Search Catalogue

Call No: No. 21 December 1996 and No. 22 July 1997 held only
CorpAuthor: Association francaise de recherche sur l'histoire du cinema
Source: France
Place: Paris
Publisher: Association francaise de recherche sur l'histoire du cinema
PubDate: 1986-
Subject: HISTORY OF CINEMA; FRANCE
Notes: Donated by William Routt.
ISSN: 07690959
Language: French
Missing Issues: Incomplete
Indexed In: FIAF
URL status: URL: 'https://search-proquest-com.ezproxy.lib.rmit.edu.au/screenstudies/publication/54554/citation/815DD8C082704036PQ/1?accountid=13552' Checked: 31/08/2021 1:11:59 PM Status: Live Details: HTTP status 200 - Usual success response

Author: Doniol-Valcroze, Jacques
PhysDes: Article
Subject: PRODUCTION. EURPOEAN COUNTRIES; DIRECTORS. FRANCE; SWEDEN
Summary: French filmmaker Jacques Doniol-Valcroze comments on the making of his film "Le Viol" in Sweden. From "Film in Sweden" No. 2 1967.

Author: Reid, John Howard [editor, annotator & reviewer]
PhysDes: Article
Subject: AFFARE BECKETT, L' (IT/FR, Osvaldo Civirani, 1966); JUNGLE DES TUEURS FRANCE, LA (IT/FR, Osvaldo Civirani, 1966); BECKETT AFFAIR, THE (IT/FR, Osvaldo Civirani, 1966)
Notes: Review from "Twelve Thousand Motion Pictures (Part Three)" article. - Barrie Pattison (assistant reviewer). "L'Affare Beckett" is also known as "La Jungle des Tueurs France" (French title) and as "The Beckett Affair" (English title)

Call No: 81VAR SMI
Author: Smith, Alison
Source: UK
Place: Manchester
Publisher: Manchester University Press
PubDate: 1998
PhysDes: viii, 213 ; b+w ill. : 20cm.
Series: French Film Directors
Subject: WOMEN IN FILMS. FRANCE; VARDA, AGNES; SANS TOIT NI LOI (FR, Agnes Varda, 1985); CLEO FROM 5 TO 7 [CLEO DE 5 A 7] (FR, Agnes Varda, 1962)
Summary: Analysis on the works of Agnes Varda from 1950-1990's
Notes: Includes index and selected bibliography
ISBN: 0719050618
Language: English

Call No: 81VAR DER
Author: DeRoo, Rebecca J.
Source: US
Place: Oakland, California
Publisher: University of California Press
PubDate: c2018
PhysDes: x, 238 pages : illustrations ; 23 cm
Subject: FILM; CRITICISM; FEMININITY IN FILMS; FEMINISM AND THE CINEMA; NOUVELLE VAGUE; MOVEMENTS AND STYLES IN FILM HISTORY; FRANCE; VARDA, AGNES; POINTE COURTE, LA (FR, Agnes Varda, 1954); BONHEUR, LE (FR, Agnes Varda, 1965); ONE SINGS, THE OTHER DOESN’T (FR/BE, Agnes Varda, 1977); DAGUERREOTYPES (FR/G, Agnes Varda, 1978)
Summary: "Agnes Varda is a prolific film director, photographer, and artist whose cinematic career spans more than six decades. Today she is best known as the innovative “mother” of the French New Wave film movement of the 1950s and '60s and for her multimedia art exhibitions. Varying her use of different media, she is a figure who defies easy categorization. In this extensively researched book, Rebecca J. DeRoo demonstrates how Varda draws upon the histories of art, photography, and film to complicate the overt narratives in her works and to advance contemporary cultural politics. Based on interviews with Varda and unparalleled access to Varda's archives, this interdisciplinary study constructs new frameworks for understanding one of the most versatile talents in twentieth and twenty-first century culture. " -- BOOK BACK COVER
Notes: Includes bibliographical references and index; Also issued online
ISBN: 9780520279414
Contents: -- Acknowledgments -- Reinterpreting Varda: the mother of the new wave reframes its histories -- Complicating neorealism and the new wave: La Pointe Courte -- Filmic and feminist strategies: questioning ideals of happiness in Le Bonheur -- Reconsidering contradictions: feminist politics and the musical genre in L'une Chante, L'autre Pas -- The limits of documentary: identity and urban transformation in daguerreotypes -- Melancholy and merchandise: documenting and displaying widowhood in L'iIe Et Elle -- Varda now: autobiography, memory, and retrospective -- notes -- bibliography -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALIVE IN FRANCE (FR, Abel Ferrara, 2017)

Call No: FESTIVAL CATALOGUE SHELVES; held 1962, 1963, 1965, 1967, 1971, 1973, 1977, 1995, 1997, 2000
Place: FR
PubDate: 1962-
Subject: FESTIVALS. FRANCE
Language: FR

Call No: 412.3 KEL
Author: Keller, Sarah
Edition: 2020
Place: New York
Publisher: Columbia University Press
PhysDes: vii, 302 pages : illustrated ; 24 cm
Subject: APOCALYPSE IN FILMS; BLOWUP (UK/IT, Michelangelo Antonioni, 1966); BAZIN, ANDRE; FILM CULTURE; CINEPHILIA; DIGITAL CINEMA; FRANCE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015); STAR WARS [...] (US, 1977-2015); WAR OF THE WORLDS (US, Steven Spielberg, 2005); WORLD WAR Z (US/MT, Marc Forster, 2013)
Summary: The advent of new screening practices and viewing habits in the twenty-first century has spurred a public debate over what it means to be a “cinephile.” In Anxious Cinephilia, Sarah Keller places these competing visions in historical and theoretical perspective, tracing how the love of movies intertwines with anxieties over the content and impermanence of cinematic images. Keller reframes the history of cinephilia from the earliest days of film through the French New Wave and into the streaming era, arguing that love and fear have shaped the cinematic experience from its earliest days. This anxious love for the cinema marks both institutional practices and personal experiences, from the curation of the moviegoing experience to the creation of community and identity through film festivals to posting on social media. Through a detailed analysis of films and film history, Keller examines how changes in cinema practice and spectatorship create anxiety even as they inspire nostalgia. Anxious Cinephilia offers a new theoretical approach to the relationship between spectator and cinema and reimagines the concept of cinephilia to embrace its diverse forms and its uncertain future. -- publisher's web site
ISBN: 9780231180870
Contents: Acknowledgments -- Introduction -- 1. Ardor and Anxiety: The History of Cinephilia -- 2. Enchanting Images -- 3. Cinephilia and Technology: Anxieties and Obsolescence -- 4. The Exquisite Apocalypse -- Conclusion: Anxious Times, Anxious Cinema -- Notes -- Selected Bibliography -- Index

Author: Mary Colbert
PhysDes: Article
Subject: FESTIVALS. FRANCE. ST TROPEZ. CINEMA DES ANTIPODES; BORIES, BERNARD
Summary: Article on Bernard Bories's Cinema des Antipodes, a feature at Cannes Film Festival focusing on Australian cinema.

Call No: 71(44) BRE
Source: US
Place: [s.l.]
Publisher: [s.n.]
PubDate: [19-?]
PhysDes: 22 p. ; ills.
Subject: FRANCE; ACTORS. FRANCE; BARDOT, BRIGITTE; BIRKIN, JANE; ARLETTY; DELON, ALAIN; BINOCHE, JULIETTE; KARINA, ANNA; GIRARDOT, HIPPOLYTE; MARAIS, JEAN; DENEUVE, CATHERINE; BEART, EMMANUELLE; BELMONDO, JEAN-PAUL; BOUQUET, CAROLE; DEPARDIEU, GERARD; BONNAIRE, SANDRINE; GABIN, JEAN; MONTAND, YVES; AIMEE, ANOUK; DALLE, BEATRICE
Notes: Photobook insert from Premiere Magazine in association with Pernod.

Call No: 71(44) BRE
Author: Bredin, Jean-Denis
CorpAuthor: British Film Institute
Place: London
Publisher: BFI Publishing
PubDate: c1982
PhysDes: 87 p ; 29 cm
Subject: FRANCE; INDUSTRY, FILM. FRANCE
Notes: Translation of the French Bredin report, jointly commissioned by the Association of Cinematograph and Television Technicians, the British Film Institute, the National Film Finance Corporation and the Scottish Film Council, from the Department of Trade..
LON: 4399957

Call No: REFERENCE SECTION; 023(44) CES Held V.2 1995 - V.1 2000
CorpAuthor: Unifrance
Source: FR
Place: Paris
Publisher: Unifrance
PhysDes: 192 p. ills.
Subject: FILMOGRAPHIES. FRANCE; FRANCE; UNIFRANCE FILM
Notes: Description based on V.2 Juillet/Decembre 1999

Call No: 261.6(44)
Author: Tydeman, John, 1947
CorpAuthor: E.P. Marketing; Australian Film Commission
Place: North Sydney
Publisher: Australian Film Commission
PubDate: 1989
PhysDes: 58 p. : ill. ; 30 cm
Subject: CANAL PLUS; PAY TV. FRANCE; PAY TV. AUSTRALIA
Notes: Cover title; "A report prepared for the Australian Film Commission by E.P. Marketing Pty Ltd'; Bibliography: p. 57
ISBN: 0642148295
LON: 6605904

Call No: 261.6(44)
Author: Tydeman, John, 1947
CorpAuthor: E.P. Marketing; Australian Film Commission
Place: North Sydney
Publisher: Australian Film Commission
PubDate: 1989
PhysDes: 58 p. : ill. ; 30 cm
Subject: CANAL PLUS; PAY TV. FRANCE; PAY TV. AUSTRALIA
Notes: Cover title; "A report prepared for the Australian Film Commission by E.P. Marketing Pty Ltd'; Bibliography: p. 57
ISBN: 0642148295
LON: 6605904

Call No: 408.3(94) AUS
Author: Warren, Jane; Kirsop, Wallace; Nettelbeck, Colin W
Place: Parkville, Vic.
Publisher: University of Melbourne, Department of French and Italian Studies in association with the 'Australian journal of French studies', and Institute for the Study of French-Australian Relations
PubDate: 1996
PhysDes: 117 p., [20] p. of plates : ill., ports. ; 25 cm
Subject: CENTENARY OF CINEMA. AUSTRALIA; CENTENARY OF CINEMA. FRANCE; MELODRAMA; FRANCE; AUSTRALIA; NOUVELLE VAGUE; CAHIERS DU CINEMA; PARTIE D'ECARTE (FR, Louis Lumiere, 1895); REGLE DU JEU, LA (FR, Jean Renoir, 1939); SPENCER, WALTER BALDWIN; DEPARDIEU, GERARD; LUMIERE, AUGUSTE & LOUIS
Notes: "The various essays in this volume were originally presented as papers at a University of Melbourne conference entitled 'A century of cinema : Australian and French connections. The conference was held in 1995 ..." --Introduction; Includes bibliographical references
ISBN: 0732513561
LON: 12653307

Call No: 81CAR TUR
Author: Turk, Edward Baron
Place: Cambridge, Mass.
Publisher: London : Harvard University Press
PubDate: 1989
PhysDes: x, 495 p. : ill., ports ; 24cm
Subject: CARNE, MARCEL; FRANCE
Notes: Bibliography: p445-446. -Includes index
ISBN: 0674114612 (pbk) : ª15.95; 0674114612
LON: bnb67411461; 10257244

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHOCOLATE TOUR, THE (US, Spike Jonze, 1999)

Call No: JOURNAL SHELVES. CAHIERS DU CINEMA SPECIAL ISSUES
PubDate: May 1998
Subject: MAI '68 (FRANCE)

Call No: 71 MON
Author: Monaco, Paul
Place: New York ; Oxford ; Amsterdam
Publisher: Elsevier
PubDate: c1976
PhysDes: viii, 194 p. ; 22 cm.
Subject: INDUSTRY, FILM. GERMANY; INDUSTRY, FILM. FRANCE; HISTORY OF CINEMA. 1920's; SOCIETY AND THE CINEMA. FRANCE; SOCIETY AND THE CINEMA. GERMANY
Summary: An analysis of the social function of cinema in France and Germany in the decade following World War I.
Notes: Based on the author's thesis, Brandeis University, 1973, presented under title: Cinema and society in France and Germany, 1919-29. Includes index. Bibliography: p. 169-184.
ISBN: 0444990194

Call No: 768 FOR
Author: Ford, Charles
Source: FR
Place: Paris
Publisher: Librairie Plon
PubDate: 1953
PhysDes: v. 252 p., [16] p. of plates : ill ; 21 cm
Subject: MOTION PICTURES - FRANCE
Language: French

Call No: 71(44) REG
Author: Regent, Roger, 1904
Place: Paris
Publisher: Editions Bellefaye
PubDate: 1948
PhysDes: 302 p., [16] p. of plates : ill. ; 23 cm
Subject: FRANCE; ENFANTS DU PARADIS, LES (FR, Marcel Carne, 1945)
Notes: Includes filmography and index
LON: 5186387

Call No: F023(44)"year" CIN
CorpAuthor: Unifrance
Source: FR
Place: Paris
Publisher: Unifrance
Subject: FRANCE; FILMOGRAPHIES. FRANCE; UNIFRANCE FILM
Notes: catalogue held 1977-

Call No: 71(44) SAD
Author: Sadoul, Georges, 1904-1967
Place: Paris
Publisher: Flammarion
PubDate: 1962
PhysDes: 289 p. : ill. ; 20 cm
Subject: FRANCE
Notes: Includes indexes
ISBN: 2080602144
Language: French
LON: 4174799

Call No: 626:335.5 GRA
Author: Grant, Paul Douglas
Place: London
Publisher: Wallflower Press
PubDate: 2016
PhysDes: viii, 224 pages : illustrations ; 24 cm.
Subject: POLITICAL FILMS; FRANCE; DEBORD, GUY; GODARD, JEAN-LUC
Notes: Includes filmography (pages 203-209), bibliographical references (pages 211-216) and index.
ISBN: 9780231176675
Contents: ch. 1 Wildcat Strikes and Wildcat Cinema In May '68: ARC -- 1.1.What Is cinema militant? -- 1.2.Interrogating the absence -- 1.3.Production eclipsed by theory -- 1.4.Reception In English: Sylvia Harvey's May '68 and Film Culture -- 1.5.History in France -- 1.6.The cinema of May 1968 -- ch. 2 Jean-Pierre Thorn: "No investigation, no right to speak" -- 2.1.Jean-Pierre Thorn and Oser lutter, oser vaincre -- 2.2.The strike at Flins, as told by Jean-Pierre Thorn/ Ligne rouge -- 2.3.Ligne rouge -- 2.4.Cinema Libre -- 2.5.Les etablis -- 2.6.La greve des ouvriers de Margoline -- 2.7.Le dos au mur -- 2.8.Georgette Vacher -- ch. 3 Cinelutte: "Tout ce qui bouge est rouge" -- 3.1.Cinelutte beginnings -- 3.2.Jusqu'au bout -- 3.3.Petites tetes, grandes surfaces anatomle d'un supermarche -- 3.4.Bonne chance la France -- 3.5.A pas lentes -- ch. 4 Les groupes Medvedkine: Before and After Chris Marker -- 4.1.The adventure of Les groupes Medvedkine -- 4.2.Medvedkin and the Cine-Train -- 4.3.CCPPO -- 4.4.Two productions by the CCPPO -- 4.5.Le groupe Medvedkine Besancon -- 4.6.Le groupe Medvedkine Sochaux -- ch. 5 Of Theory and Peasants: Groupe Cinethique -- 5.1.Groupe Cinethique -- 5.2.Le Front Paysan -- 5.3.Les Handicapes mechants and Bon pied bon oeil et toute sa tete.

