Search Catalogue

Author: Greg Bork
PhysDes: Article
Subject: LUNG, EMMA; LAPAINE, DANIEL
Summary: Review of 48 Shades

PhysDes: Article
Subject: BOOTH, EMMA; CLUBLAND (AT, Cherie Nowlan, 2007)
Summary: Piece on the rise of Emma Booth in 2007

Call No: 753 ADA
Author: Cartmell, Deborah; Whelehan, Imelda
Source: US/UK
Place: London New York
Publisher: Routledge
PubDate: 1999
PhysDes: xvii, 247 p. : ill. ; 24 cm
Subject: ADAPTATIONS; ADAPTATIONS. AUSTEN, JANE; ADAPTATIONS. SHAKESPEARE, WILLIAM; ANIMATION; BATMAN IN FILMS; TELEVISION AND THE CINEMA; TELEVISION IN FILMS; CAMPION, JANE; BATMAN [TV] (US, 1965-67); SCARLET LETTER, THE (US, Roland Joffe, 1995); SENSE AND SENSIBILITY (US, Ang Lee, 1995); EMMA (UK, Douglas McGrath, 1996); CLUELESS (US, Amy Heckerling, 1995); LITTLE WOMEN (US, George Cukor, 1933); LITTLE WOMEN (US, Gillian Armstrong, 1994); LITTLE WOMEN (US, Mervyn LeRoy, 1948); NAKED LUNCH (CN/UK, David Cronenberg, 1991); SCHINDLER'S LIST (US, Steven Spielberg, 1993); TRAINSPOTTING (UK, Danny Boyle, 1996); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); PIANO, THE (AT, Jane Campion, 1993); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); BATMAN (US, Tim Burton, 1989); [ONE HUNDRED AND ONE] 101 DALMATIANS (US, Stephen Herek, 1996)
Summary: "Adaptations surveys the key approaches and debates surrounding adaptation, and explores why adaptations of both 'high' and 'low' cultural texts have become increasingly popular. Beginning with the history of Shakespeare on film, from Olivier's and Branagh's Hamlet, contributors examine screen versions of literary classics, from Nathaniel Hawthorne's The Scarlet Letter and Louisa May Alcott's Little Women to Thomas Keneally's Schindler's Ark and Irvine Welsh's Trainspotting. Adaptations goes on to consider adaptation in reverse: How writers like Virginia Woolf incorporated cinematic elements into their work, and explains why there had to be a novel of Jane Campion's The Piano. Contributors examine adaptations from comics to film, such as the Batman movies, Star Trek's incarnations as a long-running tv series, and then as a sequence of movies, and 101 Dalmations' [sic] move from children's novel to cartoon to live-action film." - BOOK BLURB
Notes: Includes bibliographical references (p. 226-238) and index
ISBN: 041516737X (hbk); 0415167388 (pbk); 041516737X (hardcover : alk. paper); 0415167388 (pbk : alk. paper)
LON: 14255526
Contents: Part 1: an overview -- Adaptations: the contemporary dilemmas / Imelda Whelehan; Part 2: from text to screen -- Introduction / Deborah Cartmell -- The Shakespeare on screen industry / Deborah Cartmell -- Conservative Austen, radical Austen: Sense and Sensibility from text to screen / Julian North -- From Emma to Clueless: taste, pleasure and the scene of history / Esther Sonnet -- Imagining the puritan body: the 1995 cinematic version of Nathaniel Hawthorne's The Scarlet Letter / Roger Bromley -- Four Little Women: three films and a novel / Pat Kirkham and Sarah Warren -- Will Hollywood never learn? David Cronenberg's Naked Lunch / Nicholas Zurbrugg -- Adapting the Holocaust: Schindler's List, intellectuals and public knowledge / Mark Rawlinson -- Speaking out: the transformations of trainspotting / Derek Paget; Part 3: from screen to text and multiple adaptations -- Introduction / Deborah Cartmell -- Orlando: coming across the divide / Sharon Ouditt -- Jane Campion and the limits of literary cinema / Ken Gelder -- The wrath of the original cast: translating embodied television character to other media / Ina Rae Hark -- Batman: one life, many faces / Will Brooker -- 'Thou art translated': analysing animated adaptation / Paul Wells -- 'A doggy fairy tale': the film metamorphoses of The Hundred and One Dalmatians / Imelda Whelehan

