Search Catalogues

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: KINDERSLEY, KIM

Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN BROADCASTING CORPORATION
Author: Lallo, Michael
PhysDes: Clippings File Article
Subject: AUSTRALIAN BROADCASTING CORPORATION; DALTON, KIM
Summary: Reporting on the essay former ABC execuitve Kim Dalton wrote for Platform Papers, where he criticises the ABC's actions and funding decisions and he suggests changes to ABC governance to allow for more transparency in decisions made

Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN BROADCASTING CORPORATION
Author: Dalton, Kim
PhysDes: Clippings File Article
Subject: AUSTRALIAN BROADCASTING CORPORATION; DALTON, KIM
Summary: Opinion piece on the direction and management of the ABC by a former executive Kim Dalton

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ACCIDENTAL STUDIO, AN (UK, Bill Jones/Kim Leggatt /Ben Timlett, 2019)
Notes: Import_Batch 11 32 titles_simon strong

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AGADA (KO, Kim Hyon-Myong, 1985)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: AGE OF SHADOWS, THE (KO, Kim Jee-woon, 2016)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: I CAN SPEAK [AI KAEN SEUPIKEU ] (KO, Kim Hyun Je-hoon, 2017)
Notes: Simon import_20/06/19

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ANGEL OF MINE (AT/US, Kim Farrant, 2019)
Notes: Simon Strong import 9B

Call No: P ANG
Place: AT
PubDate: 2019
PhysDes: 1 poster : colour illustrations ; 101 x 71 cm
Subject: ANGEL OF MINE (AT/US, Kim Farrant, 2019)
Summary: Text above title: Two mothers. One truth. Facial shots of Lizzie (Noomi Rapace) and Claire (Yvonne Strahovski) fill most of the poster, with a little girl standing on the lower-right of the poster.
Notes: Four copies. Worn edges.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: BAD GUY [NABBEUN NAMJA] (KO, Kim Ki-duk, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BANCHIK WANG (KO, Kim Ji-wun, 2000)

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: BASINGER, KIM

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: BEAMISH, KIM

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HOUSE OF HUMMINGBIRD [BEOL-SAE] (KO, Bora Kim, 2018)
Notes: Simon import_04/07/19

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BEONJIJEOMPEUREUL HADA (KO, Dai-Seund Kim, 2001)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BET ON MY DISCO (KR, Kim Dong-Won, 2002)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: THREE IRON [BIN JIP] (KO/JA, Kim Ki-duk, 2004)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: BOM YEORUM GAEUL GYEOUL GEURIGO... BOM (KO/GG, Kim Ki-Duk, 2003)
Cross Reference: SPRING, SUMMER, FALL, WINTER AND SPRING (KO/GG, Kim Ki-Duk, 2003) SEE BOM YEORUM GAEUL GYEOUL GEURIGO... BOM
CrossTag: 1

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: BOMB HARVEST (AT/LS, Kim Mordaunt, 2007)

Call No: 732(94) JOH
Author: Johnson, Rob, 1969; Smiedt, David
Place: Rydalmere, N.S.W.
Publisher: Hodder Headline Australia
PubDate: 1999
PhysDes: viii, 376 p. : ill., ports. ; 24 cm
Subject: COMEDIES. AUSTRALIA; COMEDY PROGRAMMES. AUSTRALIA; COMEDIENNES. AUSTRALIA; ADAMS, PHILLIP; GLEISNER, TOM; MCDERMOTT, PAUL; O'DONOGHUE, RORY; BAILEY, BERT; BOND, GRAHAME; BOURNE, SHANE; BROWN, NOELINE; CILAURO, SANTO; CHATER, GORDON; CREYTON, BARRY; DENTON, ANDREW; FAHEY, MARYANNE; FERGUSON, TIM; GILLIES, MAX; GRILLS, LUCKY; GYNGELL, KIM; HALL, KEN G.; HARMER, WENDY; HOGAN, PAUL; HUMPHRIES, BARRY; KENNEDY, GRAHAM; LAMOND, TONI; MCDONALD, GARRY; QUANTOCK, ROD; RAYE, CAROL; REILLY, GARY; SITCH, ROB; SORRENTI, VINCE; SZUBANSKI, MAGDA; ADVENTURES OF BARRY MCKENZIE, THE (AT, Bruce Beresford, 1972); BIG GIG, THE [TV] (AT, Ted Robinson, 1989); FRONTLINE [TV] (AT, 1994- ); MAVIS BRAMSTON SHOW [TV] (AT, 1964-1968); IN MELBOURNE TONIGHT [TV] (AT, 1957-?, 1997-); AUNTY JACK SHOW, THE [TV] (AU, 1972-73); COMEDY COMPANY, THE [TV] (AT, 1988-1990); D-GENERATION [TV] (AT, 1986-?); FAST FORWARD [TV] (AT, 1988-1989?)
Notes: Includes index; "An Allison Pressley book."
ISBN: 0733609384 : $24.95
LON: 14529909

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 10 photographs : b&w ; 25 x 20 cm
Subject: WATERS, JOHN (AT); PAULL, NICKI; GYNGELL, KIM; AMENTA, PINO; STEWART, PENELOPE; BOULEVARD OF BROKEN DREAMS (AT, Pino Amenta, 1988)
Summary: Ten black and white photographs relating to the film Boulevard of broken dreams
Notes: Contains one duplicate

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: CARPENTER, KIM

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: CATTRALL, KIM

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RAMPANT [CHANG GWOL] (KO, KIM SUNG-HOON, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: MIDNIGHT RUNNERS [CHEONG-NYEON-GYEONG-CHAL] (KO, Joo-hwan Kim, 2017)

