book
Backstory : interviews with screenwriters of Hollywood's golden age / edited and with an introduction by Pat McGilligan Berkeley: University of California Press, 1986.
Call No: 802.24(73) BACAuthor: McGilligan, Patrick Source: USPlace: BerkeleyPublisher: University of California PressPubDate: 1986PhysDes: viii, 382 p. : ports. ; 24 cmSubject: BENNETT, CHARLES ; BURNETT, W. R. ; BUSCH, NIVEN ; CAIN, JAMES M ; COFFEE, LENORE ; DUNNE, PHILIP ; EPSTEIN, JULIUS J. ; GOODRICH, FRANCES ; HACKETT, ALBERT ; KRASNA, NORMAN ; MAHIN, JOHN LEE ; MAIBAUM, RICHARD ; ROBINSON, CASEY ; SCOTT, ALLAN ; STEWART, DONALD OGDEN Summary: "Backstory" is a screenwriter's tem fr what happens in a plot before the screen story begins. In this volume a delightfully acute and articulate band of screenwriters tell their side of what happened, on and off the set, before the cameras rolled. Their reminiscences are both entertaining and instructive for anyone who cares about the art of film - past or present. Together, the interviews comprices an affectionate group portrait of movie writers at work.
The illustrious line-up includes Hitchcock's collaborator Charles Bennett; the novelists Niven Busch, W. R. Burnett, and James M. Cain; the fixer-upper Lenore Coffee; the comedy writers Julius J. Epstein and Norman Krasna; the sophisticated husband-and-wife team of Frances Goodrich and Albert Hackett; the Astair-Rogers writer Allan Scott and the James Bond interpreter Richard Maibaum; that witty gentleman Donald Ogden Stewart; and three of Hollywood's best adaptors: Philip Dunne, John Lee Mahin, and Casey Robinson. -- Taken from dust jacket.Notes: Includes indexes; Bibliography: p. 349-364ISBN: 0520056663 (alk. paper); 0520056892 (pbk. : alk. paper)LON: 85028949; 4218775
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CALVERT, FRANCES
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Contemporary Hollywood cinema / edited by Steve Neale and Murray Smith London New York: Routledge, 1998.
Call No: 71(73) CONAuthor: Neale, Stephen ; Smith, Murray, 1962 Place: London New YorkPublisher: RoutledgePubDate: 1998PhysDes: xxii, 338 p. : ill. ; 24 cmSubject: USA ; TECHNOLOGY AND THE CINEMA ; DISTRIBUTION. USA ; EXHIBITION. USA ; WIDE-SCREEN SYSTEMS ; SPECTATORSHIP ; MEN IN FILMS. USA ; MELODRAMA ; MUSIC, FILM ; SOUND TRACKS ; TELEVISION AND THE CINEMA ; FAMILY IN FILMS. USA ; NARRATIVE IN FILMS ; BLACK CINEMA. USA ; ETHNIC GROUPS IN FILMS. USA ; BLOCKBUSTERS ; FEMINISM AND THE CINEMA ; GENDER AND THE CINEMA ; CENSORSHIP. USA ; INDEPENDENT FILMS. USA ; WOMEN, FILMS FOR ; WOMEN IN FILMS. USA ; HORROR FILMS. USA ; CHILDREN, FILMS FOR ; ACTION FILMS ; AUDIENCES ; MIRAMAX FILMS ; NEW LINE CINEMA ; TIME WARNER ; VERHOEVEN, PAUL ; COPPOLA, FRANCIS FORD ; HAMILTON, LINDA ; MCDORMAND, FRANCES ; ELFMAN, DANNY ; E.T. THE EXTRA TERRESTRIAL (US, Steven Spielberg, 1982) ; FARGO (US, Ethan Coen, 1996) ; BASIC INSTINCT (US, Paul Verhoeven, 1992) ; BRAM STOKER'S DRACULA (US, Francis Ford Coppola, 1992) ; BATMAN (US, Tim Burton, 1989) ; BATMAN RETURNS (US, Tim Burton, 1992) ; RAIDERS OF THE LOST ARK (US, Steven Spielberg, 1981) ; JURASSIC PARK (US, Steven Spielberg,, 1993) ; LION KING, THE (US, Roger Allers & Rob Minkoff, 1994) ; TERMINATOR 2: JUDGMENT DAY (US, James Cameron, 1991) Notes: Includes bibliographical references (p. [312]-318) and indexISBN: 0415170095; 0415170109 (pbk.)LON: 98005952; 13736490
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[CRACKS IN THE MASK] : (GG, Frances Calvert, 1995)
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DAINGANGAN, FRANCES
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The decline and fall of the love goddesses / Patrick Agan Los Angeles: Pinnacle Books, c1976.
