book
Film genre reader II / edited by Barry Keith Grant Austin: University of Texas Press, 1995.
Call No: 64GEN FILAuthor: Grant, Barry Keith, 1947 Edition: 1st edPlace: AustinPublisher: University of Texas PressPubDate: 1995PhysDes: viii, 581 p. : ill. ; 24 cmSubject: GENRES ; WESTERNS ; GANGSTER FILMS ; FILM NOIR ; DISASTER FILMS ; EPIC FILMS ; HORROR FILMS ; MELODRAMA ; COMEDIES ; TRANSVESTISM ; WOMEN IN FILMS ; VIETNAM WAR FILMS ; MUSICALS ; BLACKS IN FILMS ; CANADA ; AUTEUR THEORY ; NARRATIVE IN FILMS ; DETECTIVE FILMS ; FEMINISM AND THE CINEMA ; HOMOSEXUALITY AND THE CINEMA ; HISTORICAL FILMS ; PHILOSOPHY AND THE CINEMA ; PORNOGRAPHY AND THE CINEMA ; PSYCHOANALYSIS AND THE CINEMA ; SCIENCE-FICTION FILMS ; SEMIOLOGY ; STRUCTURALISM ; HITCHCOCK, ALFRED ; MICHEAUX, OSCAR ; CRONENBERG, DAVID ; FORD, JOHN ; PENN, ARTHUR ; SIRK, DOUGLAS ; CAVELL, STANLEY ; CHANDLER, RAYMOND ; FRYE, NORTHROP ; MINNELLI, VINCENTE ; TODOROV, TZVETAN ; ZOO LA NUIT, UN (CN, Jean-Cluade Lauzon, 1987) ; SOME LIKE IT HOT (US, Billy Wilder, 1959) ; SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943) ; BARKLEYS OF BROADWAY, THE (US, Charles Walters, 1949) ; YENTL (US, Barbara Streisand, 1983) ; IT HAPPENED ONE NIGHT (US, Frank Capra, 1934) ; IT'S A WONDERFUL LIFE (US, Frank Capra, 1946) ; MY DARLING CLEMENTINE (US, John Ford, 1946) ; STAGECOACH (US, John Ford, 1939) ; SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952) ; THING, THE (US, Christian Nyby, 1951) ; [TWENTY] 20 MILLION MILES TO EARTH (US, Nathan Juran, 1957) ; VICTOR VICTORIA (UK, Blake Edwards, 1982) ; WRITTEN ON THE WIND (US, Douglas Sirk, 1956) ; NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968) ; FLY, THE (US, David Cronenberg, 1986) ; DESPERATELY SEEKING SUSAN (US, Susan Seidelman, 1985) ; CHINATOWN (US, Roman Polanski, 1974) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; CHINATOWN (US, Roman Polanski, 1974) Notes: Includes bibliographical references (p. [495]-559) and indexISBN: 0292727771 (cloth : alk. paper); 029272778X (pbk. : alk. paper)LON: 11563059
More info
book
Filmed thought : cinema as reflective form / Robert B. Pippin Chicago: University of Chicago Press, 2020.
