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Author: Lehman, Peter
PhysDes: Article
Subject: AUTEUR THEORY; COME AND GET IT (US, Howard Hawks and William Wyler, 1936); LADY IN THE LAKE (US, Robert Montgomery, 1946); DR STRANGELOVE (UK, Stanley Kubrick, 1964); VIDEO, FILMS ON; CABINET DES DR. CALIGARI, DAS (G, Robert Weine, 1920); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959)
Summary: Entire edition on authorship/auteurism. Articles on 'Breathless', 'The Cabinet of Dr. Caligari', 'Come and Get It', 'The Lady in the Lake', and 'Dr. Strangelove'. An interview with Judith Barry on video art, and an interview with Manny Kirchheimer.

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959)
URL status: URL: 'http://file://Q:/T/A_BOUT_DE_SOUFFLE.zip' Checked: 31/08/2021 12:43:43 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

PhysDes: Article
Subject: GODARD, JEAN-LUC; BREATHLESS (FR, Jean-Luc Godard, 1959); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959)
Summary: Compilation of two critics views, Arlene Croce (Film Quarterly) and Robert Hatch (The Nation), and program notes by Debbie Burk (CinemaTexas). Program notes provide Jean-Luc Godard biography, a review of "Breathless", and suggestions for further reading
Notes: Review. - critics views. - credits. - bibliography. - illustration

Call No: 408.3(44) DUR
Author: Durham, Carolyn A
Place: Hanover, NH
Publisher: Dartmouth University Press of New England
PubDate: c1998
PhysDes: xi, 246 p. : ill. ; 24 cm
Series: Contemporary French culture and society
Subject: BIRDCAGE, THE (US, Mike Nichols, 1996); CAGE AUX FOLLES, LA (IT/FR, Edouard Molinaro, 1978); HOMOSEXUALITY IN FILMS; MARRIAGE IN FILMS; REMAKES; NATIONAL CULTURE AND THE CINEMA. FRANCE; NATIONAL CULTURE AND THE CINEMA. USA; GENDER AND THE CINEMA.USA; GENDER AND THE CINEMA.FRANCE; BREATHLESS (FR, Jean-Luc Godard, 1959); BREATHLESS (US, Jim McBride, 1983); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); COUSINS (US, Joel Schumacher, 1989); COUSIN, COUSINE (FR, Jean-Charles Tacchella, 1975); MAN WHO LOVED WOMEN, THE (US, Blake Edwards, 1983); HOMME QUI AMAIT LES FEMMES, L' (FR, Francois Truffaut, 1977); I WANT TO GO HOME (FR, Alain Resnais, 1989)
Notes: Filmography: p. 231-235; Includes bibliographical references (p. 221-229) and index
LON: 13921589

Call No: 753.8 MAZ
Author: Mazdon, Lucy
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 2000
PhysDes: [vi], 169 p. : ill. ; 24 cm
Subject: FRANCE; REMAKES; CULTURE AND THE CINEMA; CULTURAL IMPERIALISM. US; NATIONAL IDENTITY AND THE CINEMA; NATIONAL IDENTITY AND THE CINEMA. FRANCE; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); SOMMERSBY (US, Jon Amiel, 1993); NIKITA (FR/IT, Luc Besson, 1990); LEON (FR, Luc Besson, 1994); BIRDCAGE, THE (US, Mike Nichols, 1996); BREATHLESS (FR, Jean-Luc Godard, 1959); BREATHLESS (US, Jim McBride, 1983); CAGE AUX FOLLES, LA (IT/FR, Edouard Molinaro, 1978); TRUE LIES (US, James Cameron, 1994); SORCERER (US, William Friedkin, 1977); MON PERE, CE HEROS (FR, Gerard Lauzier, 1991); MAN WITH ONE RED SHOE, THE (US, Stan Dragoti, 1985); PEPE LE MOKO (FR, Julien Duvivier, 1937); ELEPHANT CA TROMPE ENORMEMENT, UN (FR, Yves Robert, 1976); TROIS HOMMES ET UN COUFFIN (FR, Coline Serreau, 1985); TOTALE!, LA (FR, Claude Zidi, 1991); THREE MEN AND A BABY (US, Leonard Niimoy, 1987); RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982); WOMAN IN RED, THE (US, Gene Wilder, 1984); ALGIERS (US, John Cromwell, 1938); CASBAH (US, John Berry, 1948); SALAIRE DE LA PEUR, LE (FR, Henri-Georges Clouzot, 1953); GRAND BLOND AVEC UNE CHAUSSURE NOIRE, LE (FR, Yves Robert, 1972)
Notes: Includes bibliographical references and index
ISBN: 0851708005(cased) : ¦45.00; 0851708005
LON: 21532807

