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Anatomy of the film : an illustrated guide to film appreciation / H.H. Wollenberg London: Marsland Publications Limited, 1947.
Call No: 51 WOLAuthor: Wollenberg, H.H. Source: UKPlace: LondonPublisher: Marsland Publications LimitedPubDate: 1947PhysDes: x, 104p. ; illus. ; 25cm.Subject: FILM STUDY AND RESEARCH Notes: Based on a course of Cambridge University Extenstion Lectures.; With an forward by Oliver Bell M.A., director of The British Film Institute
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Australian film theory and criticism : volume 2 interviews / [edited by] Noel King and Deane Williams Bristol; Chicago: Intellect Books, 2014.
Call No: 62(94) KIN (v. 2)Source: UK/USPlace: Bristol; ChicagoPublisher: Intellect BooksPubDate: 2014PhysDes: viii, 411 pages ; 24 cmSubject: CRITICISM. AUSTRALIA ; CRITICISM ; THEORY. AUSTRALIA ; FILM STUDY AND RESEARCH. AUSTRALIA Summary: "A three-volume project tracing critical positions, people, and institutions in Australian film, Australian Film Theory and Criticism interrogates both the the origins of Australian film theory and its relationships to adjacent disciplines and institutions. This second volume gathers interviews with national and international film theorists and critics to chart the development of different discourses in Australian film studies through the decades. Seeking to examine the position of film theoriests and their relationship to film industry practitioners and policy-makers, it looks to assert Australian film's place on the international scholarly agenda." -- BOOK BLURBISBN: 9781783200375Contents: Volume Two -- Introduction: Serious film studies and magpies / Noel King and Deane Williams -- Part I: Brisbane -- [Albert Moran, Stuart Cunningham, Graeme Turner, Tom O'Regan, Colin Crisp and Jane Crisp, Jonathan Dawson / interviewed by Noel King] -- Part II: Melbourne [Mick Counihan / interviewed by Noel King -- Barbara Creed, Ina Bertrand, Sam Rohdie, Lesley Stern, Bill Routt, Adrian Martin / interviewed by Deane Williams] -- Part III: Sydney and Newcastle [Ross Gibson / interviewed by Deane Williams -- Meaghan Morris / interviewed by Lauren Bliss -- David Boyd / interviewed by Noel King] -- Part IV: Adelaide and Perth [Brian Shoesmith, Noel Purdon / interviewed by Noel King -- Toby Miller / interviewed by Deane Williams] -- Part V: UK and USA [Paul Willemen, Dana Polan / interviewed by Deane Williams -- Manuel Alvarado, Colin MacCabe, Edward Buscombe, Michael Eaton, Jim Kitses / interviewed by Noel King]
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The British film catalogue : Volume 1. Fiction film, 1895-1994 / Denis Gifford Chicago IL: Fitzroy Dearborn, 2000.
Call No: REFERENCE SECTION; 023 (41) GIFAuthor: Gifford, Denis Edition: Third editionSource: UKPlace: London; Chicago ILPublisher: Fitzroy DearbornPubDate: 2000PhysDes: xxii, 1097 p. ; 31cmSubject: BRITAIN ; FILM STUDY AND RESEARCH ; FILMOGRAPHIES Summary: This is the first complete catalogue of every British film produced for public entertainment since the invention of cinematography over one hundred years ago. The first edition covered the years 1895-1970. This was updated for a second edition covering the years up to 1985, and now this third edition is further revised and updated to cover the years up to the end of 1994, the first one hundred years of cinema. Over one thousand new entries are included – not just films from the 1980s and 1990s; there are many dating from the years covered in the previous editions and catalogued here for the first time. [Taken from preface.]Notes: Includes indexISBN: 1579581994Language: English
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The British film catalogue : Volume 2. Non-fiction films, 1888-1994 London: Fitzroy Dearborn, 2000.
Call No: REFERENCE SECTION; 023 (41) GIFAuthor: Denis Gifford Edition: Gifford, DenisSource: UKPlace: LondonPublisher: Fitzroy DearbornPubDate: 2000PhysDes: xviii, 625p. 31cmSubject: BRITAIN ; DOCUMENTARY FILMS. UK ; FILMOGRAPHIES ; FILM STUDY AND RESEARCH Summary: This is the first attempt to compile a catalogue of every British non-fiction film produced primarily for cinema showings since the invention of cinematography. It forms a companion to [the author’s] British Film Catalogue of fiction (entertainment) films, first published in 1973 (covering the years 1895-1970), updated in a new edition in 1986 (covering the years up to 1985), and now revised, updated to the end of 1994, and published in a third edition by Fitzroy Dearborn alongside this volume. Between them, the two volumes catalogue virtually the entire history of over one hundred years of British films, separated into two main lines of cinema, fact and fiction. [Taken from preface.]Notes: Includes indexISBN: 1579582001Language: English
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Cinema borealis : Ingmar Bergman and the Swedish ethos / Vernon Young New York: Avon, [c1971].
