Search Catalogue

Call No: 71(73) BEH
Author: Behlmer, Rudy,
Place: New York
Publisher: F. Ungar Pub. Co.
PubDate: c1982
PhysDes: xix, 324 p. : ill. ; 24 cm
Subject: USA; FRANKENSTEIN (US, James Whale, 1931); LOST HORIZON (US, Frank Capra, 1937); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); ADVENTURES OF ROBIN HOOD, THE (US, Michael Curtiz & William Keighley, 1938); GRAPES OF WRATH, THE (US, John Ford, 1940); STAGECOACH (US, John Ford, 1939); MALTESE FALCON, THE (US, John Huston, 1941); CASABLANCA (US, Michael Curtiz, 1942); LAURA (US, Otto Preminger, 1944); ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); STREETCAR NAMED DESIRE, A (US, Elia Kazan, 1951); AFRICAN QUEEN, THE (US, John Huston, 1952); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); HIGH NOON (US, Fred Zinnemann, 1952); GUNGA DIN (US, George Stevens, 1939)
Notes: Includes bibliographies and index
ISBN: 080442036X; 0804460345 (pbk.)
LON: 2175280

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: ANGEL OF DESIRE (US, Dona Deitch, 1994)

Call No: 408.1 (430) WAG
Author: Wagner, Brigitta B.
Source: US
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 2015
PhysDes: x, 299 pages : illustrations, maps ; 26 cm
Subject: NOSTALGIA IN FILMS; URBAN LIFE IN FILMS; GERMANY; NATIONAL IDENTITY IN FILMS. GERMANY; POLITICS IN THE CINEMA; RUN LOLA RUN (G, Tom Tykwer, 1998); BERLIN: SYMPHONY OF A GREAT CITY (G, Walter Ruttman, 1927); WINGS OF DESIRE (GW/FR, Wim Wenders, 1987)
Summary: "In Berlin Replayed, Brigitta B. Wagner traces how old and new films set in Berlin created a collective urban nostalgia for the city's best and most conciliatory pasts in the face of its renewed prupose as the all-German capital. Exploring films such as Walter Ruttmann's Berlin: Symphony of a Great City, Wim Wenders's wings of Desire, Tom Tykwer's Run Lola Run, and Wolfgang Becker's Good Bye, Lenin!, the book illustrates how film has repeatedly remade the image of the city. Wagner focuses on four key periods: the golden 1920s, when the city was a major filmmaking center; the prewall 1950s, when Berlin had two idealogically opposed film industries; the politically transformative late 1980s and early 1990s; and the hyped start of the twenty-first century." -- BOOK BLURB
Notes: Includes bibliographical references and index
ISBN: 9780816691746
Donation: donated by Senses of Cinema
Contents: Introduction: Auf wiedersehen, Berlin! -- Remake: Berlin symphonies and the myth of the weltstadt -- Generation: a 1950s place for us -- Virtuality: cinema, archive, and the interactive map of Potsdamer Platz -- Orientation: geographical didacticism and the X-films of new Berlin -- Epilogue: Berlin returns, again

Call No: 71(6) UKA
Author: Ukadike, Nwachukwu Frank
Place: Berkeley
Publisher: University of California Press
PubDate: 1994
PhysDes: x, 371 p. : ill.; 24 cm
Subject: IMPERIALISM AND THE CINEMA. AFRICAN COUNTRIES; AFRICAN COUNTRIES; DOCUMENTARY FILMS. AFRICAN COUNTRIES; BLACK FILMMAKERS. AFRICAN COUNTRIES; BLACKS AND THE CINEMA. AFRICAN COUNTRIES; SEMBENE, OUSMANE; CISSE, SOULEYMANE; ANSAH, KWAW PAINTSIL; ESCARE, DESIRE; BALOGUN, OLA; FANON, FRANTZ; HONDO, MED; VISAGES DE FEMMES (IV, Desire Ecare, 1985); FINZAN (ML, Cheik Omar Sissoko, 1990); WEND KUUNI (UV, Gaston Kabore, 1982); EMITAI (SG, Ousmane Sembene, 1972); CEDDO (SG, Ousmane Sembene, 1977); YEELEN (ML, Souleymane Cisse, 1987); BAL POUSSIERE (IV, Henri Duparc, 1988)
Notes: Includes bibliographical references (p. 343-355) and index
ISBN: 0520077474 (cloth : alk. paper); 0520077482 (paper)
LON: 9270979

