make a good movie? That question and others are explored in this first comprehensive collection of essays on novel into film adaptations - from Cooper's The Last of the Mohicans (1826) to Faulkner's The Sound and the Fury (1929). Over two thirds of these essays were written expressly for this volume, the work of a new generation of literature-trained but film-oriented teachers and critics. Together they examine how novels and their film adaptations differ from one another in technique, characterisation, scope, and ideological content. To the original essays the editors have added some of the best available writings on adaptations by such critics as Stanley Kauffman and Manny Farber, plus selected commentaries from the actual participants in the process of adaptations - screenwriters and film directors." -- BOOK BLURB Notes: Includes index; Filmography: p. 321-336; Bibliography: p. 337-344 ISBN: 0804426813 : $12.50. 0804466475 pbk. : $4.95 LON: qum00211939; 12437055 857055 More info
newspaper article		Commanding presence in The Age [Spectrum] (11/07/2015) p.21 Call No: PERSONALITY CLIPPINGS FILE; JURISIC, MELITA Author: Hawker, Philippa PhysDes: Clippings File Article Subject: JURISIC, MELITA; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: Piece on Australian actor Melita Jurisic, focusing on her stage work including the upcoming production of 'I am a miracle', and her recent appearance in the film Mad Max Fury Road More info
Online resource book		A companion to Australian cinema / Edited by Felicity Collins, Jane Landman, and Susan Bye Hoboken, New Jersey: Wiley-Blackwell, 2019. Available at ProQuest (RMIT login required) Call No: 71(94) COM Author: Collins, Felicity; Columpar, Corinn; Rutherford, Anne; Ford, Felicity; Kelada, Odette; Clark, Maddee; Verevis, Constantine; Goldsmith, Ben; French, Lisa; David Marshall, P.; Bennett, James; Grace, Helen; Khoo, Olivia; Yue, Audrey; Bye, Susan; Sandars, Diana; Stadler, Jane; Gaunson, Stephen; Trevisanut, Amanda Malel; Turnbull, Sue; McCutcheon, Marion; Goritsas, Helen; Tiwary, Ana; Lambert, Anthony; Gibson, Ross; Cunningham, Stuart; Swift, Adam; Williams, Deane; Smaill, Belinda; Neumark, Norie Source: US/UK Place: Hoboken, New Jersey Publisher: Wiley-Blackwell PubDate: 2019 PhysDes: xxii, 581 pages ; 26 cm Series: Wiley Blackwell companions to national cinema Subject: AUSTRALIA; FILM; INDUSTRY, FILM; INDUSTRY, FILM. AUSTRALIA; INDIGENOUS; ABORIGINAL AUSTRALIAN CINEMA; TRANSNATIONAL CINEMA; HISTORY OF CINEMA; HISTORY OF CINEMA. AUSTRALIA; TELEVISION AND THE CINEMA; TELEVISION AND THE CINEMA. AUSTRALIA; AUTEUR THEORY; GENRES; THEORY; CAMPION, JANE; CHARLIE'S COUNTRY (AT, Rolf de Heer, 2013); SPEAR (AT, Stephen Page, 2015); MAD MAX (AT, George Miller, 1979); MAD MAX: FURY ROAD (AT/US, George Miller, 2015); MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985); MAD MAX II (AT, George Miller, 1981); LEGO MOVIE, THE (US/AT/DK, Phil Lord and Christopher Miller, 2014); ROCKET, THE (AT/TH/LS, Kim Mordaunt, 2013); SERANGOON ROAD [TV] (AT/SI, 2013 -); KETTERING INCIDENT, THE [TV](AT, 2015-); BACK OF BEYOND, THE (AT, John Heyer, 1953) Summary: The essays assembled here address six thematically organized propositions - that Australian cinema an Indigenous screen culture, an international cinema, a minor transnational imaginary, an auteur-genre-landscape cinema, a televisual industry and a multiplatform ecology. Offering fresh critical perspectives and extending previous scholarship, case studies range from The Lego Movie, Mad Max and Australian stars in Hollywood, to transnational co-productions, YouTube channels, transmedia and naturecam documentaries. New research on trends such as the Blak Wave, the convergence of television and film, digital transformations of screen production and the shifting roles of women, on and off-screen, highlight how established precedents have been transformed by new realities beyond both cinema and national borders. -- Written in an accessible style that does not require knowledge of cinema studies or Australian studies. -- Presents original research on Australian actors such as Cate Blanchett and Chris Hemsworth, evaluating their training, branding and path from Australia to Hollywood. -- Explores the films and filmmakers of the Blak Wave and their challenge to Australian settler-colonial history and white identity. -- Introduces readers to founding texts in Australian screen studies. -- Felicity Collins is Reader/ Associate Professor in Screen Studies, La Trobe University, Melbourne, Australia -- Jane Landman was Senior Lecturer, Victoria University, Melbourne, Australia -- Susan Bye is Education Programmer, Australian Centre for the Moving Image, Melbourne, Australia. --Book Jacket Notes: Includes bibliographical references and index -- signed by Felicity Collins ISBN: 9781118942529 Contents: You Are Here: Living Maps of Deep Time, Clock Time / Felicity Collins -- Charlie's Country, Gulpilil's Body / Corinn Columpar -- Ivan Sen's Cinematic Imaginary: Restraint, Complexity, and a Politics of Place / Anne Rutherford -- Shadowing and Disruptive Temporality in Bangarra Dance Theatre's Spear / Felicity Ford -- Beyond the Wonderland of Whiteness: The Blak Wave of Indigenous Women Shaping Race on Screen / Maddee Clark / Odette Kelada -- Another Green World: The Mad Max Series / Constantine Verevis -- Is Everything Awesome?: The LEGO Movie and the Australian Film Industry / Ben Goldsmith -- Jane Campion: Girlshine and the International Auteur / Lisa French -- Constructing Persona: Mediatisation, Performativity, Quality, and Branding in Australian Film Actors's; Migration to Hollywood / P. David Marshall -- Interpreting Anzac and Gallipoli through a Century of Anglophone Screen Representations / James Bennett -- Unsettling the Suburban: Space, Sentiment, and Migration in National Cinematic Imaginaries / Helen Grace -- The Rocket: Small, Foreign-Language Cinema / Olivia Khoo -- Serangoon Road: The Convergent Culture of Minor Transnationalism / Audrey Yue -- An Independent Spirit: Robert Connolly as Auteur-Producer / Susan Bye -- Disruptive Daughters: The Heroine's Journey in Four Films / Diana Sandars -- Atopian Landscapes: Gothic Tropes in Australian Cinema / Jane Stadler -- Spirits Do Come Back: Bunyips and the European Gothic in The Babadook / Stephen Gaunson -- Between Public and Private: How Screen Australia, the ABC and SBS have shaped Film and Television Convergence / Amanda Malel Trevisanut -- Quality vs Value: The Case of The Kettering Incident / Marion McCutcheon / & Sue Turnbull -- The Evolution of Matchbox Pictures: A New Business Model / Helen Goritsas & Ana Tiwary -- Schapellevision: Screen Aesthetics and Asian Drug Stories / Anthony Lambert -- CHURN: Cinema Made Sometime Last Night / Ross Gibson -- Over the Horizon: YouTube Culture Meets Australian Screen Culture / Adam Swift & Stuart Cunningham -- Digital Transmedia Forms and Transnational Documentary Networks / Deane Williams -- Ecological Relations: FalconCam in Conversation with The Back of Beyond / Belinda Smaill -- Where Am I?: The Terror of Terra Nullius / Norie Neumark More info
