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100 westerns / Edward Buscombe London: British Film Institute, 2006.
Call No: 736.1 BUSAuthor: Buscombe, Edward CorpAuthor: BFISource: UKPlace: LondonPublisher: British Film InstitutePubDate: 2006PhysDes: 248 p. : 17 cmSeries: BFI Screen GuidesSubject: WESTERNS ; AMERICAN INDIANS IN FILMS ; GENRES ; BUSCOMBE, EDWARD ; ANTONIO DAS MORTES (BL, Glauber Rocha, 1969) ; BEGUILED, THE (US, Don Siegel, 1971) ; BIG SKY, THE (US, Howard Hawkes, 1952) ; BROKEN ARROW (US, Delmer Daves, 1950) ; BULLET FOR THE GENERAL, A (IT, Damiano Damiani, 1966) ; BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969) ; CALAMITY JANE (US, David Butler, 1953) ; COWBOY (US, Delmer Davies, 1958) ; DANCES WITH WOLVES (US, Kevin Costner, 1990) ; DEAD MAN (US, Jim Jarmusch, 1995) ; DESTRY RIDES AGAIN (US, George Marshall, 1939) ; DODGE CITY (US, Michael Curtiz, 1939) ; DUEL IN THE SUN (US, King Vidor, 1946) ; PER UN PUGNO DI DOLLARI (IT/SP/GW, Sergio Leone, 1964) ; PER QUALCHE DOLLARO IN PIU (IT/SP/GW, Sergio Leone, 1965) ; FORT APACHE (US, John Ford, 1948) ; BUONO, IL BRUTTO, IL CATTIVO, IL (IT, Sergio Leone, 1966) ; GO WEST (US, Buster Keaton, 1925) ; GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903) ; GREY FOX, THE (CN, Philip Borsos, 1982) ; HANGING TREE, THE (US, Delmer Daves, 1958) ; HEAVEN'S GATE (US, Michael Cimino, 1980) ; HIGH NOON (US, Fred Zinnemann, 1952) ; HIGH PLAINS DRIFTER (US, Clint Eastwood, 1973) ; IRON HORSE, THE (UK, John Ford, 1924) ; JOHNNY GUITAR (US, Nicholas Ray, 1954) ; LAST OF THE MOHICANS, THE (US, Michael Mann, 1992) ; LAST WAGON, THE (US, Delmer Daves, 1956) ; LITTLE BIG MAN (US, Arthur Penn, 1970) ; LONG RIDERS, THE (US, Walter Hill, 1980) ; MAGNIFICENT SEVEN, THE (UK, John Sturges, 1960) ; MAN FROM LARAMIE, THE (US, Anthony Mann, 1955) ; MAN OF THE WEST (US, Anthony Mann, 1958) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) ; MCCABE AND MRS MILLER (US, Robert Altman, 1971) ; MISSOURI BREAKS, THE (US, Arthur Penn, 1976) ; MONTE WALSH (US, William A. Fraker, 1970) ; MY DARLING CLEMENTINE (US, John Ford, 1946) ; C`ERA UNA VOLTA IL WEST (IT/FR, Sergio Leone, 1968) ; ONE-EYED JACKS (US, Marlon Brando, 1961) ; OPEN RANGE (US, Kevin Costner, 2003) ; OUTLAW JOSEY WALES, THE (US, Clint Eastwood, 1976) ; PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973) ; PURSUED (US, Raoul Walsh, 1947) ; RAMROD (US, Andre de Toth, 1947) ; RANCHO NOTORIOUS (US, Fritz Lang, 1952) ; RED RIVER (US, Howard Hawks, 1948) ; RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962) ; RIO BRAVO (US, Howard Hawks, 1959) ; SEARCHERS, THE (US, John Ford, 1956) ; SHANE (US, George Stevens, 1953) ; SHE WORE A YELLOW RIBBON (US, John Ford, 1949) ; SHOOTING, THE (US, Monte Hellman, 1966) ; SHOOTIST, THE (US, Donald Siegel, 1976) ; STAGECOACH (US, John Ford, 1939) ; SUPPORT YOUR LOCAL SHERIFF (US, Burt Kennedy, 1969) ; FA TALAI JONE (TH, Wisit Sasanatieng, 2000) ; TWO RODE TOGETHER (US, John Ford, 1961) ; ULZANA'S RAID (US, Robert Aldrich, 1972) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; VIVA