Call No: 81GOD BRO
Author: Brody, Richard
Edition: 1st Paperback edition
Source: US
Place: New York
Publisher: Metropolitan Books / Henry Holt and Company
PubDate: 2009
PhysDes: xv, 701 p. : ill. ; 24 cm
Subject: CRITICISM; GODARD, JEAN-LUC; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); VIVRE SAVIE (FR, Jean-Luc Godard, 1962); PETIT SOLDAT, LE (FR, Jean-Luc Godard, 1963); WOMAN IS A WOMAN, A (FR, Jean-Luc Godard, 1961); FEMME EST UNE FEMME, UNE (FR, Jean-Luc Godard, 1961); CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963); CONTEMPT (FR/IT, Jean-Luc Godrad, 1963) SEE MEPRIS, LE; MEPRIS, LE (FR/IT, Jean-Luc Godard, 1963); MARRIED WOMAN, THE (FR, Jean-Luc Godard, 1964) SEE FEMME MARIEE, UNE; FEMME MARIEE, UNE (FR, Jean-Luc Godard, 1964); ALPHAVILLE (FR, Jean-Luc Godard, 1965); PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965); MASCULIN-FEMININ (FR, Jean-Luc Godard, 1966); MASCULINE FEMININE (FR, Jean-Luc Godard, 1966); TWO OR THREE THINGS I KNOW ABOUT HER (FR, Jean-Luc Godard, 1967) SEE [DEUX] 2 OU 3 CHOSES QUE JE SAIS D'ELLE; [DEUX] 2 OU 3 CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); LA CHINOISE (FR, Jean-Luc Godard, 1967); FRANCE/TOUR/RETOUR/DEUX ENFANTS [TV](FR, Jean-Luc Godard, 1978); SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980); HAIL, MARY (FR/SZ, Jean-Luc Godard, 1985) SEE JE VOUS SALUE MARIE; JE VOUS SALUE MARIE (FR/SZ, Jean-Luc Godard, 1985); DETECTIVE (FR, Jean-Luc Godard, 1985); SOIGNE TA DROITE (FR/SZ, Jean-Luc Godard, 1987); KING LEAR (US/SZ, Jean-Luc Godard, 1987); HISTOIRE(S) DU CINEMA (SZ/FR, Jean-Luc Godard, 1997); NOUVELLE VAGUE (Fr, Jean-Luc Godard, 1990); GERMANY YEAR 90 (FR, Jean-Luc Godard, 1991) SEE ALLEMAGNE NEUF ZERO; ALLEMAGNE NEUF ZERO (FR, Jean-Luc Godard, 1991); HELAS POUR MOI (SZ/FR, Jean-Luc Godard, 1983); FOR EVER MOZART (SZ/FR, Jean-Luc Godard, 1996); ELOGE DE L'AMOUR (SZ, Jean-Luc Godard, 2001)
Summary: "Shifting fluidly from fiction to documentary, from criticism to art, the films of Jean-Luc Godard changed the nature of cinema. Godard's own persona - cultural hero, fierce loner, shrewd businessman - projects similarly shifting images. In the modern canon, he is a figure as mysterious as he is indispensible. Now, acclaimed critic Richard Brody offers the fullest picture yet of Godard's life and work, demsytifying the elusive filmmaker through hundreds of interviews with friends, relatives, and collaborators. He vividly depicts Godard's wealthy family, his changeable and often disturbing politics, his tumultuous dealings with fellow filmmakers, and his troubled relations with women. Tracing an arc from the director's early writing, through his popular success with Breathless and Contempt, to the grand vision of his later years, Everything Is Cinema shows decisively that Godard's films have left their mark on all screens, everywhere. -- BOOK BLURB
Notes: "NBCC Award. Criticism. Nominees" -- Awards website; Includes bibliographical references (p. [635]-675) and index; We have a duplicate copy of this book
ISBN: 9780805080155
Contents: -- preface -- 1: We do not think, we are thought -- 2: A matter of loving or dying -- 3: Breathless -- 4: Le petit soldat -- 5: A woman is a woman -- 6: Vivre sa vie, le nouveau monde, les carabiniers -- 7: Contempt -- 8: Montparnasse et levallois, band of outsiders -- 9: A married woman -- 10: The American business -- 11: Alphaville -- 12: Pierrot le fou -- 13: Masculine feminine -- 14: Made in USA, two or three things I know about her -- 15: La chinoise, weekend -- 16: Revolution (1968-1972) -- 17: Restoration (1973-1977) -- 18: France tour de´tour deux enfants, et al., 1978-1979 -- 19: Sauve qui peut (la vie) -- 20: Passion and first name: Carmen -- 21: Hail Mary -- 22: Detective and soigne ta droite -- 23: King Lear -- 24: Histoire(s) du cine´ma, part I -- 25: Nouvelle vague -- 26: Germany year 90 nine zero -- 27: He´las pour moi, JLG/JLG, histoire(s) du cine´ma, parts 2 and 3 -- 28: For ever Mozart, histoire(s) du cine´ma, part 4 -- 29: Eloge de l'amour -- 30: Notre musique -- epilogue -- acknowledgments -- notes -- index --

