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AFTER HOURS : (AT, Jane Campion, 1984)
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title clippings file
AFTER HOURS : (US, Martin Scorsese, 1985)
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book
A cinema without walls : movies and culture after Vietnam / Timothy Corrigan London: Routledge, 1991.
Call No: 626(73) CORAuthor: Corrigan, Timothy, 1951 Place: LondonPublisher: RoutledgePubDate: 1991PhysDes: x, 258 p. : ill. ; 23 cmSubject: HEAVEN'S GATE (US, Michael Cimino, 1980) ; PLATOON (US, Oliver Stone, 1986) ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; SINGING DETECTIVE, THE [TV] (UK, Jon Amiel, 1986) ; BLUE VELVET (US, David Lynch, 1986) ; CHOOSE ME (US, Alan Rudolph, 1984) ; AFTER HOURS (US, Martin Scorsese, 1985) ; COPPOLA, FRANCIS FORD ; KLUGE, ALEXANDER ; RUIZ, RAUL ; BONNIE AND CLYDE (US, Arthur Penn, 1967) ; BADLANDS (US, Terrence Malick, 1973) ; PARIS, TEXAS (GW/FR, Wim Wenders, 1984) ; KING OF COMEDY, THE (US, Martin Scorsese, 1983) ; THIRD GENERATION, THE (GW, Rainer Werner Fassbinder, 1979) ; MY BEAUTIFUL LAUNDRETTE (UK, Stephen Frears, 1985) ; IN EINEM JAHR MIT 13 MONDEN (GW, Rainer Werner Fassbinder, 1979) ; DRITTE GENERATION, DIE (GW, Rainer Werner Fassbinder, 1979) Notes: Includes index; Bibliography: p. [233]-250ISBN: 0415071348 (pbk.) : ª9.99; 041507133X (cased) : ª35.00LON: bnb41507133; 8595450
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journal article
Film notes : After Hours in Metro (Winter 1986) iss.70 p.54
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Interim
book
Jane Campion / Dana Polan London: British Film Institute, 2001.
Call No: 81CAM POLAuthor: Polan, Dana Source: UKPlace: LondonPublisher: British Film InstitutePubDate: 2001PhysDes: 186p. : ill. ; 19 cmSeries: BFI world directors.Subject: BONGERS, SALLY ; ARMSTRONG, GILLIAN ; CAMPION, JANE ; AFTER HOURS (AT, Jane Campion, 1984) ; ANGEL AT MY TABLE, AN (NZ, Jane Campion, 1990) ; HOLY SMOKE (US, Jane Campion, 1999) ; PEEL (AT, Jane Campion, 1982) ; PIANO, THE (AT, Jane Campion, 1993) ; PORTRAIT OF A LADY, THE (UK/US, Jane Campion, 1996) ; SWEETIE (AT, Jane Campion, 1989) Notes: Includes bibliographical references and indexISBN: 0851708560(pbk.)
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Martin Scorsese : the making of his movies / Andy Dougan London: Orion, 1997.
Call No: 81SCO DOUAuthor: Dougan, Andy Source: UKPlace: LondonPublisher: OrionPubDate: 1997PhysDes: 144 p. : ill., ports. ; 20 cm.Subject: SCORSESE, MARTIN ; AFTER HOURS (US, Martin Scorsese, 1985) ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; CAPE FEAR (US, Martin Scorsese, 1991) ; CASINO (US, Martin Scorsese, 1995) ; GOODFELLAS (US, Martin Scorsese, 1990) ; KING OF COMEDY, THE (US, Martin Scorsese, 1983) ; LAST TEMPTATION OF CHRIST, THE (US/CN, Martin Scorsese, 1988) ; LAST WALTZ, THE (US, Martin Scorsese, 1978) ; KUNDUN (US, Martin Scorsese, 1997) ; MEAN STREETS (US, Martin Scorsese, 1973) ; NEW YORK, NEW YORK (US, Martin Scorsese, 1977) ; RAGING BULL (US, Martin Scorsese, 1980) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; WHO'S THAT KNOCKING AT THE DOOR (US, Martin Scorsese, 1968) ; ALICE DOESN'T LIVE HERE ANY MORE (US, Martin Scorsese, 1974) ; BOXCAR BERTHA (US, Martin Scorsese, 1972) ; COLOUR OF MONEY,THE (US, Martin Scorsese, 1986) ; NEW YORK STORIES (US, Woody Allen, Martin Scorsese, Francis Ford Coppola, 1989) Summary: Complete "Variety" unabridged reviews for all Scorsese films inc. full credit listsISBN: 0752811754
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book