title clippings file		CUBAN FURY : (UK, James Griffiths, 2014) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: CUBAN FURY (UK, James Griffiths, 2014) More info
newspaper article		Desert redemption in Sunday Age [Melbourn Magazine] (17/05/2015) p.18 Call No: TITLE CLIPPINGS FILE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Author: Mathieson, Craig PhysDes: Clippings File Article Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: Reivew of film Mad Max: Fury Road Rating: 4.5 out of 5 stars More info
book		The end of Japanese cinema : industrial genres, national times, and media ecologies / Alexander Zahlten Durham; London: Duke University Press, 2017. Call No: 10647 Author: Zahlten, Alexander Edition: 2017 Place: Durham; London Publisher: Duke University Press PubDate: 2017 PhysDes: 308 pages : illustrated ; 23 cm Series: Studies of the Weatherhead East Asian Institute, Columbia University Subject: JAPAN; EROTIC FILMS. ASIA; KURAIMUHANTA IKARI NO JUDAN [CRIMEHUNTER - BULLET OF FURY] (JA, Toshimichi Okawa, 1989); KUROI YUKI [BLACK SNOW] (JA, Tetsuji Takechi, 1965); KINJI FUKASAKU; TAKECHI TETSUJI; WAKAMATSU, KOJI Summary: In The End of Japanese Cinema Alexander Zahlten moves film theory beyond the confines of film itself, attending to the emergence of new kinds of aesthetics, politics, temporalities, and understandings of film and media. He traces the evolution of a new media ecology through deep historical analyses of the Japanese film industry from the 1960s to the 2000s. Zahlten focuses on three popular industrial genres: Pink Film (independently distributed softcore pornographic films), Kadokawa (big-budget productions as part of a transmedia strategy), and V-Cinema (direct-to-video films). He examines the conditions of these films' production to demonstrate how the media industry itself becomes part of the politics of the media text and to highlight the complex negotiation between media and politics, culture, and identity in Japan. Zahlten points to a different history of film, one in which a once-powerful film industry transformed into becoming only one component within a complex media-mix ecology. In so doing, Zahlten opens new paths for uncovering similar broad processes in other large media societies. -- publisher's web site ISBN: 9780822369448 Contents: Acknowledgments -- Introduction -- 1. Establishing Pink Film -- 2. Pink Times and Pink Spaces -- 3. Kadokawa Film -- 4. The Radicalization of Kadokawa Film -- 5. V-Cinema -- 6. Subgenres: Violence, Finances, Sex, and True Accounts -- Conclusion: Present Histories -- Notes -- Bibliography -- Index. More info
newspaper article		'Fat Amy' and her pals set box office singing in The Australian (13/05/2015) p.21 Call No: SUBJECT CLIPPINGS FILE; BOX OFFICE. AUSTRALIA Author: Bodey, Michael PhysDes: Clippings File Article Subject: BOX OFFICE. AUSTRALIA; PITCH PERFECT 2 (US, Elizabeth Banks, 2015); MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: Report on the strong showing of Pitch Perfect 2, and the overall strong performance of the Australian box office in 2015. Notes: located in the BOX OFFICE. AUSTRALIA. 2015-2019 file More info
book		Film and the working class : the feature film in British and American society / Peter Stead London New York: Routledge, 1989. Call No: 451-058.243 STE Author: Stead, Peter Place: London New York Publisher: Routledge PubDate: 1989 PhysDes: xi, 283 p. ; 24 cm Series: Cinema and society Subject: WORKING CLASS IN FILMS; USA; UNITED KINGDOM; WARNER BROS.; VIDOR, KING; BLACK FURY (US, Michael Curtiz, 1934); GRAPES OF WRATH, THE (US, John Ford, 1940); I AM A FUGITIVE FROM A CHAIN GANG (US, Mervyn LeRoy, 1932) Notes: Includes indexes; Bibliography: p. 250-272 ISBN: 0415027977; 0415065194 (pbk) LON: 6254788 More info
book		The films of John Hughes : a history of independent screen production in Australia / by John Cumming St Kilda West, Vic.: Australian Teachers of Media (ATOM), c2014. Call No: 81HUG CUM Author: Cumming, John Source: AT Place: St Kilda West, Vic. Publisher: Australian Teachers of Media (ATOM) PubDate: c2014 PhysDes: 298p. : 24cm Series: The Moving Image Subject: PRODUCTION; HISTORY OF CINEMA. AUSTRALIA; AUSTRALIA; HUGHES, JOHN (AT); MENACE (AT, John Hughes, 1977); NOVEMBER ELEVEN (AT, ?, 1978?); FILM WORK (AT, John Hughes, 1981); TRAPS (AT, John Hughes, 1985); ALL THAT IS SOLID (AT, John Hughes, 19887); ONE WAY STREET: FRAGMENTS FOR WALTER BENJAMIN (AT, John Hughes, 1992); WHAT I HAVE WRITTEN (AT, John Hughes, 1996); ARCHIVE PROJECT THE (AT, John Hughes, 2005); INDONESIA CALLING : JORIS IVENS IN AUSTRALIA (AT, John Hughes, 2009); LOVE & FURY: JUDITH WRIGHT & 'NUGGET' COOMBS (AT, John Hughes, 2013) Summary: "John Cumming's superb book is not only about the prodigous, exploratory, challenging films, videos and TV programs made by John Hughes - an underrated canny maverick of our national scene; it is also about what it takes to keep moving and changing with the times, how to negotiate with institutions and collaborate with sympathetic minds from other art forms, how to research and teach and theorise on the spot. Only after that concerted effort can a big picture - involving, in Hughes' case, a multimedia aesthetic of collage-design, and a long view of generations, conflicts, and transmissions in social history - be dscerned." -- BOOK BLURB ISBN: 9781876467234 Contents: -- acknowledgements -- introduction -- chapter 1: cybernetic synergies -- chapter 2: menace -- chapter 3: november eleven -- chapter 4: film-work -- chapter 5: traps -- chapter six: all that is solid -- chapter 7: one way street -- chapter 8: what I have written -- chapter nine: some aspects of Australian racism -- chapter 10: the archive project -- chapter 11: Indonesia calling and love & fury -- appendix 1: acronyms and abbreviations -- appendix II: filmography and media works - John Hughes -- appendix III: bibliography - John Hughes -- appendix: references -- appendix V: index -- More info
title clippings file		FILTH AND THE FURY, THE (UK/US, Julien Temple, 2000) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings; Press kit Subject: FILTH AND THE FURY, THE (UK/US, Julien Temple, 2000) More info
Online resource digital clippings file		FIST OF FURY : (HK, Lo Wei, 1972) Digital clippings file available Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE PhysDes: Clippings Subject: FIST OF FURY (HK, Lo Wei, 1972) URL status: URL: 'http://file://Q:/T/FIST_OF_FURY.zip' Checked: 31/08/2021 1:08:45 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest) More info
