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Call No: ANNUAL REPORT SHELVES; Held: 1987,1991,1993,1994,1995,1996
Place: North Ryde, NSW
Publisher: AFTRS Publications
PubDate: 1991 -
PhysDes: v. ; ill. ; 15 cm
Subject: AUSTRALIAN FILM AND TELEVISION SCHOOL; AUSTRALIAN FILM, TELEVISION AND RADIO SCHOOL
Notes: Catalogued from 1991 issue

PhysDes: Article
Subject: AUSTRALIAN FILM AND TELEVISION SCHOOL; AUSTRALIAN BROADCASTING COMMISSION
Summary: Announcement of Maureen Schubert to the council of Australian Film and Television School.

PhysDes: Article
Subject: AUSTRALIAN FILM AND TELEVISION SCHOOL; INDUSTRY, FILM. AUSTRALIA; FILMMAKING, AUSTRALIA
Summary: Article on the celebrations and fund-raising centred at teh AFTS for its tenth anniversary.

Call No: ANNUAL REPORT SHELVES; held 1973/74-1981/2, 1984/5
CorpAuthor: Australian Film and Television School
Source: AT
Place: [Canberra
Publisher: Australian Government Publishing Service]
PubDate: 1976-1985
PhysDes: 10 v. : ill., ports. ; 26 cm
Subject: Australian Film and Television School
Notes: Continued by Australia Film Television Radio School annual report ID 26917
ISSN: 0728-6619 0313-9376
Order Notes: Ceased
Frequency: Annual
LON: 2377220

Call No: 675.1(94) LAW
Author: Lawrence, Denny
Source: AT
Place: [North Ryde, NSW?]
Publisher: Australian Film and Television School
PubDate: [1980?]
PhysDes: 60 leaves : 30 cm
Subject: AUSTRALIAN FILM AND TELEVISION SCHOOL; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); ON OUR SELECTION (AT, Raymond Longford, 1920); GIRL OF THE BUSH, A (AT, Franklyn Barrett, 1921); KID STAKES, THE (AT, Tal Ordell, 1927); FOR THE TERM OF HIS NATURAL LIFE (AT, Norman Dawn, 1927); FORTY THOUSAND HORSEMEN (AT, Charles Chauvel, 1940); OVERLANDERS, THE (UK, Harry Watt, 1946); SONS OF MATTHEW (AT, Charles Chauvel, 1949); BACK OF BEYOND, THE (AT, John Heyer, 1953); WAKE IN FRIGHT (AT, Ted Kotcheff, 1971); BETWEEN WARS (AT, Michael Thornhill, 1974); SUNDAY TOO FAR AWAY (AT, Ken Hannam, 1975); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); PURE S (AT, Bert Deling, 1976); CADDIE (AT, Donald Crombie, 1976); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); DON'S PARTY (AT, Bruce Beresford, 1976); F.J. HOLDEN, THE (AT, Michael Thornhill, 1977); NEWSFRONT (AT, Phillip Noyce, 1978); MAD MAX (AT, George Miller, 1979); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); PALM BEACH (AT, Albie Thoms, 1979); BREAKER MORANT (AT, Bruce Beresford, 1980); ROBBERY UNDER ARMS (AT, Kenneth Brampton, 1920); DAD AND DAVE COME TO TOWN (AT, Ken G. Hall, 1938); RATS OF TOBRUK, THE (AT, Charles Chauvel, 1944); JEDDA (AT, Charles Chauvel, 1955); THREE IN ONE (AT, Cecil Holmes, 1956); THEY'RE A WEIRD MOB (AT, Michael Powell, 1966); ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); CASTOR AND POLLUX (AT, Phillip Noyce, 1973); MOVING ON (AT, Richard Mason, 1974); PETERSEN (AT, Tim Burstall, 1974); LEISURE (AT, Bruce Petty, 1976); STORM BOY (AT, Henri Safran, 1976); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); LOVE LETTERS FROM TERALBA ROAD (AT, Stephen Wallace, 1977); SINGER AND THE DANCER, THE (AT, Gillian Amrstrong, 1977); CHANT OF JIMMIE BLACKSMITH, THE (AT, Fred Schepisi, 1978); MOUTH MUSIC (NZ, Gregor Nichlas, 1981); MOUTH TO MOUTH (AT, John Duigan, 1978); LAST TASMANIAN, THE (AT, Tom Haydon, 1978); NIGHT THE PROWLER, THE (AT, Jim Sharman, 1978); STEPPING OUT (AT, Chris Noonan, 1980); STIR (AT, Stephen Wallace, 1980); BEST FILMS. AUSTRALIA
Summary: A list of important Australian films in two categories, films of aesthetic merit (list A), and films of historical or sociological importance (list B), with a brief synopsis of each.
Notes: Reprinted October 1980
Contents: Introduction -- Methodology -- Notes on revision -- Film acquisition -- Australian cinema history on film -- references; List - category A: The sentimental bloke (1919) -- On our selection (1920) -- A girl of the bush -- The kid stakes -- For the term of his natural life -- Forty thousand horsemen -- The overlanders -- Sons of Matthew -- Back of beyond -- Desert people -- Wake in fright -- Between wars -- Sunday too far away -- Picnic at Hanging Rock -- Pure S -- Caddie -- The Devil's playground -- Don's party -- F J Holden -- Newsfront -- Mad Max -- My brilliant career - Palm Beach - Breaker Morant; List - category B: Robbery under arms (1920) -- Dad and Dave come to town -- The Rats of Tobruk -- Jedda -- Three in one -- They're a weird mob -- The daventures of Barry McKenzie -- Where dead men lie -- Gentle strangers -- Castor and Pollux -- Moving on -- Petersen -- Leisure -- Storm boy -- All in the same boat -- The getting of wisdom -- Love letters from Teralba Road -- The singer and the dancer -- The chant of Jimmie Blacksmith -- Mouth to mouth -- The last Tasmanian -- The night the prowler -- Stepping out -- Stir

