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title clippings file		HOW THE WEST WAS WON : (US, Henry Hathaway & John Ford & George Marshall, 1962) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: HOW THE WEST WAS WON (US, Henry Hathaway & John Ford & George Marshall, 1962) More info
		How the West Was Won in University Film Group Bulletin (1964) iss.1 p.14 Author: Bell, Christopher PhysDes: Article Subject: HOW THE WEST WAS WON (US, Henry Hathaway & John Ford & George Marshall, 1962) Summary: Appraisal of the 1962 film "How the West was Won". More info
journal article		How the west was won in Movie (Jan 1963) vol.6 p.28-29 PhysDes: Article Subject: HOW THE WEST WAS WON (US, Henry Hathaway & John Ford & George Marshall, 1962) More info
book		John Ford / Andrew Sinclair London: Allen and Unwin, 1979. Call No: 81FOR SIN Author: Sinclair, Andrew Source: UK Place: London Publisher: Allen and Unwin PubDate: 1979 PhysDes: xii, 305 p. [32] p. of plates : ill., ports. ; 24 cm Subject: FORD, JOHN; IRON HORSE, THE (UK, John Ford, 1924); MEN WITHOUT WOMEN (US, John Ford, 1929); UP THE RIVER (US, John Ford, 1930); PILGRIMAGE (US, John Ford, 1933); LOST PATROL, THE (US, John Ford, 1934); JUDGE PRIEST (US, John Ford, 1934); WHOLE TOWN'S TALKING, THE (US, John Ford, 1935); WEE WILLIE WINKIE (US, John Ford, 1937); STAGECOACH (US, John Ford, 1939); YOUNG MR. LINCOLN (US, John Ford, 1939); TOBACCO ROAD (US, John Ford, 1941); HOW GREEN WAS MY VALLEY (US, John Ford, 1941); THEY WERE EXPENDABLE (US, John Ford, 1945); MY DARLING CLEMENTINE (US, John Ford, 1946); FORT APACHE (US, John Ford, 1948); SHE WORE A YELLOW RIBBON (US, John Ford, 1949); RIO GRANDE (US, John Ford, 1950); QUIET MAN, THE (US, John Ford, 1952); MOGAMBO (US, John Ford, 1953); WINGS OF EAGLES, THE (US, John Ford, 1956); LAST HURRAH, THE (US, John Ford, 1958); HORSE SOLDIERS, THE (US, John Ford, 1959); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); HOW THE WEST WAS WON (US, Henry Hathaway & John Ford & George Marshall, 1962); YOUNG CASSIDY (UK, Jack Cardiff, 1965); SEVEN WOMEN (US, John Ford, 1965) Summary: Andrew Sinclair uses his access to the papers and photographs of John Ford, and to his work colleagues, ranging from actors to camera and stuntmen, to build a complete picture of the man. He shows John Ford to be a very successful director, from 1917, the period of silent movies, to 1966, a time when movies had become an important means of entertainment. He shows John Ford as a cantankerous, wily and brave man, who had a big influence on American cinema, and American social history, as a person who opposed McCarthyism, and who was wounded in the Second World War making documentary and propaganda films [Taken from the cover of the book] Notes: Also published : New York : Dial Press, 1979; Includes index; Filmography: p.229- 291 ISBN: 0047910380 More info
book		John Ford / by Joseph McBride and Michael Wilmington New York: Da Capo Press, 1975. Call No: 81FOR MCB Author: McBride, Joseph; Wilmington, Michael Edition: 1st American ed. Source: US Place: New York Publisher: Da Capo Press PubDate: 1975 PhysDes: 234 p. : ill. ; 21 cm Series: A Da Capo paperback Subject: FORD, JOHN; STAGECOACH (US, John Ford, 1939); WAGON MASTER (US, John Ford, 1950); THEY WERE EXPENDABLE (US, John Ford, 1945); MY DARLING CLEMENTINE (US, John Ford, 1946); FORT APACHE (US, John Ford, 1948); QUIET MAN, THE (US, John Ford, 1952); RISING OF THE MOON, THE (IE/US, John Ford, 1957); SUN SHINES BRIGHT, THE (US, John Ford, 1953); SEARCHERS, THE (US, John Ford, 1956); SERGEANT RUTLEDGE (US, John Ford, 1960); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); SEVEN WOMEN (US, John Ford, 1965); STRAIGHT SHOOTING (U.S, John Ford, 1917); HOW THE WEST WAS WON (US, Henry