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Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AWAY FROM HER (CN, Sarah Polley, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: I CAN HANDLE HER (??, John Beaton, ??)

Author: Lawson, Sylvia; Rosser, Edward
PhysDes: Article
Subject: CRITICISM; GODARD, JEAN-LUC; [DEUX] 2 OU 3 CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); TWO OR THREE THINGS I KNOW ABOUT HER (FR, Jean-Luc Godard, 1967); QUEEN OF DESTINY (UK, Herbert Wilcox, 1938)
Summary: Reviews of Two or Three Things I Know About Her (FR, Jean-Luc Godard, 1967) and Sixty Glorious Years (UK, Herbert Wilcox, 1938)
Notes: Sixty Glorious Years has been renamed Queen of Destiny

Call No: 633.22 COA
Author: Coates, Paul
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2010
PhysDes: 178 p. : col. ill. ; 26 cm.
Subject: COLOUR; COLORIZATION; FRENCH CANCAN (FR/IT, Jean Renoir, 1955); TWO OR THREE THINGS I KNOW ABOUT HER (FR, Jean-Luc Godard, 1967); CHINOISE, LA (FR, Jean-Luc Godard, 1967); SOLARIS (UR, Andrei Tarkovsky, 1972); STELLET LICHT (MX/FR/NE/G, Carlos Reygadas, 2007); BLACK NARCISSUS (UK, Michael Powell & Emeric Pressburger, 1947); EUROPA (DK/FR/GG, Lars Von Trier, 1991); THREE COLORS: RED [TROIS COULEURS: ROUGE] (FR/SZ/PL, Krzysztof Kieslowski, 1994); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); DOUBLE LIFE OF VERONIQUE, THE (FR/PL, Krzysztof Kieslowski, 1991); CRIES AND WHISPERS [VISKNINGAR OCH ROP] (SW, Ingmar Bergman, 1972)
Summary: Cinema and Colour: The Saturated Image is a major new critical study of the use of colour in cinema. Using the dialectic of colour and monochrome as a starting point, Paul Coates explores the symbolic meanings that colour bears in different cultures, and engages with a range of critical approaches to filmic colour, building on the work of such theorists as Sergei Eisenstein, Rudolf Arnheim and Stanley Cavell. Coates also provides close analyses of films by directors such as Antonioni, Bergman, Godard, Hitchcock, Hou Hsiao-Hsien, Sirk, Kieslowski, Tarkovsky, Von Trier and Zhang Yimou. Coates' focus is on films that deliberately exploit the rich multiplicity of cultural meanings and associations ascribed to colour, including All That Heaven Allows, Deux ou trois choses que je sais d'elle, The Double Life of Véronique, The Flight of the Red Balloon, Red Desert, Schindler's List, Silent Light, Solaris, The Three Colours Trilogy and The Wizard of Oz. [Taken from publishers website]
Notes: Includes bibliographical references and index
ISBN: 9781844573141
Contents: Vertigo and yellow -- Guillermo del Toro and the dialectics of yellow and green -- Grief and green: Solaris, I lvira Madigan -- Natural camouflage: Joseph Losey's The Boy With Green Hair -- Green unseen: the poetics of absence in The Flight of the Red Ballon -- From yellow to green (via black): The Double Life of Veronique -- From yellow to blue: three Colours: Blue -- The desert and the beach: Deleuze, Antonioni, Zhang Ke Jia -- The painter's primaries and totality: le Mepris -- le Mepris 2: the triumph of blue -- Blue angel, blue devil: Goya in Bordeaux -- Trapped in blue: la Religieuse -- C. TOUR/OF FOUR D'AMRIQUE -- 6. Melos, Drama, Melodrama: From Demy to Sirk to Antonioni -- Introduction -- Singin' and dancin'? in the rain: Les Parapluies de Cherbourg and Singin' in the Rain -- Coupling and uncoupling colours: Une femme est une femme -- Totally? Tenderly? Tragically?: An American in Paris, Le Mepris and Moulin Rouge (with a postscript on The Golden Coach) -- A note on melodrama and modernism -- Melodrama, realism and All That Heaven Allows -- Modernist melodrama? The Oberwald Mystery

Call No: 409 SIN
Author: Sinnerbrink, Robert
Source: UK/US
Place: London ; New York
Publisher: Routledge
PubDate: 2016
PhysDes: xiii, 216 pages ; 24 cm
Subject: ETHICS IN FILMS; ETHICS AND THE CINEMA; PHILOSOPHY AND THE CINEMA; THEORY; STELLA DALLAS (US, King Vidor, 1937); TALK TO HER (SP, Pedro Almodovar, 2002) SEE HABLE CON ELLA; HABLE CON ELLA (SP, Pedro Almodovar, 2002); BIUTIFUL (MX/SP, Alejandro Inarritu, 2010)
Summary: " How do movies evoke and express ethical ideas? What role does our emotional involvement play in this process? What makes the aesthetic power of cinema ethically significant? Can movies 'do ethics'? Cinema Ethics : Exploring Ethical Experiences through Film addresses these questions by examining the idea of cinema as a medium of ethical experience with the power to provoke emotional engagement and philosophical thinking. In a clear and engaging manner, Robert Sinnerbrink examines the key philosophical approaches to ethics in contemporary film theory and philosophy using detailed case studies of cinematic ethics across different genres, styles and filmic traditions. Written in a lucid and lively style that will engage both specialist and non-specialist readers, this book is ideal for use in the academic study of philosophy and film. Key features include annotated suggestions for further reading at the end of each chapter and a filmography of movies useful for teaching and researching cinematic ethics. " -- BOOK BLURB
Notes: Includes bibliographical references, index and filmography
ISBN: 9781138826168
Contents: -- list of figures -- preface -- overview of this book -- part I --Cinema and/as ethics -- 1: Cinematic ethics: Film as a medium of ethical experience -- part II -- Philosophical approaches to cinematic ethics -- 2: From scepticism to moral perfectionism (Cavell) -- 3: From cinematic belief to ethics and politics (Deleuze) -- 4: Cinempathy: phenomenology, cognitivism, and moving images -- part III Performing cinematic ethics -- 5: The moral melodrama (Stella Dallas, Talk to Her) -- 6: Melodrama, realism, and ethical experience (Biutiful, The Promise) -- 7.Gangster film: Cinematic ethics in The Act of Killing -- conclusion -- appendix 1 -- appendix 2 -- index --

