Search Catalogues

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FANTASTIC FOUR (US/GG, Tim Story, 2005)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: [FOUR] 4 (AT/US/JA/FI, Tim Slade, 2007)

Call No: P TWO
Place: AT
PubDate: 1969
PhysDes: 1 poster : colour ; 76 x 34 cm
Subject: TWO THOUSAND WEEKS (AT, Tim Burstall, 1969)
Summary: Text: "Suitable only for adults" "Now is the Time... For WILL - The Dreamer - To Choose Between An Idyll or Reality" "Sarah... First Love" "Jackie... New Love" Image: At the top of the poster, there is a green coloured image of a man and woman looking into each others' faces with their arms on each others' shoulders. In the middle of the poster are two facial shots; one of a woman named Sarah who looks disgusted and the other of a woman named Jackie who looks concerned.
Notes: Folded in two places, creases.

Call No: 451-054(=1-81) JEN
Author: Jennings, Karen Una
CorpAuthor: Murdoch University. School of Human Communication. M.A. in Literature and Communication Programme
PubDate: 1987
PhysDes: iv, 167 leaves ; 30 cm
Subject: ABORIGINAL AUSTRALIAN CINEMA; AUSTRALIA; JEDDA (AT, Charles Chauvel, 1955); WE OF THE NEVER NEVER (AT, Igor Auzins, 1982); JOURNEY AMONG WOMEN (AT, Tom Cowan, 1977); ELIZA FRASER (AT, Tim Bustall, 1976); MANGANINNIE (AT, John Honey, 1980); BACKLASH (AT, Bill Bennett, 1986); FRINGE DWELLERS, THE (AT, Bruce Beresford, 1986); MY SURVIVAL AS AN ABORIGINAL (AT, Essie Coffey, 1979); TWO LAWS (AT, Alessandro Cavadini & Carolyn Strachan, 1981); NICE COLOURED GIRLS (AT, Tracey Moffatt, 1987); SISTER IF YOU ONLY KNEW (AT, Janet Isaac, 1975)
Notes: Bibliography: p. 153-67
LON: abn89090906; 9151758

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ACTION POINT (US, Tim Kirkby, 2018)

Call No: 753 ADA
Author: Cartmell, Deborah; Whelehan, Imelda
Source: US/UK
Place: London New York
Publisher: Routledge
PubDate: 1999
PhysDes: xvii, 247 p. : ill. ; 24 cm
Subject: ADAPTATIONS; ADAPTATIONS. AUSTEN, JANE; ADAPTATIONS. SHAKESPEARE, WILLIAM; ANIMATION; BATMAN IN FILMS; TELEVISION AND THE CINEMA; TELEVISION IN FILMS; CAMPION, JANE; BATMAN [TV] (US, 1965-67); SCARLET LETTER, THE (US, Roland Joffe, 1995); SENSE AND SENSIBILITY (US, Ang Lee, 1995); EMMA (UK, Douglas McGrath, 1996); CLUELESS (US, Amy Heckerling, 1995); LITTLE WOMEN (US, George Cukor, 1933); LITTLE WOMEN (US, Gillian Armstrong, 1994); LITTLE WOMEN (US, Mervyn LeRoy, 1948); NAKED LUNCH (CN/UK, David Cronenberg, 1991); SCHINDLER'S LIST (US, Steven Spielberg, 1993); TRAINSPOTTING (UK, Danny Boyle, 1996); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); BATMAN (US, Tim Burton, 1989); [ONE HUNDRED AND ONE] 101 DALMATIANS (US, Stephen Herek, 1996)
Summary: "Adaptations surveys the key approaches and debates surrounding adaptation, and explores why adaptations of both 'high' and 'low' cultural texts have become increasingly popular. Beginning with the history of Shakespeare on film, from Olivier's and Branagh's Hamlet, contributors examine screen versions of literary classics, from Nathaniel Hawthorne's The Scarlet Letter and Louisa May Alcott's Little Women to Thomas Keneally's Schindler's Ark and Irvine Welsh's Trainspotting. Adaptations goes on to consider adaptation in reverse: How writers like Virginia Woolf incorporated cinematic elements into their work, and explains why there had to be a novel of Jane Campion's The Piano. Contributors examine adaptations from comics to film, such as the Batman movies, Star Trek's incarnations as a long-running tv series, and then as a sequence of movies, and 101 Dalmations' [sic] move from children's novel to cartoon to live-action film." - BOOK BLURB
Notes: Includes bibliographical references (p. 226-238) and index
ISBN: 041516737X (hbk); 0415167388 (pbk); 041516737X (hardcover : alk. paper); 0415167388 (pbk : alk. paper)
LON: 14255526
Contents: Part 1: an overview -- Adaptations: the contemporary dilemmas / Imelda Whelehan; Part 2: from text to screen -- Introduction / Deborah Cartmell -- The Shakespeare on screen industry / Deborah Cartmell -- Conservative Austen, radical Austen: Sense and Sensibility from text to screen / Julian North -- From Emma to Clueless: taste, pleasure and the scene of history / Esther Sonnet -- Imagining the puritan body: the 1995 cinematic version of Nathaniel Hawthorne's The Scarlet Letter / Roger Bromley -- Four Little Women: three films and a novel / Pat Kirkham and Sarah Warren -- Will Hollywood never learn? David Cronenberg's Naked Lunch / Nicholas Zurbrugg -- Adapting the Holocaust: Schindler's List, intellectuals and public knowledge / Mark Rawlinson -- Speaking out: the transformations of trainspotting / Derek Paget; Part 3: from screen to text and multiple adaptations -- Introduction / Deborah Cartmell -- Orlando: coming across the divide / Sharon Ouditt -- Jane Campion and the limits of literary cinema / Ken Gelder -- The wrath of the original cast: translating embodied television character to other media / Ina Rae Hark -- Batman: one life, many faces / Will Brooker -- 'Thou art translated': analysing animated adaptation / Paul Wells -- 'A doggy fairy tale': the film metamorphoses of The Hundred and One Dalmatians / Imelda Whelehan

