journal article
Aline MacMahon and 'Gold Diggers of 1933' in Classic Images (Apr 1983) vol.94 p.58-59
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Blue skies and silver linings : aspects of the Hollywood musical / Bruce Babington and Peter William Evans Manchester [Greater Manchester] Dover, N.H., USA: Manchester University Press, c1985.
Call No: 751(73) BABAuthor: Babington, Bruce ; Evans, Peter William Place: Manchester [Greater Manchester] Dover, N.H., USAPublisher: Manchester University PressPubDate: c1985PhysDes: 258 p. : ill. ; 25 cmSubject: MUSICALS. USA ; BERKELEY, BUSBY ; ASTAIRE, FRED ; ROGERS, GINGER ; KELLY, GENE ; MINNELLI, VINCENTE ; MERRY WIDOW, THE (US, Ernst Lubitsch, 1934) ; SWING TIME (US, George Stevens, 1936) ; JOLSON STORY, THE (US, Alfred E. Green, 1946) ; JOLSON SINGS AGAIN (US, Henry Levin, 1949) ; SUMMER HOLIDAY (US, Rouben Mamoulian, 1948) ; IT'S ALWAYS FAIR WEATHER (US, Gene Kelly & Stanley Donen, 1955) ; CAROUSEL (US, Henry King, 1956) ; ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970) ; EASTER PARADE (US, Charles Walters, 1948) ; GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933) ; HAIR (US, Milos Forman, 1979) Notes: Bibliography: p. [248]-258ISBN: 0719017394 : $19.00LON: 3592471
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A fine romance : five ages of film feminism / Patricia Mellencamp Philadelphia: Temple University Press, 1995.
Call No: 626:396 MELAuthor: Mellencamp, Patricia Place: PhiladelphiaPublisher: Temple University PressPubDate: 1995PhysDes: xiii, 330 p. : ill. ; 24 cmSeries: Culture and the moving imageSubject: FEMINISM AND THE CINEMA ; FEMINISM AND THE CINEMA. AUSTRALIA ; BODY IN FILMS ; EXPRESSIONISM ; DASH, JULIE ; DELEUZE, GILLES ; CAMPION, JANE ; ARMSTRONG, GILLIAN ; POTTER, SALLY ; Tarantino, Quentin ; CHRISTIE, JULIE ; DAVIS, GEENA ; DAVIS, JUDY ; EPHRON, NORA ; GLYN, ELINOR ; GOGOBERIDZE, LANA ; HANKS, TOM ; JAYAMANNE, LALEEN ; LAFFONT, COLLETTE ; LANGTON, MARCIA ; RYAN, MEG ; MOFFATT, TRACEY ; HOOKS, BELL ; PREER, EVELYN ; STONE, SHARON ; SWINTON, TILDA ; TAYLOR, CLYDE ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; ORLANDO (UK/RU/FR/NE, Sally Potter, 1992) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; ANGIE (US, Martha Coolidge, 1994) ; NIGHT CRIES : A RURAL TRAGEDY (AT, Tracey Moffatt, 1990) ; NICE COLOURED GIRLS (AT, Tracey Moffatt, 1987) ; DAUGHTERS OF THE DUST (US, Julie Dash, 1991) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BEDEVIL (AT, Tracey Moffat, 1993) ; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991) ; COVER GIRL (US, Charles Vidor, 1944) ; DOLLY SISTERS (US, Irving Cummings, 1945) ; FORBIDDEN LOVE : THE UNASHAMED STORIES OF LESBIAN LOVE (CN, Aerlyn Weissman & Lynne Fernie, 1993) ; GOLD DIGGERS, THE (US, Sally Potter, 1983) ; GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933) ; GROUNDHOG DAY (US, Harold Ramis, 1993) ; ILLUSIONS (US, Julie Dash, 1983?) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; PRIVILEGE (US, Yvonne Rainer, 1990) ; PULP FICTION (US, Quentin Tarantino, 1994) ; QUICK AND THE DEAD, THE (US, Sam Raimi, 1995) ; SHERLOCK, JR. (US, Buster Keaton, 1924) ; SOMETHING TO TALK ABOUT (US, Lasse Hallstrom, 1995) ; THRILLER (UK, Sally Potter, 1979) ; JEDDA (AT, Charles Chauvel, 1955) ; PIANO, THE (AT, Jane Campion, 1993) ; METROPOLIS (G, Fritz Lang, 1926) Notes: Includes bibliographical references (p. 291-324) and index; Five ages of film feminismISBN: 1566394015 (pbk.: acid-free paper); 1566394007 (hbk.: acid-free paper)LON: 11870265
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Ghettos, tramps, and welfare queens : down and out on the silver screen / Stephen Pimpare New York, NY: Oxford University Press, 2017.
