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101 movies that changed the world! : #83, Mad Max/Mad Max II in Empire (Australian Ed.) (September 2003) iss.30 p.67
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After 'failure' makes more than $100 million...Mad Max is back in Daily Telegraph (30/11/1981)
Call No: TITLE CLIPPINGS FILE; MAD MAX II (AT, George Miller, 1981)Author: Reid, Campbell PhysDes: Clippings File ArticleSubject: MAD MAX II (AT, George Miller, 1981) Summary: Writer Terry Hayes discusses the making of Mad Max 2 and its differences to the original Mad Max
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Andrew Vial looks at makeup & effects in Australian films in Australasian Cinema (29/10/1982) vol.11 iss.19 p.22
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Antipodean gothic cinema [manuscript] : a study of the (postmodern) Gothic in Australian and New Zealand film since the 1970s / by Romana Ashton Queensland: 2005.
Call No: 735.2 (93) ASHAuthor: Ashton, Romana Source: ATPlace: QueenslandPubDate: 2005PhysDes: 317 p. ; 30 cmSubject: HORROR FILMS. AUSTRALIA ; HORROR FILMS. NEW ZEALAND ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; PIANO, THE (AT, Jane Campion, 1993) ; DOGS IN SPACE (AT, Richard Lowenstein, 1986) ; BAD BOY BUBBY (AT, Rolf de Heer, 1993) ; NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978) ; HEAVENLY CREATURES (NZ, Peter Jackson, 1994) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) ; SUMMERFIELD (AT, Ken Hannam, 1977) ; SHAME (AT, Steve Jodrell, 1988) ; MAD MAX (AT, George Miller, 1979) ; MAD MAX II (AT, George Miller, 1981) ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) Summary: "Although various film critics and academics have located the Gothic in Antipodean cinema, there has been no in-depth study of the Gothic and its ideological entanglements with postmodernism within this cinema. This study is divided into two parts and locates the (postmodern) Gothic in twelve Australian/New Zealand films ranging from Ted Kotcheffs Wake in Fright (1971) to Peter Jacksons Heavenly Creatures (1994). Part one theorizes the Gothic as a subversive cultural mode that foreshadows postmodernism in terms of its antithetical relationship with Enlightenment ideals. Interconnections are made between proto-postmodern aspects of early Gothic literature and the appropriation and intensification of these aspects in what has been dubbed the postmodern Gothic. The dissertation then argues that the Antipodes was/is constructed through Euro-centric discourse(s) as a Gothic/(proto)-postmodern space or place, this construction manifest in, and becoming intertwined with the postmodern in post 1970s Antipodean cinema. In part two, a cross-section of Australian/New Zealand films is organized into cinematic sub-genres in line with their similar thematic preoccupations and settings, all films argued as reflecting a marked postmodern Gothic sensibility. In its conclusion, the study finds that S2Antipodean Gothic cinemaS3, particularly since the 1970s, can be strongly characterized by its combining of Gothic/postmodernist modes of representation, this convergence constitutive of a postmodernized version of the Gothic which is heavily influenced by Euro-centric constructions of the Antipodes in Gothic/(proto)-postmodern related terms. " - ABSTRACTNotes: Thesis (Doctor of Philosophy) - Central Queensland University: School of Humanities - Faculty of Arts, Humanities and Education, December 2005; Bibliography: leaves 299-314 ; filmography: leaves 315-318 ; telegraphy: leaf 319; We have two copies of this Thesis - they are both filed at 735.2 (93) ASH and are identical. One is labelled 'copy 1' and the other 'copy 2'Contents: -- Part one: Theorizing the (postmodern) gothic in Antipodean cinema -- 1. A gothic/postmodern poetics: two convergent models. -- 2. Antipodean Gothic/(Proto)-postmodern connections: the European unconscious and the cultural construction of the Antipodes. -- 3. Antipodean cinema: an uneasy background -- Part two: analyzing the (postmodern) gothic in Antipodean cinema. -- 4. Anitpodean ccolonial gothic: 'Picnic at Hanging Rock' and 'The Piano'. -- 5. Anitpodean urban gothic: 'Dogs in Space' and 'Bad Boy Bubby'. -- 6. Antipodean surburban gothic: -- 'The Night the Prowler' and 'Heavenly Creatures'. -- 7. Antipodean rural gothic: 'Wake in Fright', 'Summerfield', and 'Shame'. -- 8. Antipodean sci-fi car crash films and the gothic: 'The Cars that Ate Paris', 'Mad Max', and 'Mad Max - The Road Warrior'. -- Conclusion -- Bibliography -- Filmography -- Teleography.ID2: 290
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Australian Film Awards in Australasian Cinema (29/10/1982) vol.11 iss.19 p.2
PhysDes: ArticleSubject: MAD MAX II (AT, George Miller, 1981) ; LONELY HEARTS (AT, Paul Cox, 1982) ; MILLER, GEORGE ; HAZLEHURST, NONI ; MONKEY GRIP (AT, Ken Cameron, 1982) ; ANGELS OF WAR (AT, Andrew Pike & Hank Nelson & Gavan Daws, 1982) ; AUSTRALIAN FILM INSTITUTE AWARDS Summary: List of winners at the 1982 Australian Film Institute Awards.
