book
50 major film-makers / edited by Peter Cowie South Brunswick, N.J.: A. S. Barnes, c1975.
Call No: 802.25 FIFAuthor: Cowie, Peter Place: South Brunswick, N.J.Publisher: A. S. BarnesPubDate: c1975PhysDes: 287 p. : ill. ; 29 cmSubject: ANDERSON, LINDSAY ; ANTONIONI, MICHELANGELO ; BERGMAN, INGMAR ; BERTOLUCCI, BERNARDO ; BONDARCUK, SERGEJ ; BRESSON, ROBERT ; BROOKS, RICHARD ; BUNUEL, LUIS ; CHABROL, CLAUDE ; DEMY, JACQUES ; DONNER, JORN ; DONSKOJ, MARK ; FELLINI, FEDERICO ; FORMAN, MILOS ; FRANJU, GEORGES ; FRANKENHEIMER, JOHN ; HAANSTRA, BERT ; HITCHCOCK, ALFRED ; ICHIKAWA, JUN ; IVENS, JORIS ; JANCSO, MIKLOS ; KAZAN, ELIA ; KOZINCEV, GRIGORIJ ; KUBRICK, STANLEY ; KUROSAWA AKIRA ; LOSEY, JOSEPH ; LUMET, SIDNEY ; MAKAVEJEV, DUSAN ; MALLE, LOUIS ; MELVILLE, JEAN-PIERRE ; NEMEC, JAN ; OSHIMA NAGISA ; PASOLINI, PIER PAOLO ; PENN, ARTHUR ; POLANSKI, ROMAN ; RAY, SATYAJIT ; RESNAIS, ALAIN ; ROHMER, ERIC ; ROSI, FRANCESCO ; SCHLESINGER, JOHN ; SCHORM, EVALD ; SKOLIMOWSKI, JERZY ; TATI, JACQUES ; TORRE NILSSON, LEOPOLDO ; TROELL, JAN ; TRUFFAUT, FRANCOIS ; VISCONTI, LUCHINO ; WAJDA, ANDRZEJ ; WELLES, ORSON ; WIDERBERG, BO Notes: Includes filmographies and indexISBN: 0498012557 : $20.00LON: 723676ID2: 291
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Color : the film reader / Angela Dalle Vacche (editor) New York, London: Routledge, 2006.
Call No: 633.22 COLAuthor: Dalle Vacche, Angela ; Brian Price Source: USPlace: New York, LondonPublisher: RoutledgePubDate: 2006PhysDes: x, 214 p, [6] p. of plates : col. ill. ; 24 cmSeries: In focus - Routledge film readersSubject: COLOUR ; AESTHETICS ; CINEMATOGRAPHY ; TECHNICOLOR ; BAZIN, ANDRE ; ARNHEIM, RUDOLF ; ROHMER, ERIC ; BATCHELOR, JOHN ; OSHIMA, NAGISA ; BRAKHAGE, JANE ; HITCHCOCK, ALFRED ; ANDERSON, PAUL THOMAS ; HOU HSIAO-HSIEN ; GODARD, JEAN-LUC ; ANTONIONI, MICHELANGELO ; JARMAN, DEREK ; MAMOULIAN, ROUBEN ; SIRK, DOUGLAS ; ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955) ; DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964) ; DIAL M FOR MURDER (US, Alfred Hitchcock, 1954) ; GIGI (US, Vincente Minnelli, 1958) ; IMITATION OF LIFE (US, Douglas Sirk, 1959) ; REBECCA (US, Alfred Hitchcock, 1940) ; VERTIGO (US, Alfred Hitchcock, 1958) ; WIZARD OF OZ, THE (US, Victor Fleming, 1939) Summary: "The first anthology devoted to the subject of color in film. Thematic sections will address the development of color technology and how visual style was affected by the shift from black and white to color; look at color in film theory, including writings from auteurs such as Bresson, Eisenstein and Oshima on the subject; and finally, there will be a number of case studies of color in films by Godard, Hitchcock, Almodovar and others."[ Taken from the back of the book]Notes: Bibliography: (p [202]-205); Includes indexISBN: 0415324424; 9780415324427
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Eric Rohmer : a biography / Antoine de Baecque and Noel Herpe New York; Chichester, UK: Columbia University Press, 2016.