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHAIN OF DESIRE (US, Temistocles Lopez, 1992)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: DESIRE (AT, Emma-Kate Croghan, 1994)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Programme
Subject: DESIRE (AT, Alan Ingram & Mark Stow Smith, 1981)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DESIRE (AT, Bill Mousoulis, 2000)

Author: Larson, Randall, D.
PhysDes: Article
Subject: DESIRE, I (US, John L. Moxey [TV] 1982)
Summary: Review of Don Peake's film score

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: DESIRE & HELL AT SUNSET MOTEL (US, Alien Castle, 1992)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 11.5 x 17 cm.
Subject: DESIRE (AT, Emma-Kate Croghan, 1994)
Summary: Photograph relating to the short film Desire

Call No: 44 SCH
Author: Schumach, Murray
Edition: Di Capo Press ed.
Source: US
Place: New York
Publisher: Da Capo Press
PubDate: 1964
PhysDes: 305 p. : ill. ; 22 cm.
Series: A Da Capo paperback
Subject: CENSORSHIP; STREETCAR NAMED DESIRE, A (US, Elia Kazan, 1951); BRIDGE ON THE RIVER KWAI, THE (UK/US, David Lean, 1957); SWEET BIRD OF YOUTH (US, Richard Brooks, 1961); SPARTACUS (US, Stanley Kubrick, 1960); LOLITA (US, Stanley Kubrick, 1962)
Summary: "A classic history of censorship practices in film and television, this work provides a panoramic view of American mores today. Hollywood reporter-columnist Murray Schumach documents the motion picture industry's struggle to meet the demands of pressure groups and the government and exposes the censors' bigotry and ignorance. Illustrating each point with a still from the cutting room floor. Schumach tells the behind-the-scenes story of every censored film" - BOOK BLURB
Notes: Reprint of the ed. published by Morrow, New York.; Includes index.
ISBN: 0306800098
Donation: donated by the family of Wayne Levy, 2006
Contents: -- 1 the law and the profits -- 2 quality and control -- 3 pressure and politics -- 4 aftermath of cowardice -- 5 boudoirs and blood -- 6 by trial and error -- 7 television censorship -- 8 what next? -- appendices

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FEAR AND DESIRE (US, Stanley Kubrick, 1953)

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. AUSTRALIAN CAPITAL TERRITORY. WINGS OF DESIRE

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOMOSEXUAL DESIRE IN MINNESOTA (US, Jim Hubbard, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HUMAN DESIRE (US, Fritz Lang, 1954)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: LIFE'S BURNING DESIRE: PAUL MERCURIO (AT, Stephen Cummins, 1992)

Call No: 747.5 EVE
Author: Everson, William K.
Source: US
Place: Seacaucus
Publisher: Citadel Press
PubDate: 1979
PhysDes: 251 p. : ill. ; 29 cm
Subject: ALGIERS (US, John Cromwell, 1938); ANNIE HALL (US, Woody Allen, 1977); BERKELEY SQUARE (US, Frank Lloyd, 1933); BRIEF ECSTASY (UK, Edmond T. Greville, 1937); BRIEF ENCOUNTER (UK, David Lean, 1945); CONRAD IN QUEST WITH HIS YOUTH (US, William C. DeMille, 1920); DADDY LONG LEGS (US, Jean Negulesco, 1955); DESIRE (US, Frank Borzage, 1936); DON JUAN (US, Alan Crosland, 1926); EKSTASE (CZ/A, Gustav Machaty, 1933); FIRST LOVE (US, Henry Koser, 1939); HALLELUjAH, I'M A BUM (US, Lewis Milestone, 1933); HOT SATURDAY (US, William A. Seiter, 1932); I KNOW WHERE I'M GOING! (UK, Michael Powell & Emeric Pressburger, 1945); LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948); LOST HORIZON (US, Frank Capra, 1937); MADONNA OF THE SEVEN MOONS (UK, Arthur Crabtree, 1944)
ISBN: 080650644X
Donation: donated by the family of Wayne Levy, 2006