Call No: 81BER YOUAuthor: Young, Vernon Source: USPlace: New YorkPublisher: AvonPubDate: [c1971]PhysDes: 331 p. [12] leaves of plates : ill., ports ; 21cmSeries: Equinox booksSubject: FILM STUDY AND RESEARCH ; FILMMAKING ; SWEDEN ; SVENSKA FILMINSTITUTET ; BERGMAN, INGMAR ; SASOM I EN SPEGEL (SW, Ingmar Bergman, 1961) ; NATTVARDSGASTERNA (SW, Ingmar Bergman, 1962) ; PERSONA (SW, Ingmar Bergman, 1966) ; VARGTIMMEN (SW, Ingmar Bergman, 1967) ; SJUNDE INSEGLET, DET (SW, Ingmar Bergman, 1957) ; SOMMARNATTENS LEENDE (SW, Ingmar Bergman, 1956) ; SMULTRONSTALLET (SW, Ingmar Bergman, 1957) ; JUNGFRUKALLAN (SW, Ingmar Bergman, 1960) Summary: Vernon Young provides an analysis of every film made by Ingmar Bergman, and looks at the personal beliefs and values of the film maker and shows how they are reflected in his filmsNotes: Bibliography p. 309 to 310; Filmography p.315 to 320; Includes index p.321 to 331
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The content of motion pictures / Edgar Dale New York: Arno Press and the New York Times, 1970.
Call No: 66.01 DALAuthor: Dale, Edgar Edition: March 1935Place: New YorkPublisher: Arno Press and the New York TimesPubDate: 1970PhysDes: xvi,234 ; 23 cmSeries: The Literature of CinemaSubject: FILM STUDY AND RESEARCH ; FILM IMPRESSIONS Notes: Facsimile reprint of 1935 volumeISBN: 0405016441
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The Devil's playground / by Christos Tsiolkas Strawberry Hills, N.S.W.: Currency Press, ScreenSound Australia, 2002.
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Documentary practice in a participatory culture / by Patrick Anthony Tarrant Queensland: 2008.
Call No: 761 TARAuthor: Tarrant, Patrick Anthony Source: ATPlace: QueenslandPubDate: 2008PhysDes: 157 p. : ill. ; 30 cmSubject: DOCUMENTARIES ; DOCUMENTARIES. AUSTRALIA ; DOCUMENTARY FILMS ; DOCUMENTARY FILMS. AUSTRALIA ; THEORY ; FILM STUDY AND RESEARCH ; FILM STUDY AND RESEARCH. AUSTRALIA ; CRITICISM ; REALITY TV ; REALITY TV. AUSTRALIA ; HUBBUB (AT, Patrick Tarrant, 2007) ; ONE MORE LIKE THAT (AT, Patrick Tarrant, 2007) Summary: " Debates concerning the veracity, ethics and politics of the documentary form circle endlessly around the function of those who participate in it, and the meaning attributed to their participation. Great significance is attached to the way that documentary filmmakers do or do not participate in the world they seek to represent, just as great significance is attached to those subjects whose participation extends beyond playing the part of eyewitness or expert, such that they become part of the filmmaking process itself.
This Ph.D explores the interface between documentary practice and participatory culture by looking at how their practices, discursive fields and histories intersect, but also by looking at how participating in one might mean participating in the other. In short, the research is an examination of participatory culture through the lens of documentary practice and documentary criticism. In the process, however, this examination of participatory culture will in turn shed light on documentary thinking, especially the meaning and function of 'the participant' in contemporary documentary practice." -- ABSTRACTNotes: Presented to the Creative Industries Faculty, Queensland University of Technology; Thesis (Ph.D.)--Queensland University of Technology, Brisbane, 2008; Includes bibliographical references (p. 151-157); Note the published version contains 1 videodisc (4 3/4 in.), but this is not included with our copyContents: -- keywords -- abstract -- table of contents -- list of figures -- supplementary material -- copyright -- statement of original authorship -- acknowledgments -- chapter 1: introduction -- chapter 2: participatory cultures & documentary practices -- chapter 3: camera movies (awesome, I fuckin' shot them!) -- chapter 4: finding, filming and documenting (the articulate archive) -- chapter 5: conclusion (the thesis film) -- appendix 1: interview questions used for hubbub -- appendix 2: instructions for the dvd -- works cited -- filmography --
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The evolution of film : rethinking film studies / Janet Harbord Cambridge: Polity Press, 2007.
Call No: 620 HARAuthor: Harbord, Janet Source: UKPlace: CambridgePublisher: Polity PressPubDate: 2007PhysDes: ix, 198p. : 22cm.Subject: THEORY ; FILM STUDY AND RESEARCH. AUSTRALIA Summary: Examines the reasons why we should be studying film in the 21st century.Notes: Includes index and bibliographyISBN: 9780745634760Language: English
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Film and school : a handbook in moving-picture evaluation / by Helen Rand and Richard Lewis New York; London: D. Appleton-Century Company Incorporated, 1937.
Call No: 51 RANAuthor: Lewis, Richard ; Rand, Helen Source: USPlace: New York; LondonPublisher: D. Appleton-Century Company IncorporatedPubDate: 1937PhysDes: xv. 182p. ; illus. ; 20cm.Subject: FILM STUDY AND RESEARCH ; TEACHING MATERIALS Notes: With the advice and counsel of Edgar Dale and Sarah McLean Mullen; A publication of The National Council of Teachers of English; Includes list of illustrations, source material and index.