Call No: 81 ROH BAEAuthor: de Baecque, Antoine ; Herpe, Noel Place: New York; Chichester, UKPublisher: Columbia University PressPubDate: 2016PhysDes: 638 pages : illustrated ; 27 cmSubject: ROHMER, ERIC Summary: The director of twenty-five films, including My Night at Maud's (1969), which was nominated for a Best Picture Academy Award, and the editor in chief of Cahiers du cinéma from 1957 to 1963, Éric Rohmer set the terms by which people watched, made, and thought about cinema for decades. Such brilliance does not develop in a vacuum, and Rohmer cultivated a fascinating network of friends, colleagues, and industry contacts that kept his outlook sharp and propelled his work forward. Despite his privacy, he cared deeply about politics, religion, culture, and fostering a public appreciation of the medium he loved.
This exhaustive biography uses personal archives and interviews to enrich our knowledge of Rohmer's public achievements and lesser known interests and relations. The filmmaker kept in close communication with his contemporaries and competitors: François Truffaut, Jean-Luc Godard, Claude Chabrol, and Jacques Rivette. He held a paradoxical fascination with royalist politics, the fate of the environment, Catholicism, classical music, and the French nightclub scene, and his films were regularly featured at New York and Los Angeles film festivals. Despite an austere approach to life, Rohmer had a voracious appetite for art, culture, and intellectual debate captured vividly in this definitive volume. -- piblisher's web siteISBN: 9780231175586Contents: The Mysteries of "le grand Momo" -- 1. Maurice Schérer's Youth: 1920–1945 -- 2. From Schérer to Rohmer: 1945–1957 -- 3. Under the Sign of Leo: 1959–1962 -- 4. Under the Sign of Cahiers: 1957–1963 -- 5. The Laboratory Period: 1963–1970 -- 6. Four Moral Tales: 1966–1972 -- 7. On Germany and the Pleasure of Teaching: 1969–1994 -- 8. In Pursuit of Perceval: 1978–1979 -- 9. Six Comedies and Proverbs: 1980–1986 -- 10. The Rohmer of the Cities and the Rohmer of the Countryside: 1973–1995 -- 11. In the Rhythm of the Seasons: 1989–1998 -- 12. Filming History: 1998–2004 -- 13. A Tale of Winter: 2006–2007 -- 14. In Pain: 2001–2010 -- Notes -- Index
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Eric Rohmer, realist and moralist / C.G. Crisp Bloomington: Indiana University Press, 1988.
Call No: 81ROH CRIAuthor: Crisp, C. G Place: BloomingtonPublisher: Indiana University PressPubDate: 1988PhysDes: viii, 139 p. ; 25 cmSubject: ROHMER, ERIC Notes: Includes index; Bibliography: p. [121]-129; Filmography: p. [130]-136ISBN: 0253319080; 0253204739 (pbk.)LON: 86046378; 5494644
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The films of Eric Rohmer : French new wave to old master / edited by Leah Anderst New York: Palgrave Macmillan, 2014.
Call No: 81ROH FILSource: ATPlace: New YorkPublisher: Palgrave MacmillanPubDate: 2014PhysDes: vi, 254 pages ; 23 cm.Subject: ROHMER, ERIC Summary: Eric Rohmer was a key figure in French New Wave cinema. His death in 2010 sparked renewed interest in his diverse body of works that span films, criticism, and television work. Contributors to this volume - a mix of well-known and younger scholars of cinema - visit, revisit, complicate, and at times upend accepted readings and interpretations of perennial Rohmerian topics including the important role of language in his films, the influence of the arts, depictions of gender and class, and the roles played by space and place in his films. -- taken from the back coverNotes: Includes bibliographical references and index.ISBN: 97811337010995Donation: donated by Senses of Cinema, 2016Contents: 1.Eric Rohmer and Me / Andre Aciman -- pt. I Rohmer: Critic and Philosopher -- 2.Eric Rohmer and the Legacy of Cinematic Realism / Tom Gunning -- 3.Practicing What He Preaches? Continuities and Discontinuities in Rohmer's Early Film Criticism and His Conte D'Automne / T. Jefferson Kline -- 4.Ma Nuit chez Maud and the Moral Imagination: Rhymes, Symmetries, and Variations on an Ethical Theme / Matthew Thorpe -- pt. II Narration, Frames, Genres -- 5.The Fall into Words: From Contes des quatre saisons to L'Anglaise et le Duc / Noel Herpe -- 6.Eric Rohmer's Magnetic Fluid / Dudley Andrew -- 7.Imagination and Grace: Rohmer's Contes des quatre saisons / Keith Tester -- 8.Auteur Meets Genre: Rohmer and the Rom-Com / Mary Harrod -- pt. III Politics, Gender, and Class -- 9.Rohmer/Politics: From Royalism to Ecology / Antoine de Baecque -- 10.On the Class Character of Desire: Romantic Heroics in the Contes moraux / Derek Schilling --
Contents note continued: 11.Rohmer's Realism: Women on the Border of What Is and What Might Be / Aimee Israel-Pelletier -- pt. IV Architecture, Places, and Space -- 12.The Changing Landscape and Rohmer's Temptation of Architecture / Ivone Margulies -- 13.Walking in the City: Paris in the Films of Eric Rohmer / Fiona Handyside -- 14.Rohmer's Poetics of Placelessness / Leah Anderst -- pt. V Adapting History and Literature -- 15.Eric Rohmer, Historiographer / Jerry W. Carlson -- 16.Eric Rohmer's Talking Heads: Listening to the Classical Text in La Bruyere / Mark Cohen -- 17.Triple Agent: Eric Rohmer and the Tumult of the Interwar Years / Pierre Lethier.