Call No: 753.131-053.2 CHI
Author: Street, Douglas
Place: New York
Publisher: F. Ungar Pub. Co.
PubDate: 1983
PhysDes: xxiv, 304 p., [16] p. of plates : ill. ; 22 cm
Series: Ungar Film Library
Subject: ADAPTATIONS; CHILDREN AND THE CINEMA; ALICE IN WONDERLAND (US, Clyde Geronimi & Wilfred Jackson & Hamilton Luske & Brice Mack, 1951); ALICE'S ADVENTURES IN WONDERLAND (UK, William Sterling, 1972); CHARLOTTE' S WEB (US, Charles A. Nichols & Iwao Takamoto, 1973); CHITTY CHITTY BANG BANG (UK, Ken Hughes, 1968); FROM THE MIXED UP FILES OF MRS. BASIL E. FRANKENWEILER (US, Fielder Cook, 1973); HERO AIN'T NOTHING BUT A SANDWICH, A (US, Ralph Nelson, 1977); HOBBIT, THE (US, Jules Bass & Arthur Rankin Jr., 1977); ISLAND OF THE BLUE DOLPHINS (US, James B. Clark, 1964); KIDNAPPED (UK, Delbert Mann, 1971); KIM (US, Victor Saville, 1950); LION, THE WITCH AND THE WARDROBE, THE (UK/US, Bill Melendez, 1979); LITTLE LORD FAUNTLEROY (UK, Jack Gold, 1981); LITTLE LORD FAUNTLEROY (US, John Cromwell, 1936); LITTLE PRINCE, THE (UK/US, Stanley Donen, 1974); LITTLE WOMEN (US, George Cukor, 1933); LITTLE WOMEN (US, Mervyn LeRoy, 1948); PINOCCHIO (US, Ben Sharpsteen & Hamilton Luske, 1940); PIPPI LANGSTRUMP (GG, Olle Hellbom, 1969); PIPPI LONGSTOCKING (GG, Olle Hellbom, 1969); RAILWAY CHILDREN, THE (UK, Lionel Jeffries, 1970); SECRET GARDEN, THE (BL, Fred M. Wilcox, 1949); SOUNDER (US, Martin Ritt, 1972); TOBY TYLER, OR TEN WEEKS WITH A CIRCUS (US, Charles Barton, 1960); TOM BROWN'S SCHOOLDAYS (UK, Gordon Parry, 1951); TREASURE ISLAND (US, Victor Fleming, 1934); TREASURE ISLAND (US, Byron Haskin, 1950); TREASURE ISLAND (US, Andrea Bianchi & Jon Hough, 1972); WATERSHIP DOWN (UK, Martin Rosen, 1978); WILLY WONKA AND THE CHOCOLATE FACTORY (US, Mel Stuart, 1971); WIZARD OF OZ, THE (US, Victor Fleming, 1939)
Summary: "For the young and the young in heart, film versions of old favourites renew the magic of first acquaintance with these wonderful stories. Several landmark films are covered here in lively examinations of the art of successful cinematic adaptation, covering children's literature from the Victorian age to the present - from Tom Brown's Schooldays to A Hero Ain't Nothing but a Sandwich [...] This is the first book to devote itself exclusively to film adaptations of children's classics. All the writers are equally at home in children's fiction and film studies. Their essays, with one exception, were especially prepared for this volume. All together, a rewarding look at old and new favourites in literature and the movies, and at the elements that have made them lastingly successful." -- BOOK BLURB
Notes: Includes index; Filmography: p. 253-273; Bibliography: p. 280-290
ISBN: 0804428409 : $14.95; 0804468834 (pbk.) : $6.95
LON: 83014816; 2808775

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: CHOOSING CHILDREN (US, Debra Chasnoff & Kim Klausner, 1984)

Call No: 71(94) COM
Author: Collins, Felicity; Columpar, Corinn; Rutherford, Anne; Ford, Felicity; Kelada, Odette; Clark, Maddee; Verevis, Constantine; Goldsmith, Ben; French, Lisa; David Marshall, P.; Bennett, James; Grace, Helen; Khoo, Olivia; Yue, Audrey; Bye, Susan; Sandars, Diana; Stadler, Jane; Gaunson, Stephen; Trevisanut, Amanda Malel; Turnbull, Sue; McCutcheon, Marion; Goritsas, Helen; Tiwary, Ana; Lambert, Anthony; Gibson, Ross; Cunningham, Stuart; Swift, Adam; Williams, Deane; Smaill, Belinda; Neumark, Norie
Source: US/UK
Place: Hoboken, New Jersey
Publisher: Wiley-Blackwell
PubDate: 2019
PhysDes: xxii, 581 pages ; 26 cm
Series: Wiley Blackwell companions to national cinema
Subject: AUSTRALIA; FILM; INDUSTRY, FILM; INDUSTRY, FILM. AUSTRALIA; INDIGENOUS; ABORIGINAL AUSTRALIAN CINEMA; TRANSNATIONAL CINEMA; HISTORY OF CINEMA; HISTORY OF CINEMA. AUSTRALIA; TELEVISION AND THE CINEMA; TELEVISION AND THE CINEMA. AUSTRALIA; AUTEUR THEORY; GENRES; THEORY; CAMPION, JANE; CHARLIE'S COUNTRY (AT, Rolf de Heer, 2013); SPEAR (AT, Stephen Page, 2015); MAD MAX (AT, George Miller, 1979); MAD MAX: FURY ROAD (AT/US, George Miller, 2015); MAD MAX BEYOND THUNDERDOME (AT, George Miller & George Ogilvie, 1985); MAD MAX II (AT, George Miller, 1981); LEGO MOVIE, THE (US/AT/DK, Phil Lord and Christopher Miller, 2014); ROCKET, THE (AT/TH/LS, Kim Mordaunt, 2013); SERANGOON ROAD [TV] (AT/SI, 2013 -); KETTERING INCIDENT, THE [TV](AT, 2015-); BACK OF BEYOND, THE (AT, John Heyer, 1953)
Summary: The essays assembled here address six thematically organized propositions - that Australian cinema an Indigenous screen culture, an international cinema, a minor transnational imaginary, an auteur-genre-landscape cinema, a televisual industry and a multiplatform ecology. Offering fresh critical perspectives and extending previous scholarship, case studies range from The Lego Movie, Mad Max and Australian stars in Hollywood, to transnational co-productions, YouTube channels, transmedia and naturecam documentaries. New research on trends such as the Blak Wave, the convergence of television and film, digital transformations of screen production and the shifting roles of women, on and off-screen, highlight how established precedents have been transformed by new realities beyond both cinema and national borders. -- Written in an accessible style that does not require knowledge of cinema studies or Australian studies. -- Presents original research on Australian actors such as Cate Blanchett and Chris Hemsworth, evaluating their training, branding and path from Australia to Hollywood. -- Explores the films and filmmakers of the Blak Wave and their challenge to Australian settler-colonial history and white identity. -- Introduces readers to founding texts in Australian screen studies. -- Felicity Collins is Reader/ Associate Professor in Screen Studies, La Trobe University, Melbourne, Australia -- Jane Landman was Senior Lecturer, Victoria University, Melbourne, Australia -- Susan Bye is Education Programmer, Australian Centre for the Moving Image, Melbourne, Australia. --Book Jacket
Notes: Includes bibliographical references and index -- signed by Felicity Collins
ISBN: 9781118942529
Contents: You Are Here: Living Maps of Deep Time, Clock Time / Felicity Collins -- Charlie's Country, Gulpilil's Body / Corinn Columpar -- Ivan Sen's Cinematic Imaginary: Restraint, Complexity, and a Politics of Place / Anne Rutherford -- Shadowing and Disruptive Temporality in Bangarra Dance Theatre's Spear / Felicity Ford -- Beyond the Wonderland of Whiteness: The Blak Wave of Indigenous Women Shaping Race on Screen / Maddee Clark / Odette Kelada -- Another Green World: The Mad Max Series / Constantine Verevis -- Is Everything Awesome?: The LEGO Movie and the Australian Film Industry / Ben Goldsmith -- Jane Campion: Girlshine and the International Auteur / Lisa French -- Constructing Persona: Mediatisation, Performativity, Quality, and Branding in Australian Film Actors's; Migration to Hollywood / P. David Marshall -- Interpreting Anzac and Gallipoli through a Century of Anglophone Screen Representations / James Bennett -- Unsettling the Suburban: Space, Sentiment, and Migration in National Cinematic Imaginaries / Helen Grace -- The Rocket: Small, Foreign-Language Cinema / Olivia Khoo -- Serangoon Road: The Convergent Culture of Minor Transnationalism / Audrey Yue -- An Independent Spirit: Robert Connolly as Auteur-Producer / Susan Bye -- Disruptive Daughters: The Heroine's Journey in Four Films / Diana Sandars -- Atopian Landscapes: Gothic Tropes in Australian Cinema / Jane Stadler -- Spirits Do Come Back: Bunyips and the European Gothic in The Babadook / Stephen Gaunson -- Between Public and Private: How Screen Australia, the ABC and SBS have shaped Film and Television Convergence / Amanda Malel Trevisanut -- Quality vs Value: The Case of The Kettering Incident / Marion McCutcheon / & Sue Turnbull -- The Evolution of Matchbox Pictures: A New Business Model / Helen Goritsas & Ana Tiwary -- Schapellevision: Screen Aesthetics and Asian Drug Stories / Anthony Lambert -- CHURN: Cinema Made Sometime Last Night / Ross Gibson -- Over the Horizon: YouTube Culture Meets Australian Screen Culture / Adam Swift & Stuart Cunningham -- Digital Transmedia Forms and Transnational Documentary Networks / Deane Williams -- Ecological Relations: FalconCam in Conversation with The Back of Beyond / Belinda Smaill -- Where Am I?: The Terror of Terra Nullius / Norie Neumark