MARIA (US, Louis Malle, 1965) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; DAVES, DELMER ; WAYNE, JOHN ; Stewart, James ; EASTWOOD, CLINT ; FORD, JOHN Summary: The Western is one of Hollywood cinema’s most potent and enduring genres, bound up with America’s understanding of itself as a frontier nation. Edward Buscombe provides an illuminating guide to a hundred key films of the genre, from Broken Arrow to The Wild Bunch by way of Butch Cassidy and the Sundance Kid, A Fistful of Dollars, The Magnificent Seven and The Searchers. Each entry includes a plot synopsis, major credits, and a commentary on the film’s significance, together with its production and exhibition history. Edward Buscombe’s introduction to the volume discusses the criteria for selecting a mere hundred essential Westerns out of the thousands that have been made since the birth of cinema. He considers the relative weight to be attached to the acknowledged great directors of the genre, such as John Ford and Sam Peckinpah, and to lesser known but significant figures such as Delmer Daves. He takes stock of the contribution of the great Western stars, including John Wayne, James Stewart and Clint Eastwood. And he argues for a selection that takes into account Westerns of the silent era, B-Westerns and singing cowboys, and those Westerns made outside America. [Taken from back cover.]ISBN: 1844571122
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DANCES WITH WOLVES : (US, Kevin Costner, 1990)
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Dances with wolves : the illustrated story of the epic film / by Kevin Costner...[et al.] New York: Newmarket Press, 1990.
Call No: 792DAN COSAuthor: Costner, Kevin ; Blake, Michael ; Wilson, Jim ; Glass, Ben ; Landau, Diana Source: UKPlace: New YorkPublisher: Newmarket PressPubDate: 1990PhysDes: xvi, 144 p. : col. ill. ; 28 cm.Subject: COSTNER, KEVIN ; DANCES WITH WOLVES (US, Kevin Costner, 1990) Summary: "Here is the full story behind Dances With Wolves, told through its adapted screenplay, exclusive location photographs, and commentaries by director/star Kevin Costner, co-producer Jim Wilson ,and screenwriter Michael Blake. Fascinating sidebars detail the creation fo authentic costumes, sets and action, including the first full-scale buffalo hunt mounted on the Great Plains in more than a century. Excerpts from the history and literature of the frontier, along with period art and photographs, enrich the background of the story." -- BOOK BLURBISBN: 1557040885Donation: Simon WincerContents: Introduction -- Producer's notes -- Author's notes -- Prologue: the killing field -- Part I: the frontier -- Part II: the real natural human beings -- Part III: buffalo hunt -- Part IV: dances with wolves -- Part V: like the stars -- Film credits -- For further reading -- About the authors -- Acknowledgements
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Featuring film : film study in the classroom / Peter Cox and Fred Goldsworthy Melbourne: Oxford University Press, 1995.
