Search Catalogues

Author: Michael Adams
PhysDes: Article
Subject: MAD MAX (AT, George Miller, 1979); MAD MAX II (AT, George Miller, 1981)
Summary: Listed in 'movies that changed the world' why it was listed and what it inspired

Call No: TITLE CLIPPINGS FILE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015)
Author: Johnson, Neala -- Roach, Vicky
PhysDes: Clippings File Article
Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015)
Summary: Interview snippets with the Australian crew who received Oscars for their work on MAD MAX: FURY ROAD. The winners mentioned are: Lesley Vanderwalt, Damian Martin, Elka Wardega, Ben Osmo, Colin Gibson, Lisa Thompson, David White, Margaret Siskel, as well as British costume designer Jenny Beavan

Call No: TITLE CLIPPINGS FILE; MAD MAX II (AT, George Miller, 1981)
Author: Reid, Campbell
PhysDes: Clippings File Article
Subject: MAD MAX II (AT, George Miller, 1981)
Summary: Writer Terry Hayes discusses the making of Mad Max 2 and its differences to the original Mad Max

Call No: 81 BIS BIS
Author: Bisley, Steve
Source: AT
Place: Richmond, Victoria
Publisher: Echo, a division of Bonnier Publishing Australia
PubDate: 2017
PhysDes: 247 pages ; 21 cm
Subject: BISLEY, STEVE; GIBSON, MEL; DAVIS, JUDY; MAD MAX (AT, George Miller, 1979); WATER RATS [TV] (AT, Hal McElroy, 1996); GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013); DOCTOR DOCTOR [TV] (AT, 2016)
Summary: The sequel to Stillways, Steve's acclaimed first memoir. Wine bars and strip clubs. Girls with flowers in their hair. Lust, and the best music the world has ever heard.
ISBN: 9781760400842

Call No: 408.3 (73/94) AME
Author: Danks, Adrian (ed.); Gaunson, Stephen (ed.); Kunze, Peter C. (ed.)
Source: SZ/AT
Place: Cham, Switzerland
Publisher: Palgrave Macmillan
PubDate: c2018
PhysDes: xvii, 333 pages : illustrations ; 22 cm
Subject: TRANSNATIONAL CINEMA; TRANSNATIONALISM AND THE CINEMA; NATIONAL IDENTITY AND THE CINEMA; NATIONAL CULTURE IN FILMS; AUSTRALIA; USA; GLOBALISATION; HISTORY OF CINEMA; HISTORY OF CINEMA. AUSTRALIA; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); MAD MAX (AT, George Miller, 1979); NOT QUITE HOLLYWOOD (AT, Mark Hartley, 2008); BABADOOK , THE (AT, Jennifer Kent, 2014); PETER PAN (US, P.J. Hogan, 2003); GREAT GATSBY, THE (US/AT, Baz Luhrman, 2013)
Summary: "This edited collection assesses the complex historical and contemporary relationships between US and Australian cinema by tapping directly into discussions of national cinema, transnationalism and global Hollywood. While most equivalent studies aim to define national cinema as independent from or in competition with Hollywood, this collection explores a more porous set of relationships through the varied production, distribution and exhibition associations between Australia and the US. To explore this idea, the book investigates the influence that Australia has had on US cinema through the exportation of its stars, directors and other production personnel to Hollywood, while also charting the sustained influence of US cinema on Australia over the last hundred years. It takes two key points in time—the 1920s and 1930s and the last twenty years—to explore how particular patterns of localism, nationalism, colonialism, transnationalism and globalisation have shaped its course over the last century. The contributors re-examine the concept and definition of Australian cinema in regard to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although this concentration on US production, or influence, is particularly acute in relation to developments such as the opening of international film studios in Melbourne, Sydney, Adelaide and the Gold Coast over the last thirty years, the book also examines a range of Hollywood financed and/or conceived films shot in Australia since the 1920s." -- BOOK BACK COVER
Notes: Includes bibliographical references and index
ISBN: 9783319666754
Donation: Stephen Gaunson
Contents: -- 1 Where I'm Calling From: An American-Australian Cinema? / Peter C Kunze -- pt I Across the Pacific: Looking to America -- 2 Rudimentary Modernism: Ken G Hall, Rear-Projection and 1930s Hollywood / Adrian Danks -- 3 Simulated Scenery: Travel Cinema, Special Effects and For the Term of His Natural Life / Leslie DeLassus -- 4 Representations and Hybridizations in First Nation Cinema: Change and Newness by Fusion / Jane Mills -- 5 Of Mothers and Madwomen: Mining the Emotional Terrain of Toni Collette's Anti-Star Persona / Fincina Hopgood -- pt II The View From There: Australian Films in the US -- 6 Accented Relations: Mad Max on US Screens / Tessa Dwyer -- 7 Talking Trash with Tarantino: Auteurism, Aesthetics and Authority in Not Quite Hollywood / Peter C Kunze -- 8 Australian Horror Movies and the American Market / Mark David Ryan -- 9 The Terrible Terrace: Australian Gothic Reimagined and the (Inner) Suburban Horror of The Babadook / Amanda Howell -- pt III Here and There: Crossing Between Australian, US and International Cinemas -- 10 American Cartel: Block Bookings and the Paramount Plan / Stephen Gaunson -- 11 The Multiplex Era / Jock Given -- 12 "Zest to the jaded movie palate": Wallace Worsley, Scott R Dunlap and The Romance of Runnibede / Jeannette Delamoir -- 13 Defining Neverland: P J Hogan, J M Barrie and Peter Pan in Post-Mabo Australia / Jerod Ra'Del Hollyfield -- 14 Baz Luhrmann's The Great Gatsby Telling a National Iconic Story Through a Transnational Lens / Lesley Hawkes -- index --

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; SPECIAL EFFECTS. AUSTRALIA; MAKE-UP ARTISTS; MAD MAX II (AT, George Miller, 1981); RETURN OF CAPTAIN INVINCIBLE, THE (AT, Philippe Mora, 1982)
Summary: Article on the importance of makeup and special effects in cinema and what Australia must do to improve.

Call No: 735.2 (93) ASH
Author: Ashton, Romana
Source: AT
Place: Queensland
PubDate: 2005
PhysDes: 317 p. ; 30 cm
Subject: HORROR FILMS. AUSTRALIA; HORROR FILMS. NEW ZEALAND; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); PIANO, THE (AT, Jane Campion, 1993); DOGS IN SPACE (AT, Richard Lowenstein, 1986); BAD BOY BUBBY (AT, Rolf de Heer, 1993); NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); SUMMERFIELD (AT, Ken Hannam, 1977); SHAME (AT, Steve Jodrell, 1988); MAD MAX (AT, George Miller, 1979); MAD MAX II (AT, George Miller, 1981); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974)
Summary: "Although various film critics and academics have located the Gothic in Antipodean cinema, there has been no in-depth study of the Gothic and its ideological entanglements with postmodernism within this cinema. This study is divided into two parts and locates the (postmodern) Gothic in twelve Australian/New Zealand films ranging from Ted Kotcheffs Wake in Fright (1971) to Peter Jacksons Heavenly Creatures (1994). Part one theorizes the Gothic as a subversive cultural mode that foreshadows postmodernism in terms of its antithetical relationship with Enlightenment ideals. Interconnections are made between proto-postmodern aspects of early Gothic literature and the appropriation and intensification of these aspects in what has been dubbed the postmodern Gothic. The dissertation then argues that the Antipodes was/is constructed through Euro-centric discourse(s) as a Gothic/(proto)-postmodern space or place, this construction manifest in, and becoming intertwined with the postmodern in post 1970s Antipodean cinema. In part two, a cross-section of Australian/New Zealand films is organized into cinematic sub-genres in line with their similar thematic preoccupations and settings, all films argued as reflecting a marked postmodern Gothic sensibility. In its conclusion, the study finds that S2Antipodean Gothic cinemaS3, particularly since the 1970s, can be strongly characterized by its combining of Gothic/postmodernist modes of representation, this convergence constitutive of a postmodernized version of the Gothic which is heavily influenced by Euro-centric constructions of the Antipodes in Gothic/(proto)-postmodern related terms. " - ABSTRACT
Notes: Thesis (Doctor of Philosophy) - Central Queensland University: School of Humanities - Faculty of Arts, Humanities and Education, December 2005; Bibliography: leaves 299-314 ; filmography: leaves 315-318 ; telegraphy: leaf 319; We have two copies of this Thesis - they are both filed at 735.2 (93) ASH and are identical. One is labelled 'copy 1' and the other 'copy 2'
Contents: -- Part one: Theorizing the (postmodern) gothic in Antipodean cinema -- 1. A gothic/postmodern poetics: two convergent models. -- 2. Antipodean Gothic/(Proto)-postmodern connections: the European unconscious and the cultural construction of the Antipodes. -- 3. Antipodean cinema: an uneasy background -- Part two: analyzing the (postmodern) gothic in Antipodean cinema. -- 4. Anitpodean ccolonial gothic: 'Picnic at Hanging Rock' and 'The Piano'. -- 5. Anitpodean urban gothic: 'Dogs in Space' and 'Bad Boy Bubby'. -- 6. Antipodean surburban gothic: -- 'The Night the Prowler' and 'Heavenly Creatures'. -- 7. Antipodean rural gothic: 'Wake in Fright', 'Summerfield', and 'Shame'. -- 8. Antipodean sci-fi car crash films and the gothic: 'The Cars that Ate Paris', 'Mad Max', and 'Mad Max - The Road Warrior'. -- Conclusion -- Bibliography -- Filmography -- Teleography.
ID2: 290