Call No: 62 ORR
Author: Orr, John, 1943
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: c1998
PhysDes: xi,243 p. : ill. ; 24 cm
Subject: CANADA; CHINA; MASCULINITY IN FILMS; RELIGION AND THE CINEMA; COMMUNISM AND THE CINEMA; DOUBLES IN FILMS; EXPRESSIONISM; FILM NOIR; HONG KONG; POLAND; PSYCHOLOGY AND THE CINEMA; SEX IN FILMS; SURREALISM AND THE CINEMA; ALLEN, WOODY; ALTMAN, ROBERT; ANTONIONI, MICHELANGELO; BEATTY, WARREN; BELMONDO, JEAN-PAUL; BERGMAN, INGMAR; BINOCHE, JULIETTE; BONNAIRE, SANDRINE; BURTON, TIM; CAGE, NICOLAS; CAMPION, JANE; CHABROL, CLAUDE; CHEUNG, LESLIE; COPPOLA, FRANCIS FORD; COSTNER, KEVIN; CRONENBERG, DAVID; DAHL, JOHN; DE NIRO, ROBERT; DE PALMA, BRIAN; DERN, LAURA; EGOYAN, ATOM; FIGGIS, MIKE; GERE, RICHARD; GONG, LI; GREENAWAY, PETER; HAUER, RUTGER; JAMESON, FREDRIC; KIESLOWSKI, KRZYSZTOF; LYNCH, DAVID; MALICK, TERRENCE; Pasolini, Pier Paolo; ROSSELLINI, ISABELLA; SCORSESE, MARTIN; SCOTT, RIDLEY; STONE, OLIVER; TRAN, ANH HUNG; WEIR, PETER; Wenders, Wim; WONG KAR-WAI; YOUNG, SEAN; ZHANG, YIMOU; ANDERSSON, BIBI; AUDRAN, STEPHANE; DUVALL, SHELLY; GIDLEY, PAMELA; JANDA, KRYSTYNA; KANESHIRO, TANESHI; LEUNG, TONY; LIN, BRIGITTE; KROTKI FILM O MILOSCI (PL, Krzysztof Kieslowski, 1988); KILL ME AGAIN (US, John Dahl, 1989); AH FEI ZHENG ZHUANG (HK, Wong Kar-Wei, 1991); HIMMEL UBER BERLIN, DER (GW/FR, Wim Wenders, 1987); ADJUSTER, THE (CN, Atom Egoyan, 1991); BELLE NOISEUSE, LA (FR, Jacques Rivette, 1991); BLADE RUNNER (US, Ridley Scott, 1982); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); CHINATOWN (US, Roman Polanski, 1974); COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); DAYS OF HEAVEN (US, Terrence Malick, 1978); JFK (US, Oliver Stone, 1991); LAST SEDUCTION, THE (US, John Dahl, 1994); LIEBESTRAUM (US, Mike Figgis, 1991); MCCABE AND MRS MILLER (US, Robert Altman, 1971); CZLOWIEK Z MARMURA (PL, Andrzej Wajda, 1977); ONE FALSE MOVE (US, Carl Franklin, 1991); PERSONA (SW, Ingmar Bergman, 1966); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); RAGING BULL (US, Martin Scorsese, 1980); DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); SHINING, THE (UK, Stanley Kubrick, 1980); STALKER (UR, Andrei Tarkovsky, 1979); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992); WILD AT HEART (US, David Lynch, 1990); XICH LO (FR/V, Tran Anh Hung, 1995)
Summary: "'Contemporary cinema' is a major study of key developments in the cinema over the last thirty years. It reworks Pasolini's landmark concept of 'the cinema of poetry' to look at the transformation of film form in its encounter with society, the sacred, the subjective and the presence of the camera. In the 1970s, the influential forms of a cinema of poetry are analysed in key features by Altman, Herzog, Malick, Scorsese, Weir, Von Trotta and Tarkovsky while in the 1980s and 1990s the emergence of new filmmakers has meant a diffusion of different cinemas of poetry using new techniques and new poetries. Of key importance here is the work of Kieslowski, Lynch, Egoyan, Campion, Greenaway, Zhang Yimou, Tran Anh Hung and Wong Kar-Wai, as well as the reinvention of science fiction and film noir in American genre." Taken from back cover.
Notes: Includes bibliographical references and index
ISBN: 0748608362(pbk.) : No price
LON: 13772409
ID2: 291

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity; Press kit
Subject: COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989)

Call No: 734 HUG
Author: Hughes, Howard
Edition: 1st ed.
Source: UK
Place: London
Publisher: I.B.Taurus
PubDate: 2006
PhysDes: xxviii, 236 p. : ill., ports. ; 25 cm
Subject: GANGSTER FILMS; DETECTIVE FILMS; PUBLIC ENEMY, THE (US, William Wellmen, 1931); HIGH SIERRA (US, Raoul Walsh, 1941); MALTESE FALCON, THE (US, John Huston, 1941); WHITE HEAT (US, Raoul Walsh, 1949); ASPHALT JUNGLE, THE (US, John Huston, 1950); KISS ME DEADLY (US, Robert Aldrich, 1955); BIG COMBO (US, Joseph H. Lewis, 1955); POINT BLANK (US, John Boorman, 1967); BONNIE AND CLYDE (US, Arthur Penn, 1967); ON HER MAJESTY'S SECRET SERVICE (UK, Peter Hunt, 1969); GET CARTER (UK, Mike Hodges, 1971); SHAFT (US, Gordon Parks Jr., 1971); DIRTY HARRY (US, Don Siegel, 1971); GODFATHER [...], THE (US, Francis Ford Coppola, 1972-); CHINATOWN (US, Roman Polanski, 1974); GODFATHER PART II, THE (US, Francis Ford Coppola, 1974); ONCE UPON A TIME IN AMERICA (US, Sergio Leone, 1984); LETHAL WEAPON (US, Richard Donner, 1987); GOODFELLAS (US, Martin Scorsese, 1990); PULP FICTION (US, Quentin Tarantino, 1994); L.A. CONFIDENTIAL (US, Curtis Hanson, 1997); OCEAN'S ELEVEN (US, Steven Soderbergh, 2001)
Summary: "Crime movies inhabit dark and desperate worlds, yet they account for many of Hollywood's most triumphant successes. In full acknowledgement of this achievement, Crime Wave offers an authoritative and informative, stimulating and entertaining guide to the crime movie phenomenon, from its early days to the present, charting its history and celebrating the people who have given it a special and enduring place in cinema goers' affections. Chapters focus on landmark Hollywood films - from 1931's The Public Enemy, through The Maltese Falcon, Point Blank, Dirty Harry, The Godfather trilogy and Goodfellas, to LA Confidential and Oceans 11 - telling their stories and on the way discussing many more crime movies, both major and lesser known." "Crime Wave represents and investigates gangster and heist movies, blaxploitation and noir, murder mysteries, vehicles for vigilante or buddy cops, even a gangster love story. It features biographies and filmographies detailing the key participants and background details of the film's making, locations and sets. It also explores each film's sources and influences, its impact on the crime genre and current fashion, including spin-offs, copies and sequels. It examines the films' themes, style and box office fortunes."--BOOK JACKET.
Notes: Includes bibliographical references (p. 221-224) and index; Includes bibliographical references (p. 221-224) and index; Filmography: p. 213-220
ISBN: 9781845112196
Donation: Donated by Senses Of Cinema, 2009

