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Call No: 71(94) COL
Author: Collins, F.; Davis, T.
Place: Port Melbourne
Publisher: Cambridge University Press
PubDate: 2004
PhysDes: vii, 204 p. ; 24 cm
Subject: HISTORY AND THE CINEMA. AUSTRALIA; MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997); MOULIN ROUGE (AT/US, Baz Luhrmann, 2001); DISH, THE (AT, Rob Sitch, 2000); LANTANA (AT, Ray Lawrence, 2001); AUSTRALIAN RULES; AUSTRALIAN ABORIGINAL CINEMA; AUSTRALIAN ABORIGINES AND THE CINEMA; AUSTRALIAN ABORIGINES IN FILMS; WALKING ON WATER (AT, Tony Ayres, 2001); HEAVEN'S BURNING (AT, Craig Lahiff, 1997); LAST DAYS OF CHEZ NOUS, THE (AT, Gillian Armstrong, 1992); HOLY SMOKE (US, Jane Campion, 1999); SERENADES (AT, Mojgan Khadem, 2000); YOLNGU BOY (AT, Stephen Johnson, 2001); MISSING, THE (AT, Manuela Alberti, 1999); HEARTLAND [TV] (AT, 1994); AUSTRALIAN ABORIGINES AND TV; CUNNAMULLA (AT, Dennis O'Rourke, 2000); MESSAGE FROM MOREE (AT, Judy Rymer, 2003); CASTLE, THE (AT, Rob Sitch, 1997); VACANT POSSESSION (AT, Margot Nash, 1995); STRANGE PLANET (AT, Emma-Kate Croghan, 1999); RADIANCE (AT, Rachel Perkins, 1998); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001); LOOKING FOR ALIBRANDI (AT, Kate Woods, 2000); HEAD ON (AT, Ana Kokkinos, 1998); BENEATH CLOUDS (AT, Ivan Sen, 2001); JAPANESE STORY (AT, Sue Brooks, 2003); TRACKER, THE (AT, Rolf de Heer, 2002)
Summary: “Drawing on concepts of shock, memory and national maturity, ‘Australian Cinema after Mabo’ asks what part Australian cinema plays in reviewing our colonial past. It looks at how the 1992 Mabo decision, which overruled the nation’s founding myth of terra nullius, has changed the meaning of landscape and identity in Australian films, including The Tracker, Rabbit-Proof Fence, Moulin Rouge, The Castle, Cunnamulla, Looking for Alibrandi and Japanese Story amongst many others.” (back cover)
Notes: Index: p.200-204; Bibliography
ISBN: 0521834805 : 0521542561 (pbk.)
Contents: Part 1: Australian Cinema and the History Wars -- Backtracking after Mabo -- Homeand Abroad in Moulin Rouge, The Dish and Lantana -- Elites and Battlers in Australian Rules and Walking on Water -- Mediating Memory in Mabo Life as an Island Man --; Part 2: Landscape and Belonging after Mabo -- Aftershock and the Desert Landscape in Heavens Burning, The Last Days of Chez Nous, Holy Smoke, Serenades, Yolngu Boy, The Missing -- Coming from the Country in Heartland, Cunnamulla and Message from Moree -- Coming from the City in The Castle, Vacant Possession, Strange Planet and Radiance; Part 3: Grief, Trauma and Coming of Age -- Lost, Stolen and Found in Rabbit-Proof Fence -- Escaping History and Shame in Looking for Alibrandi, Head On and Beneath Clouds -- Sustaining Grief in Japanese Story and Dreaming in Motion.

PhysDes: Article
Subject: ALMOST WINNING (AT, Tammy Burnstock, 1986); BOY AND THE SEA, THE (AT, Peter Leovic, 1986); CHASM (AT, Mark Ward, 1986); COMING TRUE (AT, George Mannix, 1986); AUSTRALA SUMMER, AN (AT, Megan Simpson, 1986); ERMINIA'S OPENING NIGHT AND OTHER STORIES (AT, Duncan Sinclair, 1986); FREELY GIVEN (AT, David Caesar, 1986); GOOD WEEKEND, THE (AT, Kate Stone, 1986); FLYING (AT, Tommy Burnstock, 1986); SAY A LITTLE PRAYER (AT, Trisha Rothkrans, 1986); SPEED GRAPHIC (AT, Rey Carlson, 1986); SHOPPING TOWN (AT, David Caesar, 1986); TRICKLE OF SANITY (AT, Michael Richards, 1986)
Summary: Short reviews of the AFTRS productions by a number of different reviewers
Notes: Reviews. - synopsis. - credits. - illus.

