title clippings file
BANDE A PART : (FR, Jean-Luc Godard, 1964)
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journal article
Bande A Parte (Band of Outsiders) in Montage (1967) iss.1 p.20-21
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book
Focus on Godard / edited by Royal S Brown Englewood Cliffs, N.J: Prentice Hall, 1972.
Call No: 81GOD FOCPlace: Englewood Cliffs, N.JPublisher: Prentice HallPubDate: 1972PhysDes: 190 p. : ill. ; 21 cmSubject: GODARD, JEAN-LUC ; BANDE A PART (FR, Jean-Luc Godard, 1964) ; ALPHAVILLE (FR, Jean-Luc Godard, 1965) Summary: Royal S. Brown has skillfully selected interviews, reviews, articles, and essays on Godard and his films, making available for the first time in English many criticisms and analyses by such world-renowned authorities as Aragon, Claude Mauriac, Jean Collet, and Marie-Claire Ropars-Wuilleumier. This volume covers all aspects of the director's feature films- from Breathless to Vladamir and Rosa - as well as Godard's other significant works, looking deeply into the emotional, pyschological, and technical facets that have, as Brown states, made every Godard film " a chapter in amazingly broad intellectual and aesthetic autobiography".Notes: "Filmography": p. 174-180.
Bibliography: p. 181-188.ISBN: 0133577562Contents: Acknowledgements 3 - Introduction: One Plus One Equals by Royal S. Brown 5 -- Chronology 20 -- Learning Not To Be Bitter: Interview with Jean-Luc Godard on Le petit soldat by Michele Manceaux 25 -- A Movie is a Movie: Interview with Jean-Luc Godard on Une Femme est une femme by Michele Manceaux 28-- Shipwrecked ........
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book
In glorious technicolor : a century of film and how it has shaped us / Francine Stock with Stephen Hughes London: Pimlico, 2011.
Call No: 70 STOAuthor: Stock, Francine ; Hughes, Stephen Source: UKPlace: LondonPublisher: PimlicoPubDate: 2011PhysDes: 344 p. ; 25 cm.Subject: HISTORY AND THE CINEMA ; HISTORY OF CINEMA. 1930's ; HISTORY OF CINEMA. 1940's ; HISTORY OF CINEMA. 1950's ; HISTORY OF CINEMA. 1960's ; HISTORY OF CINEMA. 1970's ; HISTORY OF CINEMA. 1980's ; HISTORY OF CINEMA. 1990's ; BIRTH OF A NATION , THE (US, David Wark Griffith, 1915) ; CABINET DES DR. CALIGARI, DAS (G, Robert Weine, 1920) ; CABINET OF DR. CALIGARI, THE (G, Robert Wiene, 1920)
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CABINET DES DR. CALIGARI, DAS ; FLESH AND THE DEVIL (US, Clarence Brown, 1926) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927) ; SCARFACE (US, Howard Hawks, 1932) ; GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933) ; BETE HUMAINE, LA (FR, Jean Renoir, 1938) ; BAMBI (US, David Hand, 1942) ; SPELLBOUND (US, Alfred Hitchcock, 1945) ; STRADA, LA (IT, Federico Fellini, 1954) ; SEARCHERS, THE (US, John Ford, 1956) ; INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956) ; PEEPING TOM (UK, Michael Powell, 1960) ; BANDE A PART (FR, Jean-Luc Godard, 1964) ; 2001: A SPACE ODYSSEY (US, Stanley Kubrick, 1968) ; CARRIE (US, Brian De Palma, 1976) ; AGUIRRE, DER ZORN GOTTES (GW, Werner Herzog, 1972) ; AGUIRRE, THE WRATH OF GOD (GW, Werner Herzog, 1972) ; ANNIE HALL (US, Woody Allen, 1977) ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; TOP GUN (US, Tony Scott, 1986) ; WHEN HARRY MET SALLY. . . (US, Rob Reiner, 1989) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; NATURAL BORN KILLERS (US, Oliver Stone, 1994) ; THREE COLOURS: RED (FR/SZ/PL, Krzysztof Kieslowski, 1993)
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TROIS COULEURS: ROUGE ; THREE COLOURS: RED (FR/SZ/PL, Krzysztof Kieslowski, 1993)
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TROIS COULEURS: ROUGE ; THREE COLOURS: WHITE (FR/SZ/PL, Krzysztof Kieslowski, 1993)