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Stills; Clippings; Programme
Subject: DEATH BECOMES HER (US, Robert Zemeckis, 1992)
URL status: URL: 'http://file://Q:/T/DEATH_BECOMES_HER.zip' Checked: 31/08/2021 12:55:28 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
Subject: TWO OR THREE THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE] (FR, Jean-Luc Godard, 1967)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TWO OR THREE THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE] (FR, Jean-Luc Godard, 1967)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DON'T TELL HER IT'S ME (US, Malcolm Mowbray, 1990)

Call No: 81GOD BRO
Author: Brody, Richard
Edition: 1st Paperback edition
Source: US
Place: New York
Publisher: Metropolitan Books / Henry Holt and Company
PubDate: 2009
PhysDes: xv, 701 p. : ill. ; 24 cm
Subject: CRITICISM; GODARD, JEAN-LUC; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); VIVRE SAVIE (FR, Jean-Luc Godard, 1962); PETIT SOLDAT, LE (FR, Jean-Luc Godard, 1963); WOMAN IS A WOMAN, A (FR, Jean-Luc Godard, 1961); FEMME EST UNE FEMME, UNE (FR, Jean-Luc Godard, 1961); CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963); CONTEMPT (FR/IT, Jean-Luc Godrad, 1963) SEE MEPRIS, LE; MEPRIS, LE (FR/IT, Jean-Luc Godard, 1963); MARRIED WOMAN, THE (FR, Jean-Luc Godard, 1964) SEE FEMME MARIEE, UNE; FEMME MARIEE, UNE (FR, Jean-Luc Godard, 1964); ALPHAVILLE (FR, Jean-Luc Godard, 1965); PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965); MASCULIN-FEMININ (FR, Jean-Luc Godard, 1966); MASCULINE FEMININE (FR, Jean-Luc Godard, 1966); TWO OR THREE THINGS I KNOW ABOUT HER (FR, Jean-Luc Godard, 1967) SEE [DEUX] 2 OU 3 CHOSES QUE JE SAIS D'ELLE; [DEUX] 2 OU 3 CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); LA CHINOISE (FR, Jean-Luc Godard, 1967); FRANCE/TOUR/RETOUR/DEUX ENFANTS [TV](FR, Jean-Luc Godard, 1978); SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980); HAIL, MARY (FR/SZ, Jean-Luc Godard, 1985) SEE JE VOUS SALUE MARIE; JE VOUS SALUE MARIE (FR/SZ, Jean-Luc Godard, 1985); DETECTIVE (FR, Jean-Luc Godard, 1985); SOIGNE TA DROITE (FR/SZ, Jean-Luc Godard, 1987); KING LEAR (US/SZ, Jean-Luc Godard, 1987); HISTOIRE(S) DU CINEMA (SZ/FR, Jean-Luc Godard, 1997); NOUVELLE VAGUE (Fr, Jean-Luc Godard, 1990); GERMANY YEAR 90 (FR, Jean-Luc Godard, 1991) SEE ALLEMAGNE NEUF ZERO; ALLEMAGNE NEUF ZERO (FR, Jean-Luc Godard, 1991); HELAS POUR MOI (SZ/FR, Jean-Luc Godard, 1983); FOR EVER MOZART (SZ/FR, Jean-Luc Godard, 1996); ELOGE DE L'AMOUR (SZ, Jean-Luc Godard, 2001)
Summary: "Shifting fluidly from fiction to documentary, from criticism to art, the films of Jean-Luc Godard changed the nature of cinema. Godard's own persona - cultural hero, fierce loner, shrewd businessman - projects similarly shifting images. In the modern canon, he is a figure as mysterious as he is indispensible. Now, acclaimed critic Richard Brody offers the fullest picture yet of Godard's life and work, demsytifying the elusive filmmaker through hundreds of interviews with friends, relatives, and collaborators. He vividly depicts Godard's wealthy family, his changeable and often disturbing politics, his tumultuous dealings with fellow filmmakers, and his troubled relations with women. Tracing an arc from the director's early writing, through his popular success with Breathless and Contempt, to the grand vision of his later years, Everything Is Cinema shows decisively that Godard's films have left their mark on all screens, everywhere. -- BOOK BLURB
Notes: "NBCC Award. Criticism. Nominees" -- Awards website; Includes bibliographical references (p. [635]-675) and index; We have a duplicate copy of this book
ISBN: 9780805080155
Contents: -- preface -- 1: We do not think, we are thought -- 2: A matter of loving or dying -- 3: Breathless -- 4: Le petit soldat -- 5: A woman is a woman -- 6: Vivre sa vie, le nouveau monde, les carabiniers -- 7: Contempt -- 8: Montparnasse et levallois, band of outsiders -- 9: A married woman -- 10: The American business -- 11: Alphaville -- 12: Pierrot le fou -- 13: Masculine feminine -- 14: Made in USA, two or three things I know about her -- 15: La chinoise, weekend -- 16: Revolution (1968-1972) -- 17: Restoration (1973-1977) -- 18: France tour de´tour deux enfants, et al., 1978-1979 -- 19: Sauve qui peut (la vie) -- 20: Passion and first name: Carmen -- 21: Hail Mary -- 22: Detective and soigne ta droite -- 23: King Lear -- 24: Histoire(s) du cine´ma, part I -- 25: Nouvelle vague -- 26: Germany year 90 nine zero -- 27: He´las pour moi, JLG/JLG, histoire(s) du cine´ma, parts 2 and 3 -- 28: For ever Mozart, histoire(s) du cine´ma, part 4 -- 29: Eloge de l'amour -- 30: Notre musique -- epilogue -- acknowledgments -- notes -- index --

Author: Koeser, Dorre
PhysDes: Article
Subject: HANNAH AND HER SISTERS (US, Woody Allen, 1986)
Summary: Review of 'Hannah and her sisters' and credits

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FEW THINGS I KNOW ABOUT HER, A (AT, Karena Slaninka, 1996)