Call No: 66(049.3)
Author: Geiger, Jeffrey; Rutsky, R.L.
Edition: 2013
Place: New York : London
Publisher: W. W. Norton & Company, Inc.
PhysDes: 1152 pp ; 23 cm
Subject: VOYAGE A PAIMPOL, LE (FR, John Berry, 1985); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); NANIWA EREJI NANIWA HIKA (JA, Kenji Mizoguchi, 1936); REGLE DU JEU, LA (FR, Jean Renoir, 1939); ROMA CITTA APERTA (IT, Roberto Rossellini, 1945); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); CABINET DES DR. CALIGARI, DAS (G, Robert Wiene, 1920); TOKYO MONOGATARI (JA, Yasujiro Ozu, 1953); SHICHININ NO SAMURAI (JA, Akira Kurosawa, 1954); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); QUATRE CENTS COUPS, LES (FR, Francois Truffaut, 1959); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); ANGST ESSEN SEELE AUF (GW, Rainer Werner Fassbinder, 1974); ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976); DO MA DAN (HK, Tsui Hark, 1986); NAMA-YE NAZDIK (IR, Abbas Kiarostami, 1990); DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991); TODO SOBRE MI MADRE (SP/FR, Pedro Almodovar, 1999); FA YEUNG NIN WA (HK, Wong Kar-Wai, 2000)
Notes: Fifty essays on fifty films—by a who’s-who of film studies. Film Analysis offers concise analyses of fifty diverse and historically significant films—each written exclusively for the text by a leading scholar. Written with the undergraduate in mind, the essays are clear, readable, and great models for students to follow in helping them to hone their own writing. The Second Edition includes six new essays, a new, detailed guide to writing film analysis, and an extensive, up-to-date glossary of critical film terms. -- publisher's web site.
ISBN: 9780393923247
Contents: Preface -- Introduction -- Arrival of a Train at La Ciotat (1895-1897), Lumière Brothers / Karin Littau -- A Trip to the Moon (1902), Georges Méliès / Tom Gunning -- The Birth of a Nation (1915), D. W. Griffith / Daniel Bernardi -- The Cabinet of Dr. Caligari (1920), Robert Wiene / Paul Coates -- Nanook of the North (1922), Robert J. Flaherty / Jeffrey Geiger -- Sherlock, Jr. (1924), Buster Keaton / Hal Gladfelder -- Battleship Potemkin (1926), Sergei Eisenstein / Bill Nichols -- Metropolis (1927), Fritz Lang / R. L. Rutsky -- Un chien andalou (1929), Luis Buñuel and Salvador Dalí / Tom Conley -- It Happened One Night (1934), Frank Capra / Richard Maltby -- Modern Times (1936), Charlie Chaplin / Charles J. Maland -- Osaka Elegy (1936), Mizoguchi Kenji / Joanne Bernardi -- Bringing Up Baby (1938), Howard Hawks / S. I. Salamensky -- The Rules of the Game (1939), Jean Renoir / Christopher Faulkner -- Stagecoach (1939), John Ford / Matthew Bernstein -- Citizen Kane (1941), Orson Welles / James Naremore -- Casablanca (1942), Michael Curtiz / Dana Polan -- Meshes of the Afternoon (1943), Maya Deren and Alexander Hammid / Juan A. Suarez -- Double Indemnity (1944), Billy Wilder / Gaylyn Studlar -- Rome Open City (1945), Roberto Rossellini / Marcia Landy -- Bicycle Thieves (1948), Vittorio De Sica / Geoffrey Nowell-Smith -- The Red Shoes (1948), Michael Powell and Emeric Pressburger / Ian Christie -- Rashomon (1950), Kurosawa Akira / Aaron Kerner -- Singin’ in the Rain (1952), Stanley Donen and Gene Kelly / Jane Feuer -- Tokyo Story (1953), Ozu Yasujiro / David Desser -- Rear Window (1954), Alfred Hitchcock / Elizabeth Cowie -- Seven Samurai (1954), Kurosawa Akira / Mitsuhiro Yoshimoto -- Pather Panchali (1955), Satyajit Ray / Neepa Majumdar -- The Seventh Seal (1956), Ingmar Bergman / Marilyn Johns Blackwell -- The 400 Blows (1959), François Truffaut / Alastair Phillips -- Breathless (1960), Jean-Luc Godard / Richard Neupert -- 8 1/2 (1963), Federico Fellini / Kriss Ravetto-Biagioli -- 2001: A Space Odyssey (1968), Stanley Kubrick / Robert Kolker -- The Godfather (1972), Francis Ford Coppola / Jon Lewis -- Ali: Fear Eats the Soul (1974), Rainer Werner Fassbinder / Shohini Chaudhuri -- Chinatown (1974), Roman Polanski / Steve Neale -- The Last Supper (1976), Tomás Gutiérrez Alea / Gilberto M. Blasini -- Taxi Driver (1976), Martin Scorsese / Cynthia Fuchs -- Ceddo (1977), Ousmane Sembene / Philip Rosen -- Peking Opera Blues (1986), Tsui Hark / Jenny Kwok Wah Lau -- Yeelen (1987), Souleymane Cissé / N. Frank Ukadike -- Do the Right Thing (1989), Spike Lee / Sharon Willis -- Close-up (1989), Abbas Kiarostami / Hamid Naficy -- To Sleep with Anger (1990), Charles Burnett / Valerie Smith -- Raise the Red Lantern (1991), Zhang Yimou / Shuqin Cui -- Daughters of the Dust (1991), Julie Dash / Anna Everett -- Pulp Fiction (1994), Quentin Tarantino / A. J. Haynes -- All About My Mother (1999), Pedro Almodóvar / Paul Julian Smith -- In the Mood for Love (2000), Wong Kar Wai / Gina Marchetti -- Caché (Hidden) (2005), Michael Haneke / Kevin Sherman -- / Film Analysis: Approaches and Strategies -- Glossary of Critical Terms
ID2: 182

