Search Catalogue

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: ALLIGATOR SHOES (CN, Clay Borris, 1981)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ANGRY BIRDS MOVIE, THE (US/FI, Clay Kaytis/ Fergal Reilly, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BE MY BROTHER (AT, Genevieve Clay, 2009)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEAUTIFUL (AT, Genevieve Clay, 2010)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BUTTERFLY CRUSH (AT/NZ, Alan Clay, 2010)

Call No: S BUT
Author: Clay, Alan
Source: NZ
Place: New Zealand
PubDate: 2009
PhysDes: 88 pages, 30cm
Subject: BUTTERFLY CRUSH (AT/NZ, Alan Clay, 2010)
Notes: Unpublished script Based on the novel "Dance Sisters" by Alan Clay

Call No: P BUT
Place: New Zealand
PubDate: 2010?
PhysDes: 5 posters : colour ; 60 x 84 cm
Subject: BUTTERFLY CRUSH (AT/NZ, Alan Clay, 2010)
Summary: Image: Top third of poster is a photo of two female singers. The rest of the poster shows various photos of the cast. Text: "A modern love story set against the backdrop of the Sydney music industry, where the villains are members of a Kings Cross cult, into astrology and vrtual dreaming." Text: "music, cute boys and a whole lotta intrigue - Girlfriend magazine" Text: "On the brink of fame, a song and dance duos' chance of succes is in jeopardy, when one joins the Dreamguides cult and her friend mus risk everything to rescue her."
Notes: Five copies.

Call No: 81MAN RAN
Author: Moliterno, Gino; Rando, Gaetano
Source: AT
Place: St Kilda, Vic
Publisher: Australian Teachers of Media (ATOM)
PubDate: c2011
PhysDes: 145 p. : ill. ; 24 cm
Series: The moving image ; no. 10, 2011
Subject: CINEMATOGRAPHY; CINEMATOGRAPHY. AUSTRALIA; DIRECTORS. AUSTRALIA; FILM AUSTRALIA; FILMMAKING; FILMMAKING. AUSTRALIA; MIGRATION; MANGIAMELE, GIORGIO; SPAG, THE (AT, Giorgio Mangiamele, 1962); CLAY (AT, Giorgio Mangiamele, 1964); BEYOND REASON (AT, Giorgio Mangiamele, 1970)
Summary: " Giorgio Mangiamele is one of the most under-estimated figures in Australian cinema history. Soon after his arrival in Australia in 1952 as a migrant from Italy, he began making films at a time when feature film production in Australia was almost non-existent. His films were seldom seen in Australia, although one - Clay (1965) - was applauded overseas as an official selection in the Cannes Film Festival. " -- BOOK BLURB (last page of book)
Notes: "Published biannually by Australian Teachers of Media in association with its publishing partners, National Film & Sound Archive (NSFA), the Australian Film Institute (AFI) and RMIT University (School of Media and Communications)" -- Verso t.p; Includes bibliographical references and index
ISBN: 1876467215
Contents: -- notes on the text -- introduction -- chapter one: a celluloid life: a brief biography of Giorgio Mangiamele -- chapter two: foto studio Mangiamele: serving Melbourne's Italian community -- chapter three: Mangiamele's migrant movies -- chapter four: Clay and Cannes: the beginnings of art cinema in Australia -- chapter five: beyond Cannes and Beyond Reason -- chapter six: beyond Beyond Reason: towards Papua New Guinea -- chapter seven: back in oz and more unrealised projects -- conclusion -- Giorgio Mangiamele filmography -- bibliography -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHRISTMAS CHRONICLES, THE (US, Clay Kaytis, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: CLAY (AT, Giorgio Mangiamele, 1964)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CLAY FARMERS (US, A.P. Gonzalez, 1988)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: CLAY PIGEONS (US, David Dobkin, 1998)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 17 x 22 cm
Subject: CLAY (AT, Giorgio Mangiamele, 1964)
Summary: One black and white photograph relating to the film Clay

Call No: N79 BUT CLA
Author: Clay, Alan
Source: AT
Place: [Surry Hills, N.S.W.]
Publisher: Artmedia
PubDate: 1997
PhysDes: 294 pages ; 20 cm
Subject: BUTTERFLY CRUSH (AT/NZ, Alan Clay, 2010)
Summary: "A female song and dance trio threatens to self-destruct on the brink of fame, when its leader becomes involved with a manipulative cult, touting sex, astrology and virtual dreaming" -Book blurb
ISBN: 0646302671

