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Call No: 753.1 ADA
Author: Harrison, Stephanie
Edition: First edition
Source: US
Place: New York
Publisher: Three Rivers Press
PubDate: c2005
PhysDes: xix, 619 p. : ill. ; 24 cm
Subject: ADAPTATIONS; LITERATURE AND THE CINEMA; SHORT CUTS (US, Robert Altman, 1993); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); FACE IN THE CROWD, A (US, Elia Kazan, 1957); REAR WINDOW (US, Alfred Hitchcock, 1954); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001); MINORITY REPORT (US, Steven Spielberg, 2002); FREAKS (US, Tod Browning, 1932); FLY, THE (US, Kurt Neumann, 1958); RE-ANIMATOR (US, Stuart Gordon, 1985); STAGECOACH (US, John Ford, 1939); MAN CALLED HORSE, A (US, Elliot Silverstein, 1970); SMOKE SIGNALS (US, Chris Eyre, 1998); AMERICAN SPLENDOR (US, Shari Springer Berman & Robert Pulcini, 2003); GHOST WORLD (US, Terry Zwigoff, 2001); ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); MEET JOHN DOE (US, Frank Capra, 1941); WILD ONE, THE (US, Laslo Benedek, 1953); TOMORROW (US, Joseph Anthony, 1972); BRINGING UP BABY (US, Howard Hawks, 1938); SWIMMER, THE (US, Frank Perry, 1968); KILLERS, THE (US, Robert Siodmak, 1946); FALLEN IDOL, THE (UK, Carol Reed, 1948); MEMENTO (US, Christopher Nolan, 2000); CHRISTMAS STORY, A (US, Bob Clark, 1983); FIELD OF DREAMS (US, Phil Alden Robinson, 1989); RASHOMON (JA, Akira Kurosawa, 1950); DAMA S SOBACKOJ (UR, Iosif Hejfic, 1960); LADY WITH THE LITTLE DOG (UR, Iosif Hejfic, 1960); DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987); DARK EYES [OCI CIORNIE] (IT/UR, Nikita Mihalkov, 1987); SMOKE (US, Wayne Wang, 1995); JESUS' SON (US, Alison Maclean, 1999); IN THE BEDROOM (US, Todd Field, 2001); [MISTER] MR BLANDINGS BUILDS HIS DREAM HOUSE (US, H.C. Potter, 1948); MY FRIEND FLICKA (US, Harold D. Schuster, 1943); LAST TIME I SAW PARIS, THE (US, Richard Brooks, 1954); SMOOTH TALK (US/UK, Joyce Chopra, 1985)
Summary: "Adaptations gathers together 35 pieces that have been the basis for films, many from giants of American literature (Hemingway, Fitzgerald) and many that have not been in print for decades (the stories that inspired Bringing Up Baby, Meet John Doe, and All About Eve)." "Categorized by genre, and featuring movies by master directors such as Steven Spielberg, Stanley Kubrick, Robert Altman, Frank Capra, and John Ford, as well as relative newcomers such as Chris Eyre and Christopher Nolan, Adaptations offers insight into the process of turning a short story into a screenplay, one that, when successful, doesn't take drastic liberties with the text upon which it is based, but doesn't mirror its source material too closely either."--BOOK JACKET.
Notes: Also issued online
ISBN: 1400053145
Contents: -- Jerry and Molly and Sam / Raymond Carver -- Blow-up / Julio Corta´zar -- Your Arkansas traveler / Budd Schulberg -- Rear window / Cornell Woolrich -- The sentinel / Arthur C. Clarke -- Supertoys last all summer long / Brian Aldiss -- The minority report / Philip K. Dick -- Spurs / Tod Robbins -- The fly / George Langelaan -- Herbert West--Reanimator: six shots by moonlight / H.P. Lovecraft -- Stage to Lordsburg / Ernest Haycox -- A man called Horse / Dorothy M. Johnson -- This is what it means to say Phoenix, Arizona / Sherman Alexie -- The Harvey Pekar name story / Harvey Pekar -- Ghost world-- Chapter 5: "Hubba Hubba" / Daniel Clowes -- The wisdom of Eve / Mary Orr -- A reputation / Richard Edward Connell -- Mr. Blandings builds his castle / Eric Hodgins -- Cyclists' raid / Frank Rooney -- Tomorrow / William Faulkner -- Bringing up Baby / Hagar Wilde -- Babylon revisited / F. Scott Fitzgerald -- The swimmer / John Cheever -- The killers / Ernest Hemingway -- The basement room / Graham Greene -- Memento mori / Jonathan Nolan -- Red Ryder nails the Hammond Kid / Jean Shepherd -- My friend Flicka / Mary O'Hara -- Shoeless Joe Jackson comes to Iowa / W.P. Kinsella -- In a grove / Ryunosuke Akutagawa -- The lady with the pet dog / Anton Chekhov -- Where are you going, where have you been? / Joyce Carol Oates -- Auggie Wren's Christmas story / Paul Auster -- Emergency / Denis Johnson -- Killings / Andre Dubus --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALL TOMORROW'S PARTIES (AT, Ian Roberts, 2002)

