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Ace Topper- John Pye retires in Australasian Cinema (15/7/1983) vol.12 iss.12 p.28
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ALL QUIET ON THE WESTERN FRONT : (US, Lewis Milestone, 1930)
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ALL QUIET ON THE WESTERN FRONT : (US, Delbert Mann, 1980)
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Along film row in Australasian Cinema (16/9/1983) vol.12 iss.17 p.25-27
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Along Film Row in Australasian Cinema (Friday, 2/9/1983) vol.12 iss.16 p.4-7
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Along film row in Australasian Cinema (19/8/1983) vol.12 iss.15 p.5-7
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Along film row in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.18-21
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BIG GUNS TALK : THE STORY OF THE WESTERN : (US, Len Morris, 1997)
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Brian Griffin elected president. W.A.M.P.E.A. in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.2
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City Theatres a great help in fundraising in Australasian Cinema (27/8/1982) vol.11 iss.15 p.32
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City Theatres: A Western Australia Success Story in Australasian Cinema (27/8/1982) vol.11 iss.15 p.3
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City Theatres Group turned threats into opportunities in Australasian Cinema (27/8/1982) vol.11 iss.15 p.3
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City Theatres hold Charity Preview of Squizzy Taylor in Australasian Cinema (27/8/1982) vol.11 iss.15 p.20
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Cyril Cornish dies in Australasian Cinema (27/8/1982) vol.11 iss.15 p.27
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David Pye appointed managing director Ace Theatres in Australasian Cinema (29/10/1982) vol.11 iss.19 p.2
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DECADENCE: DECLINE OF THE WESTERN WORLD : (AT, Pria Viswalingam, 2011)
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[Decadence : poster]
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DECLINE OF WESTERN CIVILISATION PART II: THE METAL YEARS, THE : (US, Penelope Spheeris, 1988)
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DECLINE OF WESTERN CIVILISATION, THE : (US, Penelope Spheeris, 1981)
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DECLINE OF WESTERN CIVILIZATION PART III, THE : (US, Penelope Spheeris, 1998)
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DESERT PEOPLE : (AT, Ian Dunlop, 1967)
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FACES OF WESTERN AUSTRALIA, THE : (AT, Don Shepherd, 1978)
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Farwell to Gordon Mummery in Australasian Cinema (6/8/1982) vol.11 iss.14 p.2
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Filming Batavia in Lumiere (March, 1973) iss.21 p.16-19
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Fred Berry retires in The Australasian Cinema (5/3/1982) vol.11 iss.3 p.2
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The Hollywood Reporter. Australia '89 Special Report On Location in Australia in The Hollywood Reporter (24/2/1989) vol.306 iss.24 p.S1-72
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The Hollywood war film : critical observations from World War I to Iraq / Daniel Binns Bristol, UK ; Chicago, USA: Intellect Books, 2017.
Call No: 737(73) BINAuthor: Binns, Daniel Edition: 2017Place: Bristol, UK ; Chicago, USAPublisher: Intellect BooksPubDate: 2017PhysDes: 172 pages : illustrated ; 23 cmSubject: WAR FILMS. USA ; VIETNAM WAR FILMS. USA ; WORLD WAR II FILMS. USA ; VIDEO GAMES ; ALL QUIET ON THE WESTERN FRONT (US, Lewis Milestone, 1930) ; APOCALYPSE NOW (US, Francis Ford Coppola, 1979) ; COPPOLA, FRANCIS FORD ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; HURT LOCKER, THE (US, Kathryn Bigelow, 2008) ; M*A*S*H (US, Robert Altman, 1969) ; PATTON (US, Franklin J. Schaffner, 1970) ; SAVING PRIVATE RYAN (US, Steven Spielberg, 1998) ; STEEL HELMET, THE (US, Samuel Fuller, 1951) Notes: Combining action, violence, and deeply conflicted emotions, war has always been a topic made for the big screen. In The Hollywood War Film, Daniel Binns considers how war has been depicted throughout the history of cinema. Looking at depictions of both World Wars, the Vietnam War, and the major conflicts in the Middle East, Binns reflects on representations of war and conflict, revealing how Hollywood has made the war film more than just a genre, but a dynamic cultural phenomenon.