Call No: 735.2 (94) SHE
Author: Shelley, Peter
Source: US/UK
Place: Jefferson, North Carolina, and London
Publisher: McFarland & Company Inc
PubDate: c2012
PhysDes: vi, 320 p. : ill. ; 26 cm
Subject: HORROR FILMS; HORROR FILMS. AUSTRALIA; FILMOGRAPHIES. AUSTRALIA; NIGHT OF FEAR (AT, Terry Bourke, 1973); CARS THAT ATE PARIS, THE (AT, Peter Weir, 1974); INN OF THE DAMNED (AT, Terry Bourke, 1974); END PLAY (AT, Tim Burstall, 1975); LAST WAVE, THE (AT, Peter Weir, 1977); LONG WEEKEND, THE (AT, Colin Eggleston, 1979); PATRICK (AT, Richard Franklin, 1978); SNAPSHOT (AT, Simon Wincer, 1978); THIRST (AT, Rod Hardy, 1979); NIGHTMARES (AT, John Lamond, 1980); ALISON'S BIRTHDAY (AT, Ian Coughlin, 1979); LADY STAY DEAD (AT, Terry Bourke, 1981); ROADGAMES (AT, Richard Franklin, 1981); SURVIVOR, THE (AT, David Hemmings, 1981); NEXT OF KIN (AT, Tony Williams, 1982); TURKEY SHOOT (AT, Brian Trenchard-Smith, 1981); INNOCENT PREY (AT, Colin Eggleston, 1984); RAZORBACK (AT, Russell Mulcahy, 1984); CASSANDRA (AT, Colin Eggleston, 1987); DARK AGE (AT/US, Arch Nicholson, 1988); FAIR GAME (AT, Mario Andreacchio, 1986); CONTAGION (AT, Karl Zwicky, 1987); CONTAGION (AT, Karl Zwicky, 1988); OUTBACK VAMPIRES (AT, Colin Eggleston, 1987); ZOMBIE BRIGADE (AT, Carmelo Musca, 1988); CELIA (AT, Ann Turner, 1988); CELIA (AT, Anne Turner, 1988); DREAMING, THE (AT, Mario Andreacchio, 1988); HOUSEBOAT HORROR (AT, Ollie Martin, [In prod], 1987); KADAICHA (AT, James Bogle, 1988); OUT OF THE BODY (AT, Brian Trenchard-Smith, 1988); 13TH FLOOR, THE (AT, Chris Roache, 1989); BLOODMOON (AT, Alec Mills, 1990); BODY MELT (AT, Philip Brophy, 1992); BODY MELT (AT, Philip Brophy, 1993); ENCOUNTERS (AT, Murray Fahey, 1994); KOMODO (US/AT, Michael Lantieri, 1999); CUT (AT, Kimble Rendall, 2000); H.P. LOVECRAFT'S CTHULHU (AT, Damian Heffernan, 2000); GHOST SHIP, THE (US, Steve Beck, 2002); CUBBYHOUSE (AT, Murray Fahey, 2001); QUEEN OF THE DAMNED, THE (US/AT, Michael Rymer, 2002); DARKNESS FALLS (US, Jonathon Liebesman, 2003); LOST THINGS (AT/CN, Martin Murphy, 2003); RAZOR EATERS (AT, Shannon Young, 2003); SUBTERANO (AT/GG, Esben Storm, 2002); UNDEAD (AT, Michael Spierig & Peter Spierig, 2002); MAN-THING (US/AT, Brett Leonard, 2005); SAFETY IN NUMBERS (AT, David Douglas, 2005); WOLF CREEK (AT, Greg McLean, 2005); LIKE MINDS (AT UK, Gregory J Read, 2006); SEE NO EVIL (AT, Gregory Dark, 2006); VOODOO LAGOON (AT/UK, Nicholas Cohen, 2006); WATCH ME (AT, Melanie Ansley, 2006); BLACK WATER (AT, David Nerlich & Andrew Traucki, 2007); ROGUE (AT, Greg