Search Catalogue

Author: Michael Adams
PhysDes: Article
Subject: MAD MAX (AT, George Miller, 1979); MAD MAX II (AT, George Miller, 1981)
Summary: Listed in 'movies that changed the world' why it was listed and what it inspired

Call No: TITLE CLIPPINGS FILE; MAD MAX II (AT, George Miller, 1981)
Author: Reid, Campbell
PhysDes: Clippings File Article
Subject: MAD MAX II (AT, George Miller, 1981)
Summary: Writer Terry Hayes discusses the making of Mad Max 2 and its differences to the original Mad Max

PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; SPECIAL EFFECTS. AUSTRALIA; MAKE-UP ARTISTS; MAD MAX II (AT, George Miller, 1981); RETURN OF CAPTAIN INVINCIBLE, THE (AT, Philippe Mora, 1982)
Summary: Article on the importance of makeup and special effects in cinema and what Australia must do to improve.

Call No: 735.2 (93) ASH
Author: Ashton, Romana
Source: AT
Place: Queensland
PubDate: 2005
PhysDes: 317 p. ; 30 cm
Subject: HORROR FILMS. AUSTRALIA; HORROR FILMS. NEW ZEALAND; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); PIANO, THE (AT, Jane Campion, 1993); DOGS IN SPACE (AT, Richard Lowenstein, 1986); BAD BOY BUBBY (AT, Rolf de Heer, 1993); NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); SUMMERFIELD (AT, Ken Hannam, 1977); SHAME (AT, Steve Jodrell, 1988); MAD MAX (AT, George Miller, 1979); MAD MAX II (AT, George Miller, 1981); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974)
Summary: "Although various film critics and academics have located the Gothic in Antipodean cinema, there has been no in-depth study of the Gothic and its ideological entanglements with postmodernism within this cinema. This study is divided into two parts and locates the (postmodern) Gothic in twelve Australian/New Zealand films ranging from Ted Kotcheffs Wake in Fright (1971) to Peter Jacksons Heavenly Creatures (1994). Part one theorizes the Gothic as a subversive cultural mode that foreshadows postmodernism in terms of its antithetical relationship with Enlightenment ideals. Interconnections are made between proto-postmodern aspects of early Gothic literature and the appropriation and intensification of these aspects in what has been dubbed the postmodern Gothic. The dissertation then argues that the Antipodes was/is constructed through Euro-centric discourse(s) as a Gothic/(proto)-postmodern space or place, this construction manifest in, and becoming intertwined with the postmodern in post 1970s Antipodean cinema. In part two, a cross-section of Australian/New Zealand films is organized into cinematic sub-genres in line with their similar thematic preoccupations and settings, all films argued as reflecting a marked postmodern Gothic sensibility. In its conclusion, the study finds that S2Antipodean Gothic cinemaS3, particularly since the 1970s, can be strongly characterized by its combining of Gothic/postmodernist modes of representation, this convergence constitutive of a postmodernized version of the Gothic which is heavily influenced by Euro-centric constructions of the Antipodes in Gothic/(proto)-postmodern related terms. " - ABSTRACT
Notes: Thesis (Doctor of Philosophy) - Central Queensland University: School of Humanities - Faculty of Arts, Humanities and Education, December 2005; Bibliography: leaves 299-314 ; filmography: leaves 315-318 ; telegraphy: leaf 319; We have two copies of this Thesis - they are both filed at 735.2 (93) ASH and are identical. One is labelled 'copy 1' and the other 'copy 2'
Contents: -- Part one: Theorizing the (postmodern) gothic in Antipodean cinema -- 1. A gothic/postmodern poetics: two convergent models. -- 2. Antipodean Gothic/(Proto)-postmodern connections: the European unconscious and the cultural construction of the Antipodes. -- 3. Antipodean cinema: an uneasy background -- Part two: analyzing the (postmodern) gothic in Antipodean cinema. -- 4. Anitpodean ccolonial gothic: 'Picnic at Hanging Rock' and 'The Piano'. -- 5. Anitpodean urban gothic: 'Dogs in Space' and 'Bad Boy Bubby'. -- 6. Antipodean surburban gothic: -- 'The Night the Prowler' and 'Heavenly Creatures'. -- 7. Antipodean rural gothic: 'Wake in Fright', 'Summerfield', and 'Shame'. -- 8. Antipodean sci-fi car crash films and the gothic: 'The Cars that Ate Paris', 'Mad Max', and 'Mad Max - The Road Warrior'. -- Conclusion -- Bibliography -- Filmography -- Teleography.
ID2: 290