Call No: 631.19 PIPAuthor: Pippin, Robert B. Source: USPlace: ChicagoPublisher: University of Chicago PressPubDate: 2020PhysDes: 271 pages : illustrations (some colour) ; 32 cmSubject: PHILOSOPHY AND THE CINEMA ; SPECTATORSHIP ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; HABLE CON ELLA [TALK TO HER] (SP, Pedro Almodovar, 2002) ; SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943) ; CHINATOWN (US, Roman Polanski, 1974) ; ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955) ; JOHNNY GUITAR (US, Nicholas Ray, 1954) ; IN A LONELY PLACE (US, Nicholas Ray, 1950) ; THIN RED LINE, THE (US, Terrence Malick, 1998) ; DARDENNE, JEAN-PIERRE & LUC Summary: "In this book, philosopher Robert B. Pippin reveals how films can illuminate, in a concrete manner, core features of shared human life. Filmed Thought examines questions of morality in Almodovar's Talk to Her, goodness and naivete in Hitchcock's Shadow of a Doubt, love and fantasy in Sirk's All That Heaven Allows, politics and society in Polanski's Chinatown and Malick's The Thin Red Line, and self-understanding and understanding others in Nicholas Ray's In A Lonely Place and in the Dardenne brothers' oeuvre. In each reading, Pippin pays close attention to what makes these films exceptional as technical works of art (with an eye to cinematic irony) and as intellectual and philosophical achievements. Throughout, he shows how films offer a view of basic problems of human agency from the inside and allow viewers to think with and through them. Captivating and insightful, Filmed Thought shows us what it means to take cinema seriously not just as art, but as thought, and how this medium provides a singular form of reflection on what it is to be human." - taken from back cover.Notes: Includes bibliographical references and index.ISBN: 9780226672007Contents: Section I: Cinema As Reflective Form 1. Cinematic Reflection -- 2. Cinematic Self-consciousness in Alfred Hitchcock's Rear Window -- Section II: Moral Variations 3. Devils & Angels in Pedro Almodovar's Talk to Her -- 4. Confounding Morality in Alfred Hitchcock's Shadow of a Doubt -- Section III: Social Pathologies 5. Cinematic Tone in Roman Polanski's Chinatown: Can "Life" Itself be "False"? -- 6. Love & Class in Douglas Sirk's All That Heaven Allows -- Section IV: Irony & Mutuality 7. Cinematic Irony: The Strange Case of Nicholas Ray's Johnny Guitar -- 8. Passive & Active Skepticism in Nicholas Ray's In a Lonely Place -- Section V: Agency & Meaning 9. Vernacular Metaphysics: On Terrence Malick's The Thin Red Line -- 10. Psychology Degree Zero? The Representation of Action in the Films of the Dardenne BrothersID2: 343
More info
book
Hitchcock / by Francois Truffaut with the collaboration of Helen G. Scott New York: Simon and Schuster, 1967].
Call No: 81HIT TRUAuthor: Truffaut, Francois, 1932 ; Hitchcock, Alfred, 1899 Place: New YorkPublisher: Simon and SchusterPubDate: 1967]PhysDes: 256 p. illus., ports. 28 cmSubject: HITCHCOCK, ALFRED ; LODGER, THE (UK, Alfred Hitchcock, 1926) ; FARMER'S WIFE, THE (UK, Alfred Hitchcock, 1928) ; BLACKMAIL (UK, Alfred Hitchcock, 1929) ; MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936) ; THIRTY-NINE STEPS, THE (UK, Alfred Hitchcock, 1935) ; LADY VANISHES (US, Alfred Hitchcock, 1938) ; REBECCA (US, Alfred Hitchcock, 1940) ; SUSPICION (US, Alfred Hitchcock, 1941) ; LIFEBOAT (US, Alfred Hitchcock, 1944) ; SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943) ; SPELLBOUND (US, Alfred Hitchcock, 1945) ; NOTORIOUS (US, Alfred Hitchcock, 1946) ; VERTIGO (US, Alfred Hitchcock, 1958) ; ROPE (US, Alfred Hitchcock, 1948) ; UNDER CAPRICORN (UK, Alfred Hitchcock, 1949) ; STRANGERS ON A TRAIN (US, Alfred Hitchcock, 1951) ; BIRDS, THE (US, Alfred Hitchcock, 1963) ; PSYCHO (US, Alfred Hitchcock, 1960) ; I CONFESS (US, Alfred Hitchcock, 1953) ; DIAL M FOR MURDER (US, Alfred Hitchcock, 1954) ; TO CATCH A THIEF (US, Alfred Hitchcock, 1955) ; WRONG MAN, THE (US, Alfred Hitchcock, 1957) ; NORTH BY NORTHWEST (US, Alfred Hitchcock, 1959) ; MARNIE (US, Alfred Hitchcock, 1964) ; REAR WINDOW (US, Alfred Hitchcock, 1954) Summary: Dialogue between Truffaut and HitchcockNotes: Translation of Le cinema selon Hitchcock; Bibliography: p. 254LON: 67016729; 1121663ID2: 206
More info
book
Hitchcock and adaptation : on the page and screen / edited by Mark Osteen Lanham, Maryland: Rowman & Littlefield, c2014.