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALEX AND EMMA (US, Rob Reiner, 2003)

Call No: TITLE CLIPPINGS FILE; GLITCH [TV](AT, 2015-)
Author: Vickery, Colin
PhysDes: Clippings File Article
Subject: BOOTH, EMMA; GLITCH [TV](AT, 2015-)
Summary: Interview with GLITCH actor Emma Booth about her career and her role in the TV series

Call No: 71(94) COL
Author: Collins, F.; Davis, T.
Place: Port Melbourne
Publisher: Cambridge University Press
PubDate: 2004
PhysDes: vii, 204 p. ; 24 cm
Subject: HISTORY AND THE CINEMA. AUSTRALIA; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997); MOULIN ROUGE (AT/US, Baz Luhrmann, 2001); DISH, THE (AT, Rob Sitch, 2000); LANTANA (AT, Ray Lawrence, 2001); AUSTRALIAN RULES (AT, Paul Goldman, 2002); ABORIGINAL AUSTRALIAN CINEMA; ABORIGINAL AUSTRALIANS AND THE CINEMA; ABORIGINAL AUSTRALIANS IN FILMS; WALKING ON WATER (AT, Tony Ayres, 2001); HEAVEN'S BURNING (AT, Craig Lahiff, 1997); LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992); HOLY SMOKE (US, Jane Campion, 1999); SERENADES (AT, Mojgan Khadem, 2000); YOLNGU BOY (AT, Stephen Johnson, 2001); MISSING, THE (AT, Manuela Alberti, 1999); HEARTLAND [TV] (AT, 1994); ABORIGINAL AUSTRALIANS AND TV; CUNNAMULLA (AT, Dennis O'Rourke, 2000); MESSAGE FROM MOREE (AT, Judy Rymer, 2003); CASTLE, THE (AT, Rob Sitch, 1997); VACANT POSSESSION (AT, Margot Nash, 1995); STRANGE PLANET (AT, Emma-Kate Croghan, 1999); RADIANCE (AT, Rachel Perkins, 1998); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001); LOOKING FOR ALIBRANDI (AT, Kate Woods, 2000); HEAD ON (AT, Ana Kokkinos, 1998); BENEATH CLOUDS (AT, Ivan Sen, 2001); JAPANESE STORY (AT, Sue Brooks, 2003); TRACKER, THE (AT, Rolf de Heer, 2002)
Summary: “Drawing on concepts of shock, memory and national maturity, ‘Australian Cinema after Mabo’ asks what part Australian cinema plays in reviewing our colonial past. It looks at how the 1992 Mabo decision, which overruled the nation’s founding myth of terra nullius, has changed the meaning of landscape and identity in Australian films, including The Tracker, Rabbit-Proof Fence, Moulin Rouge, The Castle, Cunnamulla, Looking for Alibrandi and Japanese Story amongst many others.” (back cover)
Notes: Index: p.200-204; Bibliography
ISBN: 0521834805 : 0521542561 (pbk.)
Contents: Part 1: Australian Cinema and the History Wars -- Backtracking after Mabo -- Homeand Abroad in Moulin Rouge, The Dish and Lantana -- Elites and Battlers in Australian Rules and Walking on Water -- Mediating Memory in Mabo Life as an Island Man --; Part 2: Landscape and Belonging after Mabo -- Aftershock and the Desert Landscape in Heavens Burning, The Last Days of Chez Nous, Holy Smoke, Serenades, Yolngu Boy, The Missing -- Coming from the Country in Heartland, Cunnamulla and Message from Moree -- Coming from the City in The Castle, Vacant Possession, Strange Planet and Radiance; Part 3: Grief, Trauma and Coming of Age -- Lost, Stolen and Found in Rabbit-Proof Fence -- Escaping History and Shame in Looking for Alibrandi, Head On and Beneath Clouds -- Sustaining Grief in Japanese Story and Dreaming in Motion.
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Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BILL FRISELL: A PORTRAIT (AT, Emma Franz, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BLOOD AND ASH (AT, Emma Freeman, 2000)

Call No: PERSONALITY CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: BOOTH, EMMA

Call No: PERSONALITY CLIPPINGS FILE; BOOTH, EMMA
Author: Epstein, Jackie & Koha, Nui Te
PhysDes: Clippings File Article
Subject: BOOTH, EMMA; WORKING CONDITIONS. AUSTRALIA
Summary: Emma Booth says the entertainment industry is changing for the better thanks to the brave women coming out with stories of sexual harassment and abuse in the wake of the Harvey Weinstein scandal.

