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81 results out of 81

personality clippings file		Call No: PERSONALITY CLIPPINGS FILE PhysDes: Clippings Subject: WATERS, LAURA More info
Online resource digital clippings file		ALL THE BEAUTY AND THE BLOODSHED : (US, Laura Poitras, 2022) Digital clippings file available Call No: DIGITAL CLIPPINGS FILE PhysDes: Clippings Subject: ALL THE BEAUTY AND THE BLOODSHED (US, Laura Poitras, 2022) More info
book		America's favorite movies : behind the scenes / Rudy Behlmer New York: F. Ungar Pub. Co., c1982. Call No: 71(73) BEH Author: Behlmer, Rudy, Place: New York Publisher: F. Ungar Pub. Co. PubDate: c1982 PhysDes: xix, 324 p. : ill. ; 24 cm Subject: USA; FRANKENSTEIN (US, James Whale, 1931); LOST HORIZON (US, Frank Capra, 1937); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937); ADVENTURES OF ROBIN HOOD, THE (US, Michael Curtiz & William Keighley, 1938); GRAPES OF WRATH, THE (US, John Ford, 1940); STAGECOACH (US, John Ford, 1939); MALTESE FALCON, THE (US, John Huston, 1941); CASABLANCA (US, Michael Curtiz, 1942); LAURA (US, Otto Preminger, 1944); ALL ABOUT EVE (US, Joseph L. Mankiewicz, 1950); STREETCAR NAMED DESIRE, A (US, Elia Kazan, 1951); AFRICAN QUEEN, THE (US, John Huston, 1952); SINGIN' IN THE RAIN (US, Gene Kelly & Stanley Donen, 1952); HIGH NOON (US, Fred Zinnemann, 1952); GUNGA DIN (US, George Stevens, 1939) Notes: Includes bibliographies and index ISBN: 080442036X; 0804460345 (pbk.) LON: 2175280 More info
book		American horrors : essays on the modern American horror film / edited by Gregory A. Waller Urbana: University of Illinois Press, c1987. Call No: 735.2 WAL Author: Waller, Gregory A. (Gregory Albert), 1950 Place: Urbana Publisher: University of Illinois Press PubDate: c1987 PhysDes: 228 p., [10] p. of plates : ill. ; 23 cm Subject: HORROR FILMS. USA; DE PALMA, BRIAN; POLANSKI, ROMAN; HALLOWEEN (US, John Carpenter, 1978); HELL NIGHT (US, Thomas De Simone, 1981); HOWLING, THE (CN, Joe Dante, 1981); REPULSION (UK, Roman Polanski, 1965); LOCATAIRE, LE (FR, Roman Polanski, 1976); NIGHT OF THE LIVING DEAD (US, George A. Romero, 1968); ROSEMARY'S BABY (US, Roman Polanski, 1968); EXORCIST, THE (US, William Friedkin, 1973); EYES OF LAURA MARS (US, Irvin Kershner, 1978); EYES OF A STRANGER (US, Ken Wiederhorn, 1981); DRESSED TO KILL (US, Brian De Palma, 1980); FRIDAY THE 13TH [...] (US, 1980-) Notes: Includes index; Filmography: p. [195]-205; Bibliography: p. [206]-219 ISBN: 0252014480 (pbk. : alk. paper); 0252014472 (hard : alk. paper) LON: 5194657 More info
title clippings file		AMY : (UK, Laura Mulvey & Peter Wollen, 1980) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings; Stills Subject: AMY! (UK, Laura Mulvey & Peter Wollen, 1980) More info
title clippings file		AZUL : (US, Roland Legiardi-Laura, 1988) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: AZUL (US, Roland Legiardi-Laura, 1988) More info
title clippings file		BAD SISTER, THE : (UK, Laura Mulvey & Peter Wollen, 1983) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: BAD SISTER, THE (UK, Laura Mulvey & Peter Wollen, 1983) More info
title clippings file		BARRAGE : (LU/BE/FR, Laura Schroede, 2017) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: BARRAGE (LU/BE/FR, Laura Schroede, 2017) More info
personality clippings file		BIRN, LAURA Call No: PERSONALITY CLIPPINGS FILE PhysDes: Clippings Subject: BIRN, LAURA More info
book		Breaking the glass armor : neoformalist film analysis / Kristin Thompson Princeton, N.J.: Princeton University Press, 1988. Call No: 623.75 THO Author: Thompson, Kristin, 1950 Place: Princeton, N.J. Publisher: Princeton University Press PubDate: 1988 PhysDes: x, 361 p., [41] p. of plates : ill. (some col.) ; 25 cm Subject: FORMALISM; REALISM IN FILMS; TERROR BY NIGHT (US, Roy William Neill, 1946); VACANCES DE M. HULOT, LES (FR, Jacques Tati, 1953); TOUT VA BIEN (FR/IT, Jean-Luc Godard & Jean-Pierre Gorin, 1972); STAGE FRIGHT (UK, Alfred Hitchcock, 1950); LAURA (US, Otto Preminger, 1944); LADRI DI BICICLETTE (IT, Vittorio De Sica, 1949); REGLE DU JEU, LA (FR, Jean Renoir, 1939); PLAYTIME (FR, Jacques Tati, 1967); SAUVE QUI PEUT (LA VIE) (FR/SZ, Jean-Luc Godard, 1980); LANCELOT DU LAC (FR/IT, Robert Bresson, 1974); BANSHU (JA, Ozu Yasujiro, 1949) Notes: Includes bibliographical references and index ISBN: 0691067244 (alk. paper) LON: 5669174 ID2: 291 More info
personality clippings file		BRENT, LAURA Call No: PERSONALITY CLIPPINGS FILE PhysDes: Clippings Subject: BRENT, LAURA More info
personality microfilm collection		CAMPBELL, LAURA Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION PhysDes: Clippings Subject: CAMPBELL, LAURA More info
title clippings file		I CAN MAKE YOU LOVE ME: THE STALKING OF LAURA BLACK : (US, Michael Switzer, 1993) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: I CAN MAKE YOU LOVE ME: THE STALKING OF LAURA BLACK (US, Michael Switzer, 1993) More info
book		Cinema and cultural modernity / Gill Branston Philadelphia: Open University Press, 2000. Call No: 62 BRA Author: Branston, Gill Source: US Place: Philadelphia Publisher: Open University Press PubDate: 2000 PhysDes: p. cm Series: Issues in cultural and media studies Subject: POPULAR CULTURE AND THE CINEMA; MODERNISM AND THE CINEMA; AUTHORSHIP; STAR SYSTEM; AUDIENCES; GLOBALISATION; CAPITALISM AND THE CINEMA; CLASS AND THE CINEMA; WALT DISNEY PRODUCTIONS; CULTURE AND THE CINEMA; INTERNET AND THE CINEMA; PERCEPTION; NARRATIVE IN FILMS; GENDER AND THE CINEMA; TYPE CHARACTERS IN FILMS; STUDIO SYSTEM; GAZE IN FILMS; CONSUMERISM AND THE CINEMA; MULVEY, LAURA; THELMA & LOUISE (US, Ridley Scott, 1991) Summary: "Cinema and Cultural Modernity carves a path through the complex histories and issues of film and cinema studies and vividly explores these in their social and political contexts. It focuses on selected topics such as Hollywood's histories and how authorship, stardom and globalized blockbuster cinema, its pleasures and disappointments, might be thought out. Gill Branston outlines the need for cinema study that is both sensitive to the formal 'textiness' of films, but also less anxious about arguing for its position within broad agendas of representation. She shows how such debates and histories might connect both the very real pleasures of 'consuming' cinema with the need for a critical politics to address the persistent social and cultural inequalities of modernity." -- BOOK COVER Notes: Includes bibliographical references and index ISBN: 033520077X (HB); 0335200761 (PB) LON: 21519736 More info