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: CINEMAS. FRANCE

Call No: 201.1 (73) CON
Author: McDonald, Paul; Wasko, Janet
Source: US
Place: Malden, Massachusetts; Oxford, UK; Carlton, Victoria
Publisher: Blackwell Publishing
PubDate: 2008
PhysDes: 326 p. : ill. ; 25 cm
Subject: INDUSTRY, FILM; STUDIO SYSTEM; FINANCING; DISTRIBUTION; PRODUCTION; ADVERTISING FOR FILMS; EXHIBITION; TELEVISION AND THE CINEMA; VIDEODISCS; SOUNDTRACKS; MUSIC AND THE CINEMA; LABOUR; STATE AND THE CINEMA; GLOBALISATION; COPYRIGHT; EXPORT OF FILMS; UNITED KINGDOM; FRANCE; GERMANY; ITALY; LATIN AMERICAN COUNTRIES; ASIAN COUNTRIES; INDIA; AUSTRALIA; NEW ZEALAND; VIDEO GAMES AND THE CINEMA
Summary: "The contemporary Hollywood film industry is characterized by continuity and change. While many well-established Hollywood studios continue to dominate the film business, the industry has also witnessed various changes during the past two decades. "'The Contemporary Hollywood Film Industry' is a collection of essays by leading scholars that examine the US film industry as an international phenomenon, from the 1980s to the present day. It explores a host of challenges and changes facing Hollywood, and includes important discussions of the industry's labor and star systems, as well as intellectual property and state relations. Essays consider the role of independent producers, the global marketplace for Hollywood products, corporate changes, and various new-media windows, including video, DVD to cable, satellite, and online channels of delivery." (Taken from the back cover)
Notes: Includes index
ISBN: 9781405133883
URL status: URL: 'http://-' Checked: 31/08/2021 1:18:10 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COOK'S TOUR, A (US, Anthony Bourdain, 2002)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COOK'S TOUR, A (US, Anthony Bourdain, 2002)

Call No: 408.1REA
Author: Reader, Keith
Place: London New York
Publisher: Quartet Books
PubDate: 1981
PhysDes: 216 p., [8] p. of plates : ill. ; 24 cm
Subject: NATIONAL IDENTITY IN FILMS. JAPAN; NATIONAL IDENTITY IN FILMS. FRANCE; NATIONAL IDENTITY IN FILMS. UK; NATIONAL IDENTITY IN FILMS. USA; NOUVELLE VAGUE; FILM NOIR; RENOIR, JEAN; YASUJIRO OZU; KUROSAWA AKIRA; MIZOGUCH KENJI; OSHIMA NAGISA; KIND HEARTS AND CORONETS (UK, Robert Hamer, 1949); GONE WITH THE WIND (US, Victor Fleming, 1939)
Notes: Includes index; Bibliography: p. [200]-202; Filmography: p. [203]-209
ISBN: 0704322722
LON: 2099506
ID2: 291

Call No: 734.1 HIR
Author: Hirsch, Foster
Edition: [1st Limelight ed.]
Place: New York
Publisher: Limelight Editions
PubDate: [1999]
PhysDes: 398 p. : ill. ; 23 cm
Subject: FILM NOIR; FEMME FATALE; FILM NOIR. FRANCE; FULLER, SAMUEL; CHANDLER, RAYMOND; Wenders, Wim; WOOLRICH, CORNELL; Tarantino, Quentin; FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996); CRISS CROSS (US, Robert Siodmak, 1948); GETAWAY, THE (US, Sam Peckinpah, 1972); USUAL SUSPECTS, THE (US, Bryan Singer, 1995); L.A. CONFIDENTIAL (US, Curtis Hanson, 1997); LAST SEDUCTION, THE (US, John Dahl, 1994); NATURAL BORN KILLERS (US, Oliver Stone, 1994); TIREZ SUR LE PIANISTE (FR, Francois Truffaut, 1960); AGAINST ALL ODDS (US, Taylor Hackford, 1984); BETRAYED (US, Constantin Costa-Gavras, 1988); BLUE VELVET (US, David Lynch, 1986); BOYZ N THE HOOD (US, John Singleton, 1991); CAPE FEAR (US, J. Lee Thompson, 1961); CAPE FEAR (US, Martin Scorsese, 1991); CHINATOWN (US, Roman Polanski, 1974); CONVERSATION, THE (US, Francis Ford Coppola, 1974); DEATH WISH (US, Michael Winner, 1974)
Notes: SEE REPAIRS; Filmography: p. 329-377; Includes bibliographical references (p. 325-327) and index
ISBN: 0879102888
Order Received: 2000
LON: 20214725

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: DEVETI KRUG (YU, France Stiglic, 1960)

Call No: 761 BAR
Author: Barnouw, Erik, 1908
Source: US
Place: New York
Publisher: Oxford University Press
PubDate: 1974
PhysDes: vi, 332 p. : ill. ; 24 cm
Subject: DOCUMENTARY FILMS; FASCISM AND THE CINEMA; DOCUMENTARY FILMS. JAPAN; DOCUMENTARY FILMS. UK; OLYMPICS IN FILMS; ART AND THE CINEMA; ARCHIVES & INSTITUTES, FILM; NUCLEAR ISSUES IN FILMS; COMPILATION FILMS; DOCUMENTARY FILMS. US; DOCUMENTARY FILMS. USSR; VIETNAM WAR IN FILMS; CINEMA-DIRECT; CINEMA VERITE; NAZIS IN FILMS; NEWSREELS; POETRY AND THE CINEMA; DOCUMENTARY FILMS. FRANCE; PARAMOUNT STUDIOS; WORLD WAR II FILMS; SHELL FILM UNIT [AUSTRALIA]; EMPIRE MARKETING BOARD; GPO FILM UNIT; BRITISH BROADCASTING CORPORATION; COLUMBIA BROADCASTING SYSTEM; REISZ, KAREL; RIEFENSTAHL, LENI; ROUCH, JEAN; RUTTMAN, WALTER; FLAHERTY, ROBERT; CAPRA, FRANK; GRIERSON, JOHN; IVENS, JORIS; JENNINGS, HUMPHREY; KAUFMAN, MIKHAIL; LEACOCK, RICHARD; LORENTZ, PARE; MAYSLES, ALBERT & DAVID; MURROW, EDWARD R.; LUMIERE, AUGUSTE & LOUIS; VERTOV, DZIGA; WRIGHT, BASIL; SUCKSDORFF, ARNE; MOANA (US, Robert Flaherty, 1926); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); BACK OF BEYOND, THE (AT, John Heyer, 1953); AMERICAN DREAM (US, Barbara Kopple, 1990); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); SONG OF CEYLON, THE (UK, Basil Wright, 1934); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); WHY WE FIGHT SERIES (US, 1942-44)
Summary: Barnouw traces the documentary from its beginning at the dawn of film history - the work of the Lumiere brothers - to the remarkable group of films that have portrayed the Vietnam war. Films are placed within their broader social perspective, and Barnouw traces filmmaking developments in a single country to global uptake. Particular emphasis is placed on the influence of governments and large corporations on the content of films. The book covers television documentary, direct cinema, cinema verite as well as film-makers dealing with exploration, animals, aspects of war, human behaviour, social problems and propaganda. Such diverse film-makers as Flaherty, Vertov, Grierson, Ivens, Lorentz, Jennings, Sucksdorff, Rouch, Leacock, and the Maysles are included.
Notes: Includes index; Bibliography: p. [297]-311
ISBN: 0195018354 : $10.95
LON: 74079618; 462942

Call No: 761 BAR
Author: Barnouw, Erik, 1908
Edition: 2nd rev. ed
Place: New York
Publisher: Oxford University Press
PubDate: 1993
PhysDes: 400 p. : ill. ; 21 cm
Subject: DOCUMENTARY FILMS; ARCHIVES & INSTITUTES, FILM; NUCLEAR ISSUES IN FILMS; CINEMA VERITE; COMPILATION FILMS; DOCUMENTARY FILMS. USSR; DOCUMENTARY FILMS. USA; VIETNAM WAR IN FILMS; CINEMA-DIRECT; NAZIS IN FILMS; NEWSREELS; POETRY AND THE CINEMA; DOCUMENTARY FILMS. FRANCE; FASCISM AND THE CINEMA; DOCUMENTARY FILMS. JAPAN; DOCUMENTARY FILMS. UK; OLYMPICS IN FILMS; ART AND THE CINEMA; PARAMOUNT STUDIOS; WORLD WAR II FILMS; SHELL FILM UNIT [AUSTRALIA]; EMPIRE MARKETING BOARD; GPO FILM UNIT; BRITISH BROADCASTING CORPORATION; COLUMBIA BROADCASTING SYSTEM; REISZ, KAREL; RIEFENSTAHL, LENI; ROUCH, JEAN; RUTTMAN, WALTER; FLAHERTY, ROBERT; CAPRA, FRANK; Grierson, John; IVENS, JORIS; JENNINGS, HUMPHREY; KAUFMAN, MIKHAIL; LEACOCK, RICHARD; LORENTZ, PARE; MAYSLES, ALBERT & DAVID; MURROW, EDWARD R.; LUMIERE, AUGUSTE & LOUIS; VERTOV, DZIGA; WRIGHT, BASIL; SUCKSDORFF, ARNE; MOANA (US, Robert Flaherty, 1926); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); BACK OF BEYOND, THE (AT, John Heyer, 1953); AMERICAN DREAM (US, Barbara Kopple, 1990); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); SONG OF CEYLON (UK, Basil Wright, 1934); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); WHY WE FIGHT SERIES (US, 1942-44)
Summary: This is the second revised edition of Documentary: A History of the Non-fiction Film. Barnouw traces the documentary from its beginning at the dawn of film history - the work of the Lumiere brothers - to the remarkable group of films that have portrayed the Vietnam war. Films are placed within their broader social perspective, and Barnouw traces filmmaking developments in a single country to global uptake. Particular emphasis is placed on the influence of governments and large corporations on the content of films. The book covers television documentary, direct cinema, cinema verite as well as film-makers dealing with exploration, animals, aspects of war, human behaviour, social problems and propaganda. Such diverse film-makers as Flaherty, Vertov, Grierson, Ivens, Lorentz, Jennings, Sucksdorff, Rouch, Leacock, and the Maysles are included.
Notes: Includes bibliographical references (p. [361]-375) and index
ISBN: 0195078985 (pbk. : acid-free paper) : $10.95
LON: 9430204

Call No: 761 BAR
Author: Barnouw, Eric
Source: US
Place: New York
Publisher: Oxford University Press
PubDate: 1974
PhysDes: 332 p. ; 24 cm
Subject: DOCUMENTARY FILMS; ARCHIVES & INSTITUTES, FILM; NUCLEAR ISSUES IN FILMS; CINEMA VERITE; COMPILATION FILMS; DOCUMENTARY FILMS. USSR; DOCUMENTARY FILMS. USA; VIETNAM WAR IN FILMS; CINEMA-DIRECT; NAZIS IN FILMS; NEWSREELS; POETRY AND THE CINEMA; DOCUMENTARY FILMS. FRANCE; FASCISM AND THE CINEMA; DOCUMENTARY FILMS. JAPAN; DOCUMENTARY FILMS. UK; OLYMPICS IN FILMS; ART AND THE CINEMA; PARAMOUNT STUDIOS; WORLD WAR II FILMS; SHELL FILM UNIT [AUSTRALIA]; EMPIRE MARKETING BOARD; GPO FILM UNIT; BRITISH BROADCASTING CORPORATION; COLUMBIA BROADCASTING SYSTEM; REISZ, KAREL; RIEFENSTAHL, LENI; ROUCH, JEAN; RUTTMAN, WALTER; FLAHERTY, ROBERT; CAPRA, FRANK; Grierson, John; IVENS, JORIS; JENNINGS, HUMPHREY; KAUFMAN, MIKHAIL; LEACOCK, RICHARD; LORENTZ, PARE; MAYSLES, ALBERT & DAVID; MURROW, EDWARD R.; LUMIERE, AUGUSTE & LOUIS; VERTOV, DZIGA; WRIGHT, BASIL; SUCKSDORFF, ARNE; MOANA (US, Robert Flaherty, 1926); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); BACK OF BEYOND, THE (AT, John Heyer, 1953); AMERICAN DREAM (US, Barbara Kopple, 1990); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); NIGHT MAIL (UK, Harry Watt & Basil Wright, 1936); PLOW THAT BROKE THE PLAINS, THE (US, Pare Lorentz, 1936); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); SONG OF CEYLON, THE (UK, Basil Wright, 1934); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); WHY WE FIGHT SERIES (US, 1942-44)
Summary: Barnouw traces the documentary from its beginning at the dawn of film history - the work of the Lumiere brothers - to the remarkable group of films that have portrayed the Vietnam war. Films are placed within their broader social perspective, and Barnouw traces filmmaking developments in a single country to global uptake. Particular emphasis is placed on the influence of governments and large corporations on the content of films. The book covers television documentary, direct cinema, cinema verite as well as film-makers dealing with exploration, animals, aspects of war, human behaviour, social problems and propaganda. Such diverse film-makers as Flaherty, Vertov, Grierson, Ivens, Lorentz, Jennings, Sucksdorff, Rouch, Leacock, and the Maysles are included.
ISBN: 0195018354
Donation: donated by the family of Wayne Levy, 2006
Contents: -- 1: glimpse of wonders -- 2: images at work -- 3: sound and fury -- 4: clouded lens -- sharp focus -- afterword -- source notes -- bibliography -- index --

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: VALLEY OF PEACE [DOLINA MIRU] (YU, France Stiglic, 1956)
URL status: URL: 'http://file://Q:/T/DOLINA_MIRU.zip' Checked: 31/08/2021 1:50:23 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 408.3(44) DUR
Author: Durham, Carolyn A
Place: Hanover, NH
Publisher: Dartmouth University Press of New England
PubDate: c1998
PhysDes: xi, 246 p. : ill. ; 24 cm
Series: Contemporary French culture and society
Subject: BIRDCAGE, THE (US, Mike Nichols, 1996); CAGE AUX FOLLES, LA (IT/FR, Edouard Molinaro, 1978); HOMOSEXUALITY IN FILMS; MARRIAGE IN FILMS; REMAKES; NATIONAL CULTURE AND THE CINEMA. FRANCE; NATIONAL CULTURE AND THE CINEMA. USA; GENDER AND THE CINEMA. USA; GENDER AND THE CINEMA. FRANCE; BREATHLESS (FR, Jean-Luc Godard, 1959); BREATHLESS (US, Jim McBride, 1983); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); COUSINS (US, Joel Schumacher, 1989); COUSIN, COUSINE (FR, Jean-Charles Tacchella, 1975); MAN WHO LOVED WOMEN, THE (US, Blake Edwards, 1983); HOMME QUI AMAIT LES FEMMES, L' (FR, Francois Truffaut, 1977); I WANT TO GO HOME (FR, Alain Resnais, 1989)
Notes: Filmography: p. 231-235; Includes bibliographical references (p. 221-229) and index
LON: 13921589

Call No: 81ELV BRE
Author: Bret, David
Source: UK
Place: London
Publisher: Robson Books
PubDate: 2001
PhysDes: viii, 337 pages, illustrations; 24 cm
Subject: MUSIC IN FILMS; MUSIC AND THE CINEMA; ROCK MUSIC IN FILMS; PRESLEY, ELVIS; LOVE ME TENDER (US, Robert D. Webb, 1956); LOVING YOU (US, Hal Kanter, 1957); JAILHOUSE ROCK (US, Richard Thorpe, 1957); KING CREOLE (US, Michael Curtiz, 1958); G.I. BLUES (US, Norman Taurog, 1960); FLAMING STAR (US, Don Siegel, 1960); WILD IN THE COUNTRY (US, Philip Dunne, 1961); BLUE HAWAII (US, Norman Taurog, 1961); FOLLOW THAT DREAM (US, Gordon Douglas, 1962); KID GALAHAD (US, Phil Karlson, 1962); GIRLS! GIRLS! GIRLS! (US, Norman Taurog, 1962); IT HAPPENED AT THE WORLD'S FAIR (US, Norman Taurog, 1963); FUN IN ACAPULCO (US, Richard Thorpe, 1963); KISSIN' COUSINS (US, Gene Nelson, 1964); VIVA LAS VEGAS (US, George Sidney, 1963); ROUSTABOUT (US, John Rich, 1964); GIRL HAPPY (US, Boris Sagal, 1965); TICKLE ME (US, Norman Taurog, 1965); HAREM HOLIDAY (US, Gene Nelson, 1965); FRANKIE AND JOHNNY (US, Frederick de Cordova ,1966); PARADISE HAWAIIAN STYLE (US, Michael D. Moore, 1966); CALIFORNIA HOLIDAY (US, Norman Taurog, 1966); EASY COME, EASY GO (US, John Rich, 1967); DOUBLE TROUBLE (US, Norman Taurog, 1967); CLAMBAKE (US, Arthur N. Nadel, 1967); STAY AWAY, JOE (US, Peter Tewkesbury, 1968); SPEEDWAY (US, Norman Taurog, 1968); LIVE A LITTLE, LOVE A LITTLE (US, Norman Taurog, 1968); CHARRO! (US, Charles Marquis Warren, 1969); TROUBLE WITH GIRLS, THE (US, Peter Tewkesbury, 1969); CHANGE OF HABIT (US, William Graham, 1969); ELVIS: THAT'S THE WAY IT IS (US, Denis Sanders, 1970); ELVIS ON TOUR (US, Robert Abel and Pierre Adidge, 1972)
Summary: "In this first complete account of Elvis Presleys celluloid career, David Bret considers the 33 films, TV appearances, biopics, retrospectives and documentaries that remain as testimony to the compelling and mysterious persona of The King. The bestselling author David Bret traces the development of Presley's film career and recounts the on-set cat fights with co-stars and studio personnel. He unearths the truth about the powerful hold exercised over Elvis by 'Colonel' Tom Parker, which revolved around Parker preventing a leak about Presley's relationship with another man from going public and then using this knowledge as a persistant threat to ensure his protege's loyalty. Bret explores and hotly disputes the controversial allegations, levelled by Presley's step-family, that he had sex with his mother, raped his wife, held debauched, drug fuelled parties with groupies and eventually committed suicide. Above all, the author praises the nature and talent of the man who was - and still is - the supreme authority on rock'n'roll and romance. " -- BOOK JACKET
Notes: Includes selected film discography; Includes bibliographical references and index; 'Harem Holiday' also known as 'Harum Scarum'; 'California Holiday' also known as 'Spinout'
ISBN: 1861054165
Donation: Donated by Peter Kemp
Contents: -- acknowledgements -- Introduction -- Part One: In the Footsteps of the Mutant King -- Love Me Tender -- Loving You -- Jailhouse Rock -- King Creole -- Part Two: The Rainbow Years -- G.I. Blues -- Flaming Star -- Wild in the Country -- Blue Hawaii -- Follow That Dream -- Kid Galahad -- Part Three: Cotton Candy Land -- Girls! Girls! Girls! -- It Happened at the World's Fair -- Fun in Acapulco -- Kissin' Cousins -- Viva Las Vegas -- Roustabout -- Girl Happy -- Tickle Me -- Harem Holiday -- Frankie and Johnny -- Paradise Hawaiian Style -- California Holiday -- Part Four: Just Call Me Lonesome -- Easy Come, Easy Go -- Double Trouble -- Clambake -- Stay Away, Joe -- Speedway -- Live A Little, Love A Little -- Charro! -- The Trouble With Girls -- Change of Habit -- Elvis - That's the Way It Is -- Elvis On Tour -- -- Part Five: Softly As I Leave You -- appendix I: the television special -- appendix II: tributes, retrospectives and biopics -- appendix III: selected film discography -- bibliography -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Stills
Subject: ELVIS ON TOUR (US, Robert Abel and Pierre Adidge, 1972)