Call No: 761 COM
Source: US
Place: Malden, MA
Publisher: John Wiley and Sons
PubDate: 2015
PhysDes: xvi, 674 pages : illustrations, portraits ; 25 cm
Subject: DOCUMENTARIES; DOCUMENTARY FILMS; ENVIRONMENTAL ISSUES IN FILMS; SEA IN FILMS; IMMIGRATION IN FILMS AND TELEVISION; WORKERS IN FILMS; YUGOSLAVIA; SEX IN FILMS; WOMEN MAKE MOVIES [organisation]; DISEASES IN FILMS; SCIENCE AND THE CINEMA; SCIENCE IN FILMS; AIDS ON TV. SOUTH AFRICA; RELIGION AND THE CINEMA; WAR FILMS; BAL, MIEKE; ZILNIK, ZELIMIR; TRAN VAN THUY; FAROCKI, HARUN; CRUDE AWAKENING: THE OIL CRASH A (SZ, Basil Gelpke & Ray McCormack, 2006); CRUDE (US, Joe Berlinger, 2009); H [TWO] 2 OIL (CN, Shannon Walsh, 2009); PLANET, THE (SW/NO/DK, Michael Stenberg / John Soderberg / Linus Torell, 2006); INTO ETERNITY: A FILM FOR THE FUTURE (DK/FI/SW/IT, Michael Madsen, 2010); OTOLITH I [OTOLITH 1] (UK, Anjalika Sagar and Kodwo Eshun, 2003); OTOLITH II [OTOLITH 2] (UK, Anjalika Sagar and Kodwo Eshun, 2007); OTOLITH III [OTOLITH 3] (UK, Anjalika Sagar and Kodwo Eshun, 2009); INCONVENIENT TRUTH, AN (US, Davis Guggenheim, 2006); SOMEPLACE WITH A MOUNTAIN (US/FM, Steve Goodall, 2010); CONTAINED MOBILITY (SZ, Ursula Biemann, 2004); SAHARA CHRONICLE (SZ, Ursula Biemann, 2006-2009); GHOSTS (UK, Nick Broomfield, 2006); LOVE ON DELIVERY [FRA THAILAND TIL THY] (DK, Janus Metz Pedersen, 2007); TICKET TO PARADISE [FRA THY TIL THAILAND] (DK, Janus Metz Pedersen, 2008); WHEN MOTHER COMES HOME FOR CHRISTMAS (II/GR, Nilita Vachani, 1996); H [TWO] 2 WORKER (US, Stephanie Black, 1990); LIFE AND DEBT (US, Stephanie Black, 2001); MAQUILAPOLIS: CITY OF FACTORIES (MX/US, Sergio de la Torre and Vicky Funari, 2006); DECENT FACTORY, A (FR/FI/UK/AT/DK, Thomas Balmes, 2004); WHY CYBRACEROS? (US,Alex Rivera, 1997); WHY BRACEROS? (US, 1959); VALLEY CENTRO, EL (US, James Benning, 1999); LOS (US, James Benning, 2001); DOUBLE TIDE (US/AU, Sharon Lockhart, 2009); GLEANERS AND I, THE [GLANEURS ET LA GLANEUSE, LES] (FR, Agnes Varda, 2000); GLANEURS ET LA GLANEUSE, LES: DEUX ANS APRES (FR, Agnes Varda, 2002); WORKINGMAN'S DEATH (AU/GG, Michael Glawogger, 2005); OLD SCHOOL OF CAPITALISM, THE [STARA SKOLA KAPITALIZMA] (SB, Zelimir Zilnik, 2009); LIVE NUDE GIRLS UNITE! (US, Julia Query & Vicky Funari, 2000); TALES OF THE NIGHT FAIRIES (II, Shohini Ghosh, 2002); SCARLET ROAD (AT, Catherine Scott, 2011); PLACE OF RAGE, A [WARRIOR MARKS] (UK, Pratibha Parmar, 1991); DAY I WILL NEVER FORGET, THE (UK, Kim Longinotto, 2002); AFRICA RISING (US, Paula Heredia, 2009); SENORITA EXTRAVIADA [MISSING YOUNG WOMAN] (MX, Lourdes Portillo, 2001); PARIS IS BURNING (US, Jennie Livingston, 1990); WILDNESS (US, Wu Tsang, 2012); INNER LIFE OF THE CELL (US, XVIVO, 2006); BEAT IT! [TV] (SA, 2001); MY REINCARNATION (SZ/NE/IT/GG/FI/VE/US/TZ/SI/MY/RM/CC/MX/RU/IS/AU, Jennifer Fox, 2011); GEVALD (IS, Netalie Braun, 2009); BLACK BUS (IS, Anat Zuria, 2010); REBELLIOUS SON, THE (IS, Shosi Greenfield, 2009); STORY OF KINDNESS [CHUYEN TU TE] (V, Tran Van Thy, 1987); NICHT LOSCHBARES FEUER [INEXTINGUISHABLE FIRE] (GR, Harun Farocki, 1969); IMAGES OF THE WORLD AND THE INSCRIPTION OF WAR [BILDER DER WELT UND INSCHRIFT DES KRIEGES] (GW, Harun Farocki, 1988); SERIOUS GAMES [series] (GG, Harun Farocki, 2009); I ONLY WISH I COULD WEEP (LE, Wallid Raad, 2002); MIRACULOUS BEGINNINGS (LE, Walid Raad); SPIRITUAL VOICES: FROM THE DIARIES OF WAR [DUKHOVNYE GOLOSA, IZ DNEVNIKOV VOYNY. POVESTVOVANIE V PYATI CHASTYAKH] [TV] (RU, Aleksandr Sokurov, 1995); DAY OF THE SPARROW [DER TAG DES SPATZEN] (GG, Philip Scheffner, 2010); [FORTY-EIGHT] 48 (PO, Susana de Sousa Dias, 2010); ENEMIES OF THE PEOPLE (UK/CB, Thet Sambath and Rob Lemkin, 2009); DUCH: MASTER OF THE FORGES OF HELL (CB, Rithy Panh, 2011); SKINNY ALEJANDRA: LIVES AND DEATHS OF A CHILEAN WOMAN [LA FLACA ALEJANDRA: VIDAS Y MUERTES DE UNA CHILENA] (CL, Carmen Castillo, 1994); OPERATION ATROPOS (CL, Coco Fusco, 2005); ROAD TO GUANTANAMO, THE (UK, Michael Winterbottom and Mat Whitecross, 2006); TAXI TO THE DARK SIDE (US, Alex Gibney, 2007); BRIDGE, THE (UK/US, Eric Steel, 2006)
Summary: This book presents a collection of original essays that explore major issues surrounding the state of current documentary films and their capacity to inspire and effect change. This book presents a comprehensive collection of essays relating to all aspects of contemporary documentary films It includes nearly 30 original essays by top documentary film scholars and makers, with each thematic grouping of essays sub-edited by major figures in the field. This book explores a variety of themes central to contemporary documentary filmmakers and the study of documentary film the planet, migration, work, sex, virus, religion, war, torture, and surveillance. This book considers a wide diversity of documentary films that fall outside typical canons, including international and avant-garde documentaries presented in a variety of media.
ISBN: 9780470671641
Contents: Machine generated contents note: pt. I Planet / Juan Francisco Salazar -- 1.Crude Aesthetics: The Politics of Oil Documentaries / Imre Szeman -- 2.Anticipatory Modes of Futuring Planetary Change in Documentary Film / Juan Francisco Salazar -- 3.Projecting Sea Level Rise: Documentary Film and Other Geolocative Technologies / Janet Walker -- pt. II Migration / Aniko Imre -- Introduction / Aniko Imre -- 4.Videogeographies / Ursula Biemann -- 5.Rates of Exchange: Human Trafficking and the Global Marketplace / Leshu Torchin -- 6.Documenting What? Auto-Theory and Migratory Aesthetics / Mieke Bal -- pt. III Work / Silke Panse -- Introduction / Silke Panse -- 7.The Work of the Documentary Protagonist: The Material Labor of Aesthetics / Silke Panse -- 8.Old School Capitalism in Post-Socialism: The Struggles of Zelimir Zilnik's Workers / Ewa Mazierska -- 9.Capturing the Labors of Sex Work: The Pedagogical Role of Documentary Film / Anna E. Ward -- pt. IV Sex / Laura Hyun Yi Kang -- Contents note continued: Introduction / Laura Hyun Yi Kang -- 10.Documentary Practice and Transnational Feminist Theory: The Visibility of FGC / Patricia White -- 11.Transforming Terror: Documentary Poetics in Lourdes Portillo's Senorita Extraviada (2001) / Rosa-Linda Fregoso -- 12.Reading Realness: Paris Is Burning, Wildness, and Queer and Transgender Documentary Practice / Eve Oishi -- pt. V Virus / Bishnupriya Ghosh -- Introduction / Bishnupriya Ghosh -- 13.Animating Informatics: Scientific Discovery Through Documentary Film / Kirsten Ostherr -- 14.HIV on Documentary Television in Post-Apartheid South Africa / Rebecca Hodes -- 15.Digital AIDS Documentary: Webs, Rooms, Viruses, and Quilts / Alexandra Juhasz -- pt. VI Religion / Alisa Lebow -- Introduction / Alisa Lebow -- 16.Rising in the East, Sett(l)ing in the West: The Emergence of Buddhism as Contemporary Documentary Subject / Angelica Fenner -- Contents note continued: 17.The New Religious Wave in Israeli Documentary Cinema: Negotiating Jewish Fundamentalism During the Second Intifada / Raya Morag -- 18.Tran Van Thuy's Story of Kindness: Spirituality and Political Discourse / Dean Wilson -- pt. VII War / Jeffrey Skoller -- Introduction / Jeffrey Skoller -- 19.Second Thoughts on "The Production of Outrage: The Iraq War and the Radical Documentary Tradition" / Jane M. Gaines -- 20.One, Two, Three Montages ... Harun Farocki's War Documentaries / Nora M. Alter -- 21.The Unwar Film / Alisa Lebow -- pt. VIII Torture / Alisa Lebow -- Introduction / Alisa Lebow -- 22.(In)visible Evidence: The Representability of Torture / Susana de Sousa Dias -- 23.Interviewing the Devil: Interrogating Masters of the Cambodian Genocide / Deirdre Boyle -- 24.The Female Perpetrator: La Flaca Alejandra and Operation Atropos / Macarena Gomez-Barris -- 25.Toward the Dark Side: Seeing Detainee Bodies in Documentary Film / Anjali Nath -- Contents note continued: pt. IX Surveillance / Elizabeth Cowie -- Introduction / Elizabeth Cowie -- 26.Architectures of Control and Points of Resistance: Surveillance Culture and Digital Documentaries / Sharon Lin Tay -- 27.The World Viewed: Documentary Observing and the Culture of Surveillance / Elizabeth Cowie -- 28.Surveillance in the Service of Narrative / Brian Winston -- 29.Face Blind: Documentary Media and Subversion of Surveillance / Patrik Sjoberg.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COMRADE KIM GOES FLYING (KN/BE/UK, Nicholas Bonner & Anja Daelemans, 2012)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COMRADE KIM GOES FLYING (KN/BE/UK, Nicholas Bonner & Anja Daelemans, 2012)
Notes: Simon-Batch 16B_Nov 26, 2019