Online resource digital clippings file		CITIZENFOUR : (US/UK/GG, Laura Poitras, 2014) Digital clippings file available Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE PhysDes: Clippings; Press kit Subject: CITIZENFOUR (US/UK/GG, Laura Poitras, 2014) URL status: URL: 'http://file://Q:/T/CITIZEN_FOUR.zip' Checked: 31/08/2021 1:32:00 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest) More info
Online resource digital clippings file		CITY OF GOLD : (US, Laura Gabbert, 2015) Digital clippings file available Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE PhysDes: Clippings; Press kit Subject: CITY OF GOLD (US, Laura Gabbert, 2015) URL status: URL: 'http://file://Q:/T/CITY_OF_GOLD.zip' Checked: 31/08/2021 1:42:00 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest) More info
book		Contemporary cinema / John Orr Edinburgh: Edinburgh University Press, c1998. Call No: 62 ORR Author: Orr, John, 1943 Place: Edinburgh Publisher: Edinburgh University Press PubDate: c1998 PhysDes: xi,243 p. : ill. ; 24 cm Subject: CANADA; CITY OF SADNESS, A [; MASCULINITY IN FILMS; RELIGION AND THE CINEMA; COMMUNISM AND THE CINEMA; DOUBLES IN FILMS; EXPRESSIONISM; FILM NOIR; POLAND; PSYCHOLOGY AND THE CINEMA; SEX IN FILMS; SURREALISM AND THE CINEMA; ALLEN, WOODY; ALTMAN, ROBERT; ANTONIONI, MICHELANGELO; BEATTY, WARREN; BELMONDO, JEAN-PAUL; BERGMAN, INGMAR; BINOCHE, JULIETTE; BONNAIRE, SANDRINE; BURTON, TIM; CAGE, NICOLAS; CAMPION, JANE; CHABROL, CLAUDE; CHEUNG, LESLIE; COPPOLA, FRANCIS FORD; COSTNER, KEVIN; CRONENBERG, DAVID; DAHL, JOHN; DE NIRO, ROBERT; DE PALMA, BRIAN; DERN, LAURA; EGOYAN, ATOM; FIGGIS, MIKE; GERE, RICHARD; GONG, LI; GREENAWAY, PETER; HAUER, RUTGER; JAMESON, FREDRIC; KIESLOWSKI, KRZYSZTOF; LYNCH, DAVID; MALICK, TERRENCE; Pasolini, Pier Paolo; ROSSELLINI, ISABELLA; SCORSESE, MARTIN; SCOTT, RIDLEY; STONE, OLIVER; TRAN, ANH HUNG; WEIR, PETER; Wenders, Wim; WONG KAR-WAI; YOUNG, SEAN; ZHANG, YIMOU; ANDERSSON, BIBI; AUDRAN, STEPHANE; DUVALL, SHELLY; GIDLEY, PAMELA; JANDA, KRYSTYNA; KANESHIRO, TANESHI; LEUNG, TONY; LIN, BRIGITTE; KROTKI FILM O MILOSCI (PL, Krzysztof Kieslowski, 1988); KILL ME AGAIN (US, John Dahl, 1989); DAYS OF BEING WILD [AH FEI ZHENG ZHUANG] (HK, Wong Kar-Wei, 1991); WINGS OF DESIRE [HIMMEL UBER BERLIN, DER] (GW/FR, Wim Wenders, 1987); ADJUSTER, THE (CN, Atom Egoyan, 1991); BELLE NOISEUSE, LA (FR, Jacques Rivette, 1991); BLADE RUNNER (US, Ridley Scott, 1982); BLOWUP (UK/IT, Michelangelo Antonioni, 1966); CHINATOWN (US, Roman Polanski, 1974); COOK, THE THIEF, HIS WIFE & HER LOVER, THE (NE/FR, Peter Greenaway, 1989); DAYS OF HEAVEN (US, Terrence Malick, 1978); JFK (US, Oliver Stone, 1991); LAST SEDUCTION, THE (US, John Dahl, 1994); LIEBESTRAUM (US, Mike Figgis, 1991); MCCABE AND MRS MILLER (US, Robert Altman, 1971); CZLOWIEK Z MARMURA (PL, Andrzej Wajda, 1977); ONE FALSE MOVE (US, Carl Franklin, 1991); PERSONA (SW, Ingmar Bergman, 1966); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); RAGING BULL (US, Martin Scorsese, 1980); DAHONG DENGLONG GAOGAO GUA (CC/HK/TZ, Zhang Yimou, 1991); DESERTO ROSSO, IL (IT/FR, Michelangelo Antonioni, 1964); SHINING, THE (UK, Stanley Kubrick, 1980); STALKER (UR, Andrei Tarkovsky, 1979); TROIS COULEURS: BLEU (FR, Krzysztof Kieslowski, 1993); TWIN PEAKS: FIRE WALK WITH ME (US, David Lynch, 1992); WILD AT HEART (US, David Lynch, 1990); CYCLO [XICH LO] (FR/V, Tran Anh Hung, 1995) Summary: "'Contemporary cinema' is a major study of key developments in the cinema over the last thirty years. It reworks Pasolini's landmark concept of 'the cinema of poetry' to look at the transformation of film form in its encounter with society, the sacred, the subjective and the presence of the camera. In the 1970s, the influential forms of a cinema of poetry are analysed in key features by Altman, Herzog, Malick, Scorsese, Weir, Von Trotta and Tarkovsky while in the 1980s and 1990s the emergence of new filmmakers has meant a diffusion of different cinemas of poetry using new techniques and new poetries. Of key importance here is the work of Kieslowski, Lynch, Egoyan, Campion, Greenaway, Zhang Yimou, Tran Anh Hung and Wong Kar-Wai, as well as the reinvention of science fiction and film noir in American genre." Taken from back cover. Notes: Includes bibliographical references and index ISBN: 0748608362(pbk.) : No price LON: 13772409 ID2: 291 More info
book		Cracks in the pedestal : ideology and gender in Hollywood / Philip Green Amherst: University of Massachusetts Press, c1998. Call No: 626:396 GRE Author: Green, Philip, 1932 Place: Amherst Publisher: University of Massachusetts Press PubDate: c1998 PhysDes: viii, 262 p. : ill. ; 25 cm Subject: GENDER AND THE CINEMA. USA; FEMINISM AND THE CINEMA. USA; FILM NOIR. USA; CREED, BARBARA; MULVEY, LAURA; STONE, SHARON; ALIENS (US, James Cameron, 1986); BASIC INSTINCT (US, Paul Verhoeven, 1992); FATAL ATTRACTION (US, Adrian Lyne, 1987); FURNESS, DEBORRA-LEE; GILDA (US, Charles Vidor, 1946); IMPULSE (US, Sandra Locke, 1990); LAST SEDUCTION, THE (US, John Dahl, 1994); MS 45 (US, Abel Ferrara, 1981); NORMA RAE (US, Martin Ritt, 1979); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); RIVER WILD, THE (US, Curtis Hanson, 1994); SHAME (AT, Steve Jodrell, 1988); SHAME [TV] (US, 1992); SWEET SWEETBACK'S BAADASSSSS SONG (US, Melvin Van Peebles, 1971); THELMA & LOUISE (US, Ridley Scott, 1991); VANISHING, THE (US, George Sluizer, 1993); SPOORLOOS (NE/FR, George Sluizer, 1988) Summary: Distinguishing his own neo-Marxist approach from that of other media scholars, Philip Green pursues two interrelated themes. In the first part of the book, he looks at the strategies Hollywood has employed to deflect or absorb the ideological challenges posed by the feminist critique of contemporary American society. He demonstrates the ways in which mainstream movies and television programs, no matter how unconventional or "subversive" they may appear, produce and reproduce familiar images of sexuality and gender identity. In the second part, Green highlights instances in which reproduction of the dominant ideology is less successful by examining several recent cinematic genres - the female action movie, the rape-revenge cycle, and the new film noir - that portray the real ambiguities of a social order in upheaval; As a male consumer of the cultural commodities being discussed, the author offers a perspective on American films and television different from that of most other feminist critics Notes: Includes bibliographical references (p. [213]-248) and index ISBN: 1558491198 (cloth : alk. paper); 1558491201 (pbk. : alk. paper) LON: 13262384 ID2: 290 More info