Mclean, 2007); STORM WARNING (AT, Jamie Blanks, 2007); ACOLYTES (AT, Jon Hewitt, 2007); DYING BREED (AT, Jody Dwyer, 2008); GATES OF HELL, THE (AT, Kelly Dolen, 2008); I KNOW HOW MANY RUNS YOU SCORED LAST SUMMER (AT, Stacy Edmonds & Doug Turner, 2008); LONG WEEKEND (AT, Jamie Blanks, 2009); RUINS, THE (AT/US, Carter Smith, 2008); COFFIN ROCK (UK/AT, Rupert Glasson, 2009); CRUSH (AT, John V. Soto & Jeff Gerritsen, 2009); DAMNED BY DAWN (AT, Brett Anstey, 2009); DAYBREAKERS (US, Michael Spierig and Peter Spierig, 2008); DAYBREAKERS (US, Michael Spierig, Peter Spierig, 2008); FAMILY DEMONS (AT, Ursula Dabrowsky, 2009); HORSEMAN, THE (AT, Steven Kastrissios, 2008); LOVED ONES, THE (AT, Sean Byrne, 2009); PREY (AT, Oscar D'Rocceter, 2007); 7TH HUNT, THE (AT, J.D. Cohen, 2009); STORAGE (AT, Michael Craft, 2009); TRIANGLE (AT/UK Christpher Smith, 2009); CLINIC, THE (AT, James Rabbitts, 2010); NEEDLE (AT, John V Soto, 2010); REEF, THE (AT, Andrew Traucki, 2010); ROAD TRAIN (AT, Dean Francis, 2010); SLAUGHTERED (AT, Kate Glover, 2010)
Summary: "This pioneering work provides in-depth coverage of 76 horror films produced in Australia, where serial killers, carnivorous animals, mutants, zombies, vampires and evil spirits all receive the "antipodean" cinematic treatment unique to the Land Down Under. Titles covered were released between 1973 and 2010, a period coinciding with the revival of the long-dormant Australian film industry in the early 1970s, and continuing into the second wave of genre production spurred by the international success of the 2005 chiller Wolf Creek, The Cars That Ate Paris, The Last Wave, Roadgames, Razorback, Outback Vampires, Queen of the Damned, Black Water, and The Reef are among the titles represented. Each film is covered in a chapter that includes a cast and credits list, release information, contemporary reviews and DVD availability, as well as a synopsis and in-depth notes about the story, filmmaking techniques, acting performances, recurring themes and motifs, and overall effectiveness of the film as a work of horror. ' -- BOOK BLURB
Notes: 'VOYAGE INTO FEAR (AT, Murray Fahey, 1993) listed here as (aka) ENCOUNTERS (AT, Murray Fahey, 1994); HELLION: THE DEVIL'S PLAYGROUND listed here as (aka) CUBBYHOUSE (AT, Murray Fahey, 2001); NATURE'S GRAVE listed here as (aka) LONG WEEKEND (AT, Jamie Blanks, 2009); Includes bibliographical references and index
ISBN: 9780786461677
Contents: -- acknowledgments -- preface -- introduction -- the films -- bibliography -- index --