Call No: 81GOD STE
Author: Sterritt, David
Source: UK/US
Place: Cambridge
Publisher: Cambridge University Press
PubDate: 1999
PhysDes: xiv, 297 p. : ill. ; 23 cm
Series: Cambridge film classics
Subject: CRITICISM; AESTHETICS; NOUVELLE VAGUE; POSTMODERNISM AND THE CINEMA; MODERNISM AND THE CINEMA; GODARD, JEAN-LUC; BREATHLESS (FR, Jean-Luc Godard, 1959); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); MY LIFE TO LIVE (FR, Jean-Luc Godard, 1962) SEE VIVRE SAVIE; VIVRE SAVIE (FR, Jean-Luc Godard, 1962); WEEK-END (FR/IT, Jean-Luc Godard, 1968); NUMERO DEUX (FR, Jean-Luc Godard, 1975); NUMERO DEUX (FR, Jean-Luc Godard, 1975); HAIL, MARY (FR/SZ, Jean-Luc Godard, 1985) SEE JE VOUS SALUE MARIE; JE VOUS SALUE MARIE (FR/SZ, Jean-Luc Godard, 1985); NOUVELLE VAGUE (Fr, Jean-Luc Godard, 1990)
Summary: "The films of Jean-Luc Godard examines the work of one of the most versatile and influential filmmakers in the history of cinema. With a career ranging from France's revolutionary New Wave movement in the early 1960s, through a period of drastic political experimentation in the late 1960s and 1970s, to a current introspective period in which he explores issues of spirituality, sexuality, and the aesthetics of sound, image, and montage, Godard's work defies easy categorization. In this study, David Sterritt offers an introductory overview of Godard's work as a filmmaker, critic, and video artist. He then traces Godard's visionary ideas through six of his key films: Breathless, My Life to Live, Weekend, Numero deux, Hail Mary, and Nouvelle Vague. Also included is a concise analysis of his work in video, television, and mixed-media formats. Linking works by Godard to key social and cultural developments, The Films of Jean-Luc Godard explains their importance in modernist and postmodernist art of the last half century. " -- BOOK BLURB
Notes: Filmography: p. 281-290 Includes bibliographical references (p. 279-280) and index
ISBN: 0521589711
Contents: -- list of illustrations -- acknowledgments -- 1. Introduction -- 2. Breathless -- 3. My Life to Live -- 4. Weekend -- 5. Numero deux -- 6. Hail Mary -- 7. Nouvelle Vague -- 8. Video and Television -- notes -- select bibliography -- filmography -- index --

Call No: 71(44) FRE
Author: Hayward, Susan, 1945; Vincendeau, Ginette, 1948
Edition: 2nd ed
Place: London
Publisher: Routledge
PubDate: 2000
PhysDes: xvii, 348 p. : ill., ports. ; 25 cm
Subject: FRANCE; PAGNOL, MARCEL; MARIUS (FR, Alexander Korda/Marcel Pagnol, 1931); FANNY (FR, Marc Allegret, 1932); CESAR (FR, Marcel Pagnol, 1936); BETE HUMAINE, LA (FR, Jean Renoir, 1938); JOUR SE LEVE, LE (FR, Marcel Carne, 1939); ENFANTS DU PARADIS, LES (FR, Marcel Carne, 1945); JOURNAL D'UN CURE DE CAMPAGNE (FR, Robert Bresson, 1951); VACANCES DE M. HULOT, LES (FR, Jacques Tati, 1953); CASQUE D'OR (FR, Jacques Becker, 1952); QUATRE CENTS COUPS, LES (FR, Francois Truffaut, 1959); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); MEPRIS, LE (FR/IT, Jean-Luc Godard, 1963); SAMOURAI, LE (FR/IT, Jean-Pierre Melville, 1967); MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969); VALSEUSES, LES (FR, Bertrand Blier, 1974); LACOMBE LUCIEN (FR/IT/GW, Louis Malle, 1974); NUITS DE LA PLEINE LUNE, LES (FR, Eric Rohmer, 1984); SANS TOIT NI LOI (FR, Agnes Varda, 1985); CYRANO DE BERGERAC (FR, Jean-Paul Rappeneau, 1990); NIKITA (FR/IT, Luc Besson, 1990); HAINE, LA (FR, Mathieu Kassovitz, 1995); CRIME DE M. LANGE, LE (FR, Jean Renoir, 1936); AIR DE PARIS, L' (FR, Marcel Carne, 1954); COUP DE FOUDRE (FR, Diane Kury, 1983)
Notes: Previous ed.: 1990; Includes index; Bibliography
ISBN: 0415161177 : ª45.00; 0415161185(pbk.) : ª13.99
LON: 21217432

Call No: 81GOD
Author: MacCabe, Collin
Source: UK
Place: London
Publisher: Macmillan
PubDate: 1980
PhysDes: 175 p. : ill. ; 23 cm
Series: British Film Institute cinema series
Subject: AVANT-GARDE FILMS; THEORY; POLITICS AND THE CINEMA; GODARD, JEAN-LUC; GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); FEMME MARIEE, UNE (FR, Jean-Luc Godard, 1964); VENT D'EST (FR/IT/GW, Jean-Luc Godard & Dziga Vertov Group, 1970); LUTTES EN ITALIE (FR/IT Jean-Luc Godard & Jean-Pierre GORIN, 1969); TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972); BRITISH SOUNDS (UK, Jean-Luc Godard & Jean-Henri Roger, 1969); PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965); NUMERO DEUX (FR, Jean-Luc Godard, 1975); PRAVDA (FR, Jean-Luc Godard, 1970)
Notes: "Check list of Godard's work in film and television": p. 169-173. Bibliography: p. 174-175.
ISBN: 0333290747
Language: English