book		Furious feminisms : alternate routes on Mad Max: Fury Road / Alexis L. Boylan, Anna Mae Duane, Michael Gill, and Barbara Gurr Minneapolis: University of Minnesota Press, 2020. Available here Call No: 79 MAD FUR Author: Boylan, Alexis L.; Duane, Anna Mae; Gill, Michael; Gurr, Barbara Edition: 2020 Place: Minneapolis Publisher: University of Minnesota Press PubDate: 2020 PhysDes: xix, 73 pages ; 18 cm Series: Forerunners: ideas first; 40 Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015); FEMINISM AND THE CINEMA. AUSTRALIA; WOMEN AND THE CINEMA. AUSTRALIA; PEOPLE WITH DISABILITIES IN FILMS. AUSTRALIA; MAD MAX [...] (AT, 1979-85) Summary: While both fans and foes point to Mad Max: Fury Road’s feminist credentials, Furious Feminisms asks: is there really anything feminist or radical happening on the screen? The four authors—from backgrounds in art history, American literature, disability studies, and sociology—ask what is possible, desirable, or damaging in theorizing feminism in the contested landscape of the twenty-first century. -- publisher's web site ISBN: 9781517909192 Contents: Cover -- Title Page -- Copyright Page -- Contents -- Introduction -- Welcome to the Wasteland: Some Terms -- Just a Warrior at the End of the World -- Is the Future Disabled? -- We Are Not Things! Fury Road’s White Slavery Story -- Post-Post-Post Beauty at the End of the World -- We and Not We: Conclusion -- Notes More info
title clippings file		FURY : (US, Fritz Lang, 1936) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: FURY (US, Fritz Lang, 1936) More info
title clippings file		FURY : (US/UK/C, David Ayer, 2014) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: FURY (US/UK/CC, David Ayer, 2014) More info
title clippings file		FURY : (IT/UK, Antonio Calenda, 1973) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: FURY [ONE RUSSIAN SUMMER] (IT/UK, Antonio Calenda, 1973) More info
newspaper article		Fury Road sets cracking pace in race for Oscar success in The Australian (29/02/2016) p.3 Call No: SUBJECT CLIPPINGS FILE; AWARDS. ACADEMY Author: Bodey, Michael PhysDes: Clippings File Article Subject: AWARDS. ACADEMY; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: Preview of the 2016 Academy Awards with commentary on the chances of MAD MAX: FURY ROAD winning some of the awards More info
newspaper article		Fury roadshow in a class of its own in Sydney Morning Herald (03/03/2016) p.7 Call No: TITLE CLIPPINGS FILE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Author: Maddox, Garry PhysDes: Clippings File Article Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015); AWARDS. ACADEMY Summary: Interview with Dr George Miller about the film MAD MAX: FURY ROAD winning 6 Oscars at the 2016 Academy Awards More info
title clippings file		FURY, THE : (US, Brian De Palma, 1978) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: FURY, THE (US, Brian De Palma, 1978) More info
title clippings file		GUNS AND THE FURY, THE : (US, Tony M. Zarindast, 1981) Call No: TITLE CLIPPINGS FILE PhysDes: Publicity; Clippings Subject: GUNS AND THE FURY, THE (US, Tony M. Zarindast, 1981) More info
newspaper article		He's still mad, bad and thrilling to know in Canberra Times [Panorama] (16/05/2015) p.21 Call No: TITLE CLIPPINGS FILE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Author: Wilson, Jake PhysDes: Clippings File Article Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: Review of film Mad Max: Fury Road Rating: 4 out of 5 stars More info
book		Hong Kong action cinema / Bey Logan London: Titan Books, 1995. Call No: 736.35(512.317) LOG Author: Logan, Bey Place: London Publisher: Titan Books PubDate: 1995 PhysDes: 191 p. ; ill. (some col.) ; 28cm Subject: ACTION FILMS. HONG KONG; WOMEN IN FILMS. HONG KONG; CHAN, JACKIE; WOO, JOHN [pseud. of Wu Yusen]; CHOW, YUN-FAT; LEE, BRUCE; LAU KAR LEUNG; HUNG, SAMO; CHENG PEI PEI; ROTHROCK, CYNTHIA; PENN, KIM MAREE; CRAWFORD, SOPHIA; ACES GO PLACES (HK, Tsang Chi Wai, 1982); ARMOUR OF GOD, THE [; JINGCHA GUSHI (HK, Jackie Chan [pseud. of Cheng Long], 1985); [BIG BOSS, THE] (HK, Lo Wei, 1971); [FIST OF FURY] (HK, Lo Wei, 1972); LASHOU SHENTAN (HK, John Woo [pseud. of Wu Yusen], 1992); SINNUI YAUMAN (HK, Ching Siu Tung, 1987); CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987); [CITY ON FIRE] (HK, Ringo (Ling-Tung) Lam, 1987); [DRUNKEN MASTER, THE] (HK, Yuen Woo-Ping, 1978); [EASTERN CONDORS] (HK, Samo Hung, 1987); [PEDICAB DRIVER] (HK, Samo Hung, 1990); ENTER THE DRAGON (US/HK, Robert Clouse, 1973); WAY OF THE DRAGON, THE (HK, Bruce Lee, 1973); YINGXIONG BENSE (HK, John Woo [pseud. of Wu Yusen], 1986); [BULLET IN THE HEAD] (HK, John Woo [pseud. of Wu Yusen], 1990); DIEXUE SHUANG XIONG (HK, John Woo [pseud. of Wu Yusen], 1989) Notes: Includes index; Bibliography: p. 188 ISBN: 1852865407 (pbk) LON: 11245180 More info
newspaper article		It's Mad Max out of Africa : and the natives are very restless indeed in Daily Telegraph (08/11/2011) p.5 Call No: TITLE CLIPPINGS FILE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Author: Hildebrand, Joe PhysDes: Clippings File Article Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: Filming location of Mad Max 4- the film was going to be shot in Broken Hill untill heavy rain turned the barren desert in the area "into a sea of blooming flowers". The production will be moved to Namibia. More info
newspaper article		Lone warrior returns to the end of the world in The Age (12/05/2015) p.12 Call No: TITLE CLIPPINGS FILE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Author: Wilson, Jake PhysDes: Clippings File Article Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: Review of Mad Max: Fury Road More info
journal article		Mad as Hell in Australian Cinematographer (June 2015) iss.66 p.46-64 Author: Coleman, Lindsay PhysDes: Article Subject: CINEMATOGRAPHY. AUSTRALIA; SEARLE, JOHN; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: Cinematographer, John Searle discusses his work on the Australian film, Mad Max: Fury Road Notes: Interview More info
newspaper article		Mad Max 4 tempts Heath in Sunday Sun [Brisbane] (30/07/2000) p.17 Call No: TITLE CLIPPINGS FILE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Author: Zwar, Adam PhysDes: Clippings File Article Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: Mad Max 4 in pre productio. Rumours place Heath Ledger in central role More info
newspaper article		Mad MAx: Beyond Australia in Daily Telegraph (12/12/2002) p.20 Call No: TITLE CLIPPINGS FILE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Author: Bodey, Michael; McKenna, Michael PhysDes: Clippings File Article Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: Mad Max 4 expected to be filmed in Namibia, not Australia More info
newspaper article		Mad max deserts homeland in The Australian [General News] (22/11/2001) p.5 Call No: TITLE CLIPPINGS FILE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Author: Barber, Lynden PhysDes: Clippings File Article Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: George Miller finishes the screenplay for Mad Max 4 and indicates he will shoot the film overseas. More info
