Search Catalogue

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills; Publicity
Subject: ABOUT FACE (AT, Gregory Quail, 2001)

Author: Reid, John Howard [editor, annotator & reviewer]
PhysDes: Article
Subject: ABOUT FACE (US, Kurt Neumann, 1942)
Notes: Review from "Twelve Thousand Motion Pictures" article. - Barrie Pattison (assistant reviewer)

Author: Reid, John Howard [editor, annotator & reviewer]
PhysDes: Article
Subject: ABOUT FACE (US, Roy Del Ruth, 1952)
Notes: Review from "Twelve Thousand Motion Pictures" article. - Barrie Pattison (assistant reviewer)

Call No: 753.1 ADA
Author: Harrison, Stephanie
Edition: First edition
Source: US
Place: New York
Publisher: Three Rivers Press
PubDate: c2005
PhysDes: xix, 619 p. : ill. ; 24 cm
Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; SHORT CUTS (US, Robert Altman, 1993); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); FACE IN THE CROWD, A (US, Elia Kazan, 1957); REAR WINDOW (US, Alfred Hitchcock, 1954); 2001: A SPACE ODYSSEY (US, Stanley Kubrick, 1968); A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001); MINORITY REPORT (US, Steven Spielberg, 2002); FREAKS (US, Tod Browning, 1932); FLY, THE (US, Kurt Neumann, 1958); RE-ANIMATOR (US, Stuart Gordon, 1985); STAGECOACH (US, John Ford, 1939); MAN CALLED HORSE, A (US, Elliot Silverstein, 1970); SMOKE SIGNALS (US, Chris Eyre, 1998); AMERICAN SPLENDOR (US, Shari Springer Berman & Robert Pulcini, 2003); GHOST WORLD (US, Terry Zwigoff, 2001); ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); MEET JOHN DOE (US, Frank Capra, 1941); WILD ONE, THE (US, Laslo Benedek, 1953); TOMORROW (US, Joseph Anthony, 1972); BRINGING UP BABY (US, Howard Hawks, 1938); SWIMMER, THE (US, Frank Perry, 1968); KILLERS, THE (US, Robert Siodmak, 1946); FALLEN IDOL, THE (UK, Carol Reed, 1948); MEMENTO (US, Christopher Nolan, 2000); CHRISTMAS STORY, A (US, Bob Clark, 1983); FIELD OF DREAMS (US, Phil Alden Robinson, 1989); RASHOMON (JA, Akira Kurosawa, 1950); DAMA S SOBACKOJ (UR, Iosif Hejfic, 1960); LADY WITH THE LITTLE DOG (UR, Iosif Hejfic, 1960); DARK EYES (IT/UR, Nikita Mihalkov, 1987); OCI CIORNIE (IT/UR, Nikita Mihalkov, 1987); SMOKE (US, Wayne Wang, 1995); JESUS' SON (US, Alison Maclean, 1999); IN THE BEDROOM (US, Todd Field, 2001); MR. BLANDINGS BUILDS HIS DREAM HOUSE (US, H.C. Potter, 1948); MY FRIEND FLICKA (US, Harold D. Schuster, 1943); LAST TIME I SAW PARIS, THE (US, Richard Brooks, 1954); SMOOTH TALK (US/UK, Joyce Chopra, 1985)
Summary: "Adaptations gathers together 35 pieces that have been the basis for films, many from giants of American literature (Hemingway, Fitzgerald) and many that have not been in print for decades (the stories that inspired Bringing Up Baby, Meet John Doe, and All About Eve)." "Categorized by genre, and featuring movies by master directors such as Steven Spielberg, Stanley Kubrick, Robert Altman, Frank Capra, and John Ford, as well as relative newcomers such as Chris Eyre and Christopher Nolan, Adaptations offers insight into the process of turning a short story into a screenplay, one that, when successful, doesn't take drastic liberties with the text upon which it is based, but doesn't mirror its source material too closely either."--BOOK JACKET.
Notes: Also issued online
ISBN: 1400053145
Contents: -- Jerry and Molly and Sam / Raymond Carver -- Blow-up / Julio Corta´zar -- Your Arkansas traveler / Budd Schulberg -- Rear window / Cornell Woolrich -- The sentinel / Arthur C. Clarke -- Supertoys last all summer long / Brian Aldiss -- The minority report / Philip K. Dick -- Spurs / Tod Robbins -- The fly / George Langelaan -- Herbert West--Reanimator: six shots by moonlight / H.P. Lovecraft -- Stage to Lordsburg / Ernest Haycox -- A man called Horse / Dorothy M. Johnson -- This is what it means to say Phoenix, Arizona / Sherman Alexie -- The Harvey Pekar name story / Harvey Pekar -- Ghost world-- Chapter 5: "Hubba Hubba" / Daniel Clowes -- The wisdom of Eve / Mary Orr -- A reputation / Richard Edward Connell -- Mr. Blandings builds his castle / Eric Hodgins -- Cyclists' raid / Frank Rooney -- Tomorrow / William Faulkner -- Bringing up Baby / Hagar Wilde -- Babylon revisited / F. Scott Fitzgerald -- The swimmer / John Cheever -- The killers / Ernest Hemingway -- The basement room / Graham Greene -- Memento mori / Jonathan Nolan -- Red Ryder nails the Hammond Kid / Jean Shepherd -- My friend Flicka / Mary O'Hara -- Shoeless Joe Jackson comes to Iowa / W.P. Kinsella -- In a grove / Ryunosuke Akutagawa -- The lady with the pet dog / Anton Chekhov -- Where are you going, where have you been? / Joyce Carol Oates -- Auggie Wren's Christmas story / Paul Auster -- Emergency / Denis Johnson -- Killings / Andre Dubus --

Call No: 792 AGE
Author: Agee, James
Place: London
Publisher: P. Owen
PubDate: 1965
PhysDes: viii, 488 p. : 21 cm
Subject: AFRICAN QUEEN, THE (US, John Huston, 1952); NIGHT OF THE HUNTER (US, Charles Laughton, 1955); FACE TO FACE (US, John Brahm & Bretaigne Windust, 1952)
LON: 7446592

Call No: 761 COR
Author: Corner, John, 1943
Place: Manchester New York, NY,
Publisher: Manchester University Press Distributed exclusively in the USA and Canada by St. Martin's Press
PubDate: 1996
PhysDes: 212 p. : ill. ; 24 cm
Subject: DOCUMENTARY FILMS; DOCUMENTARY DRAMAS; CINEMA VERITE; LIVING ON THE EDGE (UK, Michael Grigsby, 1987); LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980); ROGER AND ME (US, Michael Moore, 1989); HANDSWORTH SONGS (UK, John Akomfrah, 1986); COAL FACE (UK, Alberto Cavalcanti, 1935); HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935); LOOK IN ON LONDON (UK, 1956); CATHY COME HOME (UK, Ken Loach, 1966); WHEN THE DOG BITES (UK, Penny Woolcock, 1988)
Summary: "Documentary is a controversial and important area of media production. The art of record offers a fascinating insight into the functions of documentary in film and television. Documentary's attempts to depict reality, and to comment on it, have provoked disagreement from the 1920s to the present day. Recent debates about knowledge and representation, and about the changing character of publiv culture, have increased its interests and relevance. John Corner presents a clear overview of the theoretical issues and critical debates around documentary, and discusses the development of the main styles and approaches, including dramadocs and fly-on-the-wall. He also looks at the dual identity of work in documentary - as both artefact and as reference.The book provides a valuable detailed analysis of powerful documentary films and programmes such as the classic 1930s films Coalface and Housing Problems (on aspects of contemporary work and environment), Cathy Come Home (whose presentation of homelessness had an enormous impact) and The Life and Times of Rosie the Riveter (about the treatment of women in US factories during World War Two)." -- BOOK BLURB
Notes: Includes bibliographical references (p. [197]-201) and index
ISBN: 0719046866 (hardcover : alk. paper); 0719046874 (pbk. : alk. paper)
LON: 12095813

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BABY FACE NELSON (US, Donald Siegel, 1957)

