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Call No: 736.1 BUS
Author: Buscombe, Edward
CorpAuthor: BFI
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2006
PhysDes: 248 p. : 17 cm
Series: BFI Screen Guides
Subject: WESTERNS; NATIVE AMERICANS IN FILMS; GENRES; BUSCOMBE, EDWARD; ANTONIO DAS MORTES (BL, Glauber Rocha, 1969); BEGUILED, THE (US, Don Siegel, 1971); BIG SKY, THE (US, Howard Hawkes, 1952); BROKEN ARROW (US, Delmer Daves, 1950); BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); CALAMITY JANE (US, David Butler, 1953); COWBOY (US, Delmer Davies, 1958); DANCES WITH WOLVES (US, Kevin Costner, 1990); DEAD MAN (US, Jim Jarmusch, 1995); DESTRY RIDES AGAIN (US, George Marshall, 1939); DODGE CITY (US, Michael Curtiz, 1939); DUEL IN THE SUN (US, King Vidor, 1946); PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964); PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965); FORT APACHE (US, John Ford, 1948); BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966); GO WEST (US, Buster Keaton, 1925); GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903); GREY FOX, THE (CN, Philip Borsos, 1982); HANGING TREE, THE (US, Delmer Daves, 1958); HEAVEN'S GATE (US, Michael Cimino, 1980); HIGH NOON (US, Fred Zinnemann, 1952); HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973); IRON HORSE, THE (UK, John Ford, 1924); JOHNNY GUITAR (US, Nicholas Ray, 1954); LAST OF THE MOHICANS, THE (US, Michael Mann, 1992); LAST WAGON, THE (US, Delmer Daves, 1956); LITTLE BIG MAN (US, Arthur Penn, 1970); LONG RIDERS, THE (US, Walter Hill, 1980); MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960); MAN FROM LARAMIE, THE (US, Anthony Mann, 1955); MAN OF THE WEST (US, Anthony Mann, 1958); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); MCCABE AND MRS MILLER (US, Robert Altman, 1971); MISSOURI BREAKS, THE (US, Arthur Penn, 1976); MONTE WALSH (US, William A. Fraker, 1970); MY DARLING CLEMENTINE (US, John Ford, 1946); C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968); ONE-EYED JACKS (US, Marlon Brando, 1961); OPEN RANGE (US, Kevin Costner, 2003); OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); PURSUED (US, Raoul Walsh, 1947); RAMROD (US, Andre de Toth, 1947); RANCHO NOTORIOUS (US, Fritz Lang, 1952); RED RIVER (US, Howard Hawks, 1948); RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962); RIO BRAVO (US, Howard Hawks, 1959); SEARCHERS, THE (US, John Ford, 1956); SHANE (US, George Stevens, 1953); SHE WORE A YELLOW RIBBON (US, John Ford, 1949); SHOOTING, THE (US, Monte Hellman, 1966); SHOOTIST, THE (US, Donald Siegel, 1976); STAGECOACH (US, John Ford, 1939); SUPPORT YOUR LOCAL SHERIFF (US, Burt Kennedy, 1969); FA TALAI JONE (TH, Wisit Sasanatieng, 2000); TWO RODE TOGETHER (US, John Ford, 1961); ULZANA'S RAID (US, Robert Aldrich, 1972); UNFORGIVEN (US, Clint Eastwood, 1992); VIVA MARIA (US, Louis Malle, 1965); WILD BUNCH, THE (US, Sam Peckinpah, 1969); DAVES, DELMER; WAYNE, JOHN; Stewart, James; EASTWOOD, CLINT; FORD, JOHN
Summary: The Western is one of Hollywood cinema’s most potent and enduring genres, bound up with America’s understanding of itself as a frontier nation. Edward Buscombe provides an illuminating guide to a hundred key films of the genre, from Broken Arrow to The Wild Bunch by way of Butch Cassidy and the Sundance Kid, A Fistful of Dollars, The Magnificent Seven and The Searchers. Each entry includes a plot synopsis, major credits, and a commentary on the film’s significance, together with its production and exhibition history. Edward Buscombe’s introduction to the volume discusses the criteria for selecting a mere hundred essential Westerns out of the thousands that have been made since the birth of cinema. He considers the relative weight to be attached to the acknowledged great directors of the genre, such as John Ford and Sam Peckinpah, and to lesser known but significant figures such as Delmer Daves. He takes stock of the contribution of the great Western stars, including John Wayne, James Stewart and Clint Eastwood. And he argues for a selection that takes into account Westerns of the silent era, B-Westerns and singing cowboys, and those Westerns made outside America. [Taken from back cover.]