Online resource digital clippings file		MAD MAX : FURY ROAD : (AT/US, George Miller, 2015) Digital clippings file available Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE PhysDes: Clippings; Clippings Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015) More info
newspaper article		Mad Max: Fury Road in Sunday Herald Sun [Arts and Entertainment] (17/05/2015) p.94 Call No: TITLE CLIPPINGS FILE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Author: Dent, Nick PhysDes: Clippings File Article Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: Review of the fourth Mad Max film, Mad Max: Fury Road. Rating: 4.5 out of 5 stars More info
book		Mad Max Fury Road / George Miller, story ; Nico Lathouris & Mark Sexton, script ; Mark Sexton [and seven others, art] ; Michael Spicer, Lovern Kindzierski, color ; Clem Robins, Letters Burbank, CA: DC Comics, c2015. Call No: N79MAD MIL Author: Miller, George (story); Lathouris, Nico (script); Sexton, Mark (script); Spicer, Michael (color); Kindzierski,Lovern (color); Robins, Clem (letters) Source: US Place: Burbank, CA Publisher: DC Comics PubDate: c2015 PhysDes: 1 volume (unpaged) : chiefly illustrations (colour) ; 26 cm Series: Mad Max Subject: COMIC STRIPS; COMIC STRIPS AND THE CINEMA; UTOPIA IN FILMS; MAD MAX (AT, George Miller, 1979); MAD MAX: FURY ROAD (AT/US, George Miller, 2015); MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985); ROAD WARRIOR, THE (AT, George Miller, 1981) SEE MAD MAX II; MAD MAX II (AT, George Miller, 1981) Summary: "George Miller, Nico Lathouris and Mark Sexton are writing four prelude stories that follow leading characters Nux, Immortan Joe, Furiosa, and a two-part story about Mad Max. Nico Lathouris serves as a co-writer on the film while Mark Sexton serves as storyboard and concept artist for Mad Max: Fury Road. Interior artists working on these projects include Riccardo Burchielli, Leandro Fernandez, Tristan Jones and Mark Sexton, while covers will be illustrated by Tommy Lee Edwards. Collects MAD MAX: FURY ROAD: NUX & IMMORTAN JOE #1, MAD MAX: FURY ROAD: FURIOSA #1, and MAD MAX: FURY ROAD: MAD MAX #1-2" " Notes: Formerly CIP; This is a graphic novel ISBN: 9781401259051 More info
newspaper article		Mad Max: Fury Road in line for Oscar awards in Sydney Morning Herald (03/12/2015) p.30 Call No: TITLE CLIPPINGS FILE; MAD MAX : FURY ROAD (AT/US, George Miller, 2015) Author: Maddox, Garry PhysDes: Clippings File Article Subject: AWARDS. ACADEMY; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: Pundits are predicting that MAD MAX: FURY ROAD will be up for a large amount of awards for the upcoming Oscars. Many critics believe that Cate Blanchett will be nominated for her role in the film CAROL More info
newspaper article		Mad Max is back but will Mel ride along in Daily Telegraph (18/05/2009) p.3 Call No: TITLE CLIPPINGS FILE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Author: Roach, Vicky PhysDes: Clippings File Article Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: Filming of Mad Max 4 and other films to be co produced in Australia More info
newspaper article		Max factor in Weekend Australian [Review] (9/05/2015) p.1 Call No: TITLE CLIPPINGS FILE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Author: Bodey, Michael PhysDes: Clippings File Article Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: Charlize Theron and the release of Mad Max: Fury Road More info
newspaper article		Max is back - and madder than ever in Sydney Morning Herald (25/04/2015) p.17 Call No: TITLE CLIPPINGS FILE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Author: Maddox, Garry PhysDes: Clippings File Article Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: Brief article on the new Mad Max film with director George Miller More info
newspaper article		Max is back but lips are sealed on the lead role in The Australian [News] (10/11/2009) p.3 Call No: TITLE CLIPPINGS FILE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Author: Bodey, Michael PhysDes: Clippings File Article Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: In production and casting of Mad Max 4 More info
book		Miller and Max : George Miller and the making of a film legend / Luke Buckmaster Richmond, Vic.: Hardie Grant, 2017. Call No: 81 MIL BUC Author: Buckmaster, Luke Edition: 2017 Place: Richmond, Vic. Publisher: Hardie Grant PubDate: 2017 PhysDes: 276 p. : illustrated ; 23 cm Subject: MILLER, GEORGE; MAD MAX [...] (AT, 1979-85); MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: George Miller made his first film, Mad Max, in 1976 after raising $300,000 from family and friends and hiring a no-name actor, Mel Gibson. Edited in his kitchen, it would become the most profitable film ever made, a position it held for over two decades. Miller and Max is the story of two heroes. One, a leather jacket-clad road warrior whose adventures in a dystopian future have made an indelible imprint on global popular culture. The second, the artist who created him: a softly spoken son of Greek and Turkish immigrants, whose life charts a spectacular course from small-town Australia to the highest echelons of Hollywood. Written with the cooperation of a role call of cast, crew, family and associates, Miller and Max gets behind the scenes and on set, as well as behind Miller's sensible-sounding camouflage to reveal what's really inside the man — which is more than a little Max Rockatansky. Both forces seem to come out of nowhere; both remain to this day huge forces in the zeitgeist and are truly heroes of our time. Miller and Max is a revelatory biography of a piece of film history. -- publisher's web site ISBN: 9781743793084 More info
newspaper article		Miller feels no pressue as he heads to the Oscars in Sydney Morning Herald (27/02/2016) p.12 Call No: TITLE CLIPPINGS FILE; MAD MAX : FURY ROAD (AT/US, George Miller, 2015) Author: Maddox, Garry PhysDes: Clippings File Article Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: Dr George Miller, the Director of MAD MAX: FURY ROAD discusses what it has been like for the film to be nominated for 10 Oscar awards More info
newspaper article		Miller has a ball at unexpected Oscars party in Saturday Age (27/02/2016) p.11 Call No: TITLE CLIPPINGS FILE; MAD MAX : FURY ROAD (AT/US, George Miller, 2015) Author: Maddox, Garry PhysDes: Clippings File Article Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: Dr George Miller, the Director of MAD MAX: FURY ROAD discusses what it has been like for the film to be nominated for 10 Oscar awards More info
