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Call No: 71 (6) AFR
Author: Australian Film Institute
Place: Sydney
Publisher: Australian Film Institute
PhysDes: 32 unnumbered pages : illustrations ; 21 cm
Subject: VISAGES DE FEMMES (IV, Desire Ecare, 1985); FINYE (ML, Souleymane Cisse, 1982); NYMANTON (ML, Cheik Omar Sissoko, 1986); HARVEST: 3000 YEARS (ET, Haile Gerima, 1976); AFRICAN CAMERA (TI, Ferid Boughedir, 1983); WEST INDIES STORY (MU, Med Hondo, 1979); VIE EST BELLE, LA (CG/BE/FR, Benoit Lamy & Ngangura Mweze, 1987); TOUKI BOUKI (SG, Djibril Diop Mambety, 1973); KADDU BEYKAT (SG, Safi Faye, 1975); BOPHA (US/SA, Daniel Riesenfeld, 1986); SONG OF THE SPEAR (UK, 1985); ANVIL AND THE HAMMER, THE (UK, Barry Feinberg, 1985); MANDELA (US, Peter Davis, 1986); CONSUMING HUNGER (US, Ilan Ziv & Freke Vuijst, 1987); SAMBIZANGA (AL, Sarah Maldoror, 1972); MANDABI [MONEY ORDER, THE] (SG, Ousmane Sembene, 1968); AFRICA; AFRICA IN FILMS; SOUTH AFRICA; SOUTH AFRICA IN FILMS
Notes: Title from cover. "This monograph was produced to accompany African camera, a festival of recent African cinema imported by the Australian Film Institute in September/ October 1987--Page 2. Includes bibliographical references (page 31)

Call No: 71(94) COM
Author: Collins, Felicity; Columpar, Corinn; Rutherford, Anne; Ford, Felicity; Kelada, Odette; Clark, Maddee; Verevis, Constantine; Goldsmith, Ben; French, Lisa; David Marshall, P.; Bennett, James; Grace, Helen; Khoo, Olivia; Yue, Audrey; Bye, Susan; Sandars, Diana; Stadler, Jane; Gaunson, Stephen; Trevisanut, Amanda Malel; Turnbull, Sue; McCutcheon, Marion; Goritsas, Helen; Tiwary, Ana; Lambert, Anthony; Gibson, Ross; Cunningham, Stuart; Swift, Adam; Williams, Deane; Smaill, Belinda; Neumark, Norie
Source: US/UK
Place: Hoboken, New Jersey
Publisher: Wiley-Blackwell
PubDate: 2019
PhysDes: xxii, 581 pages ; 26 cm
Series: Wiley Blackwell companions to national cinema
Subject: AUSTRALIA; FILM; INDUSTRY, FILM; INDUSTRY, FILM. AUSTRALIA; INDIGENOUS; ABORIGINAL AUSTRALIAN CINEMA; TRANSNATIONAL CINEMA; HISTORY OF CINEMA; HISTORY OF CINEMA. AUSTRALIA; TELEVISION AND THE CINEMA; TELEVISION AND THE CINEMA. AUSTRALIA; AUTEUR THEORY; GENRES; THEORY; CAMPION, JANE; CHARLIE'S COUNTRY (AT, Rolf de Heer, 2013); SPEAR (AT, Stephen Page, 2015); MAD MAX (AT, George Miller, 1979); MAD MAX: FURY ROAD (AT/US, George Miller, 2015); MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985); MAD MAX II (AT, George Miller, 1981); LEGO MOVIE, THE (US/AT/DK, Phil Lord and Christopher Miller, 2014); ROCKET, THE (AT/TH/LS, Kim Mordaunt, 2013); SERANGOON ROAD [TV] (AT/SI, 2013 -); KETTERING INCIDENT, THE [TV](AT, 2015-); BACK OF BEYOND, THE (AT, John Heyer, 1953)
Summary: The essays assembled here address six thematically organized propositions - that Australian cinema an Indigenous screen culture, an international cinema, a minor transnational imaginary, an auteur-genre-landscape cinema, a televisual industry and a multiplatform ecology. Offering fresh critical perspectives and extending previous scholarship, case studies range from The Lego Movie, Mad Max and Australian stars in Hollywood, to transnational co-productions, YouTube channels, transmedia and naturecam documentaries. New research on trends such as the Blak Wave, the convergence of television and film, digital transformations of screen production and the shifting roles of women, on and off-screen, highlight how established precedents have been transformed by new realities beyond both cinema and national borders. -- Written in an accessible style that does not require knowledge of cinema studies or Australian studies. -- Presents original research on Australian actors such as Cate Blanchett and Chris Hemsworth, evaluating their training, branding and path from Australia to Hollywood. -- Explores the films and filmmakers of the Blak Wave and their challenge to Australian settler-colonial history and white identity. -- Introduces readers to founding texts in Australian screen studies. -- Felicity Collins is Reader/ Associate Professor in Screen Studies, La Trobe University, Melbourne, Australia -- Jane Landman was Senior Lecturer, Victoria University, Melbourne, Australia -- Susan Bye is Education Programmer, Australian Centre for the Moving Image, Melbourne, Australia. --Book Jacket
Notes: Includes bibliographical references and index -- signed by Felicity Collins
ISBN: 9781118942529
Contents: You Are Here: Living Maps of Deep Time, Clock Time / Felicity Collins -- Charlie's Country, Gulpilil's Body / Corinn Columpar -- Ivan Sen's Cinematic Imaginary: Restraint, Complexity, and a Politics of Place / Anne Rutherford -- Shadowing and Disruptive Temporality in Bangarra Dance Theatre's Spear / Felicity Ford -- Beyond the Wonderland of Whiteness: The Blak Wave of Indigenous Women Shaping Race on Screen / Maddee Clark / Odette Kelada -- Another Green World: The Mad Max Series / Constantine Verevis -- Is Everything Awesome?: The LEGO Movie and the Australian Film Industry / Ben Goldsmith -- Jane Campion: Girlshine and the International Auteur / Lisa French -- Constructing Persona: Mediatisation, Performativity, Quality, and Branding in Australian Film Actors's; Migration to Hollywood / P. David Marshall -- Interpreting Anzac and Gallipoli through a Century of Anglophone Screen Representations / James Bennett -- Unsettling the Suburban: Space, Sentiment, and Migration in National Cinematic Imaginaries / Helen Grace -- The Rocket: Small, Foreign-Language Cinema / Olivia Khoo -- Serangoon Road: The Convergent Culture of Minor Transnationalism / Audrey Yue -- An Independent Spirit: Robert Connolly as Auteur-Producer / Susan Bye -- Disruptive Daughters: The Heroine's Journey in Four Films / Diana Sandars -- Atopian Landscapes: Gothic Tropes in Australian Cinema / Jane Stadler -- Spirits Do Come Back: Bunyips and the European Gothic in The Babadook / Stephen Gaunson -- Between Public and Private: How Screen Australia, the ABC and SBS have shaped Film and Television Convergence / Amanda Malel Trevisanut -- Quality vs Value: The Case of The Kettering Incident / Marion McCutcheon / & Sue Turnbull -- The Evolution of Matchbox Pictures: A New Business Model / Helen Goritsas & Ana Tiwary -- Schapellevision: Screen Aesthetics and Asian Drug Stories / Anthony Lambert -- CHURN: Cinema Made Sometime Last Night / Ross Gibson -- Over the Horizon: YouTube Culture Meets Australian Screen Culture / Adam Swift & Stuart Cunningham -- Digital Transmedia Forms and Transnational Documentary Networks / Deane Williams -- Ecological Relations: FalconCam in Conversation with The Back of Beyond / Belinda Smaill -- Where Am I?: The Terror of Terra Nullius / Norie Neumark

