book
AFTRS graduates / Australian Film Television & Radio School North Ryde, NSW: AFTRS Publications, 1991 -.
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journal article
Appt. to Council of Aust Film and TV School in Australasian Cinema (29/10/1982) vol.11 iss.19 p.14
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journal article
Aust. film & television school celebrates ten years in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.6
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annual report
Australian Film and Television School Annual report / Australian Film and Television School [Canberra: Australian Government Publishing Service], 1976-1985.
Call No: ANNUAL REPORT SHELVES; held 1973/74-1981/2, 1984/5CorpAuthor: Australian Film and Television SchoolSource: ATPlace: [CanberraPublisher: Australian Government Publishing Service]PubDate: 1976-1985PhysDes: 10 v. : ill., ports. ; 26 cmSubject: Australian Film and Television School Notes: Continued by Australia Film Television Radio School annual report ID 26917ISSN: 0728-6619 0313-9376Order Notes: CeasedFrequency: AnnualLON: 2377220
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book
CILECT : list of important Australian films / compiled by Denny Lawrence [North Ryde, NSW?]: Australian Film and Television School, [1980?].
Call No: 675.1(94) LAWAuthor: Lawrence, Denny Source: ATPlace: [North Ryde, NSW?]Publisher: Australian Film and Television SchoolPubDate: [1980?]PhysDes: 60 leaves : 30 cmSubject: AUSTRALIAN FILM AND TELEVISION SCHOOL ; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919) ; ON OUR SELECTION (AT, Raymond Longford, 1920) ; GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921) ; KID STAKES, THE (AT, Tal Ordell, 1927) ; FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927) ; FORTY THOUSAND HORSEMEN (AT, Charles Chauvel, 1940) ; OVERLANDERS, THE (UK, Harry Watt, 1946) ; SONS OF MATTHEW (AT, Charles Chauvel, 1949) ; BACK OF BEYOND, THE (AT, John Heyer, 1953) ; WAKE IN FRIGHT (AT, Ted Kotcheff, 1971) ; BETWEEN WARS (AT, Michael Thornhill, 1974) ; SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975) ; PICNIC AT HANGING ROCK (AT, Peter Weir, 1975) ; PURE S (AT, Bert Deling, 1976) ; CADDIE (AT, Donald Crombie, 1976) ; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976) ; DON'S PARTY (AT, Bruce Beresford, 1976) ; F.J. HOLDEN, THE (AT, Michael Thornhill, 1977) ; NEWSFRONT (AT, Phillip Noyce, 1978) ; MAD MAX (AT, George Miller, 1979) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; PALM BEACH (AT, Albie Thoms, 1979) ; BREAKER MORANT (AT, Bruce Beresford, 1980) ; ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920) ; DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938) ; RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944) ; JEDDA (AT, Charles Chauvel, 1955) ; THREE IN ONE (AT, Cecil Holmes, 1956) ; THEY'RE A WEIRD MOB (AT, Michael Powell, 1966) ; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972) ; CASTOR AND POLLUX (AT, Phillip Noyce, 1973) ; MOVING ON (AT, Richard Mason, 1974) ; PETERSEN (AT, Tim Burstall, 1974) ; LEISURE (AT, Bruce Petty, 1976) ; STORM BOY (AT, Henri Safran, 1976) ; GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977) ; LOVE LETTERS FROM TERALBA ROAD (AT, Stephen Wallace, 1977) ; SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977) ; CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978) ; MOUTH MUSIC (NZ, Gregor Nichlas, 1981) ; MOUTH TO MOUTH (AT, John Duigan, 1978) ; LAST TASMANIAN, THE (AT, Tom Haydon, 1978) ; NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978) ; STEPPING OUT (AT, Chris Noonan, 1980) ; STIR (AT, Stephen Wallace, 1980) ; BEST FILMS. AUSTRALIA Summary: A list of important Australian films in two categories, films of aesthetic merit (list A), and films of historical or sociological importance (list B), with a brief synopsis of each.Notes: Reprinted October 1980Contents: Introduction -- Methodology -- Notes on revision -- Film acquisition -- Australian cinema history on film -- references; List - category A: The sentimental bloke (1919) -- On our selection (1920) -- A girl of the bush -- The kid stakes -- For the term of his natural life -- Forty thousand horsemen -- The overlanders -- Sons of Matthew -- Back of beyond -- Desert people -- Wake in fright -- Between wars -- Sunday too far away -- Picnic at Hanging Rock -- Pure S -- Caddie -- The Devil's playground -- Don's party -- F J Holden -- Newsfront -- Mad Max -- My brilliant career - Palm Beach - Breaker Morant; List - category B: Robbery under arms (1920) -- Dad and Dave come to town -- The Rats of Tobruk -- Jedda -- Three in one -- They're a weird mob -- The daventures of Barry McKenzie -- Where dead men lie -- Gentle strangers -- Castor and Pollux -- Moving on -- Petersen -- Leisure -- Storm boy -- All in the same boat -- The getting of wisdom -- Love letters from Teralba Road -- The singer and the dancer -- The chant of Jimmie Blacksmith -- Mouth to mouth -- The last Tasmanian -- The night the prowler -- Stepping out -- Stir
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journal article
Film school in Lumiere (April, 1973) iss.22 p.37
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monograph
Gillian Armstrong : popular, sensual and ethical cinema / Julia Erhart Edinburgh: Edinburgh University Press, 2020.