Call No: 753HIT OSTAuthor: Osteen, Mark (editor) Source: UKPlace: Lanham, MarylandPublisher: Rowman & LittlefieldPubDate: c2014PhysDes: xxxviii, 314 pages ; 24 cmSubject: ADAPTATIONS ; AUTHORSHIP ; AUTEUR THEORY ; HITCHCOCK, ALFRED ; THIRTY-NINE STEPS, THE (UK, Alfred Hitchcock, 1935) ; SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943) ; LIFEBOAT (US, Alfred Hitchcock, 1944) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; VERTIGO (US, Alfred Hitchcock, 1958) ; MARNIE (US, Alfred Hitchcock, 1964) ; FRENZY (US, Alfred Hitchcock, 1972) Summary: In Hitchcock and Adaptation: On the Page and Screen, Mark Osteen has assembled a wide-ranging collection of essays that explore how Hitchcock and his screenwriters transformed literary and theatrical source material into masterpieces of cinema. Some of these essays look at adaptations through a specific lens, such as queer aesthetics applied to Rope, Strangers on a Train, and Psycho, while others tackle the issue of Hitchcock as author, auteur, adaptor, and, for the first time, present Hitchcock as a literary source. Film adaptations discussed in this volume include The 39 Steps, Shadow of a Doubt, Lifeboat, Rear Window, Vertigo, Marnie, and Frenzy. Additional essays analyze Hitchcock-inspired works by W. G. Sebald, Don DeLillo, Bret Easton Ellis, and others.
These close examinations of Alfred Hitchcock and the creative process illuminate the significance of the material he turned to for inspiration, celebrate the men and women who helped bring his artistic vision from the printed word to the screen, and explore how the director has influenced contemporary writers. A fascinating look into an underexplored aspect of the director’s working methods, Hitchcock and Adaptation will be of interest to film scholars and fans of cinema’s most gifted auteur. -- Extract from the back of bookNotes: Includes filmography -- Includes bibliographical references, filmography and indexISBN: 9781442230873Contents: Part 1. Hitchcock and authorship. -- Thomas M. Leitch: Hitchcock the author --
Walter Raubicheck and Walter Srebnick: Wrong men on the run: The 39 steps as Hitchcock's espionage paradigm --
Patrick Faubert: the role and presence of authorship in Suspicion --
Part 2. Hitchcock adapting -- Ken Mogg: Melancholy elephants: Hitchcock and ingenious adaptation --
Matthew Paul Carlson: Conrad's The secret agent, Hitchcock's Sabotage, and the inspiration of "public uneasiness" --
Leslie H. Abramson: Stranger(s) than fiction: adaptation, modernity, and the menace of fan culture in Hitchcock's Strangers on a train --
Heath A. Diehl: Reading Hitchcock/ reading queer: adaptation, narrativity, and a queer mode of address in Rope, Strangers on a train, and Psycho --
Nicholas Andrew Miller: "Dear Miss Lonelyhearts": voyeurism and the spectacle of human suffering in Rear window -- John Bruns: "The proper geography": Hitchcock's adaptation of Daphne du Maurier's "The birds" -- Tony Williams: From Kaleidoscope to Frenzy: Hitchcock's second British homecoming --
Part 3. Hitching a ride: the collaborations -- Donna Kornhaber: Hitchcock's diegetic imagination, Thornton Wilder, Shadow of a doubt and Hitchcock's mise-en-sce`ne -- Maria A. Judnick: "The name of Hitchcock! the fame of Steinbeck! The legacy of Lifeboat -- Christina Lane and Jo Botting: "What did Alma think?" continuity, writing, editing, and adaptation --
Part 4. Adapting Hitchcock -- Russell J. A. Kilbourn: The second look, the second death: W. G. Sebald's orphic adaptation of Hitchcock's Vertigo -- Dennis R. Perry and Carl H. Sederholm: Dark adaptations: Robert Bloch and Hitchcock on the small screen -- Mark Osteen: Extraordinary renditions: Delillo's Point omega and Hitchcock's Psycho -- David Seed: The culture of spectacle in American psycho.
More info
Old collection
book
Hitchcock film festival / St. Lucia University College Queensland: University of Queensland, 1966.