Call No: 465.15 AGAAuthor: Agan, Patrick Place: Los AngelesPublisher: Pinnacle BooksPubDate: c1976PhysDes: ix, 286 p. : illus. ; 28 cmSubject: STARS ; DANDRIDGE, DOROTHY ; DARNELL, LINDA ; FARMER, FRANCES ; GRABLE, BETTY ; HAYWARD, SUSAN ; HAYWORTH, RITA ; HUTTON, BETTY ; LAKE, VERONICA ; MANSFIELD, JAYNE ; MONROE, MARILYN Summary: The stories of ten Hollywood actresses whose fame and glamorous onscreen personas hid troubles within their private lives.
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journal article
Director of 'Frances' to visit Australia in Australasian Cinema (25/2/1983) vol.12 iss.3 p.2
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DJULIBING, FRANCES
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DRAKE, FRANCES
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: DRAKE, FRANCES
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digital clippings file
EMILY : (UK/US, Frances O'connor, 2022) Digital clippings file available
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FARMER, FRANCES
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: FARMER, FRANCES
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Film fatales : independent women directors / Judith M. Redding and Victoria A. Brownworth Seattle: Seal Press, 1997.
Call No: 802.253 REDAuthor: Redding, Judith M ; Brownworth, Victoria A Place: SeattlePublisher: Seal PressPubDate: 1997PhysDes: 293 p. : ill. ; 24 cmSubject: DIRECTORS ; CAMPION, JANE ; LIGHT, ALLIE ; PARMAR, PRATIBHA ; Lupino, Ida ; PARKERSON, MICHELLE ; SAALFIELD, CATHERINE ; HAMMER, BARBARA ; FRIEDRICH, SU ; TRINH, T. MINH-HA ; NEGRON-MUNTANER, FRANCES ; MOHABEER, MICHELLE ; TAIT, MARGARET ; WELBON, YVONNE ; AYOKA, CHENZIRA ; BENNING, SADIE ; BORDEN, LIZZIE ; SEIDELMAN, SUSAN ; NAIR, MIRA ; GORRIS, MARLEEN ; ANDERS, ALLISON ; DASH, JULIE ; ROZEMA, PATRICIA ; PORTILLO, LOURDES ; DAVIS, ZEINABU IRENE ; DEITCH, DONNA ; BHARADWAJ, RADHA ; OXENBERG, JAN ; MEHTA, VIJAYA ; BALLETBO-COLL, MARTA ; ZIMMERMAN, DEBRA ; VACHON, CHRISTINE ; GRIFFIN, ADA GAY ; GRIER, BARBARA Notes: Filmography: p; Includes bibliographical referencesISBN: 1878067974LON: 97029205; 13395017
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FRANCES : (US, Graeme Clifford, 1992)
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FRANCES, CORNELIA
Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: FRANCES, CORNELIA
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Frances Farmer : shadowland / William Arnold New York: Jove, 1979.
Call No: 81FAR ARNAuthor: Arnold, William Source: USPlace: New YorkPublisher: JovePubDate: 1979PhysDes: 192 p [23]p of plates. : ill., ports ; 18cmSubject: FARMER, FRANCES ; COME AND GET IT (US, Howard Hawks and William Wyler, 1936) Summary: The book looks at the life of Francis Farmer, from the time of her many accomplishments in Hollywood, and on Broadway to her ending up as a mental patient of the Western State Hospital, at Steilacoom, Washington Her unshakeable will, clash with authority, and her inabilty to respond to treatment, together with a number of bizarre incidents in her life, resulted in her been given a lobotomy, a method used, in 1948, to tame society's misfits. [Taken from the Prologue]ISBN: 0515051241
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Frances Farmer in Classic Images (July 1983) iss.97 p.30-31
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FRANCES HA : (US, Noah Baumbach, 2012)
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Frances Ha in Sunday Herald Sun (11/08/2013) p.101
Call No: TITLE CLIPPINGS FILE; FRANCES HA (US, Noah Baumbach, 2012)Author: - PhysDes: Clippings File ArticleSubject: FRANCES HA (US, Noah Baumbach, 2012) Summary: Review of 'Frances Ha'Rating: 4 out of 5 stars
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'Frances' in final stages of filming in Australasian Cinema (16/4/1982) vol.11 iss.6 p.2
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FRANCES STELOFF: MEMOIRS OF A BOOKSELLER : (US, Deborah Dickson, 1988?)