Call No: 79LIF QUA
Author: Quantock, Rod
Source: AT
Place: Port Melbourne, Vic.
Publisher: Mammoth Australia
PubDate: 1992
PhysDes: 32 p. : ill. ; 25 cm
Subject: LIFT OFF: SERIES 2 [TV] (AT, Brendan Maher & Paul Nichola & Clarke Cameron & Boseley Ray, 1992)
Summary: Centred around the Backsacks, characters in the Lift off television series. For children.
ISBN: 1863301917
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BAKE-OFF 1978 (AT, Elizabeth O'Neill, 1978)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BETTER OFF DEAD (US, Savage Steve Holland, 1985)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: BILL AND TED FACE THE MUSIC (US/CN/IT, Dean Parisot, 2020)
Cross Reference: BILL AND TED FACE THE MUSIC (US/CN/IT, Dean Parisot, 2020)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BLOOD IN THE FACE (US, Anne Bohlen, Kevin Rafferty & James Ridgeway, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Publicity
Subject: BLUE IN THE FACE (US, Wayne Wang & Paul Auster, 1995)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BRASSED OFF (UK, Mark Herman, 1996)

Call No: 71(41) BRI
Author: Higson, Andrew; Ashby, Justine
Source: UK
Place: London New York, NY
Publisher: Routledge
PubDate: 2000
PhysDes: xx, 385 p. : ill. ; 24 cm
Subject: ASKEY, ARTHUR; ASSOCIATED BRITISH PICTURE CORPORATION; AUDIENCES. UK; BAKER, ROY WARD; BRASSED OFF (UK, Mark Herman, 1996); BRIEF ENCOUNTER (UK, David Lean, 1945); BOX, BETTY E.; EALING STUDIOS; GREENAWAY, PETER; JARMAN, DEREK; KEILLER, PATRICK; PEEPING TOM (UK, Michael Powell, 1960); PRIVATE LIFE OF HENRY VIII, THE (UK, Alexander Korda, 1933); RADIO PARADE OF 1935 (UK, Arthur Woods, 1934); UNITED KINGDOM
Notes: Includes bibliographical references (p. 354-369) and index
ISBN: 0415220610 (alk. paper); 0415220629 (pbk. : alk. paper); 0415220610 (hc : alk. paper)
LON: 21262622

Subject: KISS OF THE SPIDER WOMAN (US/BL, Hector Babenco, 1985); TARGET (US, Arthur Penn, 1985); BETTER OFF DEAD (US, Savage Steve Holland, 1985); TURTLE DIARY (UK, John Irvin, 1985); CBS; HOYTS; AUSTRALIA; NEW ZEALAND
Summary: Article on Hoyts distributing five CBS films in Australia and New Zeleand.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: CHANGE OF FACE [TV] (AT, Franco di Chiera, 1988)

Call No: TITLE CLIPPINGS FILE; GREAT AUSTRALIAN BAKE OFF, THE [TV](AT, 2015)
Author: Blundell, Graeme
PhysDes: Clippings File Article
Subject: GREAT AUSTRALIAN BAKE OFF, THE [TV](AT, 2015)
Summary: Positive review of the new cooking show THE GREAT AUSTRALIAN BAKE OFF

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: COOK OFF (RH, Tomas Brickhill, 2017)
Cross Reference: COOK OFF (RH, Tomas Brickhill, 2017)

Author: Georgakas, Don
PhysDes: Article
Subject: DAY OFF, THE (GR, Vassilis Vafeas, 1982)
Summary: Review

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEATH WISH V: THE FACE OF DEATH (US, Allan A. Goldstein, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Press kit
Subject: DUST OFF THE WINGS (AT, Lee Rogers, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EDGAR G. ULMER: THE MAN OFF-SCREEN (AU/US, Michael Palm, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FACE (UK, Antonia Bird, 1997)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FACE IN FILMS

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FACE IN THE CROWD, A (US, Elia Kazan, 1957)
Notes: Simon_Batch 17_191210

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FACE OF AN ANGEL, THE (UK/IT/SP/US, Michael Winterbottom, 2014)

PhysDes: Article
Subject: FACE OF FU MANCHU, THE (UK, Don Sharp, 1965)
Summary: Akiller spray made from Tibetan berries seems to be involved and clues keep leading back to the Thames.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FACE OF LOVE, THE (US, Arie Posin, 2013)

Author: Borst, Ron
PhysDes: Article
Subject: FACE OF MARBLE (US, William Beaudire, 1946)
Summary: Credits, short description

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: FACE/OFF (US, John Woo [pseud. of Wu Yusen], 1997)

Call No: 747.7 STE
Author: Steimatsky, Noa
Edition: 2017
Place: New York
Publisher: Oxford Univesity Press
PubDate: 2017
PhysDes: 280 p. : illustrated ; 26 cm
Subject: FACE IN FILMS; AU HASARD, BALTHAZAR (FR/SW, Robert Bresson, 1966); ANTONIONI, MICHELANGELO; BARTHES, ROLAND; BAZIN, ANDRE; BENJAMIN, WALTER; BRESSON, ROBERT; JOURNAL D'UN CURE DE CAMPAGNE (FR, Robert Bresson, 1951); EISENSTEIN, SERGEI M.; DREYER, CARL TH.; PROCES DE JEANNE D'ARC (FR, Robert Bresson, 1962); GODARD, JEAN-LUC; HITCHCOCK, ALFRED; SEDGWICK, EDIE; WARHOL, ANDY; OUTER AND INNER SPACE (US, Andy Warhol, 1965); WRONG MAN, THE (US, Alfred Hitchcock, 1957); FUNNY FACE (US, Stanley Donen, 1957)
Notes: The human face was said to have been rediscovered with the advent of motion pictures, in which it was often viewed as expressive locus, as figure, and even as essence of the cinema. But how has this modern, technological, mass-circulating medium revealed the face in ways that are also distinct from any other? How has it altered our perception of this quintessential incarnation of the person? The archaic powers of masks and icons, the fashioning of the individual in the humanist portrait, the modernist anxieties of fragmentation and de-figuration—these are among the cultural precedents informing our experience in the movie theatre. Yet the moving, time-based image also offers radical new confrontations with the face: Dreyer's Passion of Joan of Arc, Donen's Funny Face, Hitchcock's The Wrong Man, Bresson's Au hazard, Balthazar, Antonioni's Screen Test, Warhol's filmic portraits of celebrity and anonymity. Such intense encounters, examined in this book, manifest a desire for transparency and plenitude, but—especially in post-classical cinema—also betray a profound ambiguity that haunts the human countenance, confronting interiority as opacity, treading the gap between image and language. The spectacular impact of the cinematic face is uncannily intertwined with a reticence, an ineffability; but is it not for this very reason that—like faces in the world—it still enthralls us? -- publisher's web site
ISBN: 9780199863167
Contents: Acknowledgements -- Preface: Face Moving Image -- A Dispositif -- An Ur-Image -- The Face Against the Image -- Itineraries Chapter One: We Had Faces, Then -- Expressivity in the 1920s -- Joan of Arc, Inevitably -- The Face and its Voices -- Glamour/Anti-Glamour Chapter Two: Roland Barthes Looks at the Stars -- Towards “Visages et Figures,” and circa 1953 Excursus on the Face in Language -- Into the Movie Theater -- Ultra-Face Excursus on the Mask -- From Cult to Charm: Funny Face Chapter Three: Face-to-Face (with The Wrong Man) -- What Godard Saw -- What the Clerk Saw Excursus on Anthropometrics -- Not a Mirror, Not a Lamp Chapter Four: Pass/Fail: Screen Test, Apparatus, Subject -- The Antonioni Screen Test Excursus on the Portrait -- Outer and Inner Space, and the Pathos of Time -- Fail Better Chapter Five: In Reticence (Bresson) -- The Epidermal and the Written -- The Image Against the Face -- Not an Open Book, but a Door Ajar -- Postface: The Two-Shot: Inherent

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FACE PAINTING [TV] (AT, 2008)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FACE TO FACE (AT, Michael Rymer, 2010)

Call No: P FAC
Place: AT
PubDate: 2010
PhysDes: 1 poster : col. ; 100 X 69 cm
Subject: FACE TO FACE (AT, Michael Rymer, 2010)
Summary: Image: Headshots of characters with blue backgrounds placed around the edges of poster. Poster background colour is white. Film title at the centre of the poster. Text: 'Scratch beneath the surface'; 'From Australia's top dramatist David Williamson and the director of Angel Baby Michael Rymer'; '"An amazing piece of cinema... rivieting, thought-provoking. transformative" Michael Moore'.

