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Call No: 753.8VER
Author: Verrone, William
Source: UK
Place: London
Publisher: Bloomsbury academic
PubDate: 2013
PhysDes: vi, 275 p. ; 24 cm
Subject: ADAPTATIONS; AVANT-GARDE FILMS; EXPERIMENTAL FILMS; GREENAWAY, PETER; GODARD, JEAN-LUC; MADDIN, GUY; SVANKMAJER, JAN; SCORPIO RISING (US, Kenneth Anger, 1964); FRUIT OF PARADISE [OVOCE STROMU RAJSKYCH JÍME] (CS/BE, Vera Chytilova, 1970); FRUIT OF PARADISE [OVOCE STROMU RAJSKYCH JÍME] (CS/BE, Vera Chytilova, 1970); HITLER, A FILM FROM GERMANY (GW/UK/FR, Hans Jurgen Syberberg, 1977) SEE HITLER - EIN FILM AUS DEUTSCHLAND; STREET OF CROCODILES (UK, Brothers Quay, 1986); DANTE QUARTET, THE (US, Stan Brakhage, 1987); ALICE (SZ/GW/UK, Jan Svankmajor, 1988) SEE NECO Z ALENKY; ALICE [NECO Z ALENKY] (SZ/GW/UK, Jan Svankmajer, 1988); PROSPERO'S BOOKS (UK/FR, Peter Greenaway, 1991); WISCONSIN DEATH TRIP (US, James Marsh, 1999); SPECTRES OF THE SPECTRUM (US, Craig Baldwin, 1999); DRACULA: PAGES FROM A VIRGIN'S DIARY (CN, Guy Maddin, 2002)
Summary: Adaptations have occurred regularly since the beginning of cinema, but little recognition has been given to avant-garde adaptations of literary or other texts. This compelling study corrects such omissions by detailing the theory and practice of alternative adaptation practices from major avant-garde directors. Avant-Garde films are often relegated to the margins because they challenge our traditional notions of what film form and style can accomplish. Directors who choose to adapt previous material run the risk of severe critical dismay; making films that are highly subjective interpretations or representations of existing texts takes courage and foresight. An avant-garde adaptation provokes spectators by making them re-think what they know about film itself, just as much as the previous source material.Adaptation and the Avant-Garde examines films by Peter Greenaway, Jean-Luc Godard, Guy Maddin, Jan Svankmajer and many others, offering illuminating insights and making us reconsider the nature of adaptation, appropriation, borrowing, and the re-imagining of previous sources. -- extract taken from the back of the book. --
Notes: Formerly CIP. -- Includes bibliographical references and index --
ISBN: 9781441163523
Contents: -- pt. I Historical and Theoretical Background -- ch. 1 Defining the Avant-Garde Film -- ch. 2 Adaptation Theory and Practice -- ch. 3 Appropriation -- ch. 4 The Exploitative Adaptation -- ch. 5 Why Avant-Garde? -- pt. II A Chronology of Avant-Garde Film Adaptation -- ch. 6 A Brief Narrative History of Avant-Garde Film Adaptation or, Some Instances of Avant-Garde Adaptation -- pt. III Case Studies -- ch. 7 The Fall of the House of Usher -- ch. 8 Scorpio Rising -- ch. 9 Fruit of Paradise -- ch. 10 Hitler: A Film from Germany -- ch. 11 Street of Crocodiles -- ch. 12 The Dante Quartet -- ch. 13 Alice -- ch. 14 Prospero's Books -- ch. 15 Wisconsin Death Trip -- ch. 16 Spectres of the Spectrum -- ch. 17 Dracula: Pages from a Virgin's Diary --

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings; Press kit
Subject: ALICE (US, Woody Allen, 1990)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: ALICE DARLING (CN/US, Mary Nighy, 2022)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALICE ET MARTIN (FR/SP, Andre Techine, 1998)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Article
Subject: ALICE IN DEN STADTEN (GW, Wim Wenders, 1973)
URL status: URL: 'http://file://Q:/T/ALICE_IN_DEN_STADTEN.zip' Checked: 31/08/2021 12:46:18 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: ALICE IN WONDERLAND (US, Clyde Geronimi & Wilfred Jackson & Hamilton Luske & Brice Mack, 1951)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALICE IN WONDERLAND (FR/UK, Lou Bunin & Marc Maurette & Dallas Bower, 1949)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALICE IN WONDERLAND (US, Irwin Allen, 1985)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: ALICE IN WONDERLAND (US, Tim Burton, 2010)
URL status: URL: 'http://file://Q:/T/ALICE_IN_WONDERLAND.2010.zip' Checked: 31/08/2021 1:19:29 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALICE IN WONDERLAND (US, Bill Osco, 1975)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALICE NEEL (US, Andrew Neel, 2007)

Call No: SUBJECT CLIPPINGSFILE; AUSTRALIAN CENTRE FOR THE MOVING IMAGE (ACMI)
Author: Hawker, philippa
PhysDes: Clippings File_Article
Subject: AUSTRALIAN CENTRE FOR THE MOVING IMAGE [ACMI]; ALICE IN WONDERLAND (FR/UK, Lou Bunin & Marc Maurette & Dallas Bower, 1949); ALICE IN WONDERLAND (US, Tim Burton, 2010); ALICE THROUGH THE LOOKING GLASS (US, James Bobin, 2016)
Summary: Review of new "Alice" exhibition coming to ACMI discussing ongoing interpetation's of Carroll's work.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALICE'S RESTAURANT (US, Arthur Penn, 1969)

Author: Feiden, Robert
PhysDes: Article
Subject: ALICE'S RESTAURANT (US, Arthur Penn, 1969)
Notes: Review

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALICE SPRINGS - THE CHANGING HEART (AT, Michael Carroll, 1997)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALICE THROUGH THE LOOKING GLASS (US, James Bobin, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALICE TO NOWHERE [TV] (AT, John Power, 1986)

Call No: SC ALI
Author: Boutland, David
Place: AT
PubDate: c1985
PhysDes: 159 leaves ; 34 cm
Subject: ALICE TO NOWHERE [TV] (AT, John Power, 1986)
Notes: Unpublished script -- Shooting script -- Includes script running order -- Accompanied by amendments ( 6 leaves) -- A four hour television mini-series from the novel by Evan Green
Donation: Gift of Crawford Productions

Call No: SC ALI
Author: Boutland, David
Place: AT
PubDate: c1985
PhysDes: 137 leaves ; 34 cm
Subject: ALICE TO NOWHERE [TV] (AT, John Power, 1986)
Notes: Unpublished script -- Shooting script -- Includes script running order -- Accompanied by amendments (42 leaves) -- A four hour television mini-series from the novel by Evan Green
Donation: Gift of Crawford Productions

Call No: CRAWFORD PUBLICITY ALI
PhysDes: 1 folder ; 36 cm
Subject: WATERS, JOHN (AT); STORM, ESBEN; ALICE TO NOWHERE [TV] (AT, John Power, 1986)
Summary: Press clippings and publicity brochure for the mini-series Alice to Nowhere
Donation: Gift of Crawford Productions
Contents: 5 copies of a press clipping from The Sun Leisure Supplement dated January 30th 1986 -- Press cuttings from Australian newspapers and magazines from June- July 1986 (12 leaves) -- 1 publicity brochure for the mini series Alice to Nowhere

Call No: CRAWFORD EPHEMERA ALI
PhysDes: 2 envelopes ; 25 x 38 cm
Subject: ALICE TO NOWHERE [TV] (AT, John Power, 1986)
Summary: Graphic materials for the mini series Alice to Nowhere
Notes: Envelope labelled 'Cowra Bitter Labels' contains a mock up of the design for the label and a printed example of the label -- Envelope labelled 'Alice T-Shirt' contains 4 designs and notes (2 leaves)
Donation: Gift of Crawford Productions

Call No: CRAWFORD STILL ALI
Source: AT
Publisher: Crawford Productions [distributor]
PubDate: [1986?]
PhysDes: 85 photographs : b&w ; 26 x 19 cm + 53 slides : col. + 10 transparencies : col. ; 120 mm + 36 negatives : b&w ; 35 mm
Subject: JONES, ROSEY; WATERS, JOHN (AT); VAUGHAN, MARTIN; STORM, ESBEN; JACOBS, STEVE; SMITHERS, JOY; CRACKNELL, RUTH; MAGUIRE, GERARD; LUNNEY, BRENDON; ALICE TO NOWHERE [TV] (AT, John Power, 1986)
Summary: Photographs, slides and negatives relating to Alice to Nowhere
Notes: Arrangement: Images are arranged by record type (photographs with accompanying promotional sheets with descriptive captions, photographs without accompanying sheets, slides with accompanying promotional sheets, slides pertaining to publicity brochure, transparencies then negatives -- Negatives consist of 6 strips of photographic negatives -- Duplicate material held in storage
Donation: Gift of Crawford Productions

Call No: CRAWFORD STILL ALI
Source: AT
Publisher: Crawford Productions [distributor]
PhysDes: 32 transparencies : col. ; 35 mm
Subject: ALICE TO NOWHERE [TV] (AT, John Power, 1986)
Summary: Transparencies for slides relating to Alice to Nowhere
Notes: Transparencies presented as two strips -- Stored in original container
Donation: Gift of Crawford Productions

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ALICE UNDERGROUND (US, Kate Klien May, 1983)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: ANSARA, ALICE

Call No: S ARA
Author: Roberts, David; Torrens, Nick
PubDate: [1980]
PhysDes: 57 leaves
Subject: ARAFURA TO ALICE (AT, Nick Torrens, 1980)
Notes: Unpublished script

Call No: TITLE CLIPPINGS FILE in production; ALICE-MIRANDA show [TV] in production
Author: Morris, Linda
PhysDes: Clippings File Article
Subject: ALICE-MIRANDA show in production
Summary: Interview with Jacqueline Harvey who is the writer of the successful Australian children's book series ALICE-MIRANDA. The book series is in development to be adapted into a 26 part TV show to be screen on the Nine Network

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BE NATURAL: THE UNTOLD STORY OF ALICE GUY-BLACHE (US, Pamela B. Green, 2018)
Notes: Simon Strong import 9B

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BELL, ALICE

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Stills
Subject: BOB & CAROL & TED & ALICE (US, Paul Mazursky, 1969)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CAUGHT IN THE CROSSFIRE (US, Alice Ray, 1993?)