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[Halifax f.p. : stills file] / Dennis Wisken
Call No: TITLE STILLS AUSTRALIASource: ATPhysDes: 18 photographs : b&w ; 12 x 10 cm - 26 x 21 cmSubject: GIBNEY, REBECCA ; ROXBURGH, RICHARD ; FRIELS, COLIN ; McKENZIE, JACQUELINE ; FURNESS, DEBORRA-LEE ; VIDLER, STEVEN ; O'CONNOR, FRANCES ; MCCLORY, BELINDA ; MARNIKA, DINO ; KOVSKI, JEFF ; JODRELL, STEVEN ; HALIFAX F.P. [TV] (AT, 1995- ) Summary: Eighteen black and white photographs relating to the television series Halifax f.p., including publicity stills of actors and also one of the director of the episode 'The Feeding' Steve Jodrell.
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book
Inventing film studies / Lee Grieveson and Haidee Wasson, editors Durham: Duke University Press, 2008.
Call No: 670 INV GRIAuthor: Grieveson, Lee ; Wasson, Haidee Source: UKPlace: DurhamPublisher: Duke University PressPubDate: 2008PhysDes: xxxii, 446 p. : ill. ; 24 cmSubject: American Film Institute ; AVANT-GARDE FILMS ; COMPUTER GENERATED IMAGERY ; CRITICISM ; FILM ART MEDIA ; FILM CULTURE ; FILM NOIR ; FILM STUDY AND RESEARCH ; FILMOGRAPHIES ; HISTORY OF CINEMA. SILENT PERIOD ; MARXISM AND THE CINEMA ; MOTION PICTURE ASSOCIATION OF AMERICA ; MUSEUM OF MODERN ART [NEW YORK] ; PHILOSOPHY AND THE CINEMA ; PSYCHOANALYSIS AND THE CINEMA ; REALISM IN FILMS ; SOCIETIES, FILM ; SOCIOLOGY AND THE CINEMA ; SPECTATORSHIP ; ALTHUSSER, LOUIS ; BACHMANN, GIDEON ; BARRY, IRIS ; BAZIN, ANDRE ; BELLOUR, RAYMOND ; BERGSTROM, JANET ; BORDWELL, DAVID ; BRAKHAGE, STAN ; BURGESS, ERNEST ; BUSCOMBE, ED ; CHAPLIN, CHARLES ; COOK, PAM ; DEREN, MAYA ; FOUCAULT, MICHEL ; FULLER, SAMUEL ; GODARD, JEAN-LUC ; GRIERSON, JOHN ; GRIFFITH, DAVID WARK ; GRIFFITHS, RICHARD ; HAWKS, HOWARD ; HAYS, WILL ; HEATH, STEPHEN ; HUFF, THEODORE ; MACCABE, COLIN ; METZ, CHRISTIAN ; PARK, ROBERT ; PATTERSON, FRANCES TAYLOR ; PENLEY, CONSTANCE ; RAINER, YVONNE ; RAMSAYE, TERRY ; RICHTER, HANS ; ROTHA, PAUL ; SARRIS, ANDREW ; SCORSESE, MARTIN ; SELDES, GILBERT ; SHORT, REV WILLIAM H ; STERN, SEYMOUR ; THRASHER, FREDRICK ; VOGEL, AMOS ; VON STROHEIM, ERICH ; WEINBERG, HERMAN G ; WHANNEL, PADDY ; WOLLEN, PETER Summary: Inventing Film Studies offers original and provocative insights into the institutional and intellectual foundations of cinema studies. Many scholars have linked the origins of the discipline to late-1960s developments in the academy such as structuralist theory and student protest. Yet this collection reveals the broader material and institutional forces—both inside and outside of the university—that have long shaped the field. Beginning with the first investigations of cinema in the early twentieth century, this volume provides detailed examinations of the varied social, political, and intellectual milieus in which knowledge of cinema has been generated. The contributors explain how multiple instantiations of film study have had a tremendous influence on the methodologies, curricula, modes of publication, and professional organizations that now constitute the university-based discipline. Extending the historical insights into the present, contributors also consider the directions film study might take in changing technological and cultural environments. -- Publisher descriptionNotes: Includes bibliographical references and indexISBN: 9780822342892Contents: The Academy and Motion Pictures / Lee Grieveson, Haidee Wasson