ISBN: 1844571122

Call No: 631.19 PIP
Author: Pippin, Robert B.
Source: US
Place: Chicago
Publisher: University of Chicago Press
PubDate: 2020
PhysDes: 271 pages : illustrations (some colour) ; 32 cm
Subject: PHILOSOPHY AND THE CINEMA; SPECTATORSHIP; REAR WINDOW (US, Alfred Hitchcock, 1954); TALK TO HER [HABLE CON ELLA] (SP, Pedro Almodovar, 2002); SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943); CHINATOWN (US, Roman Polanski, 1974); ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955); JOHNNY GUITAR (US, Nicholas Ray, 1954); IN A LONELY PLACE (US, Nicholas Ray, 1950); THIN RED LINE, THE (US, Terrence Malick, 1998); DARDENNE, JEAN-PIERRE & LUC
Summary: "In this book, philosopher Robert B. Pippin reveals how films can illuminate, in a concrete manner, core features of shared human life. Filmed Thought examines questions of morality in Almodovar's Talk to Her, goodness and naivete in Hitchcock's Shadow of a Doubt, love and fantasy in Sirk's All That Heaven Allows, politics and society in Polanski's Chinatown and Malick's The Thin Red Line, and self-understanding and understanding others in Nicholas Ray's In A Lonely Place and in the Dardenne brothers' oeuvre. In each reading, Pippin pays close attention to what makes these films exceptional as technical works of art (with an eye to cinematic irony) and as intellectual and philosophical achievements. Throughout, he shows how films offer a view of basic problems of human agency from the inside and allow viewers to think with and through them. Captivating and insightful, Filmed Thought shows us what it means to take cinema seriously not just as art, but as thought, and how this medium provides a singular form of reflection on what it is to be human." - taken from back cover.
Notes: Includes bibliographical references and index.
ISBN: 9780226672007
Contents: Section I: Cinema As Reflective Form 1. Cinematic Reflection -- 2. Cinematic Self-consciousness in Alfred Hitchcock's Rear Window -- Section II: Moral Variations 3. Devils & Angels in Pedro Almodovar's Talk to Her -- 4. Confounding Morality in Alfred Hitchcock's Shadow of a Doubt -- Section III: Social Pathologies 5. Cinematic Tone in Roman Polanski's Chinatown: Can "Life" Itself be "False"? -- 6. Love & Class in Douglas Sirk's All That Heaven Allows -- Section IV: Irony & Mutuality 7. Cinematic Irony: The Strange Case of Nicholas Ray's Johnny Guitar -- 8. Passive & Active Skepticism in Nicholas Ray's In a Lonely Place -- Section V: Agency & Meaning 9. Vernacular Metaphysics: On Terrence Malick's The Thin Red Line -- 10. Psychology Degree Zero? The Representation of Action in the Films of the Dardenne Brothers
ID2: 343

Call No: 626:396 ROB
Author: Robertson, Pamela, 1964
Place: Durham
Publisher: Duke University Press
PubDate: 1996
PhysDes: ix, 195 p. : ill. ; 24 cm