Call No: TITLE CLIPPINGS FILE; SPEAR (AT, Stephen Page, 2015)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: SPEAR (AT, Stephen Page, 2015)
Summary: Review of the film SPEAR
Rating: 3.5 out of 5 stars

Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: FESTIVALS. ADELAIDE; HIGHLY STRUNG (AT, Scott Hicks, 2015); MONTH OF SUNDAYS, A (AT, Matthew Saville, 2015); SPEAR (AT, Stephen Page, 2015); GIRL ASLEEP (AT, Rosemary Myers, 2015)
Summary: Article about films showing at the 2015 Adelaide International Film Festival, with a focus on the Scott Hicks documentary HIGHLY STRUNG

Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. ADELAIDE
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: FESTIVALS. ADELAIDE; VANUATU; BAD BOY BUBBY (AT, Rolf de Heer, 1993); TANNA (AT/VU, Bentley Dean and Martin Butler, 2015); SPEAR (AT, Stephen Page, 2015)
Summary: Glowing review of three Australian films (TANNA, BAD BOY BUBBY, SPEAR) shown at the 2015 Adelaide Film Festival. The article focuses on the success of TANNA, and the debut screening of BAD BOY BUBBY with binaural sound

Call No: TITLE CLIPPINGS FILE; SPEAR (AT, Stephen Page, 2015)
Author: Munro, Peter
PhysDes: Clippings File Article
Subject: SPEAR (AT, Stephen Page, 2015)
Summary: Interview with SPEAR director and co-writer Stephen Page where he discusses the film as well as how it reflects his own and other indigenous people's experiences in modern Australia

Call No: TITLE CLIPPINGS FILE; SPEAR (AT, Stephen Page, 2015)
Author: Sykes, Jill
PhysDes: Clippings File Article
Subject: SPEAR (AT, Stephen Page, 2015)
Summary: Review of the film SPEAR
Rating: 3 out of 5 stars

Author: Elliot, Bonnie
PhysDes: Article
Subject: SPEAR (AT, Stephen Page, 2015); INDIGENOUS PEOPLE'S CINEMA. AUSTRALIA; ELLIOT, BONNIE
Summary: Cinematographer Bonnie Elliot talks about working on the Australian film Spear directed by Stephen Page. She talks about the unusual process of funding the film and working with a non-traditional narrative. Bangarra and dance's relationship with the film is also discussed.

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: SONG OF THE SPEAR (UK, 1985)

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: SPEAR (AT, Stephen Page, 2015)
URL status: URL: 'http://file://Q:/T/SPEAR.zip' Checked: 31/08/2021 1:36:18 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: TITLE CLIPPINGS FILE SPEAR (AT, Stephen Page, 2015)
Author: Hawker, Philippa
PhysDes: Clippings
Subject: SPEAR (AT, Stephen Page, 2015)
Summary: Short advance notice on the forthcoming indigenous feature.