Call No: 81 ARM ERHAuthor: Erhart, Julia Source: UKPlace: EdinburghPublisher: Edinburgh University PressPubDate: 2020PhysDes: x, 189 pages : illustrations ; 22 cmSeries: VisionariesSubject: FEMINISM AND THE CINEMA. AUSTRALIA ; AUSTRALIAN FILM AND TELEVISION SCHOOL ; WOMEN FILMMAKERS. AUSTRALIA ; ARMSTRONG, GILLIAN ; SATDEE NIGHT (AT, Gillian Armstrong, 1973) ; GRETEL (AT, Gillian Armstrong, 1973) ; MRS. SOFFEL (US, Gillian Armstrong, 1984) ; LITTLE WOMEN (US, Gillian Armstrong, 1994) ; CHARLOTTE GRAY (G/UK/AT, Gillian Armstrong, 2001) ; DEATH DEFYING ACTS (UK/AT, Gillian Armstrong, 2007) ; FIRES WITHIN (US, Gillian Armstrong, 1991) ; MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979) ; OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997) ; STARSTRUCK (AT, Gillian Armstrong, 1982) ; THE LAST DAYS OF CHEZ NOUS (AT, Gillian Armstrong, 1992) ; UNFOLDING FLORENCE: THE MANY LIVES OF FLORENCE BROADHURST (AT, Gillian Armstrong, 2005) ; WOMEN HE'S UNDRESSED (AT, Gillian Armstrong, 2015) ; HIGH TIDE (AT, Gillian Armstrong, 1987) ; [FOURTEEN]14'S GOOD, 18'S BETTER (AT, Gillian Armstrong, 1981) Summary: A commercially successful Australian director of over eighteen feature films and documentaries, including My Brilliant Career (1979), Gillian Armstrong is an early, notable example of a woman director connecting with mass audiences. Armstrong’s films are unique in their aesthetic expression and in the ethical relationships that they depict, framed through the language of gender inclusivity and due in part to her foregrounding of original, complex and nuanced female characters. This important book fills a gap in the literature on women screen practitioners and is a long overdue response to demands for new insight into the work of this significant director. [Edinburgh University Press website]Notes: Includes bibliographical references and indexISBN: 9781474434324Contents: -- Introduction -- 1. An authorial cinema -- 2. A popular, commercial cinema: Mrs. Soffel, Little Women, Charlotte Gray, Death Defying Acts -- 3. An Australian genre cinema: My Brilliant Career, Oscar and Lucinda, Starstruck -- 4. A sensual cinema: Last Days of Chez Nous, Unfolding Florence: The Many Lives of Florence Broadhurst, Women He’s Undressed -- 5. An ethical cinema: High Tide and The Story of Kerry, Josie and Diana -- Conclusion: A collaborative cinema
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journal article
John Daniell on governing body Australian Film and Television School in Australasian Cinema (Friday, 16/9/1983) vol.12 iss.17 p.23
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journal article
Lumiere talks with Peter Howson in Lumiere (January-February, 1972) iss.13 p.28-29
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book
New directions review / Australian Film Television and Radio School [Sydney]: Australian Film and Television Radio School, 1986.
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journal article
New directors, new building for Oz film and t.v. school in Australasian Cinema (Friday, 8/8/1986) vol.14 iss.14 p.18
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journal article
New moves at film school in Australasian Cinema (28/1/1983) vol.12 iss.1 p.6
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journal article
News in Lumiere (January/February, 1973) iss.20 p.35-36, 40
PhysDes: ArticleSubject: AUSTRALIAN FILM AND TELEVISION SCHOOL ; ARMSTRONG, GILLIAN ; NOONAN, CHRIS ; NOYCE, PHILLIP ; PAPADOPOULOS, JOHN ; RICKETSON, JAMES ; SAUNDERS, RON ; SHIRLEY, GRAHAM ; AUSTRALIAN FILM INSTITUTE ; AUSTRALIAN FILM INSTITUTE AWARDS ; STORK (AT, Tim Burstall, 1971) ; BRENNAN, RICHARD Summary: Various news items. Includes announcement of new AFI Director Richard Brennan, SPORK winning an AFI Award, and list of scholarship receivers for the new Australian Film and Television School.