Subject: CAMP; FEMINISM AND THE CINEMA; SPECTATORSHIP; WOMEN IN FILMS; BURLESQUE; TRANSVESTISM; FANS; MUSICALS; BAXTER, WARNER; CAGNEY, JAMES; DOANE, MARY ANN; DYER, RICHARD; GARBO, GRETA; BERKELEY, BUSBY; FISCHER, LUCY; OTTINGER, ULRIKE; MONROE, MARILYN; MADONNA; Crawford, Joan; WEST, MAE; DESIGNING WOMEN [TV] (US, 1986-89); BELLE OF THE NINETIES (US, Leo McCarey, 1934); FOOTLIGHT PARADE (US, Lloyd Bacon, 1933); [FORTY-SECOND] 42ND STREET (US, Lloyd Bacon, 1933); JOAN DOES DYNASTY [TV] (US, Joan Braderman, 1986); GOLD DIGGERS OF 1933 (US, Mervyn LeRoy, 1933); JOHNNY GUITAR (US, Nicholas Ray, 1954)
Notes: Originally presented as the author's thesis (Ph.D.--University of Chicago); Includes bibliographical references (p. [175]-187) and index
ISBN: 0822317486 (pa : alk. paper); 0822317516 (cl : alk. paper)
LON: 12009413

Call No: 749.5 BEL
Author: Bell-Metereau, Rebecca Louise
Edition: 2nd ed
Place: New York
Publisher: Columbia University Press
PubDate: 1993
PhysDes: xxii, 345 p. : ill. ; 23 cm
Subject: TRANSVESTISM; AIDS IN FILMS; ART CINEMA. EUROPEAN COUNTRIES; UNDERGROUND FILMS; HOMOSEXUALITY IN FILMS; SEX IN FILMS; WESTERNS; WILDER, BILLY; GARBO, GRETA; HEPBURN, KATHARINE; CURTIS, TONY; DIETRICH, MARLENE; MADONNA; MONROE, MARILYN; SCOTT, RIDLEY; ADLER, LOU; DAY, DORIS; CROSBY, BING; EDWARDS, BLAKE; GRANT, CARY; LEMMON, JACK; REA, STEPHEN; SHERIDAN, ANN; YENTL (US, Barbara Streisand, 1983); VICTOR VICTORIA (UK, Blake Edwards, 1982); ALIEN [...] (UK/US, 1979-92); CAGE AUX FOLLES, LA (FR/IT, Edouard Molinaro, 1978); CALAMITY JANE (US, David Butler, 1953); COME BACK TO THE FIVE AND DIME JIMMY DEAN, JIMMY DEAN (US, Robert Altman, 1982); CRYING GAME, THE (UK, Neil Jordan, 1992); I WAS A MALE WAR BRIDE (US, Howard Hawks, 1949); KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968); SOME LIKE IT HOT (US, Billy Wilder, 1959); THELMA & LOUISE (US, Ridley Scott, 1991); JOHNNY GUITAR (US, Nicholas Ray, 1954); PSYCHO (US, Alfred Hitchcock, 1960); DRESSED TO KILL (US, Brian De Palma, 1980); BLUE VELVET (US, David Lynch, 1986); WORLD ACCORDING TO GARP, THE (US, George Roy Hill, 1982); TOOTSIE (US, Sydney Pollack, 1982); SYLVIA SCARLETT (US, George Cukor, 1935); ROCKY HORROR PICTURE SHOW, THE (UK, Jim Sharman, 1975); QUEEN CHRISTINA (US, Rouben Mamoulian, 1934); PLAINSMAN, THE (US, Cecil B. DeMille, 1936); PARIS IS BURNING (US, Jennie Livingston, 1990); NO WAY TO TREAT A LADY (US, Jack Smight, 1968); MYRA BRECKENRIDGE (US, Mike Sarne, 1970)
Notes: Includes bibliographical references (p. [315]-327) and index
ISBN: 0231084676 (acidb-sfree paper)
LON: 10110408

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOHNNY GUITAR (US, Nicholas Ray, 1954)

Call No: 736.1 MOV
Author: Cameron, Ian; Pye, Douglas
Place: London
Publisher: Cassell
PubDate: 1996
PhysDes: 320 p.: ill. ; 26 cm