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Australian film industry takes a vigorous and suprising turn in Australasian Cinema (15/7/1983) vol.12 iss.12 p.25
PhysDes: ArticleSubject: YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) ; MAD MAX II (AT, George Miller, 1981) ; DESOLATION ANGELS (AT, Chris Fitchett, 1982) ; CLINIC, THE (AT, David Stevens, 1982) ; MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982) ; AUSTRALIAN FILM INSTITUTE AWARDS Summary: Article on the nominees for the Australian Film Institute Awards, as well as information on the AFI at large and the state of the Australian film industry.
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A companion to Australian cinema / Edited by Felicity Collins, Jane Landman, and Susan Bye Hoboken, New Jersey: Wiley-Blackwell, 2019. Available at ProQuest (RMIT login required)
Call No: 71(94) COMAuthor: Collins, Felicity ; Columpar, Corinn ; Rutherford, Anne ; Ford, Felicity ; Kelada, Odette ; Clark, Maddee ; Verevis, Constantine ; Goldsmith, Ben ; French, Lisa ; David Marshall, P. ; Bennett, James ; Grace, Helen ; Khoo, Olivia ; Yue, Audrey ; Bye, Susan ; Sandars, Diana ; Stadler, Jane ; Gaunson, Stephen ; Trevisanut, Amanda Malel ; Turnbull, Sue ; McCutcheon, Marion ; Goritsas, Helen ; Tiwary, Ana ; Lambert, Anthony ; Gibson, Ross ; Cunningham, Stuart ; Swift, Adam ; Williams, Deane ; Smaill, Belinda ; Neumark, Norie Source: US/UKPlace: Hoboken, New JerseyPublisher: Wiley-BlackwellPubDate: 2019PhysDes: xxii, 581 pages ; 26 cmSeries: Wiley Blackwell companions to national cinemaSubject: AUSTRALIA ; FILM ; INDUSTRY, FILM ; INDUSTRY, FILM. AUSTRALIA ; INDIGENOUS ; AUSTRALIAN ABORIGINAL CINEMA ; TRANSNATIONAL CINEMA ; HISTORY OF CINEMA ; HISTORY OF CINEMA. AUSTRALIA ; TELEVISION AND THE CINEMA ; TELEVISION AND THE CINEMA. AUSTRALIA ; AUTEUR THEORY ; GENRES ; THEORY ; CAMPION, JANE ; CHARLIE'S COUNTRY (AT, Rolf de Heer, 2013) ; SPEAR (AT, Stephen Page, 2015) ; MAD MAX (AT, George Miller, 1979) ; MAD MAX : FURY ROAD (AT/US, George Miller, 2015) ; MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985) ; MAD MAX II (AT, George Miller, 1981) ; LEGO MOVIE, THE (AT/US/DK, Phil Lord & Christopher Miller, 2014) ; ROCKET, THE (AT/TH/LS, Kim Mordaunt, 2013) ; SERANGOON ROAD [TV] (AT/SI, 2013 -) ; KETTERING INCIDENT, THE [TV](AT, 2015-) ; BACK OF BEYOND, THE (AT, John Heyer, 1953) Summary: The essays assembled here address six thematically organized propositions - that Australian cinema an Indigenous screen culture, an international cinema, a minor transnational imaginary, an auteur-genre-landscape cinema, a televisual industry and a multiplatform ecology. Offering fresh critical perspectives and extending previous scholarship, case studies range from The Lego Movie, Mad Max and Australian stars in Hollywood, to transnational co-productions, YouTube channels, transmedia and naturecam documentaries. New research on trends such as the Blak Wave, the convergence of television and film, digital transformations of screen production and the shifting roles of women, on and off-screen, highlight how established precedents have been transformed by new realities beyond both cinema and national borders. --