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: CAULFIELD, EMMA

Author: Bright, Greg
PhysDes: Article
Subject: EMMA (AT, Gabrielle Beaumont, [Not Produced])

Call No: Held: 2018
Source: AT
Place: Adelaide
Publisher: Port Film Co-Op
PubDate: 2018
Subject: [MISTER] MR ACCIDENT (AT, Yahoo Serious, 2000); MARTIN, ADRIAN; MOUSOULIS, BILL; MANGANINNIE (AT, John Honey, 1980); RESISTANCE (AT, Paul Elliot & Hugh Keays-Byrne, 1992); DEAD HEART (AT, Nick Parsons, 1996); HARD WORD, THE (AT, Scott Roberts, 2002); BONDI TSUNAMI (AT, Rachael Lukas, 2003); LOVE AND OTHER CATASTROPHES (AT, Emma-Kate Croghan, 1996); DATING THE ENEMY (AT, Megan Simpson [Huberman], 1996); COOLANGATTA GOLD, THE (AT, Igor Auzins, 1984)

Author: Michael Adams
PhysDes: Article
Subject: BOOTH, EMMA; BLETHYN, BRENDA; CLUBLAND (AT, Cherie Nowlan, 2007)
Summary: Review of Clubland

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: COME AS YOU ARE (AT, Brad McGann and Emma-Kate Croghan, 1996)

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: Film Fatale
PhysDes: 2 photographs : b&w ; 20 x 25 cm
Subject: COME AS YOU ARE (AT, Brad McGann and Emma-Kate Croghan, 1996)
Summary: Two black and white photographs relating to the film Come as you are

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: COOPER, EMMA

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: CROGHAN, EMMA-KATE

Call No: TITLE CLIPPINGS FILE; HOUNDS OF LOVE (AT, Ben Young, 2016)
Author: Mathieson, Craig
PhysDes: Clippings File Article
Subject: BOOTH, EMMA; YOUNG, BEN; HOUNDS OF LOVE (AT, Ben Young, 2016)
Summary: Interview with HOUNDS OF LOVE director Ben Young and actor Emma Booth about the making of the film

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DAPHNE AND OLLIE (AT, Emma Freeman, 1998)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: DESIRE (AT, Emma-Kate Croghan, 1994)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 11.5 x 17 cm.
Subject: DESIRE (AT, Emma-Kate Croghan, 1994)
Summary: Photograph relating to the short film Desire

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: EDES EMMA, DRAGA BOBE (HU, Istvan Szabo, 1992)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Publicity
Subject: EMMA (UK, Douglas McGrath, 1996)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EMMA (UK, Autumn de Wilde, 2020)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EMMA AND ELVIS (US, Julia Reichert, 1992)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EMMA: QUEEN OF THE SOUTH SEAS [TV] (AT, John Banas, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EMMA'S WAR (AT, Clytie Jessop, 1986)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 2 photographs : b&w ; 21 x 26 cm
Subject: REMICK, LEE; OTTO, MIRANDA; LEE, BRIDEY; EMMA'S WAR (AT, Clytie Jessop, 1986)
Summary: Two black and white photographs depicting scenes from the film Emma's war

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: EMMA ZUNZ (NE, Peter Dilpeut, 1984)