Subject: WESTERNS; FORD, JOHN; CIMINO, MICHAEL; CUKOR, GEORGE; DIETRICH, MARLENE; Peckinpah, Sam; WAYNE, JOHN; DAVES, DELMER; MANN, ANTHONY; BOETTICHER, BUDD; COSTNER, KEVIN; BROKEN ARROW (US, Delmer Daves, 1950); DRUM BEAT (US, Delmer Daves, 1954); HANGING TREE, THE (US, Delmer Daves, 1958); JUBAL (US, Delmer Daves, 1956); LAST WAGON, THE (US, Delmer Daves, 1956); [THREE TEN] 3:10 TO YUMA (US, Delmer Daves, 1957); DESTRY RIDES AGAIN (US, George Marshall, 1939); DODGE CITY (US, Michael Curtiz, 1939); DRUMS ALONG THE MOHAWK (US, John Ford, 1939); FORT APACHE (US, John Ford, 1948); DUEL IN THE SUN (US, King Vidor, 1946); HEAVEN'S GATE (US, Michael Cimino, 1980); HOW THE WEST WAS WON (US, Henry Hathaway & John Ford & George Marshall, 1962); HUD (US, Martin Ritt, 1962); JOHNNY GUITAR (US, Nicholas Ray, 1954); LEFT-HANDED GUN, THE (US, Arthur Penn, 1958); MISFITS, THE (US, John Huston, 1961); ONE-EYED JACKS (US, Marlon Brando, 1961); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); PURSUED (US, Raoul Walsh, 1947); RANCHO NOTORIOUS (US, Fritz Lang, 1952); RIO BRAVO (US, Howard Hawks, 1959); SHANE (US, George Stevens, 1953); VERA CRUZ (US, Robert Aldrich, 1954); WESTWARD THE WOMEN (US, William Wellmann, 1951); LONELY ARE THE BRAVE (US, David Miller, 1962); UNFORGIVEN (US, Clint Eastwood, 1992); SEARCHERS, THE (US, John Ford, 1956); DANCES WITH WOLVES (US, Kevin Costner, 1990); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962)
Notes: Includes index
ISBN: 0289801400
LON: abn95121731; 11553420

Call No: 749.0 SEX
Author: Basaran, Aylin ; Köhne, Julia B ; Sabo, Klaudija ; Wieder, Christina
Place: Berlin
Publisher: Mandelbaum
PubDate: 2018
PhysDes: 400 pages : illustrations ; 24 cm
Subject: SEX IN FILMS; PORNOGRAPHIC FILMS; PORNOGRAPHY AND THE CINEMA; PORNOGRAPHY IN FILMS; SCIENTISTS IN FILMS; SCIENCE IN FILMS; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. 1920's; HISTORY OF CINEMA. 1930's; ECSTASY [EKSTASE] (CZ/AU, Gustav Machaty, 1933); BERKELEY, BUSBY; EISENSTEIN, SERGEI M.; JOHNNY GUITAR (US, Nicholas Ray, 1954); SUNA NO ONNA (JA, Hiroshi Teshigahara, 1964); RANI RADOVI (YU, Zelmir Zilnik, 1969); YUGOSLAVIA; REPRODUCTION IN FILMS; TANGOS - L'EXIL DE GARDEL (FR/AG, Fernando E. Solanas, 1985); ZOMBIES IN FILMS AND TV; BLACK PANTHER (US, Ryan Coogler, 2018)
Summary: "Wie inszeniert das Medium Film das Zusammenspiel von Sexualität, Widerstand und Körperpolitiken? Welche Formen von Sexualität und erotischer Sinnlichkeit, die entweder als widerständige Handlungsweisen oder als Teil von politischem Widerstand adressiert werden können, wurden in den vergangenen Jahrzehnten in internationalen Filmkulturen visualisiert und damit hervorgehoben? Kann die Darstellung des sexualisierten Körpers oder sexuellen Akts in bestimmten Kontexten zu einer politischen Waffe werden? Welchen Raum erhalten dabei divergierende sexuelle Orientierungen und Praktiken etwa im Verbund mit homosexuellem Begehren? Der Sammelband vereint