Hathaway & John Ford & George Marshall, 1962); CIVIL WAR, THE (US, John Ford, 1962) Summary: "McBride and Wilmington examine key Ford films, from his first feature-length film, the recently discovered Straight Shooting, to his last, the controversial Seven Women, pointing out recurring Fordian themes and ideals and relating each film to others of the same genre. A filmography gives the vital statistics for each of Ford's Films. " -- BOOK BLURB Notes: Filmography: p. 213-226; Bibliography: p. 227-233 ISBN: 0306800160 Contents: -- bringing in the sheaves -- half genius, half Irish -- himself -- the noble outlaw: Straight Shooting, Stagecoach, Wagon Master -- men at war: they were expendable , my darling clementine, fort apache -- ireland: the quiet man, the rising of the moon -- rebels: ther sun shines bright -- the searchers -- what really happened: segeant rutledge, the man who shot liberty valance, the civil war -- the last place on earth: seven women -- filmography -- bibliography -- acknowledgements -- More info
book		Monitored peril : Asian Americans and the politics of TV representation / Darrell Y. Hamamoto Minneapolis: University of Minnesota Press, 1994. Call No: 451-054(=95) HAM Author: Hamamoto, Darrell Y Place: Minneapolis Publisher: University of Minnesota Press PubDate: 1994 PhysDes: xiii, 311 p. ; 24 cm Subject: ASIAN AMERICANS ON TV; ASIANS ON TV. USA; RACIAL PROBLEMS ON TV. USA; WAR ON TV. USA; VIETNAM WAR ON TV; CHUNG, CONNIE; HESTON, CHARLTON; LUKE, KEYE; MILTON BERLE SHOW, THE (US, 1954-56); GUNSMOKE [TV] (US, 1955-75); CHINA BEACH [TV] (US, 1988-91); VIETNAM : A TELEVISION HISTORY (US/UK/FR, 1983); TROUBLED PARADISE (US, 1992); TOUR OF DUTY (US, 1987, 1989); MIDNIGHT CALLER (US, 1988-92); KUNG FU (US, 1972-75?); HOW THE WEST WAS WON (US, 1978-79?) Notes: Includes bibliographical references (p. 255-291) and index ISBN: 0816623686 (acid-free paper); 0816623694 (pbk. : acid-free paper) LON: 10581491 More info
book		The movie book of the western / edited by Ian Cameron and Douglas Pye London: Cassell, 1996. Call No: 736.1 MOV Author: Cameron, Ian; Pye, Douglas Place: London Publisher: Cassell PubDate: 1996 PhysDes: 320 p.: ill. ; 26 cm Subject: WESTERNS; FORD, JOHN; CIMINO, MICHAEL; CUKOR, GEORGE; DIETRICH, MARLENE; Peckinpah, Sam; WAYNE, JOHN; DAVES, DELMER; MANN, ANTHONY; BOETTICHER, BUDD; COSTNER, KEVIN; BROKEN ARROW (US, Delmer Daves, 1950); DRUM BEAT (US, Delmer Daves, 1954); HANGING TREE, THE (US, Delmer Daves, 1958); JUBAL (US, Delmer Daves, 1956); LAST WAGON, THE (US, Delmer Daves, 1956); [THREE TEN] 3:10 TO YUMA (US, Delmer Daves, 1957); DESTRY RIDES AGAIN (US, George Marshall, 1939); DODGE CITY (US, Michael Curtiz, 1939); DRUMS ALONG THE MOHAWK (US, John Ford, 1939); FORT APACHE (US, John Ford, 1948); DUEL IN THE SUN (US, King Vidor, 1946); HEAVEN'S GATE (US, Michael Cimino, 1980); HOW THE WEST WAS WON (US, Henry Hathaway & John Ford & George Marshall, 1962); HUD (US, Martin Ritt, 1962); JOHNNY GUITAR (US, Nicholas Ray, 1954); LEFT-HANDED GUN, THE (US, Arthur Penn, 1958); MISFITS, THE (US, John Huston, 1961); ONE-EYED JACKS (US, Marlon Brando, 1961); PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973); PURSUED (US, Raoul Walsh, 1947); RANCHO NOTORIOUS (US, Fritz Lang, 1952); RIO BRAVO (US, Howard Hawks, 1959); SHANE (US, George Stevens, 1953); VERA CRUZ (US, Robert Aldrich, 1954); WESTWARD THE WOMEN (US, William Wellmann, 1951); LONELY ARE THE BRAVE (US, David Miller, 1962); UNFORGIVEN (US, Clint Eastwood, 1992); SEARCHERS, THE (US, John Ford, 1956); DANCES WITH WOLVES (US, Kevin Costner, 1990); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) Notes: Includes index ISBN: 0289801400 LON: abn95121731; 11553420 More info

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