Call No: SUBJECT CLIPPINGS FILE; NATIONAL INSTITUTE OF DRAMATIC ART
Author: Boland, Michaela
PhysDes: Clippings File Article
Subject: NATIONAL INSTITUTE OF DRAMATIC ART; CHERRY, KATE
Summary: Interview with Kate Cherry, the new head of the National Institute of Dramatic Art [NIDA]
Notes: A

Author: Hull, David
PhysDes: Article
Subject: CYAN FILMS; VERTIGO PRODUCTIONS; RYAN, JULIE; CROSER, KATE; MY TEHRAN FOR SALE (AT/IR, Granaz Moussavi, 2009)
Summary: Julie Ryan and Kate Croser of Cyan Films announce their first feature projects, AUCTION [MY TEHRAN FOR SALE]

Call No: 761 BEA
Author: Beattie, Keith
Source: UK
Place: Houndmills, Basingstoke, Hampshire
Publisher: Palgrave Macmillan
PubDate: 2004
PhysDes: 276 p ; 21cm
Subject: DOCUMENTARY FILMS; DOCUMENTARY DRAMAS; AUSTRALIAN ABORIGINES IN FILM; IMPERIALISM AND THE CINEMA; CINEMA VERITE; CINEMA-DIRECT; JOURNALISTS, FILM; POPULAR CULTURE AND TV; REALITY TV; TABLOID JOURNALISM; POPULAR CULTURE AND THE CINEMA; AUSTRALIAN BROADCASTING CORPORATION; BRITISH BROADCASTING CORPORATION; COLUMBIA BROADCASTING SYSTEM; NATIONAL FILM BOARD OF CANADA; NATIONAL INDIGENOUS DOCUMENTARY FUND; NBC TELEVISION NETWORK; PUBLIC BROADCASTING SERVICE; NETWORK TEN; VIDEODISCS; GRANADA; IMAX; INDEPENDENT TELEVISION COMMISSION; INTERACTIVE TV; MUSIC TELEVISION; TELEVISION JOURNALISTS; BUERK, MICHEAL; CAVADINI, ALESSANDRO; DE ANTONIO, EMILE; DREW, ROBERT; DYLAN, BOB; FLAHERTY, ROBERT; GRIERSON, JOHN; LEACOCK, RICHARD; LORENTZ, PARE; MAYSLES, ALBERT; MAYSLES, DAVID; MCELWEE, ROSS; MOORE, MICHAEL; MORIN, EDGAR; O'ROURKE, DENNIS; PENNEBAKER, D. A.; PILGER, JOHN; ROUCH, JEAN; RUTTMAN, WALTER; TAJIRI, REA; VERTOV, DZIGA; ATOMIC CAFE, THE (US, Kevin Rafferty & Jane Loader & Pierce Rafferty, 1982); CHEQUER-BOARD [TV] (AT, 1969-1975); FOUR CORNERS [TV] (AT, 1961-); BRONENOSETS POTEMKIN [BATTLESHIP POTEMKIN] (UR, Sergei Eisenstein, 1925); BERLIN DIE SINFONIE DER GROSSTADT (G, Walter Ruttman, 1927); BIG BROTHER [TV] (AT, 2001); BIGGIE AND TUPAC (US, Nick Broomfield, 2001); BILL, THE [TV] (UK, 1984-); BIRTH OF A NATION, THE (US, David Wark Griffith, 1915); BOWLING FOR COLUMBINE (US/CA, Michael Moore, 2002); BUENA VISTA SOCIAL CLUB (GG/US, Wim Wenders, 1999); CAMBODIA: YEAR ZERO (AT, John Pilger, 1989); CANE TOADS : AN UNNATURAL HISTORY (AT, Mark Lewis, 1987); CANNIBAL TOURS (AT, Dennis O' Rourke, 1987); CATHY COME HOME (UK, Ken Loach, 1966); CHRONIQUE D' UN ETE (FR, Jean Rouch & Edgar Morin, 1961); COPS AND ROBBERSONS (US, Michael Ritchie, 1994); CROCODILE DUNDEE (AT, Peter Faiman, 1986); CUNNAMULLA (AT, Dennis O'Rourke, 2000); DEATH OF A PRINCESS [TV] (UK/US/NZ/AT/NE, Antony Thomas, 1980); DISMISSAL, THE [TV] (AT, George T. Miller & others, 1983); DON'T LOOK BACK (US, D.A. Pennebaker, 1967); GOOD WOMAN OF BANGKOK, THE (AT, Dennis O'Rourke, 1991); LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980); MABO: LIFE OF AN ISLAND MAN (AT, Trevor Graham, 1997); CELOVEK S KINOAPPARATOM (UR, Dziga Vertov, 1929); MONTEREY POP (US, D. A. Pennebaker, 1968); NANOOK OF THE NORTH (US, Robert Flaherty, 1922); POLICE STATE (AT, Chris Noonan, 1989); SYLVANIA WATERS [TV] (AT, Brian Hill & Kate Woods, 1993); WALKING WITH DINOSAURS[TV] (UK, 1999); WAR GAME, THE (UK, Peter Watkins, 1966)
Summary: Documentary Screens is a comprehensive and critical examination of the formal features and histories of central categories of documentary film and television. Among the categories examined are autobiographical, indigenous and ethnographic documentary, compilation films, direct cinema and cinema verite and television documentary journalism. The book also considers recent so called popular factual entertainment and the future of documentary film, television and new media. [Taken from back cover].
ISBN: 033374117X

Author: Lawrie Masterson
PhysDes: Article
Subject: JACKMAN, HUGH; SWORDFISH (US, Dominic Sena, 2001); X-MEN (US, Bryan Singer, 2000); KATE & LEOPOLD (US, James Mangold, 2001)
Summary: Interview with Hugh Jackman on his career, focusing on Swordfish, X-men, and Kate & Leopold

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 3 photographs : b&w ; 13 x 18 cm - 21 x 26 cm
Subject: ROSNIAK, JUSTIN; TAYLOR, DANIEL; KANTS, IVAR; WILKINSON, LINDEN; BABA, SAEMI; MUROYAMA, KAZUHIRO; BISLEY, STEVE; DIGNAM, ARTHUR; TENNEY, ANNE; RADLEY, KEN; CHOY, ANNA; ESCAPE FROM JUPITER [TV] (AT/JA, Kate Wood & Fumitaka Tamura, 1994)
Summary: Three black and white photographs from the television series Escape from Jupiter

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 9 slides : col. ; 50 mm x 50 mm
Subject: FRIELS, COLIN; SCACCHI, GRETA; PRIESTLEY, MARK; STONE, YAEL; FARM, THE [TV] (AT, Kate Woods, 2001)
Summary: Nine colour slides relating to the television mini-series The Farm 2001
Notes: Includes documents detailing the synopsis and each of the slides.