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journal article
Film, form and culture in Metro (2000) iss.121/122 p.156-157
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Film study : a resource guide / by Frank Manchel New Jersey: Fairleigh Dickinson University Press, c. 1973, 1974.
Call No: 512 MANAuthor: Manchel, Frank Source: USPlace: New JerseyPublisher: Fairleigh Dickinson University PressPubDate: c. 1973, 1974PhysDes: 422 p. ; 25 cmSubject: FILM STUDY AND RESEARCH Notes: Includes bibliography and indexISBN: 0838612253
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subject clippings file
FILM STUDY AND RESEARCH
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Interim
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Films in our lives : an approach to film appreciation / by N.H. Rosenthal Director, Department of Visual Aids, University of Melbourne Melbourne, Australia: F.W. Cheshire, 1953.
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Films in the making / by Robb Lawson London: Sir Isacc Pitman & Sons, 1938.
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Old collection
book
Finding and keeping : research use of audiovisual material / edited by Marjorie Roe Sydney: Audiovisual Services Committee of the Library Association of Australia, 1987.
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Gattaca : is the sky the limit? / Gary Simmons Melbourne: Australian Centre for the Moving Image, 2003.
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George Lugg Library : the joint submission to the Australian Film Commission by the Australian Film Institute and the Victorian Federation of Film Societies [1978?].
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Yet to catalogue
book
Get the picture : essential data on Australian film, television and video / compiled and edited by Peta Spear North Sydney: The Commission, 1989.
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Yet to catalogue
book
Get the picture : essential data on Australian film, television and video Sydney: Australian Film Commission, 1994.
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Yet to catalogue
book
Get the picture : essential data on Australian film, television and video / Australian Film Commission Sydney: Australian Film Commission, 1992.
Call No: 201(94) AUSAuthor: Australian Film Commission Edition: 2nd edSource: AUPlace: SydneyPublisher: Australian Film CommissionPubDate: 1992PhysDes: 219 p. : ill. ; 25 cmSubject: ADVERTISING FOR FILMS ; AUDIENCES. AUSTRALIA ; DISTRIBUTION. AUSTRALIA ; FILM STUDY AND RESEARCH. AUSTRALIA ; FUNDING. AUSTRALIA ; LABOUR ; INDUSTRY, FILM. AUSTRALIA ; PRODUCTION Summary: "The aim of GET THE PICTURE is to collate data on the Australian film, television and video industries to assist in the analysis, research, and promotion of these industries. This edition continues the project of the first edition with sections on the production and international distribution of Australian films/programs. Description of key events in the industries in 1991, and an overview of reviews of Australian films, have been added." [Taken from Introduction]Notes: Addenda laid in; Includes bibliographical references (p. 198-216) and indexISBN: 064217475XLON: abn92098202; 8924673
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Get the picture : essential data on Australian film, television, video and interactive media / edited by Cathy Gray and Rosemary Curtis Sydney: Australian Film Commission, c2002.
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Old collection
book
Guide to film studies in secondary and further education : areas of work annotated reading lists of teaching materials / edited by David Lusted London: BFI Education, 1983.
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journal article
Hard data on Oz film in Filmnews (Australia) (Jun-88) vol.XVIII iss.4 [ie: 5] p.5
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Old collection
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How to appreciate motion pictures : a manual of motion-picture criticism prepared for high-school students / by Edgar Dale New York: The Macmillan company, 1933.
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Inventing film studies / Lee Grieveson and Haidee Wasson, editors Durham: Duke University Press, 2008.