Call No: 631.19 PIP
Author: Pippin, Robert B.
Source: US
Place: Chicago
Publisher: University of Chicago Press
PubDate: 2020
PhysDes: 271 pages : illustrations (some colour) ; 32 cm
Subject: PHILOSOPHY AND THE CINEMA; SPECTATORSHIP; REAR WINDOW (US, Alfred Hitchcock, 1954); HABLE CON ELLA [TALK TO HER] (SP, Pedro Almodovar, 2002); SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943); CHINATOWN (US, Roman Polanski, 1974); ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955); JOHNNY GUITAR (US, Nicholas Ray, 1954); IN A LONELY PLACE (US, Nicholas Ray, 1950); THIN RED LINE, THE (US, Terrence Malick, 1998); DARDENNE, JEAN-PIERRE & LUC
Summary: "In this book, philosopher Robert B. Pippin reveals how films can illuminate, in a concrete manner, core features of shared human life. Filmed Thought examines questions of morality in Almodovar's Talk to Her, goodness and naivete in Hitchcock's Shadow of a Doubt, love and fantasy in Sirk's All That Heaven Allows, politics and society in Polanski's Chinatown and Malick's The Thin Red Line, and self-understanding and understanding others in Nicholas Ray's In A Lonely Place and in the Dardenne brothers' oeuvre. In each reading, Pippin pays close attention to what makes these films exceptional as technical works of art (with an eye to cinematic irony) and as intellectual and philosophical achievements. Throughout, he shows how films offer a view of basic problems of human agency from the inside and allow viewers to think with and through them. Captivating and insightful, Filmed Thought shows us what it means to take cinema seriously not just as art, but as thought, and how this medium provides a singular form of reflection on what it is to be human." - taken from back cover.
Notes: Includes bibliographical references and index.
ISBN: 9780226672007
Contents: Section I: Cinema As Reflective Form 1. Cinematic Reflection -- 2. Cinematic Self-consciousness in Alfred Hitchcock's Rear Window -- Section II: Moral Variations 3. Devils & Angels in Pedro Almodovar's Talk to Her -- 4. Confounding Morality in Alfred Hitchcock's Shadow of a Doubt -- Section III: Social Pathologies 5. Cinematic Tone in Roman Polanski's Chinatown: Can "Life" Itself be "False"? -- 6. Love & Class in Douglas Sirk's All That Heaven Allows -- Section IV: Irony & Mutuality 7. Cinematic Irony: The Strange Case of Nicholas Ray's Johnny Guitar -- 8. Passive & Active Skepticism in Nicholas Ray's In a Lonely Place -- Section V: Agency & Meaning 9. Vernacular Metaphysics: On Terrence Malick's The Thin Red Line -- 10. Psychology Degree Zero? The Representation of Action in the Films of the Dardenne Brothers
ID2: 343

Call No: 512.1 PAR
Author: Partridge, Dinah; Hughes, Peter, 1949
Place: Melbourne
Publisher: Oxford University Press
PubDate: 1992
PhysDes: viii, 184 p. : ill., ports. ; 26 cm
Subject: TEACHING MATERIALS; DEAD POETS SOCIETY (US, Peter Weir, 1989); MALCOLM (AT, Nadia Tass, 1986); YEAR MY VOICE BROKE, THE (AT, John Duigan, 1987); SHAME (AT, Steve Jodrell, 1988); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); RADIO DAYS (US, Woody Allen, 1987); ACCIDENTAL TOURIST, THE (US, Lawrence Kasdan, 1988); KILLING FIELDS, THE (UK, Roland Joffe, 1984); CRY FREEDOM (UK, Richard Attenborough, 1987); NEWSFRONT (AT, Phillip Noyce, 1978); GALLIPOLI (AT, Peter Weir, 1981); CITIZEN KANE (US, Orson Welles, 1941); ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); STAND AND DELIVER (US, Ramon Menendez, 1988); GROUND ZERO (AT, Michael Pattison & Bruce Myles, 1987); BACK TO THE FUTURE (US, Robert Zemeckis, 1985); STREET HERO (AT, Michael Pattinson, 1984); STAND BY ME (US, Rob Reiner, 1986); DELINQUENTS, THE (AT, Chris Thomson, 1989); EDUCATING RITA (UK, Lewis Gilbert, 1983); HANNAH AND HER SISTERS (US, Woody Allen, 1986); HIGH TIDE (AT, Gillian Armstrong, 1987); DUNERA BOYS, THE [TV] (AT, Bob Weis, 1985); KISS OF THE SPIDER WOMAN (US/BL, Hector Babenco, 1985); PLACE AT THE COAST, THE (AT, George Ogilvie, 1987); SCALES OF JUSTICE [TV] (AT, 1983); WOMEN OF THE SUN [TV] (AT, James Ricketson, David Stevens, Stephen Wallace, Geoffrey Nottage, 1982); NAVIGATOR, THE (NZ/AT, Vincent Ward, 1988); EVIL ANGELS (AT, Fred Schepisi, 1988); MY LEFT FOOT (UK, Jim Sheridan, 1989); CANNIBAL TOURS (AT, Dennis O'Rourke, 1987)
Notes: Includes index; Bibliography: p. 183
ISBN: 019553218X
LON: 8815950
ID2: 290

PhysDes: Article
Subject: LAZENBY, GEORGE; ON HER MAJESTY'S SECRET SERVICE (UK, Peter Hunt, 1969)
Summary: Interview with Lazenby making up a larger feature article on rhe James Bond franchise.