Call No: 81 KUB NAR
Author: Naremore, James
Place: London
Publisher: British Film Institute
PubDate: 2007
PhysDes: 299 p. : ill. ; 24cm
Subject: KUBRICK, STANLEY; A.I: ARTIFICIAL INTELLIGENCE (US, Steven Spielberg, 2001); FEAR AND DESIRE (US, Stanley Kubrick, 1953)
Summary: On Kubrick is a critical study of Stanley Kubrick's career, beginning with his earliest feature, "Fear and Desire" (1953), and ending with his posthumous production of "A.I., Artificial Intelligence" (2001). Organized in six parts ("The Taste Machine," "Young Kubrick," "Kubrick, Harris, Douglas," "Stanley Kubrick Presents," "Late Kubrick," and "Epilogue"), it offers provocative analysis of each of Kubrick's films together with new information about their production histories and cultural contexts. Its ultimate aim is to provide a concise yet thorough discussion that will be useful as both an academic text and a trade publication. The book argues that in several respects Kubrick was one of the cinema's last modernists: his taste and sensibility were shaped by the artistic culture of New York in the 1950s; he became a celebrated auteur who forged a distinctive style; he used art-cinema conventions in commercial productions; he challenged censorship regulations; and throughout his career he was preoccupied with one of the central themes of modernist art - the conflict between rationality and its ever-present shadow, the unconscious. War and science are often the subjects of his films, and his work has a hyper-masculine quality; yet no director has more relentlessly emphasized the absurdity of combat, the failure of scientific reasoning, and the fascistic impulses in masculine sexuality. The book also argues that while Kubrick was a voracious intellectual and a life-long autodidact, the fascination of his work has less to do with the ideas it espouses than with the emotions it evokes. Often described as "cool" or "cold," Kubrick is best understood as a skillful practitioner of what might be called the aesthetics of the grotesque; he employs extreme forms of caricature and black comedy to create disgusting, frightening, yet also laughable images of the human body. No less than Diane Arbus (who was his contemporary), he makes his viewers uneasy, unsure how to react either emotionally or politically. -- publisher's blurb
ISBN: 9781844571420
Contents: -- preface and acknowledgments -- part one: prologue -- 1: the last modernist -- 2: silence, exile and cunning -- 3: grotesque aesthetics -- part two: early Kubrick -- 1: no other country but the mind -- 2: dream city -- part three: Kubrick, Harris, Douglas -- 1: the criminal and the artist -- 2: ant hill -- 3: Dolores, lady of pain -- part four: Stanley Kubrick Presents -- 1: wargasm -- 2: beyond the stars -- 3: a professional piece of Sinny -- 4: duelist -- 5: horrorshow -- Part five: late Kubrick -- 1: warriors -- 2: lovers -- part six: epilogue -- 1: afterthoughts -- 2: love and death in A.I. Artifical Intelligence -- filmography -- select bibliography -- index --

Call No: 79ONT BRA
Author: Braudy, Leo
Edition: 1st ed
Source: UK
Place: London, UK
Publisher: British Film Institute, London
PubDate: 2005
PhysDes: 88p ; 18.5 cm + b&w ill.
Series: BFI Film Classics
Subject: SOCIETY AND THE CINEMA. USA; CLASS AND THE CINEMA; POLITICS AND THE CINEMA. USA; WORKING CLASS IN FILMS. USA; TYPE CHARACTERS IN FILMS; COMMUNISM AND THE CINEMA. USA; PRODUCTION. USA; FINANCING. USA; IMAGE ANALYSIS; LABOUR; FINANCING; LABOUR ISSUES IN FILMS; HUMAN RELATIONS IN FILMS; RELIGION IN FILMS; KAZAN, ELIA; BRANDO, MARLON; SAINT, EVA MARIE; MILLER, ARTHUR; BERNSTEIN, LEONARD; SCHULBERG, BUDD; SPIEGEL, SAM; MALDEN, KARL; STEIGER, ROD; STREETCAR NAMED DESIRE, A (US, Elia Kazan, 1951); GENTLEMAN'S AGREEMENT (US, Elia Kazan, 1947); TREE GROWS IN BROOKLYN, A (US, Elia Kazan, 1945); BABY DOLL (US, Elia Kazan, 1956)
Summary: With director Elia Kazan’s death in 2003 and actor Marlon Brando’s in 2004, a reappraisal of this classic film is timely and necessary. In this definitive study, Leo Braudy tells the complicated story of the film’s production. He revisits the facts behind the controversy of Kazan’s infamous ‘naming of names’ during the McCarthy communist trials of the 1950s. But above all this is an analysis of the enduring appeal of On the Waterfront: the method inspired acting, the music and cinematography, the use of authentic locations and its powerfully symbolic depiction of post-war American values. [Taken from back cover].
Notes: includes film credits
ISBN: 184457072X