Written in an accessible style that does not require knowledge of cinema studies or Australian studies. --
Presents original research on Australian actors such as Cate Blanchett and Chris Hemsworth, evaluating their training, branding and path from Australia to Hollywood. --
Explores the films and filmmakers of the Blak Wave and their challenge to Australian settler-colonial history and white identity. --
Introduces readers to founding texts in Australian screen studies. --
Felicity Collins is Reader/ Associate Professor in Screen Studies, La Trobe University, Melbourne, Australia --
Jane Landman was Senior Lecturer, Victoria University, Melbourne, Australia --
Susan Bye is Education Programmer, Australian Centre for the Moving Image, Melbourne, Australia. --Book JacketNotes: Includes bibliographical references and index -- signed by Felicity CollinsISBN: 9781118942529Contents: You Are Here: Living Maps of Deep Time, Clock Time / Felicity Collins -- Charlie's Country, Gulpilil's Body / Corinn Columpar -- Ivan Sen's Cinematic Imaginary: Restraint, Complexity, and a Politics of Place / Anne Rutherford
-- Shadowing and Disruptive Temporality in Bangarra Dance Theatre's Spear / Felicity Ford -- Beyond the Wonderland of Whiteness: The Blak Wave of Indigenous Women Shaping Race on Screen / Maddee Clark / Odette Kelada -- Another Green World: The Mad Max Series / Constantine Verevis -- Is Everything Awesome?: The LEGO Movie and the Australian Film Industry / Ben Goldsmith -- Jane Campion: Girlshine and the International Auteur / Lisa French -- Constructing Persona: Mediatisation, Performativity, Quality, and Branding in Australian Film Actors's; Migration to Hollywood / P. David Marshall -- Interpreting Anzac and Gallipoli through a Century of Anglophone Screen Representations / James Bennett -- Unsettling the Suburban: Space, Sentiment, and Migration in National Cinematic Imaginaries / Helen Grace -- The Rocket: Small, Foreign-Language Cinema / Olivia Khoo -- Serangoon Road: The Convergent Culture of Minor Transnationalism / Audrey Yue -- An Independent Spirit: Robert Connolly as Auteur-Producer / Susan Bye -- Disruptive Daughters: The Heroine's Journey in Four Films / Diana Sandars -- Atopian Landscapes: Gothic Tropes in Australian Cinema / Jane Stadler -- Spirits Do Come Back: Bunyips and the European Gothic in The Babadook / Stephen Gaunson -- Between Public and Private: How Screen Australia, the ABC and SBS have shaped Film and Television Convergence / Amanda Malel Trevisanut -- Quality vs Value: The Case of The Kettering Incident / Marion McCutcheon / & Sue Turnbull -- The Evolution of Matchbox Pictures: A New Business Model / Helen Goritsas & Ana Tiwary -- Schapellevision: Screen Aesthetics and Asian Drug Stories / Anthony Lambert -- CHURN: Cinema Made Sometime Last Night / Ross Gibson -- Over the Horizon: YouTube Culture Meets Australian Screen Culture / Adam Swift & Stuart Cunningham -- Digital Transmedia Forms and Transnational Documentary Networks / Deane Williams -- Ecological Relations: FalconCam in Conversation with The Back of Beyond / Belinda Smaill -- Where Am I?: The Terror of Terra Nullius / Norie Neumark
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Critical business : the new Australian cinema in review / Sandra Hall Adelaide: Rigby, 1985.
