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Call No: 735.2 (93) ASH
Author: Ashton, Romana
Source: AT
Place: Queensland
PubDate: 2005
PhysDes: 317 p. ; 30 cm
Subject: HORROR FILMS. AUSTRALIA; HORROR FILMS. NEW ZEALAND; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); PIANO, THE (AT, Jane Campion, 1993); DOGS IN SPACE (AT, Richard Lowenstein, 1986); BAD BOY BUBBY (AT, Rolf de Heer, 1993); NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978); HEAVENLY CREATURES (NZ, Peter Jackson, 1994); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); SUMMERFIELD (AT, Ken Hannam, 1977); SHAME (AT, Steve Jodrell, 1988); MAD MAX (AT, George Miller, 1979); MAD MAX II (AT, George Miller, 1981); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974)
Summary: "Although various film critics and academics have located the Gothic in Antipodean cinema, there has been no in-depth study of the Gothic and its ideological entanglements with postmodernism within this cinema. This study is divided into two parts and locates the (postmodern) Gothic in twelve Australian/New Zealand films ranging from Ted Kotcheffs Wake in Fright (1971) to Peter Jacksons Heavenly Creatures (1994). Part one theorizes the Gothic as a subversive cultural mode that foreshadows postmodernism in terms of its antithetical relationship with Enlightenment ideals. Interconnections are made between proto-postmodern aspects of early Gothic literature and the appropriation and intensification of these aspects in what has been dubbed the postmodern Gothic. The dissertation then argues that the Antipodes was/is constructed through Euro-centric discourse(s) as a Gothic/(proto)-postmodern space or place, this construction manifest in, and becoming intertwined with the postmodern in post 1970s Antipodean cinema. In part two, a cross-section of Australian/New Zealand films is organized into cinematic sub-genres in line with their similar thematic preoccupations and settings, all films argued as reflecting a marked postmodern Gothic sensibility. In its conclusion, the study finds that S2Antipodean Gothic cinemaS3, particularly since the 1970s, can be strongly characterized by its combining of Gothic/postmodernist modes of representation, this convergence constitutive of a postmodernized version of the Gothic which is heavily influenced by Euro-centric constructions of the Antipodes in Gothic/(proto)-postmodern related terms. " - ABSTRACT
Notes: Thesis (Doctor of Philosophy) - Central Queensland University: School of Humanities - Faculty of Arts, Humanities and Education, December 2005; Bibliography: leaves 299-314 ; filmography: leaves 315-318 ; telegraphy: leaf 319; We have two copies of this Thesis - they are both filed at 735.2 (93) ASH and are identical. One is labelled 'copy 1' and the other 'copy 2'
Contents: -- Part one: Theorizing the (postmodern) gothic in Antipodean cinema -- 1. A gothic/postmodern poetics: two convergent models. -- 2. Antipodean Gothic/(Proto)-postmodern connections: the European unconscious and the cultural construction of the Antipodes. -- 3. Antipodean cinema: an uneasy background -- Part two: analyzing the (postmodern) gothic in Antipodean cinema. -- 4. Anitpodean ccolonial gothic: 'Picnic at Hanging Rock' and 'The Piano'. -- 5. Anitpodean urban gothic: 'Dogs in Space' and 'Bad Boy Bubby'. -- 6. Antipodean surburban gothic: -- 'The Night the Prowler' and 'Heavenly Creatures'. -- 7. Antipodean rural gothic: 'Wake in Fright', 'Summerfield', and 'Shame'. -- 8. Antipodean sci-fi car crash films and the gothic: 'The Cars that Ate Paris', 'Mad Max', and 'Mad Max - The Road Warrior'. -- Conclusion -- Bibliography -- Filmography -- Teleography.
ID2: 290

Author: Lowe, Barry
PhysDes: Article
Subject: INDUSTRY, FILM. AUSTRALIA; LANDSCAPES IN FILMS. AUSTRALIA; WALKABOUT (AT, Charles Chauvel, 1958); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); NED KELLY (AT/UK, Gregor Jordan, 2003); ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972)
Summary: An analysis of the emerging aesthetics of current Australian films which, Lowe argues, is showing two main themes: mateship and the outback.