Call No: 753 FIL
Author: Naremore, James
Source: US
Place: New Brunswick, N.J
Publisher: Rutgers University Press
PubDate: c2000
PhysDes: x, 258 p. : ill. ; 23 cm.
Series: Rutgers depth of field series
Subject: ADAPTATIONS; ADAPTATIONS. AUSTEN, JANE; ADAPTATIONS. DICKENS, CHARLES; ADAPTATIONS. DOSTOEVSKIJ, FEDOR MIHAJLOVIC; ADAPTATIONS. SHAKESPEARE, WILLIAM; CENSORSHIP; LITERATURE AND THE CINEMA; KUROSAWA AKIRA; RENOIR, JEAN; AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931); CLUELESS (US, Amy Heckerling, 1995); DAVID COPPERFIELD (US, George Cukor, 1935); DAY IN THE COUNTRY, A [PARTIE DE CAMPAGNE, UNE] (FR, Jean Renoir, 1946 [prod. 1936]); DAY IN THE COUNTRY, A [PARTIE DE CAMPAGNE, UNE] (FR, Jean Renoir, 1946 [prod. 1936]); EMMA (UK, Douglas McGrath, 1996); HOW TASTY WAS MY LITTLE FRENCHMAN (BL, Nelson Pereira dos Santos, 1971)
Summary: "The essays in this volume, most of which have never before been published, raise fundamental questions about cinema and adaptation: what is the nature of the "literary" and the "cinematic"? Why do so many of the films described as adaptations seem to derive from canonical literature rather than from other sources? How do the different media affect the ways stories are told? Film Adaptation offers fresh approaches to the art, theory, and cultural politics of movie adaptations, even challenging what is meant by the term "adaptation" itself. Contributors examine the process of adaptation in both theory and practice, discussing a wide variety of films. James Naremore's introduction provides an accessible historical overview of the field and reveals the importance of adaptation study to the many different academic disciplines now attracted to the analysis of film as commodity, document, and cultural artifact." -- BOOK BLURB (Contributors are André Bazin, Dudley Andrew, Robert B. Ray, Robert Stam, Richard Maltby, Guerric DeBona, O. M. B., Gilberto Perez, Michael Anderegg, Matthew Bernstein, Darlene J. Sadlier, Jonathan Rosenbaum, and Lesley Stern.)
Notes: Includes bibliographical references (p. 239-243) and index
ISBN: 0813528135
Contents: -- introduction: film and the reign of adaptation -- adaptation, or the cinema as digest -- adaptation -- The field of "literature and film" -- The dialogics of adaptation -- "to prevent the prevalent type of book" Censorship and adaptation in Hollywood, 1924-1934 -- Dickens, the Depression and MGM's David Copperfield -- Landscape and fiction: A day in the country -- Welles/Shakespeare/film an overview -- high and low: Art cinema and pulp fiction in Yokohama -- The politics of adaptation: how tasty was my little frenchman -- Two forms of adaptation: housekeeping and naked lunch -- Emma in Los Angeles: remaking the book and the city -- annotated bibliography -- contributors -- index --
ID2: 291

Call No: 512.1 PAR
Author: Partridge, Dinah; Hughes, Peter, 1949
Edition: 2nd ed
Source: AT
Place: Melbourne
Publisher: Oxford University Press
PubDate: 1998
PhysDes: viii, 248 p. : ill., ports. ; 26 cm
Subject: TEACHING MATERIALS; PRINCESS BRIDE, THE (US, Rob Reiner, 1987); ABSOLUTELY FABULOUS [TV] (UK, 1992 - 1996); BLADE RUNNER (US, Ridley Scott, 1982); CITIZEN KANE (US, Orson Welles, 1941); CHARACTERIZATION IN FILMS; CLUELESS (US, Amy Heckerling, 1995); COOLBAROO CLUB, THE (AT, Roger Scholes, 1996); [DOCTOR] DR STRANGELOVE: OR, HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (UK, Stanley Kubrick, 1964); EMMA (UK, Douglas McGrath, 1996); FRONTLINE [TV] (AT, 1994- ); GALLIPOLI (AT, Peter Weir, 1981); GENRES; HANDMAID'S TALE, THE (US/GW, Volker Schlondorff, 1990); HEARTS OF DARKNESS : A FILMMAKERS APOCALYPSE (US, Fax Bahr & George Hinkenlooper, 1991); HOUSEKEEPING (US, Bill Forsyth, 1987); MITT LIV SOM HUND (SW, Lass Hallestrom, 1985); MURIEL'S WEDDING (AT, P.J. Hogan, 1994); NARRATIVE IN FILMS; NOT FOURTEEN AGAIN (AT, Gillian Armstrong, 1996); ONCE WERE WARRIORS (NZ, Lee Tamahori, 1994); POLICE ON TV; PROOF (AT, Jocelyn Moorhouse, 1991); REALISM IN FILMS; SCHINDLER'S LIST (US, Steven Spielberg, 1993); SECRET GARDEN, THE (US, Agnieszka Holland, 1993); SEINFELD [TV] (US, 1990-98); SENSE AND SENSIBILITY (US, Ang Lee, 1995); SHAME (AT, Steve Jodrell, 1988); SHINE (AT/UK, Scott Hicks, 1996); SITUATION COMEDY; STAR WARS (US, George Lucas, 1977); WILLIAM SHAKESPEARE'S ROMEO + JULIET (US, Baz Luhrmann, 1996)
Notes: Bibliography
ISBN: 0195506774 : $26.95; 0195506774 (pbk.)
LON: 13455821
ID2: 290