Call No: 757-044(73) PIMAuthor: Pimpare, Stephen Source: USPlace: New York, NYPublisher: Oxford University PressPubDate: 2017PhysDes: xxxi, 342 pages : illustrations ; 25 cm.Subject: BOYZ N THE HOOD (US, John Singleton, 1991) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; CHAPLIN, CHARLES ; FISHER KING, THE (US, Terry Gilliam, 1991) ; GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933) ; PRECIOUS (US, Lee Daniels, 2009) Summary: "Ghettos, Tramps, and Welfare Queens: Down & Out on the Silver Screen explores how American movies have portrayed poor and homeless people from the silent era to today. It provides a novel kind of guide to social policy, exploring how ideas about poor and homeless people have been reflected in popular culture and evaluating those images against the historical and contemporary reality. Richly illustrated and examining nearly 300 American-made films released between 1902 and 2015, Ghettos, Tramps, and Welfare Queens finds and describes representations of poor and homeless people and the places they have inhabited throughout the century-long history of U.S. cinema. It moves beyond the merely descriptive to deliberate whether cinematic representations of homelessness and poverty changed over time, and if there are patterns to be discerned. Ultimately, the text offers a preliminary response to a handful of harder questions about causation and consequence: Why are these portrayals as they are? Where do they come from? Are they a reflection of American attitudes and policies toward marginalized populations, or do they help create them? What does this all mean for politics and policymaking?
Of interest to movie buffs and film scholars, cultural critics and historians, policy analysts, and those curious to know more about homelessness and American poverty, Ghettos, Tramps, and Welfare Queens is a unique window into American politics, history, policy, and culture -- it is an entertaining and enlightening journey." -- book jacketNotes: Includes bibliographical references and index.ISBN: 9780190660727Donation: Senses of CinemaContents: Key U.S. films discussed, 1902-2015 -- Introduction -- Part 1: In the ghetto: Poor places and the people in them -- The evils of the city -- Modern gangs and ghetto gurls -- The urban hellscape -- Social workers and charity reformers -- Welfare queens -- Teachers to the rescue -- The architecture of poverty -- Escaping the city: rural poverty -- Part 2: On the street, on the road: poor out of doors -- The first tramp -- The last free tramp and the hobo played for laughs -- Imposter tramps -- Forgotten men -- The depression through the eyes of a clever child -- The modern tramp: villains -- The modern tramp: victors -- The modern tramp: victims -- Women and children last -- Conclusion: The propertied gaze.
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journal article
Goldiggers of 33 in Cinemeatheque Pacific Film (March 1979) p.3
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Guilty pleasures : feminist camp from Mae West to Madonna / Pamela Robertson Durham: Duke University Press, 1996.