eine Mischung aus interdisziplinären und künstlerischen Zugängen zum Thema Sexualität und Widerstand und spürt seinen (audio-)visuellen Vermittlungen aus lokaler und transnationaler Perspektive nach. Das breite Spektrum an Text­genres reicht von akademischen Reflexionen über Malerei bis hin zu Dichtkunst und Bildcollagen. Fragen der Film-, ­Medien-, Kultur- und Literaturwissenschaft sowie Geschlechterforschung und Zeitgeschichte treffen in diesem Band auf sexualwissenschaftliche und medizinhistorische Ansätze." -- FROM BLURB
Notes: In German and English
ISBN: 9783854768265
Language: German and English
Donation: Senses of Cinema
Contents: Sexualität und Widerstand : Internationale Filmkulturen / Aylin Basaran, Julia B. Köhne, Klaudija Sabo, Christina Wieder -- "Aufklärung? Abschreckung? in der mit Sexualität gespannten Atmosphäre des Kinos?" : Sexualität in Wiener klinischen und populärwissenschaftlichen Filmen der Moderne / Katrin Pilz -- 'Die neue Frau' oder 'die verlorene Rebellion' / Karin Moser -- Experiment : Projektionenserie / Barbara Eichinger -- From Siegfried Kracauer to Busby Berkeley : Ornamental Bodies in 1930 's film / Isabel Capeloa Gil -- Eisensteins sexuelle Politiken / Peter Grabher -- Sex als Tauschmittel : Beispiele aus Mauthausen / Helga Amesberger und Brigitte Halbmayr -- "That's big talk for a little gun" : Geschlechterrollenwechsel in Nicholas Rays "Johnny Guitar" (1954) / Klaus S. Davidowicz -- Treibsand und Abgrund : Sexualität und Geschlechterkampf in Hiroshi Teshigaharas "Die Frau in den Dünen" (1964) / Gerda Klingenböck -- Erotik, Gewalt und Folklore : die Inszenierung geschlechtlicher und ethnischer Differenz im jugoslawischen Kino um 1968 / Anna Schober -- Die Revolution nach der Revolution : die jugoslawische Jugend im Aufbruch im Film "Rani Radovi" (1961 von Želimir Žilnik / Klaudija Sabo -- Absentes vergegenwärtigen : Schwangerschafisabbruch und Fötalimagologie in westlichen Filmkulturen seit den 1960er Jahren / Julia Barbara Köhne -- Ästhetische Grenzüberschreitungen und widerständige Körper in Fernando Solanas' "Tangos : El Exilio de Gardel" (1985) / Christina Wieder -- Vor der Vertreibung aus dem Paradies : Živko Nikolic' "Lepota Poroka" ["Die Schönheit der Sünde"] (1986) / Andreas Filipovic -- Sexy Zombies? : On the Improbable Possibility of Loving the Undead / Kobi Kabalek -- Goldene Zitronen : Körperpolitiken in Beyoncés "Lemonade" (2016) / Marietta Kesting -- Figurationen der Unkalkulierbarkeit : Maren Ades "Toni Erdmann" (2016) / Monika Bernold -- Wie man Körper wahrnimmt : eine Einübung nach Lukrez / Thomas Ballhausen -- What If the Revolution could be Televised? : "Black Panther" (2018) and the Utopia of Wakanda / Aylin Basaran and Justin Leggs -- Come on Baby, Light my Fire / Sonja Gassner -- Frank Stern zum 75sten / Andreas Huyssen -- Verzeichnis der Autorinnen und Autoren.