book		A critical cinema 2 : interviews with independent filmmakers / Scott MacDonald Berkeley London: University of California Press, 1992. Call No: 802.25 MAC Author: MacDonald, Scott, 1942 Place: Berkeley London Publisher: University of California Press PubDate: 1992 PhysDes: x, 462 p. : ill., ports ; 24cm Subject: BREER, ROBERT; SNOW, MICHAEL; MEKAS, JONAS; BAILLIE, BRUCE; ONO, YOKO; BENNING, JAMES; BORDEN, LIZZIE; MCELWEE, ROSS; FRIEDRICH, SU; MULVEY, LAURA; RAINER, YVONNE; TRINH, T. MINH-HA; REGGIO, GODFREY; WATKINS, PETER; MCCALL, ANTHONY; NOREN, ANDREW; ROBERTSON, ANNE; SEVERSON, ANNE Notes: Bibliography: p437-447. -List of films: p423-435. -Includes index ISBN: 0520079175 (cased) : No price; 0520079183 (pbk) : No price; 0520058011 (pbk); 0520058003 (cased) LON: 9965582 More info
title clippings file		CRYSTAL GAZING : (UK, Laura Mulvey and Peter Wollen, 1982) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings; Publicity; Stills Subject: CRYSTAL GAZING (UK, Laura Mulvey and Peter Wollen, 1982) More info
Online resource digital clippings file		DERN, LAURA Digital clippings file available Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION; DIGITAL CLIPPINGS FILE PhysDes: Clippings Subject: DERN, LAURA More info
book		Dirty looks : women, pornography, power / edited by Pamela Church Gibson and Roma Gibson London: BFI Pub., 1993. Call No: 749.2 DIR Author: Church Gibson, Pamela; Gibson, Roma Place: London Publisher: BFI Pub. PubDate: 1993 PhysDes: x, 238 p. : ill. ; 24 cm Subject: PORNOGRAPHY AND THE CINEMA; CENSORSHIP. AUSTRALIA; EROTIC FILMS; EROTIC FILMS. ASIA; EROTICISM IN FILMS; GORDON, BETTE; KAY, KARYN; KIPNIS, LAURA; Sprinkle, Annie Notes: Includes bibliographical references and index ISBN: 0851704034; 0851704042 (pbk.) LON: 10014448 More info
title clippings file		DOLARES DE ARENA : (DR/MX/AG, Israel Cárdenas & Laura Amelia Guzmán, 2014) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: SAND DOLLARS [DOLARES DE ARENA] (DR/MX/AG, Israel Cárdenas & Laura Amelia Guzmán, 2014) More info
Online resource digital clippings file		DON'T BLINK - ROBERT FRANK : (CN/FR/US, Laura Israel, 2015) Digital clippings file available Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE PhysDes: Clippings; Press kit Subject: DON'T BLINK - ROBERT FRANK (CN/FR/US, Laura Israel, 2015) URL status: URL: 'http://file://Q:/T/DON'T_BLINK.zip' Checked: 31/08/2021 1:49:07 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest) More info
book		Essays on the essay film / edited by Nora M. Alter; Timothy Corrigan Chichester, U.K.: Columbia University Press, 2017. Call No: 632.22 ESS Author: Alter, Nora M.; Corrigan, Timothy Place: New York; Chichester, U.K. Publisher: Columbia University Press PubDate: 2017 PhysDes: ix,372 : illus. ; 23 cm Series: Film and culture series Subject: DOCUMENTARY FILMS; RICHTER, HANS; ASTRUC, ALEXANDRE; MARKER, CHRIS; VERTOV, DZIGA; GODARD, JEAN-LUC; GORIN, JEAN-PIERRE; MULVEY, LAURA; JULIEN, ISAAC Summary: The essay—with its emphasis on the provisional and explorative rather than on definitive statements—has evolved from its literary beginnings and is now found in all mediums, including film. Today, the essay film is, arguably, one of the most widely acclaimed and critically discussed forms of filmmaking around the world, with practitioners such as Chris Marker, Hito Steyerl, Errol Morris, Trinh T. Minh-ha, and Rithy Panh. Characteristics of the essay film include the blending of fact and fiction, the mixing of art- and documentary-film styles, the foregrounding of subjective points of view, a concentration on public life, a tension between acoustic and visual discourses, and a dialogic encounter with audiences. This anthology of fundamental statements on the essay film offers a range of crucial historical and philosophical perspectives. It provides early critical articulations of the essay film as it evolved through the 1950s and 1960s, key contemporary scholarly essays, and a selection of writings by essay filmmakers. It features texts on the foundations of the essay film by writers such as Hans Richter and André Bazin; contemporary positions by, among others, Phillip Lopate and Michael Renov; and original essays by filmmakers themselves, including Laura Mulvey and Isaac Julien. -- publishers' web site ISBN: 9780231172677 Contents: Introduction, by Nora M. Alter and Timothy Corrigan Part I. Foundations 1. "On the Nature and Form of the Essay," by Georg Lukács 2. The Man Without Qualities, by Robert Musil 3. "On the Essay and Its Prose," by Max Bense 4. "The Essay as Form," by Theodor W. Adorno 5. "Preface to The Collected Essays of Aldous Huxley," by Aldous Huxley Part II. The Essay Film Through History 6. "The Film Essay: A New Type of Documentary Film," by Hans Richter 7. "The Future of Cinema," by Alexandre Astruc 8. "Bazin on Marker," by André Bazin Part III. Contemporary Positions 9. "In Search of the Centaur: The Essay-Film," by Phillip Lopate 10. "The Political Im/Perceptible in the Essay Film: Farocki's Images of the World and the Inscription of War," by Nora M. Alter 11. "Essay Questions," by Paul Arthur 12. "The Electronic Essay," by Michael Renov 13. "The Essay Film: Problems, Definitions, Textual Commitments," by Laura Rascaroli 14. "Of the History of the Essay Film: Vertov, to Varda," by Timothy Corrigan 15. "The Cinema and the Essay as a Way of Thinking," by Raymond Bellour 16. "The Essay Film: From Film Festival Favorite to Flexible Commodity Form?," by Thomas Elsaesser Part IV. Filmmakers on the Essayistic 17. "Performing Borders: Transnational Video," by Ursula Biemann 18. "Proposal for a Tussle," by Jean-Pierre Gorin 19. "The Essay as Conformism? Some Notes on Global Image Economies," by Hito Steyerl 20. "On Writing the Film Essay," by Lynne Sachs 21. "Tramp Steamer," by Ross McElwee 22. "The ABCs of the Film Essay," by Harun Farocki and Christa Blümlinger 23. "Riddles as Essay Film," by Laura Mulvey 24. "Certain Obliquenesses," by Renée Green 25. "Essay Documentary: The disembodied narrator and an unclaimed image that floats through space and time," by Rea Tajiri 26. "From Ten Thousand Waves to Lina Bo Bardi, via Kapital," by Isaac Julien Bibliography Contributors Permissions Index More info