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: ADAPTATIONS. WINTON, TIM

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: ADLIDE, TIM

Call No: 633.3 (41)
Author: Hockenhull, Stella
Source: UK
Place: London, UK ; New York, NY.
Publisher: I.B. Tauris & Co Ltd
PubDate: 2014
PhysDes: ix, 236 p. : ill. ; 22 cm.
Subject: BRITISH CINEMA; AESTHETICS; LANDSCAPES IN FILMS; REALISM IN FILMS; ART AND THE CINEMA; EMOTION IN FILMS; SWEET SIXTEEN (UK/GG/SP, Kenneth Loach, 2002); LADIES IN LAVENDER (UK, Charles Dance, 2004); MISS POTTER (UK/US, Chris Noonan, 2006); LONDON TO BRIGHTON (UK, Paul Andrew Williams, 2006); WAR ZONE, THE (UK, Tim Roth, 1999); RATCATCHER (UK, Lynne Ramsey, 1999); CHILDREN OF MEN (JA/UK/US, Alfonso Cuaron, 2006); [TWENTY-EIGHT] 28 DAYS LATER (UK/US, Danny Boyle, 2002); MAGDALENE SISTERS, THE (UK, Peter Mullan, 2002); NINA'S HEAVENLY DELIGHTS (UK, Pratibha Parmar, 2006); LAST RESORT, THE (UK, Pawel Pawlikowski, 2000); MY SUMMER OF LOVE (UK, Paul Pawlikowski, 2004); QUEEN, THE (UK/IT/FR, Stephen Frears, 2006)
Summary: "The contemporary study of film is dominated by narrative theory - yet films include scenes and images which do not perform a narrative task but nevertheless provoke an emotional response.Stella Hockenhull looks at the painterly dimensions inherent in the medium of film, arguing that an aesthetic analysis enables a fuller appreciation of the visual 'spectacle' of cinema. In a reading of the formal aspects in film imagery in contemporary British films spanning social realist, melodrama and horror genres, Hockenhull demonstrates how the spiritual aspects of landscape and nature mobilise a Neo-Romantic effect. She traces the influence of Romanticism and notions of the Sublime in key British films including 'Sweet Sixteen', 'The Queen', 'Ratcatcher', 'Eden Lake', '28 Days Later', 'My Summer of Love' and 'The Last Great Wilderness'. Operating at the intersection between film theory, art theory and aesthetics, this is a vital contribution which enables a fuller, multidimensional understanding of cinematic experience." -- BOOK BLURB
Notes: Includes bibliographical references and index.
ISBN: 9781848859012
Donation: donated by Senses of Cinema, 2014

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: AGAINST THE GRAIN (AT, Tim Burns, 1980)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 2 photographs : b&w ; 26 x 21 cm + 1 postcard : b&w ; 11 x 15 cm
Subject: AGAINST THE GRAIN (AT, Tim Burns, 1980)
Summary: Photographs relating to the film 'Against the grain'
Notes: One photograph donated by Tom Ryan

Call No: DONATION - ALAN HOPGOOD
Source: AT
PhysDes: 1 box
Subject: HOPGOOD, ALAN; ALVIN PURPLE (AT, Tim Burstall, 1973); ALVIN RIDES AGAIN (AT, David Bilcock & Robin Copping, 1974); BELLBIRD [TV] (AT, 1967-1977); PACIFIC BANANA (AT, John Lamond, 1981)
Summary: A donated collection of items from Alan Hopgood to the AFI Research Collection. Alan Hopgood has been a long-time writer and actor within the Australian film, tv, and theatre scene. His work includes screenplays for films such as Alvin Purple, Alvin Rides Again, Pacific Banana, as well as television shows such as Bellbird, Alvin Purple, And the Big Men Fly, Neighbours, Pugwall, and The Flying Doctors. Alan was involved with Bellbird when the Australian Broadcasting Commission (ABC) had made a decision to change the screening time of its show Bellbird. This did not sit well with a large selection of the viewing public who protested this move and wrote to the ABC to complain. Alan kept those letters in a view to get them published in a book, which didn’t eventuate. These letters were kept and are part of Alan’s donation to the AFI Research Collection
Donation: donated by Alan Hopgood, 2010
ID2: 56

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: ALICE IN WONDERLAND (US, Tim Burton, 2010)
URL status: URL: 'http://file://Q:/T/ALICE_IN_WONDERLAND.2010.zip' Checked: 31/08/2021 1:19:29 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: SUBJECT CLIPPINGSFILE; AUSTRALIAN CENTRE FOR THE MOVING IMAGE (ACMI)
Author: Hawker, philippa
PhysDes: Clippings File_Article
Subject: AUSTRALIAN CENTRE FOR THE MOVING IMAGE [ACMI]; ALICE IN WONDERLAND (FR/UK, Lou Bunin & Marc Maurette & Dallas Bower, 1949); ALICE IN WONDERLAND (US, Tim Burton, 2010); ALICE THROUGH THE LOOKING GLASS (US, James Bobin, 2016)
Summary: Review of new "Alice" exhibition coming to ACMI discussing ongoing interpetation's of Carroll's work.

Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: ALLEN, TIM

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALVIN AND THE CHIPMUNKS (US, Tim Hill, 2007)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: ALVIN PURPLE (AT, Tim Burstall, 1973)

Call No: 79ALV HOP
Author: Hopgood, Alan
Source: AT
Place: Sydney
Publisher: Scripts
PubDate: 1974
PhysDes: 127 p. : ill. ; 18 cm.
Subject: ALVIN PURPLE (AT, Tim Burstall, 1973)
Notes: A novel based on the screenplay by Alan Hopgood
ISBN: 0725203153

Call No: 79ALV LUM
Author: Lumby, Catharine
CorpAuthor: AT
Place: Strawberry Hills, NSW
Publisher: Currency Press .
PubDate: 2008
PhysDes: 77 p. : ill, ports. ; 19 cm
Series: Australian screen classics
Subject: MOTION PICTURE DISTRIBUTORS ASSOCIATION. AUSTRALIA; SEXUALITY AND THE CINEMA; BLUNDELL, GRAEME; ALVIN PURPLE (AT, Tim Burstall, 1973)
Summary: Alvin Purple was the most commercially successful Australian movie of the 1970s. Catharine Lumby takes a fresh look at the film, the social and political era, in which it was made, and the forces which fueled its success.
Notes: The Australian Screen Classics series is edited by Jane Mills; Bibliography: p.77-78
ISBN: 9780868198446

Author: Matt Coyte
PhysDes: Article
Subject: ALVIN PURPLE (AT, Tim Burstall, 1973); ALVIN RIDES AGAIN (AT, David Bilcock & Robin Copping, 1974)
Summary: D.V.D. review of Alvin Purple and Alvin Purple Rides Again

