journal article
Black widow : un-American ways in Freeze Frame (May 1987) vol.1 iss.2 p.10-13
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The films of Douglas Sirk : exquisite ironies and magnificent obsessions / Tom Ryan Jackson, Mississippi: University Press of Mississippi, [2019].
Call No: 81SIR RYAAuthor: Ryan, Tom Source: USPlace: Jackson, MississippiPublisher: University Press of MississippiPubDate: [2019]PhysDes: 309 pages : illustrations ; 23 cmSubject: FILM ; GERMANY ; CRITICISM ; DIRECTORS ; SIRK, DOUGLAS ; ALL THAT HEAVEN ALLOWS (US, Douglas Sirk, 1955) ; WRITTEN ON THE WIND (US, Douglas Sirk, 1956) ; IMITATION OF LIFE (US, Douglas Sirk, 1959) Summary: "Best known for powerful 1950s melodramas like All That Heaven Allows, Written on the Wind, The Tarnished Angels, and Imitation of Life, Douglas Sirk (1897-1987) brought to all his work a distinctive style that led to his reputation as one of twentieth-century film's great directors. Sirk worked in Europe during the 1930s, mainly for Germany's UFA studios, and then in America in the 1940s and '50s. The Films of Douglas Sirk: Exquisite Ironies and Magnificent Obsessions provides an overview of his entire career, including Sirk's work on musicals, comedies, thrillers, war movies, and westerns. One of the great ironists of the cinema, Sirk believed rules were there to be broken. Whether defying the decrees of Nazi authorities trying to turn film into propaganda or arguing with studios that insisted characters' problems should always be solved and that endings should always restore order, what Sirk called "emergency exits" for audiences, Sirk always fought for his vision. Offering fresh insights into all of the director's films and situating them in the culture of their times, critic Tom Ryan also incorporates extensive interview material drawn from a variety of sources, including his own conversations with the director. Furthermore, his enlightening study undertakes a detailed reconsideration of the generally overlooked novels and plays that served as sources for Sirk's films, as well as providing a critical survey of previous Sirk commentary, from the time of the director's "rediscovery" in the late 1960s up to the present day." -- Provided by publisher.Notes: Includes bibliographical references and index.
Filmography: pages 257-265.ISBN: 9781496822376Contents: Chapter One: Detlef Sierck in Europe -- Chapter Two: American Beginnings: The European Legacy -- Chapter Three: In the Shadows: Sirk and the Noir Inclination -- Chapter Four: The Uncomfortable Comedies -- Chapter Five: Sirk and God: 'The Pure Ambiguity of Experience' -- Chapter Six: Pastoral Yearnings: Sirk and the Musical -- Chapter Seven: Hollywood, Rock Hudson, and the Idea of the Hero -- Chapter Eight: Sirk, the Family Melodrama, and the Production Code -- Chapter Nine: Sirk and John M. Stahl: Adaptations and Remakes -- Chapter Ten: Out of the Past -- Chapter Eleven: Into the Future: Sirk's Legacy.
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Fred Schepisi : interviews / edited by Tom Ryan Jackson: University Press of Mississippi, c2017.
Call No: 81SCH FREAuthor: Ryan, Tom (ed.) Source: USPlace: JacksonPublisher: University Press of MississippiPubDate: c2017PhysDes: xxxvi, 200 pages : illustrations ; 24 cmSeries: Conversations with filmmakers seriesSubject: FILM ; AUSTRALIA ; SCHEPISI, FRED ; DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976) ; BARBAROSA (US, Fred Schepisi, 1982) ; EVIL ANGELS (AT, Fred Schepisi, 1988) ; LAST ORDERS (UK, Fred Schepisi, 2001) ; IT RUNS IN THE FAMILY (US, Fred Schepisi, 2003) Summary: In the New Yorker, Stephen Schiff has described Fred Schepisi (b. 1939) as "probably the least-known great director working in the mainstream American cinema--a master storyteller with a serenely muscular style that can make more flamboyant moviemakers look coarse and overweening." Schepisi's launch in Australia during the country's film renaissance of the 1970s and his ongoing international work have rightfully earned him a reputation as an actors' director. But he has also become a skillful stylist, forging his own way as he works alongside a talented team of collaborators.