book		Experimental filmmaking and punk : feminist audio visual culture in the 1970s and 1980s / Rachel Garfield London: Bloomsbury Academic, 2022. Call No: 771-02 GAR Author: Garfield, Rachel Edition: 2021 Place: London Publisher: Bloomsbury Academic PubDate: 2022 PhysDes: xiv, 274 pages : illustrated ; 24 cm Subject: CHILD, ABIGAIL; DICK, VIVIENNE; BENNING, SADIE; THORNTON, LESLIE; WOMEN FILMMAKERS; NIGHTCLEANERS (UK, Berwick Street Film Collective, 1975); BORN IN FLAMES (US, Lizzie Borden, 1983); RIDDLES OF THE SPHINX (UK, Laura Mulvey & Peter Wollen, 1977) Summary: Just as punk created a space for bands such as the Slits and Poly Styrene to challenge 1970s norms of femininity, through a transgressive, strident new female-ness, it also provoked experimental feminist film makers to initiate a parallel, lens-based challenge to patriarchal modes of film making. In this book, Rachel Garfield breaks new ground in exploring the rebellious, feminist punk audio-visual culture of the 1970s, tracing its roots and its legacies. In their filmmaking and their performed personae, film and video artists such as Vivienne Dick, Sandra Lahire, Betzy Bromberg, Ruth Novaczek, Sadie Benning, Leslie Thornton, Abigail Child and Anne Robinson offered a powerful, deliberately awkward alternative to hegemonic conformist femininity, creating a new “punk audio visual aesthetic”. A vital aspect of our vibrant contemporary digital audio visual culture, Garfield argues, can be traced back to the techniques and forms of these feminist pioneers, who like their musical contemporaries worked in a pre-digital, analogue modality that nevertheless influenced the emergent digital audio visual culture of the 1990s and 2000s. -- publisher's web site ISBN: 9781350293083 Contents: Introduction -- 1. Do it Yourself and the Amateur -- 2. The Last of the Modern Two - Visualizing Women, Otherness and the Cosmopolitan Punk -- 3. Feminism, Visualising the Kitchen Table and Do-It-Yourself: in Praise of the Fragment Part 1 -- 4. Kracauer Disintegration and Punk: In Praise of the Fragment Part 2 -- 5. Representation and the Inability to Situate: the Undecidability of Women's Punk -- Conclusion – Bibliography -- Index. More info
title clippings file		EYES OF LAURA MARS : (US, Irvin Kershner, 1978) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: EYES OF LAURA MARS (US, Irvin Kershner, 1978) More info
book		Feminism and film / Maggie Humm Edinburgh: Edinburgh University Press, 1997. Call No: 626:396 HUM Author: Humm, Maggie Place: Edinburgh Publisher: Edinburgh University Press PubDate: 1997 PhysDes: x, 246 p. ; 24 cm Subject: FEMINISM AND THE CINEMA; AUTEUR THEORY; ETHNIC GROUPS IN FILMS; POSTMODERNISM AND THE CINEMA; CRONENBERG, DAVID; MULVEY, LAURA; KUHN, ANNETTE; KAPLAN, E. ANN; ALTHUSSER, LOUIS; ROSE, JACQUELINE; WOOLF, VIRGINIA; DAUGHTERS OF THE DUST (US, Julie Dash, 1991); DEAD RINGERS (CN, David Cronenberg, 1988); KLUTE (US, Alan J. Pakula, 1971); ORLANDO (UK/RU/FR/NE, Sally Potter, 1992); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) ISBN: 0748609008 Order Received: 1998 LON: abn97233530; 13317515 More info
book		Feminist film theorists : Laura Mulvey, Kaja Silverman, Teresa de Lauretis, Barbara Creed / Shohini Chaudhuri London ; New York: Routledge, 2006. Call No: 626:396 CHA Author: Chaudhuri, Shohini Source: UK Place: London ; New York Publisher: Routledge PubDate: 2006 PhysDes: x, 148 p. ; 20 cm Series: Routledge critical thinkers Subject: FEMINISM AND THE CINEMA; CRITICISM; MULVEY, LAURA; CREED, BARBARA; SILVERMAN, KAJA; DE LAURETIS, TERESA Summary: "Since it began in the 1970s, feminist film theory has revolutionized the way that films and their spectators can be understood. This book focuses on the groundbreaking work of Laura Mulvey, Kaja Silverman, Teresa de Lauretis, and Barbara Creed. Each of these thinkers has opened up a new and distinctive approach to the study of film and this book provides the most detailed account so far of their ideas. It illuminates six key concepts and demonstrates their value as tools for film analysis."--BOOK JACKET. Notes: Includes bibliographical references and index. ISBN: 9780415324335 Contents: Why Mulvey, Silverman, de Lauretis, and Creed? -- 1. Beginnings -- The eternal feminine -- Psychoanalysis and feminism -- The tools of film theory -- 2. The male gaze -- Sexual politics -- Lust of the eyes -- The female spectator -- 3. The female voice -- Female confessions -- Fantasies of the maternal voice -- The 'homosexual-maternal fantasmatic' -- Female authorship -- 4. Technologies of gender -- Beyond the paradox of woman -- The technology of sex -- The technology of gender -- Rethinking women's cinema -- Desire in narrative -- 5. Queering desire -- Film and the visible -- Sexual indifference -- Lesbian fetishism -- 6. The monstrous-feminine -- The abject -- The archaic mother -- Medusa's head -- The deadly femme castratrice -- Crisis TV -- 7. Masculinity in crisis -- The dominant fiction -- Historical trauma -- The screen and the gaze -- Male masochism -- After Mulvey, Silverman, de Lauretis, and Creed. More info
journal article		The field of language in film in October (Summer 1981) iss.17 p.53-60 Author: Wollen, Peter PhysDes: Article Subject: SYMBOLIC ORDER; PATRIARCHAL DISCOURSE; SEMIOTICS; LANGUAGE AND THE CINEMA; GENDER AND THE CINEMA; WOMEN IN FILMS; AMY! (UK, Laura Mulvey & Peter Wollen, 1980); PENTHESILEA (UK, Laura Mulvey & Peter Wollen, 1974); RIDDLES OF THE SPHINX (UK, Laura Mulvey & Peter Wollen, 1977) Summary: A lengthy essay/article by Peter Wollen on semiotics and its relationship to a dominant patriarchal symbolic order within film. He explores the problematic of filmmakers attempting to counter patriarchal discourse. Wollen notes that one cinematic path is to avoid verbal language altogether and instead focus on icons, indices, images, and traces. However, Wollen rejects this option as ineffective as he places both verbal and visual language as crucial to the composition of films, in terms of both signifier and signified. Wollen also comments that in his counter-language projects with Laura Mulvey ("Amy!", "Penthesilea", and "Riddles of the Sphinx"), films where women's voices predominate in various modes, a fractured body of language has resulted More info
title clippings file		FIGLIA MIA : (IT/GG/SZ, Laura Bispuri, 2018) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: DAUGHTER OF MINE [FIGLIA MIA] (IT/GG/SZ, Laura Bispuri, 2018) More info
journal article		Film on 4 in NFT (1983) iss.Oct/Nov p.8-12 Author: Hodgson, Clive PhysDes: Article Subject: BAD SISTER, THE (UK, Laura Mulvey & Peter Wollen, 1983) Summary: review: illustrated More info