Call No: 753.131-053.2 CHI
Author: Street, Douglas
Place: New York
Publisher: F. Ungar Pub. Co.
PubDate: 1983
PhysDes: xxiv, 304 p., [16] p. of plates : ill. ; 22 cm
Series: Ungar Film Library
Subject: ADAPTATIONS; CHILDREN AND THE CINEMA; ALICE IN WONDERLAND (US, Clyde Geronimi & Wilfred Jackson & Hamilton Luske & Brice Mack, 1951); ALICE'S ADVENTURES IN WONDERLAND (UK, William Sterling, 1972); CHARLOTTE' S WEB (US, Charles A. Nichols & Iwao Takamoto, 1973); CHITTY CHITTY BANG BANG (UK, Ken Hughes, 1968); FROM THE MIXED UP FILES OF MRS. BASIL E. FRANKENWEILER (US, Fielder Cook, 1973); HERO AIN'T NOTHING BUT A SANDWICH, A (US, Ralph Nelson, 1977); HOBBIT, THE (US, Jules Bass & Arthur Rankin Jr., 1977); ISLAND OF THE BLUE DOLPHINS (US, James B. Clark, 1964); KIDNAPPED (UK, Delbert Mann, 1971); KIM (US, Victor Saville, 1950); LION, THE WITCH AND THE WARDROBE, THE (UK/US, Bill Melendez, 1979); LITTLE LORD FAUNTLEROY (UK, Jack Gold, 1981); LITTLE LORD FAUNTLEROY (US, John Cromwell, 1936); LITTLE PRINCE, THE (UK/US, Stanley Donen, 1974); LITTLE WOMEN (US, George Cukor, 1933); LITTLE WOMEN (US, Mervyn LeRoy, 1948); PINOCCHIO (US, Ben Sharpsteen & Hamilton Luske, 1940); PIPPI LANGSTRUMP (GG, Olle Hellbom, 1969); PIPPI LONGSTOCKING (GG, Olle Hellbom, 1969); RAILWAY CHILDREN, THE (UK, Lionel Jeffries, 1970); SECRET GARDEN, THE (BL, Fred M. Wilcox, 1949); SOUNDER (US, Martin Ritt, 1972); TOBY TYLER, OR TEN WEEKS WITH A CIRCUS (US, Charles Barton, 1960); TOM BROWN'S SCHOOLDAYS (UK, Gordon Parry, 1951); TREASURE ISLAND (US, Victor Fleming, 1934); TREASURE ISLAND (US, Byron Haskin, 1950); TREASURE ISLAND (US, Andrea Bianchi & Jon Hough, 1972); WATERSHIP DOWN (UK, Martin Rosen, 1978); WILLY WONKA AND THE CHOCOLATE FACTORY (US, Mel Stuart, 1971); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
Summary: "For the young and the young in heart, film versions of old favourites renew the magic of first acquaintance with these wonderful stories. Several landmark films are covered here in lively examinations of the art of successful cinematic adaptation, covering children's literature from the Victorian age to the present - from Tom Brown's Schooldays to A Hero Ain't Nothing but a Sandwich [...] This is the first book to devote itself exclusively to film adaptations of children's classics. All the writers are equally at home in children's fiction and film studies. Their essays, with one exception, were especially prepared for this volume. All together, a rewarding look at old and new favourites in literature and the movies, and at the elements that have made them lastingly successful." -- BOOK BLURB
Notes: Includes index; Filmography: p. 253-273; Bibliography: p. 280-290
ISBN: 0804428409 : $14.95; 0804468834 (pbk.) : $6.95
LON: 83014816; 2808775

Call No: 753.4 CLA
Author: Peary, Gerald; Shatzkin, Roger
Place: New York
Publisher: Ungar
PubDate: 1977
PhysDes: xii, 356 p. : ill. ; 22 cm
Series: Ungar Film Library
Subject: ADAPTATIONS; BOGDANOVICH, PETER; EISENSTEIN, SERGEI M.; ADVENTURES OF TOM SAWYER, THE (US, Norman Taurog, 1938); ALICE ADAMS (US, George Stevens, 1935); BABBITT (US, Harry Beaumont, 1924); BILLY BUDD (UK, Peter Ustinov, 1962); CARRIE (US, William Wyler, 1952); DAISY MILLER (US, Peter Bogdanovich, 1974); DODSWORTH (US, William Wyler, 1936); FAREWELL TO ARMS, A (US, Frank Borzage, 1933); GREAT GATSBY, THE (US, Elliott Nugent, 1949); GREAT GATSBY, THE (US, Jack Clayton, 1974); GREED (US, Erich von Stroheim, 1925); HEIRESS, THE (US, William Wyler, 1949); HOUSE OF SEVEN GABLES, THE (US, Joe May, 1940); I MARRIED A DOCTOR (US, Archie L. Mayo, 1936); INNOCENTS, THE (UK, Jack Clayton, 1962); LAST OF THE MOHICANS, THE (US, Maurice Tourneur, 1920); LITTLE WOMEN (US, George Cukor, 1933); LITTLE CAESAR (US, Mervyn LeRoy, 1931); LITTLE WOMEN (US, Mervyn LeRoy, 1948); MOBY DICK (UK, John Huston, 1956); PRINCE AND THE PAUPER, THE (US, William Keighley, 1937); RED BADGE OF COURAGE, THE (US, John Huston, 1951); SEA WOLF, THE (US, Michael Curtiz, 1941); SCARLET LETTER, THE (US, Victor Sjostrom, 1926); SOUND AND THE FURY, THE (US, Martin Ritt, 1959); SUN ALSO RISES, THE (US, Henry King, 1957); VIRGINIAN, THE (US, Stuart Gilmore, 1946); VIRGINIAN, THE (US, Victor Fleming, 1929); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
Summary: "Does a successfl novel make a good movie? That question and others are explored in this first comprehensive collection of essays on novel into film adaptations - from Cooper's The Last of the Mohicans (1826) to Faulkner's The Sound and the Fury (1929). Over two thirds of these essays were written expressly for this volume, the work of a new generation of literature-trained but film-oriented teachers and critics. Together they examine how novels and their film adaptations differ from one another in technique, characterisation, scope, and ideological content. To the original essays the editors have added some of the best available writings on adaptations by such critics as Stanley Kauffman and Manny Farber, plus selected commentaries from the actual participants in the process of adaptations - screenwriters and film directors." -- BOOK BLURB
Notes: Includes index; Filmography: p. 321-336; Bibliography: p. 337-344
ISBN: 0804426813 : $12.50. 0804466475 pbk. : $4.95
LON: qum00211939; 12437055 857055

Author: Blasi, Ralph
PhysDes: Article
Subject: ALLEN, DEDE; BONNIE AND CLYDE (US, Arthur Penn, 1967); AMERICA, AMERICA (US, Elia Kazan, 1963); ALICE'S RESTAURANT (US, Arthur Penn, 1969); EDITING; EDITORS
Summary: Article on film editor Dede Allen, who is currently working on ALICE'S RESTAURANT.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DISAPPEARANCE OF ALICE CREED, THE (UK, J Blakeson, 2010)

Call No: 71(4) FOR
Author: Street, Sarah; Forbes, Jill
Place: Hampshire, [Eng.] New York
Publisher: Palgrave
PubDate: 2000
PhysDes: xvi, 216 p. : ill. ; 24 cm
Subject: EUROPEAN COUNTRIES; NATIONAL CULTURE AND THE CINEMA. EUROPEAN COUNTRIES; NATIONAL IDENTITY AND THE CINEMA. EUROPEAN COUNTRIES; STUDIOS, FILM. EUROPEAN COUNTRIES; STARS. EUROPEAN COUNTRIES; GENRES. EUROPEAN COUNTRIES; BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); LODGER, THE (UK, Alfred Hitchcock, 1926); REGLE DU JEU, LA (FR, Jean Renoir, 1939); VIRIDIANA (SP/MX, Luis Bunuel, 1961); ALICE IN DEN STADTEN (GW, Wim Wenders, 1973); CARMEN (SP, Carlos Saura, 1983); GOOD MORNING BABYLON [GOOD MORNING BABILONIA] (IT/FR/US, Paol Taviani & Vittorio Taviani, 1987); VERSPRECHEN, DAS (GG/FR, Margarethe von Trotta, 1994); HAINE, LA [HATE] (FR, Mathieu Kassovitz, 1995); TRAINSPOTTING (UK, Danny Boyle, 1996)
Notes: Includes bibliographical references and indexes
ISBN: 0333752090; 0333752104 (pbk.); 0312237464; 0312237472 (pbk.)
LON: 21467101

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: FAYE, ALICE

Call No: SUBJECT CLIPPINGS FILE
PhysDes: Clippings
Subject: FESTIVALS. ALICE SPRINGS