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: Petersham Pictures Pty Ltd.?
PhysDes: 16 photographs : b&w ; 20 x 25 cm + 1 photograph : b&w ; 13 x 18 cm
Subject: Barrett, Ray; SCRIVENER, JANET; NEVIN, ROBYN; FITZPATRICK, KATE; MORTON, ROBERT 'TEX'; DODWELL, GRANT; GALLACHER, FRANK; DOLEMAN, GUY; BROWN, HOLLY; BICKFORD, ALAN; ROGERS, BOB; SCOTT, JANE; GOODBYE PARADISE (AT, Carl Schultz, 1982)
Summary: Seventeen black and white photographs from the film 'Goodbye paradise'
Notes: 1 image donated by Brian McFarlane

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: A.I.A.P. TAYLOG Photography
PhysDes: 4 photographs : b&w ; 13 x 18 cm.-20 x 25 cm
Subject: JARRATT, JOHN; FRAWLEY, JOHN; FITZPATRICK, KATE; HUMPHRIES, BARRY; MCGREGOR, SANDRA; HAYWOOD, CHRIS; DERUM, JOHN; GREAT MCCARTHY, THE (AT, David Baker, 1975)
Summary: Three black and white photographs from the film 'The great MacArthy'
Notes: I image donated by Brian McFarlane
ID2: 303

Call No: TITLE STILL INTERNATIONAL
Source: AT
PubDate: 1994
PhysDes: 1 photograph : b&w ; 18 x 26 cm.
Subject: HEAVENLY CREATURES (NZ, Peter Jackson, 1994); LYNSKEY, MELANIE; WINSLET, KATE
Summary: Melanie Lynskey and Kate Winslet sit together on a couch. Both characters look distressed and are dressed for cold weather.
Notes: White border surrounds image; Printed on Kodak paper; Three adhesive labels attached to reverse of photograph

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KISS ME KATE (US, George Sidney, 1953)

PhysDes: Article
Subject: KISS ME KATE (US, George Sidney, 1953)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: KITTYSPIT (AT, Kate von Egmond, 1998)

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: LANGBROEK, KATE

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: LAST DRINKS - A FILM ABOUT A MELBOURNE PUB (AT, Kate Morrow, 1997)

Author: Percopo, Luisa
PhysDes: Article
Subject: NATIONAL IDENTITY AND THE CINEMA. AUSTRALIA; MULTICULTURALISM AND THE CINEMA. AUSTRALIA; ETHNIC GROUPS IN FILMS. AUSTRALIA; LOOKING FOR ALIBRANDI (AT, Kate Woods, 2000)
Summary: This article addresses Kate Woods' film Looking for Alibrandi (2000), its concern with the interdependence of space and subjectivity and its role in presenting alternative discourses of the Australian nation. Drawing on the spatial theorization of French anthropologist Marc Auge, I contend that the film offers new models of identity through the protagonist's subversion of the categorization of public and private spaces. I argue that Josie Alibrandi is portrayed in the film as an agent of change, and her 'acts of improvisation' result both in an active manipulation of cultural constructions grounded in these spaces, and in her claim to a multiplicity of identities.--Abstract

Call No: TITLE CLIPPINGS FILE
PhysDes: Study guide; Clippings
Subject: LONG SHADOWS (AT, Kate Hampel, 2002)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit; Publicity; Study guide
Subject: LOOKING FOR ALIBRANDI (AT, Kate Woods, 2000)

PhysDes: Review; Credits
Subject: LOOKING FOR ALIBRANDI (AT, Kate Woods, 2000)
Summary: Review of the film which discusses the adaptation of Melina Marchetta's novel.

Call No: 79LOO MAR
Author: Marchetta, Melina, 1965
Place: Sydney, N.S.W.
Publisher: Currency Press
PubDate: 2000
PhysDes: xiii, 95 p. : ill. (some col.) ; 21 cm
Subject: LOOKING FOR ALIBRANDI (AT, Kate Woods, 2000)
Notes: Screenplay, adapted from the novel
ISBN: 0868196231 : $17.95
LON: 21387687

Call No: TITLE STILL AUSTRALIA
Source: AT
Publisher: Roadshow film distributors
PubDate: c. 1999
PhysDes: 1 photograph : b&w ; 13 x 18 cm.
Subject: LOOKING FOR ALIBRANDI (AT, Kate Woods, 2000); MIRANDA, PIA; SCACCHI, GRETA
Summary: Greta Scacchi, Pia Miranda and Elena Cotta stand infront of a doorway. Greta Scacchi is stroking the chin of Pia Miranda. Behind them is a older woman wearing a dark blouse and a cross, she looks on intently.
Notes: White border surrounds image; Adhesive label on reverse of photograph reads "Pia Miranda (Joesphine Alibrandi), Elena Cotta (Katia Alibrandi) and Greta Scacchi (Christina Alibrandi) star in Looking For Alibrandi (M), which releases nationally on May 4, 2000."