newspaper article		Miller's crew grabs six pack for the Road in The Australian (01/03/2016) p.1 Call No: TITLE CLIPPINGS FILE; MAD MAX : FURY ROAD (AT/US, George Miller, 2015) Author: Bodey, Michael PhysDes: Clippings File Article Subject: AWARDS. ACADEMY; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: Commentary of the success of the Australian production MAD MAX: FURY ROAD at the 2016 Oscars with 8 wins More info
newspaper article		Millions for more Mad Max in West Australian (12/12/2002) p.20 Call No: TITLE CLIPPINGS FILE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Author: Reuters PhysDes: Clippings File Article Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: Mad Max 4 in production. Mel Gibson said to be paid a $44.5 million to return for a fourth rime More info
book		Multiple voices in feminist film criticism / Diane Carson,Linda Dittmar, and Janice R. Welsch, editors Minneapolis: University of Minnesota Press, 1994. Call No: 626:396 MUL Author: Carson, Diane; Dittmar, Linda, 1938; Welsch, Janice R Place: Minneapolis Publisher: University of Minnesota Press PubDate: 1994 PhysDes: ix, 547 p. : ill. ; 24 cm Subject: FEMINISM AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; WOMEN IN FILMS. MEXICO; WOMEN IN FILMS. CHINA; WOMEN IN FILMS. THIRD WORLD; WOMEN IN FILMS. CUBA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; ETHNIC GROUPS IN FILMS; BORDEN, LIZZIE; DASH, JULIE; DIETRICH, MARLENE; DOANE, MARY ANN; GARBO, GRETA; GORRIS, MARLEEN; GUY-BLACHE, ALICE; MULVEY, LAURA; TRINH, T. MINH-HA; BAHTIN, MIHAIL; ARZNER, DOROTHY; FIELD, CONNIE; CHENZIRA, AYOKA; SAYONARA (US, Joshua Logan, 1957); AWFUL TRUTH, THE (US, Leo McCarey, 1937); LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980); SWING SHIFT (US, Jonathan Demme, 1984); SUZANNE, SUZANNE (US, Camille Billops & James Hatch, 1982); RAMPARTS D'ARGILE (FR/AE, Jean-Louis Bertuccelli, 1970); SALT OF THE EARTH (US, Herbert J. Biberman, 1954); BORN IN FLAMES (US, Lizzie Borden, 1983); DRY WHITE SEASON, A (US, Euzhan Palcy, 1989); MARRYING KIND, THE (US, George Cukor, 1952); MARTY (US, Delbert Mann, 1954); MOROCCO (US, Josef von Sternberg, 1930); PILLOW TALK (US, Michael Gordon, 1959); RETRATO DE TERESA (CU, Pastor Vega, 1979); QINGCHUN JI (CC, Zhang Nuanxin, 1986); SURNAME VIET GIVEN NAME NAM (US, Trinh T. Minh-ha, 1989); BLACK FURY (US, Michael Curtiz, 1934); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) Notes: Includes bibliographical references and index ISBN: 0816622728(acid-free paper); 0816622736 (pbk.) LON: 10052767 More info
book		A new deal in entertainment : Warner Brothers in the 1930s / Nick Roddick London: British Film Institute, 1983. Call No: 19WAR ROD Author: Roddick, Nick Place: London Publisher: British Film Institute PubDate: 1983 PhysDes: viii, 332 p. : ill. ; 22 cm Subject: WARNER BROS.; CRIME FILMS; RACIAL ISSUES IN FILMS; FASCISM AND THE CINEMA; HISTORICAL FILMS. USA; EPIC FILMS; LEROY, MERVYN; WALLIS, HAL B.; CURTIZ, MICHAEL; GIBNEY, SHERIDAN; CAPTAIN BLOOD (US, Michael Curtiz, 1935); CHARGE OF THE LIGHT BRIGADE, THE (US, Michael Curtiz, 1936); DOORWAY TO HELL, THE (US, Archie L. Mayo, 1930); MOBY DICK (US, Lloyd Bacon, 1930); ROARING TWENTIES, THE (US, Raoul Walsh, 1939); SERGEANT YORK (US, Howard Hawks, 1941); ANTHONY ADVERSE (US, Mervyn LeRoy, 1936); BLESSED EVENT (US, Roy del Ruth, 1932); G MEN (US, William Keighley, 1935); KNUTE ROCKNE - ALL AMERICAN (US, Lloyd Bacon, 1940); JUAREZ (US, William Dieterle, 1939); LIFE OF EMILE ZOLA, THE (US, William Dieterle, 1937); MASSACRE (US, Alan Crosland, 1933); PUBLIC ENEMY, THE (US, William Wellmen, 1931); SEA WOLF, THE (US, Michael Curtiz, 1941); ANGELS WITH DIRTY FACES (US, Michael Curtiz, 1938); BLACK FURY (US, Michael Curtiz, 1934); BLACK LEGION (US, Archie L. Mayo, 1936); CONFESSIONS OF A NAZI SPY (US, Anatole Litvak, 1939); DISRAELI (US, Alfred E. Green, 1929); I AM A FUGITIVE FROM A CHAIN GANG (US, Mervyn LeRoy, 1932) Notes: Includes index; Bibliography: p. 320-326 ISBN: 0851701256 : ª11.95; 0851701264 (pbk.) : ª6.95 LON: 2656181 More info
newspaper article		New-look Fury Road in The Age (24/11/2016) p.26 Call No: TITLE CLIPPINGS FILE; MAD MAX : FURY ROAD (AT/US, George Miller, 2015) Author: Maddox, Garry PhysDes: Clippings File Article Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: A black and white version of MAD MAX: FURY ROAD will be screened in cinemas More info
newspaper article		New Max is insanely good in Sunday Telegraph [Insider] (17/05/2015) p.118 Call No: TITLE CLIPPINGS FILE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Author: Dent, Nick PhysDes: Clippings File Article Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: Reivew of the film Mad Max: Fury Road Rating: 4.5 out of 5 stars More info
book		Reel justice : the courtroom goes to the movies / Paul Bergman and Michael Asimow Kansas City: Andrews and McMeel, c1996. Call No: 734.4 BER Author: Bergman, Paul, 1943; Asimow, Michael Place: Kansas City Publisher: Andrews and McMeel PubDate: c1996 PhysDes: xix, 338 p. : ill. ; 23 cm Subject: TRIALS IN FILMS; ACCUSED, THE (US, Jonathan Kaplan, 1988); EVIL ANGELS (AT, Fred Schepisi, 1988); INHERIT THE WIND (US, Stanley Kramer, 1960); MAN FOR ALL SEASONS, A (US, Fred Zinnemann, 1966); ONION FIELD, THE (US, Harold Becker, 1979); REVERSAL OF FORTUNE (US, Barbet Schroeder, 1990); THIN BLUE LINE, THE (US, Errol Morris, 1988); BILLY BUDD (UK, Peter Ustinov, 1962); BREAKER MORANT (AT, Bruce Beresford, 1980); CAINE MUTINY, THE (US, Edward Dmytryk, 1954); FEW GOOD MEN, A (US, Rob Reiner, 1992); PATHS OF GLORY (US, Stanley Kubrick, 1957); ADAM'S RIB (US, George Cukor, 1949); [MISTER] MR DEEDS GOES TO TOWN (US, Frank Capra, 1936); MY COUSIN VINNY (US, Jonathan Lynn, 1992); AND JUSTICE FOR ALL (US, Norman Jewison, 1979); COMPULSION (US, Richard Fleischer, 1959); IN THE NAME OF THE FATHER (IE/UK/US, Jim Sheridan, 1993); LIFE OF EMILE ZOLA, THE (US, William Dieterle, 1937); PHILADELPHIA (US, Jonathan Demme, 1993); SOMMERSBY (US, Jon Amiel, 1993); TO KILL A MOCKINGBIRD (US, Robert Mulligan, 1962); YOUNG MR. LINCOLN (US, John Ford, 1939); MUSIC BOX (US, Constantin Costa-Gavras, 1989); PARADINE CASE, THE (US, Alfred Hitchcock, 1947); BEYOND A REASONABLE DOUBT (US, Fritz Lang, 1956); BOOMERANG (US, Elia Kazan, 1947); PRESUMED INNOCENT (US, Alan J. Pakula, 1990); THEY WON'T FORGET (US, Mervyn LeRoy, 1937); WRONG MAN, THE (US, Jim McBride, 1993); ANATOMY OF A MURDER (US, Otto Preminger, 1959); M (G, Fritz Lang, 1931); STAR CHAMBER, THE (US, Peter Hyams, 1983); SUSPECT (US, Peter Yates, 1987); TRIAL BY JURY (US, Heywood Gould, 1994); [TWELVE] 12 ANGRY MEN (US, Sidney Lumet, 1956); CLASS ACTION (US, Michael Apted, 1991); LOSING ISAIAH (US, Stephen Gyllenhaal, 1995); MIRACLE ON 34TH STREET (US, Les Mayfield, 1994); NUTS (US, Martin Ritt, 1987); VERDICT, THE (US, Sidney Lumet, 1982); WHOSE LIFE IS IT, ANYWAY? (US, John Badham, 1981); ALL THAT MONEY CAN BUY (US, William Dieterle, 1941); BLOOD OATH (AT, Stephen Wallace, 1990); HOUR OF THE PIG, THE (FR/UK, Leslie Megahey, 1993); YOUNG PHILADELPHIANS, THE (US, Vincent Sherman, 