Call No: 670 INV GRIAuthor: Grieveson, Lee ; Wasson, Haidee Source: UKPlace: DurhamPublisher: Duke University PressPubDate: 2008PhysDes: xxxii, 446 p. : ill. ; 24 cmSubject: American Film Institute ; AVANT-GARDE FILMS ; COMPUTER GENERATED IMAGERY ; CRITICISM ; FILM ART MEDIA ; FILM CULTURE ; FILM NOIR ; FILM STUDY AND RESEARCH ; FILMOGRAPHIES ; HISTORY OF CINEMA. SILENT PERIOD ; MARXISM AND THE CINEMA ; MOTION PICTURE ASSOCIATION OF AMERICA ; MUSEUM OF MODERN ART [NEW YORK] ; PHILOSOPHY AND THE CINEMA ; PSYCHOANALYSIS AND THE CINEMA ; REALISM IN FILMS ; SOCIETIES, FILM ; SOCIOLOGY AND THE CINEMA ; SPECTATORSHIP ; ALTHUSSER, LOUIS ; BACHMANN, GIDEON ; BARRY, IRIS ; BAZIN, ANDRE ; BELLOUR, RAYMOND ; BERGSTROM, JANET ; BORDWELL, DAVID ; BRAKHAGE, STAN ; BURGESS, ERNEST ; BUSCOMBE, ED ; CHAPLIN, CHARLES ; COOK, PAM ; DEREN, MAYA ; FOUCAULT, MICHEL ; FULLER, SAMUEL ; GODARD, JEAN-LUC ; GRIERSON, JOHN ; GRIFFITH, DAVID WARK ; GRIFFITHS, RICHARD ; HAWKS, HOWARD ; HAYS, WILL ; HEATH, STEPHEN ; HUFF, THEODORE ; MACCABE, COLIN ; METZ, CHRISTIAN ; PARK, ROBERT ; PATTERSON, FRANCES TAYLOR ; PENLEY, CONSTANCE ; RAINER, YVONNE ; RAMSAYE, TERRY ; RICHTER, HANS ; ROTHA, PAUL ; SARRIS, ANDREW ; SCORSESE, MARTIN ; SELDES, GILBERT ; SHORT, REV WILLIAM H ; STERN, SEYMOUR ; THRASHER, FREDRICK ; VOGEL, AMOS ; VON STROHEIM, ERICH ; WEINBERG, HERMAN G ; WHANNEL, PADDY ; WOLLEN, PETER Summary: Inventing Film Studies offers original and provocative insights into the institutional and intellectual foundations of cinema studies. Many scholars have linked the origins of the discipline to late-1960s developments in the academy such as structuralist theory and student protest. Yet this collection reveals the broader material and institutional forces—both inside and outside of the university—that have long shaped the field. Beginning with the first investigations of cinema in the early twentieth century, this volume provides detailed examinations of the varied social, political, and intellectual milieus in which knowledge of cinema has been generated. The contributors explain how multiple instantiations of film study have had a tremendous influence on the methodologies, curricula, modes of publication, and professional organizations that now constitute the university-based discipline. Extending the historical insights into the present, contributors also consider the directions film study might take in changing technological and cultural environments. -- Publisher descriptionNotes: Includes bibliographical references and indexISBN: 9780822342892Contents: The Academy and Motion Pictures / Lee Grieveson, Haidee Wasson
-- Making Cinema Knowable --
Cinema Studies and the Conduct of Conduct / Lee Grieveson
Taking Liberties: The Payne Fund Studies and the Creation of the Media Expert / Mark Lynn Anderson
"Reaching the Multimillions": Liberal Internationalism and the Establishment of Documentary Film / Zoe Druick
Young Art, Old Colleges: Early Episodes in the American Study of Film / Dana Polan
-- Making Cinema Educational --
Studying Movies at the Museum: The Museum of Modern Art and Cinema's Changing Object / Haidee Wasson
Classrooms, Clubs, and Community Circuits: Cultural Authority and the Film Council Movement, 1946-1957 / Charles R. Acland
Experimental Film and the Development of Film Study in America / Michael Zryd
From Cinephilia to Film Studies / Laura Mulvev, Peter Wollen
-- Making Cinema Legible --
Experimentation and Innovation in Three American Film Journals of the 1950s / Haden Guest
Screen and 1970s Film Theory / Philip Rosen
(Re)Inventing Camera Obscura / Amelie Hastie, Lynne Joyrich, Patricia White, Sharon Willis
Little Books / Mark Betz
-- Making and Remaking Cinema Studies --
Footstool Film School: Home Entertainment as Home Education / Alison Trope
Dr. Strange Media, or How I Learned to Stop Worrying and Love Film Theory / D. N. Rodowick
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A Long hard look at 'Psycho' / by Raymond Durgnat London: bfi Publishing, 2002.
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[Media course guides for Australian students : a collection of Australian tertiary education media course guides]
PhysDes: # boxesSubject: EDUCATION, FILM. AUSTRALIA ; COURSES, FILM. AUSTRALIA ; FILM STUDY AND RESEARCH. AUSTRALIA ; SCHOOLS, FILM. AUSTRALIA ; EDUCATION, USE OF FILMS IN. AUSTRALIA ; EDUCATION, USE OF TV IN. AUSTRALIA Summary: A collection of tertiary media course guides from the 1980s until now. These guides were provided to students at the beginning of their course so that they had on hand the requirements to successfully complete their course. The guides include such information as: due dates for submission of essays and exams, lecture topics, recommended reading for assignments and films or television shows to watch.
The topics of the guides we currently hold are mainly in the areas of cinema studies and television studies.
The course guides are mainly from RMIT University and Monash University, with some other material provided from other institutions including: Melbourne University, LaTrobe University, and the Victorian College of the ArtsDonation: donated by Deb Verhoeven - 2011Contents: Media education course guides from a various number of tertiary institutions
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Media research methods : audiences, institutions, texts / Ina Bertrand and Peter Hughes New York: Palgrave Macmillan, 2005.