Call No: 67(04) FIL
Author: Alpert, Hollis (ed); Sarris, Andrew (ed)
CorpAuthor: National Society of Film Critics (U.S.)
Place: Indianapolis [etc.]
Publisher: Bobbs-Merrill Co. [etc.]
PhysDes: 281 p. ; 22 cm
Subject: SECTION ANDERSON, LA (FR, Pierre Schoendoerffer, 1967); BARBARELLA (FR/IT, Roger Vadim, 1967); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967); FOR LOVE OF IVY (US, Daniel Mann, 1968); BIRTHDAY PARTY, THE (UK, William Friedkin, 1968); BULLITT (US, Peter Yates, 1968); CANDY (FR/IT/US, Christian Marquand, 1968); CHARGE OF THE LIGHT BRIGADE, THE (US, Michael Curtiz, 1936); CHINA IS NEAR [CINA E VICINA, LA] (IT, Marco Bellocchio, 1967); CARABINIERS, LES (FR/IT, Jean-Luc Godard, 1963); CHARLIE BUBBLES (UK, Albert Finney, 1967); FACE OF WAR, A (US, Eugene S. Jones, 1968); MERCENARIES, THE (UK/US, Jack Cardiff, 1968); FACES (US, John Cassavetes, 1968); FINIAN'S RAINBOW (US, Francis Ford Coppola, 1968); GREEN BERETS, THE (US, Ray Kellogg & John Wayne, 1968); VARGTIMMEN (SW, Ingmar Bergman, 1967); I LOVE YOU, ALICE B. TOKLAS! (US, Hy Averback, 1968); INSIDE NORTH VIETHAM (US, Felix Greene, 1967); JOANNA (UK, Michael Same, 1968); ODD COUPLE, THE (US, Gene Saks, 1968); OLIVER (UK, Carol Reed, 1968); PLANET OF THE APES (US, Franklin J. Schaffner, 1967); PETULIA (US, Richard Lester, 1968); PRODUCERS, THE (US, Mel Brooks, 1967); RACHEL, RACHEL (US, Paul Newman, 1968); ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968); ROSEMARY'S BABY (US, Roman Polanski, 1968); SKAMMEN (SW, Ingmar Bergman, 1968); SULT (DE/NO/SW, Henning Carlsen, 1966); TARGETS (US, Peter Bogdanovich, 1968); TELL ME LIES (UK/US, Peter Brook, 1968); THOMAS CROWN AFFAIR, THE (US, Norman Jewison, 1968); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); UP TIGHT! (US, Jules Dassin, 1968); WEEK-END (FR/IT, Jean-Luc Godard, 1968); YELLOW SUBMARINE (UK, George Dunning, 1968); YOU ARE WHAT YOU EAT (US, Barry Feinstein, 1968); TANTE ZITA (FR, Robert Enrico, 1968); SULT (DE/NO/SW, Henning Carlsen, 1966); STAR (US, Robert Wise, 1968)
Summary: Review of Films produced in the years 1968-69
Notes: Includes index
ISSN: 0071-4860 0015-1076
LON: 68019946; 894646
Contents: -- Shame / John Simon, Hollis Alpert, Wilfrid Sheed -- Weekend / Pauline Kael, Andrew Sarris -- Belle De Jour / Andrew Sarris -- Rosemary's Baby / Andrew Sarris -- 2001: A Space Odyssey / Penelope Gilliatt, Hollis Alpert, Joseph Morgenstern -- Planet Of The Apes / Philip T. Hartung -- La Chinoise / Pauline Kael, Andrew Sarris -- China Is Near / Pauline Kael, Andrew Sarris -- Up Tight / Stanley Kauffmann -- For Love Of Ivy And Dark Of The Sun / Philip T. Hartung -- The Charge Of The Light Brigade / Stanley Kauffmann, John Simon -- Les Carabiniers / Penelope Gilliatt -- A Face Of War / Richard Schickel -- Tell Me Lies, The Anderson Platoon, And Inside North Vietnam / Stanley Kauffmann -- The Green Berets / Penelope Gilliatt -- Petulia / Richard Schickel, Wilfrid Sheed -- The Thomas Crown Affair / Wilfrid Sheed, Stefan Kanfer -- Joanna / Hollis Alpert, Joseph Morgenstern -- Rachel, Rachel / Arthur Knight, Richard Schickel -- Zita / John Simon -- Faces / Andrew Sarris, Arthur Schlesinger, Jr. -- Hunger / Penelope Gilliatt -- Hour Of The Wolf / John Simon, Richard Schickel -- Charlie Bubbles / Andrew Sarris, Richard Schickel -- The Odd Couple And Others / Wilfrid Sheed -- The Producers / Arthur Schlesinger, Jr. -- I Love You, Alice B. Toklas / Arhur Knight -- Candy / Stefan Kanfer -- Barbarell / John Simon -- Yellow Submarine / Stanley Kauffmann, John Simon -- You Are What You Ear / Wilfrid Sheed -- Star! / Arthur Schlesinger, Jr. -- Finian's Rainbow / Arthur Knight -- Oliver! / Joseph Morgenstern -- The Bride Wore Black / Andrew Sarris -- Bullitt / Hollis Alpert -- Targets / Penelope Gilliatt -- Wild 90 / Hollis Alpert -- Beyond The Law / Stanley Kauffmann -- Will Penny / Arthur Knight -- Wild In The Streets / Joseph Morgenstern, Wilfrid Sheed -- Pretty Poison / Joseph Morgenstern -- First In His Pocket / Stanley Kauffmann -- Young Torless / Penelope Gilliatt -- Charly / Arthur Knight -- The Boston Strangler / Philip T. Hartung, Wilfrid Sheed -- No Way To Treat A Lady And Rod Steiger / Stefan Kanfer -- Warrendale / Joseph Morgenstern, Stanley Kauffmann -- The Fox / Pauline Kael -- The Lion In Winter / Philip T. Hartung, Arthur Schlesinger, Jr., John Simon -- Romeo And Juliet / Philip T. Hartung, John Simon -- The Killing Of Sister George / Harold Clurman -- The Birthday Party / Harold Clurman, Wilfrid Sheed, Hollis Alpert -- War And Peace / Philip T. Hartung, Stanley Kauffmann, Richard Schickel -- The Heart Is A Lonely Hunter / Richard Schickel -- The Fixer / Richard Schickel, Arthur Schlesinger, Jr. -- The Sea Gull / Arthur Schlesinger, Jr., John Simon -- The Graduate Makes Out / Hollis Alpert -- Burton And Taylor Must Go / Wilfrid Sheed -- The Student Movie-Makers / Stefan Kanfer -- The Late Show As History / Stefan Kanfer -- L'Affaire Langlois / Arthur Knight -- Oscar Wiles / Andrew Sarris

Call No: 67 (04) FIL
Source: US
Place: New York
Publisher: Simon and Schuster
PubDate: c1970
PhysDes: 286 p. ; 22 cm
Subject: INDUSTRY, FILM. USA; MUSICALS; VIETNAM WAR IN FILMS; POLITICS IN FILMS; PORNOGRAPHY AND THE CINEMA; FELLINI, FEDERICO; STREISAND, BARBRA; WAYNE, JOHN; CHE! (US, Richard Fleischer, 1969); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); Z (FR/AE, Constantin Costa-Gavras, 1969); EASY RIDER (US, Dennis Hopper, 1969); BOB & CAROL & TED & ALICE (US, Paul Mazursky, 1969); ALICE'S RESTAURANT (US, Arthur Penn, 1969); BAISERS VOLES (FR, Francois Truffaut, 1968); MIDNIGHT COWBOY (US, John Schlesinger, 1969); GOODBYE COLUMBUS (US, Larry Peerce, 1969); IF... (UK, Lindsay Anderson, 1968); THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969); PAINT YOUR WAGON (US, Joshua Logan, 1969); INTIMNI OSVETLENI (CZ, Ivan Passer, 1969); GURU, THE (US/II, James Ivory, 1968); HAR HAR DU DITT LIV (SW, Jan Troell, 1966); AKAHIGE [RED BEARD] (JA, Akira Kurosawa, 1965); PIERROT LE FOU (FR/IT, Jean-Luc Godard, 1965); CSILLAGOSOK, KATONAK (HU, Miklos Jancso, 1967); WILD BUNCH, THE (US, Sam Peckinpah, 1969); PUTNEY SWOPE (US, Robert Downey, 1969); MEDIUM COOL (US, Haskell Wexler, 1969); ANGEL LEVINE, THE (US, Jan Kadar, 1970); IN THE YEAR OF THE PIG (US, Emile de Antonio, 1968); HIGH SCHOOL (US, Frederick Wiseman, 1969); ISADORA (UK, Karel Reisz, 1968); GOODBYE MR CHIPS (UK, Herbert Ross, 1969); FEMME INFIDELE, LA (FR/IT, Claude Chabrol, 1968)
Summary: Critical reviews of films produced 1969/1970
Notes: Includes index
ISBN: 671-20608-7
Contents: I. Pick of the Litter -- Z / Pauline Kael, Arthur Schlesinger, Jr. -- Easy Rider / Joseph Morgenstern, Penelope Gillatt, Stefan Kanfer, Richard Schickel -- Bob & Carol & Ted & Alice / Hollis Alpert, Pauline Kael, Arthur Schlesinger, Jr., John Simon -- Alice's Restaurant / Robert Hatch, John Simon / If... / Arthur Schlesinger, Jr., Pauline Kael -- They Shoot Horses, Don't They? / Stefan Kanfer, John Simon -- II. Advance Obit. -- Hollywood: Myth, Fact and Trouble / Joseph Morgenstern -- The Studio by John Gregory Dunne / Stanley Kauffmann -- Paint Your Wagon / Pauline Kael -- III. Auteurisms -- Intimate Lighting / Andrew Sarris -- La Femme Infidele / Andrew Sarris -- Stolen Kisses / Joseph Morgenstern, Hollis Alpert, Robert Kotlowitz -- Here's Your Life / Stanley Kauffmann -- Pierrot Le Fou / Joseph Morgenstern -- The Red and the White / Penelope Gilliatt, Richard Schickel, John Simon -- Putney Swope / Arthur Knight, Penelope Gilliattt, Richard Schickel -- Medium Cook / John Simon, Andrew Sarris -- IV. On Location -- The Making of The Angel Levine / Robert Kotlowitz -- Fellini at Work / Hollis Alpert -- Che! / Joseph Morgenstern, Robert Hatch -- V. Documentarians -- Salesman / Harold Clurman, Joseph Morgenstern -- In the Year of the Pig / Pauline Kael -- High School / Richard Schickel -- VI. Performers and Performances -- The Loves of Isadora / Richard Schickel, Stanley Kauffmann, Stefan Kanfer, Hollis Alpert, Penelope Gilliatt -- Goodbye, Mr. Chips / Pauline Kael, Stefan Kanfe -- Superstar: The Streisand Story / Joseph Morgenstern -- John Wayne as the Last Hero / Stefan Kanfer -- VII. Skin -- I Am Curious (Yellow) / John Simon, Penelope Gilliatt, Hollis Alpert -- Coming Apart / Joseph Mergenstern, Richard Schickel

Author: Jones, Brian
PhysDes: Article
Subject: ALICE TO NOWHERE [TV] (AT, John Power, 1986)
Summary: Critcal review of "Alice To Nowhere" as an uninspired production with irredeemable plot inconsistencies, absurdities, and illogicalities. Jones concludes his review with the ascerbic comment that the formulaic film lacks everything from production quality to passion
Notes: Review. - credits. - illus.

Author: Anson, Steve
PhysDes: Article
Subject: ALICE (US, Laura Johnson); C/U (US, Don Cirillo)
Summary: Synopsis and reviews of student films from NY University Institute of Film and Television
Notes: Reviews. - illus.