Author: Shirley, Graham
PhysDes: Article
Subject: AUSTRALIAN FILM AND TELEVISION SCHOOL; EDUCATION, FILM. AUSTRALIA
Summary: Article details the beginnings of the Australian Film and Television School and its early curriculum

Call No: 81 ARM ERH
Author: Erhart, Julia
Source: UK
Place: Edinburgh
Publisher: Edinburgh University Press
PubDate: 2020
PhysDes: x, 189 pages : illustrations ; 22 cm
Series: Visionaries
Subject: FEMINISM AND THE CINEMA. AUSTRALIA; AUSTRALIAN FILM AND TELEVISION SCHOOL; WOMEN FILMMAKERS. AUSTRALIA; ARMSTRONG, GILLIAN; SATDEE NIGHT (AT, Gillian Armstrong, 1973); GRETEL (AT, Gillian Armstrong, 1973); MRS. SOFFEL (US, Gillian Armstrong, 1984); LITTLE WOMEN (US, Gillian Armstrong, 1994); CHARLOTTE GRAY (G/UK/AT, Gillian Armstrong, 2001); DEATH DEFYING ACTS (UK/AT, Gillian Armstrong, 2007); FIRES WITHIN (US, Gillian Armstrong, 1991); MY BRILLIANT CAREER (AT, Gillian Armstrong, 1979); OSCAR AND LUCINDA (AT, Gillian Armstrong, 1997); STARSTRUCK (AT, Gillian Armstrong, 1982); THE LAST DAYS OF CHEZ NOUS (AT, Gillian Armstrong, 1992); UNFOLDING FLORENCE: THE MANY LIVES OF FLORENCE BROADHURST (AT, Gillian Armstrong, 2005); WOMEN HE'S UNDRESSED (AT, Gillian Armstrong, 2015); HIGH TIDE (AT, Gillian Armstrong, 1987); [FOURTEEN]14'S GOOD, 18'S BETTER (AT, Gillian Armstrong, 1981)
Summary: A commercially successful Australian director of over eighteen feature films and documentaries, including My Brilliant Career (1979), Gillian Armstrong is an early, notable example of a woman director connecting with mass audiences. Armstrong’s films are unique in their aesthetic expression and in the ethical relationships that they depict, framed through the language of gender inclusivity and due in part to her foregrounding of original, complex and nuanced female characters. This important book fills a gap in the literature on women screen practitioners and is a long overdue response to demands for new insight into the work of this significant director. [Edinburgh University Press website]
Notes: Includes bibliographical references and index
ISBN: 9781474434324
Contents: -- Introduction -- 1. An authorial cinema -- 2. A popular, commercial cinema: Mrs. Soffel, Little Women, Charlotte Gray, Death Defying Acts -- 3. An Australian genre cinema: My Brilliant Career, Oscar and Lucinda, Starstruck -- 4. A sensual cinema: Last Days of Chez Nous, Unfolding Florence: The Many Lives of Florence Broadhurst, Women He’s Undressed -- 5. An ethical cinema: High Tide and The Story of Kerry, Josie and Diana -- Conclusion: A collaborative cinema

PhysDes: Article
Subject: AUSTRALIAN FILM AND TELEVISION SCHOOL
Summary: Announcement of Daniell to the Council of Australian Film and TV School

