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Guilty pleasures : feminist camp from Mae West to Madonna / Pamela Robertson Durham: Duke University Press, 1996.
Call No: 626:396 ROBAuthor: Robertson, Pamela, 1964 Place: DurhamPublisher: Duke University PressPubDate: 1996PhysDes: ix, 195 p. : ill. ; 24 cmSubject: CAMP ; FEMINISM AND THE CINEMA ; SPECTATORSHIP ; WOMEN IN FILMS ; BURLESQUE ; TRANSVESTISM ; FANS ; MUSICALS ; BAXTER, WARNER ; CAGNEY, JAMES ; DOANE, MARY ANN ; DYER, RICHARD ; GARBO, GRETA ; BERKELEY, BUSBY ; FISCHER, LUCY ; OTTINGER, ULRIKE ; MONROE, MARILYN ; MADONNA ; Crawford, Joan ; WEST, MAE ; DESIGNING WOMEN [TV] (US, 1986-89) ; BELLE OF THE NINTIES (US, Leo McCarey, 1934) ; FOOTLIGHT PARADE (US, Lloyd Bacon, 1933) ; [FORTY-SECOND] 42ND STREET (US, Lloyd Bacon, 1933) ; JOAN DOES DYNASTY [TV] (US, Joan Braderman, 1986) ; GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933) ; JOHNNY GUITAR (US, Nicholas Ray, 1954) Notes: Originally presented as the author's thesis (Ph.D.--University of Chicago); Includes bibliographical references (p. [175]-187) and indexISBN: 0822317486 (pa : alk. paper); 0822317516 (cl : alk. paper)LON: 12009413
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Multiple voices in feminist film criticism / Diane Carson,Linda Dittmar, and Janice R. Welsch, editors Minneapolis: University of Minnesota Press, 1994.
Call No: 626:396 MULAuthor: Carson, Diane ; Dittmar, Linda, 1938 ; Welsch, Janice R Place: MinneapolisPublisher: University of Minnesota PressPubDate: 1994PhysDes: ix, 547 p. : ill. ; 24 cmSubject: FEMINISM AND THE CINEMA ; PSYCHOANALYSIS AND THE CINEMA ; WOMEN IN FILMS. MEXICO ; WOMEN IN FILMS. CHINA ; WOMEN IN FILMS. THIRD WORLD ; WOMEN IN FILMS. CUBA ; HOMOSEXUALITY AND THE CINEMA ; HOMOSEXUALITY IN FILMS ; BLACKS IN FILMS ; BORDEN, LIZZIE ; DASH, JULIE ; DIETRICH, MARLENE ; DOANE, MARY ANN ; GARBO, GRETA ; GORRIS, MARLEEN ; GUY-BLACHE, ALICE ; MULVEY, LAURA ; TRINH, T. MINH-HA ; BAHTIN, MIHAIL ; ARZNER, DOROTHY ; FIELD, CONNIE ; CHENZIRA, AYOKA ; SAYONARA (US, Joshua Logan, 1957) ; AWFUL TRUTH, THE (US, Leo McCarey, 1937) ; LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980) ; SWING SHIFT (US, Jonathan Demme, 1984) ; SUZANNE, SUZANNE (US, Camille Billops & James Hatch, 1982) ; RAMPARTS D'ARGILE (FR/AE, Jean-Louis Bertuccelli, 1970) ; SALT OF THE EARTH (US, Herbert J. Biberman, 1954) ; BORN IN FLAMES (US, Lizzie Borden, 1983) ; DRY WHITE SEASON, A (US, Euzhan Palcy, 1989) ; MARRYING KIND, THE (US, George Cukor, 1952) ; MARTY (US, Delbert Mann, 1954) ; MOROCCO (US, Josef von Sternberg, 1930) ; PILLOW TALK (US, Michael Gordon, 1959) ; RETRATO DE TERESA (CU, Pastor Vega, 1979) ; QINGCHUN JI (CC, Zhang Nuanxin, 1986) ; SURNAME VIET GIVEN NAME NAM (US, Trinh T. Minh-ha, 1989) ; BLACK FURY (US, Michael Curtiz, 1934) ; STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) Notes: Includes bibliographical references and indexISBN: 0816622728(acid-free paper); 0816622736 (pbk.)LON: 10052767
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Subtitles : On the foreignness of film / Atom Egoyan and Ian Balfour (eds) Massachusetts Institute of Tecnology, 2004.