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: FAR OFF PLACE, A (US, Mikael Salomon, 1993)

Call No: 512.1 COX
Author: Cox, Peter, 1953; Goldsworthy, Fred
Place: Melbourne
Publisher: Oxford University Press
PubDate: 1995
PhysDes: vi, 202 p. : ill. ; 26 cm
Subject: MACBETH (US, Roman Polanski, 1971); TO KILL A MOCKINGBIRD (US, Robert Mulligan, 1962); MAN WITHOUT A FACE, THE (US, Mel Gibson, 1993); MASK (US, Peter Bogdanovich, 1985); OUTSIDERS, THE (US, Francis Ford Coppola, 1983); PLAYING BEATIE BOW (AT, Donald Crombie, 1986); POWER OF ONE, THE (US, John G. Avildsen, 1992); PRINCESS BRIDE, THE (US, Rob Reiner, 1987); PROJECT X (US, Johnathan Kaplan, 1987); RADIO FLYER (US, Richard Donner, 1992); SILVER BRUMBY, THE (AT, John Tatoulis, 1993); STRICTLY BALLROOM (AT, Baz Luhrmann, 1992); BENNY AND JOON (US, Jeremiah S. Chechick, 1993); JURASSIC PARK (US, Steven Spielberg,, 1993); BREAKER MORANT (AT, Bruce Beresford, 1980); BREAKFAST CLUB, THE (US, John Hughes, 1985); CHOCOLATE WAR, THE (US, Keith Gordon, 1998); DANCES WITH WOLVES (US, Kevin Costner, 1990); DANNY THE CHAMPION OF THE WORLD (UK/US, Gavin Millar, 1989); EDWARD SCISSORHANDS (US, Tim Burton, 1990); FLIRTING (AT, John Duigan, 1991); FREE WILLY (US, Simon Wincer, 1993); HAMLET (US, Franco Zeffirelli, 1990); INTO THE WEST (UK/US, Mike Newell, 1992); LADYHAWKE (US, Richard Donner, 1985); LEAGUE OF THEIR OWN, A (US, Penny Marshall, 1992); LEAN ON ME (US, John G. Avildsen, 1989)
Notes: CIP confirmed; Includes index; For secondary school students; Bibliography
ISBN: 0195536452
LON: 11238278

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I FELL OFF MY BIKE (AT, Isobel Knowles, 2011)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: FERRIS BUELLER'S DAY OFF (US, John Hughes, 1986)

Author: Horner, Ian
PhysDes: Article
Subject: FERRIS BUELLER'S DAY OFF (US, John Hughes, 1986)
Summary: 'Ferris Bueller's Day Off'; Review

Call No: 67(04) FIL
Author: Alpert, Hollis (ed); Sarris, Andrew (ed)
CorpAuthor: National Society of Film Critics (U.S.)
Place: Indianapolis [etc.]
Publisher: Bobbs-Merrill Co. [etc.]
PhysDes: 281 p. ; 22 cm
Subject: LA SECTION ANDERSON (FR, Pierre Schoendoerffer, 1967); BARBARELLA (FR/IT, Roger Vadim, 1967); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967); FOR LOVE OF IVY (US, Daniel Mann, 1968); BIRTHDAY PARTY, THE (UK, William Friedkin, 1968); BULLITT (US, Peter Yates, 1968); CANDY (FR,/IT/US, Christian Marquand, 1968); CHARGE OF THE LIGHT BRIGADE, THE (US, Michael Curtiz, 1936); LA CINA E VICINA (IT, Marco Bellocchio, 1967); CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963); CHARLIE BUBBLES (UK, Albert Finney, 1967); FACE OF WAR, A (US, Eugene S. Jones, 1968); MERCENARIES, THE (UK/US, Jack Cardiff, 1968); FACES (US, John Cassavetes, 1968); FINIAN'S RAINBOW (US, Francis Ford Coppola, 1968); GREEN BERETS, THE (US, Ray Kellogg & John Wayne, 1968); VARGTIMMEN (SW, Ingmar Bergman, 1967); I LOVE YOU, ALICE B. TOKLAS! (US, Hy Averback, 1968); INSIDE NORTH VIETHAM (US, Felix Greene, 1967); JOANNA (UK, Michael Same, 1968); ODD COUPLE, THE (US, Gene Saks, 1968); OLIVER (UK, Carol Reed, 1968); PLANET OF THE APES (US, Franklin J. Schaffner, 1967); PETULIA (US, Richard Lester, 1968); PRODUCERS, THE (US, Mel Brooks, 1967); RACHEL, RACHEL (US, Paul Newman, 1968); ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968); ROSEMARY'S BABY (US, Roman Polanski, 1968); SKAMMEN (SW, Ingmar Bergman, 1968); SULT (DE/NO/SW, Henning Carlsen, 1966); TARGETS (US, Peter Bogdanovich, 1968); TELL ME LIES (UK/US, Peter Brook, 1968); THOMAS CROWN AFFAIR, THE (US, Norman Jewison, 1968); 2001: A SPACE ODYSSEY (US, Stanley Kubrick, 1968); UP TIGHT! (US, Jules Dassin, 1968); WEEK-END (FR/IT, Jean-Luc Godard, 1968); YELLOW SUBMARINE (UK, George Dunning, 1968); YOU ARE WHAT YOU EAT (US, Barry Feinstein, 1968); TANTE ZITA (FR, Robert Enrico, 1968); SULT (DE/NO/SW, Henning Carlsen, 1966); STAR (US, Robert Wise, 1968)
Summary: Review of Films produced in the years 1968-69
Notes: Includes index
ISSN: 0071-4860 0015-1076
LON: 68019946; 894646
Contents: -- Shame / John Simon, Hollis Alpert, Wilfrid Sheed -- Weekend / Pauline Kael, Andrew Sarris -- Belle De Jour / Andrew Sarris -- Rosemary's Baby / Andrew Sarris -- 2001: A Space Odyssey / Penelope Gilliatt, Hollis Alpert, Joseph Morgenstern -- Planet Of The Apes / Philip T. Hartung -- La Chinoise / Pauline Kael, Andrew Sarris -- China Is Near / Pauline Kael, Andrew Sarris -- Up Tight / Stanley Kauffmann -- For Love Of Ivy And Dark Of The Sun / Philip T. Hartung -- The Charge Of The Light Brigade / Stanley Kauffmann, John Simon -- Les Carabiniers / Penelope Gilliatt -- A Face Of War / Richard Schickel -- Tell Me Lies, The Anderson Platoon, And Inside North Vietnam / Stanley Kauffmann -- The Green Berets / Penelope Gilliatt -- Petulia / Richard Schickel, Wilfrid Sheed -- The Thomas Crown Affair / Wilfrid Sheed, Stefan Kanfer -- Joanna / Hollis Alpert, Joseph Morgenstern -- Rachel, Rachel / Arthur Knight, Richard Schickel -- Zita / John Simon -- Faces / Andrew Sarris, Arthur Schlesinger, Jr. -- Hunger / Penelope Gilliatt -- Hour Of The Wolf / John Simon, Richard Schickel -- Charlie Bubbles / Andrew Sarris, Richard Schickel -- The Odd Couple And Others / Wilfrid Sheed -- The Producers / Arthur Schlesinger, Jr. -- I Love You, Alice B. Toklas / Arhur Knight -- Candy / Stefan Kanfer -- Barbarell / John Simon -- Yellow Submarine / Stanley Kauffmann, John Simon -- You Are What You Ear / Wilfrid Sheed -- Star! / Arthur Schlesinger, Jr. -- Finian's Rainbow / Arthur Knight -- Oliver! / Joseph Morgenstern -- The Bride Wore Black / Andrew Sarris -- Bullitt / Hollis Alpert -- Targets / Penelope Gilliatt -- Wild 90 / Hollis Alpert -- Beyond The Law / Stanley Kauffmann -- Will Penny / Arthur Knight -- Wild In The Streets / Joseph Morgenstern, Wilfrid Sheed -- Pretty Poison / Joseph Morgenstern -- First In His Pocket / Stanley Kauffmann -- Young Torless / Penelope Gilliatt -- Charly / Arthur Knight -- The Boston Strangler / Philip T. Hartung, Wilfrid Sheed -- No Way To Treat A Lady And Rod Steiger / Stefan Kanfer -- Warrendale / Joseph Morgenstern, Stanley Kauffmann -- The Fox / Pauline Kael -- The Lion In Winter / Philip T. Hartung, Arthur Schlesinger, Jr., John Simon -- Romeo And Juliet / Philip T. Hartung, John Simon -- The Killing Of Sister George / Harold Clurman -- The Birthday Party / Harold Clurman, Wilfrid Sheed, Hollis Alpert -- War And Peace / Philip T. Hartung, Stanley Kauffmann, Richard Schickel -- The Heart Is A Lonely Hunter / Richard Schickel -- The Fixer / Richard Schickel, Arthur Schlesinger, Jr. -- The Sea Gull / Arthur Schlesinger, Jr., John Simon -- The Graduate Makes Out / Hollis Alpert -- Burton And Taylor Must Go / Wilfrid Sheed -- The Student Movie-Makers / Stefan Kanfer -- The Late Show As History / Stefan Kanfer -- L'Affaire Langlois / Arthur Knight -- Oscar Wiles / Andrew Sarris