Call No: TITLE STILL AUSTRALIA
Source: AT
PubDate: [1973?]
PhysDes: 1 photograph : b&w ; 19 x 25 cm.
Subject: ALVIN PURPLE (AT, Tim Burstall, 1973); BLUNDELL, GRAEME
Summary: Graeme Blundell sits reclined at a desk wearing nothing but socks and sneakers. He looks to his left at a man who is fully dressed and standing at the desk that he is reclining behind.
Notes: Moderate surface damage to photograph; Pencil annotations to reverse of photograph; Red adhesive sticker on reverse of photograph; Pin holes on corners of photograph

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 2 photographs : b&w ; 13 x 18 cm.-20 x 25 cm
Subject: ALVIN PURPLE (AT, Tim Burstall, 1973)
Summary: Alvin Purple (Graeme Blundell), as water-bed salesman, with kinky customer in ALVIN PURPLE

Call No: 81BUR BEN
Copy Management: Copy 1; Copy 2
Author: Benson, John J
CorpAuthor: Australian Film Institute. Research & Information Centre
Source: AT
Place: Melbourne
Publisher: Australian Film Institute Research & Information
PubDate: 1983
PhysDes: 76 p. ; 30 cm
Series: A.F.I. Research & Information bibliography
Subject: BURSTALL, TIM
Notes: Australian cinema films. Directing. Burstall, Tim. Bibliographies (ANB/PRECIS SIN 0744093); Cover title: Tim Burstall bibliography
ISBN: 090802309X
LON: 2993518

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ANTZ (US, Eric Darnell, Lawrence Guterman & Tim Johnson II, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ART OF AUSTRALIA, THE [TV] (AT, Louise Turley/ Tim Lambert, 2013)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ATLANTA BLUES (AT, Tim Clark, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: ATTACK FORCE Z (AT/SZ, Tim Burstall, 1981)

Author: Taylor, Paul
PhysDes: Article
Subject: NATIONAL FILM THEATRE PROGRAM; AUSTRALIAN CINEMA; AGAINST THE GRAIN (AT, Tim Burns, 1980)
Notes: Independents round-up. - short credits and synopses for each film in program. - illustrations

Call No: 735.2 (94) SHE
Author: Shelley, Peter
Source: US/UK
Place: Jefferson, North Carolina, and London
Publisher: McFarland & Company Inc
PubDate: c2012
PhysDes: vi, 320 p. : ill. ; 26 cm
Subject: HORROR FILMS; HORROR FILMS. AUSTRALIA; FILMOGRAPHIES. AUSTRALIA; NIGHT OF FEAR (AT, Terry Bourke, 1973); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); INN OF THE DAMNED (AT, Terry Bourke, 1974); END PLAY (AT, Tim Burstall, 1975); LAST WAVE, THE (AT, Peter Weir, 1977); LONG WEEKEND, THE (AT, Colin Eggleston, 1979); PATRICK (AT, Richard Franklin, 1978); SNAPSHOT (AT, Simon Wincer, 1978); THIRST (AT, Rod Hardy, 1979); NIGHTMARES (AT, John Lamond, 1980); ALISON'S BIRTHDAY (AT, Ian Coughlin, 1979); LADY STAY DEAD (AT, Terry Bourke, 1981); ROADGAMES (AT, Richard Franklin, 1981); SURVIVOR, THE (AT, David Hemmings, 1981); NEXT OF KIN (AT, Tony Williams, 1982); TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981); INNOCENT PREY (AT, Colin Eggleston, 1984); RAZORBACK (AT, Russell Mulcahy, 1984); CASSANDRA (AT, Colin Eggleston, 1987); DARK AGE (AT/US, Arch Nicholson, 1988); FAIR GAME (AT, Mario Andreacchio, 1986); CONTAGION (AT, Karl Zwicky, 1988); CONTAGION (AT, Karl Zwicky, 1988); OUTBACK VAMPIRES (AT, Colin Eggleston, 1987); ZOMBIE BRIGADE (AT, Carmelo Musca, 1988); CELIA (AT, Ann Turner, 1988); CELIA (AT, Ann Turner, 1988); DREAMING, THE (AT, Mario Andreacchio, 1988); HOUSEBOAT HORROR (AT, Kendal Flanagan & Ollie Martin, 1989); KADAICHA (AT, James Bogle, 1988); OUT OF THE BODY (AT, Brian Trenchard-Smith, 1988); [THIRTEENTH] 13TH FLOOR, THE (AT, Chris Roache, 1989); BLOODMOON (AT, Alec Mills, 1990); BODY MELT (AT, Philip Brophy, 1993); BODY MELT (AT, Philip Brophy, 1993); ENCOUNTERS (AT, Murray Fahey, 1994); KOMODO (US/AT, Michael Lantieri, 1999); CUT (AT, Kimble Rendall, 2000); CTHULHU (AT, Damian Heffernan, 2000); GHOST SHIP, THE (US, Steve Beck, 2002); CUBBYHOUSE (AT, Murray Fahey, 2001); QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002); DARKNESS FALLS (US, Jonathon Liebesman, 2003); LOST THINGS (AT/CN, Martin Murphy, 2003); RAZOR EATERS (AT, Shannon Young, 2003); SUBTERANO (AT/GG, Esben Storm, 2002); UNDEAD (AT, Michael Spierig & Peter Spierig, 2002); MAN-THING (US/AT, Brett Leonard, 2005); SAFETY IN NUMBERS (AT, David Douglas, 2005); WOLF CREEK (AT, Greg McLean, 2005); LIKE MINDS (AT UK, Gregory J Read, 2006); SEE NO EVIL (AT, Gregory Dark, 2006); VOODOO LAGOON (AT/UK, Nicholas Cohen, 2006); WATCH ME (AT, Melanie Ansley, 2006); BLACK WATER (AT, David Nerlich & Andrew Traucki, 2007); ROGUE (AT, Greg Mclean, 2007); STORM WARNING (AT, Jamie Blanks, 2007); ACOLYTES (AT, Jon Hewitt, 2007); DYING BREED (AT, Jody Dwyer, 2008); GATES OF HELL, THE (AT, Kelly Dolen, 2008); I KNOW HOW MANY RUNS YOU SCORED LAST SUMMER (AT, Stacy Edmonds & Doug Turner, 2008); LONG WEEKEND (AT, Jamie Blanks, 2009); RUINS, THE (AT/US, Carter Smith, 2008); COFFIN ROCK (UK/AT, Rupert Glasson, 2009); CRUSH (AT, John V. Soto & Jeff Gerritsen, 2009); DAMNED BY DAWN (AT, Brett Anstey, 2009); DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008); DAYBREAKERS (US, Michael Spierig & Peter Spierig, 2008); FAMILY DEMONS (AT, Ursula Dabrowsky, 2009); HORSEMAN, THE (AT, Steven Kastrissios, 2008); LOVED ONES, THE (AT, Sean Byrne, 2009); PREY (AT, Oscar D'Rocceter, 2007); [SEVENTH] 7TH HUNT, THE (AT, J.D. Cohen, 2009); STORAGE (AT, Michael Craft, 2009); TRIANGLE (AT/UK Christpher Smith, 2009); CLINIC, THE (AT, James Rabbitts, 2010); NEEDLE (AT, John V Soto, 2010); REEF, THE (AT, Andrew Traucki, 2010); ROAD TRAIN (AT, Dean Francis, 2010); SLAUGHTERED (AT, Kate Glover, 2010)
Summary: "This pioneering work provides in-depth coverage of 76 horror films produced in Australia, where serial killers, carnivorous animals, mutants, zombies, vampires and evil spirits all receive the "antipodean" cinematic treatment unique to the Land Down Under. Titles covered were released between 1973 and 2010, a period coinciding with the revival of the long-dormant Australian film industry in the early 1970s, and continuing into the second wave of genre production spurred by the international success of the 2005 chiller Wolf Creek, The Cars That Ate Paris, The Last Wave, Roadgames, Razorback, Outback Vampires, Queen of the Damned, Black Water, and The Reef are among the titles represented. Each film is covered in a chapter that includes a cast and credits list, release information, contemporary reviews and DVD availability, as well as a synopsis and in-depth notes about the story, filmmaking techniques, acting performances, recurring themes and motifs, and overall effectiveness of the film as a work of horror. ' -- BOOK BLURB
Notes: 'VOYAGE INTO FEAR (AT, Murray Fahey, 1993) listed here as (aka) ENCOUNTERS (AT, Murray Fahey, 1994); HELLION: THE DEVIL'S PLAYGROUND listed here as (aka) CUBBYHOUSE (AT, Murray Fahey, 2001); NATURE'S GRAVE listed here as (aka) LONG WEEKEND (AT, Jamie Blanks, 2009); Includes bibliographical references and index
ISBN: 9780786461677
Contents: -- acknowledgments -- preface -- introduction -- the films -- bibliography -- index --