Call No: 81GOD JEA
Source: UK
Place: New York
Publisher: Museum of Modern Art : Distributed by H.N. Abrams
PubDate: c1992
PhysDes: 240 p. : ill. (some col.) ; 32 cm
Subject: NOUVELLE VAGUE; CAHIERS DU CINEMA; POLITICS AND THE CINEMA; SPECTATORSHIP; THEORY; PSYCHOANALYSIS AND THE CINEMA; TELEVISION AND THE ARTS; AUTEUR THEORY; TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972); FEMME EST UNE FEMME, UNE (FR, Jean-Luc Godard, 1961); WOMAN IS A WOMAN, A (FR, Jean-Luc Godard, 1961); VIVRE SAVIE (FR, Jean-Luc Godard, 1962); CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963); MEPRIS, LE (FR/IT, Jean-Luc Godrad, 1963); BANDE A PART (FR, Jean-Luc Godard, 1964); FEMME MARIEE, UNE (FR, Jean-Luc Godard, 1964); ALPHAVILLE (FR, Jean-Luc Godard, 1965); PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965); MASCULIN-FEMININ (FR, Jean-Luc Godard, 1966); WEEK-END (FR/IT, Jean-Luc Godard, 1968); GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969); ONE PLUS ONE (UK, Jean-Luc Godard, 1968); ONE A.M. (FR/US, Jean-Luc Godard, 1968); BRITISH SOUNDS (UK, Jean-Luc Godard & Jean-Henri Roger, 1969); PRAVDA (FR, Jean-Luc Godard, 1970); VENT D'EST (FR/IT/GW, Jean-Luc Godard & Dziga Vertov Group, 1970); [DEUX] 2 OU 3 CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); WEEK-END (FR/IT, Jean-Luc Godard, 1968); CHINOISE, LA (FR, Jean-Luc Godard, 1967); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); LUTTES EN ITALIE (FR/IT Jean-Luc Godard & Jean-Pierre GORIN, 1969); TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972); SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980); PASSION (FR/SZ, Jean-Luc Godard, 1982); JE VOUS SALUE MARIE (FR/SZ, Jean-Luc Godard, 1985); SOIGNE TA DROITE (FR/SZ, Jean-Luc Godard, 1987); NOUVELLE VAGUE (Fr, Jean-Luc Godard, 1990); PRENOM CARMEN (FR/SW, Jean-Luc Godard, 1983)
Notes: "Published on the occasion of the exhibition ... October 30-November 30, 1992, organized by Mary Lea Bandy, director, Laurence Kardish, curator, and Barbara London, assistant curator, video ... and Colin MacCabe, guest curator"--T.p. verso. Filmography: p. 232-235. Includes bibliographical references (p. 236-238) Some articles translated from the French.
ISBN: 0810961148
Language: English

Call No: 81GOD MOR
Author: Morrey, Douglas
Source: UK/US
Place: Manchester and New York
Publisher: Manchester University Press
PubDate: 2005
PhysDes: 271 p : ill. ; 22 cm
Series: French film directors
Subject: CRITICISM; FRANCE; THEORY; GODARD, JEAN-LUC; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); VIVRE SAVIE (FR, Jean-Luc Godard, 1962); PETIT SOLDAT, LE (FR, Jean-Luc Godard, 1963); MASCULIN-FEMININ (FR, Jean-Luc Godard, 1966); LA CHINOISE (FR, Jean-Luc Godard, 1967); WEEK-END (FR/IT, Jean-Luc Godard, 1968); GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969); PRAVDA (FR, Jean-Luc Godard, 1970); TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972); ICI ET AILLEURS (FR, Jean-Luc Godard & Anne-Marie Mieville, 1976); NUMERO DEUX (FR, Jean-Luc Godard, 1975); NUMERO DEUX (FR, Jean-Luc Godard, 1975); HELAS POUR MOI (SZ/FR, Jean-Luc Godard, 1983); HISTOIRE(S) DU CINEMA (SZ/FR, Jean-Luc Godard, 1997); ELOGE DE L'AMOUR (SZ, Jean-Luc Godard, 2001)
Summary: "This volume offers a new interpretation of one of the most innovative directors in the history of cinema. It is the first book to cover the whole of Godard's career, from the early successes of the French New Wave, through the political works of the late 1960s and 1970s and the difficult films of the 1980s, to the recent triumphs of Histoire(s) du cinema and Eloge de l'amour. Drawing on a wide range of literary, filmic and philosophical texts, the book places Godard's work within its intellectual context in France, examining how developments in French culture and thought since 1950 have been mirrored in - and sometimes anticipated by - Godard's films. At the same time, numerous sequences from Godard's films are singled out for close analysis in order to demonstrate how the director's radical approaches to narrative, editing, sound and shot composition have made the cinema into an analytical tool in its own right - a machine for thinking. The book will be useful to all students of Godard's films, and of interest to scholars of modern and contemporary French cinema, culture and thought. " -- BOOK BLURB
Notes: Formerly CIP; Filmography: p. [244]-262; Includes bibliographical references (p. [263]-264) and index
ISBN: 0719067596
Contents: -- list of plates -- series editors' foreword -- acknowledgments -- 1. necessity or contingency: Godard as film critic, 1950-59 -- 2. scenes from domestic life: 1960-65 -- 3. outside: 1960-62 -- 4. end of the beginning/beginning of the end: 1966-67 -- 5. schooling: 1968-72 -- 6. home movies: 1974-78 -- 7. love and work: 1979-84 -- 8. smiling with regret: 1984-90 -- 9. the sense of an ending: 1991-96 -- 10. old man river: 1998- -- conclusion -- filmography -- select bibliography -- index --