Looking closely at films such as All Quiet on the Western Front, Full Metal Jacket, and The Hurt Locker, Binns reveals the commonalities in Hollywood films despite the distinct conflicts and eras they represent, and he shows how contemporary war films closely echo earlier films in their nationalistic and idealistic depictions. Offering a trenchant analysis of some of the most important war films from the past century, this book will be of interest to anyone who has been captivated by how film has dealt with one of humanity’s most difficult, but far too common, realities. -- publisher's web siteISBN: 9781783207541Contents: Acknowledgements and dedication -- Introduction: war and cinema -- For glory: World Wars I and II -- Fear and frustration: Korea and Vietnam -- Live from the front line: conflict in the Middle East -- Extended discourse: cross-platform war -- Conclusion: cycles of violence, repeat performances -- Bibliography -- Index.
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Horrors and heroic deeds in a foreign field in The Australian (19/07/2016) p.17
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Imagined landscapes : geovisualizing Australian spatial narratives / Jane Stadler, Peta Mitchell and Stephen Carleton Bloomington: Indiana University Press, 2016.
Call No: 756(94) STAAuthor: Stadler, Jane -- Mitchell, Peta -- Carleton, Stephen Source: USPlace: BloomingtonPublisher: Indiana University PressPubDate: 2016PhysDes: x, 226 pages ; 23 cmSeries: The spatial humanitiesSubject: AUSTRALIAN ABORIGINES IN FILMS ; LANDSCAPES IN FILMS. AUSTRALIA ; LOCATION SHOOTING. AUSTRALIA ; LOCATION SHOOTING. AUSTRALIA: NEW SOUTH WALES ; LOCATION SHOOTING. AUSTRALIA: VICTORIA ; LOCATION SHOOTING. AUSTRALIA: WESTERN AUSTRALIA ; LOCATION SHOOTING. AUSTRALIA: TASMANIA ; LOCATION SHOOTING. AUSTRALIA: NORTHERN TERRITORY ; CULTURE AND THE CINEMA. AUSTRALIA ; CRIMINALS IN FILMS. AUSTRALIA ; IMPERIALISM AND THE CINEMA. AUSTRALIA ; DAWN, NORMAN ; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994) ; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) ; LAST CONFESSION OF ALEXANDER PEARCE, THE (AT, Michael James Rowland, 2008) ; RED DOG (AT, Kriv Stenders, 2011) ; SAMSON AND DELILAH (AT, Warwick Thornton, 2009) ; VAN DIEMEN'S LAND (AT, Jonathon Auf Der Heide, 2009) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) Summary: "Imagined Landscapes teams geocritical analysis with digital visualization techniques to map and interrogate films, novels, and plays in which Asutralian space and place figure prominently. Drawing upon A Cultural Atlas of Australia, a database-driven interactive digital map that can be used to identifu patterns of represnetation in Australia's cultural landscape, the book presents an integrated prespective on the translation of space across narraitve forms and pioneers new ways of seeing and understanding landscape" - TAKEN FROM BACK COVERISBN: 9780253018458Contents: Introduction : geocriticism's disciplinary boundaries -- Remediating space : adaptation and narrative geography -- Cultural topography and mythic space : Australia's North as gothic zone -- Spatial history : mapping narrative perceptions of place over time -- Mobility and travel narratives : geovisualizing the cultural politics of belonging to the land -- Terra incognita : mapping the uncertain and the unknown
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INDUSTRY, FILM. AUSTRALIA : WESTERN AUSTRALIA
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Interactive entertainment arts : a report to Screen West on potential for interactive multimedia and the WA film and television industry / Nic Beames 1995.
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LOCATION SHOOTING. AUSTRALIA: WESTERN AUSTRALIA Digital clippings file available
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Looking for trouble : on shopping, gender and the cinema / Suzanne Moore London: Serpent's Tail, 1991.