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BACON, TIM

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BAIN, TIM

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BALLAD OF SHIRLEY COLLINS (UK, Rob Curry & Tim Plester, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BARBERSHOP (US, Tim Story, 2002)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: BASSENDREAM (AT, Tim Barretto, 2022)

Call No: 79BAT MAR
Author: Marriott, John
Place: London
Publisher: Hamlyn
PubDate: 1989
PhysDes: 96 p. : ill ; 30 cm
Subject: BATMAN IN FILMS; BATMAN (US, Tim Burton, 1989)
ISBN: 0600565874 (pbk.)
LON: abn89327674; 6837396

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit
Subject: BATMAN (US, Tim Burton, 1989)

Call No: N79BAT GAR
Author: Shaw Gardner, Craig
CorpAuthor: Warner Bros Inc
Source: UK
Place: London
Publisher: Futura
PubDate: 1989
PhysDes: 221 p. : col. ill. ; 18 cm
Subject: BATMAN (US, Tim Burton, 1989)
Notes: A motion picture by Warner Bros starring Jack Nicholson, Kim Basinger and Michael Keaton
ISBN: 0708843506
Donation: donated by the family of Wayne Levy, 2006

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: BATMAN RETURNS (US, Tim Robbins, 1992)

Call No: 79BAT SIN
Author: Singer, Michael
Source: US
Place: New York
Publisher: Bantam Books
PubDate: 1992
PhysDes: 80 p. : col. ill. ; 29 cm.
Subject: BURTON, TIM; BATMAN RETURNS (US, Tim Burton, 1992)
Summary: This book goes behind the scenes of the film of the film Batman Returns to give the inside story on how it was made. Contains interviews with cast and crew, and pictorial material including production illustrations, costume and set designs and movie stills.
ISBN: 0553370308
Donation: Simon Wincer
Contents: Foreword -- Batman returns: Burton's way -- Walking the tightrope: Denise De Novi -- The bat, the cat, the penguin: a brief history -- The player: The Penguin, Catwoman, Max Shreck, Alfred, Commissioner Gordon, The Mayor, The Ice Princess, Chip Shreck, The Red TRinagle Circus Gang -- High kicks, mean whips, fast cars and big booms: Attack on Gotham Plaza, the street fight, Batman and Catwoman's rooftop tangle, the Batmobile's wild ride, The Penguin crashes the party -- Behind the scenes: the production team, production design, costumes, special FX, hot gadgets and cool wheels, credits

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Posters
Subject: BEETLEJUICE (US, Tim Burton, 1988)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BEVAN, TIM

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BIG EYES (US/CN, Tim Burton, 2014)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BIG FISH (US, Tim Burton, 2003)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BIG NIGHT OUT, THE (AT, Tim Boyle, 1999)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 16 photographs : b&w ; 21 x 26 cm + 1 photograph : b&w ; 13 x 18 cm
Subject: KARVAN, CLAUDIA; MENDELSOHN, BEN; NAPIER, MARSHALL; HERRIMAN, DAMON; ROBERTSON, TIM; BISLEY, STEPHEN; BIG STEAL, THE (AT, Nadia Tass, 1990)
Summary: 17 black and white photographs of scenes from the film starring Claudia Karvan, Ben Mendelsohn and Steve Bisley.
Notes: 1 image donate by Brian McFarlane

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit; Publicity
Subject: BOB ROBERTS (US, Tim Robbins, 1992)

Call No: TITLE CLIPPINGS FILE; MISS PEREGRINE'S HOME FOR PECULIAR CHILDREN (UK/BE/US, Tim Burton, 2016)
Author: Johnson, Neala
PhysDes: Clippings File Article
Subject: GREEN, EVA; MISS PEREGRINE'S HOME FOR PECULIAR CHILDREN (UK/BE/US, Tim Burton, 2016)
Summary: Interview with actor Eva Green about her career and her role in the film MISS PEREGRINE'S HOME FOR PECULIAR CHILDREN
Notes: similar article in Sunday Herald Sun. Title: Gone girlfriend, same date, section: scene, page 1

