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Call No: 633.22 COL
Author: Dalle Vacche, Angela; Brian Price
Source: US
Place: New York, London
Publisher: Routledge
PubDate: 2006
PhysDes: x, 214 p, [6] p. of plates : col. ill. ; 24 cm
Series: In focus - Routledge film readers
Subject: COLOUR; AESTHETICS; CINEMATOGRAPHY; TECHNICOLOR; BAZIN, ANDRE; ARNHEIM, RUDOLF; ROHMER, ERIC; BATCHELOR, JOHN; OSHIMA, NAGISA; BRAKHAGE, JANE; HITCHCOCK, ALFRED; ANDERSON, PAUL THOMAS; HOU, HSIAO-HSIEN; GODARD, JEAN-LUC; ANTONIONI, MICHELANGELO; JARMAN, DEREK; MAMOULIAN, ROUBEN; SIRK, DOUGLAS; ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); DIAL M FOR MURDER (US, Alfred Hitchcock, 1954); GIGI (US, Vincente Minnelli, 1958); IMITATION OF LIFE (US, Douglas Sirk, 1959); REBECCA (US, Alfred Hitchcock, 1940); VERTIGO (US, Alfred Hitchcock, 1958); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
Summary: "The first anthology devoted to the subject of color in film. Thematic sections will address the development of color technology and how visual style was affected by the shift from black and white to color; look at color in film theory, including writings from auteurs such as Bresson, Eisenstein and Oshima on the subject; and finally, there will be a number of case studies of color in films by Godard, Hitchcock, Almodovar and others."[ Taken from the back of the book]
Notes: Bibliography: (p [202]-205); Includes index
ISBN: 0415324424; 9780415324427

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DIAL M FOR MURDER (US, Alfred Hitchcock, 1954)

Call No: 81HIT TRU
Author: Truffaut, Francois, 1932; Hitchcock, Alfred, 1899
Place: New York
Publisher: Simon and Schuster
PubDate: 1967]
PhysDes: 256 p. illus., ports. 28 cm
Subject: HITCHCOCK, ALFRED; LODGER, THE (UK, Alfred Hitchcock, 1926); FARMER'S WIFE, THE (UK, Alfred Hitchcock, 1928); BLACKMAIL (UK, Alfred Hitchcock, 1929); MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936); THIRTY-NINE STEPS, THE (UK, Alfred Hitchcock, 1935); LADY VANISHES (US, Alfred Hitchcock, 1938); REBECCA (US, Alfred Hitchcock, 1940); SUSPICION (US, Alfred Hitchcock, 1941); LIFEBOAT (US, Alfred Hitchcock, 1944); SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943); SPELLBOUND (US, Alfred Hitchcock, 1945); NOTORIOUS (US, Alfred Hitchcock, 1946); VERTIGO (US, Alfred Hitchcock, 1958); ROPE (US, Alfred Hitchcock, 1948); UNDER CAPRICORN (UK, Alfred Hitchcock, 1949); STRANGERS ON A TRAIN (US, Alfred Hitchcock, 1951); BIRDS, THE (US, Alfred Hitchcock, 1963); PSYCHO (US, Alfred Hitchcock, 1960); I CONFESS (US, Alfred Hitchcock, 1953); DIAL M FOR MURDER (US, Alfred Hitchcock, 1954); TO CATCH A THIEF (US, Alfred Hitchcock, 1955); WRONG MAN, THE (US, Alfred Hitchcock, 1957); NORTH BY NORTHWEST (US, Alfred Hitchcock, 1959); MARNIE (US, Alfred Hitchcock, 1964); REAR WINDOW (US, Alfred Hitchcock, 1954)
Summary: Dialogue between Truffaut and Hitchcock
Notes: Translation of Le cinema selon Hitchcock; Bibliography: p. 254
LON: 67016729; 1121663
ID2: 206

Call No: 81HIT HIT
CorpAuthor: St. Lucia University College
Source: AT
Place: Queensland
Publisher: University of Queensland
PubDate: 1966
PhysDes: 50 p. ; 24cm
Subject: HITCHCOCK, ALFRED; LODGER, THE (UK, Alfred Hitchcock, 1926); THIRTY-NINE STEPS, THE (UK, Alfred Hitchcock, 1935); LADY VANISHES (US, Alfred Hitchcock, 1938); REBECCA (US, Alfred Hitchcock, 1940); SABOTEUR (US, Alfred Hitchcock, 1942); SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943); ROPE (US, Alfred Hitchcock, 1948); STRANGERS ON A TRAIN (US, Alfred Hitchcock, 1951); I CONFESS (US, Alfred Hitchcock, 1953); DIAL M FOR MURDER (US, Alfred Hitchcock, 1954); TO CATCH A THIEF (US, Alfred Hitchcock, 1955); WRONG MAN, THE (US, Alfred Hitchcock, 1957); PSYCHO (US, Alfred Hitchcock, 1960); BIRDS, THE (US, Alfred Hitchcock, 1963); MARNIE (US, Alfred Hitchcock, 1964)
Notes: Incudes festival programme