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: COWBOY POETS (US, Kim Shelton, 1988?)

Call No: 722-053.2(94) POT
Author: Potter, Anna
Edition: 2015
Place: Bristol ; Chicago
Publisher: Intellect
PubDate: 2015
PhysDes: xii, 200 pages : illustrations ; 24 cm
Subject: CHILDREN, PROGRAMMES FOR. AUSTRALIA; AUSTRALIAN BROADCASTING CORPORATION; ADVENTURES OF FIGARO PHO, THE [TV] (AT, 2012); AUSTRALIAN CHILDREN'S TELEVISION FOUNDATION; BRITISH BROADCASTING CORPORATION; IRWIN, BINDI; DANCE ACADEMY [TV] (AT, 2010); DISNEY CHANNEL; GURLS WURLD, A [TV](AT/G/SI, 2011); H [TWO OH] 2O [TV] (AT, 2006-); HIGH SCHOOL MUSICAL (US, Kenny Ortega, 2007); MAKO MERMAIDS [MAKO:ISLAND OF SECRETS] [TV] (AT, 2013- ); MY PLACE [TV] (AT, Kim Daiton, 2009); SCREEN AUSTRALIA
Summary: Since the late 1970s, Australia has nurtured a creative and resilient children’s television production sector with a global reputation for excellence. Providing a systematic analysis of the creative, economic, regulatory and technological factors that shape the production of contemporary Australian children’s television for digital regimes, Creativity, Culture and Commerce charts the complex new settlements in children’s television that developed from 2001 to 2014 and describes the challenges inherent in producing culturally specific screen content for global markets. It also calls for new public debate around the provision of high-quality screen content for children, arguing that the creation of public value must sit at the centre of these discussions. -- publisher's web site
ISBN: 9781783204410
Contents: Introduction -- Chapter 1: Understanding Children’s Television During the Digital Transition -- Chapter 2: Shaping the Foundations: Establishing an Australian Children’s Television Production Industry -- Chapter 3: A Very Special Audience: Children and Television -- Chapter 4: The National Context: Australian Broadcasters, Children’s Television and Public Value -- Chapter 5: It’s a Small World After All: The Internationalization of Australian Children’s Television -- Chapter 6: Policing the Settlement: Policy and Public Value in Children’s Television -- Chapter 7: Producing Children’s Television for Digital Regimes: Case Studies from the Production Sector -- Chapter 8: New Settlements in Children’s Television: Key Trends and Future Outlook -- References -- Index