Call No: 802.27 PAR
Author: Parish, James Robert
Publisher: Castle Books
PubDate: 1972
PhysDes: 722 p. : ill. ; 26 cm
Subject: ACTORS; TWENTIETH CENTURY-FOX; BARA, THEDA; GAYNOR, JANET; TEMPLE, SHIRLEY; FAYE, ALICE; YOUNG, LORETTA; HENIE, SONJA; DARNELL, LINDA; GRABLE, BETTY; TIERNEY, GENE; BAXTER, ANNE; MIRANDA, CARMEN; HAVER, JUNE; CRAIN, JEANNE; MONROE, MARILYN; NORTH, SHEREE; WELCH, RAQUEL
Summary: Biographical information and filmographies of sixteen film actresses associated with Twentieth Century Fox.
ISBN: 0870001280

Call No: 802.27 BOD
Author: Bodeen, DeWitt,
Place: South Brunswick [N.J.]
Publisher: A. S. Barnes
PubDate: c1976
PhysDes: 352 p. : ill. ; 26 cm
Subject: BARA, THEDA; FARRAR, GERALDINE; BARRYMORE, JOHN; CHANEY, LON; DANIELS, BEBE; FAIRBANKS, DOUGLAS; CLARK, MARGUERITE; LOCKWOOD, HAROLD; ALLSION, MAY; REID, WALLACE; STEWART, ANITA; TALMADGE, CONSTANCE; COSTELLO, DOLORES; BRADY, ALICE; COMPSON, BETTY; DEL RIO, DOLORES; DIX, RICHARD
Notes: Includes filmographies and index
ISBN: 0498013464 : $15.00
LON: 724351

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Stills; Clippings
Subject: GARNER, ALICE

Call No: 67 (049.32) KAE
Author: Kael, Pauline
Edition: 1st
Source: US
Place: Boston
Publisher: Little Brown & Co.
PubDate: c1968
PhysDes: xiii, 304 p. ; 22 cm.
Subject: CRITICISM; BARBARELLA (FR/IT, Roger Vadim, 1967); BIRTHDAY PARTY, THE (UK, William Friedkin, 1968); BOSTON STRANGLER, THE (US, Richard Fleischer, 1968); BROTHERHOOD, THE (US, Martin Ritt, 1968); BULLITT (US, Peter Yates, 1968); BYE BYE BRAVERMAN (US, Sidney Lumet, 1968); CANDY (FR/IT/US, Christian Marquand, 1968); CHARGE OF THE LIGHT BRIGADE, THE (US, Michael Curtiz, 1936); CHARLIE BUBBLES (UK, Albert Finney, 1967); CHINA IS NEAR [CINA E VICINA, LA] (IT, Marco Bellocchio, 1967); CHARLY (US, Ralph Nelson, 1968); CHITTY CHITTY BANG BANG (UK, Ken Hughes, 1968); FACES (US, John Cassavetes, 1968); FINIAN'S RAINBOW (US, Francis Ford Coppola, 1968); FIXER, THE (US, John Frankenheimer, 1968); FUNNY GIRL (US, William Wyler, 1968); HERE WE GO ROUND THE MULBERRY BUSH (UK, Clive Donner, 1968); ICE STATION ZEBRA (US, John Sturges, 1968); IF... (UK, Lindsay Anderson, 1968); I LOVE YOU, ALICE B. TOKLAS! (US, Hy Averback, 1968); JOANNA (UK, Michael Same, 1968); KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968); CHINOISE, LA (FR, Jean-Luc Godard, 1967); LION IN WINTER, THE (UK, Anthony Harvey, 1968); MAGUS, THE (US, Guy Green, 1968); MODEL SHOP, THE ( FR/US, Jacques Demy, 1969); NIGHT OF THE FOLLOWING DAY, THE (US, Hubert Cornfield, 1968); NIGHT THEY RAIDED MINSKY'S, THE (US, William Friedkin, 1968); NO WAY TO TREAT A LADY (US, Jack Smight, 1968); PLANET OF THE APES (US, Franklin J. Schaffner, 1967); POOR COW (UK, Kenneth Loach, 1967); PRIME OF MISS JEAN BRODIE, THE (UK, Ronald Neame, 1968); PRODUCERS, THE (US, Mel Brooks, 1967); ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968); SECRET CEREMONY (UK, Joseph Losey, 1969); SIMON DEL DESIERTO (MX, Luis Bunuel, 1965); SPLIT, THE (US, Gordon Flemyng, 1968); STALKING THE MOON (US, Robert Mulligan, 1969); BAISERS VOLES (FR, Francois Truffaut, 1968); SUBJECT WAS ROSES, THE (US, Ulu Grosbard, 1968); SWEET NOVEMBER (US, Robert Ellis Miller, 1968); THREE IN THE ATTIC (US, Richard Wilson, 1968); YELLOW SUBMARINE (UK, George Dunning, 1968); YOU ARE WHAT YOU EAT (US, Barry Feinstein, 1968)
Notes: "An Atlantic monthly press book"; "Movie reviews originally published in the New Yorker, Jan. 1968-Mar. 1969"
Donation: Donated by Senses Of Cinema, 2009
Contents: --foreword -- 1: movies by the week: first sequence p1 -- Movies as Opera , 'China is Near' p3 -- Celebrities make spectacles of themselves, 'Wild 90' p9 -- Ciphers, 'How to save a marriage- and ruin your life'/ 'Sebastian' p18 -- Intentions, 'Poor cow' p25 -- Making Lawrence more Lawrentian, 'The Fox' p29 -- Apes Must Be Remembered, Charlie, 'Planet of the Apes'/ 'Sweet November'/' Doctor Faustus' p36 -- A Great Folly, and a Small One, Mae March's death and 'Intolerance'/'Charlie Bubbles' p42 -- That Clean Old Peasant Again, 'The Two of Us'/'Bye Bye Braverman'/ 'The Good, the Bad and the Ugly' / 'A Matter of Innocence' p49 -- Business as Usual, 'We Still Kill the Old Way' / 'The Secret War of Harry Frig' p55 -- The Freedom to Make Product, '30 is a Dangerous Age, Cynthia' / 'Here We Go Round the Mulberry Bush' p59 -- O Pioneer!, 'The Producers' / 'Op the Junction' / 'A Midsummer Night's Dream' p66 -- The Old Wave, 'Benjamin '/ 'No Way to Treat a Lady' p72 -- A Minority Movie,'La Chinoise' p76 -- 2: Trash, Art, and the Movies p85 -- 3: Movies by the Week: Second Sequence p131 -- Bravo!, 'Funny girl' p132 -- Weekend in Hell, 'Weekend' p138 -- War as Vaudeville, 'The Charge of the Light Brigade' / 'Les Biches' / 'You are What You Eat' / 'Duffy' / 'Charly' p145 -- 'She Came at Me in Sections', 'Romeom and Juliet' / 'I Love You, Alice b. Toklas!' / ' Finian's Rainbow' / 'The Subject was Roses' p153 -- Cripes!, 'Star!' / 'Bullit" / 'The Boston Strangler' p161 -- A Fresh Start, 'Pretty Poison' / 'Secret Ceremony' / 'Barbarella' p168 -- Lioness in Winter, 'The Lion in Winter' p174 -- Muddling Through, 'The Shoes of the Fisherman' / 'The Split' / 'Head' p179 -- Metamorphosis of the Beatles, 'Yellow Submarine' p187 -- the Corrupt and the Primitive, 'Joanna' / 'Faces ' p193 -- The Concealed Art of Carol Reed, 'Oliver!' p200 -- Frightening the Horses, 'The Killing of Sister Geroge' / 'The Fixer' / 'The Girl on a Motorcycle' / 'A Flea in Her Ear' / 'The Magus' / 'The Birthday Party' / 'Greetings ' p206 -- A Sign of Life, 'Shame' p214 -- Big Misses, 'Ice Station Zebra' / 'Candy' / Chitty Chitty Bang Bang' p222 -- Filmed Theatre, 'the Sea Gull' p228 -- Baggy Pants, 'The Night they Raided Minsky's' / 'The Sergeant' p237 -- Son of Little Ceaser, 'The Brotherhood' p243 -- Overkill? 'The Stalking Moon' p248 -- Saintliness, 'Simon of the Desert' p254 -- The Lady from Across the Sea, 'Model Shop' p263 -- He Walks in Beauty, 'Mayerling' / 'Hell in the Pacific' p273 -- The Small Winner, 'Stolen Kisses' / 'Three in the Attic' / 'the Night of the Following Day' p273 -- SChool Days, School Days 'If...' / 'The Prime of Miss Jean Brodie' p279 -- index p289 --

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: GUY-BLACHE, ALICE

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: HAINES, ALICE

Call No: 802.25(73) KOS
Author: Koszarski, Richard
Place: New York
Publisher: Oxford University Press
PubDate: 1976
PhysDes: xx, 364 p. : ill. ; 22 cm
Subject: DIRECTORS. USA; PORTER, EDWIN S.; GUY-BLACHE, ALICE; BLACKTON, J. STUART; GRIFFITH, DAVID WARK; HART, WILLIAM S.; WEBER, LOIS; SENNETT, MACK; INCE, THOMAS HARPER; INGRAM, REX; NEILAN, MARSHALL; CHAPLIN, CHARLES; FLAHERTY, ROBERT; LLOYD, HAROLD; Keaton, Buster; DWAN, ALLAN; DEMILLE, CECIL B.; VON STROHEIM, ERICH; LANGDON, HARRY; CAPRA, FRANK; FORD, JOHN; MURNAU, FRIEDRICH WILHELM; BORZAGE, FRANK; LUBITSCH, ERNST; VIDOR, KING; ROACH, HAL; MAMOULIAN, ROUBEN; DEMILLE, WILLIAM; MILESTONE, LEWIS; CUKOR, GEORGE; VAN DYKE, W.S.; HOWARD, WILLIAM K.; TUTTLE, FRANK; SCHOEDSACK, ERNEST B.; GARNETT, TAY; CROMWELL, JOHN; OLCOTT, SIDNEY; HORNE, JAMES W.; FITZMAURICE, GEORGE; PARK, IDA MAY; TOURNEUR, MAURICE; FLOREY, ROBERT; MENZIES, WILLIAM CAMERON; VORKAPICH, SLAVKO; BRENNON, HERBERT; CAREWE, EDWIN; NIBLO, FRED; GOULDING, EDMUND; FEJOS, PAUL; BELL, MONTA
Notes: Includes index
ISBN: 0195020855 : $13.95
LON: 761206

Call No: 71(73) CAG
Author: Cagin, Seth; Dray, Philip
Edition: 1st ed
Place: New York
Publisher: Harper & Row
PubDate: c1984
PhysDes: xiv, 290 p. : ill. ; 21 cm
Series: Harper colophon books ; CN 1117
Subject: USA. 1970's; CORMAN, ROGER; KUBRICK, STANLEY; EASY RIDER (US, Dennis Hopper, 1969); ALL THE PRESIDENT'S MEN (US, Alan J. Pakula, 1976); ALICE'S RESTAURANT (US, Arthur Penn, 1969)
Notes: Filmography: p. 267-277; Includes bibliographical references and index
ISBN: 0060911174 (pbk.) : $9.95
LON: 2845313

Call No: 70"01" IMA
Author: Deutelbaum, Marshall
CorpAuthor: International Museum of Photography at George Eastman House; Image (Rochester, N.Y.)
Place: New York
Publisher: Dover Publications
PubDate: 1979
PhysDes: viii, 248 p. : ill. ; 29 cm
Subject: PRE-CINEMA HISTORY; PROJECTION; EDISON, THOMAS ALVA; LUMIERE, AUGUSTE & LOUIS; HISTORY OF CINEMA. SILENT PERIOD; DENMARK; STILLS; NIELSEN, ASTA; EDISON, THOMAS ALVA; SWEET, BLANCHE; KEYSTONE; LUBITSCH, ERNST; DEMILLE, CECIL B.; PICKFORD, MARY; BROOKS, LOUISE; PABST, GEORG WILHELM; TITLING; RIEFENSTAHL, LENI; Keaton, Buster; LLOYD, HAROLD; HOWE, W.J.; MOHR, HAL; TERRY, ALICE; NOVARRO, RAMON; ANDERSON, BRONCHO BILLY; MIX, TOM; HART, WILLIAM S.; MUYBRIDGE, EADWEARD; INCE, THOMAS HARPER; LONEDALE OPERATOR, THE (US, David Wark Griffith, 1911); WHITE ROSE, THE (US, David Wark Griffith, 1923); PAINTED LADY, THE (US, David Wark Griffith, 1912); CHAMBER MYSTERY, THE (US, Abraham S. Schomer, 1920); SMOULDERING FIRES (US, Clarence Brown, 1925); BUCHSE DER PANDORA, DIE (G, Georg Wilhelm Pabst, 1929); GREED (US, Erich von Stroheim, 1925); CROWD, THE (US, King Vidor, 1928)
Notes: "Consists substantially of articles originally published in Image between 1952 and 1977."; Includes index
ISBN: 048623777X : $8.95
LON: 1468042