Call No: 734 FIL
Author: Silver, Alain, 1947; Ursini, James
Edition: 1st Limelight ed
Place: New York
Publisher: Limelight Editions
PubDate: 1996
PhysDes: x, 343 p. : ill. ; 23 cm
Subject: FILM NOIR; FEMME FATALE; MANN, ANTHONY; ANGEL FACE (US, Otto Preminger, 1952); KILLERS, THE (US, Robert Siodmak, 1946); PHANTOM LADY (US, Robert Siodmak, 1944); NIGHT AND THE CITY (US, Jules Dassin, 1950); KISS ME DEADLY (US, Robert Aldrich, 1955); LONG GOODBYE, THE (US, Robert Altman, 1973); HICKEY AND BOGGS (US, Robert Culp, 1972)
Notes: Includes bibliographical references; Film noir
ISBN: 0879101970
LON: 12195770

Call No: 792 GRE
Author: Green, Cliff, 1934
Place: South Yarra, Vic.
Publisher: Hyland House
PubDate: 1978
PhysDes: 216 p. ; 22 cm
Subject: GREEN, CLIFFORD; SHINING MORNING FACE [TV] (AT, David Cahill, 197?); SUMMERFIELD (AT, Ken Hannam, 1977); POWER WITHOUT GLORY [TV] (AT, 1976); END OF SUMMER [TV] (AT, Oscar Whitbread, 1977)
Summary: "Four scripts, four examples showing how the creative artist can work within the straitjackets of finance, novel adaptation, criteria as strict as Aristotle's, and producer's hunches, for script writing, like architecture, is an art form which must keep its feet firmly on the ground. In an illuminating introduction Cliff Green tells of the genesis of each script, the differing artistic and commercial criteria, restriction of budget, the demands of the market-place, such contingencies as the availabilty of talent, the geography of locations, even the idiosyncracies of the weather." -- BACK COVER
Notes: Drama in English Australian writers, 1945 - Texts (ANB/PRECIS SIN00049IX)"... Published with the assistance of the Literature Board of Australia Council" - verso t.p.
ISBN: 0908090064 : $7.95 Aust
LON: 1653908
Contents: Shining morning face -- Summerfield -- Divine intervention -- End of summer

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FUNNY FACE (US, Stanley Donen, 1957)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GET YOUR FACE ON WITH NAPOLEAN PERDIS (USA, Nick Murray, 2008)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GOING OFF BIG TIME (UK, Jim Doyle, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GREAT AUSTRALIAN BAKE OFF, THE [TV](AT, 2015 - )

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ANGEL FACE [GUELE D'ANGE] (FR, Vanessa Filho, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HAPPY FACE MURDERS [TV] (US, Brian Trenchard-Smith, 1999)

Call No: 802.25(73) HOL
Author: Koszarski, Richard
Place: New York
Publisher: Oxford University Press
PubDate: 1977
PhysDes: xvii, 426 p. : ill. ; 22 cm
Subject: DIRECTORS. USA; WELLES, ORSON; LEWIN, ALBERT; VIDOR, KING; HUSTON, JOHN; ROSSEN, ROBERT; CAPRA, FRANK; JONES, CHUCK; WYLER, WILLIAM; RENOIR, JEAN; LANG, FRITZ; ZINNEMANN, FRED; MILESTONE, LEWIS; HITCHCOCK, ALFRED; BROWN, CLARENCE; SIDNEY, GEORGE; BROOKS, RICHARD; DIETERLE, WILLIAM; FLEISCHER, RICHARD; VON STERNBERG, JOSEF; CURTIZ, MICHAEL; RAY, NICHOLAS; KAZAN, ELIA; WILDER, BILLY; LEROY, MERVYN; ALDRICH, ROBERT; KUBRICK, STANLEY; LOGAN, JOSHUA; STURGES, JOHN; KING, HENRY; MANN, ANTHONY; FULLER, SAMUEL; FRANKENHEIMER, JOHN; KELLY, GENE; PENN, ARTHUR; SAKS, GENE; Lupino, Ida; DMYTRYK, EDWARD; CORMAN, ROGER; FRIEDKIN, WILLIAM; RITCHIE, MICHAEL; GRINDE, NICK; PICHEL, IRVING; SEATON, GEORGE; BENEDEK, LASLO; KOSTER, HENRY; OBOLER, ARCH; SANDERS, TERRY; SIODMAK, ROBERT; MARTON, ANDREW; DEATH OF A SALESMAN (US, Laslo Benedek, 1951); FACE IN THE CROWD, A (US, Elia Kazan, 1957); BONNIE AND CLYDE (US, Arthur Penn, 1967); SMILE (US, Michael Ritchie, 1975); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); BEN HUR (US, William Wyler, 1959)
Notes: Includes index
ISBN: 0195022173 : $15.00; 0195022181(pbk. :) $4.95
LON: 851041

Call No: 302(73:729.1)
Author: Feeney, Megan
Source: US
Place: Chicago
Publisher: The University of Chicago Press
PubDate: 2019
PhysDes: viii, 320 pages: black and white illustrations; 23 cm.
Subject: HOLLYWOOD; CUBA; CHAPLIN, CHARLES; CAPRA, FRANK; DISTRIBUTION; EXHIBITION; FILM NOIR; KAZAN, ELIA; Metro-Goldwyn-Mayer; PARAMOUNT STUDIOS; WARNER BROS.; GREAT DICTATOR, THE (US, Charles Chaplin, 1940); VIVA ZAPATA (US, Elia Kazan, 1952); TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948); MR. SMITH GOES TO WASHINGTON (US, Frank Capra, 1939); FACE IN THE CROWD, A (US, Elia Kazan, 1957)
Summary: "From the turn of the twentieth century through the late 1950s, Havana was a locus for American movie stars, with glamorous visitors including Errol Flynn, John Wayne, and Marlon Brando. In fact, Hollywood was seemingly everywhere in pre-Castro Havana, with movie theaters three to a block in places, widely circulated silver screen fanzines, and terms like “cowboy” and “gangster” entering Cuban vernacular speech. Hollywood in Havana uses this historical backdrop as the catalyst for a startling question: Did exposure to half a century of Hollywood pave the way for the Cuban Revolution of 1959? Megan Feeney argues that the freedom fighting extolled in American World War II dramas and the rebellious values and behaviors seen in postwar film noir helped condition Cuban audiences to expect and even demand purer forms of Cuban democracy and national sovereignty. At the same time, influential Cuban intellectuals worked to translate Hollywood ethics into revolutionary rhetoric—which, ironically, led to pointed critiques and subversions of the US presence in Cuba. Hollywood in Havana not only expands our notions of how American cinema was internalized around the world—it also broadens our view of the ongoing history of US-Cuban interactions, both cultural and political." -- Back cover.
Notes: Includes bibliographical references and index.
ISBN: 9780226593692
Contents: Introduction. Looking up: Hollywood and revolutionary Cuban nationalism -- The film business that unites: early US cinema in Havana, 1897-1928 -- Teaching eyes to see: the advent of Cuban film criticism, 1928-1934 -- Our men in Havana: Hollywood and good neighborly bonds, 1934-1941 -- You are men! fight for liberty! Hollywood heroes and the pan-American bonds of World War II -- Breaking the chains: Hollywood noir in postwar Havana, 1946-1952 -- Rebel idealism: Hollywood in Havana during the Batistato, 1952-1958 -- Epilogue: the show goes on: Hollywood in Havana after 1958.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HUMAN FACE OF CHINA, THE [TV] (AT, Bob Kingsbury, 1979)

PhysDes: Article
Subject: HUMAN FACE OF HONG KONG (AT, Curtis Levy, 1985)