Author: Oscar Hillerstrom
PhysDes: Article
Subject: DO, ANH; LUNG, EMMA; FOOTY LEGENDS (AT, Khoa Do, 2006)
Summary: Review of Footy Legends

Call No: TITLE CLIPPINGS FILE; HOUNDS OF LOVE (AT, Ben Young, 2016)
Author: Johnson, Neala
PhysDes: Clippings
Subject: BOOTH, EMMA; HOUNDS OF LOVE (AT, Ben Young, 2016)
Summary: Emma Booth discusses her experience of shooting the film 'Hounds of Love'

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: FREEMAN, EMMA

Call No: SUBJECT CLIPPINGS FILE; FREEMAN, EMMA
Author: Van Schlit, Stephanie
PhysDes: Clippings File Article
Subject: FREEMAN, EMMA; SECRET CITY [TV] (AT, 2016)
Summary: Interview with director Emma Freeman about her extensive TV directing career and her work on the new TV show SECRET CITY

Call No: STONE, EMMA; PERSONALITY CLIPPINGS FILE
Author: Bunbury, Stephanie
PhysDes: Clippings File Article
Subject: STONE, EMMA; IRRATIONAL MAN (US, Woody Allen, 2015)
Summary: An artcle about Emma STone, her career and her new role in Woody Allen's Irrational Man

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: GEETA (AT, Emma Macey-Storch, 2021)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HAWKE [TV] (AT, Emma Freeman, 2010)

Call No: 222(-091) ELS
Author: Elsey, Eileen; Kelly, Andrew
Source: UK
Place: London
Publisher: bfi Publishing
PubDate: 2002
PhysDes: xvi, 171p. : illus. : 24cm.
Subject: DIGITAL TECHNOLOGY; SHORT FILMS; CALDER, EMMA; GLAZER, JONATHAN; HARDWICK, JOHN; MINGHELLA, ANTHONY; O'DONNELL, DAMIEN; PARK, NICK; RAMSAY, LYNNE; SHERIDAN, TESSA; SMITH, JOHN; WRIGHT, KEITH; YOHANNES, WINTA
Notes: Includes a short film-making resource guide, bibliography, filmographies of contributing film-makers and index.; Forward - Glimpse culture: celebrating short film - Gareth Evans
ISBN: 0851708935

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: INTANGIBLE ASSET NUMBER 82 (AT/JA, Emma Franz, 2008)

Author: Michael Adams
PhysDes: Article
Subject: BOOTH, EMMA; CLUBLAND (AT, Cherie Nowlan, 2007)
Summary: On-set visits and interviews, both pre and post Clublan'ds release.Includes a side-interviews with Emma Booth