-- Making Cinema Knowable --
Cinema Studies and the Conduct of Conduct / Lee Grieveson
Taking Liberties: The Payne Fund Studies and the Creation of the Media Expert / Mark Lynn Anderson
"Reaching the Multimillions": Liberal Internationalism and the Establishment of Documentary Film / Zoe Druick
Young Art, Old Colleges: Early Episodes in the American Study of Film / Dana Polan
-- Making Cinema Educational --
Studying Movies at the Museum: The Museum of Modern Art and Cinema's Changing Object / Haidee Wasson
Classrooms, Clubs, and Community Circuits: Cultural Authority and the Film Council Movement, 1946-1957 / Charles R. Acland
Experimental Film and the Development of Film Study in America / Michael Zryd
From Cinephilia to Film Studies / Laura Mulvev, Peter Wollen
-- Making Cinema Legible --
Experimentation and Innovation in Three American Film Journals of the 1950s / Haden Guest
Screen and 1970s Film Theory / Philip Rosen
(Re)Inventing Camera Obscura / Amelie Hastie, Lynne Joyrich, Patricia White, Sharon Willis
Little Books / Mark Betz
-- Making and Remaking Cinema Studies --
Footstool Film School: Home Entertainment as Home Education / Alison Trope
Dr. Strange Media, or How I Learned to Stop Worrying and Love Film Theory / D. N. Rodowick
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journal article
Jessica Lange from King Kong to Frances in Australian video and communications (June 1983) vol.2 iss.19 p.26-27
Author: Shaw, Tony PhysDes: ArticleSubject: LANGE, JESSICA ; ALL THAT JAZZ (US, Bob Fosse, 1979) ; KING KONG (US, John Guillermin, 1976) ; FRANCES (US, Graeme Clifford, 1982) ; POSTMAN ALWAYS RINGS TWICE, THE (US, Bob Rafaelson, 1981) Summary: Article charts Jessica Lange's career to date, noting the impact of roles in films such as "King Kong" and "Frances". Also explores Lange's work in "All That Jazz" and "The Postman Always Rings Twice"
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[Kiss or kill : stills file]
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LONG NIGHT'S JOURNEY INTO DAY : (US, Frances Reid & Deborah Hoffmann, 2000)
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[Love and other catastrophes : stills file] NewVision Films,
Call No: TITLE STILLS AUSTRALIASource: ATPublisher: NewVision FilmsPhysDes: 2 photographs : b&w ; 13 x 18 cm - 26 x 21 cm ; 15 film stills : col. 5 x 5 cmSubject: MITCHELL, RADHA ; O'CONNOR, FRANCES ; LOVE AND OTHER CATASTROPHES (AT, Emma-Kate Croghan, 1996) Summary: 2 black and white photographs of Frances O'Connor as Mia and Radha Mitchell as Danni laughing in a bedroom, and Frances O'Connor profile shot. 15 colour film stills of all the actors in various scenes.
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MARION, FRANCES
Call No: PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: MARION, FRANCES
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MCDORMAND, FRANCES
Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTIONPhysDes: ClippingsSubject: MCDORMAND, FRANCES
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book
Nelson Pereira dos Santos / Darlene J. Sadlier Urbana, Ill ; Chicago: University of Illinois Press, 2003.