Call No: 224.6 SUBAuthor: Egoyan, Atom (ed) ; Balfour, Ian (ed) CorpAuthor: Alphabet City Media, Inc.Source: CanadaPublisher: Massachusetts Institute of TecnologyPubDate: 2004PhysDes: 542 p ; 22 cm x 14 cmSeries: Alphabet CitySubject: TITLING ; SUBTITLES ; IMPORT OF FILMS ; AESTHETICS ; SWEET HEREAFTER, THE (CN, Atom Egoyan, 1997) ; EGOYAN, ATOM ; ROZEMA, PATRICIA ; DENIS, CLAIRE ; BELLOUR, RAYMOND ; RICH, B. RUBY ; TRINH, T. MINH-HA ; JAMESON, FREDRIC ; DOANE, MARY ANN ; KIAROSTAMI, ABBAS ; ETHNOGRAPHIC FILMS ; GLOBALISATION ; AWARDS. ACADEMY ; OTTINGER, ULRIKE ; BLUE (UK, Derek Jarman, 1993) ; MEPRIS, LE (FR/IT, Jean-Luc Godrad, 1963) Summary: "Every film is a foreign film," Atom Egoyan and Ian Balfour tell us in their introduction to Subtitles. How, then, to translate the experience of film - which, as Egoyan says, makes us "feel outside and inside at the same time"? Taking subtitles as their point of departure, the thirty-six contributors to this unique collection consider translation, foreigness and otherness in film culture. Their discussions range from the mechanics and aesthetics of subtitles to the xenophobic reaction to translation, to subtitles as a metaphor for the distance and intimacy of film. [Taken from inside cover].Notes: Includes bibliographic references.
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Women's experimental cinema : critical frameworks / Robin Blaetz, editor Durham: Duke University Press, 2007. Available at OAPEN (open access)
Call No: 771-02 WOMAuthor: Blaetz, Robin Source: USPlace: DurhamPublisher: Duke University PressPubDate: 2007PhysDes: viii, 421 p. : ill., ports. ; 24 cmSubject: WOMEN, FILMS MADE BY ; WOMEN, FILMS FOR ; EXPERIMENTAL FILMS ; CRITICISM ; BLAETZ, ROBIN ; RAGONA, MELISSA ; ARTHUR, PAUL ; MENKEN, MARIE ; WIELAND, JOYCE ; HOLMLUND, CHRIS ; NELSON, GUNVOR ; CARROLL, NOEL ; SERRA, M.M ; RAMEY, KATHRYN ; SCHNEEMANN, CAROLEE ; OSTERWEIL, ARA ; RUBIN, BARBARA ; HALLER, ROBERT ; GREENFIELD, AMY ; KLEINHANS, CHUCK ; HAMMER, BARBARA ; PRAMAGGIORE, MARIA ; STRAND, CHICK ; KELLER, MARJORIE ; DOANE, MARY ANN ; THORNTON, LESLIE ; TURIM, MAUREEN ; CHILD, ABIGAIL ; WEES, WILLIAM C ; CUTLER, JANET ; FRIEDRICH, SU ; MCHUGH, KATHLEEN ; MACDONALD, SCOTT Notes: Formerly CIP; Includes bibliographical references and indexISBN: 9780822340447Contents: Swing and sway / Melissa Ragona -- Different/same/both/neither / Paul Arthur -- Excavating visual fields, layering auditory frames / Chris Holmlund -- Moving and moving / Noel Carroll -- Eye/body / M. M. Serra and Kathryn Ramey -- 'Absently enchanted' / Ara Osterweil -- Amy Greenfield / Robert A. Haller -- Barbara Hammer / Chuck Kleinhans -- Chick Strand's experimental ethnography / Maria Pramaggiore -- Amnesis time / Robin Blaetz -- In the ruins of the image / Mary Ann Doane -- Sounds, intervals, and startling images in the films of Abigail Child / Maureen Turim -- Peggy's playhouse / William C. Wees -- Su Friedrich / Janet Cutler -- The experimental 'dunyementary' / Kathleen McHugh -- Women's experimental cinema / Scott MacDonald.URL status: URL: 'https://library.oapen.org/handle/20.500.12657/25768'
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