Call No: 81HIT HITCorpAuthor: St. Lucia University CollegeSource: ATPlace: QueenslandPublisher: University of QueenslandPubDate: 1966PhysDes: 50 p. ; 24cmSubject: HITCHCOCK, ALFRED ; LODGER, THE (UK, Alfred Hitchcock, 1926) ; THIRTY-NINE STEPS, THE (UK, Alfred Hitchcock, 1935) ; LADY VANISHES (US, Alfred Hitchcock, 1938) ; REBECCA (US, Alfred Hitchcock, 1940) ; SABOTEUR (US, Alfred Hitchcock, 1942) ; SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943) ; ROPE (US, Alfred Hitchcock, 1948) ; STRANGERS ON A TRAIN (US, Alfred Hitchcock, 1951) ; I CONFESS (US, Alfred Hitchcock, 1953) ; DIAL M FOR MURDER (US, Alfred Hitchcock, 1954) ; TO CATCH A THIEF (US, Alfred Hitchcock, 1955) ; WRONG MAN, THE (US, Alfred Hitchcock, 1957) ; PSYCHO (US, Alfred Hitchcock, 1960) ; BIRDS, THE (US, Alfred Hitchcock, 1963) ; MARNIE (US, Alfred Hitchcock, 1964) Notes: Incudes festival programme
More info
book
A Hitchcock reader / edited by Marshall Deutelbaum and Leland Poague Chichester, U.K. ; Malden, MA: Wiley-Blackwell, 2009.
Call No: 81HIT HITEdition: 2nd edSource: UK/USAPlace: Chichester, U.K. ; Malden, MAPublisher: Wiley-BlackwellPubDate: 2009PhysDes: xxvii, 394 p. : ill. ; 25 cmSubject: HITCHCOCK, ALFRED ; LODGER, THE (UK, Alfred Hitchcock, 1926) ; BLACKMAIL (UK, Alfred Hitchcock, 1929) ; MURDER (UK, Alfred Hitchcock, 1930) ; MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936) ; THIRTY-NINE STEPS, THE (UK, Alfred Hitchcock, 1935) ; LADY VANISHES (US, Alfred Hitchcock, 1938) ; SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943) ; SPELLBOUND (US, Alfred Hitchcock, 1945) ; NOTORIOUS (US, Alfred Hitchcock, 1946) ; STRANGERS ON A TRAIN (US, Alfred Hitchcock, 1951) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; WRONG MAN, THE (US, Alfred Hitchcock, 1957) ; VERTIGO (US, Alfred Hitchcock, 1958) ; NORTH BY NORTHWEST (US, Alfred Hitchcock, 1959) ; BIRDS, THE (US, Alfred Hitchcock, 1963) ; MARNIE (US, Alfred Hitchcock, 1964) ; FRENZY (US, Alfred Hitchcock, 1972) ; PSYCHO (US, Alfred Hitchcock, 1960) Summary: "Alfred Hitchcock, the "Master of Suspense," has been internationally recognized as a technical and stylistic innovator in the history of cinema. A Hitchcock Reader grows out of the editors' desire as classroom teachers for a comprehensive and critical text in introductory or advanced courses devoted to the director's films. Yet the book should also satisfy scholars by providing an updated anthology representing the rich variety of critical responses that Hitchcock's films have evoked over the years." "This new edition of A Hitchcock Reader aims to preserve what has been so satisfying - and successful - in the first edition. This new edition, however, will update scholarship since publication of the first edition; offer entirely new editorial matter, including a general introduction to the volume; more visuals; and comprehensive bibliographies of suggested readings, references, and works cited."