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CAFE EUROPA : (GW, Franz X. Bogner, 1990)
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book
Cinema and colour : the saturated image / Paul Coates London: British Film Institute, 2010.
Call No: 633.22 COAAuthor: Coates, Paul Source: UKPlace: LondonPublisher: British Film InstitutePubDate: 2010PhysDes: 178 p. : col. ill. ; 26 cm.Subject: COLOUR ; COLORIZATION ; FRENCH CANCAN (FR/IT, Jean Renoir, 1955) ; [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967) ; CHINOISE, LA (FR, Jean-Luc Godard, 1967) ; SOLARIS (UR, Andrei Tarkovsky, 1972) ; STELLET LICHT (MX/FR/NE/G, Carlos Reygadas, 2007) ; BLACK NARCISSUS (UK, Michael Powell & Emeric Pressburger, 1947) ; EUROPA (DK/FR/GG, Lars Von Trier, 1991) ; THREE COLORS: RED [TROIS COULEURS: ROUGE] (FR/SZ/PL, Krzysztof Kieslowski, 1994) ; DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964) ; CRIES AND WHISPERS [VISKNINGAR OCH ROP] (SW, Ingmar Bergman, 1972) Summary: Cinema and Colour: The Saturated Image is a major new critical study of the use of colour in cinema. Using the dialectic of colour and monochrome as a starting point, Paul Coates explores the symbolic meanings that colour bears in different cultures, and engages with a range of critical approaches to filmic colour, building on the work of such theorists as Sergei Eisenstein, Rudolf Arnheim and Stanley Cavell.
Coates also provides close analyses of films by directors such as Antonioni, Bergman, Godard, Hitchcock, Hou Hsiao-Hsien, Sirk, Kieslowski, Tarkovsky, Von Trier and Zhang Yimou. Coates' focus is on films that deliberately exploit the rich multiplicity of cultural meanings and associations ascribed to colour, including All That Heaven Allows, Deux ou trois choses que je sais d'elle, The Double Life of Véronique, The Flight of the Red Balloon, Red Desert, Schindler's List, Silent Light, Solaris, The Three Colours Trilogy and The Wizard of Oz. [Taken from publishers website]Notes: Includes bibliographical references and indexISBN: 9781844573141Contents: Vertigo and yellow -- Guillermo del Toro and the dialectics of yellow and green -- Grief and green: Solaris, I lvira Madigan -- Natural camouflage: Joseph Losey's The Boy With Green Hair -- Green unseen: the poetics of absence in The Flight of the Red Ballon -- From yellow to green (via black): The Double Life of Veronique -- From yellow to blue: three Colours: Blue -- The desert and the beach: Deleuze, Antonioni, Zhang Ke Jia -- The painter's primaries and totality: le Mepris -- le Mepris 2: the triumph of blue -- Blue angel, blue devil: Goya in Bordeaux -- Trapped in blue: la Religieuse -- C. TOUR/OF FOUR D'AMRIQUE -- 6. Melos, Drama, Melodrama: From Demy to Sirk to Antonioni -- Introduction -- Singin' and dancin'? in the rain: Les Parapluies de Cherbourg and Singin' in the Rain -- Coupling and uncoupling colours: Une femme est une femme -- Totally? Tenderly? Tragically?: An American in Paris, Le Mepris and Moulin Rouge (with a postscript on The Golden Coach) -- A note on melodrama and modernism -- Melodrama, realism and All That Heaven Allows -- Modernist melodrama? The Oberwald Mystery
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CINEMAS. AUSTRALIA. EUROPA
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EUROPA : (DK/FR/GG, Lars Von Trier, 1991)
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EUROPA, EUROPA : (FR/GW, Agnieszka Holland, 1990)
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journal article
Europa Nostra in Federation News (Mar-Jun 1978) vol.95 iss.96 p.36
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Interim
book
Lars von Trier / by Jack Stevenson London: bfi Publishing, 2002.