1959); LIBEL (UK, Anthony Asquith, 1959); KRAMER VS. KRAMER (US, Robert Benton, 1979); OX-BOW INCIDENT, THE (US, William Wellman, 1943); ON TRIAL (US, Terry Morse, 1939); I WANT TO LIVE! (US, Robert Wise, 1958); JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961); LET HIM HAVE IT (UK, Peter Medak, 1991); [TEN] 10 RILLINGTON PLACE (UK, Richard Fleischer, 1971); COURT-MARTIAL OF BILLY MITCHELL, THE (US, Otto Preminger, 1955); BANANAS (US, Woody Allen, 1971); MURDER IN THE FIRST (US, Marco Rocco, 1995); TRIAL (US, Mark Robson, 1955); GUILTY AS SIN (US, Sidney Lumet, 1993); JAGGED EDGE (US, Richard Marquand, 1985); LETTER, THE (US, William Wyler, 1940); KNOCK ON ANY DOOR (US, Nicholas Ray, 1949); WITNESS FOR THE PROSECUTION (US, Billy Wilder, 1957); ACT OF MURDER, AN (US, Michael Gordon, 1948); FURY (US, Fritz Lang, 1936); I CONFESS (US, Alfred Hitchcock, 1953); PLACE IN THE SUN, A (US, George Stevens, 1951); THEY WON'T BELIEVE ME (US, Irving Pichel, 1947) Notes: Includes bibliographical references (p. [321]-326) and index ISBN: 0836210352 (pbk.) LON: 11957271 More info
newspaper article		Reel time : Australian female directors missing in 'action!' in The Australian (27/05/2015) p.15 Call No: TITLE CLIPPINGS FILE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Author: Bodey, Michael PhysDes: Clippings File Article Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: Commentary on box office figures for Australian film 'Mad Max: Fury Road' More info
newspaper article		Reel time : dressed for top 10 success in The Australian (23/12/2015) p.8 Call No: TITLE CLIPPINGS FILE; MAD MAX : FURY ROAD (AT/US, George Miller, 2015) Author: Bodey, Michael PhysDes: Clippings File Article Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: Snippet on the likelyhood MAD MAX: FURY ROAD will receive a visual effects nomination at the upcoming Academy Awards More info
newspaper article		Reel time : creative industries get 'dynamic engine room' in The Australian (03/02/2016) p.15 Call No: TITLE CLIPPINGS FILE; MAD MAX : FURY ROAD (AT/US, George Miller, 2015) Author: Bodey, Michael PhysDes: Clippings File Article Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: MAD MAX: FURY ROAD won the Production Design fantasy film award at the Art Director Guild Awards. More info
newspaper article		Reel time : party time for Mad Max's Oscar winners in The Australian (02/03/2016) p.15 Call No: TITLE CLIPPINGS FILE; MAD MAX : FURY ROAD (AT/US, George Miller, 2015) Author: Bodey, Michael PhysDes: Clippings File Article Subject: AWARDS. ACADEMY; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: Quotes from the Australians who won Academy Awards at the 2016 Oscars for their work on the film MAD MAX: FURY ROAD More info
book		Return of the monstrous-feminine : feminist new wave cinema / Barbara Creed New York: Routledge, 2022. Call No: 744.7 CRE Author: Creed, Barbara Edition: 2022 Place: New York Publisher: Routledge PubDate: 2022 PhysDes: x, 168 pages Subject: FEMINISM AND THE CINEMA; HORROR FILMS; BABADOOK , THE (AT, Jennifer Kent, 2014); HANDMAID'S TALE, THE [TV] (US, 2017 - ); PROMISING YOUNG WOMAN, A (UK/US, Emerald Fennell, 2020); REVENGE (FR, Coralie Fargeat, 2017); NIGHTINGALE, THE (AT, Jennifer Kent, 2017); NOMADLAND (US/GG, Chloé Zhao, 2020); CAROL (UK/US/FR, Todd Haynes, 2015); ASSISTANT, THE (US, Kitty Green, 2019); GIRL WALKS HOME ALONE AT NIGHT, A ( US, Ana Lily Amirpour, 2014); UNDER THE SKIN (UK/US/SZ, Jonathan Glazer, 2013); JENNIFER'S BODY (US, Karyn Kusama, 2009); LURE, THE [CORKI DANCINGU] (PL, Agnieszka Smoczynska, 2015); THELMA (NO/FR/DK/SW, Joachim Trier, 2017); RAW [GRAVE] (FR/BE, Julia Ducournau, 2016); BEAU TRAVAIL [TROUBLE EVERY DAY] (FR/GG/JA, Claire Denis, 1999); IN MY SKIN [DANS MA PEAU] (FR, Marina de Van, 2002); SPOOR [POKOT] (PL/GG/CZ/SW/SO, Agnieszka Holland & Kasia Adamik, 2017); WOMAN AT WAR (IC/FR/UE, Benedikt Erlingsson, 2018); MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: This follow-up to the classic text of The Monstrous-Feminine analyses those contemporary films which explore social justice issues such as women’s equality, violence against women, queer relationships, race and the plight of the planet and its multi-species. Examining a new movement – termed by Creed as Feminist New Wave Cinema – The Return of the Monstrous-Feminine explores a significant change that has occurred over the past two decades in the representation of the monstrous-feminine in visual discourse. The Monstrous-Feminine is a figure in revolt on a journey through the dark night of abjection. Taking particular interest in women directors who create the figure of the Monstrous-Feminine, in cinema that foregrounds everyday horrors in addition to classic horror, Creed looks at a range of diverse films including The Babadook, A Girl Walks Home Alone at Night, Nomadland, Carol, Raw, Revenge, and the television series The Handmaid’s Tale. These films center on different forms of revolt, from inner revolt to social, supernatural and violent revolt, which appear in Feminist New Wave Cinema. These relate in the main to the emergence of a range of social protest movements that have gathered momentum in the new millennium and given voice to new theoretical and critical discourses. These include: third and fourth wave feminism, the #MeToo movement, queer theory, race theory, the critique of anthropocentrism and human animal theory. These theoretical discourses have played a key role in influencing Feminist New Wave Cinema whose films are distinctive, stylish and diverse. This is an essential companion to the original classic text and is ideal for students in Gender and Media, Gender and Horror, Gender and Film and Feminist Film theory courses. -- publisher's web site ISBN: 9780367478162 Contents: Introduction: The Monstrous-Feminine In Feminist New Wave Cinema -- The Monstrous Mother As Magician: The Babadook -- Unwomen: Dare To Revolt – The Handmaid’s Tale, Film & Tv Series -- #Metoo: Rape & Revolt: Promising Young Woman, Revenge, The Nightingale. -- The Monstrous-Feminine Forgets Her Manners: Nomadland, Carol, The Assistant -- Vampires, Feminism & Ethnicity: A Girl Walks Home Alone At Night -- The Monstrous-Feminine As Femme Fatale, Alien & Black: Under The Skin -- Queering The Monstrous-Feminine: Jennifer’s Body, The Lure, Thelma -- Female Cannibalism & Eating The Other: Raw, Trouble Everyday, In My Skin -- Furiosa: Eco-Horror & The Woman Warrior: Spoor, Woman At War, Mad Max: Fury Road – Filmography -- Index More info
newspaper article		Road warriors thunder off to African backdrop in Sydney Morning Herald (10/01/2012) p.5 Call No: TITLE CLIPPINGS FILE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Author: Langford, Ben PhysDes: Clippings File Article Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: Mad Max 4 in production More info