Call No: 753.8 MAZ
Author: Mazdon, Lucy
CorpAuthor: British Film Institute
Place: London
Publisher: British Film Institute
PubDate: 2000
PhysDes: [vi], 169 p. : ill. ; 24 cm
Subject: FRANCE; REMAKES; CULTURE AND THE CINEMA; CULTURAL IMPERIALISM. US; NATIONAL IDENTITY AND THE CINEMA; NATIONAL IDENTITY AND THE CINEMA. FRANCE; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); SOMMERSBY (US, Jon Amiel, 1993); NIKITA (FR/IT, Luc Besson, 1990); LEON (FR, Luc Besson, 1994); BIRDCAGE, THE (US, Mike Nichols, 1996); BREATHLESS (FR, Jean-Luc Godard, 1959); BREATHLESS (US, Jim McBride, 1983); CAGE AUX FOLLES, LA (IT/FR, Edouard Molinaro, 1978); TRUE LIES (US, James Cameron, 1994); SORCERER (US, William Friedkin, 1977); MON PERE, CE HEROS (FR, Gerard Lauzier, 1991); MAN WITH ONE RED SHOE, THE (US, Stan Dragoti, 1985); PEPE LE MOKO (FR, Julien Duvivier, 1937); ELEPHANT CA TROMPE ENORMEMENT, UN (FR, Yves Robert, 1976); TROIS HOMMES ET UN COUFFIN (FR, Coline Serreau, 1985); TOTALE!, LA (FR, Claude Zidi, 1991); THREE MEN AND A BABY (US, Leonard Niimoy, 1987); RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982); WOMAN IN RED, THE (US, Gene Wilder, 1984); ALGIERS (US, John Cromwell, 1938); CASBAH (US, John Berry, 1948); SALAIRE DE LA PEUR, LE (FR, Henri-Georges Clouzot, 1953); GRAND BLOND AVEC UNE CHAUSSURE NOIRE, LE (FR, Yves Robert, 1972)
Notes: Includes bibliographical references and index
ISBN: 0851708005(cased) : ¦45.00; 0851708005
LON: 21532807

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: END OF THE TOUR, THE (US, James Ponsoldt, 2015)

Call No: 81GOD BRO
Author: Brody, Richard
Edition: 1st Paperback edition
Source: US
Place: New York
Publisher: Metropolitan Books / Henry Holt and Company
PubDate: 2009
PhysDes: xv, 701 p. : ill. ; 24 cm
Subject: CRITICISM; GODARD, JEAN-LUC; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); VIVRE SAVIE (FR, Jean-Luc Godard, 1962); PETIT SOLDAT, LE (FR, Jean-Luc Godard, 1963); WOMAN IS A WOMAN, A (FR, Jean-Luc Godard, 1961); FEMME EST UNE FEMME, UNE (FR, Jean-Luc Godard, 1961); CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963); CONTEMPT (FR/IT, Jean-Luc Godrad, 1963) SEE MEPRIS, LE; CONTEMPT [MEPRIS, LE] (FR/IT, Jean-Luc Godard, 1963); MARRIED WOMAN, THE (FR, Jean-Luc Godard, 1964) SEE FEMME MARIEE, UNE; FEMME MARIEE, UNE (FR, Jean-Luc Godard, 1964); ALPHAVILLE (FR, Jean-Luc Godard, 1965); PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965); MASCULIN-FEMININ (FR, Jean-Luc Godard, 1966); MASCULINE FEMININE (FR, Jean-Luc Godard, 1966); TWO OR THREE THINGS I KNOW ABOUT HER (FR, Jean-Luc Godard, 1967) SEE [DEUX] 2 OU 3 CHOSES QUE JE SAIS D'ELLE; [TWO OR THREE] 2 OR 3 THINGS I KNOW ABOUT HER [DEUX OU TROIS CHOSES QUE JE SAIS D'ELLE (FR, Jean-Luc Godard, 1967); CHINOISE, LA (FR, Jean-Luc Godard, 1967); FRANCE/TOUR/RETOUR/DEUX ENFANTS [TV](FR, Jean-Luc Godard, 1978); SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980); HAIL, MARY (FR/SZ, Jean-Luc Godard, 1985) SEE JE VOUS SALUE MARIE; JE VOUS SALUE MARIE (FR/SZ, Jean-Luc Godard, 1985); DETECTIVE (FR, Jean-Luc Godard, 1985); SOIGNE TA DROITE (FR/SZ, Jean-Luc Godard, 1987); KING LEAR (US/SZ, Jean-Luc Godard, 1987); HISTOIRE(S) DU CINEMA (SZ/FR, Jean-Luc Godard, 1997); NOUVELLE VAGUE (Fr, Jean-Luc Godard, 1990); GERMANY YEAR 90 (FR, Jean-Luc Godard, 1991) SEE ALLEMAGNE NEUF ZERO; ALLEMAGNE NEUF ZERO (FR, Jean-Luc Godard, 1991); HELAS POUR MOI (SZ/FR, Jean-Luc Godard, 1983); FOR EVER MOZART (SZ/FR, Jean-Luc Godard, 1996); ELOGE DE L'AMOUR (SZ, Jean-Luc Godard, 2001)
Summary: "Shifting fluidly from fiction to documentary, from criticism to art, the films of Jean-Luc Godard changed the nature of cinema. Godard's own persona - cultural hero, fierce loner, shrewd businessman - projects similarly shifting images. In the modern canon, he is a figure as mysterious as he is indispensible. Now, acclaimed critic Richard Brody offers the fullest picture yet of Godard's life and work, demsytifying the elusive filmmaker through hundreds of interviews with friends, relatives, and collaborators. He vividly depicts Godard's wealthy family, his changeable and often disturbing politics, his tumultuous dealings with fellow filmmakers, and his troubled relations with women. Tracing an arc from the director's early writing, through his popular success with Breathless and Contempt, to the grand vision of his later years, Everything Is Cinema shows decisively that Godard's films have left their mark on all screens, everywhere. -- BOOK BLURB
Notes: "NBCC Award. Criticism. Nominees" -- Awards website; Includes bibliographical references (p. [635]-675) and index; We have a duplicate copy of this book
ISBN: 9780805080155
Contents: -- preface -- 1: We do not think, we are thought -- 2: A matter of loving or dying -- 3: Breathless -- 4: Le petit soldat -- 5: A woman is a woman -- 6: Vivre sa vie, le nouveau monde, les carabiniers -- 7: Contempt -- 8: Montparnasse et levallois, band of outsiders -- 9: A married woman -- 10: The American business -- 11: Alphaville -- 12: Pierrot le fou -- 13: Masculine feminine -- 14: Made in USA, two or three things I know about her -- 15: La chinoise, weekend -- 16: Revolution (1968-1972) -- 17: Restoration (1973-1977) -- 18: France tour de´tour deux enfants, et al., 1978-1979 -- 19: Sauve qui peut (la vie) -- 20: Passion and first name: Carmen -- 21: Hail Mary -- 22: Detective and soigne ta droite -- 23: King Lear -- 24: Histoire(s) du cine´ma, part I -- 25: Nouvelle vague -- 26: Germany year 90 nine zero -- 27: He´las pour moi, JLG/JLG, histoire(s) du cine´ma, parts 2 and 3 -- 28: For ever Mozart, histoire(s) du cine´ma, part 4 -- 29: Eloge de l'amour -- 30: Notre musique -- epilogue -- acknowledgments -- notes -- index --

Call No: 205.1(44) BUC
Author: Buchsbaum, Jonathan
Place: New York
Publisher: Columbia University Press
PubDate: 2017
PhysDes: xxvii, 393 pages : illustrations, charts ; 23 cm
Series: Film and Culture series
Subject: FRANCE; GOVERNMENT AID; GLOBALISATION; CANAL PLUS; EUROPEAN COUNTRIES
Summary: "In Exception Taken, Jonathan Buchsbaum examines the movements that have emerged in opposition to the homogenizing force of Hollywood in global filmmaking. While European cinema was entering a steady decline in the 1980s, France sought to strengthen support for its film industry under the new Mitterrand government. Over the following decades, the country lobbied partners in the European Economic Community to design strategies to protect the audiovisual industries and to resist cultural free-trade pressures in international trade agreements. These struggles to preserve the autonomy of national artistic prerogatives emboldened many countries to question the benefits of accelerated globalization. Led by the energetic minister of culture Jack Lang, France initiated a series of measures to support all sectors of the film industry. Lang introduced laws mandating that state and private television invest in the film industry, effectively replacing the revenue lost from a shrinking theatrical audience for French films. With the formation of the European Union in 1992, Europe passed a new treaty (Maastricht) that extended its legal purview to culture for the first time, setting up the dramatic confrontation over the General Agreement on Trade and Tariffs (GATT) in 1993. Pushed by France, the EU fought the United States over the idea that countries should preserve their right to regulate cultural activity as they saw fit. France and Canada then initiated a campaign to protect cultural diversity within UNESCO that led to the passage of the Convention on Cultural Diversity in 2005. As France pursued these efforts to protect cultural diversity beyond its borders, it also articulated "a certain idea of cinema" that did not simply defend a narrow vision of national cinema. France promoted both commercial cinema and art cinema, disproving announcements of the death of cinema." FROM PUBLISHER'S WEBSITE
Notes: Includes list of figures, preface and list of abbreviations -- Includes bibliography and index
ISBN: 9780231170673
Language: English
Donation: Senses of Cinema
Contents: Introduction -- International domination by the U.S. film industry -- The Lang years -- European film policy and television without frontiers -- Gatt -- From Canal+ to Canal- -- Bilan(s) -- From cultural exception to cultural diversity -- Was the experience beneficial? -- Conclusion.

Call No: 802.25 STO
Author: Stone, Judy, 1924
Place: Los Angeles
Publisher: Silman-James Press
PubDate: 1997
PhysDes: xix, 826 p. : ill. ; 25 cm
Subject: DIRECTORS. BRAZIL; DIRECTORS. CHINA; DIRECTORS. FRANCE; DIRECTORS. UK; DIRECTORS. ISRAEL; DIRECTORS. ITALY; DIRECTORS. JAPAN; DIRECTORS. SPAIN; DIRECTORS. USA; ARMSTRONG, GILLIAN; COX, PAUL; SCHEPISI, FRED; WEIR, PETER; BERESFORD, BRUCE
Notes: Includes filmographies
ISBN: 1879505363 (alk. paper)
LON: 97011401; 13126388

Call No: 45:93 SHO
Author: Short, K. R. M. (Kenneth R. M.)
Source: UK
Place: London
Publisher: Croom Helm
PubDate: c1981
PhysDes: 192 p. ; 23cm
Subject: ETHNIC GROUPS IN FILMS. USA; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); CASABLANCA (US, Michael Curtiz, 1942); CENSORSHIP. UK; CROSSFIRE (US, Edward Dmytryk, 1947); FRANCE; GENTLEMAN'S AGREEMENT (US, Elia Kazan, 1947); GERMANY; HISTORY AND THE CINEMA; JEWS IN FILMS. USA; RENOIR, JEAN; UNITED KINGDOM; USSR; WORLD WAR II AND THE CINEMA; ZANUCK, DARRYL F.
Notes: Historical sources: Cinema films (BNB/PRECIS); Includes index
ISBN: 0709904592 : ª9.95 : CIP rev
LON: 2012107

Call No: FESTIVAL CATALOGUE SHELVES; Held 2003-2006
Source: France
Place: Fribourg, France
PubDate: 2003-2006
PhysDes: 4 v. : ill. ; 30 cm
Subject: FESTIVALS. FRANCE; WORLD CINEMA; EUROPEAN CINEMA
Notes: Shelved: Festivals. International. Europe. Misc; Most recent programme may be available from website: http://www.fiff.ch/
ID2: 111

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. FRANCE. SILHOUETTE OUTDOOR SHORT FILM

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. FRANCE. ST TROPEZ. CINEMA DES ANTIPODES

Call No: 670 MCG
Author: Lang, Peter
Source: SZ
Place: Bern, Switzerland
Publisher: Peter Lang
PubDate: 2010
PhysDes: 315 p. ; 23 cm.
Subject: CRITICISM; CRITICISM. AUSTRALIA; FRANCE; AUSTRALIA
Summary: " This book presents an unprecedented analysis of the dynamics of cultural representation and interpretation in film criticism. It examines how French critical reception of Australian cinema since the revival period of the 1970s has evolved as a narrative of perpetual discovery, and how a clear parallel can be drawn between French critics' reading of Australian film and their interpretation of an exotic Australian national identity. In French critical writing on Australian cinema, Australian identity is frequently defined in terms of extremes of cultural specificity and cultural anonymity. On the one hand, French critics construct a Euro-centric orientalist fantasy of Australia as not only a European Antipodes, but the antithesis of Europe. At the same time, French critics have tended to subordinate Australian cultural identity within the framework of a resented Anglo-American filmic and cultural hegemony. The book further explores this marginalisation by examining the influence of the French auteur paradigm, particularly in reference to the work of Jane Campion, as well as by discussing the increasingly problematic notion of national identity, and indeed national cinemas, within the universal framework of international film culture." -- BOOK BLURB
Notes: Includes bibliographical references (p. 305-312) and index.; Includes bibliographical references and filmography.
ISBN: 9783034300537
Contents: Cultural fantasy : the perpetual French discovery of an ever-emerging -- Cinema of the Antipodes -- In the beginning : the Australian cinema industry from the cine´matographe to the revival -- Points of view : film criticism, film journals and press reviews in France -- Before the revival : the French critical reception of Australian cinema pre-1971 -- The new frontier : the French critical reception of Australian cinema 1971-1979 -- Forever young : the French critical reception of Australian cinema 1980-1984 -- International icons : the French critical reception of Australian cinema 1985-1989 -- Kitsch stylisation : the French critical reception of Australian cinema 1990-1994 -- Perpetual discovery : the French critical reception of Australian cinema 1995-2001 -- Conclusions.