Call No: 560 BERAuthor: Bertrand, Ina ; Hughes, Peter Source: USPlace: New YorkPublisher: Palgrave MacmillanPubDate: 2005PhysDes: x, 286 p. ; 24 cmSubject: FILM STUDY AND RESEARCH ; MEDIA Summary: This text provides an accessible introduction and overview of research methods for studying media, communication and culture, drawing on both social science and humanities methodologies. The text covers the strengths, weaknesses, inherent assumptions and theoretical underpinnings of each methodology.Notes: Includes bibliographical references (p. 263-280) and indexISBN: 9780333960955Contents: 1. Of elephants, definitions and models : the context of media research -- 2. Getting started -- Pt. I. Research on audiences -- 3. Researching audiences -- 4. Gathering data on audiences -- 5. Audience research - analysis and interpretation -- Pt. II. Research on institutions -- 6. Researching media institutions -- 7. Gathering data on institutions -- 8. Institutional research - analysis and interpretation -- Pt. III. Research on texts -- 9. Researching texts -- 10. Gathering and analysing textual data -- 11. Interpretation of textual data -- 12. Reaching conclusions, evaluating the research, writing the report
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Moving pictures : an annotated guide to selected film literature, with suggestions for the study of film / Eileen Sheahan South Brunswick [N.J.]: A. S. Barnes, 1979.
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Old collection
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On film / Roger Horrocks and Philip Tremewan Auckland: Heinemann, 1980.
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Old collection
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On film II / Roger Horrocks with Philip Tremewan Auckland: Heinemann, 1986, c1980..
Call No: 5.02 HORAuthor: Horrocks, Roger Edition: 2nd ed.Source: NZPlace: AucklandPublisher: HeinemannPubDate: 1986, c1980.PhysDes: 86 p. : ill. ; 28 cm.Subject: FILM STUDY AND RESEARCH Notes: "Concise introduction to film study and film-making"--Back cover.
First ed. published 1980 under title On film.
Also Titled:
On film 2
On film twoISBN: 0868633577 (pbk.)
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Old collection
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Our modern art : the movies / by Ernest Callenbach Chicago IL: Centre for the Study of Liberal Education for Adults, 1955.
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Personal Film : Content & context Vancouver: Vancouver Art Gallery, 1974.
Call No: 771.1 PERPlace: VancouverPublisher: Vancouver Art GalleryPubDate: 1974PhysDes: [28] p. : ill ; 28 cm.Subject: FILM STUDY AND RESEARCH
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Post-theory : reconstructing film studies / edited by David Bordwell and Noel Carroll Madison: University of Wisconsin Press, 1996.
Call No: 62 POSAuthor: Bordwell, David, 1947 ; Carroll, Noel (NoFl E.) Place: MadisonPublisher: University of Wisconsin PressPubDate: 1996PhysDes: 564 p. : 23 cmSeries: Wisconsin studies in filmSubject: THEORY ; FILM STUDY AND RESEARCH ; PSYCHOANALYSIS AND THE CINEMA ; FEMINISM AND THE CINEMA ; HORROR FILMS ; TRUTH IN FILMS ; MUSIC, FILM ; NON-FICTION FILMS ; REALISM IN FILMS ; AVANT-GARDE FILMS ; SPECTATORSHIP ; JAPAN ; DENMARK ; EXHIBITION ; CHARACTERIZATION IN FILMS ; AUDIENCES ; CONSTRUCTIVISM ; EDITING ; PERCEPTION ; PSYCHOLOGICAL EFFECTS OF FILMS ; GENRES ; LOVE IN FILMS ; MELODRAMA ; NARRATIVE IN FILMS ; COLUMBIA PICTURES ; WARNER BROS. ; BRECHT, BERTOLT ; GIBSON, JAMES J. ; COHN, HARRY ; JAMESON, FREDRIC ; MANDEL, ERNEST ; RENOV, MICHAEL ; JAZZ SINGER, THE (US, Alan Crosland, 1927) ; CASABLANCA (US, Michael Curtiz, 1942) ; ACCUSED, THE (US, Jonathan Kaplan, 1988) Notes: Includes bibliographical references and indexISBN: 0299149404 (cloth : alk. paper); 0299149447 (pbk. : alk. paper)LON: 95037052; 11859923
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Projections 12 : film-makers on film schools / Edited by John Boorman, Fraser MacDonald and Walter Donohue London: Faber and Faber Limited, 2002.
Call No: 802 PRO V.12Author: Boorman, John ; Donohue, Walter ; MacDonald, Fraser Source: UKPlace: LondonPublisher: Faber and Faber LimitedPubDate: 2002PhysDes: viii, 369p. ; illus. ; 24cm.Series: ProjectionsSubject: FILM STUDY AND RESEARCH ; FILM WORKERS ; SCHOOLS, FILM. USA ; ALEKAN, HENRI ; ANTONIONI, MICHELANGELO ; HAWKE, ETHAN ; KERRIGAN, LODGE ; O'DONNELL, DAMIEN ; OZON, FRANCOIS ; RAY, NICHOLAS ; PAR-DELA LES NUAGES (FR/IT/GG, Michelangelo Antonioni, 1995) ; WAKING LIFE (US, Ricahrd Linklater, 2001) ISBN: 0571206948
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Projections 15 : European cinema / edited by Peter Cowie and Pascal Edelmann London: Faber and Faber, 2007.