Call No: 753AUS JAN
Author: Greenfield, Sayre N., 1956; Troost, Linda, 1957
Source: US
Place: Lexington
Publisher: University Press of Kentucky
PubDate: c1998
PhysDes: 202 p., [16] p. of plates : ill. ; 24 cm
Subject: ADAPTATIONS. AUSTEN, JANE; FEMINISM AND THE CINEMA; MASCULINITY IN FILMS; WOMEN AND THE CINEMA; MEN IN FILMS; WOMEN IN FILMS; THOMPSON, EMMA; EMMA (UK, Douglas McGrath, 1996); CLUELESS (US, Amy Heckerling, 1995); SENSE AND SENSIBILITY (US, Ang Lee, 1995); PRIDE AND PREJUDICE (US, Robert Z. Leonard, 1940); PRIDE AND PREJUDICE [TV] (UK/US, Simon Langton, 1995); PERSUASION (UK, Roger Michell, 1995)
Summary: "In 1995 and 1996 six film or television adaptations of Jane Austen's novels were produced - an unprecedented number. More amazing, all were critical and/or box office successes. What accounts for this explosion of interest? Much of the appeal of these films lies in our nostalgic desire at the end of the millenium for an age of greater politeness and sexual reticence. Austen's ridicule of deceit and pretentiousness also appeals to our fin de siècle sensibilities. The novels were changed, however, to enhance their appeal to a wide popular audience, and the revisions reveal much about our own culture and its values. These recent productions espouse explicitly twentieth-century feminist notions and reshape the Austenian hero to make him conform to modern expectations. Linda Troost and Sayre Greenfield present fourteen essays examining the phenomenon of Jane Austen as cultural icon, providing thoughtful and sympathetic insights on the films through a variety of critical approaches. The contributors debate whether these productions enhance or undercut the subtle feminism that Austen promoted in her novels." - BOOK JACKET
Notes: Includes bibliographical references (p. 186-187) and index
ISBN: 0813120845 (alk. paper)
LON: 13891695
Contents: Introduction: watching ourselves watching / Linda Troost and Sayre Greenfield -- Out of the drawing room, onto the lawn / Rachel M. Brownstein -- Balancing the courtship hero: masculine emotional display in film adaptation of Austen's novels / Cheryl L. Nixon -- Misrepresenting Jane Austen's ladies: revising texts (and history) to sell films / Rebecca Dickson -- Austen, class and the American market / Carol M. Dole -- Jane Austen, film, and the pitfalls of postmodern nostalgia / Amanda Collins -- "A correct taste in landscape": Pemberley as fetish and commodity / H. Elisabeth Ellington -- Mr. Darcy's body: privileging the female gaze / Lisa Hopkins -- Emma becomes Clueless / Suzanne Ferriss -- "As if!": translating Austen's ironic narrator to film / Nora Nachumi -- Emma Thompson's Sense and Sensibility as gateway to Austen's novel / M. Casey Diana -- "Piracy is our only option": postfeminist intervention in Sense and Sensibility / Kristin Flieger Samuelian -- Feminist implications of the silver screen Austen / Devoney Looser -- Mass marketing Jane Austen: men, women, and courtship in two film adaptations / Deborah Kaplan

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JANE AUSTEN'S EMMA [TV] (UK, Diarmuid Lawrence, 1996)

PhysDes: Article
Subject: EMMA: QUEEN OF THE SOUTH SEAS [TV] (AT, John Banas, 1988)
Summary: Gil Brealey, directory of mini-series "Emma" has been replaced by New Zealander John Banas

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LAMB (AT, Emma Freeman, 2002)

Author: Horner, Ian
PhysDes: Article
Subject: EMMA'S WAR (AT, Clytie Jessop, 1986)
Summary: intervew; includs videography

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LIGHTSWITCH (AT, Emma Keltie, 2009)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Posters; Press kit; Publicity; Clippings
Subject: LOVE AND OTHER CATASTROPHES (AT, Emma-Kate Croghan, 1996)

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: NewVision Films
PhysDes: 2 photographs : b&w ; 13 x 18 cm - 26 x 21 cm ; 15 film stills : col. 5 x 5 cm
Subject: MITCHELL, RADHA; O'CONNOR, FRANCES; LOVE AND OTHER CATASTROPHES (AT, Emma-Kate Croghan, 1996)
Summary: 2 black and white photographs of Frances O'Connor as Mia and Radha Mitchell as Danni laughing in a bedroom, and Frances O'Connor profile shot. 15 colour film stills of all the actors in various scenes.