Call No: 71(44) FOW
Copy Management: Copy 1; Copy 2
Author: Fowler, Roy Alexander
Place: London
Publisher: Pendulum Publications
PubDate: 1946
PhysDes: 56 p
Subject: FRANCE
LON: 1767705

Call No: 205 FIL
Author: Moran, Albert
Place: New York
Publisher: Routledge
PubDate: 1996
PhysDes: xvi, 285 p
Subject: GOVERNMENT CONTROL; STATE AND THE CINEMA; INDUSTRY, VIDEO. USA; DISTRIBUTION; INDUSTRY, FILM; COPRODUCTION. FRANCE; COPRODUCTION. UK; INDUSTRY, FILM. UK; INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. CANADA; INDUSTRY, FILM. LATIN AMERICAN COUNTRIES; INDUSTRY, FILM. INDIA; INDUSTRY, FILM. INDONESIA; INDUSTRY, FILM. SINGAPORE; ABORIGINAL AUSTRALIAN CINEMA; MAORI CINEMA; INDIGENOUS PEOPLE'S CINEMA. CANADA
Notes: Includes bibliographical references and index
ISBN: 0415097916 (pbk.); 0415097908 (hardcover)
LON: 12158074

Call No: REFERENCE SECTION; 023(44) "1996" FIL
Source: FR
Place: France
Publisher: Unifrance
PubDate: 1996
PhysDes: 224p. : illus. : 21cm.
Series: Les Films Courts
Subject: FRANCE
Notes: Produced by the Short Films Department of Unifrance
Language: French and English

Call No: F023(44)CM"year" FIL
CorpAuthor: Unifrance
Source: FR
Place: Paris
Publisher: Unifrance
Subject: FRANCE; FILMOGRAPHIES. FRANCE; SHORT FILMS; UNIFRANCE FILM
Notes: held 1960- [incomplete]

Call No: 81DEN FIL
Author: Vecchio, Marjorie; Wenders, Wim
Source: US
Place: New York
Publisher: I.B. Tauris
PubDate: 2014
PhysDes: xxiii, 237 pages : illustrations ; 24 cm
Subject: AESTHETICS; AFRICA; ART CINEMA; CANNIBALISM IN FILMS; CRITICISM; DANCE IN FILMS; DIRECTORS; DIRECTORS. FRANCE; FAMILY IN FILMS; IMPERIALISM AND THE CINEMA; LANDSCAPES IN FILMS; MUSIC AND THE CINEMA; MUSIC IN FILMS; NATIONAL CULTURE AND THE CINEMA; NATIONAL IDENTITY AND THE CINEMA; RACIAL ISSUES AND THE CINEMA; TIME IN FILMS; WORKERS IN FILMS; WORKING CLASS IN FILMS; DENIS, CLAIRE; CHOCOLATE [CHOCOLAT] (FR, Claire Denis, 1988); INTRUDER, THE (FR, Claire Denis, 2004) SEE INTRUS, L'; INTRUS, L' (FR, Claire Denis, 2004); J'AI PAS SOMMEIL (FR/SZ, Claire Denis, 1994); I CAN'T SLEEP (FR/SZ, Claire Denis, 1994); NENETTE AND BONI (FR, Claire Denis, 1996) SEE NENETTE ET BONI; NENETTE ET BONI (FR, Claire Denis, 1996); BEAU TRAVAIL [TROUBLE EVERY DAY] (FR/GG/JA, Claire Denis, 1999); FRIDAY NIGHT (FR, Claire Denis, 2002) SEE VENDREDI SOIR; VENDREDI SOIR (FR, Claire Denis, 2002); WHITE MATERIAL (FR/CM, Claire Denis, 2009)
Summary: "The films of Claire Denis probe the idea of global citizenship and trace the borderlines of family, desire, nationality and power. Her films, including 'Chocolat', 'Beau travail' and 'White Material' explore connections between national experience and individual circumstance, visualising the complications of such dualities. Following a foreword by Wim Wenders, international contributors explore the themes she addresses in her films, such as kinship and landscape, neo-colonialism and New French Extremity. Original interviews with an editor, actor and two composers familiar with Denis's working style and with Denis herself, also reveal fresh facets of this intrepid filmmaker." - BOOK BLURB
Notes: Includes list of illustrations, bibliographic references and index
ISBN: 9781848859548
Contents: --List of illustrations -- Notes on contributors -- Preface -- Foreword: 'Klarchen' --Part I Interviews -- 'To let the image sing': Conversations with Dickon Hinchliffe and Stuart Staples: Martine Beugnet -- Interview with Nelly Quettier: Kirsten Johnson -- Interview with Alex Descas: Kirsten Johnson -- Interview with Claire Denis: Jean-Luc Nancy -- -- Part II Relations -- La famille Denis: Catherine Wheatley -- Reinventing community, or non-relational relations in Claire Denis's 'I Can't Sleep': Sam Ishii-Gonzales -- Beyond the other: grafting relations in the films of Claire Denis: James S. Williams -- -- Part III Global citizenship -- Beyond postcolonialism? From 'Chocolat' to 'White Material': Cornelia Ruhe -- 'Trouble Every Day: the neo-colonialists bite back: Florence Martin -- Forgiveness and employment: a study of the role of work in the films of Claire Denis: Rafael Ruiz Pleguezuelos -- 'The Intruder' according to Claire Denis: Jean-Luc Nancy -- --Part IV Within film -- Delivering: Claire Denis's opening sequences: Noelle Rouxel-Cubberly -- Rhythms of nationality: Denis and dance: Laura McMahon -- That interrupting feeling: interstitial disjunctions in Claire Denis's 'L'Intrus': Firoza Elavia -- Points of flight, lines of fracture: Claire Denis's uncanny landscape: Henrik Gustafsson -- Arthouse/grindhouse: Claire Denis and the 'New French Extremity': Adam Nayman and Andrew Tracy --Bibliography -- Index

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: FLOYD ON FRANCE [TV] (UK, David Prichard, 1988)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FRANCE

Call No: 71(44)(03) MAR
Author: Martin, Marcel
Place: London New York
Publisher: Zwemmer A. S. Barnes
PubDate: 1971
PhysDes: 191 p. illus., ports. 21 cm
Subject: FRANCE
Notes: Bibliography: p. 5
ISBN: 0498075184 (Barnes)
LON: 33891 33891

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: DE FRANCE, CECILE

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: FRANCE, CORNELIA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FRANCE, LA (FR, Serge Bozon, 2007)

Call No: 81OZO ASI
Author: Asibong, Andrew
Source: UK
Place: Manchester, UK
Publisher: Manchester University Press
PubDate: c2008
PhysDes: viii, 157 p. : ill. ; 21 cm
Series: French Film Directors
Subject: DIRECTORS. FRANCE; OZON, FRANCOIS; SITCOM (FR, Francois Ozon, 1998); REGARDE LA MER (FR, Francois Ozon, 1997); GOUTTES D'EAU SUR PIERRES BRULANTES (FR, Francois Ozon, 2000); SOUS LE SABLE (FR, Francois Ozon, 2000); SWIMMING POOL (FR/UK, Francois Ozon, 2003); [FIVE TIMES TWO] 5 X 2 [CINQ FOIS DEUX] (FR, Francois Ozon, 2004)
Summary: "This book is the first full-length study of the films of Francios Ozon. From his clutch of provocative and award-winning shorts in the mid-1990s to his increasingly celebrated features, including Swimming Pool, Les Amants criminels, and 5x2, as well as the star-studded, millenial classic of high camp, 8 femmes, Ozon's films have remaned silmultaneously seductive and experimental, playful and gruesome. What emerges from Andrew Asibong's passionate and highly engaged scrutiny of Ozon's cinema, however, is the extent to which the director's breezily confrontational work throws up urgent and unavoidable questions about the cinematic representation of pyschic, familial, social, and even ontological transformation. Asibong considers how Ozon's apparently subversive explorations of feminine and 'queer' desire, as well as his ongoing fascination with sadomasochistic power relations, all operate at a far more ambivalent psychoanalytic and political level than either Ozon's champions or detractors seem willing to admit. He then goes on to suggest that what may be at stake in Ozon's alternatively utopian and cynical flirtation with the construction and deconstruction of contemporary human relationships on film." BOOK BLURB
Notes: Formerly CIP; Includes bibliographical references (p. [150]-151) and index; Includes filmography
ISBN: 9780719074233
Contents: -- list of plates -- series editors' foreword -- acknowledgements -- -- family filmmaker: an introduction to Francois Ozon -- 1: desire unlimited: sexualities on the move? -- 2: master and servant: society, spectacle and sadomasochistic cinema -- 3: shadow of the spectre: cinema beyond relation? -- 4: blood, tears, and song: genre and the shock of over-stimulation -- a drop in the ocean: concluding remarks -- filmography -- select biography -- index --

Call No: 71(44) ABE
Author: Abel, Richard, 1941
Place: Princeton, NJ
Publisher: Princeton University Press
PubDate: c1984
PhysDes: xxi, 672 p. : ill.; 27 cm
Subject: FRANCE
Notes: Includes index; Filmography: p.631-640; Bibliography: p.601-630
ISBN: 0691054088 : $60.00; 0691008132 (pbk.)
LON: 2990226

Call No: 71(44) ARM
Author: Armes, Roy, 1937
Place: New York
Publisher: Oxford University Press
PubDate: 1985
PhysDes: 310 p., [32] p. of plates : ill. ; 24 cm
Subject: FRANCE
Notes: Includes index; Bibliography: p. 281-290
ISBN: 0195204719; 0195204727 (pbk.)
LON: 4080631 4080631

Author: Lehmen, Peter
PhysDes: Article
Subject: INDUSTRY, FILM. FRANCE; NOUVELLE VAGUE; VARDA, AGNES; RENOIR, JEAN; CLOUZOT, HENRI-GEORGES
Summary: Whole issue on French cinema, focusing on films by Renoir, Clouzot, Varda, the New Wave, and interviews with Truffaut and Victor Ancona.

Call No: 71(44) TEM
Author: Temple, Micheal & Witt, Micheal
Source: UK
Place: London
Publisher: bfi Publishing
PubDate: 2004
PhysDes: x, 294 p. : ill. ; 24 cm.
Subject: HISTORY AND THE CINEMA. FRANCE
Notes: Online Resource: Contributor biographical information http://www.loc.gov/catdir/bios/ucal052/2004463240.html Publisher description http://www.loc.gov/catdir/description/ucal051/2004463240.html Table of contents http://www.loc.gov/catdir/toc/ucal051/2004463240.html
ISBN: 1-84457-570126

Call No: 71(44) BAZ
Author: Bazin, Andre, 1918-1958; Truffaut, Francois, 1932
Place: New York, N.Y.
Publisher: F. Ungar Pub. Co.
PubDate: c1981
PhysDes: viii, 166 p. : ill. ; 22 cm
Subject: FRANCE; OCCUPATION AND THE CINEMA. FRANCE; FESTIVALS. CANNES; BAZIN, ANDRE; TRUFFAUT, FRANCOIS; ESPOIR (FR/SP, Andre Malraux, 1939); BATTLE OF THE RAILS [; VISITEURS DU SOIR, LES (FR, Marcel Carne, 1942); NUIT FANTASTIQUE, LA (FR, Marcel L'Herbier, 1942)
Notes: Translation of Le cinema de l'occupation et de la resistance; Includes index
ISBN: 080442022X : $12.95
LON: 1809474

Call No: 71(44) ARM
Author: Armes, Roy, 1937
Place: London
Publisher: Zwemmer : Cranbury (N. J.) : Barnes
PubDate: 1966-
PhysDes: 2 v. : 20 plates (incl. ports.) ; 16 cm
Subject: FRANCE; DIRECTORS. FRANCE; CLAIR, RENE; RENOIR, JEAN; CARNE, MARCEL; OPHULS, MARCEL; COCTEAU, JEAN; CLOUZOT, HENRI-GEORGES; CLEMENT, RENE; BECKER, JACQUES; BRESSON, ROBERT; TATI, JACQUES; GREMILLON, JEAN; LEENHARDT, ROGER; ROUQUIER, GEORGES; AUTANT-LARA, CLAUDE
Notes: Two volumes - Voume 1: the great tradition Volume 2: the personal style
LON: 4021093 4021093

Call No: 71(44) ARM
Author: Armes, Roy, 1937
Place: [London] [New York
Publisher: Studio Vista E. P. Dutton
PubDate: 1970]
PhysDes: 159 p. illus., ports. 19 cm
Subject: FRANCE
Notes: Bibliography: p. 157
ISBN: 0289797322
LON: 68535 68535

Call No: 71(44) SAD
Author: Sadoul, Georges, 1904-1967
Place: London
Publisher: Falcon Press
PubDate: 1953
PhysDes: 131 p., [32] p. of plates ; 26 cm
Subject: FRANCE
Notes: Includes index
LON: 6989286 6989286

Call No: 71(44) FRE
Author: Hayward, Susan, 1945; Vincendeau, Ginette, 1948
Edition: 2nd ed
Place: London
Publisher: Routledge
PubDate: 2000
PhysDes: xvii, 348 p. : ill., ports. ; 25 cm
Subject: FRANCE; PAGNOL, MARCEL; MARIUS (FR, Alexander Korda/Marcel Pagnol, 1931); FANNY (FR, Marc Allegret, 1932); CESAR (FR, Marcel Pagnol, 1936); BETE HUMAINE, LA (FR, Jean Renoir, 1938); JOUR SE LEVE, LE (FR, Marcel Carne, 1939); ENFANTS DU PARADIS, LES (FR, Marcel Carne, 1945); VACANCES DE M. HULOT, LES (FR, Jacques Tati, 1953); CASQUE D'OR (FR, Jacques Becker, 1952); [FOUR HUNDRED] 400 BLOWS, THE [; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); CONTEMPT [MEPRIS, LE] (FR/IT, Jean-Luc Godard, 1963); SAMOURAI, LE (FR/IT, Jean-Pierre Melville, 1967); MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969); VALSEUSES, LES (FR, Bertrand Blier, 1974); LACOMBE LUCIEN (FR/IT/GW, Louis Malle, 1974); NUITS DE LA PLEINE LUNE, LES (FR, Eric Rohmer, 1984); SANS TOIT NI LOI (FR, Agnes Varda, 1985); CYRANO DE BERGERAC (FR, Jean-Paul Rappeneau, 1990); NIKITA (FR/IT, Luc Besson, 1990); HAINE, LA [HATE] (FR, Mathieu Kassovitz, 1995); CRIME DE M. LANGE, LE (FR, Jean Renoir, 1936); AIR DE PARIS, L' (FR, Marcel Carne, 1954); COUP DE FOUDRE (FR, Diane Kury, 1983)
Notes: Previous ed.: 1990; Includes index; Bibliography
ISBN: 0415161177 : ª45.00; 0415161185(pbk.) : ª13.99
LON: 21217432

Call No: REFERENCE SECTION; 023(44)UNI "1998"
CorpAuthor: Unifrance
Source: FR
Place: Paris
Publisher: Unifrance
PubDate: 1998
PhysDes: 28 p. ; 29 cm
Subject: FRANCE; FILMOGRAPHIES. FRANCE; FESTIVALS. BERLIN
Notes: catalogue
Language: French and English

Call No: REFERENCE SECTION; 023(44)FIL "1998"
CorpAuthor: Unifrance
Source: FR
Place: Paris
Publisher: Unifrance
PubDate: 1998
PhysDes: 76 p. ; 29 cm
Subject: FRANCE; FILMOGRAPHIES. FRANCE; FESTIVALS. CANNES
Notes: catalogue
Language: French and English

Call No: REFERENCE SECTION; 023(44) FIL "year"
CorpAuthor: Unifrance
Source: FR
Place: Paris
Publisher: Unifrance
PubDate: 1999
PhysDes: 88 p. ; 29 cm
Subject: FRANCE; FILMOGRAPHIES. FRANCE; FESTIVALS; FESTIVALS. CANNES
Notes: catalogue
Language: French and English

Call No: 408.1(44) BUS
Author: Buss, Robin
Place: London
Publisher: Batsford
PubDate: 1988
PhysDes: 165 p., [32] p. of plates : ill. ; 25 cm
Subject: NATIONAL CULTURE AND THE CINEMA. FRANCE; FRANCE; SOCIETY AND THE CINEMA. FRANCE; FILMOGRAPHIES. FRANCE; HISTORICAL FILMS. FRANCE; FAMILY IN FILMS. FRANCE; BRESSON, ROBERT; CHABROL, CLAUDE; GODARD, JEAN-LUC; MALLE, LOUIS; PAGNOL, MARCEL; RENOIR, JEAN; CARNE, MARCEL; CLAIR, RENE; DEMY, JACQUES; DUVIVIER, JULIEN; GABIN, JEAN; GANCE, ABEL; TRUFFAUT, FRANCOIS; PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); DIMANCHE A LA CAMPAGNE, UN (FR, Bertrand Tavernier, 1984)
Notes: French cinema films,. 1900-1985. Social aspects (BNB/PRECIS); Includes index; Filmography: p. 91-156
ISBN: 0713453605
LON: 5952835