Call No: 802 PRO v.15Author: Cowie, Peter; Edelmann, Pascal Source: UKPlace: LondonPublisher: Faber and FaberPubDate: 2007PhysDes: xxxii, 356 pages : illustrations ; 21 cmSubject: DOGMA ; EUROPEAN CINEMA ; FILMMAKING ; FILM STUDY AND RESEARCH ; HOMOSEXUALITY AND THE CINEMA ; INDEPENDENT FILMS ; INDUSTRY, FILM. EUROPEAN COUNTRIES ; ALMODOVAR, PEDRO ; ANGELOPOULOS, THEO ; BARDEM, JAVIER ; BERGMAN, INGMAR ; BERTOLUCCI, BERNARDO ; CANTET, LAURENT ; DARDENNE, JEAN-PIERRE & LUC ; HOLLAND, AGNIESZKA ; JACOB, IRENE ; LOACH, KENNETH ; MAKAVEJEV, DUSAN ; MOREAU, JEANNE ; DE OLIVEIRA, MANOEL ; OZON, FRANCOIS ; RIKLIS, ERAN ; STORARO, VITTORIO ; STEEN, PAPRIKA ; SZABO, ISTVAN ; TANOVIC, DANIS ; THOMAS, JEREMY ; ULLMANN, LIV ; Wenders, Wim ; WINTERBOTTOM, MICHAEL ; SAVRSENI KRUG (BS/FR/NE, Ademir Kenovic, 1997) Summary: "This volume features articles with leading directors, writers, producers, actors, cinematographers, critics, directors of festivals and cinema institutions - as well as audience members from across the wide swathe of Europe - in which they discuss the question: What is a European film?" -Book blurbNotes: Contains a foreword by British critic Derek Malcolm; Cover and spine title: Projections + the European Film AcademyISBN: 9780571235292Contents: Acknowledgements -- A note on the editors -- Foreword by Derek Malcolm -- Introduction -- A family affair: Uniting the talents of Europe - by Peter Cowie -- Ingmar's dream -- The European Film Academy - a conversation with Istvan Szabo -- Dreamland Europe -- What's so European about us? - by Wim Wenders -- The land of dreams - by Manoel de Oliveira -- How Bergman can change your life - by Gunnar Bergdahl -- The poetic power of Theo Angelopoulos - by Michel Ciment -- Cinema as a way of life - notes from a conversation with Jeanne Moreau -- The meaning of light - a conversation with Vittorio Storaro -- A greater Europe -- A voice from Central Europe - an interview with Agnieszka Holland -- Filming to survive - an interview with Ademir Kenovic -- The idealist - an interview with Danis Tanovic -- A question of honesty - an interview with Cristi Puiu -- Being Hungarian - an email interview with Gyorgy Palfi -- Thoughts from Russia - by Ilya Khranovsky -- Slow train to Europe - by Eran Riklis -- Acting European -- Being an actor is to recognise and to be recognised - by Liv Ullmann -- Actresses are much more intelligent - an interview with Francois Ozon -- Between two countries - an interview with Daniel Bruhl -- Someone has to carry the baby - an interview with Irene Jacob -- Talking to an addict - an interview with Jalil Lespert -- Finding a new approach: Dogma -- A new wave in Danish cinema - by Henning Camre -- A curse and a blessing - an interview with paprika Steen -- European success stories -- Dedicated to auteur cinema - an interview with Margaret Menegoz -- All about Almodovar - by Vincente Molina Foix -- A new kind of scene - an interview with Dieter Kosslick -- A mirror of the world we live in - an interview with Bernardo Bertolucci -- A cinema for our time: the documentary - by Thierry Garrel -- The fiction of reality - by Nino Kirtadze -- Out of the closet: queer cinema -- Things can change - an interview with Wieland Speck -- A journey of twenty years of lesbian film - by Silke Brandt -- Reinventing yourself - an interview with Constantine Giannaris -- Going independent was the best idea - an interview with Ventura Pons -- No more drama, please! - an interview with Jacques Martineua and Olivier Ducastel -- A regional matter: local heroes -- A touchstone of reality - an interview with Ken Loach -- An opportunity to resist - an interview with Jean-Pierre and Luc Dardenne -- A world without red and blue - an interview with Florian Henckel von Donnersmarck -- France isn't Paris - an interview with Laurent Cantet -- Hard work - an interview with Javier Bardem and Fernando Leon de Aranoa -- Independent and successful? -- Catching the moment - an interview with Dusan Makavejev -- An almighty task - an interview with Jeremy Thomas -- Making political films - an interview with Michael Winterbottom -- Understanding different cultures - an interview with Marco Muller -- An uphill battle - an interview with Jean-Marc Barr -- A ray of sunshine in a cold country - an interview with Baltasar Kormakur -- My own cinema -- Films that European film-makers would screen -- The audience: who sees these films? -- Voices from the cinema-loving public across Europe -- European networks - by Martin Blaney -- The MEDIA programme of the EU -- Eurimages -- European film promotion -- The European Film Academy -- Appendix 1: The European Film Awards - All winners 1988-2006 -- Appendix 2: founding members of the EFA
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Reel tracks : Australian feature film music and cultural identities / edited by Rebecca Coyle Eastleigh: John Libby Publishing, 2005.