newspaper article		Short cuts : high-octane plans for Max in Sydney Morning Herald (09/04/2015) p.30 Call No: TITLE CLIPPINGS FILE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Author: Maddox, Garry PhysDes: Clippings File Article Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: Plans for a spectacular Australian premiere for Mad Max: Fury Road More info
newspaper article		Short cuts : Mad Max ready to hit the road in Sydney Morning Herald (14/05/2015) p.30 Call No: TITLE CLIPPINGS FILE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Author: Maddox, Garry PhysDes: Clippings File Article Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: Release of blockbuster film Mad Max: Fury Road in Australia More info
newspaper article		Short cuts : Mad Max tease in Sydney Morning Herald (21/05/2015) p.30 Call No: TITLE CLIPPINGS FILE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Author: Maddox, Garry PhysDes: Clippings File Article Subject: MILLER, GEORGE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: Report on how tweets from George Miller promised a new Mad Max movie, but these were found to be from a fake twitter account More info
newspaper article		Short cuts : Max powers on in Sydney Morning Herald (28/05/2015) p.20 Call No: TITLE CLIPPINGS FILE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Author: Maddox, Garry PhysDes: Clippings File Article Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: Snippet on the possibility of a Mad Max sequel and about which character the film will focus on More info
newspaper article		Short cuts : Audience builds in Sydney Morning Herald (25/06/2015) p.30 Call No: TITLE CLIPPINGS FILE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Author: Maddox, Garry PhysDes: Clippings File Article Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: Snippet on the success of Mad Max Fury Road in China and how it has been nominated for an award at the MTV Fandom awards More info
newspaper article		Short cuts : awards begin in Sydney Morning Herald (10/12/2015) p.30 Call No: SUBJECT CLIPPINGS FILE; AWARDS. ACADEMY Author: Maddox, Garry PhysDes: Clippings File Article Subject: AWARDS. ACADEMY; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: Mad Max: Fury Road has taken many nominations in various awards during the 'Hollywood award season' in the lead up to the Oscars More info
newspaper article		Short cuts : time to make bets on Oscar nods in The Age (24/12/2015) p.22 Call No: SUBJECT CLIPPINGS FILE; AWARDS. ACADEMY Author: Maddox, Garry PhysDes: Clippings File Article Subject: AWARDS. ACADEMY; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: Speculation on the amount of Academy Award nominations MAD MAX: FURY ROAD will receive, as well as comments about possible nominations for Australians Cate Blanchett (for CAROL), and Robertino Zambrano (for LOVE IN THE TIME OF MARCH MADNESS) More info
newspaper article		Short cuts : location nod in Sydney Morning Herald (03/03/2016) p.30 Call No: TITLE CLIPPINGS FILE; MAD MAX : FURY ROAD (AT/US, George Miller, 2015) Author: Maddox, Garry PhysDes: Clippings File Article Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: MAD MAX: FURY ROAD has been nominated for an award at the Location Managers Guild International Awards to be held in April More info
newspaper article		Short cuts : Oscar winners learn its power in Sydney Morning Herald (03/03/2016) p.30 Call No: TITLE CLIPPINGS FILE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Author: Maddox, Garry PhysDes: Clippings File Article Subject: AWARDS. ACADEMY; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: Article about the Australian 2016 Oscar winners and what it was like after the awrds ceremony. People interviewed include Colin Gibson and David White More info
newspaper article		Short cuts : Hail the little golden swipecard in The Age [Arts & Entertainment] (3/03/2016) p.20 Call No: SUBJECT CLIPPINGS FILE; MAD MAX : FURY ROAD (AT/US, George Miller, 2015) PhysDes: Clippings File Article Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: A short report on the Academy Award success of Mad Max: Fury Road More info
newspaper article		Short cuts : Seale in the frame in Canberra Times (21/07/2016) p.19 Call No: TITLE CLIPPINGS FILE in production; MAD MAX FURY ROAD SEQUELS in production Author: Maddox, Garry Subject: SEALE, JOHN; MAD MAX FURY ROAD SEQUELS in production Summary: Quotes from cinematographer John Seale about his masterclass for the Australian Academy of Cinema and Television Arts and how he mentioned the possibility of a new Mad Max film (depending on the location offset from the Federal Government) and a new Peter Weir film Notes: shorter article in The Age, title: Short cuts: Seale of approval for next Mad Max?, same date, p 216 More info
title clippings file		SOUND AND FURY : (US, Josh Aronson, 2000) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: SOUND AND FURY (US, Josh Aronson, 2000) More info
newspaper article		Sydney Confidential : sequels will have fans pumped to the Max in Daily Telegraph (07/10/2015) p.18 Call No: TITLE CLIPPINGS FILE in production; MAD MAX FURY ROAD SEQUELS in production Author: Domjen, Briana -- Sharp, Annette -- Moran, Jonathon -- Halliwell, Elle PhysDes: Clippings File Article Subject: MAD MAX FURY ROAD SEQUELS in production Summary: Snippet on George Miller's plans to make sequels for the MAD MAX film series More info
newspaper article		Tanking into a beaten Germany in Weekend Australian [Review] (25/10/2014) p.14 Call No: TITLE CLIPPINGS FILE; FURY (US/UK/C, David Ayer, 2014) Author: Stratton, David PhysDes: Clippings File Article Subject: FURY (US/UK/CC, David Ayer, 2014) Summary: Film review of FURY Rating: 2.5 out of 5 stars More info
Old collection book		Theory of film : the redemption of physical reality / Siegfried Kracauer New York: Oxford University Press, 1965. Call No: 62 KRA Author: Kracauer, Siegfried Place: New York Publisher: Oxford University Press PubDate: 1965 PhysDes: xix, 364 p. ill., 20 cm. Subject: ACTORS; ADAPTATIONS; EXPERIMENTAL FILMS; THEORY; AGEE, JAMES; ALEXANDROV, GROGORIO; ANGER, KENNETH; ANSTEY, EDGAR; ARNHEIM, RUDOLF; ASTAIRE, FRED; BALAZS, BELA; BENJAMIN, WALTER; BERGMAN, INGMAR; BOGART, HUMPHREY; BRAKHAGE, STAN; BRANDO, MARLON; BUNUEL, LUIS; CAGNEY, JAMES; CAPRA, FRANK; CASTELLANI, RENATO; CAVALCANTI, ALBERTO; CHANEY, LON; CHAPLIN, CHARLES; CLAIR, RENE; CLEMENT, RENE; CLOUZOT, HENRI-GEORGES; COCTEAU, JEAN; DALI, SALVADOR; DE FILIPPO, EDUARDO; DEMILLE, CECIL B.; DE SICA, VITTORIO; DISNEY, WALT; DOVZENKO, ALEKSANDR; DREYER, CARL TH.; DUCHAMP, MARCEL; DUVIVIER, JULIEN; ELTON, ARTHUR; ENGEL, MORRIS; EPSTEIN, JEAN; FELLINI, FEDERICO; FEUILLADE, LOUIS; FEYDER, JACQUES; FISCHINGER, OSKAR; FLAHERTY, ROBERT; FORD, JOHN; FRANJU, GEORGES; FREUD, SIGMUND; GANCE, ABEL; GARNETT, GALE; GIDE, ANDRE; GREENE, GRAHAM; GRIERSON, JOHN; GRIFFITH, DAVID