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Call No: 45:93 SOR
Author: Sorlin, Pierre
Source: UK
Place: Oxford
Publisher: Blackwell
PubDate: 1980
PhysDes: xii, 226 p., [8] p. of plates : ill. ; 22 cm
Subject: HISTORY AND THE CINEMA; GRAND ILLUSION, LA (FR, Jean Renoir, 1937); MARSEILLAISE, LA (FR, Jean Renoir, 1938); NAPOLEON BONAPARTE (FR, Abel Gance, 1935); ALDO'S SAYING (IT, unknown, 1945); BRIGAND OF THE WOLF CAVE (IT, Pietro Germi, 1952); GIORNI DI GLORIA (IT, Mario Serandrei and Giuseppe de Santis, 1945); [EIGHTEEN-SIXTY] 1860 (IT, Alessandro Blasetti, 1933); GATTOPARDO, IL (IT/FR, Luchino Visconti, 1962); LONG LIVE ITALY (IT, Roberto Rossellini, 1960); LOST PATROL, THE (IT, Piero Nelli, 1953); CAMICIE ROSSE (IT, Goffredo Alessandrini and Franco Rosi, 1952); ROMA CITTA APERTA (IT, Roberto Rossellini, 1945); SUN RISES AGAIN, THE (IT, Aldo Vergano, 1946); SENSO (IT, Luchino Visconti, 1954); KONETS SANKT-PETERSBURGA (UR, Vsevolod Pudovkin, 1927); OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); GONE WITH THE WIND (US, Victor Fleming, 1939); HORSE SOLDIERS, THE (US, John Ford, 1959)
Notes: Historical films,. 1914-1962 - Critical studies (BNB/PRECIS); Bibliography: pF218-221. - Includes indexes
ISBN: 0631195106
LON: 1853214
Donation: donated by the family of Wayne Levy, 2006

Call No: 81FOR SIN
Author: Sinclair, Andrew
Source: UK
Place: London
Publisher: Allen and Unwin
PubDate: 1979
PhysDes: xii, 305 p. [32] p. of plates : ill., ports. ; 24 cm
Subject: FORD, JOHN; IRON HORSE, THE (UK, John Ford, 1924); MEN WITHOUT WOMEN (US, John Ford, 1929); UP THE RIVER (US, John Ford, 1930); PILGRIMAGE (US, John Ford, 1933); LOST PATROL, THE (US, John Ford, 1934); JUDGE PRIEST (US, John Ford, 1934); WHOLE TOWN'S TALKING, THE (US, John Ford, 1935); WEE WILLIE WINKIE (US, John Ford, 1937); STAGECOACH (US, John Ford, 1939); YOUNG MR. LINCOLN (US, John Ford, 1939); TOBACCO ROAD (US, John Ford, 1941); HOW GREEN WAS MY VALLEY (US, John Ford, 1941); THEY WERE EXPENDABLE (US, John Ford, 1945); MY DARLING CLEMENTINE (US, John Ford, 1946); FORT APACHE (US, John Ford, 1948); SHE WORE A YELLOW RIBBON (US, John Ford, 1949); RIO GRANDE (US, John Ford, 1950); QUIET MAN, THE (US/IR, John Ford, 1952); MOGAMBO (US, John Ford, 1953); WINGS OF EAGLES, THE (US, John Ford, 1956); LAST HURRAH, THE (US, John Ford, 1958); HORSE SOLDIERS, THE (US, John Ford, 1959); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); HOW THE WEST WAS WON (US, Henry Hathaway & John Ford & George Marshall, 1962); YOUNG CASSIDY (UK, Jack Cardiff, 1965); SEVEN WOMEN (US, John Ford, 1965)
Summary: Andrew Sinclair uses his access to the papers and photographs of John Ford, and to his work colleagues, ranging from actors to camera and stuntmen, to build a complete picture of the man. He shows John Ford to be a very successful director, from 1917, the period of silent movies, to 1966, a time when movies had become an important means of entertainment. He shows John Ford as a cantankerous, wily and brave man, who had a big influence on American cinema, and American social history, as a person who opposed McCarthyism, and who was wounded in the Second World War making documentary and propaganda films [Taken from the cover of the book]
Notes: Also published : New York : Dial Press, 1979; Includes index; Filmography: p.229- 291
ISBN: 0047910380

Author: Wallin, Ken
PhysDes: Article
Subject: WESTERNS; FORD, JOHN; HORSE SOLDIERS, THE (US, John Ford, 1959); SERGEANT RUTLEDGE (US, John Ford, 1960); SEARCHERS, THE (US, John Ford, 1956)
Summary: The article discusses three films directed by John Ford : 'The Searchers', 'The Horse Soldiers' and 'Sergeant Rutledge'. The films are considered to be part of a more introspective stage in his work.