Call No: 632.53 DIX
Author: Dixon, Wheeler W., 1950
Place: Albany
Publisher: State University of New York Press
PubDate: 1995
PhysDes: xv, 238 p. : ill. ; 24 cm
Series: SUNY series in postmodern culture
Subject: GAZE IN FILMS; UTOPIA IN FILMS; INTERACTIVE CINEMA; WARHOL, ANDY; BRAKHAGE, STAN; GUY-BLACHE, ALICE; VINYL (US, Andy Warhol, 1965?)
Summary: This book is a study of one of the most insidious and pervasive phenomena in the study and reception of cinema: the "returned gaze" from the screen in which the audience is actually surveilled by the film being projected on the screen. Rather than the usual process of watching a film, in those films which return the gaze of the viewer, the film looks at us, confronting our voyeur's embrace of the spectacle it presents. The book cites examples as diverse as Andy Warhol's Vinyl, Laurel and Hardy two-reel comedies, the films of Jean-Marie Straub, Jean-Luc Godard, Roberto Rossellini, and Wesley E. Barry's Creation of The Humanoids. It also discusses the history of the returned gaze in video, pornography, surveillance systems, and the related plastic arts
Notes: Includes bibliographical references (p. 203-226) and index
ISBN: 0791423409 (pbk.); 0791423395
LON: 10868713

Call No: 81 SVA JOH
Author: Johnson, Keith Leslie, 1974-, (author)
Source: US
Place: Urbana, Illinois
Publisher: University of Illinois Press
PubDate: c2017
PhysDes: xii, 191 pages : illustrations ; 21 cm
Series: Contemporary Film Directors
Subject: SVANKMAJER, JAN; ALICE [NECO Z ALENKY] (SZ/GW/UK, Jan Svankmajer, 1988); FAUST (FR/CZ/UK/GG, Jan Svankmajer, 1994); CONSPIRATORS OF PLEASURE (CS/SZ/UK, Jan Srankmajer, 1996); SURVIVING LIFE (THEORY AND PRACTICE) [PREZIT SVUJ ZIVOT (TEORIE A PRAXE)] (CZ/SO/JA, Jan Svankmajer, 2010); LAST TRICK OF MR. SCHWARCEWALLDE AND MR. EDGAR, THE [POSLEDNI TRIK PANA SCHWARCEWALLDEA A PANA EDGARA] (CS, Jan Svankmajer, 1964); ET CETERA (CS, Jan Svankmajer, 1967); OSSUARY, THE [KOSTNICE] (CS, Jan Svankmajer, 1970); HISTORIA NATURAE, SUITA (CS, Jan Svankmajer, 1967); PICKNICK MIT WEISMANN (AU, Jan Svankmajer, 1969); DIMENSIONS OF DIALOGUE [MOZNOSTI DIALOGU] (CS, Jan Svankmajer, 1983); DEATH OF STALINISM IN BOHEMIA, THE [KONEC STALINISMU V CECHACH] (CS, Jan Svankmajer, 1991); ANIMATION
Summary: "Jan Svankmajer enjoys a curious sort of anti-reputation: he is famous for being obscure. Unapologetically surrealist. Svankmajer draws on the traditions and techniques of stop-motion animation, collage, montage, puppetry, and clay to craft bizarre filmscapes.... In Johnson's view, Svankmajer implores us to reprogram our relationship with the vital matter all around us, including ourselves and our bodies." - BOOK BLURB
Notes: Includes bibliographical references (pages 177-185) and index. Includes filmography.
ISBN: 9780252083020
Donation: Senses of Cinema
Contents: Animist cinema -- humiliation, or object life -- Wunderkammer, or Creaturely Life -- Haptics, or Animal Life -- Imagination, or Political Life -- Stalinism in Bohemia -- Survival, or Ecological Life -- Interviews with Jan S vankmajer.

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: KEOHAVONG, ALICE

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HAPPY AS LAZARRO [LAZARRO FELICE] (IT/SZ/FR/GG, Alice Rohrwacher, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HAPPY AS LAZARRO [LAZARRO FELICE] (IT/SZ/FR/GG, Alice Rohrwacher, 2018)
Notes: Simon import_04/07/19

Call No: 62 BUR
Author: Burch, Noe¨l; Brewster, Ben
Source: US
Place: Berkeley
Publisher: University of California Press
PubDate: 1990
PhysDes: 317 pages : illustrations ; 23 cm
Subject: THEORY; BURCH, NOEL; HISTORY OF CINEMA. SILENT PERIOD; BIOGRAPH; LUMIERE, LOUIS; DEMILLE, CECIL B.; DREYER, CARL TH.; DOCUMENTARIES; DICKSON, W. K. L.; EDISON, THOMAS ALVA; GANCE, ABEL; GORKY, MAXIM; GRIFFITH, DAVID WARK; GUY-BLACHE, ALICE; HEPWORTH, CECIL; PATHE; PORTER, EDWIN S.; VITAGRAPH; ZECCA, FERDINAND
Summary: "Noel Burch's new book is a critique of the assumptions underlying 'classical' approaches to film history: the assumption that what we call the language of film was a natural, organic development, that it lay latent from the outset in the basic technology of the camera, waiting for the prescient pioneers to bring it into being; and the assumption that this language was a unversal, neutral medium, innocent of any social or historical meaning in itself. His major thesis is that, on the contrary, film language has a social and economic history, that it evolved in the way it did because of when and where it was constructed - in the capitalist and imperialist west between 1892 and 1929. The book examines the chronology of the emergence of what it defines as cinema's Institutional Mode of Representation and the socio-historical circumstances in which this took place. It examines the principles of visualisation - camera placement and movement, lighting, editing, mise-en-scene - that film-makers and audiences came to internalize over the first three decades. Special emphasis is laid on the all-important change that occurred in the imaginary placing of the spectator, from a position of exteriority to the film image, implicit in both film-form and viewing conditions during the primitive era (pre-1909), to the imaginary centering of the spectator-subject, completed only with the generalisation of lip-synch sound after 1929. It is the contention of this book that this imaginary centering of a sensorily isolated spectator is the keystone of the cinematic illustion of reality, still achieved today by the same means as it was sixty years ago." - taken from back cover
Notes: Revised versions of papers written 1976-1981, some of which have appeared in English and French magazines -- Includes bibliographical references (p. 274-283) and index -- Filmography: p. 284-305.
ISBN: 0520071441
Contents: Introduction -- Charles Baudelaire versus Doctor Frankenstein -- Life to Those Shadows -- The Wrong Side of the Tracks -- Those Gentlemen of the Lantern and the Parade -- Business is Business: An Invisible Audience -- Passions and Chases-A Certain Linearisation -- Building a Haptic Space -- A Primitive Mode of Representation? -- The Motionless Voyage: Constitution of The Ubiquitous Subject -- Beyond the Peephole, the Logos -- Narrative, Diegesis: Thresholds, Limits -- Conclusion -- Bibliography -- Filmography -- Index

Call No: 754.11 SAR
Author: Sargeant, Jack; Watson, Stephanie
Place: London
Publisher: Creation
PubDate: 1999
PhysDes: 256 p. : ill. ; 25 cm
Series: Creation cinema collection ; 15
Subject: ROAD MOVIES; WESTERNS; MOTORCYCLE FILMS; HORROR FILMS; VAMPIRE FILMS; SCIENCE-FICTION FILMS; Wenders, Wim; LYNCH, DAVID; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994); AGUIRRE, THE WRATH OF GOD [AGUIRRE, DER ZORN GOTTES] (GW, Werner Herzog, 1972); ALICE IN DEN STADTEN (GW, Wim Wenders, 1973); APOCALYPSE NOW (US, Francis Ford Coppola, 1979); BACKROADS (AT, Philip Noyce, 1977); BADLANDS (US, Terrence Malick, 1973); BLUE VELVET (US, David Lynch, 1986); BONNIE AND CLYDE (US, Arthur Penn, 1967); BUTTERFLY KISS (UK, Michael Winterbottom, 1995); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); CRASH (CN, David Cronenberg, 1996); DELIVERANCE (US, John Boorman, 1972); EASY RIDER (US, Dennis Hopper, 1969); TOPO, EL (MX, Alexandro Jodorowsky, 1971); FROM DUSK TILL DAWN (US, Robert Rodriquez, 1996); GALLIVANT (UK, Andrew Kotting, 1996); GUN CRAZY (US, Joseph H. Lewis, 1949); I WAS A MALE WAR BRIDE (US, Howard Hawks, 1949); KALIFORNIA (US, Dominic Sena, 1993); IM LAUF DER ZEIT (GW, Wim Wenders, 1976); KISS OR KILL (AT, Bill Bennett, 1997); HEAVEN'S BURNING (AT, Craig Lahiff, 1997); JETEE, LA (FR, Chris Marker, 1963); LOST HIGHWAY (US, David Lynch, 1996); MAD MAX [...] (AT, 1979-85); MATRIX, THE (US, Larry Wachowski & Andy Wachowski, 1999); MESHES OF THE AFTERNOON (US, Maya Deren & Alexander Hammid, 1943); NATURAL BORN KILLERS (US, Oliver Stone, 1994); NEAR DARK (US, Kathryn Bigelow, 1987); NIGHT OF THE HUNTER (US, Charles Laughton, 1955); F.J. HOLDEN, THE (AT, Michael Thornhill, 1977); THELMA & LOUISE (US, Ridley Scott, 1991); THEY LIVE BY NIGHT (US, Nicholas Ray, 1949); TO WONG FOO, THANKS FOR EVERYTHING! JULIE NEWMAR (US, Beeban Kidron, 1995); TRUE ROMANCE (US, Tony Scott, 1993); TWO LANE BLACKTOP (US, Monte Hellman, 1971); VANISHING POINT (UK, Richard C. Sarafian, 1971); WALKABOUT (UK, Nicolas Roeg, 1971); WEEK-END (FR/IT, Jean-Luc Godard, 1968); WILD AT HEART (US, David Lynch, 1990); WILD BUNCH, THE (US, Sam Peckinpah, 1969); WINGS OF DESIRE [HIMMEL UBER BERLIN, DER] (GW/FR, Wim Wenders, 1987); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
ISBN: 1871592682(pbk.) : ª14.95
LON: 20894332