WARK; GRIFFITHS, RICHARD; GUITRY, SACHA; HARRINGTON, CURTIS; HILL, DAVID; HITCHCOCK, ALFRED; WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); VITELLONI, I (IT, Federico Fellini, 1953); VAMPYR: THE STRANGE ADVENTURE OF ALLEN GRAY [VAMPYR: DER TRAUM DES ALLAN GRAY] (G/FR, Carl Th. Dreyer, 1932); VARIETE (G, E.A. Dupont, 1925); VALLEY TOWN - A STUDY OF MACHINES AND MEN (US, Willard Van Dyke, 1940); UMBERTO D. (IT, Vittorio De Sica, 1952); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); THIRD MAN, THE (UK, Carol Reed, 1949); OKTIABR (UR, Sergei M. Eisenstein, 1928); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956); SYMPHONIE PASTORALE, LA (FR, Jean Delannoy, 1946); SWING TIME (US, George Stevens, 1936); STRADA, LA (IT, Federico Fellini, 1954); ROMAN D'UN TRICHEUR, LE (FR, Sacha Guitry, 1936); MATTER OF LIFE AND DEATH, A (UK, Michael Powell & Emeric Pressburger, 1946); SPIONE (G, Fritz Lang, 1928); SPELLBOUND (US, Alfred Hitchcock, 1945); SOUS LES TOITS DE PARIS (FR, Rene Clair, 1930); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); SMILING LIEUTENANT, THE (US, Ernst Lubitsch, 1931); SHANE (US, George Stevens, 1953); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); GEHEIMNISSE EINER SEELE (G, Georg Wilhelm Pabst, 1926); SCARFACE (US, Howard Hawks, 1932); SANG DES BETES, LE (FR, Georges Franju,1949); SAN FRANCISCO (US, W.S. Van Dyke, 1936); ROUE, LA (FR, Abel Gance, 1922); ROMEO I DZULETTA (UR, Lev Arnstam & Leonid Lavrovskij, 1954); RICHARD III (UK, Laurence Olivier, 1955); REGLE DU JEU, LA (FR, Jean Renoir, 1939); RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948); RASHOMON (JA, Akira Kurosawa, 1950); REGEN (NE, Joris Ivens, 1929); PYGMALION (UK, Anthony Asquith & Leslie Howard, 1938); PLACE IN THE SUN, A (US, George Stevens, 1951); PATHER PANCHALI (II, Satyajit Ray, 1955); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); PARIS 1900 (FR, Nicole Vedres, 1948); PARADINE CASE, THE (US, Alfred Hitchcock, 1947); OTELLO (UR, Sergej Jutkevic, 1956); ON THE WATERFRONT (US, Elia Kazan, 1954); OLVIDADOS, LOS (MX, Luis Bunuel, 1951); OF MEN AND MUSIC (US, Irving Reis, 1950); NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); NIGHT AT THE OPERA, A (US, Sam Wood, 1935); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); MOULIN ROUGE (UK, E.A. Dupont, 1928); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); MODERN TIMES (US, Charles Chaplin, 1936); MOBY DICK (UK, John Huston, 1956); MOANA (US, Robert Flaherty, 1926); MILLION, LE (FR, Rene Clair, 1931); METROPOLIS (GG, Fritz Lang, 1927); MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943); MENSCHEN AM SONNTAG (G, Robert Siodmak & Edgar G. Ulmer, 1929); MARTY (US, Delbert Mann, 1954); MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936); MAJOR BARBARA (UK, Gabriel Pascal, 1941); MADAME BOVARY (FR, Claude Chabrol, 1991); MACBETH (US, Orson Welles, 1948); M (G, Fritz Lang, 1931); LOVE PARADE, THE (US, Ernst Lubitsch, 1929); LIMELIGHT (US, Charles Chaplin, 1952); LIFEBOAT (US, Alfred Hitchcock, 1944); OSTATNI ETAP (PL, Wanda Jakubowska, 1948); LADY IN THE LAKE (US, Robert Montgomery, 1946); KID, THE (US, Charles Chaplin, 1921); JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953); JAZZ SINGER, THE (US, Alan Crosland, 1927); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); INVISIBLE MAN, THE (US, James Whale, 1933); INTOLERANCE (US, David Wark Griffith, 1916); HUMAN DESIRE (US, Fritz Lang, 1954); HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935); HOTEL DES INVALIDES (FR, Georges Franju, 1952); HIGH NOON (US, Fred Zinnemann, 1952); HENRY V (UK, Laurence Olivier, 1944); HEIRESS, THE (US, William Wyler, 1949); HATFUL OF RAIN, A (US, Fred Zinnemann, 1957); HAMLET (UK, Laurence Olivier, 1948); HALLELUJAH (US, King Vidor, 1929); GREED (US, Erich von Stroheim, 1925); GREAT EXPECTATIONS (UK, David Lean, 1946); GRAPES OF WRATH, THE (US, John Ford, 1940); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); GOLD RUSH, THE (US, Charles Chaplin, 1925); GLASS MENAGERIE, THE (US, Irving Rapper, 1950); VORMITTAGSSPUK (G, Hans Richter, 1928); GHOST GOES WEST, THE (UK, Rene Clair, 1935); GHOST AND MRS MUIR, THE (US, Joseph L. Mankiewicz, 1947); GERVAISE (FR, Rene Clement, 1956); JIGOKUMON (JA, Teinosuke kinugasa, 1953); FURY (US, Fritz Lang, 1936); [FOUR] HORSEMEN OF THE APOCALYPSE, THE (US, Vincente Minnelli, 1962); FARREBIQUE [FARREBIQUE OU LES QUATRE SAISONS] (FR, Georges Rouquier, 1946); FANTASIA (US, Walt Disney, 1940); ZEMLJA (UR, Alexksandr Dovzenko, 1930); DESTRY RIDES AGAIN (US, George Marshall, 1939); DESTINY [MUDE TOD, DER] (G, Fritz Lang, 1921); DEATH OF A SALESMAN (US, Laslo Benedek, 1951); DEAD OF NIGHT (UK, Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer, 1945); CONDAMNE A MORT S`EST ECHAPPE, UN (FR, Robert Bresson, 1956); CITY LIGHTS (US, Charles Chaplin, 1931); CITIZEN KANE (US, Orson Welles, 1941); CINDERELLA (US, Wilfred Jackson & Hamilton Laske & Clyde Geronomi, 1950); CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928); BROKEN BLOSSOMS (US, David Wark Griffith, 1919); BROADWAY MELODY OF 1938 (US, Norman Taurog, 1940); BRIEF ENCOUNTER (UK, David Lean, 1945); BOOMERANG (US, Elia Kazan, 1947); SANG D'UN POETE, LE (FR, Jean Cocteau, 1932); BLACKMAIL (UK, Alfred Hitchcock, 1929); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); BEZZERIDES, A.I.; BEN HUR (US, Fred Niblo, 1925); BAMBI (US, David Hand, 1942); BALLET MECANIQUE, LE (FR, Fernand Leger, 1924); BACK STREET (US, John M. Stahl, 1932); ATALANTE, L' (FR, Jean Vigo, 1934); A PROPOS DE NICE (FR, Jean Vigo, 1930); APARAJITO (II, Satyajit Ray, 1957); ANNA CHRISTIE (US, Clarence Brown, 1930); ANATOMY OF A MURDER (US, Otto Preminger, 1959); AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931); ALEKSANDR NEVSKI (UR, Sergei M. Eisenstein, 1938); BROADWAY MELODY, THE (US, Harry Beaumont, 1929); LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924) Notes: Frist published 1960; Previously published as: Nature of films. England : Dobson ;1965; Includes bilbiograpy: p. 351-364; Includes index URL status: URL: 'http://-' Checked: 31/08/2021 1:14:06 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest) More info
newspaper article		Thundering blockbuster in Sunday Canberra Times [Relax] (17/05/2015) p.24 Call No: TITLE CLIPPINGS FILE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Author: Mathieson, Craig PhysDes: Clippings File Article Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: Review Rating: 4.5 out of 5 stars More info
newspaper article		Was it worth the wait in Weekend Australian [Review] (16/05/2015) p.15 Call No: TITLE CLIPPINGS FILE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Author: Stratton, David PhysDes: Clippings File Article Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015) Summary: Review of film Mad Max: Fury Road Rating: 3 out of 5 stars More info

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