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BONYTHON, TIM

Call No: 732(94) JOH
Author: Johnson, Rob, 1969; Smiedt, David
Place: Rydalmere, N.S.W.
Publisher: Hodder Headline Australia
PubDate: 1999
PhysDes: viii, 376 p. : ill., ports. ; 24 cm
Subject: COMEDIES. AUSTRALIA; COMEDY PROGRAMMES. AUSTRALIA; COMEDIENNES. AUSTRALIA; ADAMS, PHILLIP; GLEISNER, TOM; MCDERMOTT, PAUL; O'DONOGHUE, RORY; BAILEY, BERT; BOND, GRAHAME; BOURNE, SHANE; BROWN, NOELINE; CILAURO, SANTO; CHATER, GORDON; CREYTON, BARRY; DENTON, ANDREW; FAHEY, MARYANNE; FERGUSON, TIM; GILLIES, MAX; GRILLS, LUCKY; GYNGELL, KIM; HALL, KEN G.; HARMER, WENDY; HOGAN, PAUL; HUMPHRIES, BARRY; KENNEDY, GRAHAM; LAMOND, TONI; MCDONALD, GARRY; QUANTOCK, ROD; RAYE, CAROL; REILLY, GARY; SITCH, ROB; SORRENTI, VINCE; SZUBANSKI, MAGDA; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); BIG GIG, THE [TV] (AT, Ted Robinson, 1989); FRONTLINE [TV] (AT, 1994- ); MAVIS BRAMSTON SHOW [TV] (AT, 1964-1968); IN MELBOURNE TONIGHT [TV] (AT, 1957-?, 1997-); AUNTY JACK SHOW, THE [TV] (AU, 1972-73); COMEDY COMPANY, THE [TV] (AT, 1988-1990); D-GENERATION [TV] (AT, 1986-?); FAST FORWARD [TV] (AT, 1988-1989?)
Notes: Includes index; "An Allison Pressley book."
ISBN: 0733609384 : $24.95
LON: 14529909

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: BOYLE, TIM

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BROOKE-HUNT, TIM

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: BUCKLEY'S CHANCE (CN/AT, Tim Brown, 2021)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BULLOCK, TIM

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BURNS POINT (AT/CN, Tim Blackburn, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BURNS POINT (AT/CN, Tim Blackburn, 2016)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BURNS, TIM

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BURSTALL, TIM

Call No: 81BUR BUR
Author: Salisbury, Mark
Place: London
Publisher: Faber and Faber
PubDate: 1997
PhysDes: xviii, 160 p. : ill. ; 23 cm
Subject: BURTON, TIM
Notes: Includes index; Bibliography: p. 155
ISBN: 0571173934
LON: abn97135892; 13174002

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BURTON, TIM

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: I CAPTURE THE CASTLE (UK, Tim Fywell, 2003)

Call No: S ICA
Author: Parfitt, David
PubDate: [2001]
PhysDes: 115 leaves
Subject: I CAPTURE THE CASTLE (UK, Tim Fywell, 2003)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: CARNAGE (AT, Tim Burns, 1978?)

Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: RIDE ALONG 2 (US, Tim Story, 2016)
Summary: Review of the film RIDE ALONG 2
Notes: same review - 'Buddy movie reworks cliched action, jokes' Canberra Times. 19 Feb 2016. p 6.
Rating: 2.5 out of 5 stars

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CAUSE, THE (AT, Tim Nicholls, 1994?)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: CHAPPEL, TIM

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: CHARLIE AND THE CHOCOLATE FACTORY (US/UK/AT, Tim Burton, 2005)

Call No: 224:732 FER
Author: Ferguson, Tim
Source: AU
Place: Strawberry Hills, NSW
Publisher: Currency Press
PubDate: 2010
PhysDes: 217 pages ; 23 cm
Subject: CHARACTERS ON TV; COMEDY PROGRAMMES; COMEDY TV. AUSTRALIA; HUMOUR ON TV; SCRIPTS; SCRIPTWRITING; SCRIPTWRITING. AUSTRALIA; SCRIPTWRITING FOR TV; SITUATION COMEDY; FERGUSON, TIM
Summary: "From one of Australia's most successful comedians comes 'The Cheeky Monkey', a practitioner's guide to the art of comedy writing. Both insightful and practical, 'The Cheeky Monkey' explains the principles of sitcom writing and guides the reader in how to apply them. Seeded with exercises to aid the developing comedy writer, this book will help you to: write jokes; create funny stories; build comic characters; develop a sitcom; sell your sitcom to producers and TV networks. It's comedy writing made simple. Well, simpler. Many of Tim Ferguson's techniques can also be applied to film, stage, stand-up or indeed any form of comedy. You'll make 'em laugh before you know it." - BOOK BLURB
Notes: Includes writing exercises with sample answers included in the appendix
ISBN: 9780868198613
Contents: -- introduction: the purpose and function of humour -- gag principles -- gag categories -- designing a sitcom -- designing ongoing characters -- creating an episode -- humour and story -- selling a sitcom -- conclusion -- appendix --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: QUEEN OF AMSTERDAM [CHEZ NOUS] (BE/NE, Tim Oliehoek, 2013)

