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Call No: 71(94) COL
Author: Collins, F.; Davis, T.
Place: Port Melbourne
Publisher: Cambridge University Press
PubDate: 2004
PhysDes: vii, 204 p. ; 24 cm
Subject: HISTORY AND THE CINEMA. AUSTRALIA; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997); MOULIN ROUGE (AT/US, Baz Luhrmann, 2001); DISH, THE (AT, Rob Sitch, 2000); LANTANA (AT, Ray Lawrence, 2001); AUSTRALIAN RULES; AUSTRALIAN ABORIGINAL CINEMA; AUSTRALIAN ABORIGINES AND THE CINEMA; AUSTRALIAN ABORIGINES IN FILMS; WALKING ON WATER (AT, Tony Ayres, 2001); HEAVEN'S BURNING (AT, Craig Lahiff, 1997); LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992); HOLY SMOKE (US, Jane Campion, 1999); SERENADES (AT, Mojgan Khadem, 2000); YOLNGU BOY (AT, Stephen Johnson, 2001); MISSING, THE (AT, Manuela Alberti, 1999); HEARTLAND [TV] (AT, 1994); AUSTRALIAN ABORIGINES AND TV; CUNNAMULLA (AT, Dennis O'Rourke, 2000); MESSAGE FROM MOREE (AT, Judy Rymer, 2003); CASTLE, THE (AT, Rob Sitch, 1997); VACANT POSSESSION (AT, Margot Nash, 1995); STRANGE PLANET (AT, Emma-Kate Croghan, 1999); RADIANCE (AT, Rachel Perkins, 1998); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001); LOOKING FOR ALIBRANDI (AT, Kate Woods, 2000); HEAD ON (AT, Ana Kokkinos, 1998); BENEATH CLOUDS (AT, Ivan Sen, 2001); JAPANESE STORY (AT, Sue Brooks, 2003); TRACKER, THE (AT, Rolf de Heer, 2002)
Summary: “Drawing on concepts of shock, memory and national maturity, ‘Australian Cinema after Mabo’ asks what part Australian cinema plays in reviewing our colonial past. It looks at how the 1992 Mabo decision, which overruled the nation’s founding myth of terra nullius, has changed the meaning of landscape and identity in Australian films, including The Tracker, Rabbit-Proof Fence, Moulin Rouge, The Castle, Cunnamulla, Looking for Alibrandi and Japanese Story amongst many others.” (back cover)
Notes: Index: p.200-204; Bibliography
ISBN: 0521834805 : 0521542561 (pbk.)
Contents: Part 1: Australian Cinema and the History Wars -- Backtracking after Mabo -- Homeand Abroad in Moulin Rouge, The Dish and Lantana -- Elites and Battlers in Australian Rules and Walking on Water -- Mediating Memory in Mabo Life as an Island Man --; Part 2: Landscape and Belonging after Mabo -- Aftershock and the Desert Landscape in Heavens Burning, The Last Days of Chez Nous, Holy Smoke, Serenades, Yolngu Boy, The Missing -- Coming from the Country in Heartland, Cunnamulla and Message from Moree -- Coming from the City in The Castle, Vacant Possession, Strange Planet and Radiance; Part 3: Grief, Trauma and Coming of Age -- Lost, Stolen and Found in Rabbit-Proof Fence -- Escaping History and Shame in Looking for Alibrandi, Head On and Beneath Clouds -- Sustaining Grief in Japanese Story and Dreaming in Motion.
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Call No: 71(94) AUS
Author: Craven, Ian
Place: London
Publisher: Frank Cass
PubDate: 2001
PhysDes: 239 p. ; 22 cm
Subject: AUSTRALIA; MULTICULTURALISM AND THE CINEMA. AUSTRALIA; AUSTRALIAN ABORIGINES ON TV; GONSKI REPORT; INDUSTRY, FILM. AUSTRALIA; LANDSCAPES IN FILMS. AUSTRALIA; MEN IN FILMS. AUSTRALIA; NATIONAL IDENTITY AND THE CINEMA. AUSTRALIA; SUBURBS IN FILMS. AUSTRALIA; SOCIETY AND TV; DINGO, ERNIE; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); BABE (AT, Chris Noonan, 1995); BIG STEAL, THE (AT, Nadia Tass, 1990); CASTLE, THE (AT, Rob Sitch, 1997); DEATH IN BRUNSWICK (AT, John Ruane, 1991); HEARTBREAK KID (AT, Michael Jenkins, 1993); HEARTLAND [TV] (AT, 1994); IDIOT BOX (AT, David Caesar, 1996); LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992); LOVE SERENADE (AT, Shirley Barrett, 1996); METAL SKIN (AT, Geoffrey Wright, 1994); MONKEY GRIP (AT, Ken Cameron, 1982); MURIEL’S WEDDING (AT, P.J. Hogan, 1994); STRICTLY BALLROOM (AT, Baz Luhrmann, 1992)
Notes: Includes index and bibliography
ISBN: 0714649740; 0714680346(pbk.) : ª16.50
LON: 21663632
Contents: 1. Australian cinema towards the millennium / Ian Craven -- 2. Patterns of production and policy: the Australian film industry in the 1990s / Lisa French -- 3. Unhappy endings: the heterosexual dynamic in Australian film / Nigel Spence and Leah McGirr -- 4. Vulnerable bodies: creative disabilities in contemporary Australian film / Liz Ferrier -- 5. Becoming a man in Australian film in the early 1990s: The big steal, Death in Brunswick, Strictly ballroom and The heartbreak kid / Philip Butterss -- 6. His natural whiteness: modes of ethnic presence and absence in some recent Australian films / David Callahan -- 7. All quiet on the western front? Suburban reverberations in recent Australian cinema / Ben Goldsmith -- 8. Romance and sensation in the 'glitter' cycle / Emily Rustin -- 9. A pig in space? Babe and the problem of landscape / Tara Brabazon -- 10. The castle: 1997's 'battlers' and the ir/relevance of the aesthetic / Stephen Crofts -- 11. Idiot box: television, urban myths and ethical scenarios / Kaye Ferres -- 12. Ernie Dingo: reconciliation (a love story forged against the odds?) / Alan McKee -- Australian cinema in the 1990s: filmography / Samantha Searle -- Australian cinema in the 1990s: a select bibliography / Linda Smith
ID2: 306