Call No: 81SCO DOU
Author: Dougan, Andy
Source: UK
Place: London
Publisher: Orion
PubDate: 1997
PhysDes: 144 p. : ill., ports. ; 20 cm.
Subject: SCORSESE, MARTIN; AFTER HOURS (US, Martin Scorsese, 1985); AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993); CAPE FEAR (US, Martin Scorsese, 1991); CASINO (US, Martin Scorsese, 1995); GOODFELLAS (US, Martin Scorsese, 1990); KING OF COMEDY, THE (US, Martin Scorsese, 1983); LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988); LAST WALTZ, THE (US, Martin Scorsese, 1978); KUNDUN (US, Martin Scorsese, 1997); MEAN STREETS (US, Martin Scorsese, 1973); NEW YORK, NEW YORK (US, Martin Scorsese, 1977); RAGING BULL (US, Martin Scorsese, 1980); TAXI DRIVER (US, Martin Scorsese, 1976); WHO'S THAT KNOCKING AT THE DOOR (US, Martin Scorsese, 1968); ALICE DOESN'T LIVE HERE ANY MORE (US, Martin Scorsese, 1974); BOXCAR BERTHA (US, Martin Scorsese, 1972); COLOUR OF MONEY,THE (US, Martin Scorsese, 1986); NEW YORK STORIES (US, Woody Allen, Martin Scorsese, Francis Ford Coppola, 1989)
Summary: Complete "Variety" unabridged reviews for all Scorsese films inc. full credit lists
ISBN: 0752811754

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: DISORDER [MARYLAND] (FR/BE, Alice Winocour, 2016)
URL status: URL: 'http://file://Q:/T/MARYLAND.zip' Checked: 31/08/2021 1:46:50 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE STILL AUSTRALIA
Source: AT
Publisher: Roadshow village
PubDate: 1982
PhysDes: 1 photograph : b&w ; 13 x 18 cm.
Subject: MONKEY GRIP (AT, Ken Cameron, 1982); HAZLEHURST, NONI; GARNER, ALICE
Summary: Noni Hazlehurst wearing a singlet holds Alice Garner in her arms in what looks like a school yard. The child wears jeans, a shirt and a backpack.
Notes: Annotations in ball point pen on reverse; Label of publisher attached to reverse by adhesive tape; Adhesive label on reverse

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 4 photographs : b&w ; 13 x 18 - 21 x 28 cm
Subject: HAZLEHURST, NONI; FRIELS, COLIN; GARNER, ALICE; HOPKINS, HAROLD; MONKEY GRIP (AT, Ken Cameron, 1982)
Summary: 4 black and white photographs of Noni Hazelhurst with Alice Garner, Colin Friels, and Harold Hopkins.
Notes: 1 duplicate of Noni Hazelhurst with Alice Garner

Call No: 451-02 MOR
Author: Mordden, Ethan, 1947
Place: New York
Publisher: St. Martin's Press
PubDate: 1983
PhysDes: xii, 296 p., [40] p. of plates : ports. ; 24 cm
Subject: WOMEN IN FILMS; STAR SYSTEM; ACTORS; BOW, CLARA; SWANSON, GLORIA; PICKFORD, MARY; GISH, LILLIAN; GAYNOR, JANET; SHEARER, NORMA; GARBO, GRETA; Crawford, Joan; LOY, MYRNA; GARSON, GREER; DIETRICH, MARLENE; HARLOW, JEAN; WEST, MAE; Lombard, Carole; DAVIES, MARION; BALL, LUCILLE; HEPBURN, KATHARINE; RUSSELL, ROSALIND; FAYE, ALICE; Stanwyck, Barbara; DAVIS, BETTE; TEMPLE, SHIRLEY; GARLAND, JUDY; TAYLOR, ELIZABETH; HAYWORTH, RITA; GRABLE, BETTY; GARDNER, AVA; MONROE, MARILYN; MANSFIELD, JAYNE; NOVAK, KIM; HOLLIDAY, JUDY; HEPBURN, AUDREY; DAY, DORIS; ANDREWS, JULIE; STREISAND, BARBRA; MINNELLI, LIZA; BERGMAN, INGRID; WELCH, RAQUEL; Keaton, Diane; FONDA, JANE; DRESSLER, MARIE; DUNNE, IRENE; LAWRENCE, FLORENCE; BARA, THEDA; MURRAY, MAE; MOORE, COLLEEN; ALLEN, GRACIE; BLONDELL, JOAN; TOMLIN, LILY
Notes: Includes index; Bibliography: p. [285]-289
ISBN: 0312550502 (pbk.); 0312550499
LON: 83003024; 2457302

Call No: 67(04) SIM
Author: Simon, John
Source: US
Place: New York
Publisher: Dell Publishing
PubDate: 1971
PhysDes: xiii, 446 p. ; 21 cm
Subject: CRITICISM; SEX IN FILMS; VIOLENCE IN FILMS; MUSICALS; FESTIVALS; AWARDS; ADAPTATIONS; BERGMAN, INGMAR; MARAT/SADE (UK, Peter Brook, 1967); TAMING OF THE SHREW, THE (IT/US, Franco Zefferelli, 1967); ULYSSES (UK/US, Joseph Strick, 1967); FAR FROM THE MADDING CROWD (UK, John Schlesinger, 1967); REFLECTIONS IN A GOLDEN EYE (US, John Huston, 1967); VOYNA I MIR (RU, Sergei Bondarchuk, 1968); HEART IS A LONELY HUNTER, THE (US, Robert Ellis Miller, 1968); KILLING OF SISTER GEORGE, THE (US, Robert Aldrich, 1968); PRIME OF MISS JEAN BRODIE, THE (UK, Ronald Neame, 1968); JUSTINE (US, George Cukor, 1969); TROPIC OF CANCER (US, Joseph Strick, 1969); WOMEN IN LOVE (UK, Ken Russell, 1969); VIRGIN AND THE GYPSY, THE (UK, Christopher Miles, 1970); WAR IS OVER, THE [GUERRE EST FINIE, LA] (FR/SW, Alain Resnais, 1966); DUTCHMAN (UK, Anthony Harvey, 1967); COOL HAND LUKE (US, Stuart Rosenberg, 1967); SALESMAN (US, David Maysles & Albert Maysles & Charlotte Zwerin, 1969); MEDIUM COOL (US, Haskell Wexler, 1969); THEY SHOOT HORSES, DON'T THEY? (US, Sydney Pollack, 1969); Z (FR/AE, Constantin Costa-Gavras, 1969); PATTON (US, Franklin J. Schaffner, 1970); WOODSTOCK (US, Michael Wadleigh, 1970); REVOLUTIONARY, THE (UK, Paul Williams, 1970); JOE (US, John G. Avildsen, 1970); GRADUATE, THE (US, Mike Nichols, 1967); ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968); YELLOW SUBMARINE (UK, George Dunning, 1968); IF... (UK, Lindsay Anderson, 1968); THREE IN THE ATTIC (US, Richard Wilson, 1968); LAST SUMMER, THE (US, Frank Perry, 1969); EASY RIDER (US, Dennis Hopper, 1969); ALICE'S RESTAURANT (US, Arthur Penn, 1969); STERILE CUCKOO, THE (US, ALAN J. PAKULA, 1969); MAGIC GARDEN OF STANLEY SWEETHEART, THE (US, Leonard Horn, 1970); LET IT BE (UK, Michael Lindsay-Hogg, 1970); FOX, THE (US, Mark Rydell, 1968); HERE WE GO ROUND THE MULBERRY BUSH (UK, Clive Donner, 1968); BELLE DE JOUR (FR/IT, Luis Bunuel, 1967); BARBARELLA (FR/IT, Roger Vadim, 1967); PRISONNIERE, LA (FR/IT, Henri-Georges Clouzot, 1968); TEOREMA (IT, Pier Paolo Pasolini, 1968); COMING APART (US, Milton Moses Ginsberg, 1970); MYRA BRECKENRIDGE (US, Mike Sarne, 1970); FREEDOM TO LOVE (IT, Phyllis & Eberhard Kronhausen, 1969); BEYOND THE VALLEY OF THE DOLLS (US, Russ Meyer, 1970); BONNIE AND CLYDE (US, Arthur Penn, 1967); WILD BUNCH, THE (US, Sam Peckinpah, 1969); IN COLD BLOOD (US, Richard Brooks, 1967); TRUE GRIT (US, Henry Hathaway, 1969); BUTCH CASSIDY AND THE SUNDANCE KID (US, George Roy Hill, 1969); TELL THEM WILLIE BOY IS HERE (US, Abraham Polonsky, 1969); ROSEMARY'S BABY (US, Roman Polanski, 1968); BRIDE WORE BLACK, THE [MARIEE ETAIT EN NOIR] (FR, Francios Truffaut, 1968); BAISERS VOLES (FR, Francois Truffaut, 1968); HISTOIRES EXTRAORDINAIRES (FR/IT, Louis Malle & Roger Vadim & Federico Fellini, 1968); SATYRICON (IT/FR, Federico Fellini, 1969); ZABRISKIE POINT (US, Michelangelo Antonioni, 1970); SIRENE DU MISSISSIPPI, LA (FR/IT, Francois Truffaut, 1969); PASSAGER DE LA PLUIE, LE (FR/IT, Rene Clement, 1970); PERSONA (SW, Ingmar Bergman, 1966); VARGTIMMEN (SW, Ingmar Bergman, 1967); SKAMMEN (SW, Ingmar Bergman, 1968); CHINOISE, LA (FR, Jean-Luc Godard, 1967); BICHES, LES (FR/IT, Claude Chabrol, 1968); CHAMADE, LA (FR/IT, Alain Cavalier, 1968); FEMME INFIDELE, LA (FR/IT, Claude Chabrol, 1968); SYMPATHY FOR THE DEVIL (UK, Jean-Luc Godard, 1968); CHINA IS NEAR [CINA E VICINA, LA] (IT, Marco Bellocchio, 1967); POOR COW (UK, Kenneth Loach, 1967); TANTE ZITA (FR, Robert Enrico, 1968); BULLITT (US, Peter Yates, 1968); FACES (US, John Cassavetes, 1968); HAR HAR DU DITT LIV (SW, Jan Troell, 1966); CSILLAGOSOK, KATONAK (HU, Miklos Jancso, 1967); PUTNEY SWOPE (US, Robert Downey, 1969); DOWNHILL RACER (US, Michael Ritchie, 1969); M*A*S*H (US, Robert Altman, 1969); PAINT YOUR WAGON (US, Joshua Logan, 1969); CAMELOT (US, Joshua Logan, 1967); OLIVER (UK, Carol Reed, 1968); ON A CLEAR DAY YOU CAN SEE FOREVER (US, Vincente Minnelli, 1970); HOW I WON THE WAR (UK, Richard Lester, 1967); MIDNIGHT COWBOY (US, John Schlesinger, 1969); PETULIA (US, Richard Lester, 1968); LION IN WINTER, THE (UK, Anthony Harvey, 1968); MAGUS, THE (US, Guy Green, 1968); CANDY (FR/IT/US, Christian Marquand, 1968); [TWO THOUSAND AND ONE] 2001: A SPACE ODYSSEY (UK, Stanley Kubrick, 1968); THOMAS CROWN AFFAIR, THE (US, Norman Jewison, 1968); CATCH 22 (US, Mike Nichols, 1970); RACHEL, RACHEL (US, Paul Newman, 1968); CHARLIE BUBBLES (UK, Albert Finney, 1967)
Summary: The author critically analyses a number of films from the period 1967-1970 as a means to show the changes that occured during this time, the historical context of this period and films, and to predict future directions.
Notes: Includes index.
ISBN: 44005880295
Donation: donated by the family of Wayne Levy, 2006
Contents: -- adaptations -- politics and society -- the youth film -- sex -- the new violence -- declines and pratfalls of major directors -- Ingmar Bergman -- French film in eclipse -- young directors -- is Hollywood going contemporary? -- musicals -- pseudo-art -- the festival and awards game -- critical matters
ID2: 41