Call No: S LOV
Author: Bergman, Y.; Croghan, E.K.; Efthymiou, S.A.
PhysDes: 81 leaves
Subject: LOVE AND OTHER CATASTROPHES (AT, Emma-Kate Croghan, 1996)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: LUNG, EMMA

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: MAN MADE (AT, Emma Crimmings, 2003)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: McLean, Emma

Call No: 756.1-25 MEL
Author: Tsiolkas, Christos
Edition: 2022
Place: Collingwood, Vic.
Publisher: Melbourne International Film Festival; Black Inc.
PhysDes: 320 pages ; 24cm
Subject: GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988); OZ: A ROCK AND ROLL ROAD MOVIE (AT, Chris Lofven, 1976) SEE OZ; MALCOLM (AT, Nadia Tass, 1986); CASTLE, THE (AT, Rob Sitch, 1997); MAD MAX (AT, George Miller, 1979); MONKEY GRIP (AT, Ken Cameron, 1982); LOVE AND OTHER CATASTROPHES (AT, Emma-Kate Croghan, 1996); HOMOSEXUALITY: A FILM FOR DISCUSSION (AT, Barbara Creed, 1974); IN THIS LIFE'S BODY (AT, Corinne Cantrill, 1984); CLUB, THE (AT, Bruce Beresford, 1980); STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906); NOISE (AT, Matthew Saville, 2007); DEATH IN BRUNSWICK (AT, John Ruane, 1991); CLAY (AT, Giorgio Mangiamele, 1964); HEAD ON (AT, Ana Kokkinos, 1998); DOGS IN SPACE (AT, Richard Lowenstein, 1986)
Summary: A collection of bold new writing capturing Melbourne’s identity in cinema Melbourne International Film Festival (MIFF) is Australia's most revered celebration of cinema. It is one of the world's oldest and most storied film festivals, continuously running since 1952. To commemorate MIFF’s 70th anniversary, Black Inc. has partnered with the festival to produce an exciting collection of essays on Melbourne-made cinema. Melbourne has a long, rich and diverse film history. It was the city where the first ever feature-length film was screened in 1906 – The Story of the Kelly Gang. It was also the birthplace of classics like Monkey Grip, Ghosts … of the Civil Dead, The Castle and Mad Max, plus many fascinating shorts and experimental films. Melbourne on Film is both a celebration of filmmaking in Melbourne, and a tribute to the city’s unique creative history. The first collection of its kind, it includes personal reflections on the legacy and influence of these key films by some of the city’s favourite writers, including Christos Tsiolkas, Sarah Krasnostein, John Safran, Osman Faruqi, Tristen Harwood and Judith Lucy. Melbourne on Film will be treasured by cinephiles and readers of intelligent essays on arts and culture. -- publisher's web site
ISBN: 9781760643928

Call No: 210(94) REI
Author: Reid, Mary Anne
Place: Sydney
Publisher: Australian Film Commission
PubDate: 1999
PhysDes: 136 p.
Subject: AUSTRALIA. 1990's; LOVE AND OTHER CATASTROPHES (AT, Emma-Kate Croghan, 1996); MURIEL'S WEDDING (AT, P.J. Hogan, 1994); KISS OR KILL (AT, Bill Bennett, 1997)
ISBN: 0642487154

PhysDes: Article
Subject: AUSTRALIAN FILM COMMISSION; FUNDING. AUSTRALIA; EMMA'S WAR (AT, Clytie Jessop, 1986); STREET HERO (AT, Michael Pattinson, 1984); UNDERCOVER (AT, David Stevens, 1983); FAST TALKING (AT, Ken Cameron, 1984); CELSO AND CORA: A MANILA STORY (AT, Gary Kildea, 1983)
Summary: Break down of Australian Film Commission cineancial assistance for future Australian films.

Call No: N79 QUE DUT
Author: Dutton, Geoffrey
Source: AT
Place: South Melbourne
Publisher: Sun Books
PubDate: 1988
PhysDes: 18 cm; 283 p.
Subject: EMMA: QUEEN OF THE SOUTH SEAS [TV] (AT, John Banas, 1988)
ISBN: 0725105763

Call No: TITLE CLIPPINGS FILE; ALOHA (US, Cameron Crowe, 2015)
Author: Johnson, Neala
PhysDes: Clippings File Article
Subject: COOPER, BRADLEY; STONE, EMMA; ALOHA (US, Cameron Crowe, 2015)
Summary: Interview with Bradley Cooper and Emma Stone, co-stars of the 2015 film ALOHA, about their work on the film and their friendship.
Notes: Same article held in the STONE, EMMA clippings file, under the title 'Two of a kind in life and art'