Author: Cordaig, Hunter
PhysDes: Article
Subject: HUMAN FACE OF INDONESIA, THE (AT, David Roberts, David Haythornwaite, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HUMAN FACE OF RUSSIA, THE (AT, Keith Gow, 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HUMAN FACE OF THE PACIFIC, THE [TV] (AT, Oliver Howes, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HUMAN FACE, THE [TV] (UK, 2001)

Call No: 81 HUG HON
Author: Honeycutt, Kirk
Source: Peter Kemp
Place: New York
Publisher: Race Point Publishing
PubDate: [2015]
PhysDes: vii, 215 pages : illustrations (chiefly colour) ; 29 cm
Subject: HUGHES, JOHN (US); FERRIS BUELLER'S DAY OFF (US, John Hughes, 1986); PLANES, TRAINS AND AUTOMOBILES (US, John Hughes, 1987); BREAKFAST CLUB, THE (US, John Hughes, 1985); PRETTY IN PINK (US, Howard Deutch, 1986); SIXTEEN CANDLES (US, John Hughes, 1984); WEIRD SCIENCE (US, John Hughes, 1985); HOME ALONE (US, Chris Columbus, 1990)
Summary: Hughes allegedly wrote Ferris Bueller's Day Off in four days, Planes, Trains and Automobiles in three days, The Breakfast Club in two days, and Vacation in a week. He never went to film school or studied cinema. And he spent most of his incredible career in the Midwest, far from the Hollywood Hills. John Hughes was indeed one of the most prolific and successful filmmakers in Hollywood history. He helped launch the careers of Andrew McCarthy, Molly Ringwald, Anthony Michael Hall, Macaulay Culkin, and Judd Nelson. He made John Candy a household name. In this first illustrated tribute to the legendary filmmaker, author Kirk Honeycutt offers a behind-the-scenes look at the genius that was John Hughes--from his humble beginnings in direct mail to his blockbuster success with classics like Pretty in Pink, Sixteen Candles, Weird Science, and Home Alone. Honeycutt also explores the darker side of John Hughes: his extreme sensitivity, his stormy professional relationships, and the devastation Hughes experienced after the death of his closest friend, John Candy. This book features fresh interviews with Matthew Broderick, Ally Sheedy, Judd Nelson, Steve Martin, and Jon Cryer, and a foreword from Home Alone director Chris Columbus. "I stumbled into this business, I didn't train for it. I yelled "Action!" on my first two movies before the camera was turned on." - John HughesJohn Hughes wrote 46 movies, produced 23, and directed 8. He never went to film school, never spent time studying film and its history, but was unusually adept in three key areas °´4 writing, directing and producing.Classics like Mr. Mom; Sixteen Candles; The Breakfast Club; European Vacation; Weird Science; Pretty in Pink; Ferris Bueller's Day Off; Planes, Trains, and Automobiles; Uncle Buck; Christmas Vacation; Home Alone; and Beethoven will forever live on in the history of film. Launching the careers of Andrew McCarthy, Molly Ringwald, Anthony Michael Hall, and James Spader, and working with greats like John Candy and Chevy Chase, John Hughes's influence can still be felt today.John Hughes: A Life in Film, by Kirk Honeycutt, former chief film critic at The Hollywood Reporter, is the first complete illustrated tribute to the legendary writer and director, and includes fresh interviews with Judd Nelson, Matthew Broderick, Christopher Columbus, Steve Martin, and more
Notes: Includes John Hughes filmography (page 201). Includes bibliographic references (pages 203-205) and index.Adult.
ISBN: 9781631060229
Donation: Peter Kemp

Call No: 81WOO HAL
Author: Hall, Kenneth E.
Source: US
Place: North Carolina
Publisher: McFarland & Company, Inc., Publishers
PubDate: 1999
PhysDes: 239 p. :illus. filmog. : 24 cm
Subject: ACTION FILMS. HONG KONG; DIRECTORS. CHINA; WOO, JOHN [pseud. of Wu Yusen]; BROKEN ARROW (US, John Woo [pseud. of Wu Yusen], 1996); DIEXUE SHUANG XIONG (HK, John Woo [pseud. of Wu Yusen], 1989); FACE/OFF (US, John Woo [pseud. of Wu Yusen], 1997); HARD TARGET (US, John Woo [pseud. of Wu Yusen], 1993); YINGXIONG BENSE (HK, John Woo [pseud. of Wu Yusen], 1986); YINGXIONG BENSE II (HK, John Woo [pseud. of Wu Yusen], 1988)
Notes: Includes filmography, bibliographical references and index.
ISBN: 0786406194

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KICKING OFF THE WHITE SHOES (AT, Jeff Licence, 2012)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KILL-OFF, THE (US, Maggie Greenwald, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KNOCK OFF (US, Tsui Hark, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LAST FACE, THE (US, Sean Penn, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LEAPING OFF THE EDGE [TV] (AT, Pat Fiske & Nicolette Freedman, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: LIFT OFF: SERIES 2 [TV] (AT, Brendan Maher & Paul Nichola & Clarke Cameron & Boseley Ray, 1992)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 2 photographs : b&w ; 21 x 26 cm
Subject: LIFT OFF: SERIES 2 [TV] (AT, Brendan Maher & Paul Nichola & Clarke Cameron & Boseley Ray, 1992)
Summary: 2 black and white photographs of child playing with meccano and child hiding behind a giant vase

Call No: 626:159.964.2 LEB
Author: Lebeau, Vicky, 1963
Place: London New York
Publisher: Routledge
PubDate: 1995
PhysDes: 172 p. : ill. ; 25 cm
Subject: PSYCHOANALYSIS AND THE CINEMA; YOUNG PEOPLE AND THE CINEMA; FEMINISM AND THE CINEMA; SPECTATORSHIP; COPPOLA, FRANCIS FORD; ELLIS, BRET EASTON; HINTON, S.E.; FERRIS BUELLER'S DAY OFF (US, John Hughes, 1986); RIVER'S EDGE (US, Tim Hunter, 1986); RUMBLE FISH (US, Francis Ford Coppola, 1983); OUTSIDERS, THE (US, Francis Ford Coppola, 1983)
Notes: Includes bibliographical references (p. [160]-165) and index
ISBN: 0415107210 (pbk.); 0415107202
LON: 10868509

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MAKE A FACE (US, Karen Sperling, 1971)

Call No: TITLE CLIPPINGS FILE
PhysDes: Study guide; Clippings
Subject: MAN WHO STOLE MY MOTHER'S FACE, THE (AT, Cathy Henkel, 2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: MAN WITH BOGART'S FACE, THE (US, Robert Day, 1980)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: MAN WITHOUT A FACE, THE (US, Mel Gibson, 1993)

Call No: 45:32 ROS
Author: Rosenbaum, Jonathan
Place: Berkeley, Calif.
Publisher: University of California Press
PubDate: 1997
PhysDes: xi, 359 p. ; 24 cm
Subject: POLITICS AND THE CINEMA; POLITICAL FILMS; RACIAL PROBLEMS IN FILMS; WELLES, ORSON; KIESLOWSKI, KRZYSZTOF; BUNUEL, LUIS; BRESSON, ROBERT; TATI, JACQUES; RAY, NICHOLAS; ZWIGOFF, TERRY; ENDFIELD, CY; HOU, HSIAO-HSIEN; CARAX, LEOS; AKERMAN, CHANTAL; ACE VENTURA, PET DETECTIVE (US, Tom Shadyac, 1994); HEARTS OF DARKNESS : A FILMMAKERS APOCALYPSE (US, Fax Bahr & George Hinkenlooper, 1991); PIANO, THE (AT, Jane Campion, 1993); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BITTER MOON (FR/UK, Roman Polanski, 1992); NOIRE DE..., LA (SG, Ousmane Sembene, 1965); BLOOD IN THE FACE (US, Anne Bohlen, Kevin Rafferty & James Ridgeway, 1991); CRUMB (US, Terry Zwigoff, 1994); DO THE RIGHT THING (US, Spike Lee, 1989); FORREST GUMP (US, Robert Zemeckis, 1994); NUIT ET JOUR (FR/BE/SZ, Chantal Akerman, 1991); OUT 1 (FR, Jacques Rivette, 1990[prod. 1970]); PLOT AGAINST HARRY, THE (US, Michael Roemer, 1989[prod.1969]); PUPPET MASTER, THE (US, David Schmoeller, 1989); REDS (US, Warren Beatty, 1981); SAFE (US, Todd Haynes, 1995); SCHINDLER'S LIST (US, Steven Spielberg, 1993); SOLARIS (UR, Andrei Tarkovsky, 1972)
Notes: Includes bibliographical references and index
ISBN: 0520206142 (acid-free paper); 0520206150 (pbk. : alk. paper)
Order Received: 1997
LON: 96009916; 12700123