Call No: P LOO
PhysDes: 1 poster : col. ; 100 X 69 cm.
Subject: LOOKING FOR ALIBRANDI (AT, Kate Woods, 2000)
Summary: Image: Photo of Pia Miranda being given a piggy-back by a guy and a second photo which is a close-up of the same photo of Pia Miranda. Text: 'Sometimes what you're looking for is closer than you think...'.
Notes: General wear and tear with bit torn off in top left hand corner; Sticky bits on the back

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: Roadshow Film Distributors
PhysDes: 1 photograph : b&w ; 13 x 18 cm
Subject: MIRANDA, PIA; SCACCHI, GRETA; LOOKING FOR ALIBRANDI (AT, Kate Woods, 2000)
Summary: Black and white photograph of Pia Miranda as Josephine Alibrandi with Greta Scacchi as her mother and Elena Cotta as grandmother

PhysDes: Article
Subject: RETURN OF CAPTAIN INVINCIBLE, THE (AT, Philippe Mora, 1982); LEE, CHRISTOPHER; FITZPATRICK, KATE
Summary: Article on the premier of 'The Return of Captain Invincible' as staged by Sydney's Lord Mayor Sutherland. Pictures accompany the article.

Call No: 11378
Author: Waddell, Terrie
Edition: 2019
Place: Abingdon, Oxon : New York
Publisher: Routledge
PubDate: 2019
PhysDes: vii, 162 pages ; 24 cm
Subject: AUSTRALIA; BABADOOK , THE (AT, Jennifer Kent, 2014); BEAUTIFUL KATE (AT, Rachel Ward, 2009); CHILD ABUSE; CHILDREN AND THE CINEMA; FRAN (AT, Glenda Hambly, 1985); LION (AT, Garth Davis, 2016); MANGANINNIE (AT, John Honey, 1980); ORANGES AND SUNSHINE (UK/AT, Jim Loach, 2011); PICNIC AT HANGING ROCK (AT, Peter Weir, 1975); RABBIT-PROOF FENCE (AT, Phillip Noyce, 2001); ROMULUS, MY FATHER (AT, Richard Roxburgh, 2007); SOUND OF ONE HAND CLAPPING, THE (AT, Richard Flanagan, 1998); WINFREY, OPRAH
Summary: Waddell explores ‘the lost child’ in its many manifestations, as an element of the individual and collective psyche, historically related to the trauma of colonisation and war, and as key theme in Australian cinema from the industry’s formative years to the present day. The films discussed in textual depth transcend literal lost in the bush mythologies, or actual cases of displaced children, to focus on vulnerable children renderedlost through government and institutional practices, and adult/parental characters developmentally arrested by comforting or traumatic childhood memories. The victory/winning fixation governing the USA – diametrically opposed to the lost child motif – is also discussed as a comparative example of the mesmerising nature of the cultural complex. Examining iconic characters and events, such as the Gallipoli Campaign and Trump’s presidency, and films such as The Babadook, Lion, and Predestination, this book scrutinises the way in which a culture talks to itself, about itself. This analysis looks beyond the melancholy traditionally ascribed to the lost child, by arguing that the repetitive and prolific imagery that this theme stimulates, can be positive and inspiring. The Lost Child Complex in Australian Film is a unique and compelling work which will be highly relevant for academics and students of Jungian and post-Jungian ideas, cultural studies, screen and media studies. It will also appeal to Jungian psychotherapists and analytical psychologists as well as readers with a broader interest in Australian history and politics. -- publisher's web site
ISBN: 9781138939691

Call No: TITLE CLIPPINGS FILE
PhysDes: Stills; Posters; Press kit; Publicity; Clippings
Subject: LOVE AND OTHER CATASTROPHES (AT, Emma-Kate Croghan, 1996)

Call No: TITLE STILLS AUSTRALIA
Source: AT
Publisher: NewVision Films
PhysDes: 2 photographs : b&w ; 13 x 18 cm - 26 x 21 cm ; 15 film stills : col. 5 x 5 cm
Subject: MITCHELL, RADHA; O'CONNOR, FRANCES; LOVE AND OTHER CATASTROPHES (AT, Emma-Kate Croghan, 1996)
Summary: 2 black and white photographs of Frances O'Connor as Mia and Radha Mitchell as Danni laughing in a bedroom, and Frances O'Connor profile shot. 15 colour film stills of all the actors in various scenes.