Call No: 67(41) MOOAuthor: Moore, Suzanne Source: UKPlace: LondonPublisher: Serpent's TailPubDate: 1991PhysDes: ix, 305 pages ; 20 cmSubject: CRITICISM ; FEMINISM AND THE CINEMA ; JAMES BOND IN FILMS ; POPULAR CULTURE AND THE CINEMA ; ALWAYS (US, Steven Spielberg, 1989) ; BIRD (US, Clint Eastwood, 1988) ; BLACK RAIN (US, Ridley Scott, 1989) ; BLUE STEEL (US, Kathryn Bigelow, 1989) ; BROKEN NOSES (US, Bruce Weber, 1987) ; CHOCOLAT (FR, Claire Denis, 1988) ; DEAD RINGERS (CN, David Cronenberg, 1988) ; DECLINE OF WESTERN CIVILISATION PART II: THE METAL YEARS, THE (US, Penelope Spheeris, 1988) ; DO THE RIGHT THING (US, Spike Lee, 1989) ; FAMILY VIEWING (CN, Atom Egoyan, 1987) ; FAREWELL TO THE KING (US, John Milius, 1989) ; GHOSTS. . . OF THE CIVIL DEAD (AT, John Hillcoat, 1988) ; GOOD MOTHER, THE (US, Leonard Nimoy, 1988) ; JESUS OF MONTREAL (CN/FR, Denys Arcand, 1989) ; KAMIKAZE HEARTS (US, Juliet Bashore, 1986) ; KROTKI FILM O ZABIJANIU (PL, Krzysztof Kieslowski, 1988) ; LONGTIME COMPANION (US, Norman Rene, 1990) ; MADONNA: TRUTH OR DARE (US, Alek Keshishian, 1991) ; MARUSA NO ONNA (JA, Juzo Itami, 1987) ; PARIS BY NIGHT (UK, David Hare, 1989) ; PATTY HEARST (US, Paul Schrader, 1988) ; ROGER AND ME (US, Michael Moore, 1989) ; SCANDAL (UK, Michael Caton-Jones, 1989) ; SERPENT AND THE RAINBOW (US, Wes Craven, 1988) ; SHE-DEVIL (US, Susan Seidelman, 1989) ; SHE MUST BE SEEING THINGS (US, Sheila McLaughlin, 1987) ; SKIN DEEP (US, Blake Edwards, 1989) ; SLEEPING WITH THE ENEMY (US, Joesph Ruben, 1991) ; SOMETHING WILD (US, Jonathan Demme, 1986) ; STAR TREK V: THE FINAL FRONTIER (US, William Shatner, 1989) ; SWEETIE (AT, Jane Campion, 1989) ; TEENAGE MUTANT NINJA TURTLES (US, Steve Barron, 1990) ; THIN BLUE LINE, THE (US, Errol Morris, 1988) ; THIRTYSOMETHING [TV] (US, 1987-91) ; TIE ME UP! TIE ME DOWN! (SP, Pedro Almodovar, 1990)
SEE
ATAME! ; TORCH SONG TRILOGY (US, Paul Bogart, 1988) ; TOTAL RECALL (US, Paul Verhoeven, 1990) ; TUCKER (US, Francis Ford Coppola, 1988) ; TWIN PEAKS [TV] (US, David Lynch & others, 1990-1991) ; UNHOLY, THE (US, Camilio Vila, 1988) ; WAR OF THE ROSES, THE (US, Danny DeVito, 1989) ; WIRED (US, Larry Peerce, 1989) ; WORLD APART, A (UK, Chris Menges, 1988) ; BAUDRILLARD, JEAN ; TARKOVSKY, ANDREI ; WINDSOR, BARBARA Summary: "In her articles and essays, Suzanne Moore takes a vitriolic look at the icons of modern life - post feminism, Baudrillard, Laura Ashley, Twin Peaks, the new man, safe sex, James Bond, a green planet. In her film reviews, she dissects the 'mega' filmmakers of our time - Steven Spielberg, Federico Fellini, Akira Kurosawa, Pedro Almodovar, Ken Russell and David Lynch. Definitely not 'one of the boys', Suzanne Moore's attitude to the good and famous is refreshing and irreverent." -Book blurb.Notes: Contains bibliographyISBN: 1852422424Contents: Introduction -- Feminism -- Men: Men against men; Target man; The brothers grim; Toy soldiers or wicked willies; Prince; Torch Song tightrope; Here's looking at