Call No: 412.3 KEL
Author: Keller, Sarah
Edition: 2020
Place: New York
Publisher: Columbia University Press
PhysDes: vii, 302 pages : illustrated ; 24 cm
Subject: APOCALYPSE IN FILMS; BLOWUP (UK/IT, Michelangelo Antonioni, 1966); BAZIN, ANDRE; FILM CULTURE; CINEPHILIA; DIGITAL CINEMA; FRANCE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015); STAR WARS [...] (US, 1977-2015); WAR OF THE WORLDS (US, Steven Spielberg, 2005); WORLD WAR Z (US/MT, Marc Forster, 2013)
Summary: The advent of new screening practices and viewing habits in the twenty-first century has spurred a public debate over what it means to be a “cinephile.” In Anxious Cinephilia, Sarah Keller places these competing visions in historical and theoretical perspective, tracing how the love of movies intertwines with anxieties over the content and impermanence of cinematic images. Keller reframes the history of cinephilia from the earliest days of film through the French New Wave and into the streaming era, arguing that love and fear have shaped the cinematic experience from its earliest days. This anxious love for the cinema marks both institutional practices and personal experiences, from the curation of the moviegoing experience to the creation of community and identity through film festivals to posting on social media. Through a detailed analysis of films and film history, Keller examines how changes in cinema practice and spectatorship create anxiety even as they inspire nostalgia. Anxious Cinephilia offers a new theoretical approach to the relationship between spectator and cinema and reimagines the concept of cinephilia to embrace its diverse forms and its uncertain future. -- publisher's web site
ISBN: 9780231180870
Contents: Acknowledgments -- Introduction -- 1. Ardor and Anxiety: The History of Cinephilia -- 2. Enchanting Images -- 3. Cinephilia and Technology: Anxieties and Obsolescence -- 4. The Exquisite Apocalypse -- Conclusion: Anxious Times, Anxious Cinema -- Notes -- Selected Bibliography -- Index

Call No: 408.1(94) WEA
Author: Weaver, Roslyn
Source: US
Place: Jefferson, N.C.
Publisher: McFarland & Company Inc.
PubDate: c2011
PhysDes: x, 230 p. : ill., maps ; 23 cm
Series: Critical explorations in science fiction and fantasy ; 28
Subject: APOCALYPSE IN FILMS; DISASTERS IN FILMS; SCIENCE-FICTION FILMS. AUSTRALIA; LANDSCAPES IN FILMS. AUSTRALIA; MAD MAX [...] (AT, 1979-85); TOMORROW, WHEN THE WAR BEGAN (AT, Stuart Beattie, 2010)
Summary: "This volume explores the role of Australia in apocalyptic literature and film. Works and genres covered include Nevil Shute's popular novel On the Beach, Mad Max, children's literature, Indigenous writing, and cyberpunk. The text examines ways in which apocalypse undermines complacency, foretells environmental disasters, critiques colonization, and serves as a vehicle of protest for minority groups"--Provided by publisher
Notes: Includes bibliographic references and index
ISBN: 978-0-7864-6051-9
Contents: 1. An apocalyptic map: new worlds and the colonization of Australia -- 2. The shield of distance: apocalypse in Australian literature after 1945 -- 3. An apocalyptic landscape: the Mad max films -- 4. Children of the apocalypse: Australian children's literature -- 5. (Re)writing the end of the world: apocalypse, race and indigenous literature -- 6. The end of the human: apocalypse, cyberpunk and the Parrish Plessis novels
ID2: 189

PhysDes: Article
Subject: MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985)
Summary: 24 hour screenings in Sydney and Melbourne of Mad Max 3

Call No: 79MAD BER
Author: Bernstein, Abbie
Source: UK
Place: London
Publisher: Titan Books
PubDate: 2015
PhysDes: 1 volume of unnumbered pages : illustrations ; portraits ; 28 x 31 cm
Subject: ART DIRECTION; MAD MAX: FURY ROAD (AT/US, George Miller, 2015)
Summary: The Art of Mad Max: Fury Road is the official companion picture book to George Miller's blockbuster film. Pages are filled with graphics and motion picture stills to capture the extensive production design process -- from storyboarding to concept art and screenwriting.
ISBN: 9781783298167

Call No: TITLE CLIPPINGS FILE; MAD MAX (AT, George Miller, 1979)
PhysDes: Clippings File Article
Subject: VIOLENCE IN FILMS. AUSTRALIA; CENSORSHIP. AUSTRALIA; MAD MAX (AT, George Miller, 1979)
Summary: Peter Johnson, Federal MP and Deputy President of the Australian Crime Prevention Council, wants to see Mad Max banned due to its violence

Call No: TITLE CLIPPINGS FILE; MAD MAX (AT, George Miller, 1979)
Author: AAP
PhysDes: Clippings File Article
Subject: MAD MAX (AT, George Miller, 1979)
Summary: Censorship of Mad Max in New Zealand

PhysDes: Article
Subject: DISTRIBUTION. AUSTRALIA; VIDEO, FILMS ON. AUSTRALIA; MAD MAX (AT, George Miller, 1979); ENDLESS LOVE (US, Franco Zeffirelli, 1981); ATLANTIC CITY, USA (CN/FR, Louis Malle, 1980); VILLAGE ROADSHOW
Summary: Article on the Roadshow announcement of the new subdivision, Roadshow Home Video, which will distribute films on VHS and BETA across Australia.

PhysDes: Article
Subject: MAD MAX II (AT, George Miller, 1981); LONELY HEARTS (AT, Paul Cox, 1982); MILLER, GEORGE; HAZLEHURST, NONI; MONKEY GRIP (AT, Ken Cameron, 1982); ANGELS OF WAR (AT, Andrew Pike & Hank Nelson & Gavan Daws, 1982); AUSTRALIAN FILM INSTITUTE AWARDS
Summary: List of winners at the 1982 Australian Film Institute Awards.

PhysDes: Article
Subject: YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); MAD MAX II (AT, George Miller, 1981); DESOLATION ANGELS (AT, Chris Fitchett, 1982); CLINIC, THE (AT, David Stevens, 1982); MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982); AUSTRALIAN FILM INSTITUTE AWARDS
Summary: Article on the nominees for the Australian Film Institute Awards, as well as information on the AFI at large and the state of the Australian film industry.

Call No: 71(94) BAR
Author: Barber, Susan
Edition: 2023
Place: New York
Publisher: Bloomsbury Academic
PubDate: 9 Feb 2023
PhysDes: 280 pages ; 24 cm
Subject: AUSTRALIA; MASCULINITY IN FILMS. AUSTRALIA; FEMINISM AND THE CINEMA. AUSTRALIA; ROAD MOVIES. AUSTRALIA; MOTHERS IN FILMS; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994); MAD MAX [...] (AT, 1979-85); BACKROADS (AT, Philip Noyce, 1977); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); DON'S PARTY (AT, Bruce Beresford, 1976); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); HIGH TIDE (AT, Gillian Armstrong, 1987); MAN FROM SNOWY RIVER II, THE (AT, Geoff Burrowes, 1988); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001); TRACKER, THE (AT, Rolf de Heer, 2002); WRONG SIDE OF THE ROAD (AT, Ned Lander, 1981)
Summary: The Australian Film Revival: 70s, 80s, and Beyond explores the matrix of forces – artistic, cultural, economic, political, governmental, and ideological – that gave rise to, shaped, and sustained this remarkable film movement. This engaging new study brings fresh perspectives, insights, and innovative approaches to a variety of films from a diversity of filmmakers. Areas of focus include the complex and contentious subjects of masculinity, femininity and feminism, the maternal, as well as the Indigenous road film and the protean Australian gothic. During the formative years of the revival, Australian films seemed to emerge from out of the blue in terms of global film history, with many features including Picnic at Hanging Rock (l975), Caddie (l976), The Last Wave (l977), The Chant of Jimmie Blacksmith (l978), and My Brilliant Career (l979) receiving international distribution and enthusiastic critical acclaim with strong box office results. By the time the film revival was in full swing, not only did Australian audiences flock to theaters to see “homegrown” films, but the quantity of Australian films on overseas screens was so high that ardent critics declared this outpouring an Australian “New Wave.” The eyes of the world had turned to a compelling and largely unknown culture. -- publisher's web site
ISBN: 9781501390029
Contents: Acknowledgements -- Dedication -- In Memory Of -- Introduction -- 1. The Ocker: Chauvinistic and Oedipal -- 2. Alternate Masculinities of Paul Cox and John Duigan -- 3. Historical Women and the Bush -- 4. Negligent, Runaway, and Abject Mothers -- 5. The Indigenous Road Film -- 6. Australian Gothic -- Index

