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A.V.A. holds second convention in Australasian Cinema (13/5/1983) vol.12 iss.8 p.4
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Along Film Row in Australasian Cinema (29/4/1983) vol.12 iss.7 p.9-11
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Along Film Row in Australasian Cinema (10/9/1982) vol.11 iss.16 p.10-11
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Andre Blay heading newly created Embassy Home Entertainment in Australasian Cinema (27/8/1982) vol.11 iss.15 p.25
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Angus & Robertson video library at two Visionhire branches in Australasian Cinema (10/6/1983) vol.12 iss.10 p.1
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Another winner for Q'Land M.P.E.A. : The 37th "Movie Market '82" Convention hits new triumphant high in Australasian Cinema (6/8/1982) vol.11 iss.14 p.4-5
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Aust. movie giant, Roadshow Film Dist., launch Roadshow Home Video in Australasian Cinema (28/5/1982) vol.11 iss.9 p.7
PhysDes: ArticleSubject: DISTRIBUTION. AUSTRALIA ; VIDEO, FILMS ON. AUSTRALIA ; MAD MAX (AT, George Miller, 1979) ; ENDLESS LOVE (US, Franco Zeffirelli, 1981) ; ATLANTIC CITY, USA (CN/FR, Louis Malle, 1980) ; VILLAGE ROADSHOW Summary: Article on the Roadshow announcement of the new subdivision, Roadshow Home Video, which will distribute films on VHS and BETA across Australia.
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Australian video censorship classifications 88 Richmond North, Vic.: General Magazine Co., 1988.
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Authorship in Wide Angle (1984) vol.6 iss.1 p.[whole issue]
Author: Lehman, Peter PhysDes: ArticleSubject: AUTEUR THEORY ; COME AND GET IT (US, Howard Hawks and William Wyler, 1936) ; LADY IN THE LAKE (US, Robert Montgomery, 1946) ; [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964) ; VIDEO, FILMS ON ; CABINET OF DR. CALIGARI, THE [CABINET DES DR. CALIGARI, DAS] (G, Robert Wiene, 1920) ; A BOUT DE SOUFFLE (FR, Jean-Luc Godard, 1959) ; BREATHLESS (FR, Jean-Luc Godard, 1959) Summary: Entire edition on authorship/auteurism. Articles on 'Breathless', 'The Cabinet of Dr. Caligari', 'Come and Get It', 'The Lady in the Lake', and 'Dr. Strangelove'. An interview with Judith Barry on video art, and an interview with Manny Kirchheimer.
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Bad news for video pirates : Address to Bundaberg Convention by Ray Stevenson, Director Australian Film Secuirty Office in Australasian Cinema (13/5/1983) vol.12 iss.8 p.2
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Big role for Australian Film Producers' Assoc. in The Australasian Cinema (19/3/1982) vol.11 iss.4 p.3
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Blow to the video vendors : Import duty up from 2 to 37 per cent in Australasian Cinema (29/10/1982) vol.11 iss.19 p.14
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CBS/FOX/Video snap-up "Dundee" in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.20
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Clearance promised on video backlog of 2,800 titles in Australasian Cinema (Friday, 31/5-6/6/1985) vol.14 iss.9 p.2
Subject: AUSTRALIA ; VIDEO, FILMS ON Summary: Article on how VIDA's pressure on the Federal Attorney General has led to a promise in dealing with the censorship/classification backlog
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Feature - duplication & DVD in Encore (May 2000) vol.18 iss.4 p.41-44
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Federal police seize tapes in Australasian Cinema (6/8/1982) vol.11 iss.14 p.2
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Special issue
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Film on video : the essential 100 1993.