Call No: 81DOS SADAuthor: Sadlier, Darlene J. Source: USPlace: Urbana, Ill ; ChicagoPublisher: University of Illinois PressPubDate: 2003PhysDes: xiii, 180 p. ; 22 cmSeries: Contemporary film directors; edited by James NaremoreSubject: BRAZIL ; CINEMA NOVO ; PEREIRA DOS SANTOS, NELSON ; AMULETO DE OGUM, O (BL, Nelson Pereira dos Santos, 1975) ; CINEMA DE LAGRIMAS (BL, Nelson Pereira Dos Santos, 1995) ; COMO ERA GOSTOSO O MEU FRANCES (BL, Nélson Pereira dos Santos, 1972) ; ESTRADA DA VIVA (BL, Nelson Pereira dos Santos, 1980) ; MANDACARU (BL, Nelson Pereira dos Santos, 1962) ; MEMORIAS DO CARCERE (BL, Nelson Pereira dos Santos, 1984) ; QUEM E BETA? (BL, Nelson Pereira dos Santos, 1972) ; RIO QUARENTA GRAUS (BL, Nelson Pereira dos Santos, 1955) ; RIO ZONA NORTE (BL, Nélson Pereira dos Santos, 1957) ; TENDA DOS MILAGRES (BL, Nelson Pereira dos Santos, 1977) ; TERCEIRA MARGEM DO RIO, A (BL, Nélson Pereira dos Santos, 1994) Summary: Nelson Pereira dos Santos is the first book in English to provide a full critical discussion of the films of this Brazilian director.
Through a discussion of his films Darlene J. Sadlier chronicles dos Santos's career - his leftist committed cinema, his concern with the national and the popular, his chameleon style, his links to canonical Brazilian literature. She charts his moves from neorealism to Godardian experimentation to a kind of popular realism. And she includes two highly informative interviews that real dos Santos's cultural, intellectual, and philosophical formation. [taken from back cover]ISBN: 0252071123
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O'CONNOR, FRANCES
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PAPERBARK WOMAN - MONSOON DREAMING: THE STORY OF VIOLET (VAI) FRANCES MCGINNES STANTON : (AT, Kez Hall & Cathy South, 1995)
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Projections 7 : film-makers on film-making in association with Cahiers du Cinéma / edited by John Boorman and Walter Donohue London: Faber & Faber, 1997.
Call No: 802 PRO v.7Author: Boorman, John, 1933 ; Donohue, Walter Place: LondonPublisher: Faber & FaberPubDate: 1997PhysDes: x, 301 p. : ill., ports. ; 24 cmSubject: SCORSESE, MARTIN ; CAPRA, FRANK ; BARRON, BEBE ; DORMAEL, JACO VAN ; SCHOONMAKER, THELMA ; DE NIRO, ROBERT ; FORD, JOHN ; ROCHA, GLAUBER ; BERTOLUCCI, BERNARDO ; RENOIR, JEAN ; OPHULS, MAX ; MASTROIANNI, MARCELLO ; FERRARA, ABEL ; ASSAYAS, OLIVIER ; CURTIS, JAMIE LEE ; LEIGH, JANET ; BURNS, LILLIAN ; GIRARDOT, HIPPOLYTE ; MCDORMAND, FRANCES ; MITCHUM, ROBERT ; HODGSON, PIERRE ; COX, BRIAN ; CARON, LESLIE ; SYMS, SYLVIA ; WRIGHT, TERESA ; COPPOLA, FRANCIS FORD ; DE PALMA, BRIAN ; SPIELBERG, STEVEN ; LUCAS, GEORGE ; Tarantino, Quentin ; WALSH, RAOUL ; HUSTON, JOHN ; MCCAREY, LEO ; Lupino, Ida ; CASSAVETES, JOHN ; WELLES, ORSON ; HITCHCOCK, ALFRED ; WOO, JOHN [pseud. of Wu Yusen] ; DAFOE, WILLEM ; SIRK, DOUGLAS ; ALMEREYDA, MICHAEL ; BOORMAN, JOHN ; BAD LIEUTENANT (US, Abel Ferrara, 1992) ; CASINO (US, Martin Scorsese, 1995) ; TAXI DRIVER (US, Martin Scorsese, 1976) ; MEAN STREETS (US, Martin Scorsese, 1973) ; NEW YORK, NEW YORK (US, Martin Scorsese, 1977) ; RAGING BULL (US, Martin Scorsese, 1980) ; KING OF COMEDY, THE (US, Martin Scorsese, 1983) ; GOODFELLAS (US, Martin Scorsese, 1990) ; CAPE FEAR (US, Martin Scorsese, 1991) ; MANHUNTER (US, Michael Mann, 1986) ; L-SHAPED ROOM, THE (UK, Bryan Forbes, 1962) ; VICTIM (UK, Basil Dearden, 1961) ; SHADOW OF A DOUBT (US, Alfred Hitchcock, 1943) ; FORBIDDEN PLANET (US, Fred McLeod Wilcox, 1956) ; DEAD MAN (US, Jim Jarmusch, 1995) ; CAHIERS DU CINEMA Notes: Filmography: p. 300-301ISBN: 0571190332LON: abn97280608; 13386768
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Projections 11 : New York film-makers on New York film-making / edited by Tod Lippy London: Faber and Faber Limited, 2001.