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Focus on Hitchcock / Albert J. La Valley Englewood Cliffs: Prentice Hall, 1972.
Call No: 81HIT LAVAuthor: La Valley, Albert J. (ed.) Source: USPlace: Englewood CliffsPublisher: Prentice HallPubDate: 1972PhysDes: 186 p. : ill. ; 24 cmSeries: Film FocusSubject: HITCHCOCK, ALFRED ; BAZIN, ANDRE ; BOGDANOVICH, PETER ; SARRIS, ANDREW ; DURGNAT, RAYMOND ; AGEE, JAMES ; KAEL, PAULINE ; CHANDLER, RAYMOND ; ROHMER, ERIC ; CHABROL, CLAUDE ; TRUFFAUT, FRANCOIS ; NOTORIOUS (US, Alfred Hitchcock, 1946) ; STRANGERS ON A TRAIN (US, Alfred Hitchcock, 1951) ; REAR WINDOW (US, Alfred Hitchcock, 1954) ; WRONG MAN, THE (US, Alfred Hitchcock, 1957) ; PSYCHO (US, Alfred Hitchcock, 1960) ISBN: 0133923657Donation: donated by the family of Wayne Levy, 2006Contents: Introduction - Albert J. LaValley -- Chronology -- HITCHCOCK ON HITCHCOCK -- I wish I didn't have to shoot the picture: an interview with Alfred Hitchcock - Budge Crawley, Fletcher Markle, and Gerald Pratley -- Interviews with Alfred Hitchcock - Peter Bogdanovich -- Direction - Alfred Hitchcock -- Rear Window - Alfred Hitchcock -- HITCHCOCK ON CONTROVERSY -- Alfred Hitchcock - Lindsay Anderson -- Hitchcock versus Hitchcock - Andre Bazin -- Why we should take Hitchcock seriously - Robin Wood -- Hitchcock - Andrew Sarris -- The strange case of Alfred Hitchcock, part three - Raymond Durgnat -- THE FILMS -- James Agee - Notorious -- Pauline Kael - Three Films -- Raymond Chandler - Notebooks on Strangers on a Train -- Ronald Christ - Strangers on a Train - the pattern of encounter -- Eric Rohmer and Claude Chabrol - The Wrong Man -- Leo Braudy - Hitchcock, Truffaut, and the irresponsible audience -- Raymond Durgnat - Inside Norman Bates -- John Crosby - Macabre Merriment -- Jack Edmund Nolan - Hitchcock's TV films -- Analysis of the Plane and Cornfield Chase sequence in North by Northwest
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International film guide, 1972 / edited by Peter Cowie London New York: Tantivy Press Barnes, c1971.
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journal article
Melbourne Film Festival 1970 in Melbourne Film Bulletin (August 1970) iss.13 p.18-23
Author: Williams, Ross PhysDes: Article
ReviewSubject: ANTONIO DAS MORTES (BL, Glauber Rocha, 1969) ; ROCHA, GLAUBER ; QUE LA BETE MEURE (FR/IT, Claude Chabrol, 1969) ; CHABROL, CLAUDE ; MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969) ; ROHMER, ERIC ; SHONEN (JA, Nagisa Oshima, 1969) ; OSHIMA, NAGISA ; WSZYSTKO NA SPRZEDAZ (PL, Andrzej Wajda, 1968) ; WAJDA, ANDRZEJ ; DE ANTONIO, EMILE ; SPRY, ROBIN ; MEDIUM COOL (US, Haskell Wexler, 1969) ; WEXLER, HASKELL Summary: Review of the highlights of the 1970 Melbourne Film Festival. To be continued in M.F.B. No. 14.