Call No: 751.0 (94)"199"COYAuthor: Coyle, Rebecca (ed) Edition: 1stSource: UKPlace: EastleighPublisher: John Libby PublishingPubDate: 2005PhysDes: 257 p. : ill. ; 23 cmSubject: AUSTRALIA IN FILMS ; MUSIC FILMS ; MUSIC IN FILMS ; MUSIC IN FILMS. AUSTRALIA ; SOUND EFFECTS ; SPECIAL EFFECTS ; CULTURE AND THE CINEMA. AUSTRALIA ; BOOTMEN (AT, Dein Perry, 2000) ; BLACKROCK (AT, Steven Vidler, 1997) ; NED KELLY (AT/UK, Gregor Jordan, 2003) ; MASCULINITY IN FILMS ; IN A SAVAGE LAND (AT, Bill Bennett, 1999) ; MULTICULTURALISM AND THE CINEMA. AUSTRALIA ; BAD BOY BUBBY (AT, Rolf de Heer, 1993) ; CHOPPER (AT, Andrew Dominik, 2000) ; RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001) ; ONE NIGHT THE MOON (AT, Rachel Perkins, 2001) ; PARADISE ROAD (AT/US, Bruce Beresford, 1997) ; BANK, THE (AT/IT, Robert Connolly, 2001) ; BEDEVIL (AT, Tracey Moffat, 1993) ; FILM STUDY AND RESEARCH. AUSTRALIA Summary: Over the last decade popular cinema has employed a variety of forms of music. These include traditional composed screen music, pre-recorded music tracks, mixes of music and sound effects and various combinations of these. In response to this, film music scholars have developed new ways of understanding and analysing the role of film music in relation to genre, narrative and creative roles and inter-relations in film music scoring. 'Reel Tracks' provides a series of insightful analyses of recent mainstream Australian cinema. Following the editor's careful exploration of film music's relation to national cinema culture and identity, individual chapters offer stimulating and diverse accounts of music in films such as Rabbit-Proof Fence (2002), Lantana (2001), Chopper (2000) and Paradise Road (1997). The chapters in this volume also address broader themes such as the musical representation of sexuality in cinema and music's representation of regions, localities and ethnicity. Reel Tracks is an important contribution to both Australian film studies and the international understanding of the role of music in contemporary western cinema. This volume is targeted to both cinema studies readers and film music students, teachers and aficionados. [Book jacket]ISBN: 0861966589Contents: Soundscapes of surf and steel : "Blackrock" and "Bootmen" / Shane Homan -- New-Age Ned : Scoring Irishness and masculinity in "Ned Kelly" / Helen O'Shea -- Hauntings : Soundtrack representations of Papua New Guinea in "To have and to hold" and "In a savage land" / Philip Hayward -- "Hei-fen" and musical subtexts in two Australian films by Clara Law / Tony Mitchell -- Lost in music : popular music, multiculturalism and Australian film / Jon Stratton -- Scoring : sexuality and Australian film music, 1990-2003 / Bruce Johnson and Gaye Poole -- "Christ kid, you're a weirdo" : aural construction of subjectivity in "Bad boy bubby" / Melissa Iocco and Anna Hickey-Moody -- The sound of redemption in "Chopper" : rediscovering ambience as affect / Mark Evans -- Sounds of Australia in "Rabbit-proof fence" / Marjorie D. Kibby -- Untangling "Lantana" : a study of film sound production / Rebecca Coyle -- Moon music : musical meanings in "One night the moon" / Kate Winchester -- Transcendent voices : choral music in "Paradise road" / Jude Magee -- Musical intertextuality in "The bank" / Michael Hannan -- Carl Vine's score in "beDevil" / Catherine Summerhayes and Roger Hillman -- The composer as alchemist : an overview of Australian feature film scores 1994-2004 / Michael Atherton.URL status: URL: 'http://-'
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Research guide to Japanese film studies / Abe´ Mark Nornes and Aaron Gerow Ann Arbor: Center for Japanese Studies, The University of Michigan, 2009.
Call No: 56(52) NORAuthor: Nornes, Markus Source: USPlace: Ann ArborPublisher: Center for Japanese Studies, The University of MichiganPubDate: 2009PhysDes: viii, 197 p. ; 23 cmSeries: Michigan monograph series in Japanese studies ; no 65Subject: FILM STUDY AND RESEARCH ; JAPAN Summary: 'The Research Guide to Japanese Film Studies provides a snapshot of all the archival and bibliographic resources available to students and scholars of Japanese cinema.' - [Taken from book dust jacket]ISBN: 9781929280537Donation: donated by Senses of Cinema, 2012Contents: Collections -- Distributors -- Used book and video stores -- Annotated bibliography for bibliographic studies. Bunken-shi/bibliographic studies -- Articles on the history of film criticism -- Anthologies of film criticism and køza -- Indexes and bibliographies -- Film yearbooks and almanacs -- Encyclopedias and dictionaries -- Filmographies -- Biographical dictionaries -- Chronologies -- Script collections and collected works of directors -- Censorship -- Photos, posters, programs -- Film periodicals -- General histories -- Guides to archives -- Local histories -- Studio and production company histories -- Online and digital resources. General databases -- Discs -- Websites -- FAQ.