Call No: 626:396 PEN
Author: Penley, Constance, 1948
Place: London
Publisher: Routledge
PubDate: 1989
PhysDes: xx, 207 p. : ill. ; 23 cm
Subject: FEMINISM AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; THEORY; WOMEN IN FILMS; DIRECTORS; AVANT-GARDE FILMS; SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980); FRANCE/TOUR/RETOUR/DEUX ENFANTS [TV](FR, Jean-Luc Godard, 1978); JETEE, LA (FR, Chris Marker, 1963); TERMINATOR, THE (US, James Cameron, 1984); PEE-WEE'S PLAYHOUSE [TV] (US, 1986-91)
Summary: "'The future of an illusion' documents the pivotal role Constance Penley has played in the development of feminist film theory. Penley analyzes the primary movements that have shaped the field: the conjunction of feminism, film theory, and psychoanalysis, and the inherent debates surrounding the politics of women and representation. These debates centre on the position of women in the classical Hollywood narrative, the construction of the spectator's desire in pornography and eroticism and the implicit male bias in the psychoanalytically oriented film theory." -- BOOK COVER
Notes: Women. Portrayal by mass media (BNB/PRECIS); Includes bibliographical references and index
ISBN: 0415041546 (pbk) : ª7.95 : CIP confirmed
LON: bnb41504154; 6267645
Contents: Feminism and the avant-garde: 1. The avant-garde and its imaginary -- 2. The avant-garde: histories and theories -- Feminism and film theory: 3. "A certain refusal of difference": feminism and film theory -- 4. Feminism, film theory, and the bachelor machines -- Feminism and femininity in Godard: 5. Pornography, eroticism (on 'Every man for himself') -- 6. Les enfants de la patrie (on 'France/tour/detour/two children') -- Sexual difference in popular culture -- 7. Time travel, primal scene, and the critical dystopia (on 'The terminator' and 'La jetee') -- 8. The cabinet of Dr. Pee-wee: consumerism and sexual terror -- Feminism and pedagogy: 9. Teaching in your sleep: feminism and psychoanalysis

Call No: No. 1 winter 1995, No. 2 spring/summer 1995, No. 3 autumn 1995, No. 5 winter 1996/1997.; -- IN STORAGE. OVERNIGHT RETRIEVAL
CorpAuthor: l'Ami du Livre, l'Editeur Audacieux et Sagace
Source: France
Place: Lyon
Publisher: l'Ami du Livre, l'Editeur Audacieux et Sagace
PubDate: 1995-
Subject: FRANCE
Notes: Donated by William Routt.
ISSN: 12611522
Indexed In: FIAF

Author: Taylor, Max
PhysDes: Article
Subject: GANCE, ABEL; INDUSTRY, FILM. FRANCE; NAPOLEON (FR, Abel Gance, 1927); PROJECTION
Summary: Article on French filmmaker Abel Gance who did a lot of early experimentation with film projection, most famously with his triptych-projected film NAPOLEON.
Notes: Article relates to Beresford's preceding article 'The Divided Screen', pp.14-19.

PhysDes: Article
Subject: RICH AND FAMOUS (US, George Cukor, 1981); CUKOR, GEORGE; Metro-Goldwyn-Mayer; INDUSTRY, FILM. FRANCE
Summary: Article on George Cukor receiving the Commandeur de l'Ordre des Arts et des Lettres, the highest honour the French governement can bestow a filmmaker. Cukor has been a director for over fifty years, and his latest film, 'Rich and Famous', was shown at the ceremony.

Call No: 71(44) MAR
Author: Martin, John W. (John Wiley), 1937
Place: London
Publisher: Columbus
PubDate: 1987, c1983
PhysDes: 160 p. : ill. ; 22cm
Series: Columbus filmmakers
Subject: FRANCE
Notes: Originally published: Boston : Twayne, 1983; Bibliography: p145-148. - Includes index
ISBN: 0862873339 (pbk) : ª5.95 : CIP rev
LON: 5248073

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: GOURMET TOUR, A [TV] (AT, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GRAND TOUR: A DISASTER IN TIME (US, David Twohy, 1992)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GRAND TOUR, THE [TV] (US, 2016-)

Call No: 71(44) PAR
Author: Paris, James Reid
Edition: 1st ed
Place: Secaucus, N.J.
Publisher: Citadel Press
PubDate: c1983
PhysDes: 277 p. : ill. ; 29 cm
Subject: FRANCE; NAPOLEON (FR, Abel Gance, 1927); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928)
Notes: Bibliography: p. 276
ISBN: 080650806X : $18.95
LON: 2450374

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HANNAH MONTANA/MILEY CYRUS: BEST OF BOTH WORLDS CONCERT TOUR (US, Bruce Hendricks, 2008)

Call No: 71(44) DES
Author: Deslandes, Jacques; Richard, Jacques,
Place: Paris
Publisher: Casterman
PubDate: 1968
PhysDes: Vol.2
Subject: FRANCE
LON: 3986905 3986905

Call No: 71(44) DES
Author: Deslandes, Jacques
Source: FR
Place: Paris
Publisher: Casterman
PubDate: 1966
PhysDes: Vol. 1
Subject: FRANCE
Language: French

Call No: 70 RHO
Author: Rhode, Eric, 1934
Place: London
Publisher: A. Lane
PubDate: 1976
PhysDes: 674 p. : ill. ; 24 cm
Subject: HISTORY OF CINEMA; USSR; NEOREALISM; NOUVELLE VAGUE; FRANCE; GERMANY; USA; GRIFFITH, DAVID WARK
Notes: Includes index; Bibliography: p. [641]-649
ISBN: 0713909722 : ª10.00
LON: 194037

Call No: 71(44) TOE
Author: Toeplitz, Jerzy
CorpAuthor: Australian Film and Television School. Open Program Resources
Place: [North Ryde, N.S.W.]
Publisher: Australian Film & Television School, Open Program Resources
PubDate: [1980?]
PhysDes: 68 p. ; 30 cm
Subject: FRANCE
Notes: French cinema films, 1895-1980 (ANB/PRECIS SIN 0489727); Bibliography: p. 65-68
ISBN: 0642895945 : price unknown; 064292497X
LON: 2046743 1781073

Call No: 45:93 HIS
Author: O'Regan, Tom, 1956; Shoesmith, Brian
CorpAuthor: Australian History and Film Conference (3rd :, 1985 : Perth (W.A.)); History and Film Association of Australia (W.A.)
Place: Perth, [W.A.]
Publisher: History and Film Association of Australia (W.A.)
PubDate: 1987
PhysDes: 180 p. ; 30 cm
Subject: HISTORY AND THE CINEMA; HISTORICAL FILMS; EUROPEAN COUNTRIES; FRANCE; INDIA; JAPAN; COMMONWEALTH FILM UNIT; HISTORY OF EXHIBITION. AUSTRALIA; AUSTRALIA. 1970's; FASCISM AND THE CINEMA; MARXISM AND THE CINEMA; Grierson, John; CHAUVEL, CHARLES; HEIMAT [TV] (GW, Edgar Reitz, 1984); SHOAH (FR/SZ, Claude Lanzmann, 1985); SEE IT NOW (US, Edward Murrow, 1954?); ROMAN SCANDALS (US, Frank Tuttle, 1933); ASSAULT ON SALAMAUA (AT, 1943); FORTINI/CANI (IT, Jean-Marie Straub & Daniele Huillet, 1976)
Notes: Cover subtitle : Proceedings of the 3rd History and Film Conference, Perth, 1985
ISBN: 0729800563 (pbk.)
LON: 5567713

Call No: 408.3(4) HOL
Author: Ellwood, David W; Kroes, Rob; Brunetta, Gian Piero
Place: Amsterdam
Publisher: VU University Press
PubDate: 1994
PhysDes: 302 p. : ill. ; 24 cm
Series: European contributions to American studies ; 28
Subject: EUROPEAN COUNTRIES; EUROPEAN COUNTRIES. 1927-1932; ITALY; NETHERLANDS; GERMANY; FRANCE; COLD WAR AND THE CINEMA; HISTORY OF TV. UK; CULTURAL IMPERIALISM. EUROPEAN COUNTRIES; POPULAR CULTURE AND THE CINEMA
Notes: Includes bibliographical references
ISBN: 905383303X
LON: 11278383

Call No: 451 LAC
Author: Lacey, Nick, 1961
Place: New York
Publisher: St. Martin's Press
PubDate: 1998
PhysDes: x, 256 p. : ill. ; 23 cm
Subject: TYPE CHARACTERS IN FILMS; SEMIOLOGY; NEWS PROGRAMMES. UK; WESTERNS; PROPAGANDA FILMS; REALISM IN FILMS; DOCUMENTARY FILMS; MAI '68 (FRANCE); SHERMAN, CINDY; DYER, RICHARD; BLUE STEEL (US, Kathryn Bigelow, 1989)
Notes: Includes bibliographical references (p. 247-251) and index
ISBN: 031221202X (hbk. : alk. paper); 0312212038 (pbk. : alk. paper)
Order Received: 2000
Order Type: Donation
LON: 13463631

Call No: 71(44) VED
Author: Vedres, Nicole
Place: Paris
Publisher: Du Chene
PubDate: 1945
Subject: FRANCE
Language: French
LON: 4006923

Call No: 735.2 (4):749.0 (4) TOH
Author: Tohill, Cathal; Tombs, Pete
Edition: 1st St. Martin's Griffin ed.
Source: US
Place: New York
Publisher: St. Martin's Griffin
PubDate: 1995
PhysDes: 272 p. : ill. (some col.) ; 28 cm
Subject: HORROR FILMS. GERMANY; HORROR FILMS. ITALY; HORROR FILMS. FRANCE; HORROR FILMS. SPAIN; EXPLOITATION FILMS; SEX IN FILMS; ROBBE-GRILLET, ALAIN; NECRONOMICON - GETRAUMTE SUNDEN (GG/FR, Jesus Franco, 1968); FASCINATION (FR, Jean Rollin, 1979); VAMPYRES (UK, Jose Larraz, 1974); EPAIS MANTEAU DE SANG, UN (FR/US, Jose Benazeraf, 1967); CONTES IMMORAUX (FR, Walerian Borowczyk, 1974); JEU AVEC LE FEU, LE (IT, FR, Alain Robbe-Grillet, 1975)
Summary: 'From sexy thrillers to pulp surrealism, from decadent erotica to blood-soaker vampire epics, nothing could go too far'. Not so much a movie guide as an insightful critical overview of European horror/exploitation/sex films of the 1950s-1980s, this book is organised into a sequence of essays proceeding from general themes (the history of horrific art, the surgical metaphor), to regional styles (Italian, German, French, Spanish), to individual directors (Jesus Franco, Jean Rollin, José Larraz, José Bénazéraf, Walerian Borowczyk, Alain Robbe-Grillet), and provides a consice history covering this unique era. The book includes many photos, original poster art, and a useful appendix covering miscellaneous actors and directors from the genre.
Notes: Includes index. Bibliography: p. 269
ISBN: 031213519X

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: INDUSTRY, FILM. FRANCE

Call No: 71(44) REI
Author: Reif, Tony
CorpAuthor: Canadian Film Institute; National Film Theatre of Canada
Place: Ottawa
Publisher: Canadian Film Institute
PubDate: 1965
PhysDes: 25 p. ; 28 cm
Subject: FRANCE
Notes: Filmography: p. 23-25
LON: 1781745

Call No: 630 EPS
Author: Epstein, Jean; Wall-Romana, Christophe (translator)
Edition: First Edition
Source: US/FR
Place: Minneapolis, MN
Publisher: Univocal
PubDate: c2014
PhysDes: xi, 111 p. ; 20 cm
Subject: PHILOSOPHY AND THE CINEMA; THEORY; FILM; MOTION PICTURES - FRANCE; EPSTEIN, JEAN
Notes: "Translated from the French by Christophe Wall-Romana as The intelligence of a machine." -- T.p. verso
ISBN: 9781937561185
Contents: -- The philosophy of cinema -- Signs -- The interchangeability of continuity and discontinuity -- Non-temporal time -- Neither spirit nor matter -- The randomness of determinism and the determinism of randomness -- The wrong side equals the right side -- Photo-electric psychoanalysis -- Mechanical philosophy -- Quantity mother of quality -- The relativity of logic -- The law of laws -- Irrealism --

Call No: REFERENCE SECTION; 058 INT "1985"
Author: Cowie, Peter; Elley, Derek
Place: London
Publisher: Tantivy Press
PubDate: 1984
PhysDes: 538p. in various pagings : ill. (some col.), ports. ; 21cm
Series: A Tantivy guide
Subject: FRANCE; FESTIVALS. BERLIN; ANIMATION
ISBN: 0900730226; 0900730226 (pbk.)
LON: 13206910

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: JAZZ IN EXILE (US, Chuck France, 1982)

Call No: 81GOD MOR
Author: Morrey, Douglas
Source: UK/US
Place: Manchester and New York
Publisher: Manchester University Press
PubDate: 2005
PhysDes: 271 p : ill. ; 22 cm
Series: French film directors
Subject: CRITICISM; FRANCE; THEORY; GODARD, JEAN-LUC; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); VIVRE SAVIE (FR, Jean-Luc Godard, 1962); PETIT SOLDAT, LE (FR, Jean-Luc Godard, 1963); MASCULIN-FEMININ (FR, Jean-Luc Godard, 1966); CHINOISE, LA (FR, Jean-Luc Godard, 1967); WEEK-END (FR/IT, Jean-Luc Godard, 1968); GAI SAVOIR, LE (FR/GW, Jean-Luc Godard, 1969); PRAVDA (FR, Jean-Luc Godard, 1970); TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972); ICI ET AILLEURS (FR, Jean-Luc Godard & Anne-Marie Mieville, 1976); NUMERO DEUX (FR, Jean-Luc Godard, 1975); NUMERO DEUX (FR, Jean-Luc Godard, 1975); HELAS POUR MOI (SZ/FR, Jean-Luc Godard, 1983); HISTOIRE(S) DU CINEMA (SZ/FR, Jean-Luc Godard, 1997); ELOGE DE L'AMOUR (SZ, Jean-Luc Godard, 2001)
Summary: "This volume offers a new interpretation of one of the most innovative directors in the history of cinema. It is the first book to cover the whole of Godard's career, from the early successes of the French New Wave, through the political works of the late 1960s and 1970s and the difficult films of the 1980s, to the recent triumphs of Histoire(s) du cinema and Eloge de l'amour. Drawing on a wide range of literary, filmic and philosophical texts, the book places Godard's work within its intellectual context in France, examining how developments in French culture and thought since 1950 have been mirrored in - and sometimes anticipated by - Godard's films. At the same time, numerous sequences from Godard's films are singled out for close analysis in order to demonstrate how the director's radical approaches to narrative, editing, sound and shot composition have made the cinema into an analytical tool in its own right - a machine for thinking. The book will be useful to all students of Godard's films, and of interest to scholars of modern and contemporary French cinema, culture and thought. " -- BOOK BLURB
Notes: Formerly CIP; Filmography: p. [244]-262; Includes bibliographical references (p. [263]-264) and index
ISBN: 0719067596
Contents: -- list of plates -- series editors' foreword -- acknowledgments -- 1. necessity or contingency: Godard as film critic, 1950-59 -- 2. scenes from domestic life: 1960-65 -- 3. outside: 1960-62 -- 4. end of the beginning/beginning of the end: 1966-67 -- 5. schooling: 1968-72 -- 6. home movies: 1974-78 -- 7. love and work: 1979-84 -- 8. smiling with regret: 1984-90 -- 9. the sense of an ending: 1991-96 -- 10. old man river: 1998- -- conclusion -- filmography -- select bibliography -- index --

Call No: 802.27(4) JOU
CorpAuthor: BFI
Source: UK
Place: London
Publisher: British Film Institute
PubDate: 2006
PhysDes: 512 p. ; 25 cm
Subject: ACTORS; ACTORS. FRANCE; GLOBALISATION; HISTORY OF CINEMA. SILENT PERIOD; EXTRAS; STUDIOS, FILM. USA; CHEVALIER, MAURICE; PARAMOUNT STUDIOS; JEWS AND THE CINEMA. USA; NAZIS IN FILMS; GABIN, JEAN; ACTORS. UK; TYPE CHARACTERS IN FILMS
Summary: Journeys of Desire offers for the first time a comprehensive critical guide to European Actors in American film, bringing together 15 overview chapters and a-z entries on over 900 individuals in one accessible and scholarly volume. Since the early days of the US film industry, European actors have consistently been a major force in Hollywood. Screen idols such as Charlie Chaplin, Greta Garbo, Marlene Dietrich, Charles Boyer, Audrey Hepburn, Maurice Chevalier, Arnold Schwarzenegger and Antonio Banderas, as well as scores of more modest players, have profoundly shaped ‘American’ cinema. They have also contributed to the propagation of European types and stereotypes such as the ‘Russian’ and Nordic queens played by Garbo and Dietrich, the French Roues popularized by Chevalier, the fiery Latinos depicted by Banderas and the British arch-villain played by Steven Berkoff, Anthony Hopkins and Tim Roth. Films such as Casablanca (1942), Gigi (1958), Green Card (1990) and Vanilla Sky (2001), among many others, would not be the same without them. Contributions from a team of 70 international experts provide ground-breaking case studies of prominent individuals and phenomena associated with the émigrés, such as the retired Russian officers who played crowds in silent films, the stereotyping of European actresses in ‘bad women’ roles, and the ultimate irony of Jewish actors playing Nazis. Individual entries chart the careers and performances of the European actors – from Victoria Abril to Mai Zetterling – who appeared in American movies. [Taken from back cover].
ISBN: 1844571246