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NAKED FACE, THE (US, Bryan Forbes 1984)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NO SKIN OFF MY ASS (US, Bruce LaBruce, 1991)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NOISES OFF (US, Peter Bogdanovich, 1992)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: NORTH FACE (G/AU/SZ, Philipp Stolzl, 2008)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OFF BEAT (US, Michael Dinner, 1986)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: OFF COUNTRY (AT, John Harvey/Rhian Skirving, 2021)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OFF KEY (CN?, Karethe Linaae, 1994?)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OFF LIMITS (US, Christopher Crowe, 1988)

Call No: 79OFF LEY
Author: Leyland, Mike Leyland, Mal
Source: AT
Place: Sydney
Publisher: Golden Press
PubDate: 1973
PhysDes: 95 p. : col ill. ; 28 cm
Subject: OFF THE BEATEN TRACK[TV] (AT, 197?)
Summary: Photos and an essay on the Leyland Brothers expeditions across remote Australia.
ISBN: 0855580992
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OFF THE MENU: THE LAST DAYS AT CHASEN'S (US, Shari Springer Berman & Robert Pulcini, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: OFF THE WALL (US, Rick King, 1977)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: OFF TO WORK - KEEPING YOUR JOB (AT, Howard Worth, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OTHER FACE OF TERROR (FR/UK, Ludi Boeken, 1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PENGUINS OFF THE PAGE (AT, Jon Rowdon, 1996)

Call No: 626 FAL
Author: Falzon, Christopher
Edition: third edition
Place: London
Publisher: Routledge
PubDate: 2002
PhysDes: 330p. : illustrations ; 24 cm
Subject: PHILOSOPHY AND THE CINEMA; THEORY; FOUCAULT, MICHEL; A NOUS, LA LIBERTE! (FR, Rene Clair, 1931); ADDICTION, THE (US, Abel Ferrara, 1995); AGNES OF GOD (US, Norman Jewison, 1985); AGUIRRE, DER ZORN GOTTES (GW, Werner Herzog, 1972); ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997); ALL OF ME (US, Carl Reiner, 1984); ALPHAVILLE (FR, Jean-Luc Godard, 1965); AMADEUS (US, Milos Forman, 1984); AMATEUR (US, Hal Hartley, 1994); ANGEL HEART (US, Alan Parker, 1987); ANTZ (US, Eric Darnell, Lawrence Guterman & Tim Johnson II, 1998); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BASIC INSTINCT (US, Paul Verhoeven, 1992); BEAVIS AND BUTTHEAD DO AMERICA (US, Mike Judge, 1996); BEDAZZLED (US, Stanely Donen, 1967); BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); BEING THERE (US, Hal Ashby, 1979); BIG (US, Penny Marshall, 1988); BIG SLEEP, THE (US, Howard Hawkes, 1946); BLADE RUNNER (US, Ridley Scott, 1982); BLAISE PASCAL (IT, Roberto Rossellini, 1972); BLUE VELVET (US, David Lynch, 1986); BOB ROBERTS (US, Tim Robbins, 1992); BRAZIL; BREAKER MORANT (AT, Bruce Beresford, 1980); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); CABARET (US, Bob Fosse, 1972); CASABLANCA (US, Michael Curtiz, 1942); CASPER (US, Brad Silberling, 1995); CHANCES ARE (US, Emile Ardolino, 1989); CHINATOWN (US, Roman Polanski, 1974); CINEMA PLUS; CITIZEN KANE (US, Orson Welles, 1941); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); COLOSSUS: FORBIN PROJECT (US, Joseph Sargent, 1970); CONFORMISTA, IL (IT/FR, Bernardo Bertolucci, 1970); COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); CRIMES AND MISDEMEANORS (US, Woody Allen, 1989); CRIMES OF PASSION (US, Ken Russell, 1984); CRUCIBLE, THE (US, Nicholas Hytner, 1996); CRYING GAME, THE (UK, Neil Jordan, 1992); DANGEROUS LIAISONS (US, Stephen Frears, 1988); DARK CITY (US, Alex Proyas, 1997); DARK STAR (US, John Carpenter, 1974); DEAD AGAIN (US, Kenneth Branagh, 1991); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); DRACULA (US, Tod Browning, 1931); EASY RIDER (US, Dennis Hopper, 1969); EDUCATING RITA (UK, Lewis Gilbert, 1983); ELEPHANT MAN, THE (US, David Lynch, 1980); ENEMY OF THE STATE (US, Tony Scott, 1998); JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974); FACE/OFF (US, John Woo [pseud. of Wu Yusen], 1997); FAHRENHEIT 451 (UK, Francois Truffaut, 1966); FATAL ATTRACTION (US, Adrian Lyne, 1987); FIVE EASY PIECES (US, Bob Rafelson, 1970); FLY, THE (US, David Cronenberg, 1986); FORTRESS (AT/US, Stuart Gordon, 1993); FRANKENSTEIN (US, James Whale, 1931); FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996); FULL METAL JACKET (UK, Stanley Kubrick, 1987); GATTACA (US, Andrew Niccol, 1997); GHOST (US, Jerry Zucker, 1990); GHOSTS. . . OF THE CIVIL DEAD (AT, John Hillcoat, 1988); ANGST DES TORMANNS BEIM ELFMETER, DIE (GW/AU, Wim Wenders, 1972); GROUNDHOG DAY (US, Harold Ramis, 1993); HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990); HANNAH AND HER SISTERS (US, Woody Allen, 1986); HE SAID, SHE SAID (US, Ken Kwapis and Marisa Silver, 1991); HIGH HOPES (UK, Mike Leigh, 1988); HIGH NOON (US, Fred Zinnemann, 1952); HILARY AND JACKIE (UK, Anand Tucker, 1998); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); IF... (UK, Lindsay Anderson, 1968); INHERIT THE WIND (US, Stanley Kramer, 1960); INTERIORS (US, Woody Allen, 1978); INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961); JURASSIC PARK (US, Steven Spielberg,, 1993); KOYAANISQATSI (US, Godfrey Reggio, 1982); LADYBIRD, LADYBIRD (UK, Kenneth Loach, 1994); ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976); MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979); LOVE AND DEATH (US, Woody Allen, 1975); M (G, Fritz Lang, 1931); MAD MAX (AT, George Miller, 1979); MALTESE FALCON, THE (US, John Huston, 1941); MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962); MATEWAN (US, John Sayles, 1987); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); MONTY PYTHON'S THE MEANING OF LIFE (UK, Terry Jones, 1983); MEPHISTO (HU/GW, Istvan Szabo, 1981); METROPOLIS (G, Fritz Lang, 1926); MISSION, THE (UK, Roland Joffe, 1986); MODERN TIMES (US, Charles Chaplin, 1936); MON ONCLE (FR/IT, Jacques Tati, 1958); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); MONTY PYTHON'S FLYING CIRCUS[TV] (UK, 1969-1974); MY FAIR LADY (US, George Cukor, 1964); NAME DER ROSE, DER (GW/IT/FR, Jean-Jacques Annaud, 1986); NORMA RAE (US, Martin Ritt, 1979); NUTTY PROFESSOR, THE (US, Jerry Lewis, 1963); O LUCKY MAN! (UK, Lindsay Anderson, 1973); OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928); OLIVIER, OLIVIER (FR, Agnieszka Holland, 1992); ON THE BEACH (US, Stanley Kramer, 1959); ON THE WATERFRONT (US, Elia Kazan, 1954); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); PEOPLE VS LARRY FLYNT, THE (US, Milos Forman, 1996); PLAYER, THE (US, Robert Altman, 1992); PLAYTIME (FR, Jacques Tati, 1967); PRINCESS BRIDE, THE (US, Rob Reiner, 1987); PURA FORMALITA, UNA (IT/FR, Guiseppe Tornatore, 1994); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); QUIZ SHOW (US, Robert Redford, 1994); RAIN (US, Louis Milestone, 1932); RAIN MAN (US, Barry Levinson, 1988); RAPTURE, THE (US, Michael Tolkin, 1991); RASHOMON (JA, Akira Kurosawa, 1950); REAR WINDOW (US, Alfred Hitchcock, 1954); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982); ROBOCOP (US, Paul Verhoeven, 1987); ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990); SALT OF THE EARTH (US, Herbert J. Biberman, 1954); SAVING PRIVATE RYAN (US, Steven Spielberg, 1998); SCHINDLER'S LIST (US, Steven Spielberg, 1993); SEA OF LOVE (US, Harold Becker, 1989); SEVEN [SE7EN] (US, David Fincher, 1995); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); SHOCKER (US, Wes Craven, 1989); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); SIMON DEL DESIERTO (MX, Luis Bunuel, 1965); SLEEPER (US, Woody Allen, 1973); SOPHIE'S CHOICE (US, Alan J. Pakula, 1982); STAGE FRIGHT (UK, Alfred Hitchcock, 1950); STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982); STAR TREK; STAR WARS (US, George Lucas, 1977); SUTURE (US, Scott McGehee & David Siegel, 1993); SWITCH (US, Blake Edwards, 1991); TERMINATOR, THE (US, James Cameron, 1984); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961); THINGS TO COME (UK, William Cameron Menzies, 1936); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); THREE FACES OF EVE (US, Nunnally Johnson, 1957); TOTAL RECALL (US, Paul Verhoeven, 1990); TRUMAN SHOW, THE (US, Peter Weir, 1998); USUAL SUSPECTS, THE (US, Bryan Singer, 1995); VICE VERSA (US, Brian Gilbert, 1988); JUNGFRUKALLAN (SW, Ingmar Bergman, 1960); WAG THE DOG (US, Barry Levinson, 1997); WALL STREET (US, Oliver Stone, 1987); WILD ONE, THE (US, Laslo Benedek, 1953); WITTGENSTEIN (UK, Derek Jarman, 1993); YOU ONLY LIVE ONCE (US, Fritz Lang, 1937)
Summary: Now emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the two earlier editions so successful. Drawing on many popular and some lesser known films from around the world, Christopher Falzon introduces students to key areas in philosophy, like: Ethics, Social and Political Philosophy, The Theory of Knowledge, The Self and Personal Identity, Critical Thinking. Perfect for beginners, this book guides the reader through philosophy using illuminating cinematic works, like Avatar, Inception, Fight Club, Wings of Desire, Run Lola Run, A Clockwork Orange, Blade Runner, Dirty Harry and many other films. The fully revised and updated Third Edition features: an expanded introduction that provides a new discussion of the relationship between film and philosophy; new material on notable philosophers such as Aristotle, Merleau-Ponty and Rawls; and coverage of new topics like virtue ethics and what Socrates offers for critical thinking. An updated glossary, references and bibliography, and a filmography, are also included in the Third Edition. -- publisher's web site
Notes: Includes glossary
ISBN: 9780415538169
Contents: Preface -- Introduction -- 1 - Plato’s Picture Show - the theory of knowledge -- 2 - All of Me - the self and personal identity -- 3 - Crimes and Misdemeanors - moral philosophy -- 4 - Antz - social and political philosophy -- 5 - Modern Times - society, science, and technology -- 6 - The Holy Grail - critical thinking -- Further Reading -- Glossary -- Bibliography -- Filmography -- Index