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GL Film Enterprises represented in US in Australasian Cinema (28/5/1982) vol.11 iss.9 p.2
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Has the industry stabalised? in Australasian Cinema (Friday, 16/8/1985) vol.14 iss.13 p.6
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Heston on video threat in Australasian Cinema (14/5/1982) vol.11 iss.8 p.2
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Hoyts acquire video rights to 25 titles in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.1
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Increase duty on video tapes causes rush on imports in Australasian Cinema (14/5/1982) vol.11 iss.8 p.5
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Introduction to documentary / Bill Nichols Bloomington IN: Indiana University Press, 2001.
Call No: 761 NICAuthor: Nichols, Bill Source: USPlace: Bloomington INPublisher: Indiana University PressPubDate: 2001PhysDes: 223 p. ; ill. ; 23 cmSubject: DOCUMENTARIES ; DOCUMENTARY FILMS ; EDITING ; ETHICS AND THE CINEMA ; FEMINISM AND THE CINEMA ; REALISM IN FILMS ; SOCIAL PROBLEMS IN FILMS ; VIDEO, FILMS ON ; VOICE OVER ; LAND WITHOUT BREAD (SP, Luis Bunuel, 1933) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; NIGHT AND FOG (FR, Alain Resnais, 1995) ; NUIT ET BROUILLARD (FR, Alain Resnais, 1955) ; THIN BLUE LINE, THE (US, Errol Morris, 1988) Summary: Introduction to Documentary provides an overview of the most important topics and issues in documentary history and criticism. Designed for students in any field that makes use of visiual evidence and persuasive strategies, this book spells out the distinguishing qualities of documentary. This book offers suggestive answers to basic issues that have stood at the centre of all debate on documentary from its very beginnings to today. It covers questions of ethics, form, modes, voice, history, and politics among others. A final chapter addresses the question of how to write about documentary in a clear, convincing manner.Notes: Includes Notes on source material pp.179-190; Filmography pp.191-201; List of Distributors pp.201-218; Index pp.219-223ISBN: 0253214696Contents: 1. Why are ethical issues central to documentary filmmaking -- 2. How do documentaries differ from other types of film -- 3. What gives documentary films a voice of their own? -- 4. What are documantaries about? -- 5. How did documentary filmmaking get started? -- 6. What types of documentary are there? -- 7. How have documentaries addressed social and political issues? -- 8. How can we write effectively about documentary?URL status: URL: 'http://-'
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Jolly Rogers furled again! in Australasian Cinema (10/6/1983) vol.12 iss.10 p.1
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The last picture show : Britain's changing film audience / David Docherty, David Morrison and Michael Tracey London: BFI Pub., 1987.
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Lorimar readies for VIDCOM market in Australasian Cinema (29/10/1982) vol.11 iss.19 p.23
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Magistrate says penalties ludicrous for pirating videotapes in Australasian Cinema (Friday, 31/5-6/6/1985) vol.14 iss.9 p.4
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More successful raids on video "pirates" in Australasian Cinema (12/11/1982) vol.11 iss.20 p.1
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Moves into fair marketing of videotapes to go before U.S. congress in Australasian Cinema (15/7/1983) vol.12 iss.12 p.20
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New Fassbinder to be UA's classics release in U.S. and Canada in The Australasian Cinema (2/4/1982) vol.11 iss.5 p.9
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Interim
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New player : Australia/film/version 1.0 / Tim Richards Melbourne: Ematic Pty Ltd, 1999.
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New video deal set up by Video Classics in Australasian Cinema (11/3/1983) vol.12 iss.4 p.1
PhysDes: ArticleSubject: VIDEO CLASSICS ; DISTRIBUTION. AUSTRALIA ; VIDEO, FILMS ON. AUSTRALIA ; UNITED INTERNATIONAL PICTURES ; PARAMOUNT STUDIOS ; UNIVERSAL PICTURES ; UNITED ARTISTS ; Metro-Goldwyn-Mayer ; ROCKY III (US, Sylvester Stallone, 1982) ; STAR TREK II: THE WRATH OF KHAN (US, Nicholas Meyer, 1982) ; THING, THE (US, John Carpenter, 1982) ; SHOGUN ASSASSIN (US, Robert Huston, 1980) ; GREASE 2 (US, Patricia Birch, 1982) ; POLTERGEIST (US, Tobe Hooper, 1982) ; URBAN COWBOY (US, James Bridges, 1980) Summary: Article on deal struck between Video Classics and United International Pictures wherein Video Classics has exclusive rights to distributing numerous blockbusters on video in Australia through their VidAustralia outlet.