PhysDes: Article
Subject: MAD MAX II (AT, George Miller, 1981); LONELY HEARTS (AT, Paul Cox, 1982); MILLER, GEORGE; HAZLEHURST, NONI; MONKEY GRIP (AT, Ken Cameron, 1982); ANGELS OF WAR (AT, Andrew Pike & Hank Nelson & Gavan Daws, 1982); AUSTRALIAN FILM INSTITUTE AWARDS
Summary: List of winners at the 1982 Australian Film Institute Awards.

PhysDes: Article
Subject: YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); MAD MAX II (AT, George Miller, 1981); DESOLATION ANGELS (AT, Chris Fitchett, 1982); CLINIC, THE (AT, David Stevens, 1982); MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982); AUSTRALIAN FILM INSTITUTE AWARDS
Summary: Article on the nominees for the Australian Film Institute Awards, as well as information on the AFI at large and the state of the Australian film industry.

Call No: 71(94) COM
Author: Collins, Felicity; Columpar, Corinn; Rutherford, Anne; Ford, Felicity; Kelada, Odette; Clark, Maddee; Verevis, Constantine; Goldsmith, Ben; French, Lisa; David Marshall, P.; Bennett, James; Grace, Helen; Khoo, Olivia; Yue, Audrey; Bye, Susan; Sandars, Diana; Stadler, Jane; Gaunson, Stephen; Trevisanut, Amanda Malel; Turnbull, Sue; McCutcheon, Marion; Goritsas, Helen; Tiwary, Ana; Lambert, Anthony; Gibson, Ross; Cunningham, Stuart; Swift, Adam; Williams, Deane; Smaill, Belinda; Neumark, Norie
Source: US/UK
Place: Hoboken, New Jersey
Publisher: Wiley-Blackwell
PubDate: 2019
PhysDes: xxii, 581 pages ; 26 cm
Series: Wiley Blackwell companions to national cinema
Subject: AUSTRALIA; FILM; INDUSTRY, FILM; INDUSTRY, FILM. AUSTRALIA; INDIGENOUS; AUSTRALIAN ABORIGINAL CINEMA; TRANSNATIONAL CINEMA; HISTORY OF CINEMA; HISTORY OF CINEMA. AUSTRALIA; TELEVISION AND THE CINEMA; TELEVISION AND THE CINEMA. AUSTRALIA; AUTEUR THEORY; GENRES; THEORY; CAMPION, JANE; CHARLIE'S COUNTRY (AT, Rolf de Heer, 2013); SPEAR (AT, Stephen Page, 2015); MAD MAX (AT, George Miller, 1979); MAD MAX : FURY ROAD (AT/US, George Miller, 2015); MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985); MAD MAX II (AT, George Miller, 1981); LEGO MOVIE, THE (AT/US/DK, Phil Lord & Christopher Miller, 2014); ROCKET, THE (AT/TH/LS, Kim Mordaunt, 2013); SERANGOON ROAD [TV] (AT/SI, 2013 -); KETTERING INCIDENT, THE [TV](AT, 2015-); BACK OF BEYOND, THE (AT, John Heyer, 1953)
Summary: The essays assembled here address six thematically organized propositions - that Australian cinema an Indigenous screen culture, an international cinema, a minor transnational imaginary, an auteur-genre-landscape cinema, a televisual industry and a multiplatform ecology. Offering fresh critical perspectives and extending previous scholarship, case studies range from The Lego Movie, Mad Max and Australian stars in Hollywood, to transnational co-productions, YouTube channels, transmedia and naturecam documentaries. New research on trends such as the Blak Wave, the convergence of television and film, digital transformations of screen production and the shifting roles of women, on and off-screen, highlight how established precedents have been transformed by new realities beyond both cinema and national borders. -- Written in an accessible style