Author: Street, Sarah
PhysDes: Serial
Subject: SYMBOLISM IN FILMS; FEMININITY IN FILMS; HITCHCOCK, ALFRED; DIAL M FOR MURDER (US, Alfred Hitchcock, 1954); REAR WINDOW (US, Alfred Hitchcock, 1954); VERTIGO (US, Alfred Hitchcock, 1958); PSYCHO (US, Alfred Hitchcock, 1960); MARNIE (US, Alfred Hitchcock, 1964)
Summary: Looks at the symbolism of the "feminine object" of the handbag in Hitchcock's films; most notably in "Dial M for Murder", "Rear Window", "Vertigo", "Psycho", and "Marnie." Discusses the representation of femininity and the ways in which it can be used in a powerful, resourceful and often subversive manner in the context of the patriarchal, pre-second-wave-feminism society in which Hitchcock's films were made.

Call No: 81HIT DUR
Author: Durgnat, Raymond
Source: UK
Place: London
Publisher: Faber and Faber
PubDate: 1974
PhysDes: 419 p. ; 24 cm
Subject: HITCHCOCK, ALFRED; PLEASURE GARDEN, THE (UK, Alfred Hitchcock, 1925); MOUNTAIN EAGLE, THE (UK/GG, Alfred Hitchcock, 1926); LODGER, THE (UK, Alfred Hitchcock, 1926); DOWNHILL (UK, Alfred Hitchcock, 1927); EASY VIRTUE (UK, Alfred Hitchcock, 1927); RING, THE (UK, Alfred Hitchcock, 1927); FARMER'S WIFE, THE (UK, Alfred Hitchcock, 1928); CHAMPAGNE (UK, Alfred Hitchcock, 1928); MANXMAN, THE (UK, Alfred Hitchcock, 1929); JUNO AND THE PAYCOCK (UK, Alfred Hitchcock, 1930); MURDER (UK, Alfred Hitchcock, 1930); SKIN GAME, THE (UK, Alfred Hitchcock, 1931); RICH AND STRANGE (UK, Alfred Hitchcock, 1932); NUMBER SEVENTEEN (UK, Alfred Hitchcock, 1932); LORD CAMBER'S LADIES (UK, Alfred Hitchcock, 1933); WALTZES FROM VIENNA (UK, Alfred Hitchcock, 1934); MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936); THIRTY-NINE STEPS, THE (UK, Alfred Hitchcock, 1935); SECRET AGENT, THE (UK, Alfred Hitchcock, 1936); SABOTAGE (UK, Alfred Hitchcock, 1936); YOUNG AND INNOCENT (UK, Alfred Hitchcock, 1937); LADY VANISHES (US, Alfred Hitchcock, 1938); JAMAICA INN (UK, Alfred Hitchcock, 1939); REBECCA (US, Alfred Hitchcock, 1940); FOREIGN CORRESPONDENT (US, Alfred Hitchcock, 1940); MR. AND MRS. SMITH (US, Alfred Hitchcock, 1941); SUSPICION (US, Alfred Hitchcock, 1941); SABOTEUR (US, Alfred Hitchcock, 1942); SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943); LIFEBOAT (US, Alfred Hitchcock, 1944); BON VOYAGE (UK, Alfred Hitchcock, 1944); AVENTURE MALGACHE (UK, Alfred Hitchcock, 1944); SPELLBOUND (US, Alfred Hitchcock, 1945); NOTORIOUS (US, Alfred Hitchcock, 1946); PARADINE CASE, THE (US, Alfred Hitchcock, 1947); ROPE (US, Alfred Hitchcock, 1948); UNDER CAPRICORN (UK, Alfred Hitchcock, 1949); STAGE FRIGHT (UK, Alfred Hitchcock, 1950); STRANGERS ON A TRAIN (US, Alfred Hitchcock, 1951); I CONFESS (US, Alfred Hitchcock, 1953); DIAL M FOR MURDER (US, Alfred Hitchcock, 1954); REAR WINDOW (US, Alfred Hitchcock, 1954); TO CATCH A THIEF (US, Alfred Hitchcock, 1955); TROUBLE WITH HARRY, THE (US, Alfred Hitchcock, 1955); MAN WHO KNEW TOO MUCH, THE (US, Alfred Hitchcock, 1955); WRONG MAN, THE (US, Alfred Hitchcock, 1957); VERTIGO (US, Alfred Hitchcock, 1958); PSYCHO (US, Alfred Hitchcock, 1960); BIRDS, THE (US, Alfred Hitchcock, 1963); MARNIE (US, Alfred Hitchcock, 1964); TORN CURTAIN (US, Alfred Hitchcock, 1966); TOPAZ (US, Alfred Hitchcock, 1969); FRENZY (US, Alfred Hitchcock, 1972); NORTH BY NORTHWEST (US, Alfred Hitchcock, 1959)
ISBN: 0571099661