Call No: 756.1-25 GLO
Author: Andersson, Johan; Webb, Lawrence
Edition: 2016
Place: New York; Chichester, UK
Publisher: Wallflower Press
PubDate: 2016
PhysDes: vii, 262 pages : illustrated ; 24 cm
Subject: CITIES IN FILMS; NIGERIA; JAMES BOND IN FILMS; ANNIE HALL (US, Woody Allen, 1977); BLADE RUNNER (US, Ridley Scott, 1982); BOURNE IDENTITY, THE (US, Doug Liman, 2002); BOURNE LEGACY, THE (US, Tony Gilroy, 2012); BOURNE SUPREMACY, THE (US, Tony Gilroy, 2012); BOURNE ULTIMATUM, THE (US, PAUL GREENGRASS, 2007); TOMORROW NEVER DIES (US, Roger Spottiswoode, 1997); HER (US, Spike Jonze, 2013)
Notes: Cinema and audiovisual media are integral to the culture, economy and social experience of the contemporary global city. But how has the relationship between cinema and the urban environment evolved in the era of digital technology, new media and globalization? And what are the critical tools and concepts with which we can grasp this vital interconnection between space and screen, viewer and built environment? Engaging with a rapidly transforming urban world, the contributions to this collection rethink the 'cinematic city' at a global scale. By presenting a global constellation of screen cities within one volume, the book encourages juxtapositions and comparisons across the North and South to capture the global city and its dynamics of exchange, hybridity, and circulation. The contributions examine film and screen cultures in a range of locations spanning five continents: Antibes, Beijing, Buenos Aires, Busan, Cairo, Caracas, Copenhagen, Jakarta, Kolkata, Lagos, Los Angeles, Malmö, Manila, Mumbai, Nairobi, Paris, Seoul, Sète, and Shanghai. The chapters address topics that range across the contemporary film and media landscape, from popular cinema, art cinema, and film festivals to serial television, public screens, multimedia installations, and video art. -- publisher's web site
ISBN: 9780231177474
Contents: Notes on Contributors -- Introduction: Decentring the Cinematic City—Film and Media in the Digital Age Part 1: Transnational Screen Cities -- 1. In the City but Not Bounded by It: Cinema in the Global, the Generic and the Cluster City, by Thomas Elsaesser -- 2. Traversing the Øresund: the Transnational Urban Region in Bron/Broen, by Pei-Sze Chow -- 3. Neoliberalism, Nollywood, and Lagos, by Jonathan Haynes Part 2: Global City Imaginaries -- 4. New Urban and Media Ecologies in Contemporary Buenos Aires, by Joanna Page -- 5. When Harry Met Siri: Digital Romcom and the Global City in Spike Jonze's Her, by Lawrence Webb -- 6. Cinephilia and the City: the Politics of Place in Contemporary Bengali Cinema, by Malini Guha -- Part 3: Public Screens and New Media Landscapes -- 7. Screen Cultures and the 'Generic City': Public Screens in Cairo and Shanghai, by Chris Berry -- 8. The City as Found Footage: the Reassemblage of Chinese Urban Space, by Yomi Braester -- 9. Remediating the 'Other Half': Planet Slum as Transmedia Project, by Igor Krstic Part 4: New Narrative Topographies -- 10. Interstitial Cityspace and the Immigrant Experience in Contemporary French Cinema, by William Higbee -- 11. Seoul, Busan and Somewhere Near: Korean Gangster Noir and Social Immobility, by Jinhee Choi -- 12. Chase Sequences and Transport Infrastructure in Global Hollywood Spy Films, by Christian B. Long Index

Call No: 733 MAR
Author: Marcantonio, Carla
Edition: 2015
Place: Basingstoke
Publisher: Palgrave Macmillan
PhysDes: xii, 190 ; 23 cm
Subject: MELODRAMA; HABLE CON ELLA [TALK TO HER] (SP, Pedro Almodovar, 2002); SKIN I LIVE IN, THE (SP, Pedro Almodovar, 2011); FA YEUNG NIN WA [IN THE MOOD FOR LOVE] (HK, Wong Kar-Wai, 2000); 2046 (HK, Wong Kar-Wai, 2004); BUBBLE (US, Steven Soderbergh, 2005); BABEL (US/MX, Alejandro Gonzalez Ioarritu, 2006); GRAVITY (US/UK, Alfonso Cuaron, 2013); JUVENTUDE EM MARCHA [COLOSSAL YOUTH] (PO/FR/SZ, Pedro Costa, 2006); SHIJIE [WORLD, THE] (CN/JP/FR, Zhangke Jia, 2004)
Notes: Global Melodrama is the first booklength work to investigate melodrama in a specifically twenty-first century setting across regional and national boundaries, analyzing film texts from a variety of national contexts in the wake of globalization. -- publisher's blurb
ISBN: 9781137530615

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: HANNAH AND HER SISTERS (US, Woody Allen,1986)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HER (US, Spike Jonze, 2013)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Stills; Clippings; Press kit
Subject: HER ALIBI (US, Bruce Beresford, 1989)

PhysDes: Article
Subject: HER BODYGUARD (US, William Beaudine, 1933)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HERE IS HAROLD [HER ER HAROLD] (NO, Gunnar Vikene, 2014)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HER FAMILY JEWELS (UK, Martin Campbell, 1976)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HER MAN (US, Tay Garnett, 1930)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HER NAME CAME ON ARROWS: A KINSHIP INTERVIEW WITH THE BARUYA OF NEW GUINEA (US, Allison &Marek Jablonko & Stephen Olsson, 1982)

PhysDes: Article
Subject: HER PRIVATE LIFE (US, Alexander Korda, 1929)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HER SMELL (US, Alex Ross Perry, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HER SOUND HER STORY ( AT, Claudia Sangiorgi Dalimore, 2017)

Call No: P HER
PubDate: 2018
PhysDes: 1 poster : col. ; 100 X 69 cm.
Subject: HER SOUND HER STORY (AT, Claudia Sangiorgi Dalimore, 2017)
Donation: Cinema Nova

Call No: 409.1(73) MED
Author: Medved, Michael
Edition: 1st ed
Source: US
Place: New York, NY [Grand Rapids, Mich.]
Publisher: HarperCollins Zondervan
PubDate: 1992
PhysDes: xiii, 386 p. ; 25 cm
Subject: HOLLYWOOD; POPULAR CULTURE AND THE CINEMA. USA; CENSORSHIP. USA; JEWS AND THE CINEMA. USA; FAMILY IN FILMS. USA; MARRIAGE IN FILMS. USA; RELIGION AND THE CINEMA. USA; VIOLENCE IN FILMS. USA; COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988)
Summary: "Why does popular culture seem so consistently hostile to the values most Americans hold dear? Why does the entertainment industry attack religion, glorify brutality, undermine the family, and deride patriotism? In this explosive book, one of the nation's best known film critics examines how Hollywood has broken faith with its public, creating movies, television, and popular music that exacerbates every serious social problem we face, from teenage pregnancies to violence in the streets." [Taken from book jacket]
Notes: Includes bibliographical references (p. [347]-370) and index
ISBN: 006016882X
LON: 92052604; 9162681

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: HOW STELLA GOT HER GROOVE BACK (US, Kevin Sullivan, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HURIYYA AND HER SISTERS (AT, Paula Abood, 2009)