Call No: 67(94) VER
Author: By Verevis, Constantine and Williams, Deane
Place: United Kingdom
Publisher: Intellect
PubDate: 2018
Subject: EXPERIMENTAL FILM AND TELEVISION FUND; BIRTLES, FRANCIS; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); GILDA (US, Charles Vidor, 1946); FEMINISM AND THE CINEMA. AUSTRALIA; PORNOGRAPHY AND THE CINEMA. AUSTRALIA; DOCUMENTARIES. AUSTRALIA; MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985); CHAUVEL, CHARLES
ISBN: 9781783208371

Call No: SUBJECT CLIPPINGS FILE; BOX OFFICE. AUSTRALIA
Author: Maddox, Garry
PhysDes: Clippings
Subject: BOX OFFICE. AUSTRALIA; ODDBALL (AT, Stuart McDonald, 2015); THAT SUGAR FILM (AT, Damon Gameau, 2014); MAD MAX: FURY ROAD (AT/US, George Miller, 2015); CUT SNAKE (AT, Tony Ayres, 2014); WATER DIVINER, THE (AT/TU, Russell Crowe, 2014)

Call No: 735.2(94) RAY
Author: Rayner, Jonathan
Edition: 2022
Place: Cardiff
Publisher: University of Wales Press
PubDate: 2022
PhysDes: x, 294 pages : illustrated ; 23 cm
Series: Gothic Literary Studies
Subject: HORROR FILMS. AUSTRALIA; BABADOOK , THE (AT, Jennifer Kent, 2014); DYING BREED (AT, Jody Dwyer, 2008); KILLING GROUND (AT, Damien Power, 2016); LOST GULLY ROAD (AT, Donna McRae, 2017); LOVED ONES, THE (AT, Sean Byrne, 2009); MAD MAX (AT, George Miller, 1979); MYSTERY ROAD (AT Ivan Sen, 2013); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); WOLF CREEK (AT, Greg McLean, 2005); WOLF CREEK 2 (AT, Greg Mclean, 2013)
Summary: The term ‘Gothic’ has been applied to examples of Australian cinema since the 1970s, often in arbitrary and divergent ways. This book examines a wide range of Australian films to trace their Gothic resemblances, characteristics and meanings. By concentrating on the occurrence of Gothic motifs, characters, landscapes and narratives, it argues for the recognition and relevance of a coherent Gothic heritage in Australian film. A plethora of Gothic representatives are considered in relation to four consistent and illuminating continuities (images of the family, ideas of monstrosity, generic hybridity and the occurrence of the sublime), and this study debates the appearance and asserts the significance of Australian Gothic films within their national, cultural, literary and cinematic traditions. -- publisher's web site
ISBN: 9781786838896
Contents: List of illustrations -- Introduction -- Familiarity -- Monstrosity -- Hybridity -- Sublimity -- Conclusion -- Filmography -- Bibliography -- Index

Call No: SUBJECT CLIPPINGS FILE; AWARDS. AUSTRALIAN ACADEMY OF CINEMA AND TELEVISION ARTS
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: AWARDS. AUSTRALIAN ACADEMY OF CINEMA AND TELEVISION ARTS; DRESSMAKER, THE (AT, Jocelyn Moorhouse, 2015); MAD MAX: FURY ROAD (AT/US, George Miller, 2015)
Summary: Preview of the upcoming AACTA awards, with discussion around the films MAD MAX: FURY ROAD and THE DRESSMAKER

Call No: TITLE CLIPPINGS FILE; MAD MAX (AT, George Miller, 1979)
Author: Lapsley, John
PhysDes: Clippings File Article
Subject: MAD MAX (AT, George Miller, 1979)
Summary: Positve review of Mad Max, with a discussion of its violent content
Rating: 4 stars

Call No: TITLE CLIPPINGS FILE; MAD MAX (AT, George Miller, 1979)
Author: George, Sandy
PhysDes: Clippings File Article
Subject: KEAYS-BYRNE, HUGH; MAD MAX (AT, George Miller, 1979)
Summary: Hugh Keays-Byrne discusses his role in Mad Max and how he prepared for the role by riding motorcycles and living rough

Call No: TITLE CLIPPINGS FILE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015)
Author: Tedmanson, Sophie
PhysDes: Clippings File Article
Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015)
Summary: Pre production auditions have begun for stunt crews

Call No: 79 MAD BUC
Author: Bachanan, Kyle
Edition: 2022
Place: New York
Publisher: Harper Collins
PubDate: 2022
PhysDes: 359 pages ; 23 cm
Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015)
Summary: A full-speed-ahead oral history of the nearly two-decade making of the cultural phenomenon Mad Max: Fury Road—with more than 130 new interviews with key members of the cast and crew, including Charlize Theron, Tom Hardy, and director George Miller, from the pop culture reporter for The New York Times, Kyle Buchanan. It won six Oscars and has been hailed as the greatest action film ever, but it is a miracle Mad Max: Fury Road ever made it to the screen... or that anybody survived the production. The story of this modern classic spanned nearly two decades of wild obstacles as visionary director George Miller tried to mount one of the most difficult shoots in Hollywood history. Production stalled several times, stars Tom Hardy and Charlize Theron clashed repeatedly in the brutal Namib Desert, and Miller’s crew engineered death-defying action scenes that were among the most dangerous ever committed to film. Even accomplished Hollywood figures are flummoxed by the accomplishment: As the director Steven Soderbergh has said, “I don’t understand how they’re not still shooting that film, and I don’t understand how hundreds of people aren’t dead.” Kyle Buchanan takes readers through every step of that moviemaking experience in vivid detail, from Fury Road’s unexpected origins through its outlandish casting process to the big-studio battles that nearly mutilated a masterpiece. But he takes the deepest dive in reporting the astonishing facts behind a shoot so unconventional that the film’s fantasy world began to bleed into the real lives of its cast and crew. As they fought and endured in a wasteland of their own, the only way forward was to have faith in their director’s mad vision. But how could Miller persevere when almost everything seemed to be stacked against him With hundreds of exclusive interviews and details about the making of Fury Road, readers will be left with one undeniable conclusion: There has never been a movie so drenched in sweat, so forged by fire, and so epic in scope. -- publisher's web site
ISBN: 9780063245419
Donation: AUD 34.99

Call No: TITLE CLIPPINGS FILE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015)
Author: Mitchell, Peter
PhysDes: Clippings File Article
Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015)
Summary: Location of Mad Max 4

Call No: TITLE CLIPPINGS FILE; MAD MAX (AT, George Miller, 1979)
Author: -
PhysDes: Clippings File Article
Subject: CENSORSHIP. AUSTRALIA; MAD MAX (AT, George Miller, 1979)
Summary: Federal MP and Deputy Chair of the Australian Crime Prevention Council has called for the banning of Mad Max

Call No: TITLE CLIPPINGS FILE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015)
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: MILLER, GEORGE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015)
Summary: Extensive article that previews the upcoming Mad Max film, as well as looking at Dr George Miller's career as a filmmaker and producer