--BOOK JACKETNotes: Includes bibliographical references and indexISBN: 9781405155564Contents: Preface -- Introduction -- Part One: Taking Hitchcock Seriously [Section Intro and Bibliography] -- 1. Hitch and His Public: Jean Douchet -- 2. Hitchcock's Imagery and Art: Maurice Yacowar -- 3. Retrospective: Robin Wood -- 4. Hitch as Matrix Figure: Hitchcock and Twentieth Century Cinema: John Orr -- Part Two: Hitchcock in Britain [Section Intro and Bibliography] -- 5. Hitchcock's The Lodger: Lesley Brill -- 6. Criticism and/as History:Rereading Blackmail -- Leland Poague -- 7. Alfred Hitchcock's Murder: Theater, Authorship, and the Presence of the Camera: William Rothman -- 8. Consolidation of a Classical Style: The Man Who Knew Too Much: Elizabeth Weis -- 9. Through a Woman's Eyes: Sexuality and Memory in The 39 Steps: Charles L. P. Silet -- 10. Rematerializing the Vanishing "Lady": Feminism, Hitchcock, and Interpretation: Patrice Petro -- Part Three: Hitchcock in Hollywood [Section Intro and Bibliography] -- 11. All in the Family: Alfred Hitchcock's Shadow of a Doubt: James McLaughlin -- 12. The Moral Universe of Hitchcock's Spellbound: Thomas Hyde -- 13. Notorious: Perversion par Excellence: Richard Abel -- 14. Strangers on a Train: Robin Wood -- Part Four: The Later Films [Section Intro and Bibliography] -- 15. Hitchcock's Rear Window: Reflexivity and the Critique of Voyeurism: Robert Stam and Roberta Pearson -- 16. Finding the Right Man in The Wrong Man: Marshall Deutelbaum -- 17. Male Desire, Male Anxiety: The Essential Hitchcock: Robin Wood -- 18. A Closer Look at Scopophilia: Mulvey, Hitchcock and Vertigo: Marian Keane -- 19. North by Northwest: Stanley Cavell -- 20. "Oh, I See ": The Birds and the Culmination of Hitchcock's Romantic Vision: John P. McCombes -- 21. Mark's Marnie: Michael Piso -- 22.The Queer Voice in Marnie: Lucretia Knapp -- 23. Rituals of Defilement: Frenzy: Tania Modleski -- Part Five: Hitchcock and Film Theory: A Psycho Dossier [Section Intro and Bibliography] -- 24. Psychosis, Neurosis, Perversion: Raymond Bellour -- 25. Psycho's Allegory of Seeing: Christopher Morris -- 26. On Being Norman: Performance and Inner Life in Hitchcock,s Psycho: Deborah Thomas -- Index.
More info
book
Hitchcock's people, places, and things / John Bruns Evanston, Illinois: Northwestern Univesity Press, 2019.
Call No: 81HIT BRUAuthor: Bruns, John Source: USPlace: Evanston, IllinoisPublisher: Northwestern Univesity PressPubDate: 2019PhysDes: ix, 215 pages: illustrations; 23cmSubject: HITCHCOCK, ALFRED ; HUMAN RELATIONS IN FILMS ; LODGER, THE (UK, Alfred Hitchcock, 1926) ; SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943) ; PSYCHO (US, Alfred Hitchcock, 1960) ; BIRDS, THE (US, Alfred Hitchcock, 1963) ; CROWDS IN FILMS ; MARNIE (US, Alfred Hitchcock, 1964) ; I CONFESS (US, Alfred Hitchcock, 1953) ; SUPERNATURAL IN FILMS ; URBAN LIFE IN FILMS ; LANDSCAPES IN FILMS ; THE CASE OF MR. PELHAM Summary: "Hitchcock’s People, Places, and Things argues that Alfred Hitchcock was as much a filmmaker of things and places as he was of people. Drawing on the thought of Bruno Latour, John Bruns traces the complex relations of human and nonhuman agents in Hitchcock’s films with the aim of mapping the Hitchcock landscape cognitively, affectively, and politically. Yet this book does not promise that such a map can or will cohere, for Hitchcock was just as adept at misdirection as he was at direction. Bearing this in mind and true to the Hitchcock spirit, Hitchcock’s People, Places, and Things anticipates that people will stumble into the wrong places at the wrong time, places will be made uncanny by things, and things exchanged between people will act as (not-so) secret agents that make up the perilous landscape of Hitchcock’s work.