This volume includes twenty interviews with Schepisi and two with longtime collaborators, cinematographer Ian Baker and composer Paul Grabowsky. The interviews trace the filmmaker's career from his beginnings in advertising, through his two early Australian features--The Devil's Playground and The Chant of Jimmie Blacksmith--to his subsequent work in the United States and beyond on films as various as Plenty, Roxanne, A Cry in the Dark, The Russia House, Six Degrees of Separation, Empire Falls, Last Orders, and Eye of the Storm. Schepisi's films are diverse thematically and visually. In what is effectively a master class on film direction, Schepisi discusses his creative choices and his work with actors and collaborators behind the scenes. In the process, he provides a goldmine of insights into his films, his filmmaking style, and what makes him tick as an artist." -- BOOK BACK COVERNotes: Formerly CIP; Includes bibliographical references and index; Includes filmography; Also published electronicallyISBN: 9781496811479Contents: -- foreword by Gillian Armstrong -- introduction -- chronology -- filmology -- Fred Schepisi / Sue Mathews (1984) -- Devil's playground: an interview with Fred Schepisi / Brian McFarlane ( 2015) -- Playboy interview: Fred Schepisi / Rennie Ellis (1982) -- Fred Schepisi: the Australian director talks about his new controversial film, Barbarosa / Michael Sragow (1982) -- Altered states in The great white north / James Verniere (1983) -- Fred Schepisi: taking Hollywood by drizzle / David Edelstein (1984) -- Man of plenty / Brent Lewis (1985) -- Man of plenty / David Stratton (1986) -- Dialogue on film: Fred Schepisi / American film (1987) -- The making of Evil angels: director Fred Schepisi talks about private moments, public realities and dingoes / Philippa Hawker (1988) -- The man Meryl Streep trusts / Rennie Ellis (1989) -- Fred Schepisi / Peter Malone (1998) -- Fred Schepisi: pushing the boundaries / Scott Murray (1990) -- A cinematic gallant / Stephen Schiff (1993) -- Last orders: an interview with Fred Schepisi / Cynthia Fuchs ( 2001) -- Fred Schepisi on last orders / Tom Ryan (2001) -- Fred Schepisi on It runs in the family / Tom Ryan (2003) -- Shooting dialogue as action: an interview with Fred Schepisi / Fincina Hopgood ( 2011) -- All against one and one against all: Fred Schepisi's outsiders / Dan Callahan (2014) -- Fred Schepisi on making movies, "what I'm most interested in 'always" is the humanity of the piece" / Tom Ryan ( 2015) -- appendicies -- planning and problem solving : an interview with Ian Baker / Tom Ryan (2016) -- key notes: an interview with Paul Grabowsky / Tom Ryan (2016) -- additional resources -- index --
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newspaper article
It's a funny business in Saturday Age [Spectrum] (04/07/2015) p.37
Call No: SUBJECT CLIPPINGS FILE; COMEDIANSAuthor: Ryan, Tom PhysDes: Clippings File ArticleSubject: APATOW, JUDD ; COMEDIANS Summary: Very positive review of the book SICK IN THE HEAD: CONVERSATIONS ABOUT LIFE AND COMEDY, written by noted comedy film/tv writer/director/producer Judd Apatow. The book includes 38 interviews of many leading US comedians
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John Ford : A Dedication in Lumiere (October, 1973) iss.28 p.5
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Lest we forget in Lumiere (October, 1973) iss.28 p.34-35
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A madame's many faces in Weekend Australian [Review] (11/07/2015) p.12
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Melbourne Festival : or how I sat through 210 films in 16 days in Lumiere (July, 1973) iss.25 p.23-25
Author: Ryan, Tom PhysDes: ArticleSubject: FESTIVALS. MELBOURNE ; RYAN, TOM ; BOUCHER, LE (FR/IT, Claude Chabrol, 1970) ; SCARECROW (US, Jerry Schatzberg, 1973) ; VALLEE, LA (FR, Barbet Schroeder, 1972) ; TRASH (US, Paul Morrissey, 1970) Summary: Tom Ryan's reflection on the films screened at the 1973 Melbourne International FIlm Festival.
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Miller's tale in Cinema Papers (January 1988) iss.67 p.12-16
Author: Ryan, Tom PhysDes: ArticleSubject: MAD MAX (AT, George Miller, 1979) Summary: Interview. George Miller talks with Tom Ryan about his concepts and ideas for his films which include Mad Max (trilogy) and the Witches of Eastwick.
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Miller's tale in Cinema Papers (January 1988) iss.67 p.12-16
Author: Ryan, Tom PhysDes: ArticleSubject: MAD MAX II (AT, George Miller, 1981) Summary: Interview. George Miller talks with Tom Ryan about his concepts and ideas for his films which include Mad Max (trilogy) and The Witches of Eastwick
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journal article
Miller's tale in Cinema Papers (January 1988) iss.67 p.12-16
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Playing the game : writing about the movies in Practice (1999) iss.4 p.16-22
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They're showing the wrong film in Lumiere (August, 1973) iss.26 p.20-21
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The World of Alan J. Pakula in Lumiere (January-February, 1973) iss.20 p.13-16
Author: Ryan, Tom PhysDes: ArticleSubject: PAKULA, ALAN J. ; KLUTE (US, Alan J. Pakula, 1971) ; STERILE CUCKOO, THE (US, ALAN J. PAKULA, 1969 ; CHARACTERIZATION IN FILMS Summary: Tom Ryan's response to Alan J. Pakula's two films THE STERILE CUCKOO, and KLUTE, with particular focus on character formation, development, and representation.
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