Call No: 626:396 MUL
Author: Carson, Diane; Dittmar, Linda, 1938; Welsch, Janice R
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 1994
PhysDes: ix, 547 p. : ill. ; 24 cm
Subject: FEMINISM AND THE CINEMA; PSYCHOANALYSIS AND THE CINEMA; WOMEN IN FILMS. MEXICO; WOMEN IN FILMS. CHINA; WOMEN IN FILMS. THIRD WORLD; WOMEN IN FILMS. CUBA; HOMOSEXUALITY AND THE CINEMA; HOMOSEXUALITY IN FILMS; ETHNIC GROUPS IN FILMS; BORDEN, LIZZIE; DASH, JULIE; DIETRICH, MARLENE; DOANE, MARY ANN; GARBO, GRETA; GORRIS, MARLEEN; GUY-BLACHE, ALICE; MULVEY, LAURA; TRINH, T. MINH-HA; BAHTIN, MIHAIL; ARZNER, DOROTHY; FIELD, CONNIE; CHENZIRA, AYOKA; SAYONARA (US, Joshua Logan, 1957); AWFUL TRUTH, THE (US, Leo McCarey, 1937); LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980); SWING SHIFT (US, Jonathan Demme, 1984); SUZANNE, SUZANNE (US, Camille Billops & James Hatch, 1982); RAMPARTS D'ARGILE (FR/AE, Jean-Louis Bertuccelli, 1970); SALT OF THE EARTH (US, Herbert J. Biberman, 1954); BORN IN FLAMES (US, Lizzie Borden, 1983); DRY WHITE SEASON, A (US, Euzhan Palcy, 1989); MARRYING KIND, THE (US, George Cukor, 1952); MARTY (US, Delbert Mann, 1954); MOROCCO (US, Josef von Sternberg, 1930); PILLOW TALK (US, Michael Gordon, 1959); RETRATO DE TERESA (CU, Pastor Vega, 1979); QINGCHUN JI (CC, Zhang Nuanxin, 1986); SURNAME VIET GIVEN NAME NAM (US, Trinh T. Minh-ha, 1989); BLACK FURY (US, Michael Curtiz, 1934); STILTE ROND CHRISTINE M., DE (NE, Marleen Gorris, 1982)
Notes: Includes bibliographical references and index
ISBN: 0816622728(acid-free paper); 0816622736 (pbk.)
LON: 10052767

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: ALICE [NECO Z ALENKY] (SZ/GW/UK, Jan Svankmajer, 1988)
URL status: URL: 'http://file://Q:/T/NECO_Z_ALENKY.zip' Checked: 31/08/2021 12:46:12 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: Ronin Films
PhysDes: 11 photographs : b&w ; 21 x 26 cm
Subject: TAYLOR, NOAH; FRIELS, COLIN; CARMEN, LOENE; GARNER, ALICE; BELL, LUCY; OTTO, MIRANDA; NOSTRADAMUS KID, THE (AT, Bob Ellis, 1993)
Summary: 11 black and white photographs, predominantly of Noah Taylor but also includes many other of the stars.

Author: Russell Edwards
PhysDes: Article
Subject: ANSARA, ALICE; SPAGNOLA, LA (AT, Steve Jacobs, 2001)
Summary: Interview with Alice Ansara about her break-our role

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: POKER ALICE (US, Arthur Allan Seidelman)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: PREVENGE (UK, Alice Lowe, 2016)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: PROXIMA (FR/G, Alice Winocour, 2019)
Cross Reference: PROXIMA (FR/G, Alice Winocour, 2019)

Call No: 802.46-02(73) HOL
Author: Holt, Natalia
Edition: 2020
Place: New York
Publisher: Back Bay Books
PhysDes: xviii, 379 pages, 8 unnumbered pages of plates : illustrations ; 21 cm
Subject: ALICE IN WONDERLAND (US, Clyde Geronimi & Wilfred Jackson & Hamilton Luske & Brice Mack, 1951); WOMEN FILM WORKERS; DISNEY, WALT; DISNEY, ROY EDWARD; BAMBI (US, David Hand, 1942); CINDERELLA (US, Wilfred Jackson & Hamilton Laske & Clyde Geronomi, 1950); FANTASIA (US, Walt Disney, 1940); SLEEPING BEAUTY (US, Clyde Geronimi, 1958); SNOW WHITE AND THE SEVEN DWARFS (US, David Hand, 1937)
Summary: From the bestselling author of Rise of the Rocket Girls, the untold, "richly detailed" story of the women of Walt Disney Studios, who shaped the iconic films that have enthralled generations (Margot Lee Shetterly, New York Times bestselling author of Hidden Figures). From Snow White to Moana, from Pinocchio to Frozen, the animated films of Walt Disney Studios have moved and entertained millions. But few fans know that behind these groundbreaking features was an incredibly influential group of women who fought for respect in an often ruthless male-dominated industry and who have slipped under the radar for decades. In The Queens of Animation, bestselling author Nathalia Holt tells their dramatic stories for the first time, showing how these women infiltrated the boys' club of Disney's story and animation departments and used early technologies to create the rich artwork and unforgettable narratives that have become part of the American canon. As the influence of Walt Disney Studios grew — and while battling sexism, domestic abuse, and workplace intimidation — these women also fought to transform the way female characters are depicted to young audiences. With gripping storytelling, and based on extensive interviews and exclusive access to archival and personal documents, The Queens of Animation reveals the vital contributions these women made to Disney's Golden Age and their continued impact on animated filmmaking, culminating in the record-shattering Frozen, Disney's first female-directed full-length feature film. -- publisher's web site
ISBN: 9780316439145
Contents: Preface -- Timeline -- One day when we were young -- Whistle while you work -- When you wish upon a star -- Waltz of the flowers -- Little April shower -- Baby mine -- Aquarela do Brasil -- You're in the army now -- Zip-a-dee-doo-dah -- So this is love -- In a world of my own -- You can fly! -- Once upon a dream -- Dalmatian plantation -- It's a small world -- Up, down, touch the ground -- Part of your world -- I'll make a man out of you -- For the first time in forever -- Happily ever after -- Acknowledgements -- Notes -- Index.

PhysDes: Article
Subject: RANK ORGANISATION; THORN EMI; VIDEO, FILMS ON; DISTRIBUTION. AUSTRALIA; TOWN LIKE ALICE, A (AT, David Stevens, 1980); LADY VANISHES (US, Alfred Hitchcock, 1938); BUGSY MALONE (UK, Alan Parker, 1976)
Summary: Article on Thorn EMI signing a deal with Rank film to release numerous Rank films on video within Australia.

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Press kit; Clippings
Subject: ROAD TO ALICE (AT, Stavros Andonis Efthymiou, 1992)