Call No: 512.1 COXAuthor: Cox, Peter, 1953 ; Goldsworthy, Fred Place: MelbournePublisher: Oxford University PressPubDate: 1995PhysDes: vi, 202 p. : ill. ; 26 cmSubject: MACBETH (US, Roman Polanski, 1971) ; TO KILL A MOCKINGBIRD (US, Robert Mulligan, 1962) ; MAN WITHOUT A FACE, THE (US, Mel Gibson, 1993) ; MASK (US, Peter Bogdanovich, 1985) ; OUTSIDERS, THE (US, Francis Ford Coppola, 1983) ; PLAYING BEATIE BOW (AT, Donald Crombie, 1986) ; POWER OF ONE, THE (US, John G. Avildsen, 1992) ; PRINCESS BRIDE, THE (US, Rob Reiner, 1987) ; PROJECT X (US, Johnathan Kaplan, 1987) ; RADIO FLYER (US, Richard Donner, 1992) ; SILVER BRUMBY, THE (AT, John Tatoulis, 1993) ; STRICTLY BALLROOM (AT, Baz Luhrmann, 1992) ; BENNY AND JOON (US, Jeremiah S. Chechick, 1993) ; JURASSIC PARK (US, Steven Spielberg,, 1993) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; BREAKFAST CLUB, THE (US, John Hughes, 1985) ; CHOCOLATE WAR, THE (US, Keith Gordon, 1998) ; DANCES WITH WOLVES (US, Kevin Costner, 1990) ; DANNY THE CHAMPION OF THE WORLD (UK/US, Gavin Millar, 1989) ; EDWARD SCISSORHANDS (US, Tim Burton, 1990) ; FLIRTING (AT, John Duigan, 1991) ; FREE WILLY (US, Simon Wincer, 1993) ; HAMLET (US, Franco Zeffirelli, 1990) ; INTO THE WEST (UK/US, Mike Newell, 1992) ; LADYHAWKE (US, Richard Donner, 1985) ; LEAGUE OF THEIR OWN, A (US, Penny Marshall, 1992) ; LEAN ON ME (US, John G. Avildsen, 1989) Notes: CIP confirmed; Includes index; For secondary school students; BibliographyISBN: 0195536452LON: 11238278
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Hollywood utopia : ecology in contemporary American cinema / Pat Brereton Bristol, UK: Intellect Books, 2004.
Call No: 738.1 BREAuthor: Brerton, Pat Source: UKPlace: Bristol, UKPublisher: Intellect BooksPubDate: 2004PhysDes: 270 p. ; 24 cmSubject: NATURE IN FILMS ; ENVIRONMENTAL ISSUES IN FILMS ; WESTERNS ; LANDSCAPES IN FILMS ; ROAD MOVIES ; CONSPIRACY FILMS ; ANDROMEDA STRAIN, THE (US, Robert Wise, 1971) ; ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997) ; BLADE RUNNER (US, Ridley Scott, 1982) ; DANCES WITH WOLVES (US, Kevin Costner, 1990) ; EASY RIDER (US, Dennis Hopper,1969) ; INCREDIBLE SHRINKING MAN, THE (US, Jack Arnold, 1957) ; JAWS (US, Steven Spielberg, 1975) ; LAST OF THE MOHICANS, THE (US, Michael Mann, 1992) ; MEN IN BLACK (US, Barry Sonnenfeld, 1997) ; SOYLENT GREEN (US, Richard Fleischer, 1973) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) ; THELMA & LOUISE (US, Ridley Scott, 1991) ; TITANIC (US, James Cameron, 1997) ; YEARLING, THE (US, Clarence Brown, 1947) Summary: "Hollywood Utopia applies a range of interdisciplinary strategies to trace the evolution of ecological representations in Hollywood film from 1950s to the present. Popular science fiction, westerns, nature and road movies are extensively analysed while privileging ecological moments of sublime expression often dramatized in the closing moments of these films. "Notes: Bibliography: p. 241-267
Filmography: p. 9-10ISBN: 1841501174Donation: donated by Senses of Cinema, 2009
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The movie book of the western / edited by Ian Cameron and Douglas Pye London: Cassell, 1996.