Call No: 632.43 HIL
Author: Hill, Geoffrey Michael, 1950
Place: Boston
Publisher: Shambhala
PubDate: 1992
PhysDes: viii, 319 p. : ill. ; 23 cm
Subject: MYTH AND THE CINEMA; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); SHANE (US, George Stevens, 1953); COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); BLUE VELVET (US, David Lynch, 1986); RUMBLE FISH (US, Francis Ford Coppola, 1983); TAXI DRIVER (US, Martin Scorsese, 1976); REPO MAN (US, Alex Cox, 1984); SAILOR WHO FELL FROM GRACE WITH THE SEA, THE (UK, Lewis John Carlino, 1976); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); INSIGNIFICANCE (UK, Nicolas Roeg, 1985); ROK SPOKOJNEGO SLONCA (PL/US/GW, Krzysztof Zanussi, 1984); BABETTES GAESTEBUD (DK, Gabriel Axel, 1987); LITTLE SHOP OF HORRORS (US, Frank Oz, 1986); LITTLE SHOP OF HORRORS, THE (US, Roger Corman, 1960); TRIP TO BOUNTIFUL, THE (US, Peter Masterson, 1985); GRADUATE, THE (US, Mike Nichols, 1967); SANTA SANGRE (IT, Alexandro Jodorowsky, 1989); FIELD OF DREAMS (US, Phil Alden Robinson, 1989)
Notes: Includes bibliographical references (p. 313-319)
ISBN: 0877736456 (pbk. : alk. paper)
LON: 8202303

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IN HER OWN TIME (US, Lynne Littman, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: IN HER SHOES (US, Curtis Hanson, 2005)

Author: Edwin Peters
PhysDes: Article
Subject: COLLETTE, TONI; IN HER SHOES (US, Curtis Hanson, 2005)
Summary: D.V.D. review of In Her Shoes

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: IN HER SKIN (AT, Simone North, 2009); I AM YOU (AT, Simone North, 2009)
ID2: 188

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: INGRID BERGMAN IN HER OWN WORDS [JAG AR INGRID] (SW/DK/G, Stig Björkman, 2015)
Cross Reference: INGRID BERGMAN IN HER OWN WORDS [JAG AR INGRID]

Call No: 757JAM BRO
Author: Brosnan, John
Source: UK
Place: London
Publisher: Tantivy Press
PubDate: 1972
PhysDes: 176 p. : illus. ; 21 cm
Subject: ADAPTATIONS. FLEMING, IAN; JAMES BOND IN FILMS; LITERATURE AND THE CINEMA; DIAMONDS ARE FOREVER (UK, Guy Hamilton, 1971); DR NO (US, Terrence Young, 1963); FROM RUSSIA WITH LOVE (UK, Terence Young, 1963); GOLDFINGER (UK, Guy Hamilton, 1964); ON HER MAJESTY'S SECRET SERVICE (UK, Peter Hunt, 1969); THUNDERBALL (UK, Terence Young, 1965); YOU ONLY LIVE TWICE (UK, Lewis Gilbert, 1967)
Summary: Early James Bond films
Donation: Donated by the family of Wayne Levy
Contents: Introduction --1. Why so popular? -- 2. Dr No -- 3. From Russia with love -- 4. Goldfinger -- 5. Thunderball -- 6. You only live twice -- 7. On her majesty's secret service -- 8. Diamonds are forever -- Appendices

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LEAVE HER TO HEAVEN (US, John M. Stahl, 1945)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LYNN SEYMOUR - IN A CLASS OF HER OWN (UK, Karin Altmann, 1978)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MOTHER BRINGS HER SON TO BE SHOT, A (IE, Sinéad O'Shea, 2017)

Call No: TITLE CLIPPINGS FILE; HER (US, Spike Jonze, 2013)
Author: Dent, Nick
PhysDes: Clippings File Article
Subject: HER (US, Spike Jonze, 2013)
Summary: Review
Rating: 4 out of 5 stars

Call No: 632 BRA
Author: Branigan, Edward Richard, 1945
Place: London New York
Publisher: Routledge
PubDate: 1992
PhysDes: xv, 325 p. : ill. ; 25 cm
Subject: NARRATIVE IN FILMS; LADY FROM SHANGHAI, THE (US, Orson Welles, 1948); SANS SOLEIL (FR, Chris Marker, 1983); GIRL AND HER TRUST, THE (US, David Wark Griffith, 1912); HANGOVER SQUARE (US, John Brahm, 1945); LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948); LADY IN THE LAKE (US, Robert Montgomery, 1946)
Notes: Includes bibliographical references (p. 218-306) and index
ISBN: 0415075122 (pbk.); 0415075114
LON: 8202041

Call No: SUBJECT CLIPPINGS FILE; INDUSTRY, TELEVISION
Author: Idato, Michael
PhysDes: Clippings File Article
Subject: AWARDS. MTV VIDEO MUSIC; HER HONOR [TV] in production; NEWTON'S LAW [TV] in production; ARE YOU BEING SERVED? [TV](UK, 2016)
Summary: Wrap up of articles on the television industry including: Judge Judy Sheindlin is to be the subject of a TV drama HER HONOR, ratings and downloads of the MTV Video Music Awards, new Claudia Karvan fronted show titled NEWTON'S LAW to begin shooting soon, remake of ARE YOU BEING SERVED? is panned in the UK

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ON HER MAJESTY'S SECRET SERVICE (UK, Peter Hunt, 1969)

Call No: N79ONH FLE
Author: Fleming, Ian
Source: UK
Place: London
Publisher: Pan Books
PubDate: 1964, c1963
PhysDes: 238 p. ; 18 cm
Series: James Bond
Subject: ON HER MAJESTY'S SECRET SERVICE (UK, Peter Hunt, 1969)
Notes: Publishing details: First published 1963 by Jonathan Cape. - Film snapshots on inside and reverse (back) cover. - Back cover: Film credits [George Lazenby as Bond]

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ON HER SHOULDERS (US, Alexandria Bombach, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ABOUT HER BROTHER [OTOTO] (JP, Yôji Yamada, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: OVER HER DEAD BODY (US, Jeff Lowell, 2008)