Call No: 408.1(94) WEA
Author: Weaver, Roslyn
Source: US
Place: Jefferson, N.C.
Publisher: McFarland & Company Inc.
PubDate: c2011
PhysDes: x, 230 p. : ill., maps ; 23 cm
Series: Critical explorations in science fiction and fantasy ; 28
Subject: APOCALYPSE IN FILMS; DISASTERS IN FILMS; SCIENCE-FICTION FILMS. AUSTRALIA; LANDSCAPES IN FILMS. AUSTRALIA; MAD MAX [...] (AT, 1979-85); TOMORROW, WHEN THE WAR BEGAN (AT, Stuart Beattie, 2010)
Summary: "This volume explores the role of Australia in apocalyptic literature and film. Works and genres covered include Nevil Shute's popular novel On the Beach, Mad Max, children's literature, Indigenous writing, and cyberpunk. The text examines ways in which apocalypse undermines complacency, foretells environmental disasters, critiques colonization, and serves as a vehicle of protest for minority groups"--Provided by publisher
Notes: Includes bibliographic references and index
ISBN: 978-0-7864-6051-9
Contents: 1. An apocalyptic map: new worlds and the colonization of Australia -- 2. The shield of distance: apocalypse in Australian literature after 1945 -- 3. An apocalyptic landscape: the Mad max films -- 4. Children of the apocalypse: Australian children's literature -- 5. (Re)writing the end of the world: apocalypse, race and indigenous literature -- 6. The end of the human: apocalypse, cyberpunk and the Parrish Plessis novels
ID2: 189

Call No: TITLE CLIPPINGS FILE; TOMORROW WHEN THE WAR BEGAN [TV] (AT, 2016-)
Author: Dunk, Tiffany
PhysDes: Clippings File Article
Subject: TOMORROW WHEN THE WAR BEGAN [TV] (AT, 2016-)
Summary: Tomorrow When the War Began is a six part drama based ofn the John Marden books stars Sibylla Budd, Debra Mailman and Spencer McLaren.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BETTER LUCK TOMORROW (US, Justin Lin, 2002)

Call No: 451-054(=1=81)(71):(93):(94) THO
Author: Thornley, Davinia
Source: UK/US
Place: Houndmills, Basingstoke, Hampshire ; New York
Publisher: Palgrave Macmillan
PubDate: 2014
PhysDes: xi, 134 pages : illustrations ; 23 cm
Series: Palgrave pivot
Subject: INDIGENOUS PEOPLE'S CINEMA. CANADA; INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA; INDIGENOUS PEOPLE'S CINEMA. NEW ZEALAND; DOCUMENTARIES; BEFORE TOMORROW [JOUR AVANT LE LENDEMAIN, LE](CN Marie-Hélène Cousineau and Madeline Ivalu, 2008); LOUSY LITTLE SIXPENCE (AT, Alec Morgan , 1983); TATTOOIST, THE (NZ/SI, Peter Berger, 2007); WHALE RIDER (NZ/GG, Niki Caro, 2002); NO. 2 (NZ, Toa Fraser, 2006); APRON STRINGS (NZ, Sima Urale, 2008)
Summary: This book is a manifesto for a developing area, one that provides a new model for reading films about indigeneity. Davinia Thornley investigates specific production partnerships in Canada, Australia and Aotearoa New Zealand, using the framework of scholarly and popular criticism to draw conclusions from these collaborative case studies
Notes: Formerly CIP -- Includes bibliographical references and index -- Also issued online
Contents: Machine generated contents note: 1.Introduction -- Cinematic Cross-Cultural Collaboration: Filming on an Uneven Field -- 2."An Instrument of Actual Change in the World": Engaging a New Collaborative Criticism through Isuma/Arnait Productions' Film, Before Tomorrow -- 3."My Whole Area Has Started to Be about What's Left Over": Alec Morgan, "Stolen Histories," and Critical Collaboration on the Australian Aboriginal Documentary, Lousy Little Sixpence -- 4."A Space Being Right on That Boundary": Critiquing Cross-Cultural Collaboration in Aotearoa New Zealand Cinema -- 5.Conclusion -- Modelling Collaborative Criticism: What Does It Mean to Collaborate Cross-Culturally in Cinema?