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: CROSS AND PASSION (UK/IE, Kim Longinotto and Claire Pollak, 1981)

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit
Subject: BITTERSWEET LIFE, A [DALKOMHAN INSAENG] (KO, Kim Jee-woon, 2005)
Notes: Simon Strong import_191126

Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN BROADCASTING CORPORATION
Author: Bingemann, Mitchell
PhysDes: Clippings File Article
Subject: AUSTRALIAN BROADCASTING CORPORATION; DALTON, KIM
Summary: Report on the essay written by Kim Dalton (a former executive of the Australian Broadcasting Corporation [ABC]), which is critical of the organisation's current management and direction

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Stills; Clippings
Subject: DALTON, KIM

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DAY I WILL NEVER FORGET, THE (UK, Kim Longinotto, 2002)

Call No: 79AIM BRO
Author: Broinowski, Anna
Source: AT
Place: [Melbourne, Victoria]
Publisher: Viking
PubDate: 2015
PhysDes: 324 pages, 8 unnumbered pages of plates : colour illustrations, colour portraits ; 24 cm
Subject: NORTH KOREA; COMMUNISM AND THE CINEMA; PROPAGANDA FILMS; DOCUMENTARIES. AUSTRALIA; BROINOWSKI, ANNA; KIM, CHONG IL; AIM HIGH IN CREATION (AT/KN/KO/JA, Anna Broinowski, 2013)
Summary: Looking for respite from her crumbling marriage and determined to stop a coal seam gas mine near her Sydney home, filmmaker Anna Broinowski finds wisdom and inspiration in the strangest of places: North Korea. Guided by the late Dear Leader Kim Jong Il's manifesto The Cinema and Directing, Broinowski, in a world first, travels to Pyongyang to collaborate with North Korea's top directors, composers and movie stars to make a powerful anti-fracking propaganda film. The Director is the Commander centres around the bizarre twenty-one day shoot Broinowski did in North Korea to make her documentary, Aim High in Creation! She meets and befriends artists and apparatchiki, defectors and loyalists, and gains a new insight into the world's most secretive regime. Her adventures are set against a parallel exploration of propaganda in general: both in its ham-fisted North Korean form and its sophisticated but no less pervasive incarnation in the corporate West. Funny, multi-layered and utterly compelling, The Director is the Commander is a gripping account of an extraordinary journey inside a nation we can usually only see from the outside looking in.
Notes: "Come on a unique journey inside North Korea's propaganda machine" -- Cover.
ISBN: 9780670077830

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DIVORCE IRANIAN STYLE (UK, Kim Longinotto & Ziba Mir-Hosseini, 1998)

Call No: 761 SMA
Author: Smaill, Belinda
Source: UK
Place: Basingstoke, England
Publisher: Palgrave Macmillan
PubDate: 2010
PhysDes: vii, 221 p. : ill. ; 23 cm
Subject: ASIAN COUNTRIES; CHILDREN AND THE CINEMA; CHILDREN IN FILMS; CULTURE AND THE CINEMA; DOCUMENTARIES; DOCUMENTARIES. AUSTRALIA; EMOTION IN FILMS; FEMINISM AND THE CINEMA; IDENTITY IN FILMS; IDEOLOGY AND THE CINEMA; IMMIGRATION IN FILMS AND TELEVISION; PSYCHOLOGY AND THE CINEMA; REALITY TV; SEX IN FILMS; SOCIAL PROBLEMS IN FILMS; THEORY; VIEWERS; WOMEN FILMMAKERS; LOVELACE, LINDA; BORN INTO BROTHELS: CALCUTTA'S RED LIGHT KIDS (II/US, Zana Briski, Ross Kauffman, 2004); CORPORATION, THE (CN, Jennifer Abbott & Mark Achbar, 2003); DAY I WILL NEVER FORGET, THE (UK, Kim Longinotto, 2002); DIVORCE IRANIAN STYLE (UK, Kim Longinotto & Ziba Mir-Hosseini, 1998); ENRON: THE SMARTEST GUYS IN THE ROOM (US, Alex Gibney, 2005); FINISHED PEOPLE, THE (AT, Khoa Do, 2003); FIX: THE STORY OF AN ADDICTED CITY (CN, Nettie Wild, 2002); INSIDE DEEP THROAT (US, Fenton Bailey & Randy Barbato, 2005); LETTERS TO ALI (AT, Clara Law, 2004); SADNESS: A MONOLOGUE BY WILLIAM YANG (AT, Tony Ayres, 1999); SEX: THE ANNABEL CHONG STORY (CN, Gough Lewis, 1999)
Summary: "The Documentary: Politics, Emotion, Culture proposes that emotions such as pleasure, hope, pain, empathy or nostalgia play a powerful role in the circulation and reception of documentaries. Emotion shapes how political issues and individuals are represented and perceived in documentary and it is crucial to how we engage with the vicissitudes of the public sphere. In the past documentary has been popularly perceived in ways that align it with education, science, history and the rational realm. This frame has never been adequate for understanding the broad array of styles and themes that can be seen in the documentary genre. Focusing on the question of subjectivity, Smail analyses various different kinds of individuals that can be found in documentaries, such as the female porn star, the politically disenfranchised, children, and the documentary auteur. She envisages an interdisciplinary approach to documentary drawing on scholarship from not only film studies, but also gender studies, queer theory, cultural theories of affect, critical race studies, political theory and pyschoanalysis. " -- BOOK BLURB
Notes: Includes bibliographical references (p. 200-209) and index
ISBN: 9780230237513 (hbk.)
Contents: -- list of illustrations -- acknowledgments -- part one: documentary and pleasure -- 1: introduction: representation and documentary emotion -- 2: pleasure and disgust: desire and the female porn star -- part two: pain and the other -- 3: Injury, identity and recognition: Rize and Fix: the story of an addicted city -- 4: women, pain and the documentaries of Kim Longinotto -- part three: the labour of authorship: caring and mourning -- 5: loss and care: Asian Australian documentary -- 6: civic love and contemporary dissent documentary -- part four: past, present and future: hope and nostalgia -- 7: children, futurity and hope: Born into Brothels -- 8:nostalgia, historical time and reality television: the idol series -- epilogue -- notes -- bibliography -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: DREAM GIRLS (US, Kim Longinotto and Jano Williams, 1994)

Call No: SUBJECT CLIPPINGS FILE; AUSTRALIAN BROADCASTING CORPORATION
Author: Lallo, Michael
PhysDes: Clippings File Article
Subject: AUSTRALIAN BROADCASTING CORPORATION; DALTON, KIM
Summary: Report on the essay written by Kim Dalton for Platform Papers in which he critiques the management and direction of the Australian Broadcasting Corporation

Author: Thoms, Albie
PhysDes: Article
Subject: CATALOGUING AND CLASSIFICATION OF FILMS; CENSORSHIP. AUSTRALIA; DISTRIBUTION. AUSTRALIA; GOVERNMENT CONTROL. AUSTRALIA; INDEPENDENT FILMMAKERS. AUSTRALIA; INDUSTRY, FILM. AUSTRALIA; SYDNEY FILMMAKERS CO-OPERATIVE; PHALLIC FOREST, THE (AT, Michael Wilding & Kim Guyatt, 1970)
Summary: Article on the new Sydney Filmmakers Co-Op catalogue on Australian cinema. Also discusses the problem distributors are having with screening films due to state-by-state screening laws.