Call No: 675.1(94) LAW
Author: Lawrence, Denny
Source: AT
Place: [North Ryde, NSW?]
Publisher: Australian Film and Television School
PubDate: [1980?]
PhysDes: 60 leaves : 30 cm
Subject: AUSTRALIAN FILM AND TELEVISION SCHOOL; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); ON OUR SELECTION (AT, Raymond Longford, 1920); GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921); KID STAKES, THE (AT, Tal Ordell, 1927); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); FORTY THOUSAND HORSEMEN (AT, Charles Chauvel, 1940); OVERLANDERS, THE (UK, Harry Watt, 1946); SONS OF MATTHEW (AT, Charles Chauvel, 1949); BACK OF BEYOND, THE (AT, John Heyer, 1953); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); BETWEEN WARS (AT, Michael Thornhill, 1974); SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); PURE S (AT, Bert Deling, 1976); CADDIE (AT, Donald Crombie, 1976); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); DON'S PARTY (AT, Bruce Beresford, 1976); F.J. HOLDEN, THE (AT, Michael Thornhill, 1977); NEWSFRONT (AT, Phillip Noyce, 1978); MAD MAX (AT, George Miller, 1979); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); PALM BEACH (AT, Albie Thoms, 1979); BREAKER MORANT (AT, Bruce Beresford, 1980); ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944); JEDDA (AT, Charles Chauvel, 1955); THREE IN ONE (AT, Cecil Holmes, 1956); THEY'RE A WEIRD MOB (AT, Michael Powell, 1966); ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); CASTOR AND POLLUX (AT, Phillip Noyce, 1973); MOVING ON (AT, Richard Mason, 1974); PETERSEN (AT, Tim Burstall, 1974); LEISURE (AT, Bruce Petty, 1976); STORM BOY (AT, Henri Safran, 1976); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); LOVE LETTERS FROM TERALBA ROAD (AT, Stephen Wallace, 1977); SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); MOUTH MUSIC (NZ, Gregor Nichlas, 1981); MOUTH TO MOUTH (AT, John Duigan, 1978); LAST TASMANIAN, THE (AT, Tom Haydon, 1978); NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978); STEPPING OUT (AT, Chris Noonan, 1980); STIR (AT, Stephen Wallace, 1980); BEST FILMS. AUSTRALIA
Summary: A list of important Australian films in two categories, films of aesthetic merit (list A), and films of historical or sociological importance (list B), with a brief synopsis of each.
Notes: Reprinted October 1980
Contents: Introduction -- Methodology -- Notes on revision -- Film acquisition -- Australian cinema history on film -- references; List - category A: The sentimental bloke (1919) -- On our selection (1920) -- A girl of the bush -- The kid stakes -- For the term of his natural life -- Forty thousand horsemen -- The overlanders -- Sons of Matthew -- Back of beyond -- Desert people -- Wake in fright -- Between wars -- Sunday too far away -- Picnic at Hanging Rock -- Pure S -- Caddie -- The Devil's playground -- Don's party -- F J Holden -- Newsfront -- Mad Max -- My brilliant career - Palm Beach - Breaker Morant; List - category B: Robbery under arms (1920) -- Dad and Dave come to town -- The Rats of Tobruk -- Jedda -- Three in one -- They're a weird mob -- The daventures of Barry McKenzie -- Where dead men lie -- Gentle strangers -- Castor and Pollux -- Moving on -- Petersen -- Leisure -- Storm boy -- All in the same boat -- The getting of wisdom -- Love letters from Teralba Road -- The singer and the dancer -- The chant of Jimmie Blacksmith -- Mouth to mouth -- The last Tasmanian -- The night the prowler -- Stepping out -- Stir

PhysDes: Article
Subject: WALKABOUT (UK, Nicolas Roeg, 1971); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); MORTE A VENEZIA (IT/FR, Luchino Visconti, 1971)
Summary: Collection of reviews on WALKABOUT, WAKE IN FRIGHT, and DEATH IN VENICE.