Author: Wade, Ewart
PhysDes: Article
Subject: AUSTRALIAN FILM DEVELOPMENT CORPORATION; AUSTRALIAN FILM AND TELEVISION SCHOOL; BOX OFFICE. AUSTRALIA; EDUCATION AND THE CINEMA; SOUTHERN CROSS
Summary: "Ewart Wade spoke with Mr. Howson, Minister for the Environment, Aborigines and the Arts in his Melbourne Office on January 19 on aspects of the Australian Film Development Corporation and the progress towards a national film school." - ARTICLE SYNOPSIS
Notes: Photographs by John Gollings

Call No: 511(94)AFTRS AUS
Source: AT
Place: [Sydney]
Publisher: Australian Film and Television Radio School
PubDate: 1986
PhysDes: 52, 12 p. ; 30 cm
Subject: AUSTRALIAN FILM, TELEVISION AND RADIO SCHOOL; AUSTRALIAN FILM AND TELEVISION SCHOOL
Summary: A review on the Australian Film and Television School, and recommendations made for the future of the school

Subject: GOVERNMENT AID. AUSTRALIA; AUSTRALIA; AUSTRALIAN FILM AND TELEVISION SCHOOL; SCHOOLS, FILM. AUSTRALIA
Summary: A look at the 'New Directions Review' which will have technical and social aspects of development

Author: Vial, Andrew
PhysDes: Article
Subject: AUSTRALIAN FILM AND TELEVISION SCHOOL; INDUSTRY, FILM. AUSTRALIA; INDUSTRY, TV. AUSTRALIA; ARMSTRONG, GILLIAN; NOYCE, PHILLIP; DREW, DI
Summary: Article on the success of the Australian Film and Television School for Australia and its students.

PhysDes: Article
Subject: AUSTRALIAN FILM AND TELEVISION SCHOOL; ARMSTRONG, GILLIAN; NOONAN, CHRIS; NOYCE, PHILLIP; PAPADOPOULOS, JOHN; RICKETSON, JAMES; SAUNDERS, RON; SHIRLEY, GRAHAM; AUSTRALIAN FILM INSTITUTE; AUSTRALIAN FILM INSTITUTE AWARDS; STORK (AT, Tim Burstall, 1971); BRENNAN, RICHARD
Summary: Various news items. Includes announcement of new AFI Director Richard Brennan, SPORK winning an AFI Award, and list of scholarship receivers for the new Australian Film and Television School.

PhysDes: Article
Subject: VALENTI, JACK; AUSTRALIAN FILM AND TELEVISION SCHOOL; TOEPLITZ, JERZY; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); ABOUT LOVE (AT, George Schwarz, 1973)
Summary: Various news items. Includes news on Jerzy Toeplitz becoming director of the Australian Film and Television School, the success of THE ADVENTURES OF BARRY MCKENZIE, and the difficulties screening ABOUT LOVE has faced due to different screening and distribution laws within Australia.

Author: Shirley, Grammar
PhysDes: Article
Subject: MUSIC AND THE CINEMA; SOUND EDITING; AUSTRALIAN FILM AND TELEVISION SCHOOL; EDUCATION AND THE CINEMA
Summary: Interview with Canadian composer and music educator R. Murray Schafer on his film BING, BANG, BONG and his recent talk at the Australian Film and Television School.

Author: Wilson, Ian
PhysDes: Article
Subject: AUSTRALIAN FILM AND TELEVISION SCHOOL; NOYCE, PHILLIP; ARMSTRONG, GILLIAN; INDUSTRY, FILM. AUSTRALIA; ZWICKY, KARL
Summary: Speech givin by Hon. Ian Wilson to the graduating class of 1982 at the Australian Film and Television School.

PhysDes: Serial
Subject: INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. NEW ZEALAND; CANNES FILM FESTIVAL; CENSORSHIP. NEW ZEALAND; RETURN OF CAPTAIN INVINCIBLE, THE (AT, Philippe Mora, 1982); YEAR OF LIVING DANGEROUSLY, THE (AT, Peter Weir, 1982); GOVERNMENT AID. AUSTRALIA; GOVERNMENT AID; FESTIVALS. NEW ZEALAND; AUSTRALIAN FILM AND TELEVISION SCHOOL; UTU (NZ, Geoffrey Murphy, 1983); COPRODUCTION. AUSTRALIA
Summary: Variety of Articles featuring the Australian and New Zealand film industry. Australian articles focus on the controversy of RETURN OF CAPTAIN INVICIBLE not qualifying for 10BA tax lean, the West Australian Film Council wishing to make more productions, new graduates of the Australian Film and TV School, a Chinese-Australian Documentary, and the recently completed YEAR OF LIVING DANGEROUSLY. New Zealand articles focus on film financing laws and taxation, lists films screening at Cannes, the Wellington Film Festival, censorship. Includes advertisements for UTU, THE LOST TRIBE, MOVING OUT, SAME AS IT EVER WAS and CONSTANCE.