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: FARRANT, KIM

Call No: 761-02 FRE
Author: French, Lisa
Edition: 2021
Place: Cham, Switzerland
Publisher: Palgrave Macmillan
PhysDes: 276 pages : illustrated ; 22 cm
Subject: WOMEN FILMMAKERS; DOCUMENTARIES; FEMINISM AND THE CINEMA; HONKASALO, PIRJO; LONGINOTTO, KIM; JAIN, NISHTHA; MANDY, MARIE; KATES, NANCY; ARMSTRONG, GILLIAN
Summary: The Female Gaze in Documentary Film – an International Perspective makes a timely contribution to the significant rise in interest in recent times in the status, presence, achievements and issues for women in contemporary screen industries. It examines the works, contributions and participation of female documentary directors globally. The central preoccupation of the book is to consider what might constitute a ‘female gaze’, an inquiry that has had a long history in filmmaking, film theory and women’s art. It fills a gap in the literature which to date has not substantially examined the work of female documentary directors. Moreover, research on sex, gender and the gaze has been relatively infrequently the subject of scholarship on documentary film, particularly in comparison to narrative film or television drama. A distinctive feature of the book is that it is based on interviews with significant female documentarians from Europe, Asia and North America. -- publisher's web site
ISBN: 9783030680930
Contents: Front Matter – Introduction. PART ONE -- Women’s Documentary Practice, Theory and Histories -- Women and Documentary -- The ‘Female Gaze’ -- Aesthetics and the Influence of Gender -- Feminisms, Feminist Theory and Documentary Practice. PART TWO -- Case Studies: Female Documentary Directors in Focus -- Documentary as Artform: Pirjo Honkasalo’s Cinematic Poetics -- Transnational Feminism in the Cinema of Kim Longinotto -- Nishtha Jain: An Auto-ethnographic and a Postcolonial Feminist Gaze -- Marie Mandy: Female Subjectivity and Aesthetics -- A View from the Margins: The Films of Nancy D Kates -- Gillian Armstrong: The Line Between Fact and Fiction. Conclusion: Rendering Female Reality.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FOR THE MOMENT (CN, Kim Johnston, 1994)

PhysDes: Article
Subject: FRANCES (US, Graeme Clifford, 1982); CLIFFORD, GRAEME; LANGE, JESSICA; SHEPARD, SAM; STANLEY, KIM; THORN EMI
Summary: Article on 'Frances' nearing completion, and a list of those who have worked on the film.

Author: Urban, Andrew; McKenna, Rick
PhysDes: Article
Subject: COMEDY PROGRAMMES. AUSTRALIA; MCKENNA, RICK; KATH AND KIM [TV] (AT, 2002-)
Summary: Interview with Rick McKenna about his experiences working in the Australian comedy and entertainment industry

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FULL CIRCLE (AT, Kim McKenzie?, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GAEA GIRLS (UK, Kim Longinotto, 2000)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FAMILY TIES [GAJOKEUI TANSAENG] (KO, Tae-Young Kim, 2006)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: FAMILY TIES [GAJOKEUI TANSAENG] (KO, Tae-Young Kim, 2006)
Cross Reference: FAMILY TIES

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Press kit
Subject: COLD EYES [GAM-SI-JA-DEUL] (KO, Ui-seok Jo & Byung-seo Kim, 2013)
Cross Reference: COLD EYES [GAM-SI-JA-DEUL ]

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LIAR, THE [GEO-JIN-MAL] (KO, Kim Dong-Myung, 2014)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: GREAT BATTLE, THE (KO, Kwang-shik Kim, 2018)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 21 photographs : b&w ; 13 x 18 cm.-20 x 25 cm
Subject: WATERS, JOHN (AT); FRIELS, COLIN; GYNGELL, KIM; LAWRENCE, BRUNO; FLAUS, JOHN; MARKWELL, TERRY; BELL, JOY; JOFFE, MARK; GRIEVOUS BODILY HARM (AT, Mark Joffe, 1988)
Summary: Twenty-one black and white photographs from the film Grievous bodily harm
Notes: Contains one duplicate and one image donated by Brian McFarlane

Call No: REFERENCE SECTION; 058 INT "2005"
Edition: 42nd ed.
Place: London
Publisher: Button
PubDate: 2005
PhysDes: 432 p. : col. ill. ; 24 cm.
Subject: PERIODICALS, FILM; INDUSTRY, FILM; DOCUMENTARIES; KI-DUK, KIM; LEIGH, MIKE; MORRIS, ERROL; PAYNE, ALEXANDER; ZELENKA, PETR
Summary: Includes articles on directors of the year, features on documentary cinema, a round-up of DVDs and books, a survey of film production in each country, and directories of festivals and organisations around the world.
Notes: Other title: International film guide 2005
ISBN: 0954876601

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Stills; Clippings
Subject: GYNGELL, KIM

Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. PARK CITY. SUNDANCE
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: FESTIVALS. PARK CITY. SUNDANCE; STRANGERLAND (AT/IE, Kim Farrant, 2015)
Summary: An article about the excitement of Australian films premiering at this years Sundance film festival.