Call No: 626 FAL
Author: Falzon, Christopher
Edition: third edition
Place: London
Publisher: Routledge
PubDate: 2002
PhysDes: 330p. : illustrations ; 24 cm
Subject: PHILOSOPHY AND THE CINEMA; THEORY; FOUCAULT, MICHEL; A NOUS, LA LIBERTE! (FR, Rene Clair, 1931); ADDICTION, THE (US, Abel Ferrara, 1995); AGNES OF GOD (US, Norman Jewison, 1985); AGUIRRE, DER ZORN GOTTES (GW, Werner Herzog, 1972); ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997); ALL OF ME (US, Carl Reiner, 1984); ALPHAVILLE (FR, Jean-Luc Godard, 1965); AMADEUS (US, Milos Forman, 1984); AMATEUR (US, Hal Hartley, 1994); ANGEL HEART (US, Alan Parker, 1987); ANTZ (US, Eric Darnell, Lawrence Guterman & Tim Johnson II, 1998); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BASIC INSTINCT (US, Paul Verhoeven, 1992); BEAVIS AND BUTTHEAD DO AMERICA (US, Mike Judge, 1996); BEDAZZLED (US, Stanely Donen, 1967); BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); BEING THERE (US, Hal Ashby, 1979); BIG (US, Penny Marshall, 1988); BIG SLEEP, THE (US, Howard Hawkes, 1946); BLADE RUNNER (US, Ridley Scott, 1982); BLAISE PASCAL (IT, Roberto Rossellini, 1972); BLUE VELVET (US, David Lynch, 1986); BOB ROBERTS (US, Tim Robbins, 1992); BRAZIL; BREAKER MORANT (AT, Bruce Beresford, 1980); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); CABARET (US, Bob Fosse, 1972); CASABLANCA (US, Michael Curtiz, 1942); CASPER (US, Brad Silberling, 1995); CHANCES ARE (US, Emile Ardolino, 1989); CHINATOWN (US, Roman Polanski, 1974); CINEMA PLUS; CITIZEN KANE (US, Orson Welles, 1941); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); COLOSSUS: FORBIN PROJECT (US, Joseph Sargent, 1970); CONFORMISTA, IL (IT/FR, Bernardo Bertolucci, 1970); COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); CRIMES AND MISDEMEANORS (US, Woody Allen, 1989); CRIMES OF PASSION (US, Ken Russell, 1984); CRUCIBLE, THE (US, Nicholas Hytner, 1996); CRYING GAME, THE (UK, Neil Jordan, 1992); DANGEROUS LIAISONS (US, Stephen Frears, 1988); DARK CITY (US, Alex Proyas, 1997); DARK STAR (US, John Carpenter, 1974); DEAD AGAIN (US, Kenneth Branagh, 1991); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); DRACULA (US, Tod Browning, 1931); EASY RIDER (US, Dennis Hopper, 1969); EDUCATING RITA (UK, Lewis Gilbert, 1983); ELEPHANT MAN, THE (US, David Lynch, 1980); ENEMY OF THE STATE (US, Tony Scott, 1998); JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974); FACE/OFF (US, John Woo [pseud. of Wu Yusen], 1997); FAHRENHEIT 451 (UK, Francois Truffaut, 1966); FATAL ATTRACTION (US, Adrian Lyne, 1987); FIVE EASY PIECES (US, Bob Rafelson, 1970); FLY, THE (US, David Cronenberg, 1986); FORTRESS (AT/US, Stuart Gordon, 1993); FRANKENSTEIN (US, James Whale, 1931); FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996); FULL METAL JACKET (UK, Stanley Kubrick, 1987); GATTACA (US, Andrew Niccol, 1997); GHOST (US, Jerry Zucker, 1990); GHOSTS. . . OF THE CIVIL DEAD (AT, John Hillcoat, 1988); ANGST DES TORMANNS BEIM ELFMETER, DIE (GW/AU, Wim Wenders, 1972); GROUNDHOG DAY (US, Harold Ramis, 1993); HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990); HANNAH AND HER SISTERS (US, Woody Allen, 1986); HE SAID, SHE SAID (US, Ken Kwapis and Marisa Silver, 1991); HIGH HOPES (UK, Mike Leigh, 1988); HIGH NOON (US, Fred Zinnemann, 1952); HILARY AND JACKIE (UK, Anand Tucker, 1998); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); IF... (UK, Lindsay Anderson, 1968); INHERIT THE WIND (US, Stanley Kramer, 1960); INTERIORS (US, Woody Allen, 1978); INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961); JURASSIC PARK (US, Steven Spielberg,, 1993); KOYAANISQATSI (US, Godfrey Reggio, 1982); LADYBIRD, LADYBIRD (UK, Kenneth Loach, 1994); ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976); MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979); LOVE AND DEATH (US, Woody Allen, 1975); M (G, Fritz Lang, 1931); MAD MAX (AT, George Miller, 1979); MALTESE FALCON, THE (US, John Huston, 1941); MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962); MATEWAN (US, John Sayles, 1987); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); MONTY PYTHON'S THE MEANING OF LIFE (UK, Terry Jones, 1983); MEPHISTO (HU/GW, Istvan Szabo, 1981); METROPOLIS (G, Fritz Lang, 1926); MISSION, THE (UK, Roland Joffe, 1986); MODERN TIMES (US, Charles Chaplin, 1936); MON ONCLE (FR/IT, Jacques Tati, 1958); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); MONTY PYTHON'S FLYING CIRCUS[TV] (UK, 1969-1974); MY FAIR LADY (US, George Cukor, 1964); NAME DER ROSE, DER (GW/IT/FR, Jean-Jacques Annaud, 1986); NORMA RAE (US, Martin Ritt, 1979); NUTTY PROFESSOR, THE (US, Jerry Lewis, 1963); O LUCKY MAN! (UK, Lindsay Anderson, 1973); OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928); OLIVIER, OLIVIER (FR, Agnieszka Holland, 1992); ON THE BEACH (US, Stanley Kramer, 1959); ON THE WATERFRONT (US, Elia Kazan, 1954); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); PEOPLE VS LARRY FLYNT, THE (US, Milos Forman, 1996); PLAYER, THE (US, Robert Altman, 1992); PLAYTIME (FR, Jacques Tati, 1967); PRINCESS BRIDE, THE (US, Rob Reiner, 1987); PURA FORMALITA, UNA (IT/FR, Guiseppe Tornatore, 1994); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); QUIZ SHOW (US, Robert Redford, 1994); RAIN (US, Louis Milestone, 1932); RAIN MAN (US, Barry Levinson, 1988); RAPTURE, THE (US, Michael Tolkin, 1991); RASHOMON (JA, Akira Kurosawa, 1950); REAR WINDOW (US, Alfred Hitchcock, 1954); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982); ROBOCOP (US, Paul Verhoeven, 1987); ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990); SALT OF THE EARTH (US, Herbert J. Biberman, 1954); SAVING PRIVATE RYAN (US, Steven Spielberg, 1998); SCHINDLER'S LIST (US, Steven Spielberg, 1993); SEA OF LOVE (US, Harold Becker, 1989); SEVEN [SE7EN] (US, David Fincher, 1995); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); SHOCKER (US, Wes Craven, 1989); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); SIMON DEL DESIERTO (MX, Luis Bunuel, 1965); SLEEPER (US, Woody Allen, 1973); SOPHIE'S CHOICE (US, Alan J. Pakula, 1982); STAGE FRIGHT (UK, Alfred Hitchcock, 1950); STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982); STAR TREK; STAR WARS (US, George Lucas, 1977); SUTURE (US, Scott McGehee & David Siegel, 1993); SWITCH (US, Blake Edwards, 1991); TERMINATOR, THE (US, James Cameron, 1984); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961); THINGS TO COME (UK, William Cameron Menzies, 1936); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); THREE FACES OF EVE (US, Nunnally Johnson, 1957); TOTAL RECALL (US, Paul Verhoeven, 1990); TRUMAN SHOW, THE (US, Peter Weir, 1998); USUAL SUSPECTS, THE (US, Bryan Singer, 1995); VICE VERSA (US, Brian Gilbert, 1988); JUNGFRUKALLAN (SW, Ingmar Bergman, 1960); WAG THE DOG (US, Barry Levinson, 1997); WALL STREET (US, Oliver Stone, 1987); WILD ONE, THE (US, Laslo Benedek, 1953); WITTGENSTEIN (UK, Derek Jarman, 1993); YOU ONLY LIVE ONCE (US, Fritz Lang, 1937)
Summary: Now emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the two earlier editions so successful. Drawing on many popular and some lesser known films from around the world, Christopher Falzon introduces students to key areas in philosophy, like: Ethics, Social and Political Philosophy, The Theory of Knowledge, The Self and Personal Identity, Critical Thinking. Perfect for beginners, this book guides the reader through philosophy using illuminating cinematic works, like Avatar, Inception, Fight Club, Wings of Desire, Run Lola Run, A Clockwork Orange, Blade Runner, Dirty Harry and many other films. The fully revised and updated Third Edition features: an expanded introduction that provides a new discussion of the relationship between film and philosophy; new material on notable philosophers such as Aristotle, Merleau-Ponty and Rawls; and coverage of new topics like virtue ethics and what Socrates offers for critical thinking. An updated glossary, references and bibliography, and a filmography, are also included in the Third Edition. -- publisher's web site
Notes: Includes glossary
ISBN: 9780415538169
Contents: Preface -- Introduction -- 1 - Plato’s Picture Show - the theory of knowledge -- 2 - All of Me - the self and personal identity -- 3 - Crimes and Misdemeanors - moral philosophy -- 4 - Antz - social and political philosophy -- 5 - Modern Times - society, science, and technology -- 6 - The Holy Grail - critical thinking -- Further Reading -- Glossary -- Bibliography -- Filmography -- Index