Call No: 675.1(94) LAW
Author: Lawrence, Denny
Source: AT
Place: [North Ryde, NSW?]
Publisher: Australian Film and Television School
PubDate: [1980?]
PhysDes: 60 leaves : 30 cm
Subject: AUSTRALIAN FILM AND TELEVISION SCHOOL; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); ON OUR SELECTION (AT, Raymond Longford, 1920); GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921); KID STAKES, THE (AT, Tal Ordell, 1927); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940); OVERLANDERS, THE (UK, Harry Watt, 1946); SONS OF MATTHEW (AT, Charles Chauvel, 1949); BACK OF BEYOND, THE (AT, John Heyer, 1953); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); BETWEEN WARS (AT, Michael Thornhill, 1974); SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); PURE S (AT, Bert Deling, 1976); CADDIE (AT, Donald Crombie, 1976); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); DON'S PARTY (AT, Bruce Beresford, 1976); F.J. HOLDEN, THE (AT, Michael Thornhill, 1977); NEWSFRONT (AT, Phillip Noyce, 1978); MAD MAX (AT, George Miller, 1979); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); PALM BEACH (AT, Albie Thoms, 1979); BREAKER MORANT (AT, Bruce Beresford, 1980); ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944); JEDDA (AT, Charles Chauvel, 1955); THREE IN ONE (AT, Cecil Holmes, 1956); THEY'RE A WEIRD MOB (AT, Michael Powell, 1966); ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); CASTOR AND POLLUX (AT, Phillip Noyce, 1973); MOVING ON (AT, Richard Mason, 1974); PETERSEN (AT, Tim Burstall, 1974); LEISURE (AT, Bruce Petty, 1976); STORM BOY (AT, Henri Safran, 1976); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); LOVE LETTERS FROM TERALBA ROAD (AT, Stephen Wallace, 1977); SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); MOUTH MUSIC (NZ, Gregor Nichlas, 1981); MOUTH TO MOUTH (AT, John Duigan, 1978); LAST TASMANIAN, THE (AT, Tom Haydon, 1978); NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978); STEPPING OUT (AT, Chris Noonan, 1980); STIR (AT, Stephen Wallace, 1980); BEST FILMS. AUSTRALIA
Summary: A list of important Australian films in two categories, films of aesthetic merit (list A), and films of historical or sociological importance (list B), with a brief synopsis of each.
Notes: Reprinted October 1980
Contents: Introduction -- Methodology -- Notes on revision -- Film acquisition -- Australian cinema history on film -- references; List - category A: The sentimental bloke (1919) -- On our selection (1920) -- A girl of the bush -- The kid stakes -- For the term of his natural life -- Forty thousand horsemen -- The overlanders -- Sons of Matthew -- Back of beyond -- Desert people -- Wake in fright -- Between wars -- Sunday too far away -- Picnic at Hanging Rock -- Pure S -- Caddie -- The Devil's playground -- Don's party -- F J Holden -- Newsfront -- Mad Max -- My brilliant career - Palm Beach - Breaker Morant; List - category B: Robbery under arms (1920) -- Dad and Dave come to town -- The Rats of Tobruk -- Jedda -- Three in one -- They're a weird mob -- The daventures of Barry McKenzie -- Where dead men lie -- Gentle strangers -- Castor and Pollux -- Moving on -- Petersen -- Leisure -- Storm boy -- All in the same boat -- The getting of wisdom -- Love letters from Teralba Road -- The singer and the dancer -- The chant of Jimmie Blacksmith -- Mouth to mouth -- The last Tasmanian -- The night the prowler -- Stepping out -- Stir

Call No: PERSONALITY CLIPPINGS FILE; JURISIC, MELITA
Author: Hawker, Philippa
PhysDes: Clippings File Article
Subject: JURISIC, MELITA; MAD MAX: FURY ROAD (AT/US, George Miller, 2015)
Summary: Piece on Australian actor Melita Jurisic, focusing on her stage work including the upcoming production of 'I am a miracle', and her recent appearance in the film Mad Max Fury Road

Call No: 71(94) COM
Author: Collins, Felicity; Columpar, Corinn; Rutherford, Anne; Ford, Felicity; Kelada, Odette; Clark, Maddee; Verevis, Constantine; Goldsmith, Ben; French, Lisa; David Marshall, P.; Bennett, James; Grace, Helen; Khoo, Olivia; Yue, Audrey; Bye, Susan; Sandars, Diana; Stadler, Jane; Gaunson, Stephen; Trevisanut, Amanda Malel; Turnbull, Sue; McCutcheon, Marion; Goritsas, Helen; Tiwary, Ana; Lambert, Anthony; Gibson, Ross; Cunningham, Stuart; Swift, Adam; Williams, Deane; Smaill, Belinda; Neumark, Norie
Source: US/UK
Place: Hoboken, New Jersey
Publisher: Wiley-Blackwell
PubDate: 2019
PhysDes: xxii, 581 pages ; 26 cm
Series: Wiley Blackwell companions to national cinema
Subject: AUSTRALIA; FILM; INDUSTRY, FILM; INDUSTRY, FILM. AUSTRALIA; INDIGENOUS; ABORIGINAL AUSTRALIAN CINEMA; TRANSNATIONAL CINEMA; HISTORY OF CINEMA; HISTORY OF CINEMA. AUSTRALIA; TELEVISION AND THE CINEMA; TELEVISION AND THE CINEMA. AUSTRALIA; AUTEUR THEORY; GENRES; THEORY; CAMPION, JANE; CHARLIE'S COUNTRY (AT, Rolf de Heer, 2013); SPEAR (AT, Stephen Page, 2015); MAD MAX (AT, George Miller, 1979); MAD MAX: FURY ROAD (AT/US, George Miller, 2015); MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985); MAD MAX II (AT, George Miller, 1981); LEGO MOVIE, THE (US/AT/DK, Phil Lord and Christopher Miller, 2014); ROCKET, THE (AT/TH/LS, Kim Mordaunt, 2013); SERANGOON ROAD [TV] (AT/SI, 2013 -); KETTERING INCIDENT, THE [TV](AT, 2015-); BACK OF BEYOND, THE (AT, John Heyer, 1953)
Summary: The essays assembled here address six thematically organized propositions - that Australian cinema an Indigenous screen culture, an international cinema, a minor transnational imaginary, an auteur-genre-landscape cinema, a televisual industry and a multiplatform ecology. Offering fresh critical perspectives and extending previous scholarship, case studies range from The Lego Movie, Mad Max and Australian stars in Hollywood, to transnational co-productions, YouTube channels, transmedia and naturecam documentaries. New research on trends such as the Blak Wave, the convergence of television and film, digital transformations of screen production and the shifting roles of women, on and off-screen, highlight how established precedents have been transformed by new realities beyond both cinema and national borders. -- Written in an accessible style that does not require knowledge of cinema studies or Australian studies. -- Presents original research on Australian actors such as Cate Blanchett and Chris Hemsworth, evaluating their training, branding and path from Australia to Hollywood. -- Explores the films and filmmakers of the Blak Wave and their challenge to Australian settler-colonial history and white identity. -- Introduces readers to founding texts in Australian screen studies. -- Felicity Collins is Reader/ Associate Professor in Screen Studies, La Trobe University, Melbourne, Australia -- Jane Landman was Senior Lecturer, Victoria University, Melbourne, Australia -- Susan Bye is Education Programmer, Australian Centre for the Moving Image, Melbourne, Australia. --Book Jacket
Notes: Includes bibliographical references and index -- signed by Felicity Collins
ISBN: 9781118942529
Contents: You Are Here: Living Maps of Deep Time, Clock Time / Felicity Collins -- Charlie's Country, Gulpilil's Body / Corinn Columpar -- Ivan Sen's Cinematic Imaginary: Restraint, Complexity, and a Politics of Place / Anne Rutherford -- Shadowing and Disruptive Temporality in Bangarra Dance Theatre's Spear / Felicity Ford -- Beyond the Wonderland of Whiteness: The Blak Wave of Indigenous Women Shaping Race on Screen / Maddee Clark / Odette Kelada -- Another Green World: The Mad Max Series / Constantine Verevis -- Is Everything Awesome?: The LEGO Movie and the Australian Film Industry / Ben Goldsmith -- Jane Campion: Girlshine and the International Auteur / Lisa French -- Constructing Persona: Mediatisation, Performativity, Quality, and Branding in Australian Film Actors's; Migration to Hollywood / P. David Marshall -- Interpreting Anzac and Gallipoli through a Century of Anglophone Screen Representations / James Bennett -- Unsettling the Suburban: Space, Sentiment, and Migration in National Cinematic Imaginaries / Helen Grace -- The Rocket: Small, Foreign-Language Cinema / Olivia Khoo -- Serangoon Road: The Convergent Culture of Minor Transnationalism / Audrey Yue -- An Independent Spirit: Robert Connolly as Auteur-Producer / Susan Bye -- Disruptive Daughters: The Heroine's Journey in Four Films / Diana Sandars -- Atopian Landscapes: Gothic Tropes in Australian Cinema / Jane Stadler -- Spirits Do Come Back: Bunyips and the European Gothic in The Babadook / Stephen Gaunson -- Between Public and Private: How Screen Australia, the ABC and SBS have shaped Film and Television Convergence / Amanda Malel Trevisanut -- Quality vs Value: The Case of The Kettering Incident / Marion McCutcheon / & Sue Turnbull -- The Evolution of Matchbox Pictures: A New Business Model / Helen Goritsas & Ana Tiwary -- Schapellevision: Screen Aesthetics and Asian Drug Stories / Anthony Lambert -- CHURN: Cinema Made Sometime Last Night / Ross Gibson -- Over the Horizon: YouTube Culture Meets Australian Screen Culture / Adam Swift & Stuart Cunningham -- Digital Transmedia Forms and Transnational Documentary Networks / Deane Williams -- Ecological Relations: FalconCam in Conversation with The Back of Beyond / Belinda Smaill -- Where Am I?: The Terror of Terra Nullius / Norie Neumark