Call No: 747.77 ROU
Author: Ellis, Katie; Goggin, Gerard; Haller, Beth; Curtis, Rosemary
Source: US
Place: New York
Publisher: Routledge
PubDate: 2020
PhysDes: xxvi, 424 pages : illustrations ; 26 cm
Series: Routledge Media and Cultural Studies Companions
Subject: PEOPLE WITH DISABILITIES IN FILMS; PEOPLE WITH DISABILITIES AND THE CINEMA; PEOPLE WITH DISABILITIES AND TV; I AM SAM (US, Jessie Nelson, 2001); SILVER LININGS PLAYBOOK (US, David O. Russell, 2012); STILL ALICE (US/FR, Richard Glatzer & Wash Westmoreland, 2014); SESSIONS, THE (US, Ben Lewin, 2012); GREENBERG (AT, Noah Baumbach, 2010); BREATHING LESSONS: THE LIFE AND WORK OF MARK O'BRIEN (US, Jessica Yu, 1997?)
Summary: An authoritative and indispensable guide to disability and media, this thoughtfully curated collection features varied and provocative contributions from distinguished scholars globally, alongside next-generation research leaders. Disability and media has emerged as a dynamic and exciting area of contemporary culture and social life. Media–– especially digital technology––play a vital role in disability transformations, with widespread implications for global societies and how we understand communications. This book addresses this development, from representation and audience through technologies, innovations and challenges of the field. Through the varied and global perspectives of leading researchers, writers, and practitioners, including many authors with lived experience of disability, it covers a wide range of traditional, emergent and future media forms and formats.
Notes: Includes bibliographical references and index
ISBN: 9781138884588
Contents: Introduction: Disability and media--an emergent field / Gerard Goggin, Katie Ellis, Beth Haller, and Rosemary Curtis -- Disability imaginaries in the news / Tanya Titchkosky -- What's it all worth? The political economy of disability representation in Indian media / Nookaraju Bendukurthi and Usha Raman -- Decolonizing the dynamics of media power and media representation between 1830 and 1930 : Australian indigenous peoples with disability / John Gilroy, Jo Ragen and Helen Meekosha -- Featuring disabled women in advertisements : the commodification of diversity? / Ella Houston -- Still playing it safe : a comparative analysis of disability narratives in the sessions, breathing lessons, and "On seeing a sex surrogate" / Jonathan Bartholomy -- Mental distress, romance and gender in contemporary films : Greenberg and Silver linings playbook / Alison Wilde -- Still Julianne : projecting dementia on the silvering screen / Sally Chivers -- Authentic disability representation on U.S. Television past and present / Beth Haller -- The spectacularization of disability sport : Brazilian and Australian newspaper photographs of 2012 London Paralympic athletes / Tatiane Hilgemberg, Katie Ellis and Madison Magladry -- George R.R. Martin and the two dwarfs / Mia Harrison -- Embodying metaphors : disability tropes in political cartoons / Beth Haller -- Resisting erasure : reading (dis)ability and race in speculative media / Sami Schalk -- Producerly disability popular culture : the collision of critical and receptive attitudes / Katie Ellis -- The Bodies of Film Club : disability, identity, and empowerment / Fiona Whittington-Walsh, and Kya Bezanson, Christian Burton, Jaci Mackendrick, Katie Miller, Emma Sawatzky, Colton Turner -- Disability Narratives in the News Media : A Spotlight on Africa / Olusola Ogundola -- Disabled media creators in Afghanistan, China and Somalia / Patricia Chadwick -- Youth with disabilities in Africa : bridging the disability divide / Kimberly O'Haver -- Engaging accessibility issues through mobile videos in Montre´al / Laurence Parent -- Pages of life : using a telenovela to promote the inclusion of students with disabilities in Brazil / Patricia Almeida -- How do you write that in sign language? : A graphic signed novel as source of epistemological reflection on writing / Ve´ro Leduc -- GimpGirl : insider perspectives on technology and the lives of disabled women / Jennifer Cole and Jason Nolan -- Digital media accessibility : an evolving vinfrastructure of possibility / Elizabeth Ellcessor -- Making the web more interactive and accessible for blind people / Jonathan Lazar and Brian Wentz -- Social media and disability-it's complicated / Michael Kent -- When Face-to-face is screen-to-screen : reconsidering mobile media as communication augmentations and alternatives / Meryl Alper -- Mobile phones and visual impairment in South Africa : experiences from a small town / Lorenzo Dalvit -- Video on demand : is this Australia's new disability divide? / Wayne Hawkins -- Individuals with physical impairments as life hackers? : Analyzing online content to interrogate dis/ability and design / Jerry Robinson -- Interdependence in collaboration with robots / Eleanor Sandry -- Dropping the disability beat : why specialized reporting doesn't solve disability (mis)representation / Chelsea Temple Jones -- Advertising disability and the diversity directive / Josh Loebner -- Disability advocacy in BBC's Ouch and ABC's Ramp up / Shawn Burns -- Representing difference : disability, digital storytelling, and public pedagogy / Carla Rice and Eliza Chandler -- Needs must : digital innovations in disability rights advocacy / Filippo Trevisan -- Disability media work / Katie Ellis and Melissa Merchant -- Books and people with print disabilities : public value and the international disability human rights agenda / David Adair and Paul Harpur.
ID2: 357

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SAVING FACE (US, Alice Wu, 2004)

Call No: 71(94) DER v.2
Author: Dermody, Susan; Jacka, Elizabeth
Place: Sydney
Publisher: Currency Press
PubDate: 1987-<1988
PhysDes: v. <1-2 > ; 21 cm
Series: Australian screen series
Subject: BUDDY FILMS. AUSTRALIA; AUSTRALIA; THEORY. AUSTRALIA; CULTURAL IMPERIALISM. AUSTRALIA; CLASS AND THE CINEMA. AUSTRALIA; NATIONAL IDENTITY IN FILMS. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; COMEDIES. AUSTRALIA; WOMEN IN FILMS. AUSTRALIA; MEN IN FILMS. AUSTRALIA; POLITICAL FILMS. AUSTRALIA; SEX IN FILMS. AUSTRALIA; REALISM IN FILMS. AUSTRALIA; AUSTRALIAN FILM COMMISSION; BREAKER MORANT (AT, Bruce Beresford, 1980); ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); CAREFUL, HE MIGHT HEAR YOU (AT, Carl Schultz, 1983); GALLIPOLI (AT, Peter Weir, 1981); MAD MAX (AT, George Miller, 1979); MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982); MY BROTHER JACK (AT, Gil Brealey, 1965); ALVIN PURPLE (AT, Tim Burstall, 1973); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); FAR EAST (AT, John Duigan, 1982); F.J. HOLDEN, THE (AT, Michael Thornhill, 1977); HEATWAVE (AT, Phillip Noyce, 1981); KILLING OF ANGEL STREET, THE (AT, Donald Crombie, 1981); MAD MAX II (AT, George Miller, 1981); NEWSFRONT (AT, Phillip Noyce, 1978); PALM BEACH (AT, Albie Thoms, 1979); PHAR LAP (AT, Simon Wincer, 1983); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975); TOWN LIKE ALICE, A (AT, David Stevens, 1980); WE OF THE NEVER NEVER (AT, Igor Auzins, 1982)
Notes: Includes bibliographies and index
ISBN: 0861911876 (v. 2); 0868191876 (v. 2)
LON: 5369777

Author: Weiner, Robert
PhysDes: Article
Subject: ALICE'S RESTAURANT (US, Arthur Penn, 1969)
Notes: Review

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SHAME LIKE ALICE [TV] (AT, Leonard Lee, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SHE LIVES TO RIDE (US, Alice Stone, 1994)

Call No: PERSONALITY CLIPPINGS FILE; BELL, ALICE
Author: Neill, Rosemary
PhysDes: Clippings File Article
Subject: BELL, ALICE; BEAUTIFUL LIE, THE [TV](AT, Glendyn Ivin and Peter Salmon, 2015)
Summary: Interview with Australian screenwriter Alice Bell where she discusses her career and her work on THE BEAUTIFUL LIE, the Australian TV adaptation of the classic novel Anna Karenina

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: STILL ALICE (US/FR, Richard Glatzer & Wash Westmoreland, 2014)
URL status: URL: 'http://file://Q:/T/STILL_ALICE.zip' Checked: 31/08/2021 1:30:52 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: TAGLIONI, ALICE

Subject: TOWN LIKE ALICE, A (AT, David Stevens, 1980)

Call No: N79TOW SHU
Author: Shute,Nevil
Source: AT
Place: London
Publisher: PAN Books in association with William Heinemann
PubDate: 1961
PhysDes: 314 p.; 18cm
Subject: TOWN LIKE ALICE, A (UK, Jack Lee, 1956)
Notes: Originally published London: Heinemann, 1950

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills
Subject: TOWN LIKE ALICE, A (UK, Jack Lee, 1956)

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: TOWN LIKE ALICE, A (AT, David Stevens, 1980)

Call No: S TOW
Author: Hegarty, T.; Sisson, R.A.
PubDate: [1980]
PhysDes: 56 leaves
Subject: TOWN LIKE ALICE, A (AT, David Stevens, 1980)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild

Call No: TITLE CLIPPINGS FILE; ALICE THROUGH THE LOOKING GLASS (US, James Bobin, 2016)
Author: Wilson, Jake
PhysDes: Clippings File Article
Subject: ALICE THROUGH THE LOOKING GLASS (US, James Bobin, 2016)
Summary: Negative review of ALICE THROUGH THE LOOKING GLASS, with the reviewer claiming the filmmakers lacked original ideas
Rating: 2 out of 5 stars

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: WALKER, ALICE

Call No: 802.253 QUA
Author: Quart, Barbara
Place: New York
Publisher: Praeger
PubDate: 1988
PhysDes: xvi, 268 p. : ill. ; 25 cm
Subject: WOMEN FILM WORKERS; GUY-BLACHE, ALICE; WEBER, LOIS; ARZNER, DOROTHY; Lupino, Ida; WERTMULLER, LINA; SILVER, JOAN MICKLIN; WEILL, CLAUDIA; SEIDELMAN, SUSAN; COOLIDGE, MARTHA; DEITCH, DONNA; STREISAND, BARBRA; HAWN, GOLDIE; TROTTA, MARGARETHE VON; DORRIE, DORIS; VARDA, AGNES; KURYS, DIANE; GORRIS, MARLEEN; MESZAROS, MARTA; SEPIT'KO, LARISA; HOLLAND, AGNIESZKA; PALCY, EUZHAN; HUI, ANN; BEMBERG, MARIA LUISA
Notes: Includes index; Bibliography: p. [259]-262
ISBN: 0275929620 (alk. paper)
LON: 5689031

Call No: 802.253 SMI
Author: Smith, Sharon
Place: New York
Publisher: Hopkinson and Blake
PubDate: [1975]
PhysDes: 307 p. : ill. ; 23 cm
Subject: DIRECTORS; GUY-BLACHE, ALICE; ARZNER, DOROTHY; BURSTYN, ELLEN; CLARKE, SHIRLEY; HUBLEY, FAITH & JOHN; Lupino, Ida; RIEFENSTAHL, LENI
Notes: Includes index; Bibliography: p. 296-298
ISBN: 0911974091 : $9.95; 0911974121(pbk. :) $5.95
LON: 462903

Call No: 757-08 ALI
Author: Emma McRae; Heller-Nicholas, Alexandra
Edition: 2018
Place: Port Melbourne, Vic.
Publisher: Thames and Hudson; ACMI
PubDate: 2018
PhysDes: 240 pages : illustrated ; 32 cm
Subject: ALICE [NECO Z ALENKY] (SZ/GW/UK, Jan Svankmajer, 1988); ALICE [NECO Z ALENKY] (SZ/GW/UK, Jan Svankmajer, 1988); ALICE IN WONDERLAND (FR/UK, Lou Bunin & Marc Maurette & Dallas Bower, 1949); ALICE IN WONDERLAND (US, Bill Osco, 1975); ALICE IN WONDERLAND (US, Clyde Geronimi & Wilfred Jackson & Hamilton Luske & Brice Mack, 1951); ALICE IN WONDERLAND (US, Irwin Allen, 1985); ALICE IN WONDERLAND (US, Tim Burton, 2010); ALICE THROUGH THE LOOKING GLASS (US, James Bobin, 2016); ALICE'S ADVENTURES IN WONDERLAND (UK, William Sterling, 1972); ADAPTATIONS; ADAPTATIONS. CARROLL, LEWIS
Summary: Since the publication of Alice’s Adventures in Wonderland in 1865, Lewis Carroll’s Alice has delighted children and adults alike. However, this girl-hero was always destined for life beyond the page. From silent film to animation, she has been portrayed many times and continues to inspire. Wonderland follows Alice’s journey from page to screen, from 1903’s silent Alice in Wonderland to her first talking film in 1931, to Tim Burton’s recent blockbusters. It celebrates the endurance of Carroll’s stories and characters, and the remarkable technological innovations that have enabled filmmakers to continually reimagine Alice. Tracing Alice’s evolution on screen, Wonderland is a journey down the rabbit hole and into an enchanted world where expectations are upended and curiosity rewarded. -- publisher's web site
Notes: This publication is produced in partnership with Senses of Cinema
ISBN: 9780500501177

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: WYATT, ALICE