Call No: 802 PRO v.11Author: Lippy, Tod Place: LondonPublisher: Faber and Faber LimitedPubDate: 2001PhysDes: 320p. : ill. ; 24 cmSubject: HOPE, TED ; SCHAMUS, JAMES ; MCDORMAND, FRANCES ; BURWELL, CARTER ; LEE, SPIKE ; ROBBINS, TIM ; COCHRAN, STACY ; ANDERSON, WES ; MEKAS, JONAS ; VACHON, CHRISTINE ; Pierson, John ; LUMET, SIDNEY ; EPHRON, NORA ; JARMUSCH, JIM ; KORINE, HARMONY ; HENRY, BUCK ; BERNSTEIN, WALTER ; KUSAMA, KARYN ; RUSSELL, DAVID O. ; GROSBARD, ULU ; DEPREZ, THERESE ISBN: 0571205917(pbk.)LON: 22055635
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REID, FRANCES
Call No: PERSONALITY CLIPPINGS FILEPhysDes: ClippingsSubject: REID, FRANCES
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SIETE MESAS DE BILLAR FRANCES : (SP, Gracia Querejeta, 2007)
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SKIN DEEP : (US, Frances Reid, 1995)
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TALKING BROKEN : (AT, Frances Calvert, 1990)
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[Talking broken : stills file]
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still
[Thank God he met Lizzie : stills file]
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journal article
Thorn EMI's 'Frances' wins major awards at Moscow Film Festival in Australasian Cinema (5-18/8/1983) vol.12 iss.14 p.1
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newspaper article
The woman for whom sentimentality is 'sap' in The Australian [Arts & Entertainment] (20/01/2015) p.15
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Women of vision : histories in feminist film and video / Alexandra Juhasz, editor Minneapolis: University of Minnesota Press, c2001.
Call No: 626[396] JUHAuthor: Juhasz, Alexandra Source: USPlace: MinneapolisPublisher: University of Minnesota PressPubDate: c2001PhysDes: xiii, 343 p. : ill. ; 27 cm.Series: Visible evidence ; v. 9Subject: FEMINISM AND THE CINEMA ; WOMEN AND THE CINEMA ; BOWSER, PEARL ; SCHEEMANN, CAROLEE ; HAMMER, BARBARA ; HORSEFIELD, KATE ; CAPLES, MARGARET ; REICHERT, JULIA ; CITRON, MICHELLE ; GREEN, VANALYNE ; PENLEY, CONSTANCE ; MOGUL, SUSAN ; LEIGH, CAROL ; MOHAMMED, JUANITA ; QUINN, WENDY ; VESNA, VICTORIA ; SOE, VALERIE ; WELBON, YVONNE ; NEGRON-MUNTANER, FRANCES ; DUNYE, CHERYL ; OISHI, EVE ; CUNNINGHAM, MEGAN Summary: "Alexandra Juhasz asked twenty-one women to tell their stories - women whose names make up a who's who (and who will be) of independent and experimental film and video. What emerged in the resulting conversations is a compelling (and previously underdocumented) history of feminism and feminist film and video, from its origins in the fifties and sixties to its apex in the seventies, to today." "Women of Vision is a companion piece to Juhasz's 1998 documentary of the same name. The book presents the complete interviews, allowing readers to hear directly the voices of these articulate, passionate women in an interactive remembering of feminist media history. Juhasz's introduction provides a historical, theoretical, and aesthetic context for the interviews." "Interviewees include: Pearl Bowser; Margaret Caples; Michelle Citron; Megan Cunningham; Cheryl Dunye; Vanalyne Green; Barbara Hammer; Kate Horsfield; Carol Leigh; Susan Mogul; Juanita Mohammed; Frances Negron-Muntaner; Eve Oishi; Constance Penley; Wendy Quinn; Julia Reichert; Carolee Scheemann; Valerie Soe; Victoria Vesna; and Yvonne Welbon."--BOOK JACKET.Notes: Includes bibliographical references (p. 331-339)ISBN: 081663372X
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