Call No: 71(47) MAR
Author: Marchand, Rene, 1988; Weinstein, Pirre
Place: Paris
Publisher: Rieder
PubDate: 1927
PhysDes: 175 p. : 7 1. plates ; 20 cm
Subject: FRANCE
Notes: At head of title: Rene Marchand et Pierre Weinsteto
Language: French
LON: 6657650

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MAGICAL MYSTERY TOUR (UK, George Harrison, John Lennon, Paul McCartney, Ringo Starr, 1967)

Call No: 633.3(4) MAK
Author: Michael Leitch (ed.)
CorpAuthor: Imago
Source: UK
Place: London
Publisher: Aurum
PubDate: 2003
PhysDes: 481 p. : ill. (some col.) ; 29 cm
Subject: CINEMATOGRAPHY; EUROPEAN COUNTRIES; HISTORY OF CINEMA; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. SOUND PERIOD; NEOREALISM; ITALY; FRANCE; GERMANY; HUNGARY; CZECHOSLOVAKIA; HISTORY OF CINEMA. 1930's; HISTORY OF CINEMA. 1940's; HISTORY OF CINEMA. 1950's; HISTORY OF CINEMA. 1960's; HISTORY OF CINEMA. 1970's; NOUVELLE VAGUE; MOVEMENTS IN FILM HISTORY; NYKVIST, SVEN; ROTUNNO, GIUSEPPE; CARDIFF, JACK; BERTOLUCCI, BERNARDO; MASTROIANNI, MARCELLO; TOVOLI, LUCIANO
Summary: Making Pictures is the first book systematically to examine and document the technical and creative role of the cinematographer in European cinema over the past 100 years. Individual contributions cover a wide range of themes, periods and genres and combine to provide a thorough and authoritative treatment of the subject. At the heart of the book is a section containing a film-by-film analysis of the 100 European films which, according to a jury of contemporary cinematographers, represent the very best examples of their art and demonstrate technical or creative mastery on the part of the cinematographer concerned. [Taken from inside cover]
Notes: Includes bibliographical references and indexes.
ISBN: 1854108891
Language: English
Contents: "Coming from afar" is written by Luciano Tovoli. Chapter:"The cinematographers' view" is written by Jack Cardiff, Sven Nykist & Giuseppe Rotunno. Chapter: "The director and the cinematographer" is written by Bernado Bertolucci. Chapter: "The actor's view" is written by Marcello Mastroianni. Other chapter contributions made by Michael Leitch, Cathy Greenhalgh, Zoe Bicat & Barry Salt

Call No: DVD RESEARCH FOLDER; DVD RESEARCH FOLDER
Author: Hawker, Philippa
Subject: FRANCE
Summary: Article focuses on films from France that will be shown in Australia in 2006.
Notes: accessed from: Factiva. Dow Jones Reuters Business Interactive LLC. RMIT University Library. 14 May 2007.
Quotations: -- French films - "France produces 200 or so films a year, supported by funding derived from a tax on every movie ticket sold, as well as on TV revenues and video and DVD sales."

Call No: 626:335.5 HAR
Author: Harvey, Sylvia
Place: London
Publisher: BFI Pub.
PubDate: 1978
PhysDes: 167 p. ; 21 cm
Subject: MARXISM AND THE CINEMA; IDEOLOGY AND THE CINEMA; SOCIETY AND THE CINEMA. FRANCE
Notes: Bibliography: p. 165-167
ISBN: 0851701043
LON: abn81025542; 2026463

Call No: 408.1(44) AND
Author: Andrew, Dudley, 1945
Place: Princeton, N.J.
Publisher: Princeton University Press
PubDate: 1995
PhysDes: xv, 409 p. : ill. ; 24 cm
Subject: FRANCE; NATIONAL CULTURE AND THE CINEMA. FRANCE; POETIC REALISM; SURREALISM AND THE CINEMA; ALLEGRET, MARC; BECKER, JACQUES; BERNARD, RAYMOND; CHENAL, PIERRE; FEUILLADE, LOUIS; FEYDER, JACQUES; GREMILLON, JEAN; MAC ORLAN, PIERRE; MEERSON, LAZARE; PREVERT, JACQUES; VIGO, JEAN; ZOLA, EMILE; PAGNOL, MARCEL; RENOIR, JEAN; BUNUEL, LUIS; CARNE, MARCEL; CLAIR, RENE; DUVIVIER, JULIEN; GABIN, JEAN; QUAI DES BRUMES, LE (FR, Marcel Carne, 1938); ENFANTS DU PARADIS, LES (FR, Marcel Carne, 1945); JOUR SE LEVE, LE (FR, Marcel Carne, 1939); ATALANTE, L' (FR, Jean Vigo, 1934); BELLE EQUIPE, LA (FR, Julien Duvivier, 1936); PEPE LE MOKO (FR, Julien Duvivier, 1937); BETE HUMAINE, LA (FR, Jean Renoir, 1938); CASQUE D'OR (FR, Jacques Becker, 1952); CHIENNE, LA (FR, Jean Renoir, 1931); CRIME DE M. LANGE, LE (FR, Jean Renoir, 1936); MARSEILLAISE, LA (FR, Jean Renoir, 1938); AGE D'OR, L' (FR, Luis Bunuel, 1930)
Notes: Includes bibliographical references (p. [391]-396) and indexes
ISBN: 0691008833 (pbk.); 0691056862 (hard)
LON: 10901107

Call No: 451-054(=95) HAM
Author: Hamamoto, Darrell Y
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 1994
PhysDes: xiii, 311 p. ; 24 cm
Subject: ASIAN AMERICANS ON TV; ASIANS ON TV. USA; RACIAL ISSUES ON TV. USA; WAR ON TV. USA; VIETNAM WAR ON TV; CHUNG, CONNIE; HESTON, CHARLTON; LUKE, KEYE; MILTON BERLE SHOW, THE (US, 1954-56); GUNSMOKE [TV] (US, 1955-75); CHINA BEACH [TV] (US, 1988-91); VIETNAM : A TELEVISION HISTORY (US/UK/FR, 1983); TROUBLED PARADISE (US, 1992); TOUR OF DUTY (US, 1987, 1989); MIDNIGHT CALLER (US, 1988-92); KUNG FU (US, 1972-75?); HOW THE WEST WAS WON (US, 1978-79?)
Notes: Includes bibliographical references (p. 255-291) and index
ISBN: 0816623686 (acid-free paper); 0816623694 (pbk. : acid-free paper)
LON: 10581491

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MURIEL OR THE TIME OF RETURN [MURIEL OU LE TEMPS D'UN RETOUR] (FR, Alain Resnais, 1963)

Call No: 451-054(=927)(44) KEA
Author: Kealhofer-Kemp, Leslie
Source: UK
Place: Liverpool
Publisher: Liverpool University Press
PubDate: 2015
PhysDes: xii, 226 pages : illustrations ; 24 cm
Series: Contemporary French and francophone cultures ; 41
Subject: FRANCE; FRANCE IN FILMS; WOMEN IN FILMS; RELIGION AND THE CINEMA; TRANSNATIONALISM AND THE CINEMA; DOCUMENTARY FILMS
Summary: "Muslim Women in French Cinema: Voices of Maghrebi Migrants in France is the first comprehensive study of cinematic representations of first-generation Muslim women from the Maghreb (Algeria, Morocco, Tunisia) in France. Women of this generation migrated to France during the decades preceding and following the end of French colonial rule, and they are generally - though not always accurately - regarded as belonging to a generation of migrants silenced under the weight of poverty, illiteracy, Islamic tradition, and majority ethnic Islamophobia. Situated at the intersection of post-colonial studies, gender studies, and film studies, this book brings together a diverse corpus of over 60 documentaries, short films, telefilms (made-for-television films), and feature films released in France between 1979 and 2014, and it devotes one chapter to each kind of film. In examining the ways in which the voices, experiences, and points of view of Maghrebi migrant women in France are represented and communicated through a selection of key films, this study offers new perspectives on Maghrebi migrant women in France. It shows that women of this generation, as they are represented in these films, are far more diverse and often more empowered than has generally been thought. The films examined in this study are part of larger contemporary debates and discussions relating to immigration, integration, and what it means to be French." -- LIBRARIES AUSTRALIA
Notes: Includes bibliographical references and index
ISBN: 9781781381984
Contents: -- list of illustrations -- acknowledgments -- introduction: Maghrebi migrant women in France and French cinema -- 1: The Voices of Maghrebi Women in Documentary Films: Framing Construction and Transparency -- 2: First-Generation Women in Short Films: Crossing Barriers and Communicating Experiences through Objects -- 3: The Voices of Maghrebi Migrant Women in French Telefilms: Portraying Agency -- 4: Transmitting the Voices of Maghrebi Women through Feature Films: From Verbal to Non-Verbal Forms of Communication -- conclusion -- appendix -- notes -- bibliography index --

Call No: TITLE CLIPPINGS FILE; END OF THE TOUR, THE (US, James Ponsoldt, 2015)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: END OF THE TOUR, THE (US, James Ponsoldt, 2015)
Summary: Review of the film THE END OF THE TOUR
Rating: 3 out of 5 stars

Call No: REFERENCE SECTION; 027(44) THE
CorpAuthor: THECIF
Source: FR
Place: Paris
Publisher: Theatre Et Cinema En Ile De France (THECIF)
PubDate: [199?]
PhysDes: 44 p. ills.
Subject: FRANCE; DISTRIBUTORS
Language: French

Author: Sheridan, Margaret
PhysDes: Article
Subject: AATON CLEAR TIME RECORDING SYSTEM; AUSTRALIAN MADE TOUR; MTV USE MUSIC TELEVISION; AUSTRALIAN MADE (AT, Richard Lowenstein, 1987)
Summary: Margaret Sheridan's location report on "Australian Made" discusses the two Australian firsts in Australian film-making that occurred during filming: the multi-camera shoot was first in Australia to use the Aaton Clear Time Recording system, and, secondly, producer John McLean asserts that "Australian Made" will be the first digitally recorded post-produced feature in Australia. Sheridan also reports on other aspects of the shoot, from editing issues and lighting design to bad publicity for the Australian Made Tour and negotiations with MTV
Notes: Location report on "Australian Made". - credits. - illus.

PhysDes: Article
Subject: ORION PICTURES; DISTRIBUTION. FRANCE
Summary: Article on Orion making a deal with Parafrance to distribute their films in France.

Call No: TITLE CLIPPINGS FILE; END OF THE TOUR, THE (US, James Ponsoldt, 2015)
Author: Romei, Stephen
PhysDes: Clippings File Article
Subject: END OF THE TOUR, THE (US, James Ponsoldt, 2015)
Summary: Film review of THE END OF THE TOUR, a biopic about a week or so in the life of the American novelist David Foster Wallace.
Rating: 4 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PARIS FRANCE (CN, Gerard Ciccoritti, 1993)

Call No: 61 [929:7]
Author: Wild, Jennifer
Edition: 2015
Place: Oakland
Publisher: University of California Press
PubDate: 2015
PhysDes: 344, xv p. ; illus. ; 23 cm
Subject: AVANT-GARDE FILMS; AVANT-GARDE FILMS; FRANCE; ART IN FILMS; SURREALISM AND THE CINEMA; FEUILLADE, LOUIS; CHAPLIN, CHARLES
Notes: The first decades of the twentieth century were pivotal for the historical and formal relationships between early cinema and Cubism, mechanomorphism, abstraction, and Dada. To examine these relationships, Jennifer Wild’s interdisciplinary study grapples with the cinema’s expanded identity as a modernist form defined by the concept of horizontality. Found in early methods of projection, film exhibition, and in the film industry’s penetration into cultural life by way of film stardom, advertising, and distribution, cinematic horizontality provides a new axis of inquiry for studying early twentieth-century modernism. Shifting attention from the film to the horizon of possibility around, behind, and beyond the screen, Wild shows how canonical works of modern art may be understood as responding to the changing characteristics of daily life after the cinema. Drawing from a vast popular cultural, cinematic, and art-historical archive, Wild challenges how we have told the story of modern artists’ earliest encounter with cinema and urges us to reconsider how early projection, film stardom, and film distribution transformed their understanding of modern life, representation, and the act of beholding. By highlighting the cultural, ideological, and artistic forms of interpellation and resistance that shape the phenomenology of a wartime era, The Parisian Avant-Garde in the Age of Cinema, 1900–1923 provides an interdisciplinary history of radical form. This book also offers a new historiography that redefines how we understand early cinema and avant-garde art before artists turned to making films themselves. -- publisher's web site
ISBN: 9780520279896
Contents: List of Illustrations Acknowledgments INTRODUCTION: THE CINEMA’S LESSONS 1. SEEING THROUGH CINEMA: PROJECTION IN THE AGE OF CUBISM 2. APOLLINAIRE’S AURA: PICABIA, THE DIAGRAM, AND EARLY FILM STARDOM 3. DUCHAMP’S DIAGRAMS: FILM, SPECTATOR, STAR 4. THE VERTICAL GAZE: CINEMATIC BEHOLDING IN THE AGE OF WAR 5. THE RADICAL TIME OF RECEPTION: THE CINEMA OF BALLISTICS 6. THE DISTRIBUTION OF SUBVERSIVE SYSTEMS: DADA, CHAPLIN, AND THE END OF AN AGE Notes Index

Call No: 630.5 STA
Author: Staiger, Janet
Source: US
Place: New York
Publisher: New York University Press
PubDate: c2000
PhysDes: vi, 242 p. ; 24 cm
Subject: AUDIENCE RESEARCH; AUDIENCE RECEPTION; PERCEPTION; AUDIENCES THEORY; AESTHETICS; GENRES; VIOLENCE IN FILMS; SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982)
Summary: A book on film studies, with interpretation on films using different theories. The history of film is provided and the role media plays in culture and in the world today. Different topics in films are discussed with the descpition of various films that are applied to those certain topics.
ISBN: 081478139X