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Melbourne Film Festival Report 1971 in Melbourne Film Bulletin (September 1971) p.18-24
Author: Williams, Ross PhysDes: Article; ReviewSubject: JOE (US, John G. Avildsen, 1970) ; TRUFFAUT, FRANCOIS ; ROHMER, ERIC ; VENT D'EST (FR/IT/GW, Jean-Luc Godard & Dziga Vertov Group, 1970) ; GODARD, JEAN-LUC ; ANDRADE, JOAQUIM PEDRO DE ; SKOLIMOWSKI, JERZY ; KUROSAWA AKIRA ; TRISTANA (SP/IT/FR, Luis Bunuel, 1970) ; BUNUEL, LUIS ; FAUTE DE L'ABBE MOURET, LA (FR/IT, Georges Franju, 1970) ; FRANJU, GEORGES ; KES (UK, Kenneth Loach, 1970) ; LOACH, KENNETH ; SZABO, ISTVAN Summary: Review of the highlights of the 1971 Melbourne Film Festival.ID2: 291
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Projections 4 1/2 : film-makers on film-making / edited by John Boorman and Walter Donohue London: Faber and Faber, 1995.
Call No: 802 PRO v.4 1/2Author: Boorman, John, 1933 ; Donohue, Walter CorpAuthor: PositifPlace: LondonPublisher: Faber and FaberPubDate: 1995PhysDes: vii, 312 p. : ill., ports. ; 24 cmSubject: Keaton, Buster ; ALTMAN, ROBERT ; ASSAYAS, OLIVIER ; WARHOL, ANDY ; BOORMAN, JOHN ; COEN, JOEL & ETHAN ; PRICE, VINCENT ; LANG, FRITZ ; EASTWOOD, CLINT ; FREARS, STEPHEN ; FULLER, SAMUEL ; ALLEN, WOODY ; KIESLOWSKI, KRZYSZTOF ; MALLE, LOUIS ; MARKER, CHRIS ; OPHULS, MARCEL ; REISZ, KAREL ; VON STROHEIM, ERICH ; RUIZ, RAUL ; SEN, MRINAL ; TAVERNIER, BERTRAND ; ALMEREYDA, MICHAEL ; JARMAN, DEREK ; LOWENSTEIN, RICHARD ; POTTER, SALLY ; ROUSSELOT, PHILIPPE ; TOLKIN, MICHAEL ; WARD, VINCENT ; ZINNEMANN, FRED ; ANGELOPOULOS, THEO ; AVATI, PUPI ; MARVIN, LEE ; BREILLAT, CATHERINE ; BRISSEAU, JEAN-CLAUDE ; CAVALIER, ALAIN ; CHABROL, CLAUDE ; BUGIN, HARRY ; COMENCINI, LUIGI ; DE FILIPPO, EDUARDO ; CORMAN, ROGER ; CORNEAU, ALAIN ; DEVILLE, MICHEL ; DIEGUES, CARLOS ; EGOYAN, ATOM ; MACKENDRICK, ALEXANDER ; GAAL, ISTVAN ; GREENAWAY, PETER ; HARRIS, JAMES B. ; HELLMAN, MONTE ; IOSELIANI, OTAR ; BARNET, BORIS ; KAZAN, ELIA ; KEZDI-KOVACS, ZSOLT ; KIAROSTAMI, ABBAS ; KLOPCIC, MATJAZ ; A TOUT ALLURE (FR, Robert Kramer, 1982) ; LATTUADA, ALBERTO ; LECONTE, PATRICE ; LEIGH, MIKE ; LOACH, KENNETH ; MAKAVEJEV, DUSAN ; PEREIRA DOS SANTOS, NELSON ; MINGOZZI, GIANFRANCO ; MONICELLI, MARIO ; PARRISH, ROBERT ; PENN, ARTHUR ; PINTILIE, LUCIAN ; POLANSKI, ROMAN ; RIPSTEIN, ARTURO ; RISI, DINO ; RISSIENT, PIERRE ; ROHMER, ERIC ; ROSI, FRANCESCO ; RUDOLPH, ALAN ; SARMIENTO, VALERIA ; SAUTET, CLAUDE ; SCHATZBERG, JERRY ; SCHRADER, PAUL ; SIJAN, SLOBODAN ; STEVENIN, JEAN-FRANCIS ; TAVIANI, PAOLO & VITTORIO ; VARDA, AGNES ; YANG, EDWARD ; ZANUSSI, KRZYSZTOF ; ZULAWSKI, ANDREJ ; KERRIGAN, LODGE ; LINKLATER, RICHARD ; RIDLEY, PHILIP ; ROBERTS, JULIA ; RUSSELL, DAVID O. ; SHERMAN, VINCENT ; DAVIS, BETTE ; SIEGEL, DAVID ; MCGEHEE, SCOTT ; SODERBERGH, STEVEN ; TOBACK, JAMES ; BABY DOLL (US, Elia Kazan, 1956) ; TEOREMA (IT, Pier Paolo Pasolini, 1968) ; ESPIRITU