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journal article
News in Lumiere (March, 1973) iss.21 p.2-3
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journal article
Sound and Film in Lumiere (June, 1973) iss.24 p.9-11
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journal article
Speech by the Hon. Ian Wilson, M.P., Minister for Home Affairs & Environment at the Graduation Ceremony Australian Film and Television School in Australasian Cinema (30//4/1982) vol.11 iss.7 p.6
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journal article
Variety- Australia/ New Zealand Section in Variety (04/05/1983) vol.311 iss.1 p.163, 420-430
PhysDes: SerialSubject: INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. NEW ZEALAND ; CANNES FILM FESTIVAL ; CENSORSHIP. NEW ZEALAND ; RETURN OF CAPTAIN INVINCIBLE, THE (AT, Philippe Mora, 1982) ; YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982) ; GOVERNMENT AID. AUSTRALIA ; GOVERNMENT AID ; FESTIVALS. NEW ZEALAND ; AUSTRALIAN FILM AND TELEVISION SCHOOL ; UTU (NZ, Geoffrey Murphy, 1983) ; COPRODUCTION. AUSTRALIA Summary: Variety of Articles featuring the Australian and New Zealand film industry. Australian articles focus on the controversy of RETURN OF CAPTAIN INVICIBLE not qualifying for 10BA tax lean, the West Australian Film Council wishing to make more productions, new graduates of the Australian Film and TV School, a Chinese-Australian Documentary, and the recently completed YEAR OF LIVING DANGEROUSLY.
New Zealand articles focus on film financing laws and taxation, lists films screening at Cannes, the Wellington Film Festival, censorship.
Includes advertisements for UTU, THE LOST TRIBE, MOVING OUT, SAME AS IT EVER WAS and CONSTANCE.
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journal article
Variety- Australia/New Zealand section in Variety (12/05/1982) vol.307 iss.2 p.347-363
PhysDes: SerialSubject: INDUSTRY, FILM. AUSTRALIA ; INDUSTRY, FILM. NEW ZEALAND ; AUSTRALIAN FILM AND TELEVISION SCHOOL ; BOX OFFICE. AUSTRALIA ; CANNES FILM FESTIVAL ; LABORATORIES. AUSTRALIA ; COPYRIGHT. AUSTRALIA ; PIRACY. AUSTRALIA ; SQUIZZY TAYLOR (AT, Kevin Dobson, 1982) ; HEATWAVE (AT, Phillip Noyce, 1981) ; COPRODUCTION ; CARRY ME BACK (NZ, John Reid, 1982) ; SCARECROW, THE (NZ, Sam Pillsbury, 1982) ; FREEDOM (AT, Scott Hicks, 1982) ; FIGHTING BACK (AT, Michael Caulfield, 1982) Summary: Various articles on Australian and New Zealand film industries.
Australian articles focus on changes to the curriculum at the Australian Film and Television School, Ace Theatres' slump in box office takings, Australian films to be featured at Cannes, the lack of US and UK processing going to Australian film labs, as well as plans to expand processing into Asia, copyright law relating to using technology to make illegal copies, recently completed films SQUIZZY TAYLOR and HEATWAVE, and Australian films in production.
New Zealand articles focus on the New Zealand government's intention to encourage coproduction, and New Zealand films to be screened at Cannes.
Advertising posters for CARRY ME BACK, THE SCARECROW, FREEDOM, HEATWAVE, DOT AND SANTA CLAUS, FIGHTING BACK, THE SEVENTH MATCH.
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book
Victoria, making Australian film and television exciting : film and video resource kit / edited and compiled by Sally Semmens [Melbourne]: Film Victoria, 1984.
Call No: 036(945) SEMAuthor: Semmens, Sally CorpAuthor: Film VictoriaPlace: [Melbourne]Publisher: Film VictoriaPubDate: 1984PhysDes: 25 p. ; 30 cmSubject: AUSTRALIAN FILM INSTITUTE ; AUSTRALIAN CHILDREN'S TELEVISION FOUNDATION ; AUSTRALIAN FILM AND TELEVISION SCHOOL ; DISTRIBUTION. AUSTRALIA ; FILM VICTORIA ; FILMOGRAPHIES. AUSTRALIA ; PRODUCTION. AUSTRALIA ; WOMEN FILM WORKERS. AUSTRALIA Summary: "This resource kit is designed to outline the breadth and scope of film activity in Victoria. The first section lists some of the production taking place in Victoria this year. The list is not meant to be comprehensive but gives a fair sample of the range of production. The films listed are funded by a variety of sources including the Australian Film Commission, Film Victoria, and private investors. The list does not include the huge number of commercials, documentaries nor trade and training films which will be produced in this State this year. THe second section includes profile information on film and video organisations in Victoria. These organisations form an important part in the dissemination of films and information and contribute to Victoria's diverse and expanding film culture." - INTERIOR BLURB
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journal article
Video. Victorian screenwriters' tapes : Afterward in Filmviews (Spring 1985) vol.30 iss.125 p.19-20
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journal article
Video. Victorian screenwriters' tapes : Arid Bags in Filmviews (Spring 1985) vol.30 iss.125 p.20
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