Call No: 81TRI STEAuthor: Stevenson, Jack Source: UKPlace: LondonPublisher: bfi PublishingPubDate: 2002PhysDes: 216p. : illus. [b&w, colour] : 19cm.Series: World directorsSubject: DOGMA ; TRIER, LARS VON ; BREAKING THE WAVES (DK/FR, Lars Von Trier, 1996) ; DANCER IN THE DARK (FR/DK/SW, Lars von Trier, 2000) ; EPIDEMIC (DK, Lars von Trier, 1987) ; EUROPA (DK/FR/GG, Lars Von Trier, 1991) ; IDIOTERNE (DK, Lars Von Trier, 1998) ; RIGET (DK, Lars von Trier, 1994) ; RIGET II (DK, Lars Von Trier & Morten Arnfred, 1997) ISBN: 0851709036
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journal article
National Cinemas Revisited : 15th Ohio University Film Conference in Wide Angle (1995) vol.16 iss.3 p.[whole issue]
Author: Bradley, Ruth (ed) PhysDes: ArticleSubject: NATIONALISM AND THE CINEMA ; EUROPA, EUROPA (FR/GW, Agnieszka Holland, 1990) ; CABEZA DE VACA (MX/SP, Nicolas Echevarria, 1991) Summary: Collection of essays on national cinemas stemming from the 1993 Ohio University Film Conference. Looked at is Spanish nationalism in 'Cabeza de Vaca', the possibility of Queer nationalism in 'The Making of "Monsters"', the German national reaction to 'Europa, Europa', the destabalisation of French national cinema, and the role of film curator as cultural translator.
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The new European cinema : redrawing the map / Rosalind Galt New York: Columbia University Press, 2006.
Call No: 71(4) "198-199" GALAuthor: Galt, Rosalind Source: USPlace: New YorkPublisher: Columbia University PressPubDate: 2006PhysDes: viii, 296 p. : ill., maps ; 24 cmSeries: Film and cultureSubject: EUROPEAN COUNTRIES ; WORLD WAR II FILMS ; COLD WAR AND THE CINEMA ; GENRES ; LANDSCAPES IN FILMS ; REALISM IN FILMS ; ART CINEMA ; UNITED KINGDOM ; NEOREALISM ; REED, CAROL ; WILDER, BILLY ; BENJAMIN, WALTER ; TORNATORE, GIUSEPPE ; SALVATORES, GABRIELE ; KUSTURICA, EMIR ; TRIER, LARS VON ; MEDITERRANEO (IT, Gabriele Salvatores, 1991) ; AFFAIRE DE FEMMES, UNE (FR, Claude Chabrol, 1988) ; POSTINO, IL (IT/FR/BE, Michael Radford, 1994) ; MEDITERRANEO (IT, Gabriele Salvatores, 1991) ; UNDERGROUND (FR/GG/HU, Emir Kusturica, 1995) ; EUROPA (DK/FR/GG, Lars Von Trier, 1991) ; FOREIGN AFFAIR, A (US, Billy Wilder, 1948) ; THIRD MAN, THE (UK, Carol Reed, 1949) Summary: The new European cinema offers a compelling response to the changing cultural shapes of Europe, charting political, aesthetic, and historical developments through innovative readings of some of the most popular and influential European films of the 1990s [taken from back cover]Notes: Formerly CIP
Includes bibliographical references (p. [267]-277) and index
Filmography: p. [279]-284ISBN: 0231137176Contents: 1. Mapping European cinema in the 1990s -- 2. The dialectic of landscape in Italian popular melodrama -- 3. A conspiracy of cartographers? -- 4. Yugoslavia's impossible spaces -- 5. Back-projecting Germany -- 6. Toward a theory of European space
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Philosophy and film / edited and with an introduction by Cynthia A. Freeland and Thomas E. Wartenberg New York: Routledge, 1995.
Call No: 626 PHIAuthor: Freeland, Cynthia A ; Wartenberg, Thomas E Place: New YorkPublisher: RoutledgePubDate: 1995PhysDes: 258 p. ; 24 cmSubject: PHILOSOPHY AND THE CINEMA ; FEMINISM AND THE CINEMA ; FILM NOIR ; HORROR FILMS ; ETHNIC GROUPS IN FILMS ; LEE, SPIKE ; SEA OF LOVE (US, Harold Becker, 1989) ; CASABLANCA (US, Michael Curtiz, 1942) ; GHOST (US, Jerry Zucker, 1990) ; WHITE PALACE (US, Luis Mandoki, 1990) ; [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968) ; EUROPA, EUROPA (FR/GW, Agnieszka Holland, 1990) ; PERSONA (SW, Ingmar Bergman, 1966) Notes: Includes bibliographical references and indexISBN: 0415909201; 041590921X (pbk.)LON: 11213335
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