Call No: 71(94) RAY
Author: Rayner, Jonathan
Source: UK
Place: Manchester
Publisher: Manchester University Press
PubDate: 2000
PhysDes: vi, 203 p. : ill. ; 23 cm
Subject: AUSTRALIA; FANTASTIC FILMS. AUSTRALIA; HISTORICAL FILMS. AUSTRALIA; AUSTRALIAN FILM COMMISSION; NATIONAL IDENTITY AND THE CINEMA. AUSTRALIA; MASCULINITY IN FILMS. AUSTRALIA; LANDSCAPES IN FILMS. AUSTRALIA; AUSTRALIAN FILM FINANCE CORPORATION; ROAD MOVIES. AUSTRALIA; SCHEPISI, FRED; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994); BREAKER MORANT (AT, Bruce Beresford, 1980); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); CROCODILE DUNDEE (AT, Peter Faiman, 1986); GALLIPOLI (AT, Peter Weir, 1981); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); MAD MAX [...] (AT, 1979-85); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); SIRENS (AT/UK, John Duigan, 1994); BETWEEN WARS (AT, Michael Thornhill, 1974); ODD ANGRY SHOT, THE (AT, Tom Jeffrey, 1979)
Notes: Includes bibliographical references (p. [194]-199) and index
ISBN: 0719053269 (hbk.); 0719053277 (pbk.); 0719053269
LON: 22455173

Call No: 64POS CRI
Author: Sharrett, Christopher
Place: Washington, D.C.
Publisher: Maisonneuve Press
PubDate: 1993
PhysDes: 282 p. : ill. ; 24 cm
Subject: POSTMODERNISM AND THE CINEMA; DISASTERS IN FILMS; DISASTER FILMS; SEX AND THE CINEMA; DEATH IN FILMS; REPO MAN (US, Alex Cox, 1984); RUMBLE FISH (US, Francis Ford Coppola, 1983); CASANOVA (IT, Federico Fellini, 1976); BRAZIL (UK, Terry Gilliam, 1985); TAXI DRIVER (US, Martin Scorsese, 1976); BLADE RUNNER (US, Ridley Scott, 1982); MAD MAX (AT, George Miller, 1979)
Notes: Includes bibliographical references and index
ISBN: 0944624189 (cloth); 0944624197 (paper)
LON: 9605442

Call No: 71(94) HAL
Author: Hall, Sandra, 1942
Place: Adelaide
Publisher: Rigby
PubDate: 1985
PhysDes: 200 p. : ill., ports. ; 22 cm
Subject: AUSTRALIA; FILMOGRAPHIES. AUSTRALIA; GENRES; GENRES. AUSTRALIA; HISTORY OF CINEMA; HISTORY OF CINEMA. AUSTRALIA; ROAD MOVIES; ROAD MOVIES. AUSTRALIA; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); BARRY MCKENZIE HOLDS HIS OWN (AT, Bruce Beresford, 1974); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); DON'S PARTY (AT, Bruce Beresford, 1976); CLUB, THE (AT, Bruce Beresford, 1980); PUBERTY BLUES (AT, Bruce Beresford, 1981); BREAKER MORANT (AT, Bruce Beresford, 1980); GALLIPOLI (AT, Peter Weir, 1981); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); MONKEY GRIP (AT, Ken Cameron, 1982); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); RETURN OF CAPTAIN INVINCIBLE, THE (AT, Philippe Mora, 1982); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); STORM BOY (AT, Henri Safran, 1976); PHAR LAP (AT, Simon Wincer, 1983); MAD DOG MORGAN (AT, Philippe Mora, 1976); SQUIZZY TAYLOR (AT, Kevin Dobson, 1982); MAN FROM HONG KONG, THE (AT/HK, Brian Trenchard-Smith, 1975); MAD MAX (AT, George Miller, 1979); MAD MAX II (AT, George Miller, 1981); RAZORBACK (AT, Russell Mulcahy, 1984)
ISBN: 0727020102 : $16.95 Aust
LON: anb72702010; 3401972

Call No: TITLE CLIPPINGS FILE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015)
Author: Mathieson, Craig
PhysDes: Clippings File Article
Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015)
Summary: Reivew of film Mad Max: Fury Road
Rating: 4.5 out of 5 stars

PhysDes: Article
Subject: BRONTE SISTERS, THE [SOUERS BRONTE, LES] (FR, Andre Techine, 1979); HOMME BLESSE, L' (FR, Patrice Chereau, 1983); SANTOS INOCENTES, LOS (SP, Mario Camus, 1984); EMPTY BEACH, THE (AT, Chris Thomson, 1985); BACK TO THE FUTURE (US, Robert Zemeckis, 1985); MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985); COCA-COLA KID, THE (AT, Dusan Makavejev, 1985); COCOON (US, Ron Howard, 1985); EMERALD FOREST, THE (UK, John Boorman, 1985); REPO MAN (US, Alex Cox, 1984); PERFECT (US, James Bridges, 1985)
Summary: film reviews of the film listed in the subject field - Bronte Sisters/Adrian Martin, L'Homme Blesse/John Conomos, Holy Innocents/Penny Davies, Empty Beach/Kathe Boehringer, Back to the Future/Kathe Boehringer, Mad Max Beyond Thunderdome/Ross Gibson, Coca Cola Kid/Ross Gibson, Cocoon/Peter Kepm, Emerald Forest/Peter Kemp, Repo Man/Susan Charlton, Perfect/Susan Charlton

Call No: SUBJECT CLIPPINGS FILE; BOX OFFICE. AUSTRALIA
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: BOX OFFICE. AUSTRALIA; PITCH PERFECT 2 (US, Elizabeth Banks, 2015); MAD MAX: FURY ROAD (AT/US, George Miller, 2015)
Summary: Report on the strong showing of Pitch Perfect 2, and the overall strong performance of the Australian box office in 2015.
Notes: located in the BOX OFFICE. AUSTRALIA. 2015-2019 file

PhysDes: Article
Subject: GALLIPOLI (AT, Peter Weir, 1981); PUBERTY BLUES (AT, Bruce Beresford, 1981); MAD MAX (AT, George Miller, 1979); CADDIE (AT, Donald Crombie, 1976); NEWSFRONT (AT, Phillip Noyce, 1978); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); KILLING OF ANGEL STREET, THE (AT, Donald Crombie, 1981); REMOVALISTS, THE (AT, Tom Jeffrey, 1975); MAD DOG MORGAN (AT, Philippe Mora, 1976); DON'S PARTY (AT, Bruce Beresford, 1976); MANGO TREE, THE (AT, Kevin Dobson, 1977); STARSTRUCK (AT, Gillian Armstrong, 1982); CLUB, THE (AT, Bruce Beresford, 1980); INDUSTRY, FILM. AUSTRALIA; FESTIVALS
Summary: Article on Sydney theatre The Trak running an 'Austrailan Film' Film Festival.