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NSW Supreme Court acts against the copyright pirates in Australasian Cinema (16/4/1982) vol.11 iss.6 p.2
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Oz 8th in world film rentals in Australasian Cinema (14/5/1982) vol.11 iss.8 p.1
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Pirate movies shown in country and suburban hotels : "Movies and Booze" in Australasian Cinema (29/10/1982) vol.11 iss.19 p.28
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Police sink private film ring in Australasian Cinema (27/8/1982) vol.11 iss.15 p.24
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Publishing & Broadcasting Video and SAFC announce major video distribution deal in Australasian Cinema (18/6/1982) vol.11 iss.10 p.2
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Rank film distributors enter Australian video market through Thorn EMI in Australasian Cinema (6/8/1982) vol.11 iss.14 p.2
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Roadshow Home Video launches into Brisbane in Australasian Cinema (18/6/1982) vol.11 iss.10
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Roadshow to release Disney Home Video in Australia in Australasian Cinema (Friday, 29/3-4/4/1985) vol.14 iss.5 p.2
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book
Roger Ebert's video companion Kansas City: Andrews and McMeel, c1993.
Call No: 03 EBE REFAuthor: Ebert, Roger Place: Kansas CityPublisher: Andrews and McMeelPubDate: c1993PhysDes: v. ; 23 cmSubject: VIDEO, FILMS ON ; EBERT, ROGER ; MITCHUM, ROBERT ; Stewart, James ; BRANAGH, KENNETH ; CLARKE, ARTHUR C. ; JORDAN, MICHAEL ; MADONNA ; NOVAK, KIM ; PENN, SEAN ; THORNTON, BILLY BOB Summary: A collection of Roger Ebert's reviews that originally appeared in the Chicago Sun-TimesNotes: Reviews originally appeared in the Chicago sun-timesISSN: 1072-561XFrequency: AnnualLON: 10600884
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Second American Film Market closes after record success in Australasian Cinema (30/4/1982) vol.11 iss.7 p.1
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Silverstein & Massis' war against pirates in Australasian Cinema (10/9/1982) vol.11 iss.16 p.2
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Sixty major video dealers meet in N.Z. in Australasian Cinema (27/8/1982) vol.11 iss.15 p.24
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Submission to the Senate Select Committee on Video Material / by the Research Branch of the Australian Broadcasting Tribunal [North Sydney: The Tribunal], 1985.
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Sweden bans violence on video in Australasian Cinema (6/8/1982) vol.11 iss.14 p.1
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Tape decks cleared for action... in Australasian Cinema (10/6/1983) vol.12 iss.10 p.1
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Toni Hamilton appointed nat'l. marketing manager of Roadshow Home Video in Australasian Cinema (12/11/1982) vol.11 iss.20 p.2
PhysDes: ArticleSubject: VIDEO, FILMS ON. AUSTRALIA ; ADVERTISING FOR FILMS ; INDUSTRY, FILM. AUSTRALIA ; MAD MAX (AT, George Miller, 1979) ; CALIGULA (IT, Giovanni Tinto Brass, 1979) ; LOVE AT FIRST BITE (US, Stan Dragoti, 1979) Summary: Article on the success of Roadshow Home Video, and the announcement of their new marketing manager, Toni Hamilton.
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Underground : the secret life of videocassettes in Iran / Blake Atwood Cambridge, Massachusetts: The MIT Press, 2021.