Call No: SUBJECT CLIPPINGS FILE; FESTIVALS. PARK CITY. SUNDANCE
Author: Maddox, Garry
PhysDes: Clippings File Article
Subject: FESTIVALS. PARK CITY. SUNDANCE; STRANGERLAND (AT/IE, Kim Farrant, 2015)
Summary: An article about Australian films in this years Sundance (2015) film festival.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HIGHLY EXALTED, THE [TV] (US, Kim Shelton, 1985)

Call No: 46(794) HAM
Author: Hamblett, Charles
Source: US
Place: New York
Publisher: Hart Publishing Company
PubDate: 1969
PhysDes: 435 p. : ill., ports ; 24 cm
Series: Includes index
Subject: Metro-Goldwyn-Mayer; TYPE CHARACTERS IN FILMS; TWENTIETH CENTURY-FOX; WARNER BROS.; ANDERSON, ERNIE; ARMSTRONG, LOUIS; BACALL, LAUREN; BARRYMORE, JOHN; BOGART, HUMPHREY; BRANDO, MARLON; BURTON, RICHARD; CLIFT, MONTGOMERY; DAVIS, SAMMY, Jr.; DEAN, JAMES; FLYNN, ERROL; GABLE, CLARK; HATHAWAY, HENRY; HUSTON, JOHN; LOREN, SOPHIA; MONROE, MARILYN; MILLER, ARTHUR; NOVAK, KIM; PECK, GREGORY; PONTI, CARLO; SENNETT, MACK; SINATRA, FRANK; TAYLOR, ELIZABETH; THALBERG, IRVING; WARNER, JACK L.; WAYNE, JOHN; WOOD, NATALIE; WOODWARD, JOANNE
Donation: donated by the family of Wayne Levy, 2006

Call No: 802.27(084.2) KOB
Author: Kobal, John
Edition: 1st Quill ed.
Source: US
Place: New York
Publisher: Quill
PubDate: c1981
PhysDes: 159 p. : col. ill. ; 30cm
Subject: ACTORS; PHOTOGRAPHY; PHOTOGRAPHY AND THE CINEMA; FIELDS, W.C.; WEST, MAE; COLBERT, CLAUDETTE; DIETRICH, MARLENE; LAMOUR, DOROTHY; SWANSON, GLORIA; SOTHERN, ANN; MACDONALD, JEANETTE; Stewart, James; YOUNG, LORETTA; COOPER, GARY; LEIGH, VIVIEN; TURNER, LANA; GARLAND, JUDY; ROONEY, MICKEY; MONTEZ, MARIA; DE HAVILLAND, OLIVIA; FONTAINE, JOAN; FAIRBANKS, DOUGLAS; DAVIS, BETTE; BOGART, HUMPHREY; LAMARR, HEDY; SHERIDAN, ANN; TIERNEY, GENE; LAKE, VERONICA; LADD, ALAN; CAGNEY, JAMES; BERGMAN, INGRID; GODDARD, PAULETEE; WAYNE, JOHN; GRABLE, BETTY; COOPER, GARY; TAYLOR, ROBERT; POWER, TYRONE; HUTTON, BETTY; ASTAIRE, FRED; DARNELL, LINDA; SINATRA, FRANK; ROGERS, ROY; TRIGGER (Horse); PAL (Canine actor); BACALL, LAUREN; LANCASTER, BURT; SCOTT, LIZABETH; DOUGLAS, KIRK; MIRANDA, CARMEN; JONES, JENNIFER; FORD, GLENN; BALL, LUCILLE; OBERON, MERLE; PECK, GREGORY; DIETRICH, MARLENE; GRAHAME, GLORIA; GRANT, CARY; HAYWORTH, RITA; VALLI, ALIDA; JOURDAN, LOUIS; TAYLOR, ELIZABETH; ROBERT, RYAN; MITCHUM, ROBERT; CHARISSE, CYD; BARKER, LEX; RUSSELL, JANE; GARBO, GRETA; CLIFT, MONTGOMERY; GARDNER, AVA; TURNER, LANA; MONROE, MARILYN; CRAWFORD, JOAN; DEAN, JAMES; NOVAK, KIM; MANSFIELD, JAYNE; PRESLEY, ELVIS; BRANDO, MARLON
Summary: "John Kobal, the world's foremost film archivist, has amassed an unrivaled photographic treasure of Hollywood glamour portraits. As an author and noted film historian, he has also been a major force behind the tremendous revival of interest in the work of the great studio photographers such as George Hurrell, Ted Allan, Lazlo Willinger, and Clarence Sinclair Bull. The selection of photographs in this book extends from the mid-1930s to the 1950s, the period in which color photography became established in Hollywood, and contains 74 spectacular images of the major stars." -- BOOK JACKET
Notes: Includes bibliographical references (p. 17); Book contains pictures of various Hollywood actors
ISBN: 0688007538

Call No: 736.35(512.317) LOG
Author: Logan, Bey
Place: London
Publisher: Titan Books
PubDate: 1995
PhysDes: 191 p. ; ill. (some col.) ; 28cm
Subject: ACTION FILMS. HONG KONG; WOMEN IN FILMS. HONG KONG; CHAN, JACKIE; WOO, JOHN [pseud. of Wu Yusen]; CHOW, YUN-FAT; LEE, BRUCE; LAU KAR LEUNG; HUNG, SAMO; CHENG PEI PEI; ROTHROCK, CYNTHIA; PENN, KIM MAREE; CRAWFORD, SOPHIA; ACES GO PLACES (HK, Tsang Chi Wai, 1982); ARMOUR OF GOD, THE [; JINGCHA GUSHI (HK, Jackie Chan [pseud. of Cheng Long], 1985); [BIG BOSS, THE] (HK, Lo Wei, 1971); [FIST OF FURY] (HK, Lo Wei, 1972); LASHOU SHENTAN (HK, John Woo [pseud. of Wu Yusen], 1992); SINNUI YAUMAN (HK, Ching Siu Tung, 1987); CHINESE GHOST STORY, A (HK, Ching Siu Tung, 1987); [CITY ON FIRE] (HK, Ringo (Ling-Tung) Lam, 1987); [DRUNKEN MASTER, THE] (HK, Yuen Woo-Ping, 1978); [EASTERN CONDORS] (HK, Samo Hung, 1987); [PEDICAB DRIVER] (HK, Samo Hung, 1990); ENTER THE DRAGON (US/HK, Robert Clouse, 1973); WAY OF THE DRAGON, THE (HK, Bruce Lee, 1973); YINGXIONG BENSE (HK, John Woo [pseud. of Wu Yusen], 1986); [BULLET IN THE HEAD] (HK, John Woo [pseud. of Wu Yusen], 1990); DIEXUE SHUANG XIONG (HK, John Woo [pseud. of Wu Yusen], 1989)
Notes: Includes index; Bibliography: p. 188
ISBN: 1852865407 (pbk)
LON: 11245180

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit
Subject: HOUSEMAID, THE (KO, Kim Ki-young, 1960)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: HUMMINGBIRD PROJECT, THE (BE/CN, Kim Nguyen, 2018)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: HWASAN GO (KO, Kim Tae-Gyun, 2002)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JAMMIN' IN THE MIDDLE E (AT, Kim Mordaunt, 2005)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: JANGHWA HONGRYEON (KO, Ji-Wun Kim, 2003); TALE OF TWO SISTERS, A (KO, Ji-Wun Kim, 2003)
CrossTag: 1
ID2: 81

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JOHEUNNOM NABBEUNNON ISANGHANNOM (KO, Ji-woon Kim, 2008); GOOD, THE BAD AND THE WEIRD, THE (KO, Ji-woon Kim, 2008)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: JOHNSON, KIM

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: JUST PUNISHMENT (AT, Kim Beamish, 2006)

Call No: DIGITAL CLIPPINGS FILE
PhysDes: Clippings
Subject: KARDASHIAN, KIM

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KATE & KIM: THE AMERICAN SERIES [TV] (US/AT, 2008)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Publicity
Subject: KATH AND KIM [TV] (AT, 2002-)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: KI-YOUNG, KIM

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: KILBEY, KIM

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KIM (US, Victor Saville, 1950)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KIM AND HARLEY AND THE KIDS (AT, Katrina Sawyer, 2002)

PhysDes: Article
Subject: BASINGER, KIM; CONNERY, SEAN; NEVER SAY NEVER AGAIN (US, Irvin Kersehner, 1983); WARNER BROS.
Summary: Announcement of Kim Bassinger as Bond girl in 'Never Say Never Again'. Includes her acting background.