Call No: TITLE CLIPPINGS FILE
PhysDes: Study guide; Clippings; Press kit
Subject: DAY AFTER TOMORROW, THE (US, Roland Emmerich, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DAY LIKE TOMORROW, A (AT, Graham Shirley, 1974)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DC LEGENDS OF TOMORROW [TV] (US, 2016 - )

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EDGE OF TOMORROW (US/CN, Doug Liman, 2014)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: ESCAPE FROM TOMORROW (US, Randy Moore, 2013)
URL status: URL: 'http://file://Q:/T/ESCAPE_FROM_TOMORROW.zip' Checked: 31/08/2021 1:49:35 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Author: McMahon, Jenna
PhysDes: Article
Subject: OZOLINS, SIMON; TOMORROW WHEN THE WAR BEGAN [TV] (AT, 2016-); CINEMATOGRAPHY
Summary: Cinematographer Simon Ozlins ACS talks about the TV adaptation of Tomorrow When the War Began directed by Brendan Maher. He talks about camera equipment used and working closely with the director.

Call No: N79GIR SHI
Author: Shirrefs, Mark; Thompson, John
Source: AT
Place: Sydney
Publisher: Hodder & Stoughton
PubDate: 1990
PhysDes: 215 p. ; 19cm
Subject: GIRL FROM TOMORROW, THE [TV] (AT, 1990)
Summary: Alana, a 14 year old girl ,is transported from the future, and together with two young people from the present, sets out on a dangerous quest [ Taken from the back of the book]
ISBN: 034053463

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Stills
Subject: GIRL FROM TOMORROW, THE [TV] (AT, 1990)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 3 photographs : b&w ; 13 x 18 cm - 20 x 25 cm
Subject: CULLEN, KATHERINE; MARSHALL, MELISSA; GIRL FROM TOMORROW, THE [TV] (AT, 1990)
Summary: Three black and white photographs relating to the television mini-series 'The girl from tomorrow'