Call No: TITLE CLIPPINGS FILE; MAD MAX (AT, George Miller, 1979)
Author: -
PhysDes: Clippings File Article
Subject: STRANGERS IN THEIR OWN LAND [TV](UK, 1979); MAD MAX (AT, George Miller, 1979)
Summary: Brief mention of a call to censor the film Mad Max, and the British documentary about Indigenous Australians and their situation in the town of Weipa titled Strangers in their Own Land

PhysDes: Article
Subject: MAD MAX II (AT, George Miller, 1981); MONKEY GRIP (AT, Ken Cameron, 1982); WE OF THE NEVER NEVER (AT, Igor Auzins, 1982); COX, PAUL; HAZLEHURST, NONI; MILLER, GEORGE; AUSTRALIAN FILM INSTITUTE AWARDS
Summary: Full list of 1982 AFI Award nominees

Call No: 79 MAD FUR
Author: Boylan, Alexis L.; Duane, Anna Mae; Gill, Michael; Gurr, Barbara
Edition: 2020
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 2020
PhysDes: xix, 73 pages ; 18 cm
Series: Forerunners: ideas first; 40
Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015); FEMINISM AND THE CINEMA. AUSTRALIA; WOMEN AND THE CINEMA. AUSTRALIA; PEOPLE WITH DISABILITIES IN FILMS. AUSTRALIA; MAD MAX [...] (AT, 1979-85)
Summary: While both fans and foes point to Mad Max: Fury Road’s feminist credentials, Furious Feminisms asks: is there really anything feminist or radical happening on the screen? The four authors—from backgrounds in art history, American literature, disability studies, and sociology—ask what is possible, desirable, or damaging in theorizing feminism in the contested landscape of the twenty-first century. -- publisher's web site
ISBN: 9781517909192
Contents: Cover -- Title Page -- Copyright Page -- Contents -- Introduction -- Welcome to the Wasteland: Some Terms -- Just a Warrior at the End of the World -- Is the Future Disabled? -- We Are Not Things! Fury Road’s White Slavery Story -- Post-Post-Post Beauty at the End of the World -- We and Not We: Conclusion -- Notes

Call No: SUBJECT CLIPPINGS FILE; AWARDS. ACADEMY
Author: Bodey, Michael
PhysDes: Clippings File Article
Subject: AWARDS. ACADEMY; MAD MAX: FURY ROAD (AT/US, George Miller, 2015)
Summary: Preview of the 2016 Academy Awards with commentary on the chances of MAD MAX: FURY ROAD winning some of the awards

Call No: TITLE CLIPPINGS FILE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015)
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015); AWARDS. ACADEMY
Summary: Interview with Dr George Miller about the film MAD MAX: FURY ROAD winning 6 Oscars at the 2016 Academy Awards

Call No: TITLE CLIPPINGS FILE; MAD MAX (AT, George Miller, 1979)
Author: Tivey, Bev
PhysDes: Clippings File Article
Subject: MAD MAX (AT, George Miller, 1979)
Summary: Review of film Mad Max

Call No: TITLE CLIPPINGS FILE; MAD MAX (AT, George Miller, 1979)
Author: Jennings, Terry
PhysDes: Clippings File Article
Subject: MAD MAX (AT, George Miller, 1979); TIM (AT, Michael Pate, 1979)
Summary: Review and discussion of films Mad Max and Tim, both starring Mel Gibson

PhysDes: Article
Subject: Gibson, Mel; MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985)
Summary: Piece on Gibson agreeing to be in Mad Max IV

Call No: TITLE CLIPPINGS FILE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015)
Summary: Review of film Mad Max: Fury Road
Rating: 4 out of 5 stars

Call No: 738.1(94) POLL
Author: Pollak, Michael, 1948 Oct. 23; MacNabb, Margaret, 1954
Place: Sydney
Publisher: Hale & Iremonger
PubDate: 2000
PhysDes: 399 p. ; 23 cm
Subject: ENVIRONMENTAL ISSUES IN FILMS; STORM BOY (AT, Henri Safran, 1976); MAD MAX [...] (AT, 1979-85); GROUND ZERO (AT, Michael Pattison & Bruce Myles, 1987); STREET TO DIE, A (AT, Bill Bennett, 1985); KILLING OF ANGEL STREET, THE (AT, Donald Crombie, 1981); CROCODILE DUNDEE (AT, Peter Faiman, 1986); ONE NIGHT STAND (AT, John Duigan, 1984); BREATHING UNDER WATER (AT, Susan Murphy Dermody, 1991); CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987); WILD (AT, Ross Gibson, 1993); GIVE TREES A CHANCE - TERANIA CREEK (AT, Jeni Kendell, 1980); ROCKING THE FOUNDATIONS (AT, Pat Fiske, 1985)
Notes: Includes index; Bibliography: p. 378-391
ISBN: 0868066923 : $34.95
LON: 21288448

Author: Salter, Denbeigh
Subject: MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985); INDUSTRY, FILM
Summary: Pieces of news in relation to Hollywood with mention of Mad Max III

Call No: TITLE CLIPPINGS FILE; MAD MAX II (AT, George Miller, 1981)
Author: Jennings, Terry
PhysDes: Clippings File Article
Subject: MAD MAX II (AT, George Miller, 1981)
Summary: Positive review of Mad Max 2

Call No: TITLE CLIPPINGS FILE; MAD MAX (AT, George Miller, 1979)
Author: Coster, Peter
PhysDes: Clippings File Article
Subject: MAD MAX (AT, George Miller, 1979)
Summary: Mad Max's producers have put the car that was one of the starts of the film up for sale

Call No: 40(04)(94) CUN
Author: Cunningham, Stuart
Place: St Lucia, Qld
Publisher: University of Queensland Press
PubDate: 2008
PhysDes: xxxix, 294 p. ; 23 cm
Subject: CULTURE AND THE CINEMA. AUSTRALIA; IMPERIALISM AND TV. AUSTRALIA; TELEVISION AND THE CINEMA. AUSTRALIA; BAXTER, JOHN; MURDOCH, RUPERT; BODYLINE [TV] (AT, Carl Schultz & George Ogilvie & Lex Marinos & Denny Lawrence, 1984); COWRA BREAKOUT (AT, Chris Noonan & Phil Noyce, 1985); DIRTWATER DYNASTY [TV] (AT, John Power & Michael Jenkins, 1988); DISMISSAL, THE [TV] (AT, George T. Miller & others, 1983); EUREKA STOCKADE [TV] (AT, Rod Hardy, 1984); IN THE WAKE OF THE BOUNTY (AT, Charles Chauvel, 1933); LAST BASTION, THE (AT, Chris Thomson and Dr. George Miller, 1984); LAST FRONTIER, THE [TV] (AT, Simon Wincer, 1986); MAD MAX (AT, George Miller, 1979); MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985); MAD MAX II (AT, George Miller, 1981); NEIGHBOURS [TV] (AT, 1985-); OVERLANDERS, THE (UK, Harry Watt, 1946); VIETNAM [TV] (AT, John Duigan & Chris Noonan, 1987)
Summary: "These essays, written over a twenty year period, bring together important works from one of Australias leading cultural studies thinkers. The selected papers map the trajectory of our changing culture and the way the field of cultural, media and communication studies have adapted to accommodate these changes."--Provided by publisher
Notes: Includes bibliographical references and index
ISBN: 9780702236709

Call No: TITLE CLIPPINGS FILE; MAD MAX (AT, George Miller, 1979)
Author: MacDonald, Mary
PhysDes: Clippings File Article
Subject: MAD MAX (AT, George Miller, 1979)
Summary: Negative review of Mad Max

Call No: TITLE CLIPPINGS FILE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015)
Author: Hildebrand, Joe
PhysDes: Clippings File Article
Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015)
Summary: Filming location of Mad Max 4- the film was going to be shot in Broken Hill untill heavy rain turned the barren desert in the area "into a sea of blooming flowers". The production will be moved to Namibia.

Author: Vial, Andrew
PhysDes: Article
Subject: JAPAN; AUSTRALIA; AUSTRALIAN FILM COMMISSION; DISTRIBUTION. AUSTRALIA; MAD MAX (AT, George Miller, 1979); MAD MAX II (AT, George Miller, 1981)
Summary: Artcle on Japanes distributor Tokyovision Inc.'s wish to distribute more Australian films in Japan, especially after the success of Mad Max and Mad Max II. The author proposes that the Australian Film Commission open an office in Tokyo.