that does not require knowledge of cinema studies or Australian studies. -- Presents original research on Australian actors such as Cate Blanchett and Chris Hemsworth, evaluating their training, branding and path from Australia to Hollywood. -- Explores the films and filmmakers of the Blak Wave and their challenge to Australian settler-colonial history and white identity. -- Introduces readers to founding texts in Australian screen studies. -- Felicity Collins is Reader/ Associate Professor in Screen Studies, La Trobe University, Melbourne, Australia -- Jane Landman was Senior Lecturer, Victoria University, Melbourne, Australia -- Susan Bye is Education Programmer, Australian Centre for the Moving Image, Melbourne, Australia. --Book Jacket
Notes: Includes bibliographical references and index -- signed by Felicity Collins
ISBN: 9781118942529
Contents: You Are Here: Living Maps of Deep Time, Clock Time / Felicity Collins -- Charlie's Country, Gulpilil's Body / Corinn Columpar -- Ivan Sen's Cinematic Imaginary: Restraint, Complexity, and a Politics of Place / Anne Rutherford -- Shadowing and Disruptive Temporality in Bangarra Dance Theatre's Spear / Felicity Ford -- Beyond the Wonderland of Whiteness: The Blak Wave of Indigenous Women Shaping Race on Screen / Maddee Clark / Odette Kelada -- Another Green World: The Mad Max Series / Constantine Verevis -- Is Everything Awesome?: The LEGO Movie and the Australian Film Industry / Ben Goldsmith -- Jane Campion: Girlshine and the International Auteur / Lisa French -- Constructing Persona: Mediatisation, Performativity, Quality, and Branding in Australian Film Actors's; Migration to Hollywood / P. David Marshall -- Interpreting Anzac and Gallipoli through a Century of Anglophone Screen Representations / James Bennett -- Unsettling the Suburban: Space, Sentiment, and Migration in National Cinematic Imaginaries / Helen Grace -- The Rocket: Small, Foreign-Language Cinema / Olivia Khoo -- Serangoon Road: The Convergent Culture of Minor Transnationalism / Audrey Yue -- An Independent Spirit: Robert Connolly as Auteur-Producer / Susan Bye -- Disruptive Daughters: The Heroine's Journey in Four Films / Diana Sandars -- Atopian Landscapes: Gothic Tropes in Australian Cinema / Jane Stadler -- Spirits Do Come Back: Bunyips and the European Gothic in The Babadook / Stephen Gaunson -- Between Public and Private: How Screen Australia, the ABC and SBS have shaped Film and Television Convergence / Amanda Malel Trevisanut -- Quality vs Value: The Case of The Kettering Incident / Marion McCutcheon / & Sue Turnbull -- The Evolution of Matchbox Pictures: A New Business Model / Helen Goritsas & Ana Tiwary -- Schapellevision: Screen Aesthetics and Asian Drug Stories / Anthony Lambert -- CHURN: Cinema Made Sometime Last Night / Ross Gibson -- Over the Horizon: YouTube Culture Meets Australian Screen Culture / Adam Swift & Stuart Cunningham -- Digital Transmedia Forms and Transnational Documentary Networks / Deane Williams -- Ecological Relations: FalconCam in Conversation with The Back of Beyond / Belinda Smaill -- Where Am I?: The Terror of Terra Nullius / Norie Neumark