Call No: 743 CON
Place: London ; New York
Publisher: I.B. Tauris
PubDate: 2000
PhysDes: 242 p. : ill. ; 24 cm.
Subject: CHRISTMAS IN FILMS; REMEMBER THE NIGHT (UK, Mitchell Leisen, 1939); SCROOGE (UK, Henry Edwards, 1935); CHRISTMAS CAROL, A (US, Edwin L. Marin, 1938); SCROOGE [CHRISTMAS CAROL, A] (US, Brian Desmond Hurst, 1951); SCROOGE (UK, Ronald Neame, 1970); CHRISTMAS CAROL, A (UK, Clive Donner, 1984); SCROOGED (US, Richard Donner, 1988); MUPPET CHRISTMAS CAROL, THE (US, Brian Henson, 1992); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); MAN WHO CAME TO DINNER, THE (US, William Keighley, 1941); HOLIDAY INN (US, Mark Sandrich, 1942); CHRISTMAS UNDER FIRE (UK, Harry Watt, 1941); TURKEY TIME (UK, Tom Walls, 1933); HOLLY AND THE IVY, THE (UK, George More O'Ferrall, 1953); CHEATERS, THE (US, Joe Kane, 1945); MIRACLE ON 34TH STREET (US, Les Mayfield, 1994); MIRACLE ON 34TH STREET (US, George Seaton, 1947); SANTA CLAUSE, THE (US, John Pasquin, 1994); ERNEST SAVES CHRISTMAS (US, John Cherry, 1988); SANTA CLAUSE: THE MOVIE (US, Jeannot Szwarc, 1985); GREMLINS (US, Joe Dante, 1984); SILENT NIGHT, DEADLY NIGHT (US, Charles E. Sellier Jr., 1984); SILENT NIGHT, DEADLY NIGHT PART II (US, Lee Harry, 1987); TIM BURTON'S THE NIGHTMARE BEFORE CHRISTMAS (US, Harry Selick, 1993); CHRISTMAS STORY, A (US, Bob Clark, 1983); LETHAL WEAPON (US, Richard Donner, 1987); DIE HARD (US, John McTiernan, 1988); DIE HARD 2 (US, Renny Harlin, 1990); HOME ALONE (US, Chris Columbus, 1990); HOME ALONE 2: LOST IN NEW YORK (US, Chris Columbus, 1992); LONG KISS GOODNIGHT, THE (US, Renny Harlin, 1996); JINGLE ALL THE WAY (US, Brian Levant, 1996); MERLUSSE (FR, Marcel Pagnol, 1935); CHATEAU DE MA MERE, LE (FR, Yves Robert, 1990); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); VIE EST UN LONG FLEUVE TRANQUILLE, LA (FR, Etienne Chatiliez, 1988); ELISA (FR, Jean Becker, 1994); KARNAVALNAIA NOCH (UR, Eldar Ryazanov, 1956); IRONIYA SUDBY ILI S LYOGKIM PAROM (UR, Eldar Ryazanov, 1975); PLACIDO (SP, Luis Garcia Berlanga, 1961)
Summary: A look at depictions of Christmas across various national cinemas and genres throughout the 20th century.
Notes: Includes bibliographical references and indexes. Filmography: p. ([223]-232)
ISBN: 1860643973
Contents: -- God Bless Us, Every One: Movie Adaptations Of A Christmas Carol / James Chapman -- A Hollywood Carol's Wonderful Life / Jonathan Munby -- Dreaming Of Christmas: Hollywood And The Second World War / H. Mark Glancy -- Christmas Under Fire: The Wartime Christmas In Britain / Sarah Street -- Crisis At Christmas: Turkey Time, The Holly And The Ivy, The Cheaters / Jeffrey Richards -- Santa Claus: The Movie / Mark Connelly -- You Better Watch Out: Christmas In The Horror Film / Kim Newman -- 'Peace On Earth, Goodwill To All Men': The Depiction Of Christmas In Moden Hollywood Films / Rowana Agajanian -- Christmas In French Cinema / Guy Austin -- Father Frost On 31 December: Christmas And New Year In Soviet And Russian Cinema / Birgit Beumers -- Satirizing The Spanish Christmas: Placido / Peter William Evans

Call No: 675.1(94) LAW
Author: Lawrence, Denny
Source: AT
Place: [North Ryde, NSW?]
Publisher: Australian Film and Television School
PubDate: [1980?]
PhysDes: 60 leaves : 30 cm
Subject: AUSTRALIAN FILM AND TELEVISION SCHOOL; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); ON OUR SELECTION (AT, Raymond Longford, 1920); GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921); KID STAKES, THE (AT, Tal Ordell, 1927); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); [FORTY THOUSAND] 40,000 HORSEMEN (AT, Charles Chauvel, 1940); OVERLANDERS, THE (UK, Harry Watt, 1946); SONS OF MATTHEW (AT, Charles Chauvel, 1949); BACK OF BEYOND, THE (AT, John Heyer, 1953); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); BETWEEN WARS (AT, Michael Thornhill, 1974); SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); PURE S (AT, Bert Deling, 1976); CADDIE (AT, Donald Crombie, 1976); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); DON'S PARTY (AT, Bruce Beresford, 1976); F.J. HOLDEN, THE (AT, Michael Thornhill, 1977); NEWSFRONT (AT, Phillip Noyce, 1978); MAD MAX (AT, George Miller, 1979); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); PALM BEACH (AT, Albie Thoms, 1979); BREAKER MORANT (AT, Bruce Beresford, 1980); ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944); JEDDA (AT, Charles Chauvel, 1955); THREE IN ONE (AT, Cecil Holmes, 1956); THEY'RE A WEIRD MOB (AT, Michael Powell, 1966); ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); CASTOR AND POLLUX (AT, Phillip Noyce, 1973); MOVING ON (AT, Richard Mason, 1974); PETERSEN (AT, Tim Burstall, 1974); LEISURE (AT, Bruce Petty, 1976); STORM BOY (AT, Henri Safran, 1976); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); LOVE LETTERS FROM TERALBA ROAD (AT, Stephen Wallace, 1977); SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); MOUTH MUSIC (NZ, Gregor Nichlas, 1981); MOUTH TO MOUTH (AT, John Duigan, 1978); LAST TASMANIAN, THE (AT, Tom Haydon, 1978); NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978); STEPPING OUT (AT, Chris Noonan, 1980); STIR (AT, Stephen Wallace, 1980); BEST FILMS. AUSTRALIA
Summary: A list of important Australian films in two categories, films of aesthetic merit (list A), and films of historical or sociological importance (list B), with a brief synopsis of each.
Notes: Reprinted October 1980
Contents: Introduction -- Methodology -- Notes on revision -- Film acquisition -- Australian cinema history on film -- references; List - category A: The sentimental bloke (1919) -- On our selection (1920) -- A girl of the bush -- The kid stakes -- For the term of his natural life -- Forty thousand horsemen -- The overlanders -- Sons of Matthew -- Back of beyond -- Desert people -- Wake in fright -- Between wars -- Sunday too far away -- Picnic at Hanging Rock -- Pure S -- Caddie -- The Devil's playground -- Don's party -- F J Holden -- Newsfront -- Mad Max -- My brilliant career - Palm Beach - Breaker Morant; List - category B: Robbery under arms (1920) -- Dad and Dave come to town -- The Rats of Tobruk -- Jedda -- Three in one -- They're a weird mob -- The daventures of Barry McKenzie -- Where dead men lie -- Gentle strangers -- Castor and Pollux -- Moving on -- Petersen -- Leisure -- Storm boy -- All in the same boat -- The getting of wisdom -- Love letters from Teralba Road -- The singer and the dancer -- The chant of Jimmie Blacksmith -- Mouth to mouth -- The last Tasmanian -- The night the prowler -- Stepping out -- Stir