Call No: 71(94) HAL
Author: Hall, Sandra, 1942
Place: Adelaide
Publisher: Rigby
PubDate: 1985
PhysDes: 200 p. : ill., ports. ; 22 cm
Subject: AUSTRALIA; FILMOGRAPHIES. AUSTRALIA; GENRES; GENRES. AUSTRALIA; HISTORY OF CINEMA; HISTORY OF CINEMA. AUSTRALIA; ROAD MOVIES; ROAD MOVIES. AUSTRALIA; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); BARRY MCKENZIE HOLDS HIS OWN (AT, Bruce Beresford, 1974); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); DON'S PARTY (AT, Bruce Beresford, 1976); CLUB, THE (AT, Bruce Beresford, 1980); PUBERTY BLUES (AT, Bruce Beresford, 1981); BREAKER MORANT (AT, Bruce Beresford, 1980); GALLIPOLI (AT, Peter Weir, 1981); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); MONKEY GRIP (AT, Ken Cameron, 1982); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); RETURN OF CAPTAIN INVINCIBLE, THE (AT, Philippe Mora, 1982); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); STORM BOY (AT, Henri Safran, 1976); PHAR LAP (AT, Simon Wincer, 1983); MAD DOG MORGAN (AT, Philippe Mora, 1976); SQUIZZY TAYLOR (AT, Kevin Dobson, 1982); MAN FROM HONG KONG, THE (AT/HK, Brian Trenchard-Smith, 1975); MAD MAX (AT, George Miller, 1979); MAD MAX II (AT, George Miller, 1981); RAZORBACK (AT, Russell Mulcahy, 1984)
ISBN: 0727020102 : $16.95 Aust
LON: anb72702010; 3401972

Call No: 81 KOT KOT
Author: Kotcheff, Ted; Young, Jeff
Edition: 2017
Place: Toronto, Ontario
Publisher: ECW Press
PubDate: 2017
PhysDes: 440 pages : illustrated ; 23 cm
Subject: KOTCHEFF, TED; FIRST BLOOD (US, Ted Kotcheff, 1982); FOLKS! (US, Ted Kotcheff, 1992); JOSHUA THEN AND NOW (CN, Ted Kotcheff, 1985); NORTH DALLAS FORTY (US, Ted Kotcheff, 1979); SPLIT IMAGE (US, Ted Kotcheff, 1982); SWITCHING CHANNELS (US, Ted Kotcheff, 1988); UNCOMMON VALOR (US, Ted Kotcheff, 1983); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); WEEKEND AT BERNIE'S (US, Ted Kotcheff, 1989); WHO IS KILLING THE GREAT CHEFS OF EUROPE? (US/GW, Ted Kotcheff, 1978); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971)
Summary: With six decades in show business, legendary director Ted Kotcheff looks back on his life Born to immigrant parents and raised in the slums of Toronto during the Depression, Ted Kotcheff learned storytelling on the streets before taking a stagehand job at CBC Television. Discovering his skills with actors and production, Kotcheff went on to direct some of the greatest films of the freewheeling 1970s, including The Apprenticeship of Duddy Kravitz, Wake in Fright, and North Dallas Forty. After directing the 1980s blockbusters First Blood and Weekend at Bernie’s, Kotcheff helped produce the groundbreaking TV show Law & Order: Special Victims Unit. During his career, he was declared a Communist by the U.S. government, banned from the Royal Albert Hall in London, and coped with assassination threats on one of his lead actors. With his seminal films enjoying a critical renaissance, including praise from Martin Scorsese and Nick Cave, Kotcheff now turns the lens on himself. Witty and fearless, Director’s Cut is not just a memoir, but also a close-up on life and craft, with stories of his long friendship with Mordecai Richler and working with stars like Sylvester Stallone, James Mason, Gregory Peck, Ingrid Bergman, Gene Hackman, Jane Fonda, and Richard Dreyfuss, as well as advice on how to survive the slings and arrows of Hollywood. -- publisher's web site
ISBN: 9781770413610