journal article		Film on campus : news and notes from New York University Institute of Film and Television in Interview (1970) vol.1 iss.8 p.5 Author: Anson, Steve PhysDes: Article Subject: ALICE (US, Laura Johnson); C/U (US, Don Cirillo) Summary: Synopsis and reviews of student films from NY University Institute of Film and Television Notes: Reviews. - illus. More info
book		Film theory : the basics / Kevin McDonald Abingdon, Oxon.: Routledge, 2016. Call No: 62 MCD Author: McDonald, Kevin Edition: 2016 Place: Abingdon, Oxon. Publisher: Routledge PubDate: 2016 PhysDes: x, 196 pages ; 21 cm Series: The Basics Subject: THEORY; ALTHUSSER, LOUIS; AVANT-GARDE FILMS; BAZIN, ANDRE; BENJAMIN, WALTER; CAHIERS DU CINEMA; COMOLLI, JEAN-LOUIS; MULVEY, LAURA; VERTOV, DZIGA; WOLLEN, PETER ISBN: 9781138797345 Donation: Adrian Miles More info
book		From Melies to new media : spectral projections / Wendy Haslem Bristol: Intellect, 2019. Call No: 701"00" HAS Author: Haslem, Wendy Edition: 2019 Place: Bristol Publisher: Intellect PubDate: 2019 PhysDes: 191 pages : illustrated ; 24 cm Subject: COMPUTER GENERATED IMAGERY; COMPUTERS AND THE CINEMA; HISTORY OF CINEMA. SILENT PERIOD; MUYBRIDGE, EADWEARD; MELIES, GEORGES; BENJAMIN, WALTER; COLOUR; EISENSTEIN, SERGEI M.; MULVEY, LAURA; GREAT TRAIN ROBBERY, THE (US, Edwin S. Porter, 1903); TRIP TO THE MOON [VOYAGE DANS LA LUNE] (FR, George Melies, 1902) Summary: From Méliès to New Media contributes to a dynamic stream of film history that is just beginning to understand that new media forms are not only indebted to but firmly embedded within the traditions and conventions of early film culture. Adopting a media archaeology, this book will present a comparative examination of cinema including early film experiments with light and contemporary music videos, silent film and their digital restorations, German Expressionist film and post-noir cinema, French Gothic film and the contemporary digital remake, Alfred Hitchcock’s films exhibited in the gallery, post medium films as abstracted light forms and interactive digital screens revising experiments in precinema. Media archaeology is an approach that uncovers the potential of intermedial research as a fluid form of history. It envisages the potential of new discoveries that foreground forgotten or marginalised contributions to history. It is also an approach that has been championed by influential new historicists like Thomas Elsaesser as providing the most vibrant and productive new histories (2014). -- publisher's web site ISBN: 9781783209897 Contents: List of Illustrations -- Acknowledgements -- Introduction: Beginnings and Ends: Historical Collusion -- Chapter 1: Cigarette Burns and Bullet Holes: Celluloid Cues in Digital Cinema -- Section I: Early Cinema: Colour and Spectrality -- Chapter 2: Applied Colour: Chromatic Frankenstein's Monsters? -- Chapter 3: The Serpentine Dance Films: 'Dream Visions That Change Ten Thousand Times a Minute' -- Section II: Luminescence, Montage and Frame Ratios -- Chapter 4: Memory and Noir: Neon Contrasts -- Chapter 5: Cutting: Shock and Endurance -- Chapter 6: Screens, Scale Ratio: Vertical Celluloid in the Digital Age -- Section III: Cinema Beyond the Frame -- Chapter 7: Hallucinatory Framing and Kaleidoscopic Vision -- Chapter 8: Ephemeral Screens: The Muybridgizer -- Bibliography -- Index More info
personality microfilm collection		GABRIEL, LAURA Call No: PERSONALITY MICROFILM COLLECTION PhysDes: Clippings Subject: GABRIEL, LAURA More info
personality clippings file		HILLENBRAND, LAURA Call No: PERSONALITY CLIPPINGS FILE PhysDes: Clippings Subject: HILLENBRAND, LAURA More info
book		Indiscretions : avant-garde film, video & feminism / Patricia Mellencamp Bloomington: Indiana University Press, c1990. Call No: 771:396 MEL Author: Mellencamp, Patricia Place: Bloomington Publisher: Indiana University Press PubDate: c1990 PhysDes: xix, 234 p. ; 24 cm Series: Theories of contemporary culture ; v. 12 Subject: AVANT-GARDE FILMS. USA; POSTMODERNISM AND THE CINEMA; FEMINISM AND THE CINEMA; CONDIT, CECELIA; DELEUZE, GILLES; GUATTARI, FELIX; FRAMPTON, HOLLIS; MULVEY, LAURA; NELSON, ROBERT; PAIK, NAM JUNE; POTTER, SALLY; RAINER, YVONNE; SNOW, MICHAEL; MAN WHO ENVIED WOMEN, THE (US, Yvonne Rainer, 1985); GOLD DIGGERS, THE (US, Sally Potter, 1983) Notes: Includes bibliographical references (p. [215]-231) and index ISBN: 0253337437 (alk. paper); 0253205875 (pbk. : alk. paper) LON: 6933865 More info
journal article		Interview with Laura Mulvey in Uncut (Winter 1982/83) iss.6 p.11-16 Author: Danino, Nina; Moy-Thomas, Lucy PhysDes: Article Subject: MULVEY, LAURA; AMY! (UK, Laura Mulvey & Peter Wollen, 1980); PENTHESILEA (UK, Laura Mulvey & Peter Wollen, 1974); RIDDLES OF THE SPHINX (UK, Laura Mulvey & Peter Wollen, 1977); CRYSTAL GAZING (UK, Laura Mulvey and Peter Wollen, 1982); BAD SISTER, THE (UK, Laura Mulvey & Peter Wollen, 1983); FRIDA KAHLO AND TINA MODOTTI (AT, Laura Mulvey / Peter Wollen, 1982) Summary: Interview with Laura Mulvey discussing the creative progression of her works with Peter Wollen. Notes: Ill. More info
title clippings file		INVENTING TOMORROW : (II/MX/US/IO, Laura Nix, 2018) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: INVENTING TOMORROW (II/MX/US/IO, Laura Nix, 2018) Notes: Simon import_20/06/19 More info
book		Jane Campion : interviews / edited by Virginia Wright Wexman Jackson: University Press of Mississippi, c1999. Call No: 81CAM JAN Author: Campion, Jane; Wexman, Virginia Wright Place: Jackson Publisher: University Press of Mississippi PubDate: c1999 PhysDes: xxvii, 216 p. : ill. ; 23 cm Series: Conversations with filmmakers series Subject: CAMPION, JANE; HUNTER, HOLLY; JONES, LAURA; KIDMAN, NICOLE; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990); PIANO, THE (AT, Jane Campion, 1993); PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996); SWEETIE (AT, Jane Campion, 1989); GIRL'S OWN STORY, A (AT, Jane Campion, 1983) Notes: Filmography: p. [xxiii]-xxvii; Includes bibliographical references (p. xx) and index ISBN: 1578060826 (cloth : alk. paper); 1578060834 (pbk. : alk. paper) LON: 14173448 More info
journal article		Jindabyne in Empire (Australian Ed.) (August 2006) iss.65 p.20 Author: Greg Bork PhysDes: Article Subject: HOWARD, JOHN; FURNESS, DEBORRA-LEE; LINNEY, LAURA; JINDABYNE (AT, Ray Lawrence, 2005) Summary: Review of Jindabyne More info
journal article		Jindabyne in Empire (Australian Ed.) (December 2006) iss.69 p.109 Author: Edwin Peters PhysDes: Article Subject: BYRNE, GABRIEL; HOWARD, JOHN; LINNEY, LAURA; JINDABYNE (AT, Ray Lawrence, 2005) Summary: D.V.D. review of Jindabyne More info