you, kid -- Women: Material girl; Hi, I'm Anneka - fly me; Green light spells danger; The odds of getting even; A call to underarms; Fatal fantasies; Happiness is a warm gun; Close-up as the cookie crumbles; Women who read too much; The great awakening; Modern romance; The merry life of Windsor -- Children: Hiding in the wardrobe; Hung-up on Father Christmas; Politics of choice; Birth and death; Maternal melodramas; Eternal childhood; Unhappy families; Heroes in a half-shell -- Fantasy -- Fear: Killjoy culture; Filming by numbers; The death of intimacy; To hell and back; Murder most foul; Electric shocks; Fag end; Soft soap -- Flesh: Good vibrations; Deviant laws; Everyday eroticism; One big act; A screw of convenience?; Missionary sex; The struggle for safe endings -- Faith: Kidnapped by the counter-culture; Sculpting in time; Playing Jesus by night; Nithing but the truth; Always a love story; Jazz junkie -- Power: Pleasure: Understimulation; And now for the news; Film slobs; The metal age; All night long; The money game; Mall-content?; Mini-politics: saying no in public; Belushi's last high; something to stay home about; Reach for the stars; Starship stories -- Politics: Political poison; Junk culture; Never really at home; A problem of identities; Brand loyalty; Sun rises in the east; You can't do the right thing all the time; Great expectations -- Populism: Postmodern paralysis; Britain's macho man; On the side of the man in the street; Against the sober grain -- Postmodernism: Politics of seduction; Getting a bit of the other - the pimps of postmodernism.ID2: 291
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Magic hour / Jack Cardiff ; foreword by Martin Scorsese London: Faber, 1996.
Call No: 81CAR CARAuthor: Cardiff, Jack Place: LondonPublisher: FaberPubDate: 1996PhysDes: xiv, 258 p., [16] p. of plates : ill., ports. ; 22 cmSubject: BOGART, HUMPHREY ; Cardiff, Jack ; FLYNN, ERROL ; GOLDSTEIN, ROBERT ; HEPBURN, KATHARINE ; HITCHCOCK, ALFRED ; HUSTON, JOHN ; MONROE, MARILYN ; Powell, Michael ; BLACK NARCISSUS (UK, Michael Powell & Emeric Pressburger, 1947) ; RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948) ; PANDORA AND THE FLYING DUTCHMAN (UK, Albert Lewin, 1951) ; PRINCE AND THE SHOWGIRL, THE (UK, Laurence Olivier, 1957) ; SONS AND LOVERS (UK, Jack Cardiff, 1960) ; WESTERN APPROACHES (UK, Pat Jackson, 1944) Notes: Includes index; Filmography: p. 245-248ISBN: 0571192742; 0571192742 (pbk) : ¦9.99 : Formerly CIPOrder Received: 1998LON: gb 97048661; 13333870
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journal article
Mammoth Premiere launches "The Man from Snowy River" in Australasian Cinema (16/07/1982) vol.11 iss.12 p.16-17
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Message by the leader of the opposition in Australasian Cinema (27/8/1982) vol.11 iss.15 p.3
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Movies of the twenties : and early cinema / Jurgen Muller (ed) Koln: Taschen GMBH, 2007.