This book offers new readings of well-known Hitchcock films, including The Lodger, Shadow of a Doubt, Psycho, The Birds, and Marnie, as well as insights into lesser-discussed films such as I Confess and Family Plot. Additional close readings of the original theatrical trailer for Psycho and a Hitchcock-directed episode of Alfred Hitchcock Presents expand the Hitchcock landscape beyond conventional critical borders. In tracing the network of relations in Hitchcock’s work, Bruns brings new Hitchcockian tropes to light. For students, scholars, and serious fans, the author promises a thrilling critical navigation of the Hitchcock landscape, with frequent “mental shake-ups” that Hitchcock promised his audience." -- FROM BLURBNotes: Includes bibliography and index.ISBN: 9780810139954Donation: Senses of CinemaContents: Acknowledgments -- Introduction: Navigating the Hitchcock Landscape -- Chapter 1. Hitchcock's Crowds -- Chapter 2. Hitchcock's Newspaper: A Thing of the Crowd -- Chapter 3. Hitchcock's Apartment Plot, or ""The Case of Mr. Pelham -- Chapter 4. Lost and Found in Hitchcock -- Chapter 5. Our Old Friend Telepathy -- Afterword: How to Keep Hitchcock Flat -- Notes -- Bibliography -- Index
More info
journal article
Hitchcock the feminist : rereading Shadow of a Doubt in Hitchcock annual (1993) p.12-27
More info
book
The men who knew too much : Henry James and Alfred Hitchcock / edited by Susan M. Griffin and Alan Nadel New York: Oxford University Press, 2012.
Call No: 81HIT MENSource: USPlace: New YorkPublisher: Oxford University PressPubDate: 2012PhysDes: viii, 269 p. : ill. ; 24 cmSubject: LITERATURE AND THE CINEMA ; HITCHCOCK, ALFRED ; JAMES, HENRY ; VERTIGO (US, Alfred Hitchcock, 1958) ; PSYCHO (US, Alfred Hitchcock, 1960) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943) ; STRANGERS ON A TRAIN (US, Alfred Hitchcock, 1951) ; MAN WHO KNEW TOO MUCH, THE (US, Alfred Hitchcock, 1955) ; BLACKMAIL (UK, Alfred Hitchcock, 1929) ; NOTORIOUS (US, Alfred Hitchcock, 1946) ; SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943) Summary: "Henry James and Alfred Hitchcock knew too much. Self-imposed exiles, they approached American and European society as inside-outsiders, a position that afforded them a kind of double vision. Masters of their arts, manipulators of their audiences, prescient and path-breaking in their techniques, these demanding and meticulous craftsmen produced some of the greatest art of the last 150 years. This capacious collection, with its brilliant insights and intellectual surprises, is equally compelling in its range and cogency for Jmes readers and film theorists, for Hitchcock fans and James scholars." -- BOOK BLURBISBN: 9780199764433Contents: Reading James with Hitchcock, reading Hitchcock with James / Susan Griffin and Alan Nadel -- National bodies / Susan Griffin -- Secrets, lies, and virtuous attachments : The ambassadors and The 39 steps / Brenda Austin-Smith -- Henry James and Alfred Hitchcock after the American century : circulation and non-return in The American scene and Strangers on a train / Brian T. Edwards -- Colonial discourse and the unheard other in Washington Square and The man who knew too much / Alan Nadel -- Bump : concussive knowledge in James and Hitchcock / Mary Ann O'Farrell -- James's Birdcage/ Hitchcock's Birds / Patrick O'Donnell -- Sounds of silence in The wings of the dove and Blackmail / Donatella Izzo -- The perfect enigma / Judith Roof -- Hands, objects and love in James and Hitchcock : Reading the touch in The golden bowl and Notorious / Jonathan Freedman -- The touch of the real : circumscribing Vertigo / Eric Savoy -- Specters of respectability : Victorian horrors in The turn of the Screw and Psycho / Aviva Briefel -- Caged heat : feminist rebellion in Henry James's In the cage and Alfred Hitchcock's Rear window / John Carlos Rowe -- Shadows of modernity : What Maisie knew and Shadow of a Doubt / Thomas B. Byers -- Awkward ages : James and Hitchcock in between / Mark Goble
More info
book
The movie that changed my life / edited by David Rosebnberg New York: Penguin, 1993.