Call No: S LOV
Author: Bergman, Y.; Croghan, E.K.; Efthymiou, S.A.
PhysDes: 81 leaves
Subject: LOVE AND OTHER CATASTROPHES (AT, Emma-Kate Croghan, 1996)
Notes: Unpublished script
Donation: donated by the Australian Writers Guild

PhysDes: Article
Subject: MAKING LOVE (US, Arthur Hiller, 1982); JACKSON, KATE; HAMLIN, HARRY; COLUMBIA PICTURES; TWENTIETH CENTURY-FOX
Summary: Synopsis of 'Making Love'

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Stills
Subject: MCGARRIGLE, KATE & ANNA

Call No: S MDA
Author: not stated
Edition: working title
Place: AT
PubDate: [2002]
PhysDes: 56 leaves
Subject: MDA [TV] (AT, Ray Argall & Kate Woods & Cate Shortland, 2002)
Notes: Unpublished script -- donated by AFI

Call No: S MDA
Author: Gawler, Peter
Place: AT
PubDate: 2004
PhysDes: 88 leaves
Subject: MDA [TV] (AT, Ray Argall & Kate Woods & Cate Shortland, 2002)
Notes: Shooting script; Donated by the Australian Film Institute

Call No: S MDA
Author: Roache, Chris
Place: AT
PubDate: 2005
PhysDes: 105 leaves
Subject: MDA [TV] (AT, Ray Argall & Kate Woods & Cate Shortland, 2002)
Notes: Production script; Donated by the Australian Film Institute

Call No: S MDA
Author: Haddrick, Greg
Place: AT
PubDate: 2004
PhysDes: 99 leaves
Subject: MDA [TV] (AT, Ray Argall & Kate Woods & Cate Shortland, 2002)
Notes: Shooting script; Donated by the Australian Film Institute

Call No: S MDA
Author: Haddrick, Greg
Place: AT
PubDate: 2005
PhysDes: 103 leaves
Subject: MDA [TV] (AT, Ray Argall & Kate Woods & Cate Shortland, 2002)
Notes: Shooting script; Donated by the Australian Film Institute

Call No: S MDA
Author: Roache, Chris
Place: AT
PubDate: 2005
PhysDes: 101 leaves
Subject: MDA [TV] (AT, Ray Argall & Kate Woods & Cate Shortland, 2002)
Notes: Shooting script; Donated by the Australian Film Institute

Call No: S MDA
Author: Gawler, Peter
Place: AT
PubDate: 2004
PhysDes: 94 leaves
Subject: MDA [TV] (AT, Ray Argall & Kate Woods & Cate Shortland, 2002)
Notes: Shooting script; Donated by the Australian Film Institute

Call No: TITLE CLIPPINGS FILE
PhysDes: Press kit; Clippings
Subject: MDA [TV] (AT, Ray Argall & Kate Woods & Cate Shortland, 2002)

Call No: 210(94) REI
Author: Reid, Mary Anne
Place: Sydney
Publisher: Australian Film Commission
PubDate: 1999
PhysDes: 136 p.
Subject: AUSTRALIA. 1990's; LOVE AND OTHER CATASTROPHES (AT, Emma-Kate Croghan, 1996); MURIEL'S WEDDING (AT, P.J. Hogan, 1994); KISS OR KILL (AT, Bill Bennett, 1997)
ISBN: 0642487154

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: MULVANY, KATE

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: NEILSON, KATE

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: O'TOOLE, KATE

Call No: PERSONALITY CLIPPINGS FILE; PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: OLSEN, MARY-KATE & ASHLEY

Call No: TITLE CLIPPINGS FILE
PhysDes: Publicity; Clippings
Subject: PORTRAIT: JANE CAMPION AND THE PORTRAIT OF A LADY (AT, Kate Ellis & Peter Long, 1996)

Call No: 722-02 PRI
Author: Spigel, Lynn; Mann, Denise
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: 1992
PhysDes: xiii, 293 p. : ill. ; 24 cm
Series: Camera obscura book
Subject: WOMEN AND TV; WOMEN, PROGRAMMES FOR; CONSUMERS AND TV; SITUATION COMEDY; POSTMODERNISM AND TV/VIDEO; MELODRAMA; SOAP OPERAS; RACIAL STEREOTYPES ON TV; FAMILY ON TV; MARRIAGE ON TV; STARS; BLACKS ON TV; CLASS AND TV; FEMINISM AND TV; TELEVISION AND THE CINEMA; HOMOSEXUALITY ON TV; GENDER AND TV; GLESS, SHARON; FOSTER, MEG; DALY, TYNE; CARROLL, DIAHANN; KANTNER, HAL; RAYE, MARTHA; MARTHA RAYE SHOW, THE [TV] (US, 195?-55); JULIA [TV] (US, 1968-71); CAGNEY AND LACY [TV] (US, 1982-88); KATE AND ALLIE [TV] (US, 1984-88); GENERAL HOSPITAL [TV] (US, 1963-); GOLDBERGS, THE [TV] (1949-55?); LEAVE IT TO BEAVER [TV] (US, 1957-63); FATHER KNOWS BEST [TV] (US, 1954-60); ADVENTURES OF OZZIE AND HARRIET, THE [TV] (US, 1952-66)
Notes: An expanded version of issue no. 16, winter 1988, of Camera obscura; Includes bibliographical references and index
ISBN: 0816620520 (hc : acid-free paper); 0816620539 (pb : acid-free paper)
LON: 91040919; 8544849