Mysteries of cinema : reflections on film theory, history and culture 1982-2016 / Adrian Martin Amsterdam: Amsterdam University Press,
Call No: 62(081) MARAuthor: Martin, Adrian Edition: 2018Place: AmsterdamPublisher: Amsterdam University PressPhysDes: 424 pages ; 24 cmSeries: film culture in transitionSubject: AVANT-GARDE FILMS ; CINEPHILIA ; CRITICISM: METHODOLOGY OF FILM CRITICISM ; THEORY. AUSTRALIA ; FILM HISTORY ; AKERMAN, CHANTAL ; ALMODOVAR, PEDRO ; CASSAVETES, JOHN ; DE PALMA, BRIAN ; FULLER, SAMUEL ; GARREL, PHILIPPE ; GODARD, JEAN-LUC ; HITCHCOCK, ALFRED ; POLANSKI, ROMAN ; RESNAIS, ALAIN ; RUIZ, RAUL ; SCORSESE, MARTIN ; AFTER HOURS (US, Martin Scorsese, 1985) ; AGE OF INNOCENCE, THE (US, Martin Scorsese, 1993) ; COTTON CLUB, THE (US, Francis Ford Coppola, 1984) ; ANNEE DERNIERE A MARIENBAD, L' (FR, Alain Resnais, 1961) ; ONCE UPON A TIME IN AMERICA (US, Sergio Leone, 1984) ; HATEFUL EIGHT, THE (US, Quentin Tarantino, 2015) ; TODO SOBRE MI MADRE (SP/FR, Pedro Almodovar, 1999) Summary: The essays of distinguished film critic Adrian Martin have long been difficult to access, so this anthology, which collects his work in one volume, will be welcomed throughout film studies. He offers in-depth analysis of many genres of films while providing a broad understanding of the history of cinema and the history of film criticism and culture. These vibrant, highly personal essays balance breadth across cinema theory with almost encyclopedic detail, ranging between aesthetics, cinephilia, film genre, criticism, philosophy, and cultural politics. -- publisher's web siteISBN: 9789462986831Contents: PART I - LETTERS OF INTRODUCTION -- 1. Retying the Threads -- 2. The Path and the Passeur -- 3. That Summer Feeling
PART II – SCENOGRAPHIES -- 4. Scenes -- 5. Wishful Thinking -- 6. Entities and Energies -- 7. Entranced
PART III - A CINEPHILE IN AUSTRALIA -- 8. No Flowers for the Cinephile: The Fates of Cultural Populism
PART IV - THE LYRICAL IMPULSE -- 9. Refractory Characters, Shards of Time and Space -- 10. The Trouble with Fiction -- 11. Ball of Fire: The Mysteries -- 12. The Ever-Tested Limit: Cinematic Apparitions -- 13. Delirious Enchantment
PART V - GENRE GAMES -- 14. Mr Big: Gangsters and Power -- 15. Unlawful Entries: Anatomy of a Film Cycle -- 16. Lady, Beware: Paths of the Female Gothic -- 17. Live to Tell: Teen Movies Yesterday, Today and Tomorrow -- 18. In the Mood for (Something Like) Love -- 19. Shivers, Surprise and Discomfort: Sadism and Sublimation in Contemporary Cinema
PART VI – INTERVENTIONS -- 20. Making a Bad Script Worse: The Curse of the Scriptwriting Manual -- 21. The Offended Critic: Film Reviewing and Social Commentary -- 22. Wild Psychoanalysis of a Precarious, Unstable Reality
PART VII - ENVOI -- 23. No Direction Home: Creative Criticism -- 24. Farewells, Full Circles and Ellipses -- 25. My Back Pages -- 26. The File We Accompany, with Cristina lvarez Lopez
Notes -- Sources of Texts -- Index
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journal article
Women in frame : After Hours in Filmviews (Autumn 1985) vol.30 iss.123 p.7
Author: Burrell, Kim PhysDes: ArticleSubject: FILM AUSTRALIA. WOMEN'S FILM UNIT ; AFTER HOURS (AT, Jane Campion, 1984) Summary: Review of films from the 1984 Women's Film Unit. In her appraisal of "After Hours" Kim Burrell positions the film as ambitious and innovative in terms of subject choice. Burrell also notes that Jane Campion's handling of the direction, script, and cinematography are remarkably adeptNotes: Films from the 1984 Women's Film Unit. - credits. - illustration
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