Call No: 626:396 ROBAuthor: Robertson, Pamela, 1964 Place: DurhamPublisher: Duke University PressPubDate: 1996PhysDes: ix, 195 p. : ill. ; 24 cmSubject: CAMP ; FEMINISM AND THE CINEMA ; SPECTATORSHIP ; WOMEN IN FILMS ; BURLESQUE ; TRANSVESTISM ; FANS ; MUSICALS ; BAXTER, WARNER ; CAGNEY, JAMES ; DOANE, MARY ANN ; DYER, RICHARD ; GARBO, GRETA ; BERKELEY, BUSBY ; FISCHER, LUCY ; OTTINGER, ULRIKE ; MONROE, MARILYN ; MADONNA ; Crawford, Joan ; WEST, MAE ; DESIGNING WOMEN [TV] (US, 1986-89) ; BELLE OF THE NINTIES (US, Leo McCarey, 1934) ; FOOTLIGHT PARADE (US, Lloyd Bacon, 1933) ; [FORTY-SECOND] 42ND STREET (US, Lloyd Bacon, 1933) ; JOAN DOES DYNASTY [TV] (US, Joan Braderman, 1986) ; GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933) ; JOHNNY GUITAR (US, Nicholas Ray, 1954) Notes: Originally presented as the author's thesis (Ph.D.--University of Chicago); Includes bibliographical references (p. [175]-187) and indexISBN: 0822317486 (pa : alk. paper); 0822317516 (cl : alk. paper)LON: 12009413
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The Hollywood film musical / Barry Keith Grant West Sussex, UK: Wiley-Blackwell, 2012.
Call No: 751.1(73) GRAAuthor: Grant, Barry Keith Source: UKPlace: West Sussex, UKPublisher: Wiley-BlackwellPubDate: 2012PhysDes: xiii ; 182 p. ; 23cmSeries: New approaches to film genreSubject: HOLLYWOOD ; USA ; MUSICALS ; MUSIC AND THE CINEMA ; HOLLYWOOD IN FILMS ; GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933) ; TOP HAT (US, Mark Sandrich, 1935) ; PIRATE, THE (US, Vincente Minnelli, 1948) ; WEST SIDE STORY (US, Robert Wise, 1961) ; SATURDAY NIGHT FEVER (US, John Badham, 1977) ; WOODSTOCK (US, Michael Wadleigh, 1970) ; PENNIES FROM HEAVEN (US, Herbert Ross, 1981) ; ACROSS THE UNIVERSE (US, Julie Taymor, 2007) Summary: "American film musicals are a central genre in the evolution of cinema as an art form and popular entertainment. With an impressive range of films produced to meet an ever-growing consumer demand, musicals have proven to be a powerful formula for box-office success. Written in an accessible style and with substantial depth of analysis, this engaging new title offers an overview of the history of, and critical literature on, this popular genre." -- BOOK BLURBNotes: inc. references and indexISBN: 9781405182522Contents: -- List of plates -- Acknowledgements -- Introduction -- Historical overview --Critical overview -- Gold diggers of 1933 (1933) -- Top hat (1935) -- The pirate (1948) -- West side story (1961) and Saturday night fever (1977) -- Woodstock (1970) -- Phantom of the paradise (1974) -- Pennies from heaven (1981) and Across the universe (2007) -- References -- Index
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The Hollywood musical / by Ethan Mordden Newton Abbot: David & Charles, 1982, c1981.
Call No: 751.1(73) MORAuthor: Mordden, Ethan, 1947 Place: Newton AbbotPublisher: David & CharlesPubDate: 1982, c1981PhysDes: xii, 261 p, [18] p of plates : ill. ; 24 cmSubject: MUSICALS. USA ; ASTAIRE, FRED ; BERKELEY, BUSBY ; CHEVALIER, MAURICE ; CROSBY, BING ; GARLAND, JUDY ; JOLSON, AL ; KEELER, RUBY ; MACDONALD, JEANETTE ; MAMOULIAN, ROUBEN ; ROGERS, GINGER ; EDDY, NELSON ; CANTOR, EDDIE ; POWELL, DICK ; DANIELS, BEBE ; BROADWAY MELODY, THE (US, Harry Beaumont, 1929) ; GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933) Notes: Originally published: New York : St. Martin's Press, 1981; Bibliography: p. 239-242. - Includes indexISBN: 0715383191 : ª7.95 : CIP revLON: 2211755
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In glorious technicolor : a century of film and how it has shaped us / Francine Stock with Stephen Hughes London: Pimlico, 2011.