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DEVIL'S GATE (CN/US, Clay Staub, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FANNY LYE DELIVER'D (UK/GG, Thomas Clay, 2019)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FINDERS KEEPERS (US, Bryan Carberry / J. Clay Tweel, 2015)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GLEASON (US, J. Clay Tweel, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GOING FOR GOLD (AT, Clay Glen, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HEARTBREAK AND BEAUTY (AT, Libby Banks /Nathan Basha / Robin Bryan / Genevieve Clay-Smith, 2015)

Author: Rando, Gaetano
PhysDes: Article
Subject: ETHNIC GROUPS IN FILMS. AUSTRALIA; MANGIAMELE, GIORGIO; CLAY (AT, Giorgio Mangiamele, 1964); SPAG, THE (AT, Giorgio Mangiamele, 1962)
Summary: Giorgio Mangiamele, born in Catania in 1926, migrated to Melbourne in 1952 and constitutes a rare example of CALD involvement in the early development of Australian cinema in the post-war period. His feature film Clay (1965) was the first Australian film to be invited to enter the competition at the Cannes Film Festival. However, despite his significant contribution to the emerging Australian cinematic culture, particularly to the development of ‘art’ cinema, he has received relatively little recognition. Over a thirty-year period Mangiamele made fourteen films as director or director/producer. His first productions – The contract (1953), Unwanted (c.1957), The brothers (1958), The spag (1961) and Ninety-nine per cent (1963) – present themes related to the Italian migration experience in Australia in the 1950s depicted in all its immediacy and contemporaneity as an integral feature of the existentialist condition of our times. The only Australian director consistently to deal with such themes at the time, Mangiamele focuses on the dislocation, the alienation, the loneliness and the recall of the home country that constitutes the experience of his emblematic characters struggling to make sense of a society that is in many ways unaccepting. This article proposes to apply the concepts of liminality and temporality elaborated by Hamid Nacify (2001) to the analysis of the themes related to the Italian-Australian diaspora in the films of Giorgio Mangiamele.--ABSTRACT

PhysDes: Clippings
Subject: CLAY BIRD, THE [MATIR MOINA] (BA, Tareque Masud, 2002)

Call No: 756.1-25 MEL
Author: Tsiolkas, Christos
Edition: 2022
Place: Collingwood, Vic.
Publisher: Melbourne International Film Festival; Black Inc.
PhysDes: 320 pages ; 24cm
Subject: GHOSTS... OF THE CIVIL DEAD (AT, John Hillcoat, 1988); OZ: A ROCK AND ROLL ROAD MOVIE (AT, Chris Lofven, 1976) SEE OZ; MALCOLM (AT, Nadia Tass, 1986); CASTLE, THE (AT, Rob Sitch, 1997); MAD MAX (AT, George Miller, 1979); MONKEY GRIP (AT, Ken Cameron, 1982); LOVE AND OTHER CATASTROPHES (AT, Emma-Kate Croghan, 1996); HOMOSEXUALITY: A FILM FOR DISCUSSION (AT, Barbara Creed, 1974); IN THIS LIFE'S BODY (AT, Corinne Cantrill, 1984); CLUB, THE (AT, Bruce Beresford, 1980); STORY OF THE KELLY GANG, THE (AT, Charles Tait, 1906); NOISE (AT, Matthew Saville, 2007); DEATH IN BRUNSWICK (AT, John Ruane, 1991); CLAY (AT, Giorgio Mangiamele, 1964); HEAD ON (AT, Ana Kokkinos, 1998); DOGS IN SPACE (AT, Richard Lowenstein, 1986)
Summary: A collection of bold new writing capturing Melbourne’s identity in cinema Melbourne International Film Festival (MIFF) is Australia's most revered celebration of cinema. It is one of the world's oldest and most storied film festivals, continuously running since 1952. To commemorate MIFF’s 70th anniversary, Black Inc. has partnered with the festival to produce an exciting collection of essays on Melbourne-made cinema. Melbourne has a long, rich and diverse film history. It was the city where the first ever feature-length film was screened in 1906 – The Story of the Kelly Gang. It was also the birthplace of classics like Monkey Grip, Ghosts … of the Civil Dead, The Castle and Mad Max, plus many fascinating shorts and experimental films. Melbourne on Film is both a celebration of filmmaking in Melbourne, and a tribute to the city’s unique creative history. The first collection of its kind, it includes personal reflections on the legacy and influence of these key films by some of the city’s favourite writers, including Christos Tsiolkas, Sarah Krasnostein, John Safran, Osman Faruqi, Tristen Harwood and Judith Lucy. Melbourne on Film will be treasured by cinephiles and readers of intelligent essays on arts and culture. -- publisher's web site
ISBN: 9781760643928

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: QUIET COOL (US, Clay Burris, 1986)