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PILE OU FACE (FR, Robert Enrico, 1980)

Call No: 802(73) MOO
Author: Moon, Spencer
Source: US
Place: Westport, Conn
Publisher: Greenwood Press
PubDate: 1997
PhysDes: xvi, 396 p. : ill., ports. ; 25 cm
Subject: PRODUCERS. USA; ALEXANDER, WILLIAM; BOURNE, ST. CLAIR; BURNETT, CHARLES; CHENZIRA, AYOKA; DASH, JULIE; DUKE, BILL; FANAKA, JAMAA; FRANKLIN, CARL; GREAVES, WILLIAM; HAMPTON, HENRY; HUDLIN, REGINALD; HUDLIN, WARRINGTON; JACKSON, GEORGE; LEE, SPIKE; MICHEAUX, OSCAR; PARKERSON, MICHELLE; PARKS, GORDON; RIGGS, MARLON; ROBERTSON, HUGH A.; SINGLETON, JOHN; TOWNSEND, ROBERT; WARREN, MARK; WAYANS, KEENEN IVORY; WAYANS, MARLON; WAYANS, SHAWN; WILLIAMS, SPENCER; ALMA'S RAINBOW (US, Ayoka Chenzira, 1994); AMAZING GRACE AND CHUCK (US, Mike Newell, 1987); AMOS 'N' ANDY SHOW, THE [TV] (US, 1951-53); BEAT STREET (US, Stan Lathan, 1984); BETTER OFF DEAD (US, Savage Steve Holland, 1985); BLESS THEIR LITTLE HEARTS (US, Billy Woodberry, 1984); BRIDE PRICE (KE, Shatrujit Paul, 1991); CARBON COPY (US, Michael Schultz, 1981); CEMETERY CLUB, THE (US, Bill Duke, 1993); CHILD SAVER, THE [TV] (US, Stan Lathan, 1988); P.O.V : COLOR ADJUSTMENT (US, Marlon Riggs, 1992); CROOKLYN (US, Spike Lee, 1994); DEEP COVER (US, Bill Duke, 1992); DEVIL IN A BLUE DRESS (US, Carl Franklin, 1995); DISORDERLIES (US, Michael Schultz, 1987); DO THE RIGHT THING (US, Spike Lee, 1989); RAW (US, Robert Townsend, 1987); EYES ON THE PRIZE [TV] (US, 1987-1990); FIVE HEARTBEATS, THE (US, Robert Townsend, 1991); GLASS SHIELD, THE (US, Charles Burnett, 1994); GREASED LIGHTNING (US, Michael Schultz, 1977); HIGHER LEARNING (US, John Singleton, 1994); HOLLYWOOD SHUFFLE (US, Robert Townsend, 1987); INKWELL, THE (US, Matty Rich, 1994); JASON'S LYRIC (US, Doug McHenry, 1994); KILLING FLOOR, THE (US, Bill Duke, 1985); KRUSH GROOVE (US, Michael Schultz, 1985); LAUREL AVENUE (US, Carl Franklin, 1993); MENACE II SOCIETY (US, Allen Hughes & Albert Hughes, 1993); OBEAH (US, Hugh A. Robertson, 1986); PANTHER (US, Mario Van Peebles, 1995); PENITENTIARY II (US, Jamaa Fanaka, 1982); POETIC JUSTICE (US, John Singleton, 1993); QUESTION OF COLOR, A (US, Kathe Sandler, 1993 [1992]); RAISIN IN THE SUN, A (US, Daniel Petrie, 1961); SCAVENGER HUNT (US, Michael Schultz, 1979); SHAFT (US, Gordon Parks Jr., 1971); TO SLEEP WITH ANGER (US, Charles Burnett, 1990); STILL A BROTHER: INSIDE THE NEGRO MIDDLE CLASS (US, William Greaves, 1968); STRAIGHT OUT OF BROOKLYN (US, Matty Rich, 1991); VEILED ARISTOCRATS (US, Oscar Micheaux, 1932); WHICH WAY IS UP? (US, Michael Schultz, 1977); WITHIN OUR GATES (US, Oscar Micheaux, 1919)
Summary: This is the first book by an African American on contemporary African American filmmakers. Here directors and producers speak for themselves, posing challenges to current thinking in the field. Special emphasis is given to the filmmakers production and their experiences. Essays on historic figures reveal the rich history of the African American contribution to cinema.
Notes: Includes filmographies, bibliographical references (p. [385] - 386) and index
ISBN: 0313298300
Contents: Foreward: Ninety-plus years of filmmaking/George Hill- William Alexander-Madeline Anderson-Neema Barnette- St Clair Bourne - Charles Burnette - Roy Campanella II - Ayoka Chenzira - Francee Covington - Julie Dash - Ivan Dixon - Bill Duke - Jamaa Fanaka - Carl Franklin - Wendell Franklin - William Greaves - Henry Hampton - Hobart Whitaker Harris - Wendell Burks Harris Jr - Reginald and Warrington Hudlin - Albert and Allen Hughes - George Jackson and Doug McHenry - Ashley James - Avon Kirkland - Stan Lathan - Spike Lee -Louis Massiah - Oscar Devereaux Micheaux - Floyd Norman and Leo Sullivan - Michelle Parkerson - Gordon Alexander Parks Sr - Matty Rich - Marlon Riggs - Hugh Robertson - Michael Schultz - Jackie Shearer - John Singleton - Arlando C. Smith - Robert Townsend - Mario Van Peebles - Melvin Van Peebles - Mark Warren III - The Wayans Family: Keenan Ivory, Damon, Shawn and Marlon - Spencer William Jr - Allen Willis