Call No: 626 FAL
Author: Falzon, Christopher
Edition: third edition
Place: London
Publisher: Routledge
PubDate: 2002
PhysDes: 330p. : illustrations ; 24 cm
Subject: PHILOSOPHY AND THE CINEMA; THEORY; FOUCAULT, MICHEL; A NOUS, LA LIBERTE! (FR, Rene Clair, 1931); ADDICTION, THE (US, Abel Ferrara, 1995); AGNES OF GOD (US, Norman Jewison, 1985); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); ALIEN RESURRECTION (US, Jean-Pierre Jeunet, 1997); ALL OF ME (US, Carl Reiner, 1984); ALPHAVILLE (FR, Jean-Luc Godard, 1965); AMADEUS (US, Milos Forman, 1984); AMATEUR (US, Hal Hartley, 1994); ANGEL HEART (US, Alan Parker, 1987); ANTZ (US, Eric Darnell, Lawrence Guterman & Tim Johnson II, 1998); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BASIC INSTINCT (US, Paul Verhoeven, 1992); BEAVIS AND BUTTHEAD DO AMERICA (US, Mike Judge, 1996); BEDAZZLED (US, Stanely Donen, 1967); BEING JOHN MALKOVICH (UK/US, Spike Jonze, 1999); BEING THERE (US, Hal Ashby, 1979); BIG (US, Penny Marshall, 1988); BIG SLEEP, THE (US, Howard Hawkes, 1946); BLADE RUNNER (US, Ridley Scott, 1982); BLAISE PASCAL (IT, Roberto Rossellini, 1972); BLUE VELVET (US, David Lynch, 1986); BOB ROBERTS (US, Tim Robbins, 1992); BRAZIL; BREAKER MORANT (AT, Bruce Beresford, 1980); A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959); BREATHLESS (FR, Jean-Luc Godard, 1959); CABARET (US, Bob Fosse, 1972); CASABLANCA (US, Michael Curtiz, 1942); CASPER (US, Brad Silberling, 1995); CHANCES ARE (US, Emile Ardolino, 1989); CHINATOWN (US, Roman Polanski, 1974); CINEMA PLUS; CITIZEN KANE (US, Orson Welles, 1941); CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971); COLOSSUS: FORBIN PROJECT (US, Joseph Sargent, 1970); CONFORMIST, THE [CONFORMISTA, IL] (IT/FR, Bernardo Bertolucci, 1970); COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); CRIMES AND MISDEMEANORS (US, Woody Allen, 1989); CRIMES OF PASSION (US, Ken Russell, 1984); CRUCIBLE, THE (US, Nicholas Hytner, 1996); CRYING GAME, THE (UK, Neil Jordan, 1992); DANGEROUS LIAISONS (US, Stephen Frears, 1988); DARK CITY (US, Alex Proyas, 1997); DARK STAR (US, John Carpenter, 1974); DEAD AGAIN (US, Kenneth Branagh, 1991); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); DRACULA (US, Tod Browning, 1931); EASY RIDER (US, Dennis Hopper, 1969); EDUCATING RITA (UK, Lewis Gilbert, 1983); ELEPHANT MAN, THE (US, David Lynch, 1980); ENEMY OF THE STATE (US, Tony Scott, 1998); JEDER FUR SICH UND GOTT GEGEN ALLE (GW, Werner Herzog, 1974); FACE/OFF (US, John Woo [pseud. of Wu Yusen], 1997); FAHRENHEIT 451 (UK, Francois Truffaut, 1966); FATAL ATTRACTION (US, Adrian Lyne, 1987); [FIVE] 5 EASY PIECES (US, Bob Rafelson, 1970); FLY, THE (US, David Cronenberg, 1986); FORTRESS (AT/US, Stuart Gordon, 1993); FRANKENSTEIN (US, James Whale, 1931); FRIGHTENERS, THE (NZ/US, Peter Jackson, 1996); FULL METAL JACKET (UK, Stanley Kubrick, 1987); GATTACA (US, Andrew Niccol, 1997); GHOST (US, Jerry Zucker, 1990); GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988); GROUNDHOG DAY (US, Harold Ramis, 1993); HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990); HANNAH AND HER SISTERS (US, Woody Allen, 1986); HE SAID, SHE SAID (US, Ken Kwapis and Marisa Silver, 1991); HIGH HOPES (UK, Mike Leigh, 1988); HIGH NOON (US, Fred Zinnemann, 1952); HILARY AND JACKIE (UK, Anand Tucker, 1998); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); IF... (UK, Lindsay Anderson, 1968); INHERIT THE WIND (US, Stanley Kramer, 1960); INTERIORS (US, Woody Allen, 1978); INTERVIEW WITH THE VAMPIRE (US, Neil Jordan, 1994); INVASION OF THE BODY SNATCHERS (US, Don Siegel, 1956); ISLAND OF LOST SOULS, THE (US, Erle C. Kenton, 1932); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); JUDGMENT AT NUREMBERG (US, Stanley Kramer, 1961); JURASSIC PARK (US, Steven Spielberg,, 1993); KOYAANISQATSI (US, Godfrey Reggio, 1982); LADYBIRD, LADYBIRD (UK, Kenneth Loach, 1994); ULTIMA CENA, LA (CU, Tomas Gutierrez Alea, 1976); MONTY PYTHON'S LIFE OF BRIAN (UK, Terry Jones, 1979); LOVE AND DEATH (US, Woody Allen, 1975); M (G, Fritz Lang, 1931); MAD MAX (AT, George Miller, 1979); MALTESE FALCON, THE (US, John Huston, 1941); MANCHURIAN CANDIDATE, THE (US, John Frankenheimer, 1962); MATEWAN (US, John Sayles, 1987); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); MONTY PYTHON'S THE MEANING OF LIFE (UK, Terry Jones, 1983); MEPHISTO (HU/GW, Istvan Szabo, 1981); METROPOLIS (G, Fritz Lang, 1926); MISSION, THE (UK, Roland Joffe, 1986); MODERN TIMES (US, Charles Chaplin, 1936); MON ONCLE (FR/IT, Jacques Tati, 1958); MONTY PYTHON AND THE HOLY GRAIL (UK, Terry Gilliam & Terry Jones, 1974); MONTY PYTHON'S FLYING CIRCUS [TV] (UK, 1969-1974); MY FAIR LADY (US, George Cukor, 1964); NAME OF THE ROSE, THE [NAME DER ROSE, DER] (GW/IT/FR, Jean-Jacques Annaud, 1986); NORMA RAE (US, Martin Ritt, 1979); NUTTY PROFESSOR, THE (US, Jerry Lewis, 1963); O LUCKY MAN! (UK, Lindsay Anderson, 1973); OKTIABR [OCTOBER] (UR, Sergei Eisenstein, 1928); OLIVIER, OLIVIER (FR, Agnieszka Holland, 1992); ON THE BEACH (US, Stanley Kramer, 1959); ON THE WATERFRONT (US, Elia Kazan, 1954); ONE FLEW OVER THE CUCKOO'S NEST (US, Milos Forman, 1975); PEOPLE VS LARRY FLYNT, THE (US, Milos Forman, 1996); PLAYER, THE (US, Robert Altman, 1992); PLAYTIME (FR, Jacques Tati, 1967); PRINCESS BRIDE, THE (US, Rob Reiner, 1987); PURA FORMALITA, UNA (IT/FR, Guiseppe Tornatore, 1994); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); QUIZ SHOW (US, Robert Redford, 1994); RAIN (US, Louis Milestone, 1932); RAIN MAN (US, Barry Levinson, 1988); RAPTURE, THE (US, Michael Tolkin, 1991); RASHOMON (JA, Akira Kurosawa, 1950); REAR WINDOW (US, Alfred Hitchcock, 1954); REBEL WITHOUT A CAUSE (US, Nicholas Ray, 1955); RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982); ROBOCOP (US, Paul Verhoeven, 1987); ROSENCRANTZ AND GUILDENSTERN ARE DEAD (UK, Tom Stoppard, 1990); SALT OF THE EARTH (US, Herbert J. Biberman, 1954); SAVING PRIVATE RYAN (US, Steven Spielberg, 1998); SCHINDLER'S LIST (US, Steven Spielberg, 1993); SEA OF LOVE (US, Harold Becker, 1989); SEVEN [SE7EN] (US, David Fincher, 1995); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); SHOCKER (US, Wes Craven, 1989); SILENCE OF THE LAMBS, THE (US, Jonathan Demme, 1991); SIMON DEL DESIERTO (MX, Luis Bunuel, 1965); SLEEPER (US, Woody Allen, 1973); SOPHIE'S CHOICE (US, Alan J. Pakula, 1982); STAGE FRIGHT (UK, Alfred Hitchcock, 1950); STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982); STAR TREK; STAR WARS (US, George Lucas, 1977); SUTURE (US, Scott McGehee & David Siegel, 1993); SWITCH (US, Blake Edwards, 1991); TERMINATOR, THE (US, James Cameron, 1984); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991); TESTAMENT DU DOCTEUR CORDELIER, LE (FR, Jean Renoir, 1961); THINGS TO COME (UK, William Cameron Menzies, 1936); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); THREE FACES OF EVE (US, Nunnally Johnson, 1957); TOTAL RECALL (US, Paul Verhoeven, 1990); TRUMAN SHOW, THE (US, Peter Weir, 1998); USUAL SUSPECTS, THE (US, Bryan Singer, 1995); VICE VERSA (US, Brian Gilbert, 1988); JUNGFRUKALLAN (SW, Ingmar Bergman, 1960); WAG THE DOG (US, Barry Levinson, 1997); WALL STREET (US, Oliver Stone, 1987); WILD ONE, THE (US, Laslo Benedek, 1953); WITTGENSTEIN (UK, Derek Jarman, 1993); YOU ONLY LIVE ONCE (US, Fritz Lang, 1937)
Summary: Now emulated in several competing publications, but still unsurpassed in clarity and insight, Philosophy Goes to the Movies: An Introduction to Philosophy, Third Edition builds on the approach that made the two earlier editions so successful. Drawing on many popular and some lesser known films from around the world, Christopher Falzon introduces students to key areas in philosophy, like: Ethics, Social and Political Philosophy, The Theory of Knowledge, The Self and Personal Identity, Critical Thinking. Perfect for beginners, this book guides the reader through philosophy using illuminating cinematic works, like Avatar, Inception, Fight Club, Wings of Desire, Run Lola Run, A Clockwork Orange, Blade Runner, Dirty Harry and many other films. The fully revised and updated Third Edition features: an expanded introduction that provides a new discussion of the relationship between film and philosophy; new material on notable philosophers such as Aristotle, Merleau-Ponty and Rawls; and coverage of new topics like virtue ethics and what Socrates offers for critical thinking. An updated glossary, references and bibliography, and a filmography, are also included in the Third Edition. -- publisher's web site
Notes: Includes glossary
ISBN: 9780415538169
Contents: Preface -- Introduction -- 1 - Plato’s Picture Show - the theory of knowledge -- 2 - All of Me - the self and personal identity -- 3 - Crimes and Misdemeanors - moral philosophy -- 4 - Antz - social and political philosophy -- 5 - Modern Times - society, science, and technology -- 6 - The Holy Grail - critical thinking -- Further Reading -- Glossary -- Bibliography -- Filmography -- Index

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: PIRACY. FRANCE

Call No: 61 POS DEG
Author: Degli-Esposti, Christina
Source: US
Place: New York
Publisher: Berghahn Books
PubDate: 1998
PhysDes: viii, 264 p. : ill. ; 22 cm
Subject: POSTMODERNISM AND THE CINEMA; POSTMODERNISM AND TV/VIDEO; POSTMODERNISM AND TV/VIDEO. USA; POSTMODERNISM AND THE CINEMA. USA; POSTMODERNISM AND THE CINEMA. JAPAN; POSTMODERNISM AND THE CINEMA. POLAND; POLAND; TRAVEL IN FILMS; FRANCE; IMPERIALISM AND THE CINEMA. AFRICAN COUNTRIES; IMPERIALISM AND THE CINEMA. FRANCE; HISTORY AND THE CINEMA; ETHNIC GROUPS IN FILMS; ANIMATION; YOUNG PEOPLE, FILMS FOR; ADAPTATIONS. FORSTER, E. M.; ADAPTATIONS. GENET, JEAN; AUTEUR THEORY; DEGLI-ESPOSTI, CHRISTINA; BARON, CYNTHIA; KRAIDY, MARWAN; WEINSTEIN, DAVID; SHARY, TIMOTHY; BRUNS, JOHN; MAULE, ROSANNA; FALKOWSKA, JANINA; STRAIN, ELLEN; BOLUS-REICHERT, CHRISTINE; LAGA, BARRY; DEUTELBAUM, MARSHALL; HOLDEN-MOSES, PHILIP; WILES, MARY; ALTMAN, ROBERT; JAMESON, FREDRIC; ITAMI, JUZO; FORSTER, E. M.; COEN, JOEL & ETHAN; KUROSAWA AKIRA; GREENAWAY, PETER; FASSBINDER, RAINER WERNER; PLAYER, THE (US, Robert Altman, 1992); ALADDIN (US, John Musker & Ron Clements, 1992); SIMPSONS, THE [TV] (US, 1989-); BILL AND TED'S EXCELLENT ADVENTURE (US, Stephen Herek, 1989); WAYNE'S WORLD (US, Penelope Spheeris, 1992); SINGLES (US, Cameron Crowe, 1992); REALITY BITES (US, Ben Stiller, 1994); TAMPOPO (JA, Juzo Itami, 1986); A NOS AMOURS (FR, Maurice Pialat, 1983); MESSA E FINITA, LA (IT, Nanni Moretti, 1985); QUE HE HECHO PARA MERECER ESTO!! (SP, Pedro Almodovar, 1984); PSY (PL, Wladyslaw Pasikowski, 1993); CZLOWIEK Z ... (PL, Konrad Szolajski, 1993); WHERE ANGELS FEAR TO TREAD (UK, Charles Sturridge, 1991); ROOM WITH A VIEW, A (UK, James Ivory, 1986); PASSAGE TO INDIA, A (US/UK, David Lean, 1984); CHOCOLATE [CHOCOLAT] (FR, Claire Denis, 1988); BARTON FINK (US, Joel Cohen, 1991); DREAMS (US, Akira Kurosawa, 1990); DROWNING BY NUMBERS (UK, Peter Greenaway, 1988); QUERELLE (GW/FR, Rainer Werner Fassbinder, 1982)
Summary: By offering sophisticated and multi-faceted, yet highly accessible discussions on a number of key issues, Postmodernism in the Cinema presents new strategies for reading and understanding postmodernism and opens up the horizons of investigation to address the dynamic relationship between the art of moving images and complex concepts of postmodern theory. Organized according to specific themes such as auteurism, metacinema, national cinema, and the parodic, this anthology includes thirteen essays and examines films including The Player, Aladdin, Singles, Reality Bites, Wayne’s World, Tampopo, A Room with a View, Barton Fink, Akira Kurosawa’s Dreams, Drowning by Numbers, Coup de torchon, Querelle, and more. [Taken from back cover]
Notes: Papers from a conference held in 1994 at Kent State University, Kent, Ohio.; Includes bibliographical references and index.
ISBN: 1571811060
Contents: Introduction: Postmodernism(s) Cristina Degli-Esposti -- Chapter 1: The Player's parody of Hollywood: A different kind of suture - Cynthia Baron -- Chapter 2: Intertextual maneuvers around the subaltern: Aladdin as postmodern text - Marwan Kraidy -- Chapter 3: Of Mice and Bart: The Simpsons and the postmodern - David Weinstein -- Chapter 4: Reification and loss in postmodern puberty: The cultural logic of Fredric Jameson and American youth movies - Timothy Shary -- Chapter 5: Refiguring pleasure: Itami and the postmodern Japanese film - John Bruns -- Chapter 6: De-authorizing the auteur: postmodern politics of interpellation in contemporary European cinema - - Rosanna Maule -- Chapter 7: Postmodernist condition in post-socialist eastern European films: the case of a political pastiche and the socialist-hollywood thriller in recent films of Polish filmmakers - Janina Falkowska -- Chapter 8: E.M. Forster's anti-touristic tourism and the sightseeing gaze of cinema - Ellen Strain -- Chapter 9: Imaginary geographies: the colonial subjects in contemporary French cinema - Christine Bolus-Reichert -- Chapter 10: Decapitated spectators: Barton Fink, (Post)history, and cinematic pleasure - Barry Laga -- Chapter 11: Something like an autobiography in Akira Kurosawa's Dreams - Marshall Deutelbaum -- Chapter 12: Not waving but drowning by numbers: Peter Greenaway's cautionary tale - Philip Holden-Moses -- Chapter 13: A double voice: the dual paternity of Querelle - Mary Wiles
ID2: 291

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PRINCESS OF FRANCE, THE [PRINCESA DE FRANCIA, LA] (AG, Matías Piñeiro, 2014)

Call No: 802 PRO v.9
Author: Herpe, Noel; Boorman, John, 1933; Ciment, Michel; Donohue, Walter
Place: London
Publisher: Faber and Faber
PubDate: 1999
PhysDes: x, 193 p. : ill., ports. ; 23cm
Subject: FRANCE; DIRECTORS. FRANCE; ASSAYAS, OLIVIER; [TRENTE-SIX] 36 FILLETTE (FR, Catherine Breillat, 1988); THERESE (FR, Alain Cavalier, 1986); GARDE A VUE (FR, Claude Miller, 1981); ARGENT, L' (SZ/FR, Robert Bresson, 1983); CONTE D'ETE (FR, Eric Rohmer, 1996); CEREMONIE, LA (FR/GG, Claude Chabrol, 1995); AU REVOIR LES ENFANTS (FR/GW Louis Malle, 1987); COEUR EN HIVER, UN (FR, Claude Sautet, 1992); VAN GOGH (FR, Maurice Pialat, 1991); DIMANCHE A LA CAMPAGNE, UN (FR, Bertrand Tavernier, 1984); RIDICULE (FR, Patrice Leconte, 1996); HOTEL TERMINUS: KLAUS BARBIE, HIS LIFE AND TIMES (US, Marcel Ophuls, 1988); FAVOURITES OF THE MOON [FAVORIS DE LA LUNE, LES] (FR, Otar Iosseliani, 1984); DELICATESSEN (FR, Jean-Pierre Jeunet & Marc Caro, 1991); SENTINELLE, LA (FR, Arnaud Desplechin, 1992); WESTERN (FR, Manuel Poirier, 1997); HEROS TRES DISCRET, UN (FR, Jacques Audiard, 1996); HAINE, LA [HATE] (FR, Mathieu Kassovitz, 1995)
ISBN: 0571193560 (pbk.)
LON: 20163202