Call No: REFERENCE SECTION; 02 WOL
Author: Wolf, William; Wolf, Lillian Kramer
Place: London
Publisher: Paddington Press
PubDate: 1979
PhysDes: 429 p. : ill. ; 25 cm
Subject: BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927); JAZZ SINGER, THE (US, Alan Crosland, 1927); LITTLE CAESAR (US, Mervyn LeRoy, 1931); FRANKENSTEIN (US, James Whale, 1931); DUCK SOUP (US, Leo McCarey, 1933); IT HAPPENED ONE NIGHT (US, Frank Capra, 1934); THIRTY-NINE STEPS, THE (UK, Alfred Hitchcock, 1935); MODERN TIMES (US, Charles Chaplin, 1936); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); STAGECOACH (US, John Ford, 1939); GONE WITH THE WIND (US, Victor Fleming, 1939); GRAPES OF WRATH, THE (US, John Ford, 1940); FANTASIA (US, Walt Disney, 1940); CITIZEN KANE (US, Orson Welles, 1941); ROMA CITTA APERTA (IT, Roberto Rossellini, 1945); RASHOMON (JA, Akira Kurosawa, 1950); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); CHAGRIN ET LA PITIE, LE (SZ/GW, Marcel Ophuls, 1971); PATHER PANCHALI (II, Satyajit Ray, 1955); ROOM AT THE TOP (UK, Jack Clayton, 1959); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); 8 1/2 (IT/FR, Federico Fellini, 1963); DR STRANGELOVE (UK, Stanley Kubrick, 1964); ULYSSES (UK/US, Joseph Strick, 1967); BONNIE AND CLYDE (US, Arthur Penn, 1967); 2001: A SPACE ODYSSEY (US, Stanley Kubrick, 1968); Z (FR/AE, Constantin Costa-Gavras, 1969); EASY RIDER (US, Dennis Hopper, 1969); SWEET SWEETBACK'S BAADASSSSS SONG (US, Melvin Van Peebles, 1971); DEEP THROAT (US, Jerry Gerard, 1972); HEAVY TRAFFIC (US, Ralph Bakshi, 1973); SLEEPER (US, Woody Allen, 1973); NASHVILLE (US, Robert Altman, 1975); PASQUALINO SETTEBELLEZZE (IT, Lina Wertmuller, 1976); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957)
Notes: incl. index
ISBN: 0709208758
LON: vtb00270168; 10429365

Call No: 67(04) KAE
Author: Kael, Pauline
Place: London
Publisher: Cape
PubDate: 1966
PhysDes: ix, 365 p. ; 22 cm.
Subject: CRITICISM; CARROSSE D`OR, LE (FR/IT, Jean Renoir, 1953); SOMMARNATTENS LEENDE (SW, Ingmar Bergman, 1956); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); JEUX INTERDITS (FR, Rene Clement, 1952); SCIUSCIA (IT, Vittorio De Sica, 1946); SHICHININ NO SAMURAI (JA, Akira Kurosawa, 1954); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); WEST SIDE STORY (US, Robert Wise, 1961); AVVENTURA, L' (IT/FR, Michelangelo Antonioni, 1960); ONE, TWO, THREE (US/GW, Billy Wilder, 1961); MARK, THE (UK, Guy Green, 1961); INNOCENTS, THE (UK, Jack Clayton, 1962); NOTTE, LA (IT/FR, Michelangelo Antonioni, 1961); ANNÉE DERNIÈRE À MARIENBAD, L' (FR, Alain Resnais, 1961); DOLCE VITA, LA (FR/IT, Federico Fellini, 1960); TASTE OF HONEY, A (UK, Tony Richardson, 1961); VICTIM (UK, Basil Dearden, 1961); LOLITA (US, Stanley Kubrick, 1962); JULES ET JIM (FR, Francois Truffaut, 1962); NOBI (JA, Kon Ichikawa, 1959); BILLY BUDD (UK, Peter Ustinov, 1962); YOJIMBO (JA, Akira Kurosawa, 1961); DEVI (II, Satyajit Ray, 1960); 8 1/2 (IT/FR, Federico Fellini, 1963)
Summary: A collection of Kael's writings on cinema including reviews mostly from 1961-1963.
Notes: Includes index.
LON: nun00460852; 4159070