Call No: 756.1-25 GLO
Author: Andersson, Johan; Webb, Lawrence
Edition: 2016
Place: New York; Chichester, UK
Publisher: Wallflower Press
PubDate: 2016
PhysDes: vii, 262 pages : illustrated ; 24 cm
Subject: CITIES IN FILMS; NIGERIA; JAMES BOND IN FILMS; ANNIE HALL (US, Woody Allen, 1977); BLADE RUNNER (US, Ridley Scott, 1982); BOURNE IDENTITY, THE (US, Doug Liman, 2002); BOURNE LEGACY, THE (US, Tony Gilroy, 2012); BOURNE LEGACY, THE (US, Tony Gilroy, 2012); BOURNE ULTIMATUM, THE (US, Paul Greengrass, 2007); TOMORROW NEVER DIES (US, Roger Spottiswoode, 1997); HER (US, Spike Jonze, 2013)
Notes: Cinema and audiovisual media are integral to the culture, economy and social experience of the contemporary global city. But how has the relationship between cinema and the urban environment evolved in the era of digital technology, new media and globalization? And what are the critical tools and concepts with which we can grasp this vital interconnection between space and screen, viewer and built environment? Engaging with a rapidly transforming urban world, the contributions to this collection rethink the 'cinematic city' at a global scale. By presenting a global constellation of screen cities within one volume, the book encourages juxtapositions and comparisons across the North and South to capture the global city and its dynamics of exchange, hybridity, and circulation. The contributions examine film and screen cultures in a range of locations spanning five continents: Antibes, Beijing, Buenos Aires, Busan, Cairo, Caracas, Copenhagen, Jakarta, Kolkata, Lagos, Los Angeles, Malmö, Manila, Mumbai, Nairobi, Paris, Seoul, Sète, and Shanghai. The chapters address topics that range across the contemporary film and media landscape, from popular cinema, art cinema, and film festivals to serial television, public screens, multimedia installations, and video art. -- publisher's web site
ISBN: 9780231177474
Contents: Notes on Contributors -- Introduction: Decentring the Cinematic City—Film and Media in the Digital Age Part 1: Transnational Screen Cities -- 1. In the City but Not Bounded by It: Cinema in the Global, the Generic and the Cluster City, by Thomas Elsaesser -- 2. Traversing the Øresund: the Transnational Urban Region in Bron/Broen, by Pei-Sze Chow -- 3. Neoliberalism, Nollywood, and Lagos, by Jonathan Haynes Part 2: Global City Imaginaries -- 4. New Urban and Media Ecologies in Contemporary Buenos Aires, by Joanna Page -- 5. When Harry Met Siri: Digital Romcom and the Global City in Spike Jonze's Her, by Lawrence Webb -- 6. Cinephilia and the City: the Politics of Place in Contemporary Bengali Cinema, by Malini Guha -- Part 3: Public Screens and New Media Landscapes -- 7. Screen Cultures and the 'Generic City': Public Screens in Cairo and Shanghai, by Chris Berry -- 8. The City as Found Footage: the Reassemblage of Chinese Urban Space, by Yomi Braester -- 9. Remediating the 'Other Half': Planet Slum as Transmedia Project, by Igor Krstic Part 4: New Narrative Topographies -- 10. Interstitial Cityspace and the Immigrant Experience in Contemporary French Cinema, by William Higbee -- 11. Seoul, Busan and Somewhere Near: Korean Gangster Noir and Social Immobility, by Jinhee Choi -- 12. Chase Sequences and Transport Infrastructure in Global Hollywood Spy Films, by Christian B. Long Index

Call No: 738.1 VAU
Author: Vaughan, Hunter
Source: US
Place: New York
Publisher: Columbia University Press
PubDate: 2019
PhysDes: 243 pages : illustrations ; 23 cm
Series: Film and culture series
Subject: ENVIRONMENTAL ISSUES IN FILMS; AVATAR (US, James Cameron, 2009); DAY AFTER TOMORROW, THE (US, Roland Emmerich, 2004); DISASTER FILMS; GONE WITH THE WIND (US, Victor Fleming, 1939); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); TWISTER (US, Jan De Bont, 1996); ZERO DARK THIRTY (US, Kathryn Bigelow, 2012)
Summary: "In an era when many businesses have come under scrutiny for their environmental impact, the film industry has for the most part escaped criticism and regulation. Its practices are more diffuse; its final product, less tangible; and Hollywood has adopted public-relations strategies that portray it as environmentally conscious. In Hollywood's Dirtiest Secret, Hunter Vaughan offers a new history of the movies from an environmental perspective, arguing that how we make and consume films has serious ecological consequences." - taken from back cover.
Notes: Includes bibliographical references, filmography and index -- subtitle on verso 'the hidden environmental costs of our screen culture'
ISBN: 9780231182416
Contents: Introduction: The Big Picture -- Chapter 1: Burning down the house: fire, the eco-ethics of destruction, and authorship in the film spectacle -- Chapter 2: "Five Hundred Thousand Kilowatts of Stardust:" resource use and the formula for packaging nature in Singin' in the rain -- Chapter 3: Winds of change: twister and the visualization of environmental disaster in the digital age -- Chapter 4: Apocalypse tomorrow: Avatar and the myth of Earth's end in the digital era -- Chapter 5: The fifth element: production culture studies, relational values, and the human side of environmental media -- Conclusion: An element of hope

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Publicity; Clippings
Subject: HURRY TOMORROW (US, Richard Cohen, 1975)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IF TOMORROW COMES (US, Garrit Steenhagen, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: INVENTING TOMORROW (II/MX/US/IO, Laura Nix, 2018)
Notes: Simon import_20/06/19

Call No: TITLE CLIPPINGS FILE; TOMMORROW WHEN THE WAR BEGAN [TV] (AT, 2016-)
Author: Quinn, Karl
PhysDes: Clippings File Article
Subject: TOMORROW WHEN THE WAR BEGAN [TV] (AT, 2016-)
Summary: Tomorrow When the War Began has been made into six part TV series.