Call No: 67(049.32) THESource: USPlace: New YorkPublisher: PenguinPubDate: 1993PhysDes: xv, 304 p. ; 22 cmSubject: BEST FILMS ; PORNOGRAPHIC FILMS ; BAMBI (US, David Hand, 1942) ; LAST TRAIN FROM MADRID, THE (US, James P. Hogan, 1937) ; SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943) ; PREMATURE BURIAL (US, Roger Corman, 1962) ; THING, THE (US, Christian Nyby, 1951) ; DRACULA (US, Tod Browning, 1931) ; GILDA (US, Charles Vidor, 1946) ; GONE WITH THE WIND (US, Victor Fleming, 1939) ; LOVE ME OR LEAVE ME (US, Charles Vidor, 1955) ; BOY WITH GREEN HAIR, THE (US, Joseph Losey, 1948) ; [THREE] 3 WOMEN (US, Robert Altman, 1977) ; OUR VINES HAVE TENDER GRAPES (US, Roy Rowland, 1945) ; FATAL GLASS OF BEER, THE (US, Clyde Bruckman, 1933) ; WOMEN, THE (US, George Cukor, 1939) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; Z (FR/AE, Constantin Costa-Gavras, 1969) ; JOURNAL D'UN CURE DE CAMPAGNE (FR, Robert Bresson, 1951) ; BELLE ET LA BETE, LA (FR, Jean Cocteau, 1946) ; SEVEN BRIDES FOR SEVEN BROTHERS (US, Stanley Donen, 1954) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) Summary: Exploring 23 writer's cultural experiences in relation to movies.Notes: First published : 1991 : Viking PenguinISBN: 0140169520Donation: donated by the family of Wayne Levy, 2006
More info
book
Projections 7 : film-makers on film-making in association with Cahiers du Cinéma / edited by John Boorman and Walter Donohue London: Faber & Faber, 1997.
Call No: 802 PRO v.7Author: Boorman, John, 1933 ; Donohue, Walter Place: LondonPublisher: Faber & FaberPubDate: 1997PhysDes: x, 301 p. : ill., ports. ; 24 cmSubject: SCORSESE, MARTIN ; CAPRA, FRANK ; BARRON, BEBE ; DORMAEL, JACO VAN ; SCHOONMAKER, THELMA ; DE NIRO, ROBERT ; FORD, JOHN ; ROCHA, GLAUBER ; BERTOLUCCI, BERNARDO ; RENOIR, JEAN ; OPHULS, MAX ; MASTROIANNI, MARCELLO ; FERRARA, ABEL ; ASSAYAS, OLIVIER ; CURTIS, JAMIE LEE ; LEIGH, JANET ; BURNS, LILLIAN ; GIRARDOT, HIPPOLYTE ; MCDORMAND, FRANCES ; MITCHUM, ROBERT ; HODGSON, PIERRE ; COX, BRIAN ; CARON, LESLIE ; SYMS, SYLVIA ; WRIGHT, TERESA ; COPPOLA, FRANCIS FORD ; DE PALMA, BRIAN ; SPIELBERG, STEVEN ; LUCAS, GEORGE ; Tarantino, Quentin ; WALSH, RAOUL ; HUSTON, JOHN ; MCCAREY, LEO ; Lupino, Ida ; CASSAVETES, JOHN ; WELLES, ORSON ; HITCHCOCK, ALFRED ; WOO, JOHN [pseud. of Wu Yusen] ; DAFOE, WILLEM ; SIRK, DOUGLAS ; ALMEREYDA, MICHAEL ; BOORMAN, JOHN ; BAD LIEUTENANT (US, Abel Ferrara, 1992) ; CASINO (US, Martin Scorsese, 1995) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; MEAN STREETS (US, Martin Scorsese, 1973) ; NEW YORK, NEW YORK (US, Martin Scorsese, 1977) ; RAGING BULL (US, Martin Scorsese, 1980) ; KING OF COMEDY, THE (US, Martin Scorsese, 1983) ; GOODFELLAS (US, Martin Scorsese, 1990) ; CAPE FEAR (US, Martin Scorsese, 1991) ; MANHUNTER (US, Michael Mann, 1986) ; L-SHAPED ROOM, THE (UK, Bryan Forbes, 1962) ; VICTIM (UK, Basil Dearden, 1961) ; SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943) ; FORBIDDEN PLANET (US, Fred McLeod Wilcox, 1956) ; DEAD MAN (US, Jim Jarmusch, 1995) ; CAHIERS DU CINEMA Notes: Filmography: p. 300-301ISBN: 0571190332LON: abn97280608; 13386768
More info
title clippings file
SHADOW OF A DOUBT : (US, Alfred Hitchcock, 1943)
More info
journal article
Shadow of a Doubt in Melbourne Film Bulletin (July 1968) iss.4 p.39-40
More info
book
The strange case of Alfred Hitchcock : or the plain man's Hitchcock / Raymond Durgnat London: Faber and Faber, 1974.