Author: Taylor, Max
PhysDes: Article
Subject: WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); MARCO POLO JUNIOR VERSUS THE RED DRAGON (AT, Eric Porter, 1972); GOVERNMENT AID. AUSTRALIA
Summary: News items. Includes information on WAKE IN FRIGHT, THE LONG CLIMB, MARCO POLO JUNIOR, and new government assistance for film projects.

Call No: 161(94) ASDA
CorpAuthor: [Australian Screen Directors Association]
Place: Rozelle, NSW
Publisher: [Australian Screen Directors Association]
PubDate: 1999
PhysDes: 16 p. ; 30 cm
Subject: CONFERENCES. AUSTRALIA; AUSTRALIAN SCREEN DIRECTORS ASSOCIATION; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971)
Notes: Conference program from Fourth National ASDA Conference, held on Friday 8 - Sunday 10 October 1999 at University of Wollongong, Faculty of Creative Arts.

Call No: 756(94) STA
Author: Stadler, Jane -- Mitchell, Peta -- Carleton, Stephen
Source: US
Place: Bloomington
Publisher: Indiana University Press
PubDate: 2016
PhysDes: x, 226 pages ; 23 cm
Series: The spatial humanities
Subject: AUSTRALIAN ABORIGINES IN FILMS; LANDSCAPES IN FILMS. AUSTRALIA; LOCATION SHOOTING. AUSTRALIA; LOCATION SHOOTING. AUSTRALIA: NEW SOUTH WALES; LOCATION SHOOTING. AUSTRALIA: VICTORIA; LOCATION SHOOTING. AUSTRALIA: WESTERN AUSTRALIA; LOCATION SHOOTING. AUSTRALIA: TASMANIA; LOCATION SHOOTING. AUSTRALIA: NORTHERN TERRITORY; CULTURE AND THE CINEMA. AUSTRALIA; CRIMINALS IN FILMS. AUSTRALIA; IMPERIALISM AND THE CINEMA. AUSTRALIA; DAWN, NORMAN; ADVENTURES OF PRISCILLA, QUEEN OF THE DESERT, THE (AT, Stephan Elliott, 1994); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); LAST CONFESSION OF ALEXANDER PEARCE, THE (AT, Michael James Rowland, 2008); RED DOG (AT, Kriv Stenders, 2011); SAMSON AND DELILAH (AT, Warwick Thornton, 2009); VAN DIEMEN'S LAND (AT, Jonathon Auf Der Heide, 2009); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971)
Summary: "Imagined Landscapes teams geocritical analysis with digital visualization techniques to map and interrogate films, novels, and plays in which Asutralian space and place figure prominently. Drawing upon A Cultural Atlas of Australia, a database-driven interactive digital map that can be used to identifu patterns of represnetation in Australia's cultural landscape, the book presents an integrated prespective on the translation of space across narraitve forms and pioneers new ways of seeing and understanding landscape" - TAKEN FROM BACK COVER
ISBN: 9780253018458
Contents: Introduction : geocriticism's disciplinary boundaries -- Remediating space : adaptation and narrative geography -- Cultural topography and mythic space : Australia's North as gothic zone -- Spatial history : mapping narrative perceptions of place over time -- Mobility and travel narratives : geovisualizing the cultural politics of belonging to the land -- Terra incognita : mapping the uncertain and the unknown