Call No: 70"192" MULAuthor: Muller, Jurgen Edition: 2007Place: KolnPublisher: Taschen GMBHPubDate: 2007PhysDes: 482 pgaes : illustrated ; 26 cmSubject: HISTORY OF CINEMA. 1920's ; HISTORY OF CINEMA. SILENT PERIOD ; TRIP TO THE MOON [VOYAGE DANS LA LUNE] (FR, George Melies, 1902) ; GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903) ; STUDENT VON PRAG, DER (G, Stellan Rye, 1913) ; CABIRIA (IT, Giovanni Pastrone, 1914) ; BIRTH OF A NATION, THE (US, David Wark Griffith, 1915) ; INTOLERANCE (US, David Wark Griffith, 1916) ; MADAME DUBARRY (G, Ernst Lubitsch, 1919) ; CABINET DES DR. CALIGARI, DAS (G, Robert Wiene, 1920) ; EROTIKON (SW, Mauritz Stiller, 1920) ; GOLEM, WIE ER IN DIE WILT KAM, DER (G, Paul Wegener & Carl Bose, 1920) ; KID, THE (US, Charles Chaplin, 1921) ; FOOLISH WIVES (US, Erich Von Stroheim, 1922) ; FOUR HORSEMEN OF THE APOCALYPSE, THE (US, Rex Ingram, 1921) ; THREE MUSKETEERS, THE (US, Fred Niblo, 1921) ; ABENTEUER DES PRINZEN ACHMED, DIE (GE/GG, Carl Koch & Lotte Reiniger, 1925) ; TOL'ABLE DAVID (US, Henry King, 1921) ; NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; HAXAN [WITCHCRAFT THROUGH THE AGES] (SW/DK, Benjamin Christensen, 1922) ; [DOKTOR] DR. MABUSE DER SPIELER (G, Fritz Lang, 1922) ; SAFETY LAST (US, Fred Newmayer/Sam Taylor, 1923) ; HUNCHBACK OF NOTRE DAME (US, Wallace Worsley, 1923) ; TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1923) ; WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924) ; THIEF OF BAGDAD (US, Raoul Walsh, 1924) ; SHERLOCK, JR. (US, Buster Keaton, 1924) ; NIBELUNGEN, DIE (G, Fritz Lang, 1922-24) ; LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924) ; NAVIGATOR, THE (US, Buster Keaton & Donald Crisp, 1924) ; GREED (US, Erich von Stroheim, 1925) ; IRON HORSE, THE (UK, John Ford, 1924) ; GOLD RUSH, THE (US, Charles Chaplin, 1925) ; BEN HUR (US, Fred Niblo, 1925) ; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925) ; VARIETE (G, E.A. Dupont, 1925) ; BIG PARADE, THE (US, King Vidor, 1925) ; FREUDLOSE GASSE, DIE (G, Wilhelm Pabst, 1925) ; PHANTOM OF THE OPERA, THE (US, Rupert Julian, 1925) ; SON OF THE SHEIK, THE (US, George Fitzmaurice, 1926) ; LODGER, THE (UK, Alfred Hitchcock, 1926) ; GENERAL, THE (US, Buster Keaton & Clyde Bruckman, 1927) ; BLACK PIRATE, THE (US, Albert Parker, 1926) ; FAUST (G, Friedrich Wilhelm Marnau, 1926) ; ABENTEUER DES PRINZEN ACHMED, DIE (GE/GG, Carl Koch & Lotte Reiniger, 1925) ; METROPOLIS (G, Fritz Lang, 1926) ; KONETS SANKT-PETERSBURGA (UR, Vsevolod Pudovkin, 1927) ; BERLIN DIE SINFONIE DER GROSSTADT (G, Walter Ruttman, 1927) ; NAPOLEON (FR, Abel Gance, 1927) ; CHAPEAU DE PAILLE D'ITALIE, UN (FR, Rene Clair, 1927) ; SUNRISE (US, Friedrich Wilhelm Murnau, 1927) ; JAZZ SINGER, THE (US, Alan Crosland, 1927) ; PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928) ; CROWD, THE (US, King Vidor, 1928) ; WIND, THE (US, Victor Sjostrom, 1928) ; CIRCUS, THE (US, Charles Chaplin, 1928) ; CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929) ; BLACKMAIL (UK, Alfred Hitchcock, 1929) ; BUCHSE DER PANDORA, DIE (G, Georg Wilhelm Pabst, 1929) ; CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928) ; LITTLE CAESAR (US, Mervyn LeRoy, 1931) ; BLAUE ENGEL, DER (G, Josef von Sternberg, 1930) ; ALL QUIET ON THE WESTERN FRONT (US, Lewis Milestone, 1930) ; SOUS LES TOITS DE PARIS (FR, Rene Clair, 1929) ; MOROCCO (US, Josef von Sternberg, 1930) ; WESTFRONT 1918 (G, Georg Wilhelm Pabst, 1930) ; AGE D'OR, L' (FR, Luis Bunuel, 1930) Notes: From the invention of the moving picture to the first sound movies From the first moving pictures (the Lumiere brothers' 1895 L'arrive d'un train), early westerns, fantastic pictures, and nickelodeons all the way through the golden age of silent film in the 1920s, this book covers the first three decades of the moving picture around the world. In America, we witness the birth of Hollywood, circa 1910, where film quickly became a powerful industry and D. W. Griffith put American cinema on the map; later, Charlie Chaplin and Buster Keaton developed a new language of visual comedy while eccentrics like Erich von Stroheim and Cecil B. DeMille turned cinema into a high art form and show biz respectively, and sex symbols like Rudolph Valentino and Greta Garbo heated up the screens.
