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Call No: 64POS DEN
Author: Denzin, Norman K
Source: US
Place: Newbury Park
Publisher: Sage
PubDate: 1991
PhysDes: xii, 179 p. ; 24 cm
Subject: POSTMODERNISM AND THE CINEMA; USA. 1980's; Baudrillard, Jean; LYOTARD, JEAN-FRANCOIS; JAMESON, FREDRIC; BLUE VELVET (US, David Lynch, 1986); WALL STREET (US, Oliver Stone, 1987); CRIMES AND MISDEMEANORS (US, Woody Allen, 1989); DO THE RIGHT THING (US, Spike Lee, 1989); PARIS, TEXAS (GW/US, Wim Wenders, 1984); SEX, LIES AND VIDEOTAPE (US, Steven Soderbergh, 1989); WHEN HARRY MET SALLY. . . (US, Rob Reiner, 1989)
Notes: Bibliography: p. 158-174 Includes index
ISBN: 0803985150
Contents: Part 1: The postmodern -- 1. Defining the postmodern terrain -- 2. Postmodern social theory -- 3. Takes on the postmodern: Baudrillard, Lyotard, and Jameson -- 4. Learning from Mills -- Part 2: Learning from cinema -- 5. Wild about Lynch: beyond Blue velvet -- 6. Nouveau capitalists on Wall street -- 7. Crimes and misdemeanous in Manhattan -- 8. The postmodern sexual order: sex, lies, and yuppie love -- 9. Do the right thing: race in the USA -- 10. Paris, Texas: Mills and Baudrillard in America -- 11. In conclusion: the eye of the postmodern

Call No: 70 STO
Author: Stock, Francine; Hughes, Stephen
Source: UK
Place: London
Publisher: Pimlico
PubDate: 2011
PhysDes: 344 p. ; 25 cm.
Subject: HISTORY AND THE CINEMA; HISTORY OF CINEMA. 1930's; HISTORY OF CINEMA. 1940's; HISTORY OF CINEMA. 1950's; HISTORY OF CINEMA. 1960's; HISTORY OF CINEMA. 1970's; HISTORY OF CINEMA. 1980's; HISTORY OF CINEMA. 1990's; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920); CABINET OF DR. CALIGARI, THE (G, Robert Wiene, 1920) SEE CABINET DES DR. CALIGARI, DAS; FLESH AND THE DEVIL (US, Clarence Brown, 1926); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); SCARFACE (US, Howard Hawks, 1932); GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933); BETE HUMAINE, LA (FR, Jean Renoir, 1938); BAMBI (US, David Hand, 1942); SPELLBOUND (US, Alfred Hitchcock, 1945); STRADA, LA (IT, Federico Fellini, 1954); SEARCHERS, THE (US, John Ford, 1956); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); PEEPING TOM (UK, Michael Powell, 1960); BANDE A PART (FR, Jean-Luc Godard, 1964); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); CARRIE (US, Brian De Palma, 1976); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); ANNIE HALL (US, Woody Allen, 1977); E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); TOP GUN (US, Tony Scott, 1986); WHEN HARRY MET SALLY. . . (US, Rob Reiner, 1989); BASIC INSTINCT (US, Paul Verhoeven, 1992); NATURAL BORN KILLERS (US, Oliver Stone, 1994); THREE COLOURS: RED (FR/SZ/PL, Krzysztof Kieslowski, 1993) SEE TROIS COULEURS: ROUGE; THREE COLOURS: RED (FR/SZ/PL, Krzysztof Kieslowski, 1993) SEE TROIS COULEURS: ROUGE; THREE COLOURS: WHITE (FR/SZ/PL, Krzysztof Kieslowski, 1993) SEE TROIS COULEURS: BLANC; TROIS COULEURS: BLANC (FR/SZ/PL, Krzysztof Kieslowski, 1993); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); TROIS COULEURS: ROUGE (FR/SZ/PL, Krzysztof Kieslowski, 1994); ETERNAL SUNSHINE OF THE SPOTLESS MIND (US, Michael Gondry, 2004); AVATAR (US, James Cameron, 2009); UNCLE BOONMEE WHO CAN RECALL HIS PAST LIVES (TH/UK/FR/G/SP/NE, Apichatpong Weerasethakul, 2010)
Summary: Charting key films from the past hundred years, along with technological developments and historical landmarks, Francine Stock explores in compelling detail the nature of our relationship with film - from the first screenings of the Lumiere Brothers' short films, which saw audiences shrinking from oncoming trains, to the perception-altering 3-D Avatar. The twenties saw the birth of celebrity, still so influential even today. With the influence of Freud and the unconscious came film noir, anticipated by dark European classics like La Bete Humaine; Hollywood in the fifties turned ideological fears into lurid sci-fi and body-snatching horror; with the social change of the sixties came refracted ways of seeing, from Alfie to theStargate sequence in 2001: A Space Odyssey or a compelling seventies nightmares like Carrie. Moving towards our own century, Francine Stock considers how film reflects back on itself, bending time and technology to look to the future. More than a century on from those earliest awe-inspiring images, we are still in thrall to the power of film. In this fascinating, entertaining and illuminating book Francine Stock shows how film both reflects and remakes our world.
ISBN: 9781845951993

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: WHEN HARRY MET SALLY. . . (US, Rob Reiner, 1989)

Call No: 81GOL GOL
Author: Goldman, William
Source: UK
Place: London
Publisher: Bloomsbury
PubDate: 2000
PhysDes: 384p. ; 24 cm
Subject: SCRIPTWRITING; GOLDMAN, WILLIAM; PRINCESS BRIDE, THE (US, Rob Reiner, 1987); MISERY (US, Rob Reiner, 1990); YEAR OF THE COMET (US, Peter Yates, 1992); MAVERICK (US, Richard Donner, 1994); GHOST AND THE DARKNESS, THE (US, Stephen Hopkins, 1996); ABSOLUTE POWER (US, Clint Eastwood, 1997); THERE'S SOMETHING ABOUT MARY (US, Bobby Farrelly & Peter Farrelly, 1998); WHEN HARRY MET SALLY. . . (US, Rob Reiner, 1989); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); CHINATOWN (US, Roman Polanski, 1974); FARGO (US, Ethan Coen, 1996); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969)
Summary: "The long-awaited sequel to Goldman's cult classic ADVENTURES IN THE SCREEN TRADE, the tell-all that revealed the secrets behind the business of the big Hollywood screen. William Goldman gives us the updated low-down on Hollywood filmmaking, dishing the dirt every one of his films over the past fifteen years." [Book blurb]
Notes: Originally published: New York: Random House
ISBN: 074754977X : ª16.99
LON: 21370633