Call No: 408.3 MED
Author: Skovmand, Michael; Schrªder, Kim
Place: London New York
Publisher: Routledge
PubDate: 1992
PhysDes: viii, 222 p. ; 22 cm
Subject: MEDIA; NATIONAL IDENTITY AND TV. EUROPEAN COUNTRIES; NEWS PROGRAMMES; CULTURAL IMPERIALISM. EUROPEAN COUNTRIES; AUDIENCES; CULT FILMS; INTERNATIONAL BROADCASTING; NATIONAL CULTURE AND TV; SYDICATION; POSTMODERNISM AND TV/VIDEO; PUBLIC BROADCASTING; GULF WAR ON TV; BRITISH BROADCASTING CORPORATION; CABLE NEWS NETWORK; NORSK RIKSKRINGKASTING; BOGART, HUMPHREY; POTTER, DENNIS; CASABLANCA (US, Michael Curtiz, 1942); ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975); WHEEL OF FORTUNE [TV] (US, 1975-); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); BREATHLESS (US, Jim McBride, 1983); PENNIES FROM HEAVEN (US, Herbert Ross, 1981)
Notes: Includes bibliographical references and index
ISBN: 0415063841; 041506385X (pbk.)
LON: 8457888

Call No: 626 FAL
Author: Falzon, Christopher
Edition: third edition
Place: London
Publisher: Routledge
PubDate: 2002
PhysDes: 330p. : illustrations ; 24 cm
Subject: PHILOSOPHY AND THE CINEMA; THEORY; FOUCAULT, MICHEL; A NOUS, LA LIBERTE! (FR, Rene Clair, 1931); ADDICTION, THE (US, Abel Ferrara, 1995); AGNES OF GOD (US, Norman Jewison, 1985); AGUIRRE, DER ZORN GOTTES (GW, Werner Herzog, 1972); ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997); ALL OF ME (US, Carl Reiner, 1984); ALPHAVILLE (FR, Jean-Luc Godard, 1965); AMADEUS (US, Milos Forman, 1984); AMATEUR (US, Hal Hartley, 1994); ANGEL HEART (US, Alan Parker, 1987); ANTZ (US, Eric Darnell, Lawrence Guterman & Tim Johnson II, 1998); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BASIC INSTINCT (US, Paul Verhoeven, 1992); BEAVIS AND BUTTHEAD DO AMERICA (US, Mike Judge, 1996); BEDAZZLED (US, Stanely Donen, 1967); BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); BEING THERE (US, Hal Ashby, 1979); BIG (US, Penny Marshall, 1988); BIG SLEEP, THE (US, Howard Hawkes, 1946); BLADE RUNNER (US, Ridley Scott, 1982); BLAISE PASCAL (IT, Roberto Rossellini, 1972); BLUE VELVET (US, David Lynch, 1986); BOB ROBERTS (US, Tim Robbins, 1992); BRAZIL; BREAKER MORANT (AT, Bruce Beresford, 1980); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); CABARET (US, Bob Fosse, 1972); CASABLANCA (US, Michael Curtiz, 1942); CASPER (US, Brad Silberling, 1995); CHANCES ARE (US, Emile Ardolino, 1989); CHINATOWN (US, Roman Polanski, 1974); CINEMA PLUS; CITIZEN KANE (US, Orson Welles, 1941); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); COLOSSUS: FORBIN PROJECT (US, Joseph Sargent, 1970); CONFORMISTA, IL (IT/FR, Bernardo Bertolucci, 1970); COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); CRIMES AND MISDEMEANORS (US, Woody Allen, 1989); CRIMES OF PASSION (US, Ken Russell, 1984); CRUCIBLE, THE (US, Nicholas Hytner, 1996); CRYING GAME, THE (UK, Neil Jordan, 1992); DANGEROUS LIAISONS (US, Stephen Frears, 1988); DARK CITY (US, Alex Proyas, 1997); DARK STAR (US, John Carpenter, 1974); DEAD AGAIN (US, Kenneth Branagh, 1991); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); DRACULA (US, Tod Browning, 1931); EASY RIDER (US, Dennis Hopper, 1969); EDUCATING RITA (UK, Lewis Gilbert, 1983); ELEPHANT MAN, THE (US, David Lynch, 1980); ENEMY OF THE STATE (US, Tony Scott, 1998); JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974); FACE/OFF (US, John Woo [pseud. of Wu Yusen], 1997); FAHRENHEIT 451 (UK, Francois Truffaut, 1966); FATAL ATTRACTION (US, Adrian Lyne, 1987); FIVE EASY PIECES (US, Bob Rafelson, 1970); FLY, THE (US, David Cronenberg, 1986); FORTRESS (AT/US, Stuart Gordon, 1993); FRANKENSTEIN (US, James Whale, 1931); FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996); FULL METAL JACKET (UK, Stanley Kubrick, 1987); GATTACA (US, Andrew Niccol, 1997); GHOST (US, Jerry Zucker, 1990); GHOSTS. . . OF THE CIVIL DEAD (AT, John Hillcoat, 1988); ANGST DES TORMANNS BEIM ELFMETER, DIE (GW/AU, Wim Wenders, 1972); GROUNDHOG DAY (US, Harold Ramis, 1993); HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990); HANNAH AND HER SISTERS (US, Woody Allen, 1986); HE SAID, SHE SAID (US, Ken Kwapis and Marisa Silver, 1991); HIGH HOPES (UK, Mike Leigh, 1988); HIGH NOON (US, Fred Zinnemann, 1952); HILARY AND JACKIE (UK, Anand Tucker, 1998); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); IF... (UK, Lindsay Anderson, 1968); INHERIT THE WIND (US, Stanley Kramer, 1960); INTERIORS (US, Woody Allen, 1978); INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961); JURASSIC PARK (US, Steven Spielberg,, 1993); KOYAANISQATSI (US, Godfrey Reggio, 1982); LADYBIRD, LADYBIRD (UK, Kenneth Loach, 1994); ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976); MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979); LOVE