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PEOPLE'S REPUBLIC OF DESIRE (CC, Hao Wu, 2018)
Notes: Import Simon Strong_Batch 8

Call No: 802 PRO v.1 - v.12
Author: Boorman, John, 1933; Donohue, Walter
Place: London
Publisher: Faber
PubDate: 1992
PhysDes: viii, 283 p. : ill. ; 23 cm
Subject: PRESSBURGER, EMERIC; HARTLEY, HAL; VAN SANT, GUS; CUKOR, GEORGE; BOORMAN, JOHN; FULLER, SAMUEL; DEMME, JONATHAN; ALMENDROS, NESTOR; PHOENIX, RIVER; MANN, MICHAEL; CAMPION, JANE; WARD, VINCENT; LOWENSTEIN, RICHARD; SURVIVING DESIRE (US, Hal Hartley, 1992)
Notes: "Issue No. 1" - cover
ISBN: 0571167292 (pbk.) : ¦9.99
LON: bnb57116729; 8676208

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STREETCAR NAMED DESIRE, A (US, Elia Kazan, 1951)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: SURVIVING DESIRE (US, Hal Hartley, 1992)

Call No: 753WIL YAC
Author: Yacowar, Maurice
Place: New York
Publisher: Frederick Ungar Pub. Co.
PubDate: 1977
PhysDes: viii, 168 p. : ill. ; 21 cm
Series: Ungar film library
Subject: ADAPTATIONS. WILLIAMS, TENNESSEE; BABY DOLL (US, Elia Kazan, 1956); CAT ON A HOT TIN ROOF (US, Richard Brooks, 1958); SWEET BIRD OF YOUTH (US, Richard Brooks, 1961); NIGHT OF THE IGUANA, THE (US, John Huston, 1964); THIS PROPERTY IS CONDEMNED (US, Sidney Pollack, 1966); BOOM (UK, Joseph Losey, 1968); LAST OF THE MOBILE HOT-SHOTS (US, Sidney Lumet, 1969); SUDDENLY LAST SUMMER (UK, Joseph L. Mankiewicz, 1959); FUGITIVE KIND, THE (US, Sidney Lumet, 1960); ROMAN SPRING OF MRS. STONE, THE (UK, Jose Quintero, 1961); PERIOD OF ADJUSTMENT (US, George Roy Hill, 1962); GLASS MENAGERIE, THE (US, Irving Rapper, 1950); STREETCAR NAMED DESIRE, A (US, Elia Kazan, 1951); ROSE TATTOO, THE (US, Daniel Mann, 1955)
Summary: Tennessee Williams on the screen has been a touchstone of the growing maturity of American ilm production. Film versions of his plays have had a profound and lasting influence on the movies, beginning with A Streetcar Named Desire in 1961. This is the first book-length study of all the films made from his plays- The Glass Menagerie, The Rose Tattoo and others. Maurice Yacowar deals with them in purely cinematic terms. Each film is considered as a new work in a new medium, not merely as a less than faithful version of a play. [Taken from BOOK JACKET]
Notes: Includes index; Filmography: p. 149-154; Bibliography: p. 155-160
ISBN: 0804429928; 0804469903 (pbk.)
LON: abn86012714; 4246677
Contents: Introduction -- The glass menagerie (1950) -- A streetcar named desire (1951) -- The rose tattoo (1955) -- Baby doll (1956) -- Cat on a hot tin roof (1958) -- Suddenly last summer (1959) -- The fugitive kind (1960) -- Summer and smoke (1961) -- The Roman spring of Mrs. Stone (1961) -- Sweet bird of youth (1962) -- Period of adjustment (1962) -- The night of the iguana (1964) -- This property is condemned (1966) -- BOOM (1968)( -- Last of the mobile hot-shots (1969) -- Conclusion.