personality microfilm collection		JONES, LAURA Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION PhysDes: Clippings Subject: JONES, LAURA More info
still		[Justice : stills file] Call No: TITLE STILLS AUSTRALIA Source: AT PhysDes: 11 photographs : b&w ; 13 x 18 cm - 22 x 30 cm Subject: GRAHAM, MARCUS; ARMSTRONG, KERRY; WESTAWAY, SIMON; LONEY, MICHAEL; SHEVTSOV, GEORGE; ELLIOTT, RON; BLACK, LAURA; GRAHAM, MARCUS; ANDERS, JAMES; JUSTICE (AT, Ron Elliott, 1998) Summary: 11 photographs relating to the film Justice. More info
personality clippings file		KELLY, LAURA MICHELLE Call No: PERSONALITY CLIPPINGS FILE PhysDes: Clippings Subject: KELLY, LAURA MICHELLE More info
title clippings file		LAURA : (US, Otto Preminger, 1944) Call No: TITLE CLIPPINGS FILE PhysDes: Publicity; Clippings Subject: LAURA (US, Otto Preminger, 1944) More info
title clippings file		LAURA : (AT, Robert Luketic, 1995) Call No: TITLE CLIPPINGS FILE PhysDes: Stills; Transparency; Clippings Subject: LAURA (AT, Robert Luketic, 1995) More info
title clippings file		LAURA LANSING SLEPT HERE : (US, George Schaefer, 1988) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: LAURA LANSING SLEPT HERE (US, George Schaefer, 1988) More info
title clippings file		LAURA: LES OMBRES DE L'ETE : (FR, David Hamilton, 1980) Call No: TITLE CLIPPINGS FILE PhysDes: Press kit Subject: LAURA: LES OMBRES DE L'ETE (FR, David Hamilton, 1980) More info
Online resource digital clippings file		LINNEY, LAURA Digital clippings file available Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION; DIGITAL CLIPPINGS FILE PhysDes: Clippings Subject: LINNEY, LAURA More info
book		Looks and frictions : essays in cultural studies and film theory / Paul Willemen Bloomington London: Indiana University Press British Film Institute, 1994. Call No: 62(081) WIL Author: Willemen, Paul CorpAuthor: British Film Institute Place: Bloomington London Publisher: Indiana University Press British Film Institute PubDate: 1994 PhysDes: 263 p. ; 25 cm Subject: THIRD CINEMA; NATIONAL IDENTITY IN FILMS; NATIONAL CULTURE AND THE CINEMA; BAHTIN, MIHAIL; BRECHT, BERTOLT; FASSBINDER, RAINER WERNER; METZ, CHRISTIAN; MULVEY, LAURA; OSHIMA, NAGISA; ROCHA, GLAUBER; SIRK, DOUGLAS; OPHULS, MAX; DWOSKIN, STEPHEN; EPSTEIN, JEAN; GITAI, AMOS; KING, NOEL; SOLANAS, FERNANDO E.; TOKYO SENSO SENGO HIWA (JA, Nagisa Oshima, 1971) Notes: Includes bibliographical references and index ISBN: 0851703992 (pbk.); 0851703984 LON: 10340810 ID2: 346 URL status: URL: 'http://-' Checked: 31/08/2021 12:35:09 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest) More info
still		[Lucinda, 31 : stills file] Call No: TITLE STILLS AUSTRALIA Source: AT PhysDes: 4 photographs : b&w ; 20 x 25 cm Subject: SMITHERS, JOY; COOPER, WAYNE; TURNER, JANE; BROINOWSKI, ANNA; KENEALLY, LAURA; LAPAINE, DANIEL; ROBINSON, KEITH; LUCINDA, 31 (AT, Cherie Nowlan, 1994) Summary: Four black and white photographs from the film 'Lucinda, 31' More info
title clippings file		MAKING BISCUIT : (AT, Sharon Laura, 1987) Call No: TITLE CLIPPINGS FILE PhysDes: Publicity Subject: MAKING BISCUIT (AT, Sharon Laura, 1987) More info
title clippings file		MATAR A JESUS : (CK, Laura Mora Ortega, 2017) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: KILLING JESUS [MATAR A JESUS] (CK, Laura Mora Ortega, 2017) More info
book		More dirty looks : gender, pornography and power / edited by Pamela Church Gibson London: BFI Pub., 2004. Call No: 749.2 CHU Author: Church Gibson, Pamela CorpAuthor: British Film Institute Edition: 2nd ed Source: UK Place: London Publisher: BFI Pub. PubDate: 2004 PhysDes: 264 p. : ill. ; 24 cm Subject: PORNOGRAPHY AND THE CINEMA; CENSORSHIP. AUSTRALIA; EROTIC FILMS; EROTIC FILMS. ASIA; EROTICISM IN FILMS; GENDER AND THE CINEMA; KIPNIS, LAURA Summary: Presents feminist responses to the politics and presentation of pornography. Examines how pornography relates to the critical theory of gender identity, sexuality and issues of power and cultural identity. Asserts that the study of pornography has “immense symbolic and social significance.” First published in 1993. Notes: Includes bibliographical references, notes, index and list of illustrations. ISBN: 0 85170 939 7 LON: 10014448 More info
Online resource digital clippings file		MORIR EN SAN HILARIO [TO DIE IN SAN HILARIO] : (SP, Laura Mana, 2005) Digital clippings file available Call No: DIGITAL CLIPPINGS FILE PhysDes: Clippings Subject: TO DIE IN SAN HILARIO [MORIR EN SAN HILARIO] (SP, Laura Mana, 2005) More info
book		Multiple voices in feminist film criticism / Diane Carson,Linda Dittmar, and Janice R. Welsch, editors Minneapolis: University of Minnesota Press, 1994. Call No: 626:396 MUL Author: Carson, Diane; Dittmar, Linda, 1938; Welsch, Janice R Place: Minneapolis Publisher: University of Minnesota Press PubDate: 1994 PhysDes: ix, 547 p. : ill. ; 24 cm Subject: FEMINISM AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; WOMEN IN FILMS. MEXICO; WOMEN IN FILMS. CHINA; WOMEN IN FILMS. THIRD WORLD; WOMEN IN FILMS. CUBA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; ETHNIC GROUPS IN FILMS; BORDEN, LIZZIE; DASH, JULIE; DIETRICH, MARLENE; DOANE, MARY ANN; GARBO, GRETA; GORRIS, MARLEEN; GUY-BLACHE, ALICE; MULVEY, LAURA; TRINH, T. MINH-HA; BAHTIN, MIHAIL; ARZNER, DOROTHY; FIELD, CONNIE; CHENZIRA, AYOKA; SAYONARA (US, Joshua Logan, 1957); AWFUL TRUTH, THE (US, Leo McCarey, 1937); LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980); SWING SHIFT (US, Jonathan Demme, 1984); SUZANNE, SUZANNE (US, Camille Billops & James Hatch, 1982); RAMPARTS D'ARGILE (FR/AE, Jean-Louis Bertuccelli, 1970); SALT OF THE EARTH (US, Herbert J. Biberman, 1954); BORN IN FLAMES (US, Lizzie Borden, 1983); DRY WHITE SEASON, A (US, Euzhan Palcy, 1989); MARRYING KIND, THE (US, George Cukor, 1952); MARTY (US, Delbert Mann, 1954); MOROCCO (US, Josef von Sternberg, 1930); PILLOW TALK (US, Michael Gordon, 1959); RETRATO DE TERESA (CU, Pastor Vega, 1979); QINGCHUN JI (CC, Zhang Nuanxin, 1986); SURNAME VIET GIVEN NAME NAM (US, Trinh T. Minh-ha, 1989); BLACK FURY (US, Michael Curtiz, 1934); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982) Notes: Includes bibliographical references and index ISBN: 0816622728(acid-free paper); 0816622736 (pbk.) LON: 10052767 More info
personality clippings file		MULVEY, LAURA Call No: PERSONALITY CLIPPINGS FILE PhysDes: Clippings Subject: MULVEY, LAURA More info