Author: Hughes, Tony
PhysDes: Study guide; Illustration(s)
Subject: CASTLE, THE (AT, Rob Sitch, 1997)

Call No: TITLE CLIPPINGS FILE; CASTLE, THE (AT, Rob Sitch, 1997)
Author: Paatsch, Leigh
PhysDes: Clippings File Article
Subject: CASTLE, THE (AT, Rob Sitch, 1997)
Summary: Celebrating 20 years since the release of the well-loved Australian comedy THE CASTLE. Includes some key quotes from the film and a rundown of the key cast

Author: Prisk, Tracey
PhysDes: Article
Subject: CASTLE, THE (AT, Rob Sitch, 1997)
Summary: US distributor Miramax has reportedly paid $9 million for the US distribution rights to "The Castle".

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Posters; Press kit; Transparency; Study guide
Subject: CASTLE, THE (AT, Rob Sitch, 1997)

Author: Mortimer, Lorraine
PhysDes: Article; Bibliography; Illustration(s)
Subject: AUSTRALIANS IN FILMS; WORKING CLASS IN FILMS; CASTLE, THE (AT, Rob Sitch, 1997)
Summary: Article explores the film, "The castle", and ways it affectionately represents the outer suburbs and working class characters.

Call No: TITLE CLIPPINGS FILE; CASTLE, THE (AT, Rob Sitch, 1997)
Author: Johnson, Neala
PhysDes: Clippings File Article
Subject: CASTLE, THE (AT, Rob Sitch, 1997)
Summary: Interview with Stephen Curry about the film THE CASTLE

Author: Coombs, Melanie
PhysDes: Article; Illustration(s)
Subject: FESTIVALS. PARK CITY. SUNDANCE; VILLAGE ROADSHOW; CASTLE, THE (AT, Rob Sitch, 1997)
Summary: Article by Village Roadshow Pictures Award winner Melanie Coombs on her experience in the US, particularly at the Sundance Film Festival.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GLASS CASTLE, THE (US, Destin Daniel Cretton, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: LAST CASTLE, THE (US, Rod Lurie, 2001)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: MAN IN THE HIGH CASTLE, THE [TV] (US/UK/CN, 2015)
Cross Reference: MAN IN THE HIGH CASTLE, THE [TV] (US/UK/CN, 2015)

Call No: TITLE CLIPPINGS FILE; CASTLE, THE (AT, Rob Sitch, 1997)
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: CASTLE, THE (AT, Rob Sitch, 1997)
Summary: A fond look back at the film THE CASTLE and why it has remained popular since it's release 20 years ago
Notes: A

Call No: TITLE CLIPPINGS FILE; CASTLE, THE (AT, Rob Sitch, 1997)
Author: Morton, Rick
PhysDes: Clippings File Article
Subject: CASTLE, THE (AT, Rob Sitch, 1997)
Summary: The modest suburban house that was used in the film THE CASTLE has been approved to be demolished by the local council

Call No: TITLE CLIPPINGS FILE; CASTLE, THE (AT, Rob Sitch, 1997)
Author: Meacham, Steve
PhysDes: Clippings File Article
Subject: CASTLE, THE (AT, Rob Sitch, 1997)
Summary: What's your favourite quote from The Castle?