Call No: 62 KRA
Author: Kracauer, Siegfried
Place: New York
Publisher: Oxford University Press
PubDate: 1965
PhysDes: xix, 364 p. ill., 20 cm.
Subject: ACTORS; ADAPTATIONS; EXPERIMENTAL FILMS; THEORY; AGEE, JAMES; ALEXANDROV, GROGORIJ; ANGER, KENNETH; ANSTEY, EDGAR; ARNHEIM, RUDOLF; ASTAIRE, FRED; BALAZS, BELA; BENJAMIN, WALTER; BERGMAN, INGMAR; BOGART, HUMPHREY; BRAKHAGE, STAN; BRANDO, MARLON; BUNUEL, LUIS; CAGNEY, JAMES; CAPRA, FRANK; CASTELLANI, RENATO; CAVALCANTI, ALBERTO; CHANEY, LON; CHAPLIN, CHARLES; CLAIR, RENE; CLEMENT, RENE; CLOUZOT, HENRI-GEORGES; COCTEAU, JEAN; DALI, SALVADOR; DE FILIPPO, EDUARDO; DEMILLE, CECIL B.; DE SICA, VITTORIO; DISNEY, WALT; DOVZENKO, ALEKSANDR; DREYER, CARL TH.; DUCHAMP, MARCEL; DUVIVIER, JULIEN; ELTON, ARTHUR; ENGEL, MORRIS; EPSTEIN, JEAN; FELLINI, FEDERICO; FEUILLADE, LOUIS; FEYDER, JACQUES; FISCHINGER, OSKAR; FLAHERTY, ROBERT; FORD, JOHN; FRANJU, GEORGES; FREUD, SIGMUND; GANCE, ABEL; GARNETT, GALE; GIDE, ANDRE; GREENE, GRAHAM; GRIERSON, JOHN; GRIFFITH, DAVID WARK; GRIFFITHS, RICHARD; GUITRY, SACHA; HARRINGTON, CURTIS; HILL, DAVID; HITCHCOCK, ALFRED; WACHSFIGURENKABINETT, DAS (G, Paul Leni, 1924); SMULTRONSTALLET (SW, Ingmar Bergman, 1957); VITELLONI, I (IT, Federico Fellini, 1953); VAMPYR : DER TRAUM DES ALLEN GRAY (G/FR, Carl Th. Dreyer, 1932); VARIETE (G, E.A. Dupont, 1925); VALLEY TOWN - A STUDY OF MACHINES AND MEN (US, Willard Van Dyke, 1940); UMBERTO D. (IT, Vittorio De Sica, 1952); TRIUMPH DES WILLENS (G, Leni Riefenstahl, 1935); THIRD MAN, THE (UK, Carol Reed, 1949); OKTIABR (UR, Sergei M. Eisenstein, 1928); TEN COMMANDMENTS, THE (US, Cecil B. DeMille, 1956); SYMPHONIE PASTORALE, LA (FR, Jean Delannoy, 1946); SWING TIME (US, George Stevens, 1936); STRADA, LA (IT, Federico Fellini, 1954); ROMAN D'UN TRICHEUR, LE (FR, Sacha Guitry, 1936); MATTER OF LIFE AND DEATH, A (UK, Michael Powell & Emeric Pressburger, 1946); SPIONE (G, Fritz Lang, 1928); SPELLBOUND (US, Alfred Hitchcock, 1945); SOUS LES TOITS DE PARIS (FR, Rene Clair, 1930); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); SMILING LIEUTENANT, THE (US, Ernst Lubitsch, 1931); SHANE (US, George Stevens, 1953); SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957); GEHEIMNISSE EINER SEELE (G, Georg Wilhelm Pabst, 1926); SCARFACE (US, Howard Hawks, 1932); SANG DES BETES, LE (FR, Georges Franju,1949); SAN FRANCISCO (US, W.S. Van Dyke, 1936); ROUE, LA (FR, Abel Gance, 1922); ROMEO I DZULETTA (UR, Lev Arnstam & Leonid Lavrovskij, 1954); RICHARD III (UK, Laurence Olivier, 1955); REGLE DU JEU, LA (FR, Jean Renoir, 1939); RED SHOES, THE (UK, Michael Powell & Emeric Pressburger, 1948); RASHOMON (JA, Akira Kurosawa, 1950); REGEN (NE, Joris Ivens, 1929); PYGMALION (UK, Anthony Asquith & Leslie Howard, 1938); PLACE IN THE SUN, A (US, George Stevens, 1951); PATHER PANCHALI (II, Satyajit Ray, 1955); PASSION DE JEANNE D'ARC, LA (FR, Carl Th. Dreyer, 1928); PARIS 1900 (FR, Nicole Vedres, 