Call No: S RIP
Author: Pembleton, Arthur
PubDate: [197?]
PhysDes: 109 leaves
Subject: RIP OFF (?, ?, ?)
Notes: Unpublished script

Call No: TITLE CLIPPINGS FILE in production; KILLING OFF THE BEAT in production
Author: Robin, Myriam
PhysDes: Clippings File Article
Subject: COPYCAT SHOWS; SPECIAL BROADCASTING SERVICE; KILLING OFF THE BEAT in production; DEEP WATER in production
Summary: Report on the makers of the Australian documentary KILLING OFF THE BEAT and how they believe that their documentary's subject of the gay hate murders in Sydney in the 1980s has been taken on as a subject by SBS for their DEEP WATER 4 part crime drama

Author: Brabazon, Tara
PhysDes: Article; Illustration(s)
Subject: SOCIETY AND THE CINEMA; YOUNG PEOPLE AND THE CINEMA; POPULAR CULTURE AND THE CINEMA; FERRIS BUELLER'S DAY OFF (US, John Hughes, 1986)
Summary: Examines how cultural theories have attempted to deal with the phenomenon of Generation X subculture.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SAVING FACE (US, Alice Wu, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SAVING FACE (US/PK, Daniel Junge & Sharmeen Obaid-Chinoy, 2012)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SET IT OFF (US, F. Gary Gray, 1996)

Call No: 451-02 FIS
Author: Fischer, Lucy
Place: Basingstoke
Publisher: Macmillan Education
PubDate: 1989
PhysDes: xii, 348 p. : ill. ; 22 cm
Subject: FEMINISM AND THE CINEMA; WOMEN, FILMS MADE BY; ROMANTIC FILMS; MUSICALS; HOMOSEXUALITY IN FILMS; MYTH AND THE CINEMA; DOUBLES IN FILMS; TWINS IN FILMS; ROSE, KATHY; GORRIS, MARLEEN; FLICKORNA (SW, Mai Zetterling, 1968); TAKE OFF (US, Gunvor Nelson, 1973); MITTEN INS HERZ (GW, Doris Dorrie, 1983); RECITAL (?, Stephanie Beroes, 1978); DANCE, GIRL, DANCE (US, Dorothy Arzner, 1940); COBRA WOMAN (US, Robert Siodmak, 1943); ANNEES 80, LES (FR/BE/SZ, Chantal Akerman, 1983); STOLEN LIFE, A (UK, Paul Czinner, 1939); DARK MIRROR, THE (US, Robert Siodmak, 1946); BAD SISTER, THE (UK, Laura Mulvey & Peter Wollen, 1983); LADY FROM SHANGHAI, THE (US, Orson Welles, 1948); RIDDLES OF THE SPHINX (UK, Laura Mulvey & Peter Wollen, 1977); DAMES (US, Ray Enright, 1934); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); PERSONA (SW, Ingmar Bergman, 1966); LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948); SCHWESTERN, ODER DIE BALANCE DES GLUCKS (GW, Margarethe von Trotta, 1979); RICH AND FAMOUS (US, George Cukor, 1981); GIRL FRIENDS (US, Claudia Weill, 1978); SOTTO...SOTTO...STRAPAZZATO DA ANOMALA PASSIONE (IT, Lina Wertmuller, 1984); LIANNA (US, John Sayles, 1983); VIOLETTE NOZIERE (FR/CN, Claude Chabrol, 1978); MAN WHO ENVIED WOMEN, THE (US, Yvonne Rainer, 1985)
Notes: Cinema films. Women directors (BNB/PRECIS); Cinema films. - Feminist viewpoints (BNB/PRECIS); Includes bibliographical references and index
ISBN: 0333480600 (cased) : ¦30.00; 0333480619 (pbk.) : ¦8.95
LON: bnb33348060; 6147621

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SIGNING OFF (NZ, Robert Sarkies, 1997)

Call No: SUBJECT CLIPPINGS FILE; COOKING PROGRAMMES. AUSTRALIA
Author: Vickery, Colin
PhysDes: Clippings
Subject: COOKING PROGRAMMES. AUSTRALIA; BEER, MAGGIE; GREAT AUSTRALIAN BAKE OFF, THE [TV](AT, 2015)
Summary: Maggie Beer is looking to cut back on her TV work

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WOMAD: SOUNDS OFF THE BEATEN TRACK (UK, Mark Kidel, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WOMAN'S FACE, A (US, George Cukor, 1941)

Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. HOBART. STRANGER WITH MY FACE
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: FESTIVALS. HOBART. STRANGER WITH MY FACE
Summary: Report on the upcoming annual Feminist Horror Film Festival based in Hobart called Stranger With My Face. Fstival co-founder and filmmaker Briony Kidd is interviewed
Notes: article published in the Sydney Morning Herald, same date, Spectrum section p. 12

Call No: 451-053.6 GOR
Author: Gora, Susannah
Edition: First Paperback edition
Source: US
Place: New York
Publisher: Three Rivers Press
PubDate: 2010
PhysDes: xiv, 367 pages ; 25 cm
Subject: TEEN FILM; TEEN FILMS; YOUNG PEOPLE AND THE CINEMA; YOUNG PEOPLE IN FILMS; CRITICISM; HISTORY OF CINEMA. 1980's; HUGHES, JOHN (US); SIXTEEN CANDLES (US, John Hughes, 1984); BREAKFAST CLUB, THE (US, John Hughes, 1985); PRETTY IN PINK (US, Howard Deutch, 1986); FERRIS BUELLER'S DAY OFF (US, John Hughes, 1986); SOME KIND OF WONDERFUL (US, Howard Deutch, 1987); SAY ANYTHING (US, Cameron Crowe, 1989); ST. ELMO'S FIRE (US, Joel Schumacher, 1985)
Summary: " From Sixteen Candles, The Breakfast Club, and St. Elmo's Fire to Pretty in Pink, Ferris Bueller's Day Off, and Say Anything, the films of the Brat Pack have influenced an entire generation who still want to believe life always turns out like an eighties movie. You Couldn't ignore Me If You Tried takes us back to that golden age of youth cinema, telling for the first time the complete story behind how these films were made. Through original and revealing interviews with scores of key players like Molly Ringwald, Matthew Broderick, Judd Nelson, Anthony Michael Hall, Andrew McCarthy, Rob Lowe, John Cusack, Cameron Crowe, and Ally Sheedy, author Susannah Gora has crafted a sweeping tribute to a body of films that stirred an entire generation and a gripping account of the people who brought these films to life." -- BOOK BACK COVER
Notes: Includes bibliographical references and index
ISBN: 9780307716606
Contents: -- acknowledgments -- introduction -- Nothing compares to Hughes: teen cinema and the man who would change it forever -- Eternal flame: Sixteen Candles lights up the screen -- Breakfast of champions: The Breakfast Club": "breaks the rules, bares their souls," and revolutionizes the teen film genre -- Not just for Breakfast anymore: inside the heat of St. Elmo's Fire -- Becoming "The Brat Pack": a magazine writer coins the term that permanently labels young Hollywood -- Sitting Pretty: Ringwald and Hughes reteam for Pretty in Pink, a rose-tinted look at teenage love -- We got the beat: behind the music of the Brat Pack films -- I love Ferris in the springtime: Ferris Bueller crafts the perfect day off before graduating from high school, and John Hughes graduates from directing teen films -- Teens in Wonderland: the drama behind Some Kind of Wonderful -- The end of the innocence: the Brat Pack makes the tough transition to adulthood, while John Hughes's power in Hollywood grows -- -- Anything, and everything: in the last of the great eighties youth films, Cameron Crowe and John Cusack Say Anything about the passion of young love -- Pack to the future: the eighties become the nineties, John Hughes becomes the creator of one of the highest-grossing comedies of all time, and the Brat Pack actors become the people they are today -- Life moves pretty fast: John Hughes's final years -- Don't you forget about me: how the Brat Pack and their films changed a generation -- When the light gets into your heart -- notes -- index --