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PLEASURE AT HER MAJESTY'S (UK, Roger Graef and Jonathan Miller, 1976)

Call No: 753.4 MIL
Author: Miller, Gabriel, 1948
Place: New York
Publisher: F. Ungar Pub. Co.
PubDate: 1980
PhysDes: xv, 208 p. : ill. ; 22 cm
Series: Ungar Film Library
Subject: ADAPTATIONS; AUTHORSHIP; DIRECTORS; LITERATURE AND THE CINEMA; HESTER STREET (US, Joan Micklin Silver, 1975); GANGSTER, THE (US, Gordon Wiles, 1947); PATHS OF GLORY (US, Stanley Kubrick, 1957); PAWNBROKER, THE (US, Sidney Lumet, 1964); POSTMAN ALWAYS RINGS TWICE, THE (US, Tay Garnett, 1946); SUSAN LENOX: HER FALL AND RISE (US, Robert Z. Leonard, 1931); THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969); TREASURE OF THE SIERRA MADRE, THE (US, John Huston, 1948)
Summary: "This book retrieves the lost literary treasures that inspired eight popular films. Prompted by the widespread success of these films, Gabriel Miller here re-evaluates the careers of the eight neglected novelists whose works inspired eight different directors - among them Sidney Lumet, Stanley Kubrick, John Huston, and Sidney Pollack. Each chapter offers a detailed interpretation of a particular film, its literary source, and the overall career of the novelist [...] Some of these interesting novels have never been dealt with at all; others have only recently attracted critical attention. The films, too, benefit from extended reassessment. Despite the fact that the movies were successful, moreso than the novels, they have attracted little in the way of useful analysis. Taken together, the double examination of the novel and film raises some important questions about the nature and problems of cinematic adaptation." -- BOOK BLURB
Notes: Includes index; Bibliography: p. 199-203; Filmography: p. 196-198; Typo in the table of contents gives 'The Gangster' release date as 1957, it is actually 1947
ISBN: 0804426228 : $9.95
LON: 79048071; 1682173

Call No: TITLE CLIPPINGS FILE; INGRID BERGMAN: IN HER WORDS (SW, Stig Björkman, 2015)
Author: [Mathieson, Craig] CM
PhysDes: Clippings File Article
Subject: INGRID BERGMAN: IN HER WORDS (SW, Stig Björkman, 2015)
Summary: Review of the documentary INGRID BERGMAN: IN HER WORDS
Rating: 3.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SLEEP HAS HER HOUSE (UK, Scott Barley, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SOMEBODY KILLED HER HUSBAND (US, Lamont Johnson, 1978)

Call No: 632.2(73) THO
Author: Thompson, Kristin, 1950
Place: Cambridge, MA
Publisher: Harvard University Press
PubDate: 1999
PhysDes: 398 p. : ill. ; 23 cm
Subject: NARRATIVE IN FILMS; TOOTSIE (US, Sydney Pollack, 1982); BACK TO THE FUTURE (US, Robert Zemeckis, 1985); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); GROUNDHOG DAY (US, Harold Ramis, 1993); DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985); AMADEUS (US, Milos Forman, 1984); HUNT FOR RED OCTOBER, THE (US, John McTiernan, 1990); PARENTHOOD (US, Ron Howard, 1989); ALIEN (UK, Ridley Scott, 1979); HANNAH AND HER SISTERS (US, Woody Allen, 1986); FIELD, SYD; JAWS (US, Steven Spielberg, 1975); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991)
Notes: Includes bibliographical references and index
ISBN: 0674839749 (cl. : alk. paper); 0674839757 (pbk. : alk. paper); 0674839757(pbk.) : ª15.50; 0674839749(cased) : ª30.95
LON: 14524218

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: THINGS YOU CAN JUST TELL BY LOOKING AT HER (US, Rodrigo Garcia, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: TO GILLIAN IN HER 37TH BIRTHDAY (US, Michael Pressman, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: TO GILLIAN ON HER 37th BIRTHDAY (US, Michael Pressman, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: TRUGANINI...LAST OF HER PEOPLE (AT, Gordon Glenn, ??)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 16 x 21 cm.
Subject: TRUGANINI...LAST OF HER PEOPLE (AT, Gordon Glenn, 1976)
Summary: Black and white photograph relating to the documentary Truganini...last of her people

Call No: TITLE CLIPPINGS FILE
Subject: VILLAIN STILL PURSUED HER, THE (US, Eddie Cline, 1940)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: VILLAIN STILL PURSUED HER, THE (US, Eddie Cline, 1940)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WOULD YOU LOOK AT HER (ME, Goran Stolevski, 2017)