Call No: 70 STOAuthor: Stock, Francine ; Hughes, Stephen Source: UKPlace: LondonPublisher: PimlicoPubDate: 2011PhysDes: 344 p. ; 25 cm.Subject: HISTORY AND THE CINEMA ; HISTORY OF CINEMA. 1930's ; HISTORY OF CINEMA. 1940's ; HISTORY OF CINEMA. 1950's ; HISTORY OF CINEMA. 1960's ; HISTORY OF CINEMA. 1970's ; HISTORY OF CINEMA. 1980's ; HISTORY OF CINEMA. 1990's ; BIRTH OF A NATION , THE (US, David Wark Griffith, 1915) ; CABINET DES DR. CALIGARI, DAS (G, Robert Weine, 1920) ; CABINET OF DR. CALIGARI, THE (G, Robert Wiene, 1920)
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CABINET DES DR. CALIGARI, DAS ; FLESH AND THE DEVIL (US, Clarence Brown, 1926) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927) ; SCARFACE (US, Howard Hawks, 1932) ; GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933) ; BETE HUMAINE, LA (FR, Jean Renoir, 1938) ; BAMBI (US, David Hand, 1942) ; SPELLBOUND (US, Alfred Hitchcock, 1945) ; STRADA, LA (IT, Federico Fellini, 1954) ; SEARCHERS, THE (US, John Ford, 1956) ; INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956) ; PEEPING TOM (UK, Michael Powell, 1960) ; BANDE A PART (FR, Jean-Luc Godard, 1964) ; 2001: A SPACE ODYSSEY (US, Stanley Kubrick, 1968) ; CARRIE (US, Brian De Palma, 1976) ; AGUIRRE, DER ZORN GOTTES (GW, Werner Herzog, 1972) ; AGUIRRE, THE WRATH OF GOD (GW, Werner Herzog, 1972) ; ANNIE HALL (US, Woody Allen, 1977) ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; TOP GUN (US, Tony Scott, 1986) ; WHEN HARRY MET SALLY. . . (US, Rob Reiner, 1989) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; NATURAL BORN KILLERS (US, Oliver Stone, 1994) ; THREE COLOURS: RED (FR/SZ/PL, Krzysztof Kieslowski, 1993)
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TROIS COULEURS: ROUGE ; THREE COLOURS: RED (FR/SZ/PL, Krzysztof Kieslowski, 1993)
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TROIS COULEURS: ROUGE ; THREE COLOURS: WHITE (FR/SZ/PL, Krzysztof Kieslowski, 1993)
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TROIS COULEURS: BLANC ; TROIS COULEURS: BLANC (FR/SZ/PL, Krzysztof Kieslowski, 1993) ; TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993) ; TROIS COULEURS: ROUGE (FR/SZ/PL, Krzysztof Kieslowski, 1994) ; ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004) ; AVATAR (US, James Cameron, 2009) ; UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES (TH/UK/FR/G/SP/NE, Apichatpong Weerasethakul, 2010) Summary: Charting key films from the past hundred years, along with technological developments and historical landmarks, Francine Stock explores in compelling detail the nature of our relationship with film - from the first screenings of the Lumiere Brothers' short films, which saw audiences shrinking from oncoming trains, to the perception-altering 3-D Avatar. The twenties saw the birth of celebrity, still so influential even today. With the influence of Freud and the unconscious came film noir, anticipated by dark European classics like La Bete Humaine; Hollywood in the fifties turned ideological fears into lurid sci-fi and body-snatching horror; with the social change of the sixties came refracted ways of seeing, from Alfie to theStargate sequence in 2001: A Space Odyssey or a compelling seventies nightmares like Carrie. Moving towards our own century, Francine Stock considers how film reflects back on itself, bending time and technology to look to the future. More than a century on from those earliest awe-inspiring images, we are still in thrall to the power of film. In this fascinating, entertaining and illuminating book Francine Stock shows how film both reflects and remakes our world.ISBN: 9781845951993
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