book		Opening Wednesday at a theater or drive-in near you : A shadow cinema of the American '70s / Charles Taylor New York: Bloomsbury, 2017. Call No: 721.210.4(73) TAY Author: Taylor, Charles Source: US Place: New York Publisher: Bloomsbury PubDate: 2017 PhysDes: 199 pages ; 22 cm. Subject: VANISHING POINT (UK, Richard C. Sarafian, 1971); HICKEY AND BOGGS (US, Robert Culp, 1972); TWO LANE BLACKTOP (US, Monte Hellman, 1971); COFFY (US, Jack Hill, 1973); FOXX, JAMIE; ULZANA'S RAID (US, Robert Aldrich, 1972); AMERICAN HOT WAX (US, Floyd Mutrux, 1978); HARD TIMES (US, Walter Hill, 1975); CITIZEN'S BAND (US, Jonathan Demme, 1977); WINTER KILLS (US, Bill Richert, 1979); EYES OF LAURA MARS (US, Irvin Kershner, 1978); BRING ME THE HEAD OF ALFREDO GARCIA (MX/US, Sam Peckinpah, 1974) Summary: When we think of '70s cinema, we think of classics like The Godfather, Taxi Driver, and The Wild Bunch . . . but the riches found in the overlooked B movies of the time, rolled out wherever they might find an audience, unexpectedly tell an eye-opening story about post-Watergate, post-Vietnam America. Revisiting the films that don't make the Academy Award montages, Charles Taylor finds a treasury many of us have forgotten, movies that in fact "unlock the secrets of the times." Celebrated film critic Taylor pays homage to the trucker vigilantes, meat magnate pimps, blaxploitation "angel avengers," and taciturn factory workers of grungy, unartful B films such as Prime Cut, Foxy Brown, and Eyes of Laura Mars. He creates a compelling argument for what matters in moviemaking and brings a pivotal American era vividly to life in all its gritty, melancholy complexity." - Book jacket ISBN: 9781632868183 Contents: Prevues of coming attractions -- On the hoof, on the barrel: Prime Cut -- The challenger: Vanishing Point -- Farewell to the first golden era: Cisco Pike -- Bebop/ silence: Hickey & Boggs -- Shut down, volume 2: Two-land Blacktop -- A queen without a throne: Coffy and Foxy Brown -- White man's burden: Ulzana's Raid -- Aloha and good night, two by Floyd Mutrux: Aloha, Bobby and Rose and American Hot Wax -- Stranger in town: Hard Times -- E pluribus loonum: Citizens Band -- The goosing of the President: Winter Kills -- Eye of the beholders: Eyes of Laura Mars -- Even the losers: Bring Me the Head of Alfredo Garcia -- When the lights go up ID2: 343 More info
Online resource digital clippings file		OTTOLENGHI AND THE CAKES OF VERSAILLES : (US, Laura Gabbert, 2020) Digital clippings file available Call No: DIGITAL CLIPPINGS FILE PhysDes: Clippings Subject: OTTOLENGHI AND THE CAKES OF VERSAILLES (US, Laura Gabbert, 2020) More info
Online resource digital clippings file		PICCOLO CORPO [SMALL BODY] : (IT/FR/SV, Laura Samani, 2021) Digital clippings file available Call No: DIGITAL CLIPPINGS FILE PhysDes: Clippings Subject: SMALL BODY [PICCOLO CORPO] (IT/FR/SV, Laura Samani, 2021) More info
personality microfilm collection		LA PLANTE, LAURA Call No: PERSONALITY MICROFILM COLLECTION PhysDes: Clippings Subject: LA PLANTE, LAURA More info
personality clippings file		POITRAS, LAURA Call No: PERSONALITY CLIPPINGS FILE PhysDes: Clippings Subject: POITRAS, LAURA More info
book		Postmodernism and popular culture : a cultural history / John Docker Cambridge New York Melbourne: Cambridge University Press, 1994. Call No: 64POS DOC Author: Docker, John Place: Cambridge New York Melbourne Publisher: Cambridge University Press PubDate: 1994 PhysDes: xxi, 313 p. : ill., ports. ; 24 cm Subject: POSTMODERNISM AND THE CINEMA; POPULAR CULTURE AND THE CINEMA; MODERNISM AND THE CINEMA; STRUCTURALISM; MELODRAMA; SOAP OPERAS; DETECTIVE FILMS; GENRES; THEORY; BRERETON, LAURIE; FISKE, JOHN; KENNEDY, GRAHAM; MACCABE, COLIN; MULVEY, LAURA; JAMESON, FREDRIC; BAHTIN, MIHAIL; ADORNO, THEODOR W.; BENJAMIN, WALTER; DERRIDA, JACQUES; PRISONER [TV] (AT, 1979-86) Notes: Includes index; Bibliography: p. 285-306 ISBN: 0521465982 (pbk.); 052146045X LON: abn97324302; 13458960 More info
personality clippings file		PREPON, LAURA Call No: PERSONALITY CLIPPINGS FILE PhysDes: Clippings Subject: PREPON, LAURA More info
still		[Rabbit proof fence : stills file] Mirabella Productions Pty Ltd, Call No: TITLE STILLS AUSTRALIA Source: AT Publisher: Mirabella Productions Pty Ltd PhysDes: 6 transparencies : col. ; 5 x 5 cm - 7 x 6 cm Subject: SAMPI, EVERLYN; SANSBURY, TIANNA; MONAGHAN, LAURA; GULPILIL, DAVID; NOYCE, PHILLIP; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) Summary: Six colour transparencies from the film Rabbit-proof fence More info
title clippings file		RISK : (GG/US/UA/HK/UK, Laura Poitras, 2016) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: RISK (GG/US/UA/HK/UK, Laura Poitras, 2016) More info
personality microfilm collection		SAN GIACOMO, LAURA Call No: PERSONALITY MICROFILM COLLECTION PhysDes: Clippings Subject: SAN GIACOMO, LAURA More info
title clippings file		SANDCASTLES : (AT, Laura Crescenzi, 1985) Call No: TITLE CLIPPINGS FILE PhysDes: Clippings Subject: SANDCASTLES (AT, Laura Crescenzi, 1985) More info
book		Screen writings : scripts and texts by independent filmmakers / [edited by] Scott MacDonald Berkeley: University of California Press, 1995. Call No: 792 SCR Author: MacDonald, Scott, 1942 Place: Berkeley Publisher: University of California Press PubDate: 1995 PhysDes: ix, 339 p. : ill. ; 24 cm Subject: SCRIPTS; INDEPENDENT FILMS; MULVEY, LAURA; WOLLEN, PETER; SNOW, MICHAEL; TRINH, T. MINH-HA; FRIEDRICH, SU; ONO, YOKO; GREAVES, WILLIAM; BENNING, JAMES; ROSE, PETER; FISHER, MORGAN; FLEMING, ANN MARIE; RAINER, YVONNE; FRAMPTON, HOLLIS; REASSEMBLAGE (US, Trinh T. Minh-ha, 1983); NAKED SPACES (US, Trinh T. Minh-ha, 1985); PRIVILEGE (US, Yvonne Rainer, 1990); NEW SHOES : AN INTERVIEW IN EXACTLY 5 MINUTES (CN?, Ann Marie Fleming, 1990); YOU TAKE CARE NOW (CN?, Ann Marie Fleming, 1989); SYMBIOPSYCHOTAXIPLASM : TAKE ONE (US, William Greaves, 1991 [prod.1967]); ZORNS LEMMA (US, Hollis Frampton, 1970); POETIC JUSTICE (US, Hollis Frampton, 1972); GLORIA! (US, Hollis Frampton, 1979); RIDDLES OF THE SPHINX (UK, Laura Mulvey & Peter Wollen, 1977); GRAND OPERA (US, James Benning, 1979); HIM AND ME (GW, James Benning, 1982); SO IS THIS (CN, Michael Snow, 1982); PLEASURES OF THE TEXT (US, Peter Rose, 1985); SECONDARY CURRENTS (US, Peter Rose, 1983); STANDARD GAUGE (US, Morgan Fisher, 1985?); GENTLY DOWN THE STREAM (US, Su Friedrich, 1983); SINK OR SWIM (US, Su Friedrich, 1981) Notes: Includes bibliographical references (p. 337-339) ISBN: 0520080246 (cloth : alk. paper); 0520080254 (pbk. : alk. paper) LON: 9335490 More info