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TROIS COULEURS: BLANC ; TROIS COULEURS: BLANC (FR/SZ/PL, Krzysztof Kieslowski, 1993) ; TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993) ; TROIS COULEURS: ROUGE (FR/SZ/PL, Krzysztof Kieslowski, 1994) ; ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004) ; AVATAR (US, James Cameron, 2009) ; UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES (TH/UK/FR/G/SP/NE, Apichatpong Weerasethakul, 2010) Summary: Charting key films from the past hundred years, along with technological developments and historical landmarks, Francine Stock explores in compelling detail the nature of our relationship with film - from the first screenings of the Lumiere Brothers' short films, which saw audiences shrinking from oncoming trains, to the perception-altering 3-D Avatar. The twenties saw the birth of celebrity, still so influential even today. With the influence of Freud and the unconscious came film noir, anticipated by dark European classics like La Bete Humaine; Hollywood in the fifties turned ideological fears into lurid sci-fi and body-snatching horror; with the social change of the sixties came refracted ways of seeing, from Alfie to theStargate sequence in 2001: A Space Odyssey or a compelling seventies nightmares like Carrie. Moving towards our own century, Francine Stock considers how film reflects back on itself, bending time and technology to look to the future. More than a century on from those earliest awe-inspiring images, we are still in thrall to the power of film. In this fascinating, entertaining and illuminating book Francine Stock shows how film both reflects and remakes our world.ISBN: 9781845951993
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journal article
itournelles : Bande a part, de Jean-Luc Godard in Vertigo (1991) iss.6/7 p.75-79
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Old collection
book
Jean-Luc Godard : son + image, 1974-1991 / edited by Raymond Bellour with Mary Lea Bandy New York: Museum of Modern Art : Distributed by H.N. Abrams, c1992.
Call No: 81GOD JEASource: UKPlace: New YorkPublisher: Museum of Modern Art : Distributed by H.N. AbramsPubDate: c1992PhysDes: 240 p. : ill. (some col.) ; 32 cmSubject: NOUVELLE VAGUE ; CAHIERS DU CINEMA ; POLITICS AND THE CINEMA ; SPECTATORSHIP ; THEORY ; PSYCHOANALYSIS AND THE CINEMA ; TELEVISION AND THE ARTS ; AUTEUR THEORY ; TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972) ; FEMME EST UNE FEMME, UNE (FR, Jean-Luc Godard, 1961) ; WOMAN IS A WOMAN, A (FR, Jean-Luc Godard, 1961) ; VIVRE SAVIE (FR, Jean-Luc Godard, 1962) ; CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963) ; MEPRIS, LE (FR/IT, Jean-Luc Godrad, 1963) ; BANDE A PART (FR, Jean-Luc Godard, 1964) ; FEMME MARIEE, UNE (FR, Jean-Luc Godard, 1964) ; ALPHAVILLE (FR, Jean-Luc Godard, 1965) ; PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965) ; MASCULIN-FEMININ (FR, Jean-Luc Godard, 1966) ; WEEK-END (FR/IT, Jean-Luc Godard, 1968) ; GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969) ; ONE PLUS ONE (UK, Jean-Luc Godard, 1968) ; ONE A.M. (FR/US, Jean-Luc Godard, 1968) ; BRITISH SOUNDS (UK, Jean-Luc Godard & Jean-Henri Roger, 1969) ; PRAVDA (FR, Jean-Luc Godard, 1970) ; VENT D'EST (FR/IT/GW, Jean-Luc Godard & Dziga Vertov Group, 1970) ; [DEUX] 2 OU 3 CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967) ; WEEK-END (FR/IT, Jean-Luc Godard, 1968) ; CHINOISE, LA (FR, Jean-Luc Godard, 1967) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) ; LUTTES EN ITALIE (FR/IT Jean-Luc Godard & Jean-Pierre GORIN, 1969) ; TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972) ; SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980) ; PASSION (FR/SZ, Jean-Luc Godard, 1982) ; JE VOUS SALUE MARIE (FR/SZ, Jean-Luc Godard, 1985) ; SOIGNE TA DROITE (FR/SZ, Jean-Luc Godard, 1987) ; NOUVELLE VAGUE (Fr, Jean-Luc Godard, 1990) ; PRENOM CARMEN (FR/SW, Jean-Luc Godard, 1983) Notes: "Published on the occasion of the exhibition ... October 30-November 30, 1992, organized by Mary Lea Bandy, director, Laurence Kardish, curator, and Barbara London, assistant curator, video ... and Colin MacCabe, guest curator"--T.p. verso.
Filmography: p. 232-235.
Includes bibliographical references (p. 236-238)
Some articles translated from the French.ISBN: 0810961148Language: English
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