1948); PARADINE CASE, THE (US, Alfred Hitchcock, 1947); OTELLO (UR, Sergej Jutkevic, 1956); ON THE WATERFRONT (US, Elia Kazan, 1954); OLVIDADOS, LOS (MX, Luis Bunuel, 1951); OF MEN AND MUSIC (US, Irving Reis, 1950); NOSFERATU - EINE SYMPHONIE DES GRAUENS (G, Friedrich Wilhelm Murnau, 1922); NIGHT MAIL (UK, Basil Wright & Harry Watt, 1936); NIGHT AT THE OPERA, A (US, Sam Wood, 1935); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); MOULIN ROUGE (UK, E.A. Dupont, 1928); MONSIEUR VERDOUX (US, Charles Chaplin, 1947); MODERN TIMES (US, Charles Chaplin, 1936); MOBY DICK (UK, John Huston, 1956); MOANA (US, Robert Flaherty, 1926); MILLION, LE (FR, Rene Clair, 1931); METROPOLIS (GG, Fritz Lang, 1927); MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943); MENSCHEN AM SONNTAG (G, Robert Siodmak & Edgar G. Ulmer, 1929); MARTY (US, Delbert Mann, 1954); MAN WHO KNEW TOO MUCH, THE (UK, Alfred Hitchcock, 1936); MAJOR BARBARA (UK, Gabriel Pascal, 1941); MADAME BOVARY (FR, Claude Chabrol, 1991); MACBETH (US, Orson Welles, 1948); M (G, Fritz Lang, 1931); LOVE PARADE, THE (US, Ernst Lubitsch, 1929); LIMELIGHT (US, Charles Chaplin, 1952); LIFEBOAT (US, Alfred Hitchcock, 1944); OSTATNI ETAP (PL, Wanda Jakubowska, 1948); LADY IN THE LAKE (US, Robert Montgomery, 1946); KID, THE (US, Charles Chaplin, 1921); JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953); JAZZ SINGER, THE (US, Alan Crosland, 1927); IVAN GROZNY [IVAN THE TERRIBLE] (UR, Sergei Eisenstein, pt.1:1945, pt.2:1958[prod.1946]); IT'S A WONDERFUL LIFE (US, Frank Capra, 1946); INVISIBLE MAN, THE (US, James Whale, 1933); INTOLERANCE (US, David Wark Griffith, 1916); HUMAN DESIRE (US, Fritz Lang, 1954); HOUSING PROBLEMS (UK, Edgar Anstey & Arthur Elton, 1935); HOTEL DES INVALIDES (FR, Georges Franju, 1952); HIGH NOON (US, Fred Zinnemann, 1952); HENRY V (UK, Laurence Olivier, 1944); HEIRESS, THE (US, William Wyler, 1949); HATFUL OF RAIN, A (US, Fred Zinnemann, 1957); HAMLET (UK, Laurence Olivier, 1948); HALLELUJAH! (US, King Vidor, 1929); GREED (US, Erich von Stroheim, 1925); GREAT EXPECTATIONS (UK, David Lean, 1946); GRAPES OF WRATH, THE (US, John Ford, 1940); GRANDE ILLUSION, LA (FR, Jean Renoir, 1937); GOLD RUSH, THE (US, Charles Chaplin, 1925); ORO DI NAPOLI, L' (IT, Vittorio De Sica, 1954); GOLD OF NAPLES (IT, Vittorio De Sica, 1954); GLASS MENAGERIE, THE (US, Irving Rapper, 1950); VORMITTAGSSPUK (G, Hans Richter, 1928); GHOST GOES WEST, THE (UK, Rene Clair, 1935); GHOST AND MRS. MUIR, THE (US, Joseph L. Mankiewicz, 1947); GERVAISE (FR, Rene Clement, 1956); JIGOKUMON (JA, Teinosuke kinugasa, 1953); FURY (US, Fritz Lang, 1936); FOUR HORSEMEN OF THE APOCALYPSE, THE (US, Vincente Minnelli, 1962); FARREBIQUE (FR, Georges Rouquier, 1945); FANTASIA (US, Walt Disney, 1940); ZEMLJA (UR, Alexksandr Dovzenko, 1930); JOURNAL D'UN CURE DE CAMPAGNE (FR, Robert Bresson, 1951); DESTRY RIDES AGAIN (US, George Marshall, 1939); MUDE TOD, DER (G, Fritz Lang, 1921); DEATH OF A SALESMAN (US, Laslo Benedek, 1951); DEAD OF NIGHT (UK, Alberto Cavalcanti & Charles Crichton & Basil Dearden & Robert Hamer, 1945); CONDAMNE A MORT S`EST ECHAPPE, UN (FR, Robert Bresson, 1956); CITY LIGHTS (US, Charles Chaplin, 1931); CITIZEN KANE (US, Orson Welles, 1941); CINDERELLA (US, Wilfred Jackson & Hamilton Laske & Clyde Geronomi, 1950); CHIEN ANDALOU, UN (FR, Luis Bunuel, 1928); BROKEN BLOSSOMS (US, David Wark Griffith, 1919); BROADWAY MELODY OF 1938 (US, Norman Taurog, 1940); BRIEF ENCOUNTER (UK, David Lean, 1945); BOOMERANG (US, Elia Kazan, 1947); SANG D'UN POETE, LE (FR, Jean Cocteau, 1932); BLACKMAIL (UK, Alfred Hitchcock, 1929); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); BEZZERIDES, A.I.; BEN HUR (US, Fred Niblo, 1925); BAMBI (US, David Hand, 1942); BALLET MECANIQUE, LE (FR, Fernand Leger, 1924); BACK STREET (US, John M. Stahl, 1932); ATALANTE, L' (FR, Jean Vigo, 1934); A PROPOS DE NICE (FR, Jean Vigo, 1930); APARAJITO (II, Satyajit Ray, 1957); ANNA CHRISTIE (US, Clarence Brown, 1930); ANATOMY OF A MURDER (US, Otto Preminger, 1959); AMERICAN TRAGEDY, AN (Josef von Sternberg, 1931); ALEKSANDR NEVSKI (UR, Sergei M. Eisenstein, 1938); BROADWAY MELODY, THE (US, Harry Beaumont, 1929); LETZIE MANN, DER (G, Friedrich Wilhelm Murnau, 1924)
Notes: Frist published 1960; Previously published as: Nature of films. England : Dobson ;1965; Includes bilbiograpy: p. 351-364; Includes index
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Author: Richie, Donald
PhysDes: Article
Subject: IMAMURA SHOHEI; OZU YASUJIRO; AKAI SATSUI (JA, Shohei Imamura, 1964); MURDEROUS INSTINCTS (JA, Shohei Imamura, 1964); UNHOLY DESIRE (JA, Shohei Imamura, 1964); TOKYO STORY (JA, Yasujiro Ozu, 1953); TOKYO MONOGATARI (JA, Yasujiro Ozu, 1953)
Summary: Explores bibliographic aspects of director Shohei Imamura, noting that Imamura presents an alternative vision of Japanese culture which is typically represented as still, serene, civilised and rigidly hierarchical. Donald Richie instead frames Imamura's films like "Akai Satsui" within a Japan not bound by rules of decorum and order. Richie also comments on how Imamura worked as assistant director to Yasujiro Ozu for a number of films, including "Tokyo Story", then comparing and contrasting between Imamura and Ozu's filmic style
Notes: "Akai Satsui" is also known by the English titles of "Unholy Desire", "Intentions of Murder", and "Murderous Instincts"
ID2: 291

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: VALLEY OF DESIRE (AT, Robert Herbert, 1989)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 6 photographs : b&w ; 13 x 18 - 18 x 26 ; 2 photographs : col. ; 10 x 15 cm
Subject: VALLEY OF DESIRE (AT, Robert Herbert, 1989)
Summary: 6 black and white and 2 colour photographs of scenes from the film.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: VISAGES DE FEMMES (IV, Desire Ecare, 1985)