Call No: 71(44) RED
Author: Bandy, Mary Lea
CorpAuthor: Museum of Modern Art (New York, N.Y.)
Place: New York Boston
Publisher: Museum of Modern Art Distributed by New York Graphic Society Books, Little, Brown
PubDate: c1983
PhysDes: 220 p. : ill. ; 26 cm
Subject: FRANCE; FRANCE. 1927-1932; CLAIR, RENE; PAGNOL, MARCEL; GREMILLON, JEAN; GABIN, JEAN; COCTEAU, JEAN; RENOIR, JEAN; RESNAIS, ALAIN; LUMIERE, LOUIS; MELIES, GEORGES; FEUILLADE, LOUIS; GANCE, ABEL; FEYDER, JACQUES; BRESSON, ROBERT; BECKER, JACQUES; MELVILLE, JEAN-PIERRE; CARNE, MARCEL; JAUBERT, MAURICE; GUITRY, SACHA; ARLETTY; LUMIERE D'ETE (FR, Jean Gremillon, 1942); DOUCE (FR, Claude Autant-Lara, 1943)
Notes: Published in conjunction with an exhibition organized by the Museum, and others; Includes index; Filmography: p. 167-193; Bibliography: p. 195-210
ISBN: 0870703358 (pbk.)
LON: 3145053

Call No: 744 HOO
Author: Hooks, Bell
Place: New York, NY
Publisher: Routledge
PubDate: 1996
PhysDes: 244 p. ; 24 cm
Subject: RACIAL ISSUES AND THE CINEMA; SEX AND THE CINEMA; CLASS AND THE CINEMA; ETHNIC GROUPS IN FILMS; AVANT-GARDE FILMS; FAMILY IN FILMS; LOOK IN FILMS; SPECTATORSHIP; DEATH IN FILMS; HOMOSEXUALITY IN FILMS; STRIPTEASE IN FILMS; YOUNG PEOPLE IN FILMS; FEMINISM AND THE CINEMA; Tarantino, Quentin; LEE, SPIKE; DASH, JULIE; CLARK, LARRY; JAFFA, ARTHUR; BURNETT, CHARLES; BILLOPS, CAMILLE; ALDERMAN, MARIE-FRANCE; WANG, WAYNE; LIVINGSTON, JENNIE; KILLER OF SHEEP (US, Charles Burnett, 1978); GIRL SIX (US, Spike Lee, 1996); CROOKLYN (US, Spike Lee, 1994); WAITING TO EXHALE (US, Forest Whitaker, 1995); LEAVING LAS VEGAS (US, Mike Figgis, 1995); EXOTICA (CN, Atom Egoyan, 1994); ATTENDANT, THE (UK, Isaac Julien, 1992); FINDING CHRISTA (US, Camille Billops/James Hatch, 1991); KIDS (US, Larry Clark, 1995); HOOP DREAMS (US, Steve James, 1994); PARIS IS BURNING (US, Jennie Livingston, 1990); SHE'S GOTTA HAVE IT (US, Spike Lee, 1986); PULP FICTION (US, Quentin Tarantino, 1994)
Notes: Includes index
ISBN: 0415918235 (HB : acid-free cover); 0415918243 (PB : acid-free cover)
LON: 96026474; 12664107

Call No: 81REN REN
Author: Renoir, Jean
Place: Cambridge; New York
Publisher: Cambridge University Press
PubDate: 1989
PhysDes: xiii, 288 p. : ill. ; 24 cm.
Series: Cambridge studies in film
Subject: FILM; FRANCE; DIRECTORS; PRODUCERS; RENOIR, JEAN
Notes: Translation of: Entretiens et propos. Filmography: p. 264-279. Includes index
ISBN: 0521385938
Contents: Part I. Interviews in Cahiers du Cinema -- 1. First interview, by Jacques Rivette and Frano is Truffaut -- 2. Second interview, by Jacques Rivette and Frano is Truffaut -- 3. Third interview: My next films, by Michel Delahaye and Jean-Andre; Fieschi -- 4. Fourth interview: The progression of ideas, by Michel Delahaye and Jean Narboni -- Part II. Television Interviews -- 5. Jean Renoir talks about his art -- 6. Jean Renoir the boss, the search for relativity, the rule and its exception -- Part III. Remarks -- 7. Jean Renoir presents twenty of his films [for television] -- 8. Hollywood conversations [from Cahiers du cinema] -- Afterword -- Filmography -- Name index -- Title index

Call No: 175 MAR
Author: Marclay, Christian
Source: SZ
Place: Zurich
Publisher: JRP / Ringier
PubDate: 2007
PhysDes: 160 p. : ill. (chiefly col.) ; 23 cm
Subject: EXHIBITION; EXHIBITION. FRANCE; AUSTRALIAN CENTRE FOR THE MOVING IMAGE [ACMI]; ART AND THE CINEMA; MARCLAY, CHRISTIAN
Notes: "Christian Marclay: Replay, Musee de la musique, Paris, March 9-June 24, 2007, Australian Center for the Moving Image, Melbourne, November 15, 2007-February 3, 2008."--Colophon. Includes bibliographical references (p. 153-155)
ISBN: 9783905770575

Call No: 71(44) WIL
Author: Williams, Alan Larson
Place: Cambridge, Mass.
Publisher: Harvard University Press
PubDate: 1992
PhysDes: xii, 458 p. : ill. ; 25 cm
Subject: FRANCE
Notes: Includes bibliographical references (p. 431-440) and index
ISBN: 0674762673 (acid-free paper); 0674762681 (pbk.)
LON: 8202039

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: RETOUR D'AFRIQUE, LE (SZ/FR, Alain Tanner, 1973)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: RETOUR DE MARTIN GUERRE, LE (FR, Daniel Vigne, 1982)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RETURN OF THE HERO [RETOUR DU HEROS, LE] (FR/BE, Laurent Tirard, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BACK TO NORMANDY [RETOUR EN NORMANDIE] (FR, Nicolas Philibert, 2007)
Notes: Import Simon Strong_Batch 8

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RETOUR, LE (FR, Henri Cartier-Bresson, 1945); RETURN, THE (FR, Henri Cartier-Bresson, 1945)

Call No: F023(44)"1958" CHE
Source: FR
Place: Paris
Publisher: Citevox Editeur
PubDate: 1958
PhysDes: 377 p. ; 21 cm
Subject: FRANCE; FILMOGRAPHIES. FRANCE
Language: French

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SEASON IN FRANCE, A [SAISON DE FRANCE, UNE] (FR, Mahamat-Saleh Haroun, 2017)
Notes: Simon-Batch 16B_Nov 26, 2019

Call No: 741 GRI
Author: Grindon, Leger, 1949
Place: Philadelphia
Publisher: Temple University Press
PubDate: 1994
PhysDes: xii, 250 p. : ill. ; 24 cm
Series: Culture and the moving image
Subject: HISTORICAL FILMS; POLITICS AND THE CINEMA; REVOLUTION AND THE CINEMA. FRANCE; ROSSELLINI, ROBERTO; BEATTY, WARREN; GRAMSCI, ANTONIO; WANGER, WALTER; REIGN OF TERROR (US, Anthony Mann, 1949); SENSO (IT, Luchino Visconti, 1954); PRISE DE POUVOIR PAR LOUIS XIV, LA (FR, Roberto Rossellini, 1966); MARSEILLAISE, LA (FR, Jean Renoir, 1938); REDS (US, Warren Beatty, 1981)
Notes: Includes bibliographical references (p. 227-244) and index
ISBN: 1566391822 (pbk.) : $18.95; 1566391814 (alk. paper) : $44.95
LON: 93033042; 10438205

Call No: 721.210.4 SPA
Author: Spaner, David
Edition: 2012
Place: Vancouver
Publisher: Arsenal Pulp Press
PubDate: 2012
PhysDes: 304 pages : illustrated ; 23 cm
Subject: INDEPENDENT PRODUCTION; INDEPENDENT FILMS; POLITICS AND THE CINEMA; FRANCE; UNITED KINGDOM; KOREA; MEXICO; ROMANIA; CANADA; USA
Summary: Shoot It! is a revealing history of how Hollywood, with its eye on the bottom line, lost its ability to support the work of creative filmmakers; it is also a passionate portrait of the independent filmmakers who have risen up to fill the void. The book examines the Hollywood studio system over several decades, from the period when it produced more quality yet commercially viable films, to today, when studios seem only interested in surefire sequels and comic-book adaptations aimed at a global audience. By the same token, Shoot It! also celebrates today's great movies produced outside of the studio system, chronicling the international independent film movement in seven countries (the United States, Canada, Mexico, Britain, France, Romania, and South Korea), from its roots (European New Waves, New York independents) to the revolutionary impact of digital technology. It also features commentary from indie film notables such as Mike Leigh, Gus Van Sant, Claire Denis, Miranda July, Woody Allen, Atom Egoyan, Catherine Breillat, Sally Potter, John Sayles, and Ken Loach. While the studios envisage a generic universe, repressing local film cultures along the way, talented independents continue to tell local stories with universal appeal. This book is a celebration of those determined filmmakers who, despite it all, overcome every obstacle and just shoot it. -- publisher's web site
ISBN: 9781551524085

Call No: 70 MAS
Author: Mast, Gerald, 1940
Edition: 2d ed
Place: Indianapolis
Publisher: Bobbs-Merrill
PubDate: c1976
PhysDes: xii, 575 p. : ill. ; 23 cm
Subject: HISTORY OF CINEMA; GERMANY; USSR; HISTORY OF CINEMA. SOUND PERIOD; FRANCE; NEOREALISM; GRIFFITH, DAVID WARK; CHAPLIN, CHARLES; SENNETT, MACK
Notes: Includes index; Bibliography: p. 505-544
ISBN: 0672637197
LON: 388748 388748

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Publicity
Subject: SOUVENIRS D'EN FRANCE (FR, Andre Techine, 1975)

Call No: 408.1 THE
Author: Vitali, Valentina; Willemen, Paul
CorpAuthor: BFI
Source: UK
Place: London
Publisher: British Film Institute, London
PubDate: 2006
PhysDes: 326 p. ill. : 24 cm
Subject: ASIAN COUNTRIES; NATIONAL CULTURE AND THE CINEMA; JAPAN; KOREA; REPUBLIC OF IRELAND; LATIN AMERICAN COUNTRIES; KRACAUER, SIEGFRIED; BURCH, NOEL; RUSSIA; FRANCE; TAIWAN; PALESTINE; ARAB COUNTRIES; INDIA; ASIAN COUNTRIES; EUROPEAN COUNTRIES; NATIONAL CULTURE AND THE CINEMA; NATIONAL CULTURE IN FILMS; NATIONAL IDENTITY AND THE CINEMA; NATIONAL IDENTITY IN FILMS; GLOBALISATION
Summary: Why do we think of clusters of films as a 'national cinema'? Why has the relationship between the nation and film become so widely and uncritically accepted? Theorising National Cinema is a major contribution to work on national cinemas, by many of the leading scholars in the filed. It addresses the knotty and complex relationships between cinema and national identity, showing that the nationality of a cinema production company, and of the films it made, have not always been seen as pertinent. The volume begins by reviewing and rethinking the concept of national cinema in an age of globalisation, and it goes on to chart the parallel developments of national film industries and the idea of the nation state in countries as diverse as Japan, South Korea, Russia, France and Italy. The issue of a 'national cinema' for nation states of contested status, with disputed borders or displaced peoples, is discussed in relation to film-making in Taiwan, Ireland and Palestine. The contributors also consider the future of national cinema in an age of transnational cultural flows, exploring issues of national identity and cinema in Latin America, Asia, the Middle-East, India, Africa and Europe.
ISBN: 1844571203

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TIMOR TOUR OF DUTY (AT, Sasha Uzunov, 2009)

Call No: 626:396(44) FLI
Author: Flitterman-Lewis, Sandy, 1946
Place: Urbana
Publisher: University of Illinois Press
PubDate: 1990
PhysDes: xii, 340 p. : ill. ; 23 cm
Subject: FEMINISM AND THE CINEMA; THEORY; INDUSTRY, FILM. FRANCE; HISTORY OF CINEMA; VARDA, AGNES; DULAC, GERMAINE; EPSTEIN, MARIE
Summary: Using biographic, historical, and textual analyses to elaborate an alternative, feminist cinematic tradition, this groundbreaking study presents an exploration of the impact of three French women filmmakers: Germaine Dulac, Marie Epstein, and Agnes Varda.
Notes: Originally presented as the author's thesis (Ph. D.--University of California, Berkeley); Includes index; Bibliography: p. [321]-332
ISBN: 0252016548 (alk. paper)
LON: 89031664; 6319232
Contents: 1. Introduction -- 2. Germaind Dulac: first feminist of the avant-garde -- 3. Dulac in context: French film production in the twenties -- 4. From fantasy to structure of the fantasm: 'The smiling mme Beudet' and 'The seashell and the clergyman' -- Marie Epstein: a woman in the shadows -- 6. Epstein in context: French film production in the thirties -- 7. Nursery/rhymes: primal scenes in 'La maternelle' -- 8. Agnes Varda and the woman seen -- 9. Varda in context: French film production in the early sixties - the new wave -- 10. From deesse to idee: 'Cleo from 5-7' -- 11. The "impossible portrait" of femininity: 'Vagabond' -- 12. Conclusion

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TOUR OF DUTY [TV] (US, 1987-1990)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: TOURNEE (FR, Mathieu Amalric, 2010) ON TOUR (FR, Mathieu Amalric, 2010)

Call No: Journal shelves. Cteq.
PubDate: 1998
Subject: FRANCE; INDIA SONG (FR, Marguerite Duras, 1975)
Language: English

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: TROLLS WORLD TOUR (US, Walt Dohrn,, 2020)
Cross Reference: TROLLS WORLD TOUR (US, Walt Dohrn,, 2020)

Call No: Issue 6/7 1991 "Rhetoriques de cinema"
Source: France
Place: Paris
Publisher: Avancees Cinematographiques-Vertigo
PubDate: 1991
Subject: THEORY; AESTHETICS; FRANCE
Notes: Donated by William Routt.
ISSN: 09851402
Indexed In: FIAF

Call No: 71(44) VIE
Author: Vincendeau, Ginette, 1946; Reader, Keith
CorpAuthor: British Film Institute; National Film Theatre (London, England)
Place: London
Publisher: British Film Institute
PubDate: 1986
PhysDes: 109 p.
Series: NFT dossier ; no. 3
Subject: FRANCE
Notes: "A BFI publication produced by the National Film Theatre, London."
ISBN: 0851701914
LON: abn88136924; 5857729

PhysDes: Article
Subject: INDUSTRY, FILM. FRANCE; MUSIC AND THE CINEMA; MUSIC IN FILMS
Summary: Announcement of the second ever Festival du Film des Musiques du Monde (World Music Film Festival) in Paris, France. The festival aims at sharing audio-visual approaches to traditional music for the medium of film.

Call No: 771(44) SHA
Author: Shafto, Sally
Place: New York NY
Publisher: Zanzibar USA
PubDate: 2000
PhysDes: 63 p; 21 cm
Subject: ZANZIBAR FILMS; GARREL, PHILIPPE; FRANCE; EXPERIMENTAL FILMS; RAYNAL, JACKIE; PRODUCTION. EUROPEAN COUNTRIES
Summary: The first English-language account of this little-known chapter in French cinema history. Between 1968 and 1970, Sylvina Boissonnas, a young French heiress and patroness of the arts, financed the production of some fifteen films that would prove highly influential while remaining largely unknown outside of France. Under the banner of “Zanzibar Films” (a name taken from the Maoist island nation in East Africa), a decidely informal collective of about a dozen artists, writers, and students began to make their first films. While the New Wave filmmakers had been in their late twenties and early thirties when they began filmmaking, the Zanzibar directors were younger (Philippe Garrel, one of the key figures, was just twenty) and were inspired by the heady spirit and times of May 1968. These filmmakers quickly became the darlings of Henri Langlois, who often showed their films at the Cinémathèque Française in late-night screenings. Despite their diversity, the Zanzibar films were marked by minimal scripts, the use of nonactors and improvisation, and strong ties to both the art world and the world of fashion. (Several of the Zanzibar participants spent time in Warhol’s Factory in the mid-1960s.) Their films represented the French equivalent of the American underground, and these young cinéastes quickly became the radical dandies of May 1968.
ISBN: 0970240201
Donation: Donated by author