Call No: 71(94) HAL
Author: Hall, Sandra, 1942
Place: Adelaide
Publisher: Rigby
PubDate: 1985
PhysDes: 200 p. : ill., ports. ; 22 cm
Subject: AUSTRALIA; FILMOGRAPHIES. AUSTRALIA; GENRES; GENRES. AUSTRALIA; HISTORY OF CINEMA; HISTORY OF CINEMA. AUSTRALIA; ROAD MOVIES; ROAD MOVIES. AUSTRALIA; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); BARRY MCKENZIE HOLDS HIS OWN (AT, Bruce Beresford, 1974); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); DON'S PARTY (AT, Bruce Beresford, 1976); CLUB, THE (AT, Bruce Beresford, 1980); PUBERTY BLUES (AT, Bruce Beresford, 1981); BREAKER MORANT (AT, Bruce Beresford, 1980); GALLIPOLI (AT, Peter Weir, 1981); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); MONKEY GRIP (AT, Ken Cameron, 1982); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); RETURN OF CAPTAIN INVINCIBLE, THE (AT, Philippe Mora, 1982); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); STORM BOY (AT, Henri Safran, 1976); PHAR LAP (AT, Simon Wincer, 1983); MAD DOG MORGAN (AT, Philippe Mora, 1976); SQUIZZY TAYLOR (AT, Kevin Dobson, 1982); MAN FROM HONG KONG, THE (AT/HK, Brian Trenchard-Smith, 1975); MAD MAX (AT, George Miller, 1979); MAD MAX II (AT, George Miller, 1981); RAZORBACK (AT, Russell Mulcahy, 1984)
ISBN: 0727020102 : $16.95 Aust
LON: anb72702010; 3401972

PhysDes: Article
Subject: MAD MAX II (AT, George Miller, 1981); MONKEY GRIP (AT, Ken Cameron, 1982); WE OF THE NEVER NEVER (AT, Igor Auzins, 1982); COX, PAUL; HAZLEHURST, NONI; MILLER, GEORGE; AUSTRALIAN FILM INSTITUTE AWARDS
Summary: Full list of 1982 AFI Award nominees

Call No: TITLE CLIPPINGS FILE; MAD MAX II (AT, George Miller, 1981)
Author: Jennings, Terry
PhysDes: Clippings File Article
Subject: MAD MAX II (AT, George Miller, 1981)
Summary: Positive review of Mad Max 2

Call No: 40(04)(94) CUN
Author: Cunningham, Stuart
Place: St Lucia, Qld
Publisher: University of Queensland Press
PubDate: 2008
PhysDes: xxxix, 294 p. ; 23 cm
Subject: CULTURE AND THE CINEMA. AUSTRALIA; IMPERIALISM AND TV. AUSTRALIA; TELEVISION AND THE CINEMA. AUSTRALIA; BAXTER, JOHN; MURDOCH, RUPERT; BODYLINE [TV] (AT, Carl Schultz & George Ogilvie & Lex Marinos & Denny Lawrence, 1984); COWRA BREAKOUT (AT, Chris Noonan & Phil Noyce, 1985); DIRTWATER DYNASTY [TV] (AT, John Power & Michael Jenkins, 1988); DISMISSAL, THE [TV] (AT, George T. Miller & others, 1983); EUREKA STOCKADE [TV] (AT, Rod Hardy, 1984); IN THE WAKE OF THE BOUNTY (AT, Charles Chauvel, 1933); LAST BASTION, THE (AT, Chris Thomson and Dr. George Miller, 1984); LAST FRONTIER, THE [TV] (AT, Simon Wincer, 1986); MAD MAX (AT, George Miller, 1979); MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985); MAD MAX II (AT, George Miller, 1981); NEIGHBOURS [TV] (AT, 1985-); OVERLANDERS, THE (UK, Harry Watt, 1946); VIETNAM [TV] (AT, John Duigan & Chris Noonan, 1987)
Summary: "These essays, written over a twenty year period, bring together important works from one of Australias leading cultural studies thinkers. The selected papers map the trajectory of our changing culture and the way the field of cultural, media and communication studies have adapted to accommodate these changes."--Provided by publisher
Notes: Includes bibliographical references and index
ISBN: 9780702236709

Author: Vial, Andrew
PhysDes: Article
Subject: JAPAN; AUSTRALIA; AUSTRALIAN FILM COMMISSION; DISTRIBUTION. AUSTRALIA; MAD MAX (AT, George Miller, 1979); MAD MAX II (AT, George Miller, 1981)
Summary: Artcle on Japanes distributor Tokyovision Inc.'s wish to distribute more Australian films in Japan, especially after the success of Mad Max and Mad Max II. The author proposes that the Australian Film Commission open an office in Tokyo.