Call No: S JAP
Author: Howes, Oliver
PubDate: [1982?]
PhysDes: 32 leaves
Subject: JAPAN: TOMORROW AND YESTERDAY (AT, Oliver Howes, 1982)
Notes: Unpublished script

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KISS TOMORROW GOODBYE (US, Gordon Douglas, 1950)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OCEANIA: THE PROMISE OF TOMORROW: THE HUMAN DOLPHIN COLLECTION (AT, Estelle Myers, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ON THE EDGE OF TOMORROW (AT, Ken Kelso, [1988])

Call No: 81DUV SLA
Author: Slawson, Judith
Source: US
Place: New York
Publisher: St. Martin's Press
PubDate: 1986
PhysDes: 198 p. : ill. ; 19 cm
Subject: DUVALL, ROBERT; BRANDO, MARLON; DE NIRO, ROBERT; COPPOLA, FRANCIS FORD; FOOTE, HORTON; CANBY, VINCENT; KAEL, PAULINE; GROSBARD, ULU; ANGELO, MY LOVE (US, Robert Duvall, 1983); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); CHASE, THE (US, Arthur Penn, 1966); GREAT SANTINI, THE (US, Lewis John Carlino, 1979); GODFATHER PART II, THE (US, Francis Ford Coppola, 1974); GODFATHER, THE (US, Francis Ford Coppola, 1972); TO KILL A MOCKINGBIRD (US, Robert Mulligan, 1962); TOMORROW (US, Joseph Anthony, 1972); TENDER MERCIES (US, Bruce Beresford, 1982)
ISBN: 0312904231
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: THERE'S NO TOMORROW [SANS LENDEMAIN] (FR, Max Ophüls, 1939)

Author: Durston, Joy [compiler]
PhysDes: Article
Subject: ABEL GANCE, HIER ET DEMAIN (FR, Jean Renault, 1963); ABEL GANCE, YESTERDAY AND TOMORROW (FR, Jean Renault, 1963)
Notes: Review

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: SKY CAPTAIN AND THE WORLD OF TOMORROW (US, Kerry Conran, 2004)

Author: Frost, Andrew
PhysDes: Article
Subject: FOREVER CAN START TOMORROW (AT, Micheal Hutak, 1987)
Summary: Review of Melbourne's Super 8 Festival

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: THERE'S ALWAYS TOMORROW (US, Douglas Sirk, 1955)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TOMORROW (US, Joseph Anthony, 1972)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TOMORROW NEVER COMES (CN/UK, Peter Collinson, 1978)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity
Subject: TOMORROW NEVER DIES (US, Roger Spottiswoode, 1997)
ID2: 79

Call No: N79GIR SHI
Author: Shirrefs, Mark; Thomson, John
CorpAuthor: Film Australia
Source: AT
Place: Rydalmere, NSW
Publisher: Hodder and Stoughton
PubDate: 1991
PhysDes: 221 p. ; 18 cm.
Series: The girl from tomorrow
Subject: GIRL FROM TOMORROW, THE [TV] (AT, 1990)
ISBN: 0340549602

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TOMORROW'S PIONEERS [TV] (IS, 2007-)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TOMORROW, WHEN THE WAR BEGAN (AT, Stuart Beattie, 2010)
URL status: URL: 'http://file://Q:/T/TOMORROW_WHEN_THE_WAR_BEGAN.zip' Checked: 31/08/2021 1:20:14 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: S TOM
Author: Beattie, Stuart
CorpAuthor: based on the novel by John Marsden
Edition: final draft 02 December 2009
Place: AT
PubDate: [2010]
PhysDes: 97 leaves
Subject: TOMORROW, WHEN THE WAR BEGAN (AT, Stuart Beattie, 2010)
Notes: Unpublished script -- Donated by AFI -- final draft.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TOMORROW WHEN THE WAR BEGAN [TV] (AT, 2016-)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings; Press kit; Stills
Subject: TUNE IN TOMORROW (US, Jon Amiel, 1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WORLD OF TOMORROW, THE (US, Tom Johnson & Lance Bird, 1984)