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Sam Peckinpah / Doug McKinney Boston: Tyayne Publishers, 1979.
Call No: 81PEC MCKAuthor: Mckinney, Doug Source: USPlace: BostonPublisher: Tyayne PublishersPubDate: 1979PhysDes: 266 p. : ill. ; 21cmSeries: Twayne's Theatrical Arts seriesSubject: FILM CULTURE ; FILM STUDY AND RESEARCH ; Peckinpah, Sam ; RIDE THE HIGH COUNTRY (US, Sam Peckinpah, 1962) ; WILD BUNCH, THE (US, Sam Peckinpah, 1969) ; BALLAD OF CABLE HOGUE, THE (US, Sam Peckinpah, 1970) ; STRAW DOGS (UK, Sam Peckinpah, 1971) ; GETAWAY, THE (US, Sam Peckinpah, 1972) ; PAT GARRETT AND BILLY THE KID (US, Sam Peckinpah, 1973) ; CROSS OF IRON (UK/GW, Sam Peckinpah, 1977) Summary: This book looks at Sam Peckinpah the film maker and his attempt to look critically at the system in which he remained to make films It looks at the themes and artistry of his filmsNotes: Bibliography p.249 to 252; Filmography p. 253 to 263; Includes indexISBN: 0805792643
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Shakespeare on film / Jack J Jorgens Bloomington: Indiana University Press, c1977.
Call No: 753SHA JORAuthor: Jorgens, Jack.J Source: USPlace: BloomingtonPublisher: Indiana University PressPubDate: c1977PhysDes: xii, 337 p. : ill. ; 24cmSubject: FILM STUDY AND RESEARCH ; SHAKESPEARE [WILLIAM] IN FILMS ; SHAKESPEARE, WILLIAM ; EDUCATION AND THE CINEMA ; DIETERLE, WILLIAM ; ZEFFIRELLI, FRANCO ; MANKIEWICZ, JOSEPH L. ; WELLES, ORSON ; OLIVIER, LAURENCE ; SCHAEFER, GEORGE ; KUROSAWA AKIRA ; KOZINTSEV, GRIGORI ; MIDSUMMER NIGHT'S DREAM, A (SP/UK, Celestino Coronado, 1984) ; TAMING OF THE SHREW, THE (US/IT, Franco Zeffirelli, 1967) ; ROMEO AND JULIET (UK/IT, Franco Zeffirelli, 1968) ; JULIUS CAESAR (US, Joseph L. Mankiewicz, 1953) ; CHIMES AT MIDNIGHT (SP/SZ, Orson Welles, 1966) ; CAMPANADAS A MEDIANOCHE (SP/SZ, Orson Welles, 1966) ; HENRY V (UK, Laurence Olivier, 1944) ; RICHARD III (UK, Laurence Olivier, 1955) ; MACBETH ; KUMONOSU-JO (JA, Akira Kurosawa, 1957) ; GAMLET (RU, Grigori Kozintsev, 1964) ; OTELLO (IT, Franco Zeffirelli, 1986) ; KING LEAR (UK, Peter Brook, 1953) Summary: This book looks at films made of Shakespeare plays and is an evaluation of such films and focuses on what is good and interesting about them as well attemping to interpret them.It is ultimately an appreciation of the films made of Shakespeare's plays. It provides the reader with the vocabulary of film and a cinematic way of expressing Shakespeare's characters, settings, themes, structures and verbal and dramatic styles.It looks at the strenghts of the works of filmakers such as Zeffirelli, or OlivierNotes: Includes bibliographical references and indexISBN: 0253351960ID2: 291
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A short guide to writing about film / Timothy Corrigan New York: HarperCollinsCollegePublishers, 1994.
Call No: 67 CORAuthor: Corrigan, Timothy Edition: 2nd edPlace: New YorkPublisher: HarperCollinsCollegePublishersPubDate: 1994PhysDes: xiv, 190 p. : ill. ; 21 cmSubject: CRITICISM ; FILM STUDY AND RESEARCH Notes: Includes bibliographical references (p. 181-182) and indexISBN: 0673522997LON: 93021631; 10183435
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Interim
book
A short guide to writing about film / Timothy Corrigan New York: Longman, 2001.
Call No: 67 CORAuthor: Corrigan, Timothy Edition: Fourth EditionSource: USPlace: New YorkPublisher: LongmanPubDate: 2001PhysDes: xiii, 224 p. : ill . ; 21 cmSeries: The Short guide seriesSubject: CRITICISM ; FILM STUDY AND RESEARCH Notes: Includes bibliographical references and indexISBN: 0321081145 (paperback)
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journal article
'The future of cinema studies in the age of global media' : aesthetics, spectatorship and public spheres in UTS Review (May 1999) vol.5 iss.1 p.94-110
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Old collection
book
The value of films in history teaching / Frances Consitt London: G. Bell and Sons, 1931.
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Interim
book
Watching films / by Vernon Sproxton London: SCM Press Ltd., 1948.
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book
What is a film? / Roger Manvell London: Macdonald, 1965.
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book
Writing on Australian film history : some methodological comments / Tom O'Regan Sydney: [Local Consumption Publications], [1984?].
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