Call No: N79 MAD HAY
Author: Hayes, Terry
Source: AT
Place: Cammeray, [N.S.W.]
Publisher: Horwitz
PubDate: 1981
PhysDes: 136 p. : ill. ; 18 cm
Subject: MAD MAX II (AT, George Miller, 1981)
ISBN: 0725511834

Call No: TITLE CLIPPINGS FILE; MAD MAX II (AT, George Miller, 1981)
Author: -
PhysDes: Clippings File Article
Subject: MAD MAX II (AT, George Miller, 1981)
Summary: Report on how Mad Max 2 box office is down slightly in Japan in comparison to its projections

Call No: TITLE CLIPPINGS FILE; MAD MAX II (AT, George Miller, 1981)
Author: -
PhysDes: Clippings File Article
Subject: MAD MAX II (AT, George Miller, 1981)
Summary: Report on Mad Max 2's strong box office performance since it's opening in Australia

PhysDes: Article
Subject: MAD MAX II (AT, George Miller, 1981)
Summary: Outlines the history of the Mad Max films.

Call No: TITLE CLIPPINGS FILE; MAD MAX II (AT, George Miller, 1981)
PhysDes: Clippings File Article
Subject: CENSORSHIP; MAD MAX II (AT, George Miller, 1981)
Summary: Report on how Mad Max 2 was cleared by the High Court to be shown in Switzerland

Call No: N79MAD MIL
Author: Miller, George (story); Lathouris, Nico (script); Sexton, Mark (script); Spicer, Michael (color); Kindzierski,Lovern (color); Robins, Clem (letters)
Source: US
Place: Burbank, CA
Publisher: DC Comics
PubDate: c2015
PhysDes: 1 volume (unpaged) : chiefly illustrations (colour) ; 26 cm
Series: Mad Max
Subject: COMIC STRIPS; COMIC STRIPS AND THE CINEMA; UTOPIA IN FILMS; MAD MAX (AT, George Miller, 1979); MAD MAX : FURY ROAD (AT/US, George Miller, 2015); MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985); ROAD WARRIOR, THE (AT, George Miller, 1981) SEE MAD MAX II; MAD MAX II (AT, George Miller, 1981)
Summary: "George Miller, Nico Lathouris and Mark Sexton are writing four prelude stories that follow leading characters Nux, Immortan Joe, Furiosa, and a two-part story about Mad Max. Nico Lathouris serves as a co-writer on the film while Mark Sexton serves as storyboard and concept artist for Mad Max: Fury Road. Interior artists working on these projects include Riccardo Burchielli, Leandro Fernandez, Tristan Jones and Mark Sexton, while covers will be illustrated by Tommy Lee Edwards. Collects MAD MAX: FURY ROAD: NUX & IMMORTAN JOE #1, MAD MAX: FURY ROAD: FURIOSA #1, and MAD MAX: FURY ROAD: MAD MAX #1-2" "
Notes: Formerly CIP; This is a graphic novel
ISBN: 9781401259051

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Stills; Clippings
Subject: MAD MAX II (AT, George Miller, 1981)

Author: Riddell, Elizabeth
PhysDes: Article
Subject: MAD MAX II (AT, George Miller, 1981)
Summary: Review

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: Warner Bros. Inc.
PhysDes: 3 photographs : b&w ; 20 x 25 cm
Subject: WELLS, VERNON; MAD MAX II (AT, George Miller, 1981)
Summary: Three black and white photographs from the film Mad Max II