Call No: 408.1(94) TUR
Author: Turner, Graeme
Edition: 2nd ed
Place: St Leonards, NSW
Publisher: Allen & Unwin
PubDate: 1993
PhysDes: xiv, 169 p. : ill. ; 22 cm
Series: Australian cultural studies
Subject: NARRATIVE IN FILMS. AUSTRALIA; LITERATURE AND THE CINEMA. AUSTRALIA; NATIONAL IDENTITY IN FILMS. AUSTRALIA; WEIR, PETER; GALLIPOLI (AT, Peter Weir, 1981); CADDIE (AT, Donald Crombie, 1976); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975); MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927)
Notes: Includes bibliographical references (p. 156-165) and index
ISBN: 1863735046
LON: 9848099

Call No: 408.1(94) TUR
Author: Turner, Graeme
Place: Sydney
Publisher: Allen & Unwin
PubDate: 1986
PhysDes: vii, 156 p. : ill., ports. ; 23 cm
Series: Australian cultural studies
Subject: NARRATIVE IN FILMS. AUSTRALIA; LITERATURE AND THE CINEMA. AUSTRALIA; NATIONAL IDENTITY IN FILMS. AUSTRALIA; WEIR, PETER; CADDIE (AT, Donald Crombie, 1976); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975); MAN FROM SNOWY RIVER, THE (AT, George T. Miller, 1982); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927)
Notes: Includes index; Bibliography: p. 146-153
ISBN: 0048000892 : $29.95 Aust; 0048000884 (pbk.) : $12.95 Aust
LON: abn98037922; 13658862
URL status: URL: 'http://-' Checked: 31/08/2021 12:37:05 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

PhysDes: Article
Subject: GOVERNMENT AID. AUSTRALIA; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); COUNTRY TOWN (AT, Peter Maxwell, 1971)
Summary: Collection of news items on the Australian film industry and Australian films.

Call No: TITLE CLIPPINGS FILE; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971)
Author: Quinn, Karl
PhysDes: Clippings File Article
Subject: KOTCHEFF, TED; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971)
Summary: Interview with Ted Kotcheff about the film WAKE IN FRIGHT and his reaction to the news of a mini-series planned of the story

PhysDes: Article
Subject: WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); DEMONSTRATOR (AT, Warwick Freeman, 1970); WALKABOUT (UK, Nicolas Roeg, 1971); CRAWFORD PRODUCTIONS
Summary: Various news items and reviews from around Australia.

PhysDes: Article
Subject: CENSORSHIP; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); WALKABOUT (UK, Nicolas Roeg, 1971)
Summary: Various film news. Brief articles on censorship in Denmark, WAKE IN FRIGHT and WALKABOUT at Cannes, and industry across the country.

Call No: TITLE CLIPPINGS FILE; DIGITAL CLIPPINGS FILE
PhysDes: Publicity; Posters; Clippings
Subject: WAKE IN FRIGHT (AT, Ted Kotcheff, 1971)
URL status: URL: 'http://file://Q:/T/WAKE_IN_FRIGHT.zip' Checked: 31/08/2021 12:55:09 PM Status: Error Details: Failed to send HTTP request (WinHttpSendRequest)

Call No: 79WAK COO
Author: Cook, Kenneth
Source: UK
Place: Harmondsworth, Middlesex
Publisher: Penguin
PubDate: 1967
PhysDes: 142 p. ; 18 cm.
Subject: WAKE IN FRIGHT (AT, Ted Kotcheff, 1971)
Notes: First published: London: M. Joseph, 1961.
ISBN: 0140024050