Author: Timms, Peter
PhysDes: Article
Subject: STORK (AT, Tim Burstall, 1971); DEEP END (GW/US, Jerzy Skolimowski, 1970); JOE (US, John G. Avildsen, 1970); KLUTE (US, Alan J. Pakula, 1971)
Summary: Reviewof Stork and discussion of recent R-Rated films including Klute, Deep End and Joe

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: CLARK, TIM

Author: Burstall, Tim
PhysDes: Article
Subject: BURSTALL, TIM; STORK (AT, Tim Burstall, 1971); INDUSTRY, FILM. AUSTRALIA; WILLIAMSON, DAVID
Summary: Article by the director of Stork on the upcoming feature, it's history at La Mama theatre, and the state of the current film industry in Australia.

Call No: 62 ORR
Author: Orr, John, 1943
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: c1998
PhysDes: xi,243 p. : ill. ; 24 cm
Subject: CANADA; CITY OF SADNESS, A [; MASCULINITY IN FILMS; RELIGION AND THE CINEMA; COMMUNISM AND THE CINEMA; DOUBLES IN FILMS; EXPRESSIONISM; FILM NOIR; POLAND; PSYCHOLOGY AND THE CINEMA; SEX IN FILMS; SURREALISM AND THE CINEMA; ALLEN, WOODY; ALTMAN, ROBERT; ANTONIONI, MICHELANGELO; BEATTY, WARREN; BELMONDO, JEAN-PAUL; BERGMAN, INGMAR; BINOCHE, JULIETTE; BONNAIRE, SANDRINE; BURTON, TIM; CAGE, NICOLAS; CAMPION, JANE; CHABROL, CLAUDE; CHEUNG, LESLIE; COPPOLA, FRANCIS FORD; COSTNER, KEVIN; CRONENBERG, DAVID; DAHL, JOHN; DE NIRO, ROBERT; DE PALMA, BRIAN; DERN, LAURA; EGOYAN, ATOM; FIGGIS, MIKE; GERE, RICHARD; GONG, LI; GREENAWAY, PETER; HAUER, RUTGER; JAMESON, FREDRIC; KIESLOWSKI, KRZYSZTOF; LYNCH, DAVID; MALICK, TERRENCE; Pasolini, Pier Paolo; ROSSELLINI, ISABELLA; SCORSESE, MARTIN; SCOTT, RIDLEY; STONE, OLIVER; TRAN, ANH HUNG; WEIR, PETER; Wenders, Wim; WONG KAR-WAI; YOUNG, SEAN; ZHANG, YIMOU; ANDERSSON, BIBI; AUDRAN, STEPHANE; DUVALL, SHELLY; GIDLEY, PAMELA; JANDA, KRYSTYNA; KANESHIRO, TANESHI; LEUNG, TONY; LIN, BRIGITTE; KROTKI FILM O MILOSCI (PL, Krzysztof Kieslowski, 1988); KILL ME AGAIN (US, John Dahl, 1989); DAYS OF BEING WILD [AH FEI ZHENG ZHUANG] (HK, Wong Kar-Wei, 1991); WINGS OF DESIRE [HIMMEL UBER BERLIN, DER] (GW/FR, Wim Wenders, 1987); ADJUSTER, THE (CN, Atom Egoyan, 1991); BELLE NOISEUSE, LA (FR, Jacques Rivette, 1991); BLADE RUNNER (US, Ridley Scott, 1982); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); CHINATOWN (US, Roman Polanski, 1974); COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); DAYS OF HEAVEN (US, Terrence Malick, 1978); JFK (US, Oliver Stone, 1991); LAST SEDUCTION, THE (US, John Dahl, 1994); LIEBESTRAUM (US, Mike Figgis, 1991); MCCABE AND MRS MILLER (US, Robert Altman, 1971); CZLOWIEK Z MARMURA (PL, Andrzej Wajda, 1977); ONE FALSE MOVE (US, Carl Franklin, 1991); PERSONA (SW, Ingmar Bergman, 1966); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); RAGING BULL (US, Martin Scorsese, 1980); DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); SHINING, THE (UK, Stanley Kubrick, 1980); STALKER (UR, Andrei Tarkovsky, 1979); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992); WILD AT HEART (US, David Lynch, 1990); CYCLO [XICH LO] (FR/V, Tran Anh Hung, 1995)
Summary: "'Contemporary cinema' is a major study of key developments in the cinema over the last thirty years. It reworks Pasolini's landmark concept of 'the cinema of poetry' to look at the transformation of film form in its encounter with society, the sacred, the subjective and the presence of the camera. In the 1970s, the influential forms of a cinema of poetry are analysed in key features by Altman, Herzog, Malick, Scorsese, Weir, Von Trotta and Tarkovsky while in the 1980s and 1990s the emergence of new filmmakers has meant a diffusion of different cinemas of poetry using new techniques and new poetries. Of key importance here is the work of Kieslowski, Lynch, Egoyan, Campion, Greenaway, Zhang Yimou, Tran Anh Hung and Wong Kar-Wai, as well as the reinvention of science fiction and film noir in American genre." Taken from back cover.
Notes: Includes bibliographical references and index
ISBN: 0748608362(pbk.) : No price
LON: 13772409
ID2: 291