Call No: TITLE CLIPPINGS FILE; MAD MAX (AT, George Miller, 1979)
Author: -
PhysDes: Clippings File Article
Subject: MAD MAX (AT, George Miller, 1979)
Summary: Report from opening night screening of Mad Max

Call No: TITLE CLIPPINGS FILE; MAD MAX (AT, George Miller, 1979)
Author: -
PhysDes: Clippings File Article
Subject: CENSORSHIP. NEW ZEALAND; MAD MAX (AT, George Miller, 1979)
Summary: The New Zealand Film Censorship Board of Review have turned down the appeal on the ban of the film Mad Max

Call No: TITLE CLIPPINGS FILE; MAD MAX (AT, George Miller, 1979)
Author: Tivey, Beverley
PhysDes: Clippings File Article
Subject: MAD MAX (AT, George Miller, 1979)
Summary: Positive review of film Mad Max

Call No: TITLE CLIPPINGS FILE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015)
Summary: Review of Mad Max: Fury Road

Call No: 754.11 SAR
Author: Sargeant, Jack; Watson, Stephanie
Place: London
Publisher: Creation
PubDate: 1999
PhysDes: 256 p. : ill. ; 25 cm
Series: Creation cinema collection ; 15
Subject: ROAD MOVIES; WESTERNS; MOTORCYCLE FILMS; HORROR FILMS; VAMPIRE FILMS; SCIENCE-FICTION FILMS; Wenders, Wim; LYNCH, DAVID; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); ALICE IN DEN STADTEN (GW, Wim Wenders, 1973); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BACKROADS (AT, Philip Noyce, 1977); BADLANDS (US, Terrence Malick, 1973); BLUE VELVET (US, David Lynch, 1986); BONNIE AND CLYDE (US, Arthur Penn, 1967); BUTTERFLY KISS (UK, Michael Winterbottom, 1995); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); CRASH (CN, David Cronenberg, 1996); DELIVERANCE (US, John Boorman, 1972); EASY RIDER (US, Dennis Hopper, 1969); TOPO, EL (MX, Alexandro Jodorowsky, 1971); FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996); GALLIVANT (UK, Andrew Kotting, 1996); GUN CRAZY (US, Joseph H. Lewis, 1949); I WAS A MALE WAR BRIDE (US, Howard Hawks, 1949); KALIFORNIA (US, Dominic Sena, 1993); IM LAUF DER ZEIT (GW, Wim Wenders, 1976); KISS OR KILL (AT, Bill Bennett, 1997); HEAVEN'S BURNING (AT, Craig Lahiff, 1997); JETEE, LA (FR, Chris Marker, 1963); LOST HIGHWAY (US, David Lynch, 1996); MAD MAX [...] (AT, 1979-85); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943); NATURAL BORN KILLERS (US, Oliver Stone, 1994); NEAR DARK (US, Kathryn Bigelow, 1987); NIGHT OF THE HUNTER (US, Charles Laughton, 1955); F.J. HOLDEN, THE (AT, Michael Thornhill, 1977); THELMA & LOUISE (US, Ridley Scott, 1991); THEY LIVE BY NIGHT (US, Nicholas Ray, 1949); TO WONG FOO, THANKS FOR EVERYTHING! JULIE NEWMAR (US, Beeban Kidron, 1995); TRUE ROMANCE (US, Tony Scott, 1993); TWO LANE BLACKTOP (US, Monte Hellman, 1971); VANISHING POINT (UK, Richard C. Sarafian, 1971); WALKABOUT (UK, Nicolas Roeg, 1971); WEEK-END (FR/IT, Jean-Luc Godard, 1968); WILD AT HEART (US, David Lynch, 1990); WILD BUNCH, THE (US, Sam Peckinpah, 1969); WINGS OF DESIRE [HIMMEL UBER BERLIN, DER] (GW/FR, Wim Wenders, 1987); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
ISBN: 1871592682(pbk.) : ª14.95
LON: 20894332

Author: Coleman, Lindsay
PhysDes: Article
Subject: CINEMATOGRAPHY. AUSTRALIA; SEARLE, JOHN; MAD MAX: FURY ROAD (AT/US, George Miller, 2015)
Summary: Cinematographer, John Searle discusses his work on the Australian film, Mad Max: Fury Road
Notes: Interview

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Stills; Press kit; Clippings
Subject: MAD MAX (AT, George Miller, 1979)
URL status: URL: 'http://file://Q:/T/MAD_MAX.zip' Checked: 31/08/2021 12:46:04 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 79MAD KAY
Author: Kaye, Terry
Place: Melbourne
Publisher: Circus Books
PubDate: 1979
PhysDes: 200 p. ; 18 cm.
Subject: MAD MAX (AT, George Miller, 1979)
ISBN: 0868260371 (corrected)

Call No: N79MAD VIN
Author: Vinge, Joan, D.
Source: AT
Place: [Sydney]
Publisher: QB Books
PubDate: [1985]
PhysDes: 208 p. ; 18 cm.
Subject: MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985)
ISBN: 0725518731

Call No: N79MAD VIN
Author: Vinge, Joan D.
Source: AT
Place: Sydney
Publisher: QB Books : distributed by Progress Publications
PubDate: c1985
PhysDes: 208 p., [16] p. of plates ; 18 cm
Subject: MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985)
ISBN: 0725518731

Author: Chris Murray
PhysDes: Article
Subject: Gibson, Mel; MAD MAX (AT, George Miller, 1979)
Summary: D.V.D. review of Mad Max

Call No: 79 MAD CON
Copy Management: Copy 1; Copy 2
Author: Conterio, Martyn
Source: UK
Place: Leighton Buzzard, [England]
Publisher: Auteur Publishing
PubDate: 2019
PhysDes: 97 pages : illustrations ; 20 cm
Series: Constellations : studies in science fiction film and TV
Subject: MAD MAX (AT, George Miller, 1979); MAD MAX [...] (AT, 1979-85); MILLER, GEORGE
Summary: "This Constellation examines Mad Max's considerable formal qualities in detail, including Miller's theory of cinema as "visual rock n roll" and his marriage of classical Hollywood editing and Soviet-style montage. It also situates the film at a particular historical moment, one when Australia was beset by economic woes, environmental disasters and political change. Taking in everything from the film's extremely controversial domestic critical reception to its legacy today, via a string of sequels and the creation of an entire subgenre - the post-apocalyptic actioner - this is a book for film students and fans alike." - taken from back cover.
Notes: Bibliography (pages 96-97) 2 copies; 1 donated by Senses of Cinema
ISBN: 9781911325864
Donation: Senses of Cinema
Contents: Preface: A Few Years From Now -- Introduction: Base But See It -- Chapter One: Give 'Em Back Their Heroes -- Chapter Two: Metal Damage, Brain Damage -- Chapter Three: The White Line Nightmare -- Chapter Four: Beyond Anarchie Road -- Conclusion -- Bibliography

Call No: N79 MAD HAY
Author: Hayes, Terry
Source: AT
Place: Cammeray, [N.S.W.]
Publisher: Horwitz
PubDate: 1981
PhysDes: 136 p. : ill. ; 18 cm
Subject: MAD MAX II (AT, George Miller, 1981)
ISBN: 0725511834

Call No: TITLE CLIPPINGS FILE; MAD MAX II (AT, George Miller, 1981)
Author: -
PhysDes: Clippings File Article
Subject: MAD MAX II (AT, George Miller, 1981)
Summary: Report on how Mad Max 2 box office is down slightly in Japan in comparison to its projections

Call No: TITLE CLIPPINGS FILE; MAD MAX II (AT, George Miller, 1981)
Author: -
PhysDes: Clippings File Article
Subject: MAD MAX II (AT, George Miller, 1981)
Summary: Report on Mad Max 2's strong box office performance since it's opening in Australia

PhysDes: Article
Subject: MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985); KENNEDY, BYRON; MILLER, GEORGE; INDUSTRY, FILM. AUSTRALIA
Summary: Update on the status of 'Mad Max 3: Beyond Thunderdome'

Call No: TITLE CLIPPINGS FILE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015)
Author: Zwar, Adam
PhysDes: Clippings File Article
Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015)
Summary: Mad Max 4 in pre productio. Rumours place Heath Ledger in central role

Call No: TITLE CLIPPINGS FILE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015)
Author: Bodey, Michael; McKenna, Michael
PhysDes: Clippings File Article
Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015)
Summary: Mad Max 4 expected to be filmed in Namibia, not Australia

PhysDes: Article
Subject: MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985)
Summary: Outlines the history of the Mad Max films

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985)

Call No: N79MAD VIN
Source: AT
Place: North Ryde, N.S.W.
Publisher: Angus and Robertson
PubDate: 1985
PhysDes: [60] p. : col. ill. ; 28 cm
Subject: MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985)
ISBN: 0207152535

Author: Salter, Denbeigh
Subject: MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985); INDUSTRY, FILM. AUSTRALIA; Gibson, Mel; MILLER, GEORGE
Summary: Review of mad Max- Beyond Thunderdome

PhysDes: Article
Subject: MAD MAX (AT, George Miller, 1979)
Summary: Outlines the history of the Mad Max films.

PhysDes: Article
Subject: MAD MAX II (AT, George Miller, 1981)
Summary: Outlines the history of the Mad Max films.