Meanwhile, in Europe, German directors such as Ernst Lubitsch and Fritz Lang were establishing their careers and Russian greats Eisenstein and Pudovkin were already revolutionizing a nascent art form. At the end of the 1920s the very first "talkies", albeit rudimentary ones, brutally crushed the silent art, but by 1930 sound masterpieces such as Sternberg's The Blue Angel and Milestone's All Quiet on the Western Front were produced. This exploration of the founding years of cinema offers a fascinating perspective on a period in movie history that is far too often overlooked in our times. -- jacket blurbISBN: 9783822846131Donation: Megan McMurchy
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The Moving image : film and television in Western Australia, 1896-1985 / editorial committee, Tim Fetherstonhaugh ... [et al.] ; text edited by Tom O'Regan, Brian Shoesmith [Doubleview, W.A.]: History and Film Association of Australia (W.A.), 1985.
Call No: 71(94) MOVAuthor: Fetherstonhaugh, Tim ; O'Regan, Tom, 1956 ; Shoesmith, Brian CorpAuthor: History and Film Association of Australia (W.A.)Place: [Doubleview, W.A.]Publisher: History and Film Association of Australia (W.A.)PubDate: 1985PhysDes: 108 p. : ill., facsims., ports. ; 30 cmSubject: AUSTRALIA. WESTERN AUSTRALIA ; DRAMAS. AUSTRALIA. WESTERN AUSTRALIA ; FESTIVALS. AUSTRALIA. WESTERN AUSTRALIA ; HISTORY OF TV. AUSTRALIA. WESTERN AUSTRALIA ; SOCIETIES, FILM. AUSTRALIA. WESTERN AUSTRALIA Notes: Cover subtitle: A history of film and television in Western Australia, 1896 to 1985; Published to augment an exhibition held at the Alexander Library Building from 26.11.1985-17.2.86; "Sponsored by W.A. Film Council, W.A. Arts Council, Rural and Industries Bank of Western Australia." -Cover; Bibliography: p. 106ISBN: 0729800333 (pbk.)LON: abn86060981; 4390832
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News brief / the Western Australian Film Council Perth, W.A.: The Council,
Call No: held no.1-3 Aug.-Oct. 1993CorpAuthor: Western Australian Film Council; News brief (Western Australian Film Council)Source: ATPlace: Perth, W.A.Publisher: The CouncilPhysDes: vSubject: Western Australian Film Council Periodicals Notes: Caption title; At head of title: Westfilm; Description based on : No. 4LON: abn90117869; 7146274
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poster
[Perth film festival : poster] AT: [1975].
Call No: P PERPlace: ATPubDate: [1975]PhysDes: 1 poster : colour ; 59 x 46 cmSubject: FESTIVALS. AUSTRALIA. WESTERN AUSTRALIA ; FESTIVALS. PERTH ; FESTIVALS. PERTH [VARIOUS] Summary: Text: 4th International
Regal cinema, SUBIACO, August 8-21
Bookings: P.O. Box 149, South Perth, W.A. 6151
Image: A black and white image of two people with cameras instead of heads leaning towards each other.Notes: Poor condition, folds, worn edges, tears, markings.
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journal article
Pioneer meeting goes with a bang in Australasian Cinema (16/4/1982) vol.11 iss.6 p.2
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Projections 9 : French film-makers on film-making / in association with Positif ; edited by Michel Ciment and Noel Herpe ; translated by Pierre Hodgson ; executive editors, John Boorman and Walter Donohue London: Faber and Faber, 1999.