Call No: 79WAK KAU
Author: Kaufman, Tina
Source: AT
Place: Strawberry Hills, NSW
Publisher: Currency Press
PubDate: 2010
PhysDes: 71 p. : ill. ; 19 cm
Series: Australian screen classics
Subject: AUSTRALIA; COOK, KENNETH; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971)
Summary: " In this insightful monograph, Tina Kaufman discusses what lies behind Wake in Fright: the genesis of the film, how it was made, how it was allowed to get lost, and the long path of its re-discovery; how it was restored and received on its re-release. Tina Kaufman recounts how this film that is, in essence, all about survival, has itself survived. " -- BOOK BLURB
ISBN: 9780868198644

Author: Ellis, Bob
PhysDes: Article
Subject: WAKE IN FRIGHT (AT, Ted Kotcheff, 1971)
Summary: Film review

Call No: S WAK
Author: Irwin, Stephen M.
Edition: Third draft
Place: AT
PubDate: 2017 Jan. 18
PhysDes: 96 leaves ; 30 cm.
Subject: WAKE IN FRIGHT [TV] (AT, 2017)
Summary: "After damaging his car while driving to Sydney, schoolteacher John Grant's stopover in the mining town of Bundanyabba takes several dramatic turns when he gambles his money away and is pitted against several sinister townspeople." - IMDb
Notes: Unpublished script
Donation: AFI / AACTA

Call No: S WAK
Author: Irwin, Stephen M.
Edition: Third draft
Place: AT
PubDate: 2017 Jan. 18
PhysDes: 89 leaves ; 30 cm.
Subject: WAKE IN FRIGHT [TV] (AT, 2017)
Summary: "When a member of the pig-hunting party he has been forced to join turns up dead, John Grant must make a difficult choice - flee to Sydney, or discover the truth of the murder, Bundanyabba and himself." - IMDb
Notes: Unpublished script
Donation: AFI / AACTA

Call No: P WAK
PhysDes: 1 poster : col. ; 76 X 34 cm.
Subject: WAKE IN FRIGHT (AT, Ted Kotcheff, 1971)
Summary: Image: a picture of some characters sketched. Text:' Have a drink, mate? Have a fight, mate? Have a taste of dust and sweat, mate? There's nothing else out here.' .
Notes: Some fold lines.

Call No: P WAK
Place: AT
PhysDes: 1 poster : col. ; 100 X 70 cm.
Subject: WAKE IN FRIGHT (AT, Ted Kotcheff, 1971)
Summary: Image: Bright orange toned poster of man walking through a landscape of desert and sky, holding a rifle and suitcase in each hand. Text: 'Sweat, dust and beer...there's nothing else out here mate!'

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 4 photographs : b&w ; 13 x 18 cm.
Subject: WAKE IN FRIGHT (AT, Ted Kotcheff, 1971)
Summary: Four black and white photographs relating to the film WAKE IN FRIGHT
Notes: Images have been donated to the Collection by Brian McFarlane. Duplicates included

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: WAKE IN FRIGHT [TV] (AT, 2017)

Call No: 753 MCF
Author: McFarlane, Brian, 1934
Place: Richmond, Vic.
Publisher: Heinemann in association with Cinema Papers
PubDate: 1983
PhysDes: vi, 210 p. : ill. ; 24 cm
Subject: ADAPTATIONS. AUSTRALIA; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); MANGO TREE, THE (AT, Kevin Dobson, 1977); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); MONKEY GRIP (AT, Ken Cameron, 1982); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); NIGHT OF THE PROWLER, THE (AT, Jim Sharman, 1978); LUCINDA BRAYFORD [TV] (AT, John Gauci, 1980); OUTBREAK OF LOVE [TV] (AT, Oscar Whitbread, 1981)
Summary: Words and Images is the first Australian book to examine the relationship between literature and film. Taking nine major examples of recent films adapted from Australian novels - including The Getting of Wisdom, My Brilliant Career and The Year of Living Dangerously- he looks at some of the issues in transposing a narrative from one medium to the other. [Taken from BOOK JACKET]
Notes: Includes bibliographical references and notes
ISBN: 0858593165 : $14.95 Aust
LON: dup85859316; 2746398