Call No: 79 MAD MAT
Author: Matthews, Ann
Place: North Ryde, NSW
Publisher: Angus & Robertson
PubDate: 1985
PhysDes: [64 pages] : illus. ; 28 cm
Subject: MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985)
ISBN: 0207152535

Call No: DMAD MAX BEYOND THUNDERDOME
Source: AT
Publisher: Warner Home Video
PhysDes: 1 videodisc (DVD) (102 min.) : sd., col. ; 4 3/4 in
Subject: MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985)

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: Warner Bros. Inc.
PhysDes: 7 photographs : b&w ; 13 x 18 cm - 25 x 20 cm
Subject: Gibson, Mel; TURNER, TINA; MILLER, GEORGE; MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985)
Summary: Six black and white photographs relating to the film 'Mad Max beyond thunderdome'
Notes: 1 image doanted by Brian McFarlane

Call No: TITLE CLIPPINGS FILE; MAD MAX II (AT, George Miller, 1981)
PhysDes: Clippings File Article
Subject: CENSORSHIP; MAD MAX II (AT, George Miller, 1981)
Summary: Report on how Mad Max 2 was cleared by the High Court to be shown in Switzerland

Call No: TITLE CLIPPINGS FILE; MAD MAX (AT, George Miller, 1979)
Author: White, Brian
PhysDes: Clippings File Article
Subject: DAYS OF HEAVEN (US, Terrence Malick, 1978); MAD MAX (AT, George Miller, 1979)
Summary: Review of Mad Max with mention of Days of Heaven and violence in film

Call No: TITLE CLIPPINGS FILE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015)
Author: Barber, Lynden
PhysDes: Clippings File Article
Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015)
Summary: George Miller finishes the screenplay for Mad Max 4 and indicates he will shoot the film overseas.

Call No: 79 MAD NEW
Author: Newton, James
Edition: 2021
Place: New York
Publisher: Bloomsbury Academic
PhysDes: 216 pages : illustrated ; 23 cm
Subject: [TWENTY-NINETEEN] 2019: AFTER THE FALL OF NEW YORK [2019: DOPO LA CADUTA DI NEW YORK] (IT/FR, Sergio Martino, 1983); ANDERSON, WES; AUTOMOBILES IN FILMS; DEAD END DRIVE-IN (AT, Brian Trenchard-Smith, 1986); DEATH RACE 2000 (US, Paul Bartel, 1975); DEATH RUN (UK, Michael J. Murphy, 1987); DEATH WISH (US, Michael Winner, 1974); EXPLOITATION FILMS; EXTERMINATOR, THE (US, James Glickenhaus, 1980); HOME VIDEO; MAD MAX (AT, George Miller, 1979); MAD MAX [...] (AT, 1979-85); MILLER, GEORGE; MASCULINITY IN FILMS; ZOMBIES IN FILMS AND TV
Summary: The Mad Max Effect provides an in-depth analysis of the Mad Max series, and how it began as an inventive concoction of a number of influences from a range of exploitation genres (including the biker movie, the revenge film, and the car chase cinema of the 1970s), to eventually inspiring a fresh cycle of international low budget 'road warrior' movies that appeared on home video in the 1980s. The Mad Max Effect is the first detailed academic study of the most famous and celebrated post-apocalypse film series, and examines how a humble Australian action movie came from the cultural margins of exploitation cinema to have a profound impact on the broader media landscape. -- publisher's web site
ISBN: 9781501342295
Contents: Acknowledgements -- Introduction -- Chapter One: Origins of the Road Warrior -- Chapter Two: The Death Race Lineage -- Chapter Three: Contextualising Mad Max -- Chapter Four: The Politics of Mad Max -- Chapter Five: MadMaxploitation! Transnational Road Warriors -- Chapter Six: Fury Road and the Imitation of Exploitation -- Chapter Seven: Mad Max and the metatext: Fan Engagement and Online Culture -- Conclusion: A Few Years From Now -- List of Films -- Reference List -- Index

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Clippings
Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015)

Call No: TITLE CLIPPINGS FILE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015)
Author: Dent, Nick
PhysDes: Clippings File Article
Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015)
Summary: Review of the fourth Mad Max film, Mad Max: Fury Road.
Rating: 4.5 out of 5 stars

Call No: N79MAD MIL
Author: Miller, George (story); Lathouris, Nico (script); Sexton, Mark (script); Spicer, Michael (color); Kindzierski,Lovern (color); Robins, Clem (letters)
Source: US
Place: Burbank, CA
Publisher: DC Comics
PubDate: c2015
PhysDes: 1 volume (unpaged) : chiefly illustrations (colour) ; 26 cm
Series: Mad Max
Subject: COMIC STRIPS; COMIC STRIPS AND THE CINEMA; UTOPIA IN FILMS; MAD MAX (AT, George Miller, 1979); MAD MAX: FURY ROAD (AT/US, George Miller, 2015); MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985); ROAD WARRIOR, THE (AT, George Miller, 1981) SEE MAD MAX II; MAD MAX II (AT, George Miller, 1981)
Summary: "George Miller, Nico Lathouris and Mark Sexton are writing four prelude stories that follow leading characters Nux, Immortan Joe, Furiosa, and a two-part story about Mad Max. Nico Lathouris serves as a co-writer on the film while Mark Sexton serves as storyboard and concept artist for Mad Max: Fury Road. Interior artists working on these projects include Riccardo Burchielli, Leandro Fernandez, Tristan Jones and Mark Sexton, while covers will be illustrated by Tommy Lee Edwards. Collects MAD MAX: FURY ROAD: NUX & IMMORTAN JOE #1, MAD MAX: FURY ROAD: FURIOSA #1, and MAD MAX: FURY ROAD: MAD MAX #1-2" "
Notes: Formerly CIP; This is a graphic novel
ISBN: 9781401259051

Call No: TITLE CLIPPINGS FILE; MAD MAX : FURY ROAD (AT/US, George Miller, 2015)
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: AWARDS. ACADEMY; MAD MAX: FURY ROAD (AT/US, George Miller, 2015)
Summary: Pundits are predicting that MAD MAX: FURY ROAD will be up for a large amount of awards for the upcoming Oscars. Many critics believe that Cate Blanchett will be nominated for her role in the film CAROL

Call No: TITLE CLIPPINGS FILE; MAD MAX (AT, George Miller, 1979)
Author: Pountney, Michelle
PhysDes: Clippings File Article
Subject: MAD MAX (AT, George Miller, 1979)
Summary: Report on a special screening of MAD MAX with score provided by jazz band Shaolin Afronauts

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Stills; Clippings
Subject: MAD MAX II (AT, George Miller, 1981)

Author: Riddell, Elizabeth
PhysDes: Article
Subject: MAD MAX II (AT, George Miller, 1981)
Summary: Review

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: Warner Bros. Inc.
PhysDes: 3 photographs : b&w ; 20 x 25 cm
Subject: WELLS, VERNON; MAD MAX II (AT, George Miller, 1981)
Summary: Three black and white photographs from the film Mad Max II

Call No: TITLE CLIPPINGS FILE; MAD MAX: FURY ROAD (AT/US, George Miller, 2015)
Author: Roach, Vicky
PhysDes: Clippings File Article
Subject: MAD MAX: FURY ROAD (AT/US, George Miller, 2015)
Summary: Filming of Mad Max 4 and other films to be co produced in Australia

Author: M.B.
PhysDes: Article
Subject: MAD MAX (AT, George Miller, 1979)
Summary: Ill

Call No: TITLE CLIPPINGS FILE; MAD MAX (AT, George Miller, 1979)
Author: AAP
PhysDes: Clippings File Article
Subject: MAD MAX (AT, George Miller, 1979)
Summary: Review of London critics reaction to the film Mad Max

Call No: 79 MAD MAR
Author: Martin, Adrian
Source: AT
Place: Strawberry Hills, N.S.W.
Publisher: Currency Press; ScreenSound Australia
PubDate: 2003
PhysDes: 87 p. : ill. ; 19 cm
Series: Australian Screen Classics
Subject: MAD MAX (AT, George Miller, 1979); MAD MAX [...] (AT, 1979-85); MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985); MAD MAX II (AT, George Miller, 1981); ROAD MOVIES. AUSTRALIA
Summary: Martin compares the three Mad Max movies, sharing his views on which works best and why. In a chapter dedicated to each film, he looks at their critical reception and their themes, examines Miller's shooting techniques and provides a shot-by-shot analysis of integral scenes.
Notes: Notes: p.74-78 Bibliography: p.79-81 Filmography: p.82-83 Credits: p.84-87
ISBN: 0868196703

Call No: P MAD
PhysDes: 1 poster : col. ; 75 X 34 cm.
Subject: MAD MAX (AT, George Miller, 1979)
Summary: Image: Has photo of Mel Gibson. Text: 'When the gangs take over the highway...'
Notes: Has some fold lines; some with tears and holes

Call No: TITLE CLIPPINGS FILE; MAD MAX II (AT, George Miller, 1981)
Author: Hutchinson, Ivan
PhysDes: Clippings File Article
Subject: MAD MAX (AT, George Miller, 1979); MAD MAX II (AT, George Miller, 1981)
Summary: Preview of Mad Max 2 with some commentary on the original Mad Max film