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Uniformity- the only way in Australasian Cinema (Friday, 26/7-1/8, 1985) vol.14 iss.12 p.2
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Video Association Elects Executives in Australasian Cinema (28/5/1982) vol.11 iss.9 p.2
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Video cassette revolution : The VCR in Australia / Michael Nugent Sydney, N.S.W.: Macquarie University, 2014.
Call No: 410.82 NUGAuthor: Nugent, Michael CorpAuthor: Macquarie UniversitySource: ATPlace: Sydney, N.S.W.Publisher: Macquarie UniversityPubDate: 2014PhysDes: 59 pages ; 30 cmSubject: VIDEO RECORDERS ; VIDEO, FILMS ON. AUSTRALIA ; VIEWERS. AUSTRALIA ; HOME EXHIBITION. AUSTRALIA ; HOME EQUIPMENT ; HOME VIDEO. AUSTRALIA Summary: "This thesis is to serve as a history of the Video Cassette Recorder (VCR) in Australia. It has been done because while there are numerous histories relating to other aspects of Australian media, the history of the VCR itself remains little more than an aspect of narratives focused on other phenomena. This was done through extensive examination of discursive sources, such as popular magazines, newspapers and trade journals. By reading these publications over the course of several years, I have been able to identify several trends unfolding over time, noting how popular conceptions of the technology have changed. By comparing these with work done on the history of home video in other countries, it allows for a greater understanding of what is unique to Australia’s history with the VCR. Perhaps the most significant finding is that the idea of what a VCR can offer is perpetually changing. What began as a simple means to record and playback programmes from television broadcasts quickly became a key part of commercial film distribution fundamentally altered the way in which people experience their television sets. As such, a struggle for position by producers, distributors and consumers erupted, as it irrevocably changed media in Australia." FROM ABSTRACTNotes: Thesis paper -- ringbound -- includes acknowledgements and bibliographyContents: Chapter 1. Introduction -- Chapter 2. The VCR in the public sphere -- Chapter 3. The VCR in the domestic sphere -- Chapter 4. The legacy of the VCR
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Video cheats and rip off deals : Standard hiring contract to be considered by N.S.W. government in Australasian Cinema (29/4/1983) vol.12 iss.7 p.1
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Video Classics and Media Home Entertainment Inc. in major deal for distribution for video movies in Australasian Cinema (25/6/1982) vol.11 iss.11 p.5
PhysDes: ArticleSubject: VIDEO CLASSICS ; VIDEO, FILMS ON ; DISTRIBUTION. AUSTRALIA Summary: Article on the deal between Video Classics and Media Home Entertainment Inc. wherein Video Classics will be distributing Media Home Entertainment Inc. films across Australia.
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Video counterfeiters convicted in Australasian Cinema (Friday, 17-23/5/1985) vol.14 iss.8 p.1
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subject clippings file
VIDEO, FILMS ON
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Video movie distributor expands into W. Australia in Australasian Cinema (23/7/1982) vol.11 iss.13 p.1
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Video Piracy Scuttled in Australasian Cinema (13/5/1983) vol.12 iss.8 p.10
PhysDes: ArticleSubject: PIRACY. AUSTRALIA ; VIDEO, FILMS ON Summary: News from a video-piracy case and a report on the largest synchronised police crack-down of pirated tapes in Australia.
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Video piracy takes another blow in Australasian Cinema (Francesca Gregorini) vol.11 iss.20 p.2
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Visioncare's first national contract in Australasian Cinema (Friday, 12-18/4/1985) vol.14 iss.6 p.4
Subject: VIDEO, FILMS ON. AUSTRALIA Summary: Article on Syme Media Developments and Videolink having chosen Visioncare as their national installation group
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Warner Bros. topple records in Australasian Cinema (Friday, 26/10/1984) vol.13 iss.18 p.1
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"Whither or wither film censorship?" : Talk given to the MPEAQ 37th Annual Convention in Australasian Cinema (6/8/1982) vol.11 iss.14 p.6
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