AND DEATH (US, Woody Allen, 1975); M (G, Fritz Lang, 1931); MAD MAX (AT, George Miller, 1979); MALTESE FALCON, THE (US, John Huston, 1941); MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962); MATEWAN (US, John Sayles, 1987); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); MONTY PYTHON'S THE MEANING OF LIFE (UK, Terry Jones, 1983); MEPHISTO (HU/GW, Istvan Szabo, 1981); METROPOLIS (G, Fritz Lang, 1926); MISSION, THE (UK, Roland Joffe, 1986); MODERN TIMES (US, Charles Chaplin, 1936); MON ONCLE (FR/IT, Jacques Tati, 1958); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); MONTY PYTHON'S FLYING CIRCUS[TV] (UK, 1969-1974); MY FAIR LADY (US, George Cukor, 1964); NAME DER ROSE, DER (GW/IT/FR, Jean-Jacques Annaud, 1986); NORMA RAE (US, Martin Ritt, 1979); NUTTY PROFESSOR, THE (US, Jerry Lewis, 1963); O LUCKY MAN! (UK, Lindsay Anderson, 1973); OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928); OLIVIER, OLIVIER (FR, Agnieszka Holland, 1992); ON THE BEACH (US, Stanley Kramer, 1959); ON THE WATERFRONT (US, Elia Kazan, 1954); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); PEOPLE VS LARRY FLYNT, THE (US, Milos Forman, 1996); PLAYER, THE (US, Robert Altman, 1992); PLAYTIME (FR, Jacques Tati, 1967); PRINCESS BRIDE, THE (US, Rob Reiner, 1987); PURA FORMALITA, UNA (IT/FR, Guiseppe Tornatore, 1994); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); QUIZ SHOW (US, Robert Redford, 1994); RAIN (US, Louis Milestone, 1932); RAIN MAN (US, Barry Levinson, 1988); RAPTURE, THE (US, Michael Tolkin, 1991); RASHOMON (JA, Akira Kurosawa, 1950); REAR WINDOW (US, Alfred Hitchcock, 1954); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982); ROBOCOP (US, Paul Verhoeven, 1987); ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990); SALT OF THE EARTH (US, Herbert J. Biberman, 1954); SAVING PRIVATE RYAN (US, Steven Spielberg, 1998); SCHINDLER'S LIST (US, Steven Spielberg, 1993); SEA OF LOVE (US, Harold Becker, 1989); SEVEN [SE7EN] (US, David Fincher, 1995); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); SHOCKER (US, Wes Craven, 1989); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); SIMON DEL DESIERTO (MX, Luis Bunuel, 1965); SLEEPER (US, Woody Allen, 1973); SOPHIE'S CHOICE (US, Alan J. Pakula, 1982); STAGE FRIGHT (UK, Alfred Hitchcock, 1950); STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982); STAR TREK; STAR WARS (US, George Lucas, 1977); SUTURE (US, Scott McGehee & David Siegel, 1993); SWITCH (US, Blake Edwards, 1991); TERMINATOR, THE (US, James Cameron, 1984); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961); THINGS TO COME (UK, William Cameron Menzies, 1936); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); THREE FACES OF EVE (US, Nunnally Johnson, 1957); TOTAL RECALL (US, Paul Verhoeven, 1990); TRUMAN SHOW, THE (US, Peter Weir, 1998); USUAL SUSPECTS, THE (US, Bryan Singer, 1995); VICE VERSA (US, Brian Gilbert, 1988); JUNGFRUKALLAN (SW, Ingmar Bergman, 1960); WAG THE DOG (US, Barry Levinson, 1997); WALL STREET (US, Oliver Stone, 1987); WILD ONE, THE (US, Laslo Benedek, 1953); WITTGENSTEIN (UK, Derek Jarman, 1993); YOU ONLY LIVE ONCE (US, Fritz Lang, 1937)
Summary: Now emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the two earlier editions so successful. Drawing on many popular and some lesser known films from around the world, Christopher Falzon introduces students to key areas in philosophy, like: Ethics, Social and Political Philosophy, The Theory of Knowledge, The Self and Personal Identity, Critical Thinking. Perfect for beginners, this book guides the reader through philosophy using illuminating cinematic works, like Avatar, Inception, Fight Club, Wings of Desire, Run Lola Run, A Clockwork Orange, Blade Runner, Dirty Harry and many other films. The fully revised and updated Third Edition features: an expanded introduction that provides a new discussion of the relationship between film and philosophy; new material on notable philosophers such as Aristotle, Merleau-Ponty and Rawls; and coverage of new topics like virtue ethics and what Socrates offers for critical thinking. An updated glossary, references and bibliography, and a filmography, are also included in the Third Edition. -- publisher's web site
Notes: Includes glossary
ISBN: 9780415538169
Contents: Preface -- Introduction -- 1 - Plato’s Picture Show - the theory of knowledge -- 2 - All of Me - the self and personal identity -- 3 - Crimes and Misdemeanors - moral philosophy -- 4 - Antz - social and political philosophy -- 5 - Modern Times - society, science, and technology -- 6 - The Holy Grail - critical thinking -- Further Reading -- Glossary -- Bibliography -- Filmography -- Index