PhysDes: Serial
Subject: INDUSTRY, FILM. AUSTRALIA; INDUSTRY, FILM. NEW ZEALAND; AUSTRALIAN FILM AND TELEVISION SCHOOL; BOX OFFICE. AUSTRALIA; CANNES FILM FESTIVAL; LABORATORIES. AUSTRALIA; COPYRIGHT. AUSTRALIA; PIRACY. AUSTRALIA; SQUIZZY TAYLOR (AT, Kevin Dobson, 1982); HEATWAVE (AT, Phillip Noyce, 1981); COPRODUCTION; CARRY ME BACK (NZ, John Reid, 1982); SCARECROW, THE (NZ, Sam Pillsbury, 1982); FREEDOM (AT, Scott Hicks, 1982); FIGHTING BACK (AT, Michael Caulfield, 1982)
Summary: Various articles on Australian and New Zealand film industries. Australian articles focus on changes to the curriculum at the Australian Film and Television School, Ace Theatres' slump in box office takings, Australian films to be featured at Cannes, the lack of US and UK processing going to Australian film labs, as well as plans to expand processing into Asia, copyright law relating to using technology to make illegal copies, recently completed films SQUIZZY TAYLOR and HEATWAVE, and Australian films in production. New Zealand articles focus on the New Zealand government's intention to encourage coproduction, and New Zealand films to be screened at Cannes. Advertising posters for CARRY ME BACK, THE SCARECROW, FREEDOM, HEATWAVE, DOT AND SANTA CLAUS, FIGHTING BACK, THE SEVENTH MATCH.

Call No: 036(945) SEM
Author: Semmens, Sally
CorpAuthor: Film Victoria
Place: [Melbourne]
Publisher: Film Victoria
PubDate: 1984
PhysDes: 25 p. ; 30 cm
Subject: AUSTRALIAN FILM INSTITUTE; AUSTRALIAN CHILDREN'S TELEVISION FOUNDATION; AUSTRALIAN FILM AND TELEVISION SCHOOL; DISTRIBUTION. AUSTRALIA; FILM VICTORIA; FILMOGRAPHIES. AUSTRALIA; PRODUCTION. AUSTRALIA; WOMEN FILM WORKERS. AUSTRALIA
Summary: "This resource kit is designed to outline the breadth and scope of film activity in Victoria. The first section lists some of the production taking place in Victoria this year. The list is not meant to be comprehensive but gives a fair sample of the range of production. The films listed are funded by a variety of sources including the Australian Film Commission, Film Victoria, and private investors. The list does not include the huge number of commercials, documentaries nor trade and training films which will be produced in this State this year. THe second section includes profile information on film and video organisations in Victoria. These organisations form an important part in the dissemination of films and information and contribute to Victoria's diverse and expanding film culture." - INTERIOR BLURB

Author: Faull, Shirley
PhysDes: Article
Subject: WRITERS WORKSHOP; OPEN CHANNEL; AUSTRALIAN WRITERS GUILD; AUSTRALIAN FILM COMMISSION. CREATIVE DEVELOPMENT FUND; FILM VICTORIA; AUSTRALIAN FILM AND TELEVISION SCHOOL; AFTERWARD (AT, Chris Warner, 1984)
Summary: Four scripts from a writers workshop were selected for production by Open Channel in association with the Australian Writers Guild. Shirley Faull reviews the four films including "Afterward", directed by Chris Warner and scripted by Maureen McCarthy. Faull comments favourably on the subtlety in "Afterward" in representing issues surrounding motherhood and human values

Author: Faull, Shirley
PhysDes: Article
Subject: WRITERS WORKSHOP; OPEN CHANNEL; AUSTRALIAN WRITERS GUILD; AUSTRALIAN FILM COMMISSION. CREATIVE DEVELOPMENT FUND; FILM VICTORIA; AUSTRALIAN FILM AND TELEVISION SCHOOL; ARID BAGS (AT, Chris Langham, 1984)
Summary: Four scripts from a writers workshop were selected for production by Open Channel in association with the Australian Writers Guild. Shirley Faull reviews the four films including "Arid Bags", directed by Chris Langham, writing and acting by Nicola Woolmington and Drusilla Hendry. Faull comments unfavourably on the film's amateurish hesitancy and lack of polished acting