Interim book		Shared visions : women in television / edited by Annette Blonski, executive editor Hilary Glow Sydney: Australian Film Commission, 1999. Call No: 462-02(94)SHA Source: AT Place: Sydney Publisher: Australian Film Commission PubDate: 1999 PhysDes: 135 p. Subject: WOMEN TV WORKERS; TELEVISION. AUSTRALIA; AUSTRALIAN FILM COMMISSION; MORGAN, LEONIE; FAITHFULL, JANEEN; MARKS, LYNDAL; BROWNE, DINA; JAMES, TARNI; TATARKA, ROS; SCHENKER, VIVIAN; BARNES, PAM; CULLITON, JACQUI; PHILLIPSON, MARGOT; MCCANN, LOUISE; BOTTGER, CHERRIE; BROCKIE, JENNY; KOSTAKIDIS, MARY; JONES, VICKI; ZISKIN, LAURA; BROWN, KAREN; WONFOR, ANDREA; SPERBER, ELAINE; BLONSKI, ANNETTE; EDGAR, PATRICIA; BAKER, FIONA; PERKINS, RACHEL; CHAPMAN, JAN; CHAPMAN, PENNY; HILL, DEBRA ISBN: 0642487146 More info
journal article		Short film appraisals - November 1981 : AMY! in Filmviews (March 1982) vol.27 (1) iss.111 p.33 Author: Martin, Margaret [compiler] PhysDes: Article Subject: AMY! (UK, Laura Mulvey & Peter Wollen, 1980) Summary: Article provides a synopsis of Laura Mulvey and Peter Wollen's film "Amy!". The article then moves onto a more critical review, with adjectives like laboured, unfocused, and aimless being used. The article candidly concludes that "Amy!" may be considered Mulvey and Wollen's most accessible film to date but it is far from the most satisfying Notes: Synopsis. - review. - credits More info
book		Shot/countershot : film tradition and women's cinema / Lucy Fischer Basingstoke: Macmillan Education, 1989. Call No: 451-02 FIS Author: Fischer, Lucy Place: Basingstoke Publisher: Macmillan Education PubDate: 1989 PhysDes: xii, 348 p. : ill. ; 22 cm Subject: FEMINISM AND THE CINEMA; WOMEN, FILMS MADE BY; ROMANTIC FILMS; MUSICALS; HOMOSEXUALITY IN FILMS; MYTH AND THE CINEMA; DOUBLES IN FILMS; TWINS IN FILMS; ROSE, KATHY; GORRIS, MARLEEN; FLICKORNA (SW, Mai Zetterling, 1968); TAKE OFF (US, Gunvor Nelson, 1973); MITTEN INS HERZ (GW, Doris Dorrie, 1983); RECITAL (?, Stephanie Beroes, 1978); DANCE, GIRL, DANCE (US, Dorothy Arzner, 1940); COBRA WOMAN (US, Robert Siodmak, 1943); ANNEES 80, LES (FR/BE/SZ, Chantal Akerman, 1983); STOLEN LIFE, A (UK, Paul Czinner, 1939); DARK MIRROR, THE (US, Robert Siodmak, 1946); BAD SISTER, THE (UK, Laura Mulvey & Peter Wollen, 1983); LADY FROM SHANGHAI, THE (US, Orson Welles, 1948); RIDDLES OF THE SPHINX (UK, Laura Mulvey & Peter Wollen, 1977); DAMES (US, Ray Enright, 1934); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982); PERSONA (SW, Ingmar Bergman, 1966); LETTER FROM AN UNKNOWN WOMAN (US, Max Ophuls, 1948); SCHWESTERN, ODER DIE BALANCE DES GLUCKS (GW, Margarethe von Trotta, 1979); RICH AND FAMOUS (US, George Cukor, 1981); GIRLFRIENDS (US, Claudia Weill, 1978); SOTTO...SOTTO...STRAPAZZATO DA ANOMALA PASSIONE (IT, Lina Wertmuller, 1984); LIANNA (US, John Sayles, 1983); VIOLETTE NOZIERE (FR/CN, Claude Chabrol, 1978); MAN WHO ENVIED WOMEN, THE (US, Yvonne Rainer, 1985) Notes: Cinema films. Women directors (BNB/PRECIS); Cinema films. - Feminist viewpoints (BNB/PRECIS); Includes bibliographical references and index ISBN: 0333480600 (cased) : ¦30.00; 0333480619 (pbk.) : ¦8.95 LON: bnb33348060; 6147621 More info
book		Showboat : the story of a classic American musical / Miles Kreuger New York: Oxford University Press, 1977. Call No: 751.1 KRE Author: Kreuger, Miles Source: US Place: New York Publisher: Oxford University Press PubDate: 1977 PhysDes: x, 246 p. : ill. ; 29 cm Subject: Metro-Goldwyn-Mayer; MUSIC AND THE CINEMA; MUSICALS. USA; THEATRE AND THE CINEMA; BALLARD, LUCIEN; BROWN, JOE E.; DUNNE, IRENE; FERBER, ENDA; GARDNER, AVA; HAMMERSTEIN, OSCAR, II; KERN, JEROME; LA PLANTE, LAURA; ROBESON, PAUL; RODGERS, RICHARD; ZIEGFELD, FLORENZ; TILL THE CLOUDS ROLL BY (US, Richard Whorf, 1946); SHOWBOAT (US, Harry A. Pollard, 1929); SHOWBOAT (US, George Sidney, 1951) Notes: Discography: p. 236-239 Includes index ISBN: 0195022750 Donation: donated by the family of Wayne Levy, 2006 More info
newspaper article		Tyrants on top in The Australian (21/02/2015) p.51 Call No: TITLE CLIPPINGS FILE; CITIZENFOUR Author: McDonald, John PhysDes: Clippings File Article Subject: CITIZENFOUR (US/UK/GG, Laura Poitras, 2014) Summary: Film review More info
Online resource digital clippings file		VERGINE GIURATA [SWORN VIRGIN] : (IT/SZ/GG/AA, Laura Bispuri, 2015) Digital clippings file available Call No: DIGITAL CLIPPINGS FILE PhysDes: Press kit Subject: SWORN VIRGIN [VERGINE GIURATA] (IT/SZ/GG/AA, Laura Bispuri, 2015) Cross Reference: SWORN VIRGIN [VERGINE GIURATA] More info
book		Visual and other pleasures / Laura Mulvey Bloomington: Indiana University Press, 1989. Call No: 67(04) MUL Author: Mulvey, Laura Place: Bloomington Publisher: Indiana University Press PubDate: 1989 PhysDes: xvi, 201 p., [12] p. of plates : ill. ; 24 cm Series: Theories of representation and difference Subject: FEMINISM AND THE CINEMA; THEORY; NARRATIVE IN FILMS; EXPERIMENTAL FILMS; MELODRAMA; PERCEPTION; WOMEN IN FILMS; GODARD, JEAN-LUC; SIRK, DOUGLAS; FASSBINDER, RAINER WERNER; DUEL IN THE SUN (US, King Vidor, 1946); RIDDLES OF THE SPHINX (UK, Laura Mulvey & Peter Wollen, 1977) Notes: Includes bibliographies ISBN: 0253362261; 0253204941 (pbk.) LON: 88009627; 5820595 Contents: I. ICONOCLASM -- 1. The spectacle is vulnerable: Miss World 1970 -- 2. Fears, fantasies and the male unconsious or 'You don't know what is happening, do you Mr. Jones?' -- 3. Visual pleasure and narrative cinema -- II. MELODRAMA -- 4. Afterthoughts on 'Visual pleasure and narrative cinema' inspired by King Vidor's Duel in the sun (1946) -- 5. Notes on Sirk and melodrama -- 6. Fassbinder and Sirk -- 7. Images of women, images of sexuality: some films by J. L. Godard -- 8. Melodrama inside and outside the house -- III. ON THE MARGINS -- 9. Frida Kahlo and Tina Modotti -- IV. Avant-Garde -- 10. Film, feminism and the avant-garde -- 11. Dialogue with spectatorship: Barbara Kruger and Victor Burgin -- 12. 'Magnificent obsession': an introduction to the work of five photographers -- 13. Impending time: Mary Kelly's Corpus -- V. BOUNDARIES -- 14. Changes: thoughts on myth, narrative and historical experience -- 15. The Oedipus myth: beyond the Riddles of the Sphinx More info
personality clippings file		WHEELWRIGHT, LAURA Call No: PERSONALITY CLIPPINGS FILE PhysDes: Clippings Subject: WHEELWRIGHT, LAURA More info
personality microfilm collection		WILLIAMS, LAURA Call No: PERSONALITY MICROFILM COLLECTION PhysDes: Clippings Subject: WILLIAMS, LAURA More info
personality clippings file		ZISKIN, LAURA Call No: PERSONALITY CLIPPINGS FILE PhysDes: Clippings Subject: ZISKIN, LAURA More info

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