Call No: 71(73) CON
Author: Neale, Stephen; Smith, Murray, 1962
Place: London New York
Publisher: Routledge
PubDate: 1998
PhysDes: xxii, 338 p. : ill. ; 24 cm
Subject: USA; TECHNOLOGY AND THE CINEMA; DISTRIBUTION. USA; EXHIBITION. USA; WIDE-SCREEN SYSTEMS; SPECTATORSHIP; MEN IN FILMS. USA; MELODRAMA; MUSIC, FILM; SOUND TRACKS; TELEVISION AND THE CINEMA; FAMILY IN FILMS. USA; NARRATIVE IN FILMS; BLACK CINEMA. USA; ETHNIC GROUPS IN FILMS. USA; BLOCKBUSTERS; FEMINISM AND THE CINEMA; GENDER AND THE CINEMA; CENSORSHIP. USA; INDEPENDENT FILMS. USA; WOMEN, FILMS FOR; WOMEN IN FILMS. USA; HORROR FILMS. USA; CHILDREN, FILMS FOR; ACTION FILMS; AUDIENCES; MIRAMAX FILMS; NEW LINE CINEMA; TIME WARNER; VERHOEVEN, PAUL; COPPOLA, FRANCIS FORD; HAMILTON, LINDA; MCDORMAND, FRANCES; ELFMAN, DANNY; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982); FARGO (US, Ethan Coen, 1996); BASIC INSTINCT (US, Paul Verhoeven, 1992); BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992); BATMAN (US, Tim Burton, 1989); BATMAN RETURNS (US, Tim Burton, 1992); RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981); JURASSIC PARK (US, Steven Spielberg,, 1993); LION KING, THE (US, Roger Allers & Rob Minkoff, 1994); TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991)
Notes: Includes bibliographical references (p. [312]-318) and index
ISBN: 0415170095; 0415170109 (pbk.)
LON: 98005952; 13736490

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: CONWAY, TIM

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CORPSE BRIDE (UK, Tim Burton/Mike Johnson, 2005)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CRADLE WILL ROCK (US, Tim Robbins, 1999)

Call No: S CRA
Author: Robbins, Tim
PhysDes: 148p
Subject: CRADLE WILL ROCK (US, Tim Robbins, 1999)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild

PhysDes: Article
Subject: CROSSTALK [HIGH RISE / WALL TO WALL] (AT, Mark Egerton, 1982); TIM (AT, Michael Pate, 1979)
Summary: Audience ratings for BBC-2's season of Australian films

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: CROW: THE CITY OF ANGELS, THE (US, Tim Pope, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CURE IN ORANGE, THE (UK, Tim Pope, 1987)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: CURRY, TIM

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: DANCER, TEXAS POP. 81 (US, Tim McCanlies, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DARK SHADOWS (US, Tim Burton, 2012)

Call No: D David Williamson collection volume 2
Place: [Northcote, Vic.]
Publisher: Umbrella Entertainment
PubDate: 2008
PhysDes: 4 videodiscs (DVD) (366 min.) : sd., col. ; 4 3/4 in.
Subject: WILLIAMSON, DAVID; CLUB, THE (AT, Bruce Beresford, 1980); DUET FOR FOUR (AT, Tim Burstall, 1982); PERFECTIONIST, THE (AT, Chris Thomson, 1985); EMERALD CITY (AT, Michael Jenkins, 1988)
Summary: Duet for four: Divorce, affairs and middle-aged crisis pepper this absorbing drama. The perfectionist: In middle-class Sydney a professor, his bored wife, and their children find their lives uprooted when a male baby-sitter comes to call. Emerald city: A cutting satire of two Melbourne professionals trying to survive in the cut-and-thrust of the Harbour City. The club: The backroom brawling and dealings behind the countries richest footy club. -- Libraries Australia.
Notes: DAVID1428
Contents: Disc 1. The club -- disc 2. Duet for four -- disc 3. The perfectionist -- disc 4. Emerald city.
Technical Details: PAL ; All regions.
Credits: The club: producer, Matt Carroll ; director, Bruce Beresford ; script, David Williamson. Duet for four: producers, Tom Burstall and Tim Burstall ; director, Tim Burstall ; screenplay, David Williamson. The perfectionist: producer, Patricia Lovell ; director, Chris Thomson ; screenplay, David Williamson. Emerald city: producer, Joan Long ; director, Michael Jenkins ; screenplay, David Williamson.
Also Titled: The club; Duet for four; The perfectionist; Emerald city
Standard Number: 3000000069998
Performer: The club: Jack Thompson, Graham Kennedy, Frank Wilson. Duet for four: Mike Preston, Wendy Hughes, Michael Pate, Diane Cilento. The perfectionist: Jacki Weaver, John Waters, Noel Ferrier, Steven Vidler. Emerald city: John Hargreaves, Robyn Nevin, Chris Hayward, Nicole Kidman, Ruth Cracknell.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DAY AT THE OASIS, A (AT, Tim Lethbridge, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEADPOOL (US, Tim Miller, 2016)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: DEAN, TIM

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEAR JESSE (US, Tim Kirkman, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DESOLATION ANGELS (US, Tim McCann, 1995)

Author: Wade, Ewart
PhysDes: Article
Subject: BUDGETING. AUSTRALIA; DISTRIBUTION. AUSTRALIA; EXHIBITION. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; STORK (AT, Tim Burstall, 1971); THEY'RE A WEIRD MOB (AT, Michael Powell, 1966)
Summary: Examines the issues relating to the distribution and exhibition of film in Australia
Notes: p. 11-12 are loose

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DONNYBROOK (US, Tim Sutton, 2018)
Notes: Simon import_04/07/19

Author: Talbot, Jessica
PhysDes: Article; Illustration(s)
Subject: DOUGLAS, TIM; GALVIN, PETER; PURPLE SNEAKERS (AT, Tim Douglas & Peter Galvin, in prod.); MAN IN NUMBER TEN, THE (AT, Tim Douglas & Peter Galvin, in prod.)
Summary: Report on the two films being shot back to back, using the same cast and crew.

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: DRAXL, TIM

Call No: TITLE CLIPPINGS FILE in production; LARRIKINS, THE in production
Author: Carmody, Broede
PhysDes: Clippings File Article
Subject: MINCHIN, TIM; LARRIKINS in production
Summary: Report on the cancellation of the film THE LARRIKINS, with Tim Minchin telling of his disappointment that the film won't be made

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DRIVER, THE (AT, Tim Russell, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity; Stills
Subject: DUET FOR FOUR (AT, Tim Burstall, 1982)

Call No: N79DUE WIL
Author: Ruhen, Carl
Source: AT
Place: Melbourne
Publisher: Horwitz
PubDate: 1982
PhysDes: 125p. ; 18cm
Subject: DUET FOR FOUR (AT, Tim Burstall, 1982)
ISBN: 0725513403
Donation: donated by the family of Wayne Levy, 2006

PhysDes: Article
Subject: DUET FOR FOUR (AT, Tim Burstall, 1982)
Summary: Review