Call No: 71(94) HALAuthor: Hall, Sandra, 1942 Place: AdelaidePublisher: RigbyPubDate: 1985PhysDes: 200 p. : ill., ports. ; 22 cmSubject: AUSTRALIA ; FILMOGRAPHIES. AUSTRALIA ; GENRES ; GENRES. AUSTRALIA ; HISTORY OF CINEMA ; HISTORY OF CINEMA. AUSTRALIA ; ROAD MOVIES ; ROAD MOVIES. AUSTRALIA ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; BARRY MCKENZIE HOLDS HIS OWN (AT, Bruce Beresford, 1974) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; DON'S PARTY (AT, Bruce Beresford, 1976) ; CLUB, THE (AT, Bruce Beresford, 1980) ; PUBERTY BLUES (AT, Bruce Beresford, 1981) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; GALLIPOLI (AT, Peter Weir, 1981) ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; MONKEY GRIP (AT, Ken Cameron, 1982) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) ; RETURN OF CAPTAIN INVINCIBLE, THE (AT, Philippe Mora, 1982) ; CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974) ; STORM BOY (AT, Henri Safran, 1976) ; PHAR LAP (AT, Simon Wincer, 1983) ; MAD DOG MORGAN (AT, Philippe Mora, 1976) ; SQUIZZY TAYLOR (AT, Kevin Dobson, 1982) ; MAN FROM HONG KONG, THE (AT/HK, Brian Trenchard-Smith, 1975) ; MAD MAX (AT, George Miller, 1979) ; MAD MAX II (AT, George Miller, 1981) ; RAZORBACK (AT, Russell Mulcahy, 1984) ISBN: 0727020102 : $16.95 AustLON: anb72702010; 3401972
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Final nominations for 1982 AFI Awards in Australasian Cinema (15/10/1982) vol.11 iss.18 p.9
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In love with the tough in Adelaide Advertiser (28/12/1981)
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In the vernacular : a generation of Australian culture and controversy / Stuart Cunningham St Lucia, Qld: University of Queensland Press, 2008.
Call No: 40(04)(94) CUNAuthor: Cunningham, Stuart Place: St Lucia, QldPublisher: University of Queensland PressPubDate: 2008PhysDes: xxxix, 294 p. ; 23 cmSubject: CULTURE AND THE CINEMA. AUSTRALIA ; IMPERIALISM AND TV. AUSTRALIA ; TELEVISION AND THE CINEMA. AUSTRALIA ; BAXTER, JOHN ; MURDOCH, RUPERT ; BODYLINE [TV] (AT, Carl Schultz & George Ogilvie & Lex Marinos & Denny Lawrence, 1984) ; COWRA BREAKOUT (AT, Chris Noonan & Phil Noyce, 1985) ; DIRTWATER DYNASTY [TV] (AT, John Power & Michael Jenkins, 1988) ; DISMISSAL, THE [TV] (AT, George T. Miller & others, 1983) ; EUREKA STOCKADE [TV] (AT, Rod Hardy, 1984) ; IN THE WAKE OF THE BOUNTY (AT, Charles Chauvel, 1933) ; LAST BASTION, THE (AT, Chris Thomson and Dr. George Miller, 1984) ; LAST FRONTIER, THE [TV] (AT, Simon Wincer, 1986) ; MAD MAX (AT, George Miller, 1979) ; MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985) ; MAD MAX II (AT, George Miller, 1981) ; NEIGHBOURS [TV] (AT, 1985-) ; OVERLANDERS, THE (UK, Harry Watt, 1946) ; VIETNAM [TV] (AT, John Duigan & Chris Noonan, 1987) Summary: "These essays, written over a twenty year period, bring together important works from one of Australias leading cultural studies thinkers. The selected papers map the trajectory of our changing culture and the way the field of cultural, media and communication studies have adapted to accommodate these changes."--Provided by publisherNotes: Includes bibliographical references and indexISBN: 9780702236709
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Japan wants more Australian films in Australasian Cinema (Friday, 30/09/1983) vol.12 iss.18 p.2
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Mad Max 2 / Terry Hayes, George Miller and Brian Hannant ; novelisation by Carl Ruhen Cammeray, [N.S.W.]: Horwitz, 1981.
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'Mad Max 2' audiences down in Courier Mail (06/01/1982) p.-
Call No: TITLE CLIPPINGS FILE; MAD MAX II (AT, George Miller, 1981)Author: - PhysDes: Clippings File ArticleSubject: MAD MAX II (AT, George Miller, 1981) Summary: Report on how Mad Max 2 box office is down slightly in Japan in comparison to its projections
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Mad Max 2 likely to set records in Morning Herald [Newcastle] (31/12/1981) p.-
Call No: TITLE CLIPPINGS FILE; MAD MAX II (AT, George Miller, 1981)Author: - PhysDes: Clippings File ArticleSubject: MAD MAX II (AT, George Miller, 1981) Summary: Report on Mad Max 2's strong box office performance since it's opening in Australia
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Mad max beyond thunderdome in What's on Video and Cinema (June 1986) vol.5 iss.54 p.11-12
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'Mad Max' cleared in Daily News [WA] (07/12/1983) p.-
Call No: TITLE CLIPPINGS FILE; MAD MAX II (AT, George Miller, 1981)PhysDes: Clippings File ArticleSubject: CENSORSHIP ; MAD MAX II (AT, George Miller, 1981) Summary: Report on how Mad Max 2 was cleared by the High Court to be shown in Switzerland
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Mad Max Fury Road / George Miller, story ; Nico Lathouris & Mark Sexton, script ; Mark Sexton [and seven others, art] ; Michael Spicer, Lovern Kindzierski, color ; Clem Robins, Letters Burbank, CA: DC Comics, c2015.