Call No: 79SEN THO
Author: Thompson, Emma; Austen, Jane, 1775-1817. Sense and sensibility
Edition: 1st ed
Place: New York
Publisher: Newmarket Press
PubDate: c1995
PhysDes: 287 p. : ill. (some col.) ; 22 cm
Subject: SENSE AND SENSIBILITY (US, Ang Lee, 1995); THOMPSON, EMMA
ISBN: 1557042608
LON: 11929319

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Programme; Posters; Stills
Subject: SEXY GIRLS, SEXY APPLIANCES (AT, Emma-Kate Croghan, 1992)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 18 x 13 cm
Subject: SEXY GIRLS, SEXY APPLIANCES (AT, Emma-Kate Croghan, 1992)
Summary: Black and white photograph of woman inflating a balloon with a vacuum cleaner.

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: SHIVA BABY (US/CA, Emma Seligman, 2020)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SKYGGEN AF EMMA (DK, Soren Kragh-Jacobsen, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SOMETHING WITHIN ME (US, Emma Joan Morris, 1993)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: STONE, EMMA

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: STRAND, EMMA

Call No: S STR
Author: Croghan, Emma-Kate; Kazantzidis, Stavros
PubDate: [1998?]
PhysDes: 109 leaves
Subject: STRANGE PLANET (AT, Emma-Kate Croghan, 1999)
Notes: Unpublished script

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: STRANGE PLANET (AT, Emma-Kate Croghan, 1999)

Author: Conlan, Pat
PhysDes: Review; Credits; Synopsis
Subject: STRANGE PLANET (AT, Emma-Kate Croghan, 1999)

Call No: S STR
Author: Croghan, Emma-Kate; Kazantzidis, Stavros
PubDate: [1998]
PhysDes: 109 leaves
Subject: STRANGE PLANET (AT, Emma-Kate Croghan, 1999)
Notes: Unpublished script

Call No: 753 SYD
CorpAuthor: University of Sydney. Dept. of English; English Association. Sydney Branch
Place: Sydney, N.S.W.
Publisher: University of Sydney
PubDate: 1975/76
PhysDes: v. ; 21 cm
Subject: INDUSTRY, FILM. AUSTRALIA; ADAPTATIONS; FORBIDDEN PLANET (US, Fred McLeod Wilcox, 1956); TEMPEST (US, Paul Mazursky, 1982); EMMA (UK, Douglas McGrath, 1996); CLUELESS (US, Amy Heckerling, 1995); LITTLE DORRIT (UK, Christine Edzard, 1987); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); X-FILES, THE [TV] (US, 1993-)
Notes: "Jointly sponsored by the Department of English, University of Sydney and the English Association (Sydney Branch)"
ISSN: 0156-5419
LON: abn84028394; 3052804

Author: Michael Adams
PhysDes: Article
Subject: DO, ANH; LUNG, EMMA; FOOTY LEGENDS (AT, Khoa Do, 2006)
Summary: Review of Footy Legends and interview with producer Megan McCurchy

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: THOMPSON, EMMA

Call No: TITLE CLIPPINGS FILE; STONE, EMMA
Author: Johnson, Neala
PhysDes: Clippings File Article
Subject: COOPER, BRADLEY; STONE, EMMA; ALOHA (US, Cameron Crowe, 2015)
Summary: Interview with Bradley Cooper and Emma Stone, co-stars of the 2015 film ALOHA, about their work on the film and their friendship.
Notes: Same article held in the ALOHA (US, Cameron Crowe, 2015) clippings file, under the title 'Rom-com where the stars love to laugh'

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: UNTOGETHER (US, Emma Forrest, 2018)
Notes: Simon_Batch 18_191212

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: VERTICAL REALITIES (AT, Emma Crimmings, 1999)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: WALK RUN STRIVE (AT, Emma Jackson, 2021)

Call No: PERSONALITY CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: WATKINS, EMMA

Call No: PERSONALITY CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: WATSON, EMMA