DE LA COLMENA, EL (SP, Victor Erice, 1973) ; SZEGENYLEGENYEK (HU, Miklos Jancso, 1966) ; ALBERO DEGLI ZOCCOLI, L' (IT, Ermanno Olmi, 1978) ; VERTIGO (US, Alfred Hitchcock, 1958) ; PSYCHO (US, Alfred Hitchcock, 1960) ; GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927) ; HUSTLER, THE (US, Robert Rossen, 1961) ; MIRAGE (US, Edward Dmytryk, 1965) ; BLACK GOD, WHITE DEVIL [DEUS E O DIABO NA TERRA DO SOL] (BL, Glauber Rocha, 1964) ; POSITIF Notes: "In association with Positif."; "Centenary edition"--P. viiISBN: 0571176097LON: abn96057645; 12129416
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Promised lands : cinema, geography, modernism / Sam Rohdie London: British Film Institute, 2001.
Call No: 756 ROHAuthor: Rohdie, Sam, 1939 CorpAuthor: British Film InstitutePlace: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: viii, 280 p. ; 24 cmSubject: ETHNOGRAPHIC FILMS ; CULTURE AND THE CINEMA ; BAZIN, ANDRE ; CITIZEN KANE (US, Orson Welles, 1941) ; GIDE, ANDRE ; GODARD, JEAN-LUC ; ART AND THE CINEMA ; Pasolini, Pier Paolo ; ROHMER, ERIC ; ROSSELLINI, ROBERTO ; MODERNISM AND THE CINEMA Notes: Includes bibliographical references and indexISBN: 0851708536(pbk.) : ¦15.99; 0851708544(cased) : ¦48.00LON: 22645289
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personality microfilm collection
ROHMER, ERIC
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: Stills; ClippingsSubject: ROHMER, ERIC
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The Thirteenth London Film Festival Nov/Dec 1969 in Melbourne Film Bulletin (March 1970) iss.11 p.7-21
Author: Dewey, Langdon PhysDes: Review
ArticleSubject: OLMI, ERMANNO ; SAMOURAI, LE (FR/IT, Jean-Pierre Melville, 1967) ; MELVILLE, JEAN-PIERRE ; RESNAIS, ALAIN ; SHINODA, MASAHIRO ; KOSHIKEI (JA, Nagisa Oshima, 1968) ; OSHIMA, NAGISA ; ROHMER, ERIC ; FENYES SZELEK (HU, Miklos Jancso, 1969) ; JANCSO, MIKLOS ; SONTAG, SUSAN ; VARDA, AGNES ; ZERT (CS, Jaromil Jires, 1969) ; JIRES, JAROMIL ; Pasolini, Pier Paolo ; MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969) Summary: Review of the highlights of the 13th London Film Festival in 1969.
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Women and their sexuality in the new film / by Joan Mellen London: Davis-Poynter, 1974.
Call No: 451-02 MELAuthor: Mellen, Joan Place: LondonPublisher: Davis-PoynterPubDate: 1974PhysDes: 255 p. : ports ; 24 cmSubject: WOMEN IN FILMS ; HOMOSEXUALITY IN FILMS ; SEX AND THE CINEMA ; BERGMAN, INGMAR ; ROHMER, ERIC ; WEST, MAE ; W R MISTERIJE ORGANIZMA (YU/GW, Dusan Makavejev, 1971) ; ULTIMO TANGO A PARIGI (IT/FR, Bernardo Bertolucci, 1972) ; TRISTANA (SP/IT/FR, Luis Bunuel, 1970) ; DEATH IN VENICE [MORTE A VENEZIA] (IT/FR, Luchino Visconti, 1971) ; FOX, THE (US, Mark Rydell, 1968) ; UP THE SANDBOX (US, Irvin Kershner, 1972) ISBN: 0706701534 : ª3.50LON: 75312480; 266398
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