Call No: N79MAD MILAuthor: Miller, George (story) ; Lathouris, Nico (script) ; Sexton, Mark (script) ; Spicer, Michael (color) ; Kindzierski,Lovern (color) ; Robins, Clem (letters) Source: USPlace: Burbank, CAPublisher: DC ComicsPubDate: c2015PhysDes: 1 volume (unpaged) : chiefly illustrations (colour) ; 26 cmSeries: Mad MaxSubject: COMIC STRIPS ; COMIC STRIPS AND THE CINEMA ; UTOPIA IN FILMS ; MAD MAX (AT, George Miller, 1979) ; MAD MAX : FURY ROAD (AT/US, George Miller, 2015) ; MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985) ; ROAD WARRIOR, THE (AT, George Miller, 1981)
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MAD MAX II ; MAD MAX II (AT, George Miller, 1981) Summary: "George Miller, Nico Lathouris and Mark Sexton are writing four prelude stories that follow leading characters Nux, Immortan Joe, Furiosa, and a two-part story about Mad Max. Nico Lathouris serves as a co-writer on the film while Mark Sexton serves as storyboard and concept artist for Mad Max: Fury Road. Interior artists working on these projects include Riccardo Burchielli, Leandro Fernandez, Tristan Jones and Mark Sexton, while covers will be illustrated by Tommy Lee Edwards. Collects MAD MAX: FURY ROAD: NUX & IMMORTAN JOE #1, MAD MAX: FURY ROAD: FURIOSA #1, and MAD MAX: FURY ROAD: MAD MAX #1-2" "Notes: Formerly CIP; This is a graphic novelISBN: 9781401259051
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title clippings file
MAD MAX II : (AT, George Miller, 1981)
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Mad Max II : sound and fury in Theatre Aust (February 1982) vol.6 iss.5 p.52-53
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[Mad Max II : stills file] Warner Bros. Inc.,
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The Mad Max Movies : Mad Max / Mad Max 2 The Road Warrior / Mad Max Beyond Thunderdome / Adrian Martin Strawberry Hills, N.S.W.: Currency Press, ScreenSound Australia, 2003.
Call No: 79 MAD MARAuthor: Martin, Adrian Source: ATPlace: Strawberry Hills, N.S.W.Publisher: Currency Press; ScreenSound AustraliaPubDate: 2003PhysDes: 87 p. : ill. ; 19 cmSeries: Australian Screen ClassicsSubject: MAD MAX (AT, George Miller, 1979) ; MAD MAX [...] (AT, 1979-85) ; MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985) ; MAD MAX II (AT, George Miller, 1981) ; ROAD MOVIES. AUSTRALIA Summary: Martin compares the three Mad Max movies, sharing his views on which works best and why. In a chapter dedicated to each film, he looks at their critical reception and their themes, examines Miller's shooting techniques and provides a shot-by-shot analysis of integral scenes.Notes: Notes: p.74-78
Bibliography: p.79-81
Filmography: p.82-83
Credits: p.84-87ISBN: 0868196703
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Mad Max rides again in The Sun (Melbourne) (17/12/1981) p.-
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Max is even madder in Daily Telegraph (11/12/1981) p.-
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Max keeps pulling in millions in Sydney Morning Herald (04/09/1982) p.-
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Meat pie western for the sukiyaki taste in The Australian (17/12/1981)
Call No: TITLE CLIPPINGS FILE; MAD MAX II (AT, George Miller, 1981)PhysDes: Clippings File ArticleSubject: MAD MAX II (AT, George Miller, 1981) Summary: Mel Gibson talks about Mad Max 2. Some discussion about film's release in Japan and the USA
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Miller's tale in Cinema Papers (January 1988) iss.67 p.12-16
Author: Ryan, Tom PhysDes: ArticleSubject: MAD MAX II (AT, George Miller, 1981) Summary: Interview. George Miller talks with Tom Ryan about his concepts and ideas for his films which include Mad Max (trilogy) and The Witches of Eastwick
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Myths shape a movie from Australia in New York Times (15/08/82) p.13
Call No: TITLE CLIPPINGS FILE; MAD MAX II (AT, George Miller, 1981)Author: Specter, Michael PhysDes: Clippings File ArticleSubject: MAD MAX II (AT, George Miller, 1981) Summary: In depth interview with Mad Max 2 director George Miller about the making of the film
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NBC vies for road warrior in Aust F Rev (Nov 24-Dec 7 1983) vol.1 iss.21 p.1-2
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News from Roadshow in Australasian Cinema (2/4/1982) vol.11 iss.5 p.4
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Off cuts in Aust F Rev (July 21-August 3 1983) vol.1 iss.12 p.14
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Postmodernism, or, The cultural logic of late capitalism / Fredric Jameson London: Verso, 1991.