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: KIM-GIBSON, DAI SIL

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: KIM, HEE-SEON

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: KIM KI-DUK

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KIM PHUC (NE, Manus Van De Kamp, 1983)

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity
Subject: KIM'S WAR (K, Kim Young-bin, 1992)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KIM USHU NO NAKA (JA, Yoichi Sai, 2002)

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: KREJUS, KIM

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Stills
Subject: KYURUN IYAGI (KO, Kim Ui-Seok 1992)

Call No: 79LAC DAR
Author: Dargis, Manohla
CorpAuthor: British Film Institute
Source: UK
Place: London
Publisher: British Film Institute
PhysDes: 95 p. : ill. ; 19 cm
Series: BFI Modern Classics
Subject: L.A. CONFIDENTIAL (US, Curtis Hanson, 1997); HANSON, CURTIS; HOLLYWOOD IN FILMS; PEARCE, GUY; CROWE, RUSSELL; SPACEY, KEVIN; BASINGER, KIM; DEVITO, DANNY; DIRECTORS. USA
Summary: Explores the careers of Curtis Hanson, director, and James Ellroy, novelist, drawing on interviews with both men, to dig deep into the film's obssession with the twinned, equally troubled histories of the Hollywood studio system and the city of Los Angeles.
Notes: Notes: p.85-87 Credits: p.88-93 Bibliography: p.94-95
ISBN: 0851709443

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LAST STAND, THE (US, Kim Jee-woon, 2013)

Author: Williams, Kim, Chief Executive AFC
Subject: WILLIAMS, KIM; AUSTRALIAN FILM COMMISSION; METRO TELEVISION
Summary: A letter to Australasian Cinema in responce to the editorial from 26/10/1984, regarding falsities when reporting no Metro Television, the AFC and funding.

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: LEWIS, KIM

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: LEWIS, KIM (actress)

Call No: SUBJECT CLIPPINGS FILE; DRAMAS. AUSTRALIA
Author: Neill, Rosemary
PhysDes: Clippings File Article
Subject: DRAMAS. AUSTRALIA; PRODUCTION, TV. AUSTRALIA; AUSTRALIAN BROADCASTING CORPORATION; DALTON, KIM
Summary: Piece on Australian tv drama production and questioning the amount of production that has been undertaken by the Australian Broadcasting Corporation. Mentions former ABC executive Kim Dalton and his essay 'Missing in action: the ABC and Australian Screen Culture'. Quotes from Penny Chapman, Screen Producers Australia, Freeview and the Australian Childrens Television Foundation

Call No: 736.35 RAN
Author: Rance, P.T.J
Source: UK
Place: London
Publisher: Virgin Books
PubDate: 2005
PhysDes: 280 p., [8] p. of plates : col. ill. ; 24 cm
Subject: HUANG FEIHONG CHUAN, SHANGJI (HK, Wu Pang, 1949); TU-PEI TAO (HK, Chang Cheh, 1967); LUNG-MEN K'O CHAN (TZ, King Hu, 1966); ENTER THE DRAGON (US/HK, Robert Clouse, 1973); SHAO LIN SA LIU FANG (HK, Liu Chia-Liang, 1977); A JIHUA (HK, Jackie Chan [pseud. of Cheng Long], 1983); WONG FEI-HUNG (HK, Tsui Hark, 1991); WO HU ZANG LONG (HK, Ang Lee, 2000); YING XIONG (HK/C, Yimou Zhang, 2002); HERO (HK/C, Yimou Zhang, 2002); SHIMIAN MAIFU (HK/CC, Zhang Yimou, 2004); HOUSE OF THE FLYING DAGGERS (HK/CC, Zhang Yimou, 2004); KARATE KID, THE (US, John G. Avildsen, 1984); KICKBOXER (US, Mark DiSalle & David Worth, 1989); KILL BILL VOLUME 1 (US, Quentin Tarantino, 2003); KILL BILL VOLUME 2 (US, Quentin Tarantino, 2004); ZATOICHI ROYABURI (JA, Satsuo YAMAMOTO, 1967); HWASAN GO (KO, Kim Tae-Gyun, 2002); ONG-BAK (TH, Prachya Pinkaew, 2003); GREEN HORNET, THE (US, Norman Foster, 1966); WATER MARGIN, THE (TV) (JP/C, 1976-78); SAIYUKI (TV) (JA, 1978-80); CROUCHING TIGER, HIDDEN DRAGON (HK, Ang Lee, 2000)
Summary: The late 60s and 70s saw a massive surge in the release of martial arts films, spawning a cult following which is still growing. This essential guide explores up to 20 seminal films in detail, with particular focus on recurring themes, directors, and stars. Each chapter covers a different branch of the genre from Hong Kong Legends such as Once Upon a Time in China and Enter the Dragon, to Modern Asian Classics like House of the Flying Daggers to the incursion into Hollywood in films such as The Karate Kid and The Matrix. The development of the genre from 1920s China to the present is traced with analysis and explanations of the different martial arts seen in these films in an entertaining guide to the vast array of martial arts movies and their role in modern cinema.
Notes: Includes, bibliographic references, index and index of quotations ERATA: ISBN on verso not correct. See back cover.
ISBN: 0753510782
ID2: 150

Author: Durston , Joy [compiler]
PhysDes: Article
Subject: CROSS AND PASSION (UK/IE, Kim Longinotto and Claire Pollak, 1981)
Notes: Credits - Synopsis - Review

Call No: TITLE CLIPPINGS FILE; STRANGERLAND (AT/IE, Kim Farrant, 2015)
Author: Stratton, David
PhysDes: Clippings File Article
Subject: STRANGERLAND (AT/IE, Kim Farrant, 2015)
Summary: Review of the film 'Strangerland'. The reviewer mentions the effective use of the outback town as a strange place for settlement
Rating: 4 out of 5 stars

Call No: TITLE CLIPPINGS FILE; STRANGERLAND (AT/IE, Kim Farrant, 2015)
Author: David Stratton
PhysDes: Clippings File Article
Subject: STRANGERLAND (AT/IE, Kim Farrant, 2015)
Summary: review
Rating: 4 out of 5 stars

Call No: 62 THO
Author: Thomson, David, 1941
Place: London
Publisher: Secker & Warburg
PubDate: 1967
PhysDes: 234 p., [8] leaves of plates : ill. ; 23 cm
Subject: CINEMATOGRAPHY; SOCIETY AND THE CINEMA; GRANT, CARY; MONROE, MARILYN; NOVAK, KIM; LANG, FRITZ; RENOIR, JEAN; HITCHCOCK, ALFRED; HAWKS, HOWARD; DEMY, JACQUES; RIVETTE, JACQUES; PREMINGER, OTTO
Notes: Includes index; "Filmography": p. 217-223
LON: xls00449773; 4094552
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