Call No: 81HIT DURAuthor: Durgnat, Raymond Source: UKPlace: LondonPublisher: Faber and FaberPubDate: 1974PhysDes: 419 p. ; 24 cmSubject: HITCHCOCK, ALFRED ; PLEASURE GARDEN, THE (UK, Alfred Hitchcock, 1925) ; MOUNTAIN EAGLE, THE (UK/GG, Alfred Hitchcock, 1926) ; LODGER, THE (UK, Alfred Hitchcock, 1926) ; DOWNHILL (UK, Alfred Hitchcock, 1927) ; EASY VIRTUE (UK, Alfred Hitchcock, 1927) ; RING, THE (UK, Alfred Hitchcock, 1927) ; FARMER'S WIFE, THE (UK, Alfred Hitchcock, 1928) ; CHAMPAGNE (UK, Alfred Hitchcock, 1928) ; MANXMAN, THE (UK, Alfred Hitchcock, 1929) ; JUNO AND THE PAYCOCK (UK, Alfred Hitchcock, 1930) ; MURDER (UK, Alfred Hitchcock, 1930) ; SKIN GAME, THE (UK, Alfred Hitchcock, 1931) ; RICH AND STRANGE (UK, Alfred Hitchcock, 1932) ; NUMBER SEVENTEEN (UK, Alfred Hitchcock, 1932) ; LORD CAMBER'S LADIES (UK, Alfred Hitchcock, 1933) ; WALTZES FROM VIENNA (UK, Alfred Hitchcock, 1934) ; MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936) ; THIRTY-NINE STEPS, THE (UK, Alfred Hitchcock, 1935) ; SECRET AGENT, THE (UK, Alfred Hitchcock, 1936) ; SABOTAGE (UK, Alfred Hitchcock, 1936) ; YOUNG AND INNOCENT (UK, Alfred Hitchcock, 1937) ; LADY VANISHES (US, Alfred Hitchcock, 1938) ; JAMAICA INN (UK, Alfred Hitchcock, 1939) ; REBECCA (US, Alfred Hitchcock, 1940) ; FOREIGN CORRESPONDENT (US, Alfred Hitchcock, 1940) ; MR. AND MRS. SMITH (US, Alfred Hitchcock, 1941) ; SUSPICION (US, Alfred Hitchcock, 1941) ; SABOTEUR (US, Alfred Hitchcock, 1942) ; SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943) ; LIFEBOAT (US, Alfred Hitchcock, 1944) ; BON VOYAGE (UK, Alfred Hitchcock, 1944) ; AVENTURE MALGACHE (UK, Alfred Hitchcock, 1944) ; SPELLBOUND (US, Alfred Hitchcock, 1945) ; NOTORIOUS (US, Alfred Hitchcock, 1946) ; PARADINE CASE, THE (US, Alfred Hitchcock, 1947) ; ROPE (US, Alfred Hitchcock, 1948) ; UNDER CAPRICORN (UK, Alfred Hitchcock, 1949) ; STAGE FRIGHT (UK, Alfred Hitchcock, 1950) ; STRANGERS ON A TRAIN (US, Alfred Hitchcock, 1951) ; I CONFESS (US, Alfred Hitchcock, 1953) ; DIAL M FOR MURDER (US, Alfred Hitchcock, 1954) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; TO CATCH A THIEF (US, Alfred Hitchcock, 1955) ; TROUBLE WITH HARRY, THE (US, Alfred Hitchcock, 1955) ; MAN WHO KNEW TOO MUCH, THE (US, Alfred Hitchcock, 1955) ; WRONG MAN, THE (US, Alfred Hitchcock, 1957) ; VERTIGO (US, Alfred Hitchcock, 1958) ; PSYCHO (US, Alfred Hitchcock, 1960) ; BIRDS, THE (US, Alfred Hitchcock, 1963) ; MARNIE (US, Alfred Hitchcock, 1964) ; TORN CURTAIN (US, Alfred Hitchcock, 1966) ; TOPAZ (US, Alfred Hitchcock, 1969) ; FRENZY (US, Alfred Hitchcock, 1972) ; NORTH BY NORTHWEST (US, Alfred Hitchcock, 1959) ISBN: 0571099661
More info