Call No: 802 PRO v.9Author: Herpe, Noel ; Boorman, John, 1933 ; Ciment, Michel ; Donohue, Walter Place: LondonPublisher: Faber and FaberPubDate: 1999PhysDes: x, 193 p. : ill., ports. ; 23cmSubject: FRANCE ; DIRECTORS. FRANCE ; ASSAYAS, OLIVIER ; [TRENTE-SIX] 36 FILLETTE (FR, Catherine Breillat, 1988) ; THERESE (FR, Alain Cavalier, 1986) ; GARDE A VUE (FR, Claude Miller, 1981) ; ARGENT, L' (SZ/FR, Robert Bresson, 1983) ; CONTE D'ETE (FR, Eric Rohmer, 1996) ; CEREMONIE, LA (FR/GG, Claude Chabrol, 1995) ; AU REVOIR LES ENFANTS (FR/GW Louis Malle, 1987) ; COEUR EN HIVER, UN (FR, Claude Sautet, 1992) ; VAN GOGH (FR, Maurice Pialat, 1991) ; DIMANCHE A LA CAMPAGNE, UN (FR, Bertrand Tavernier, 1984) ; RIDICULE (FR, Patrice Leconte, 1996) ; HOTEL TERMINUS : KLAUS BARBIE, HIS LIFE AND TIMES (US, Marcel Ophuls, 1988) ; FAVORIS DE LA LUNE, LES (FR, Otar Ioseliani, 1984) ; DELICATESSEN (FR, Jean-Pierre Jeunet & Marc Caro, 1991) ; SENTINELLE, LA (FR, Arnaud Desplechin, 1992) ; WESTERN (FR, Manuel Poirier, 1997) ; HEROS TRES DISCRET, UN (FR, Jacques Audiard, 1996) ; HAINE, LA (FR, Mathieu Kassovitz, 1995) ISBN: 0571193560 (pbk.)LON: 20163202
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ScreenWest drives production study in Encore (12 Feb, 1999) vol.17 iss.2 p.19
Author: Mooney, Jacqueline PhysDes: Article; Illustration(s)Subject: INDUSTRY, FILM. AUSTRALIA : WESTERN AUSTRALIA ; SCREENWEST Summary: ScreenWest chief executive, Debra Allanson, discusses WA state government study to develop recommendations to increase WA production levels. Includes details of the Producer Enterprise Package scheme (PEP) established by ScreenWest.
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Seeking finding remembering : Short films from the Federal Republic / Karola Gramann, Dr. J. S. Roth Munich: Goethe Institute, 1987.
Call No: 115 287 (430.1) GRAAuthor: Gramann, Karola Edition: 1st ed.Source: Federal Republic of GermanyPlace: MunichPublisher: Goethe InstitutePubDate: 1987PhysDes: 52 p ; 20cm + b&w ill.Subject: SHORT FILMS ; GERMAN FEDERAL REPUBLIC ; NON-FICTION FILMS ; WORKERS IN FILMS ; WOMEN IN FILMS ; FEMINISM AND THE CINEMA ; POLITICAL FILMS ; NAZIS IN FILMS ; HISTORICAL FILMS ; WORLD WAR II AND THE CINEMA ; PEWAS, PETER ; WILMS, ELISABETH ; KOERBER, MARTIN ; TICHAWSKY, HEINRICH ; NESTLER, PETER ; HERZ, HORST ; DOERRIES, BERNHARD ; KLUGE, ALEXANDER ; SCHAMONE, PETER ; STRAUB, JEAN-MARIE ; KRISTL, VLADO ; THOME, RUDOLPH ; FASSBINDER, RAINER WERNER ; STOCKL, ULA ; OTTINGER, ULRIKE ; HERBST, HELMUT ; SANDERS-BRAHMS, HELMA ; FAROCKI, HARUN ; GIEFER, THOMAS ; BERSWORDT-WALLRABE, VON, ALEXANDER ; MERBACH, ROSEMARIE ; SCHUBERT, DIETRICH ; WINZENSTEN, FRANZ ; LANG, MARIA ; NOLL BRINCKMANN ; JORITZ, CATHY ; MIKESCH, ELFI ; KLEINE CHAOS, DAS (GR, Rainer Werner Fassbinder, 1966) ; MENSCHEN, STADTEN, SCHIENEN (GR,Peter Pewas, 1949) ; DORTMUND