Call No: 736.1 MOVAuthor: Cameron, Ian ; Pye, Douglas Place: LondonPublisher: CassellPubDate: 1996PhysDes: 320 p.: ill. ; 26 cmSubject: WESTERNS ; FORD, JOHN ; CIMINO, MICHAEL ; CUKOR, GEORGE ; DIETRICH, MARLENE ; Peckinpah, Sam ; WAYNE, JOHN ; DAVES, DELMER ; MANN, ANTHONY ; BOETTICHER, BUDD ; COSTNER, KEVIN ; BROKEN ARROW (US, Delmer Daves, 1950) ; DRUM BEAT (US, Delmer Daves, 1954) ; HANGING TREE, THE (US, Delmer Daves, 1958) ; JUBAL (US, Delmer Daves, 1956) ; LAST WAGON, THE (US, Delmer Daves, 1956) ; [THREE TEN] 3:10 TO YUMA (US, Delmer Daves, 1957) ; DESTRY RIDES AGAIN (US, George Marshall, 1939) ; DODGE CITY (US, Michael Curtiz, 1939) ; DRUMS ALONG THE MOHAWK (US, John Ford, 1939) ; FORT APACHE (US, John Ford, 1948) ; DUEL IN THE SUN (US, King Vidor, 1946) ; HEAVEN'S GATE (US, Michael Cimino, 1980) ; HOW THE WEST WAS WON (US, Henry Hathaway & John Ford & George Marshall, 1962) ; HUD (US, Martin Ritt, 1962) ; JOHNNY GUITAR (US, Nicholas Ray, 1954) ; LEFT-HANDED GUN, THE (US, Arthur Penn, 1958) ; MISFITS, THE (US, John Huston, 1961) ; ONE-EYED JACKS (US, Marlon Brando, 1961) ; PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973) ; PURSUED (US, Raoul Walsh, 1947) ; RANCHO NOTORIOUS (US, Fritz Lang, 1952) ; RIO BRAVO (US, Howard Hawks, 1959) ; SHANE (US, George Stevens, 1953) ; VERA CRUZ (US, Robert Aldrich, 1954) ; WESTWARD THE WOMEN (US, William Wellmann, 1951) ; LONELY ARE THE BRAVE (US, David Miller, 1962) ; UNFORGIVEN (US, Clint Eastwood, 1992) ; SEARCHERS, THE (US, John Ford, 1956) ; DANCES WITH WOLVES (US, Kevin Costner, 1990) ; MAN WHO SHOT LIBERTY VALANCE, THE (US, John Ford, 1962) Notes: Includes indexISBN: 0289801400LON: abn95121731; 11553420
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Worth watching : thirty film reviewers on review / co-ordinator: Peter Malone Richmond, Vic: Spectrum Publications, 1994.
Call No: 670 MALAuthor: Malone, Peter (Peter R.) Source: ATPlace: Richmond, VicPublisher: Spectrum PublicationsPubDate: 1994PhysDes: xii, 102 pages : portraits ; 24 cmSubject: CRITICISM. AUSTRALIA ; CRITICS. AUSTRALIA ; BLACK ROBE (CN/AT, Bruce Beresford, 1991) ; CRY FREEDOM (UK, Richard Attenborough, 1987) ; DANCES WITH WOLVES (US, Kevin Costner, 1990) ; DEAD POETS SOCIETY (US, Peter Weir, 1989) ; EDWARD SCISSORHANDS (US, Tim Burton, 1990) ; KILLING FIELDS, THE (UK, Roland Joffe, 1984) Summary: An assortment of 30 Australian film reviewers offer their critiques of the films: Black Robe, Cry Freedom, Dances with Wolves, Dead Poets Society, Edward Scissorhands, and The Killing Fields. These critics offer their reviews and an insight into their own methods of reviewing filmsNotes: CIP confirmedISBN: 0867863307 (pbk.) : $14.95LON: abn93335937; 10390988Contents: Introduction -- On reviewing / Peter Malone -- Black Robe / Matthew Caterson / Jan Epstein / Neil Jillett / Peter Malone / Karl Quinn -- Cry Freedom / Daniel Batt / Keith Connolly / Andrew Cornell / Ivan Hutchinson / Gabrielle Fitzpatrick -- Dances with Wolves / Judith Gibson / Sandra Hall / Stan James / Gordon Lewis / Des Partridge -- Dead Poets Society / Clark Forbes / Larry Hunter-Stewart / Paul LePetit / Brian McFarlane / John Slavin -- Edward Scissorhands / Jane Baxter / Ray Cassin / John Conomos / Paul Harris / Adrian Martin -- The Killing Fields / Raffaele Caputo / Fred Chamberlin / Peter Gould / Della Hilton / Tom Ryan -- Suggested exercises on film reviewing / Peter Malone
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