Call No: 81FOR SAR
Author: Sarris, Andrew
Source: US
Place: Bloomington IN
Publisher: Indiana University Press
PubDate: 1975
PhysDes: 192 p. ; 26 cm
Series: Cinema One
Subject: FORD, JOHN; SARRIS, ANDREW; MEN WITHOUT WOMEN (US, John Ford, 1929); UP THE RIVER (US, John Ford, 1930); ARROWSMITH (US, John Ford, 1931); AIRMAIL (US, John Ford, 1932); PILGRIMAGE (US, John Ford, 1933); LOST PATROL, THE (US, John Ford, 1934); JUDGE PRIEST (US, John Ford, 1934); WHOLE TOWN'S TALKING, THE (US, John Ford, 1935); INFORMER, THE (US, John Ford, 1935); STEAMBOAT ROUND THE BEND (US, John Ford, 1935); PRISONER OF SHARK ISLAND (US, John Ford, 1936); WEE WILLIE WINKIE (US, John Ford, 1937); HURRICANE, THE (US, John Ford, 1937); STAGECOACH (US, John Ford, 1939); YOUNG MR. LINCOLN (US, John Ford, 1939); GRAPES OF WRATH, THE (US, John Ford, 1940); LONG VOYAGE HOME, THE (US, John Ford, 1940); HOW GREEN WAS MY VALLEY (US, John Ford, 1941); BATTLE OF MIDWAY, THE (US, John Ford, 1942); THEY WERE EXPENDABLE (US, John Ford, 1945); MY DARLING CLEMENTINE (US, John Ford, 1946); FORT APACHE (US, John Ford, 1948); SHE WORE A YELLOW RIBBON (US, John Ford, 1949); WAGON MASTER (US, John Ford, 1950); RIO GRANDE (US, John Ford, 1950); QUIET MAN, THE (US/IR, John Ford, 1952); SUN SHINES BRIGHT, THE (US, John Ford, 1953); MOGAMBO (US, John Ford, 1953); LONG GRAY LINE, THE (US, John Ford, 1954); SEARCHERS, THE (US, John Ford, 1956); WINGS OF EAGLES, THE (US, John Ford, 1956); RISING OF THE MOON, THE (IE/US, John Ford, 1957); LAST HURRAH, THE (US, John Ford, 1958); GIDEON'S DAY (UK, John Ford, 1958); HORSE SOLDIERS, THE (US, John Ford, 1959); SERGEANT RUTLEDGE (US, John Ford, 1960); TWO RODE TOGETHER (US, John Ford, 1961); MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962); DONOVAN'S REEF (US, John Ford, 1963); SEVEN WOMEN (US, John Ford, 1965)
ISBN: 0253331676
Donation: donated by the family of Wayne Levy, 2006

Call No: 81 FOR MAT
Author: Matheson, Sue
Source: US
Place: Lanham, Maryland
Publisher: Rowman & Littlefield
PubDate: c2016
PhysDes: xxi, 339 pages, 16 unnumbered pages of plates : illustrations ; 24 cm
Series: Film and history
Subject: FORD, JOHN; WESTERNS; WAR AND THE CINEMA; STRAIGHT SHOOTING (U.S, John Ford, 1917); [THREE] 3 BAD MEN (US, John Ford, 1926); [THREE] 3 GODFATHERS (US, John Ford, 1948); BATTLE OF MIDWAY, THE (US, John Ford, 1942); BUCKING BROADWAY (US, John Ford, 1917); CHEYENNE AUTUMN (US, John Ford, 1964); FORT APACHE (US, John Ford, 1948); GRAPES OF WRATH, THE (US, John Ford, 1940); HELL BENT (US, John Ford, 1918); HORSE SOLDIERS, THE (US, John Ford, 1959); INFORMER, THE (US, John Ford, 1935); IRON HORSE, THE (UK, John Ford, 1924); LONG GRAY LINE, THE (US, John Ford, 1954); MEN WITHOUT WOMEN (US, John Ford, 1929); MY DARLING CLEMENTINE (US, John Ford, 1946); SEARCHERS, THE (US, John Ford, 1956); SEAS BENEATH (US, John Ford, 1931); SERGEANT RUTLEDGE (US, John Ford, 1960); SHE WORE A YELLOW RIBBON (US, John Ford, 1949); STAGECOACH (US, John Ford, 1939); SUBMARINE PATROL (US, John Ford, 1938); THEY WERE EXPENDABLE (US, John Ford, 1945); THIS IS KOREA (US, John Ford, 1951); TWO RODE TOGETHER (US, John Ford, 1961)
Summary: "Responsible for some of the greatest films of the 20th century - The Grapes of Wrath, How Green Was My Valley, and The Quiet Man among others - John Ford was best known for motion pictures that defined the American West and the face of wartime military. A Hollywood celebrity, Ford lived his life against the background that Twentieth Century-Fox fashioned for him. As he did, the facts of his life merged with - and became inseparable from - his multifaceted legend, fostered by Hollywood's studio culture and his own imagination. In The Westerns and War Films of John Ford Sue Matheson offers an engaging look at one of America's greatest directors and the two genres of films that solidified his reputation. Drawing on previously unreleased material, this volume explores the man, the filmmaker, the veteran, and the legend - and the ways in which all of those roles shaped Ford's view of America, national character, and his creative output. Among the films discussed here in depth are Ford's early productions, such as The Iron Horse and Drums along the Mohawk, his military films, such as Submarine Patrol, The Battle of Midway, and They Were Expendable, and his Westerns, including Fort Apache, She Wore a Yellow Ribbon, The Searchers, and Cheyenne Autumn. Ford imbued many of his creations with a point of view that represented his ideals, and the films discussed here illustrate their director's distinct vision of American life on the frontier and in service of the country. That vision - Ford's idealization of the American Character - would, in turn, shape the worldview of several generations. The Westerns and War Films of John Ford will appeal to critics and scholars, but also to any fan of this iconic filmmaker's work. " - BOOK BLURB
Notes: Includes bibliographical references and index
ISBN: 9781442261051
Donation: Senses of Cinema
Contents: Introduction -- A career man -- Early days in the Hollywood west: from Straight shooting to The iron horse -- The heroic West: from Three bad men to Drums along the Mohawk -- Not for self but for country: from Salute to Submarine patrol -- In the navy: The Battle of Midway -- War stories: They were expendable -- Critiquing combat culture: Fort Apache -- Keeping the faith: She wore a yellow ribbon -- The war at home: Rio Grande -- Veterans' affairs: The searchers -- A house divided: The horse soldiers -- The nature of one's service: Sergeant Rutledge -- Deconstructing the legend: The man who shot Liberty Valance -- Questions of just conduct: Cheyenne Autumn -- Aftermath.