Call No: 79 MAD MAR
Author: Martin, Adrian
Source: AT
Place: Strawberry Hills, N.S.W.
Publisher: Currency Press; ScreenSound Australia
PubDate: 2003
PhysDes: 87 p. : ill. ; 19 cm
Series: Australian Screen Classics
Subject: MAD MAX (AT, George Miller, 1979); MAD MAX [...] (AT, 1979-85); MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985); MAD MAX II (AT, George Miller, 1981); ROAD MOVIES. AUSTRALIA
Summary: Martin compares the three Mad Max movies, sharing his views on which works best and why. In a chapter dedicated to each film, he looks at their critical reception and their themes, examines Miller's shooting techniques and provides a shot-by-shot analysis of integral scenes.
Notes: Notes: p.74-78 Bibliography: p.79-81 Filmography: p.82-83 Credits: p.84-87
ISBN: 0868196703

Call No: TITLE CLIPPINGS FILE; MAD MAX II (AT, George Miller, 1981)
Author: Hutchinson, Ivan
PhysDes: Clippings File Article
Subject: MAD MAX (AT, George Miller, 1979); MAD MAX II (AT, George Miller, 1981)
Summary: Preview of Mad Max 2 with some commentary on the original Mad Max film

Call No: TITLE CLIPPINGS FILE; MAD MAX II (AT, George Miller, 1981)
Author: Sullivan, Walter
PhysDes: Clippings File Article
Subject: MAD MAX II (AT, George Miller, 1981)
Summary: Preview of Mad Max 2

Call No: TITLE CLIPPINGS FILE; MAD MAX II (AT, George Miller, 1981)
Author: Wyndham, Susan
PhysDes: Clippings File Article
Subject: MAD MAX (AT, George Miller, 1979); MAD MAX II (AT, George Miller, 1981)
Summary: Report into the blockbuster box office success of the Mad Max films

Call No: TITLE CLIPPINGS FILE; MAD MAX II (AT, George Miller, 1981)
PhysDes: Clippings File Article
Subject: MAD MAX II (AT, George Miller, 1981)
Summary: Mel Gibson talks about Mad Max 2. Some discussion about film's release in Japan and the USA

Author: Ryan, Tom
PhysDes: Article
Subject: MAD MAX II (AT, George Miller, 1981)
Summary: Interview. George Miller talks with Tom Ryan about his concepts and ideas for his films which include Mad Max (trilogy) and The Witches of Eastwick

Call No: TITLE CLIPPINGS FILE; MAD MAX II (AT, George Miller, 1981)
Author: Specter, Michael
PhysDes: Clippings File Article
Subject: MAD MAX II (AT, George Miller, 1981)
Summary: In depth interview with Mad Max 2 director George Miller about the making of the film

Author: Roberts, Margaret
PhysDes: Article
Subject: MAD MAX II (AT, George Miller, 1981)
Summary: Mad Max II becomes second Australian feature bought by US TV.

PhysDes: Article
Subject: QUARTET (UK/FR, James Ivory, 1981); BUTTERFLY (US, Matt Cimber, 1982); MAD MAX (AT, George Miller, 1979); MAD MAX II (AT, George Miller, 1981)
Summary: Updates on Roadshow films.

Author: Schwartz, Eric
PhysDes: Article
Subject: MAD MAX II (AT, George Miller, 1981)
Summary: US/UK box office reaction to Australian films.

Call No: 64POS JAM
Author: Jameson, Fredric
Place: London
Publisher: Verso
PubDate: 1991
PhysDes: xxii, 438 p., [6]] p. of plates : ill. (some col.) ; 24 cm
Subject: POSTMODERNISM AND THE CINEMA; NOSTALGIA IN FILMS; SURREALISM AND THE CINEMA; MAD MAX II (AT, George Miller, 1981)
Notes: Includes bibliographical references and index
ISBN: 0860915379 (pbk.) : $9.95; 0860913147(cased) : $21.95
LON: bnb86091314; 7539810

PhysDes: Article
Subject: MAD MAX II (AT, George Miller, 1981); GALLIPOLI (AT, Peter Weir, 1981); HEATWAVE (AT, Phillip Noyce, 1981); PUBERTY BLUES (AT, Bruce Beresford, 1981); FREEDOM (AT, Scott Hicks, 1982); VILLAGE ROADSHOW; BOX OFFICE. AUSTRALIA
Summary: Brief article about Australian films doing well at the box-office.