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Quintet of Australian Winners in Australasian Cinema (16/4/1982) vol.11 iss.6 p.2
PhysDes: ArticleSubject: MAD MAX II (AT, George Miller, 1981) ; GALLIPOLI (AT, Peter Weir, 1981) ; HEATWAVE (AT, Phillip Noyce, 1981) ; PUBERTY BLUES (AT, Bruce Beresford, 1981) ; FREEDOM (AT, Scott Hicks, 1982) ; VILLAGE ROADSHOW ; BOX OFFICE. AUSTRALIA Summary: Brief article about Australian films doing well at the box-office.
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The return of Mad Max in Prevue (June-July 1982) vol.2 iss.8 p.62-65, 77
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'Road Warrior' attacks with full force in South Bay Daily Breeze [USA] (21/5/1982) p.-
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The screening of Australia : anatomy of a national cinema / Susan Dermody, Elizabeth Jacka Sydney: Currency Press, 1987-<1988.
Call No: 71(94) DER v.2Author: Dermody, Susan ; Jacka, Elizabeth Place: SydneyPublisher: Currency PressPubDate: 1987-<1988PhysDes: v. <1-2 > ; 21 cmSeries: Australian screen seriesSubject: BUDDY FILMS. AUSTRALIA ; AUSTRALIA ; THEORY. AUSTRALIA ; CULTURAL IMPERIALISM. AUSTRALIA ; CLASS AND THE CINEMA. AUSTRALIA ; NATIONAL IDENTITY IN FILMS. AUSTRALIA ; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA ; COMEDIES. AUSTRALIA ; WOMEN IN FILMS. AUSTRALIA ; MEN IN FILMS. AUSTRALIA ; POLITICAL FILMS. AUSTRALIA ; SEX IN FILMS. AUSTRALIA ; REALISM IN FILMS. AUSTRALIA ; AUSTRALIAN FILM COMMISSION ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; CAREFUL HE MIGHT HEAR YOU (AT, Carl Schutz, 1983) ; GALLIPOLI (AT, Peter Weir, 1981) ; MAD MAX (AT, George Miller, 1979) ; MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982) ; MY BROTHER JACK (AT, Gil Brealey, 1965) ; ALVIN PURPLE (AT, Tim Burstall, 1973) ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; FAR EAST (AT, John Duigan, 1982) ; F.J. HOLDEN, THE (AT, Michael Thornhill, 1977) ; HEATWAVE (AT, Phillip Noyce, 1981) ; KILLING OF ANGEL STREET, THE (AT, Donald Crombie, 1981) ; MAD MAX II (AT, George Miller, 1981) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; PALM BEACH (AT, Albie Thoms, 1979) ; PHAR LAP (AT, Simon Wincer, 1983) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975) ; TOWN LIKE ALICE, A (AT, David Stevens, 1980) ; WE OF THE NEVER NEVER (AT, Igor Auzins, 1982) Notes: Includes bibliographies and indexISBN: 0861911876 (v. 2); 0868191876 (v. 2)LON: 5369777
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Strong, silent hero Mel, alias Mad Max in Sunday Telegraph (27/12/1981) p.-
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Supercharged action all the way! in Sunday Sun [Brisbane] (10/01/1982)
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The Warner launch of Mad Max II in Aust F Rev (August 18-31 1983) vol.1 iss.14 p.10
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When will he come in from the cold? in Metro (November 1985) iss.68 p.15-18
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Where are they now? Emil Minty in Empire (Australian Ed.) (Jan/Feb 2001) iss.1 p.17
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