DAMALS (GR, Elisabeth Wilms, 1947) ; HERBSTBEDANKEN (GR, Peter Pewas, 1950) ; VELORENES BERLIN, EIN (GR,Richard Kostelanetz, Martin Koerber, 1983) ; NOTIZEN AUS DEM ALTMUHTAL (GR,Hans Rolf Strobel, Heinrich Tichawsky, 1961) ; MULHEIM/RUHR (GR, Peter Nestler, 1964) ; ES LOBT DEN MANN DIE ARBEIT UND DIE TAT (GR, Horst Herz, 1982) ; MANNEQUIN, DAS (GR, Bernhard Doerries, 1960) ; BRUTALITAT IN STEIN - DIE EWIGKEIT VON GESTERN (GR, Alexander Kluge, Peter Schamoni, 1960) ; MACHORKA MUFF (GR, Jean-Marie Straub, 1962) ; MADELEINE-MADELEINE (GR, Vlado Kristl, 1963) ; VERSOHNUNG, DIE (GR, Rudolf Thome, 1964/65) ; ANTIGONE (GR, Ula Stockl, 1964) ; SUPERBIA (GR, Ulrike Ottinger, 1986) ; SCHWARZ, WEISS, ROT (GR, Helmut Herbst, 1964) ; INDUSTRIELLE RESERVEARMEE, DIE, Helena Sanders-Brahms, 1970/71) ; NICHT LOSCHBARES FEUER (GR, Harun Farocki, 1969) ; TERROR AUCH IM WESTERN (GR, Thomas Giefer, 1968) ; ABSTECHER NACH ENKBACH, EIN (GR, Alexander von Berswordt-Wallrabe, 1979) ; MAMMA HEMMERS GEHT MIT IHREM PASTOR ZUM LETZEN MAL UBER'N HEINRICHPLATZ; KREUZBERG ADIO (GR, S.M Rosi, 1979) ; GEHT UM MEHR ALS NUR UMS UBERLEBEN, ES (GR, Dietrich Schubert, 1982) ; ANPROBE, DIE - 1938 (GR, Franz Winzenstein, 1985) ; ANGELIKA URBAN, VERKAUFERIN, VERLOBT (GR, Helma Sanders-Brahms, 1969) ; FAMILIENGRUFT-EIN LIEBESGEDICHT AN MEINE MUTTER (GR, Maria Lang, 1982) ; HALBES LEBEN, EIN (GR, Christine Noll Brinckmann, 1983) ; NEGATIVE MAN (GR, Cathy Joritz, 1985) ; EXECUTION-A STUDY OF MARY (GR, Elfi Mikesch, 1979) Summary: This program presents a comprehensive survey of the Federal Republic of Germany’s contribution to the field of short films. Among other things it is a journey through the history of the former West Germany and the social changes it underwent, reflected in the various forms of political documentation and aesthetic innovation in the films.
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"Sophie's Choice" Perth's glittering charity premiere. in Australasian Cinema (27/5/1983) vol.12 iss.9 p.6-7
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Western Australian Arts Council Annual report / The Western Australian Arts Council [West Perth]: The Council, 1975-1986.
Call No: ANNUAL REPORT SHELVES; held 1979/80-1980/81CorpAuthor: Western Australian Arts CouncilPlace: [West Perth]Publisher: The CouncilPubDate: 1975-1986PhysDes: 12 v. : ill. ; 30 cmSubject: Western Australian Arts Council Notes: Description based on: 1975/76; title from coverISSN: 0312-9721Frequency: AnnualLON: 2035505 4391630
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Call No: ANNUAL REPORT SHELVES; held 1991-1993CorpAuthor: Western Australian Film CouncilPlace: [Perth, W.A.]Publisher: The CouncilPhysDes: vSubject: Western Australian Film Council Notes: Cover title; Description based on: 1988LON: 7241587
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