Author: Steranko
PhysDes: Article
Subject: MAD MAX II (AT, George Miller, 1981)
Summary: Ill

Call No: TITLE CLIPPINGS FILE; MAD MAX II (AT, George Miller, 1981)
Author: Bensoua, Joseph
PhysDes: Clippings File Article
Subject: MAD MAX II (AT, George Miller, 1981)
Summary: Review of Mad Max 2, recommending it for its action sequences

Call No: 71(94) DER v.2
Author: Dermody, Susan; Jacka, Elizabeth
Place: Sydney
Publisher: Currency Press
PubDate: 1987-<1988
PhysDes: v. <1-2 > ; 21 cm
Series: Australian screen series
Subject: BUDDY FILMS. AUSTRALIA; AUSTRALIA; THEORY. AUSTRALIA; CULTURAL IMPERIALISM. AUSTRALIA; CLASS AND THE CINEMA. AUSTRALIA; NATIONAL IDENTITY IN FILMS. AUSTRALIA; NATIONAL CULTURE AND THE CINEMA. AUSTRALIA; COMEDIES. AUSTRALIA; WOMEN IN FILMS. AUSTRALIA; MEN IN FILMS. AUSTRALIA; POLITICAL FILMS. AUSTRALIA; SEX IN FILMS. AUSTRALIA; REALISM IN FILMS. AUSTRALIA; AUSTRALIAN FILM COMMISSION; BREAKER MORANT (AT, Bruce Beresford, 1980); ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); CAREFUL HE MIGHT HEAR YOU (AT, Carl Schutz, 1983); GALLIPOLI (AT, Peter Weir, 1981); MAD MAX (AT, George Miller, 1979); MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982); MY BROTHER JACK (AT, Gil Brealey, 1965); ALVIN PURPLE (AT, Tim Burstall, 1973); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); FAR EAST (AT, John Duigan, 1982); F.J. HOLDEN, THE (AT, Michael Thornhill, 1977); HEATWAVE (AT, Phillip Noyce, 1981); KILLING OF ANGEL STREET, THE (AT, Donald Crombie, 1981); MAD MAX II (AT, George Miller, 1981); NEWSFRONT (AT, Phillip Noyce, 1978); PALM BEACH (AT, Albie Thoms, 1979); PHAR LAP (AT, Simon Wincer, 1983); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975); TOWN LIKE ALICE, A (AT, David Stevens, 1980); WE OF THE NEVER NEVER (AT, Igor Auzins, 1982)
Notes: Includes bibliographies and index
ISBN: 0861911876 (v. 2); 0868191876 (v. 2)
LON: 5369777

Call No: TITLE CLIPPINGS FILE; MAD MAX II (AT, George Miller, 1981)
Author: Chidiac, Christine
PhysDes: Clippings File Article
Subject: GIBSON, MEL; MAD MAX II (AT, George Miller, 1981)
Summary: Interview with Mad Max 2 star Mel Gibson

Call No: TITLE CLIPPINGS FILE; MAD MAX II (AT, George Miller, 1981)
Author: Bentley, David
PhysDes: Clippings File Article
Subject: MAD MAX II (AT, George Miller, 1981)
Summary: Positive review of Mad Max 2

Author: Bright,. Greg
PhysDes: Article
Subject: MAD MAX II (AT, George Miller, 1981)
Summary: Warner House Video release of Mad Max II on cassette.

Author: Nicoll, John
PhysDes: Article
Subject: MAD MAX II (AT, George Miller, 1981)
Summary: On the three Mad Max films article.

Author: Matt Coyte
PhysDes: Article
Subject: MINTY, EMIL; MAD MAX II (AT, George Miller, 1981)
Summary: Interview with Emil Minty on his role in Mad Max II