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 28 photographs : b&w ; 20 x 26 cm - 21 x 31 cm
Subject: EMMANUEL, TAKIS; ZIGON, YELENA; COWAN, TOM; GERASSIMOU, NIKOS; PETIT, JEAN - CLAUDE; FITZPATRICK, KATE; BLAKE, SALLY; PROMISED WOMAN (AT, Tom Cowan, 1974)
Summary: Photographs relating to the film Promised woman.
Notes: Some are duplicates

PhysDes: Article
Subject: LOOKING FOR ALIBRANDI (AT, Kate Woods, 2000); PRODUCT PLACEMENT; ADVERTISING FOR FILMS
Summary: The marketing of "Looking for Alibrandi" started before filming. Roadshow have used product placement and the Internet to promote the film.

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: RAISON, KATE

Call No: 755.71(94) MAY
Author: May, Josephine
Edition: 2013
Place: Bern, Switzerland
Publisher: Peter Lang
PubDate: 2013
PhysDes: x, 286 pages : illustrated ; 23 cm
Subject: EDUCATION IN FILMS. AUSTRALIA; CHILDREN IN FILMS. AUSTRALIA; CELIA (AT, Ann Turner, 1988); FAST TALKING (AT, Ken Cameron, 1984); HEY, HEY, ITS ESTHER BLUE BURGER (AT, Cathy Randall, 2007); LOOKING FOR ALIBRANDI (AT, Kate Woods, 2000); MULL (AT, Don McLennan, 1988); SMILEY (UK, Anthony Kimmins, 1956); DEVIL'S PLAYGROUND (AT, Fred Schepisi, 1976); EVERLASTING SECRET FAMILY, THE (AT, Michael Thornhill, 1988); GETTING OF WISDOM, THE (AT, Bruce Beresford, 1977); HEARTBREAK KID, THE (AT, Michael Jenkins, 1993); YEAR MY VOICE BROKE, THE (AT, John Duigan, 1987)
Summary: Reel Schools takes a fresh look at the history of Australian schooling through the lens of Australian cinema from the silent era until 2010. In exploring the relationship between cinematic representation and educational history, Josephine May shows how numerous Australian feature and documentary films offer access to powerful vernacular imaginings about school education in Australia. May argues that the cinematic school is a pervasive metaphor for the Australian nation. She demonstrates that, while Australian films about schooling have consistently commented on the relationship of schooling to the Australian class structure, they also increasingly explored gender, race and ethnicity at school, especially after the 1970s. From then on the egalitarian dream of school education and the nation’s capacity to generate meaningful futures for the young became increasingly contested. -- publisher's web site
ISBN: 9783034306324

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: RELATIVE MERITS (AT, Colin Eglert, Kate Woods, Peter Fisk, Ron Elliot & Karl Zwicky, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: REMEMBERING COUNTRY (AT, Kate Gillick, 2000)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 3 photographs : b&w ; 21 x 26 cm
Subject: HARGREAVES, JOHN; FITZPATRICK, KATE; WEAVER, JACKI; CUMMINS, PETER; REMOVALISTS, THE (AT, Tom Jeffrey, 1975)
Summary: 3 black and white photographs of scenes from the film. Includes Martin Harris.

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 6 photographs : b&w ; 21 x 26 cm
Subject: LEE, CHRISTOPHER; ARKIN, ALAN; FITZPATRICK, KATE; RETURN OF CAPTAIN INVINCIBLE, THE (AT, Philippe Mora, 1982)
Summary: 6 black and white photographs of Captain Invincible and his assistants. Includes Alfred Sandor.

Call No: PERSONALITY MICROFILM COLLECTION
PhysDes: Clippings
Subject: REVILL, KATE

Call No: PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: RIEDL, KATE

Call No: PERSONALITY MICROFILM COLLECTION; PERSONALITY CLIPPINGS FILE
PhysDes: Clippings
Subject: RITCHIE, KATE

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 3 photographs : b&w ; 14 x 11 - 22 x 17 cm
Subject: FITZPATRICK, KATE; ROD (AT, Michael Robertson, 1972)
Summary: 3 black and white photographs of actors and the director from the short film, Rod. Stars Maggy Oehlbeck, Tony Ingersent and Peter Whittle.

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: ROLLER DREAMS (US/AT. Kate Hickey, 2017)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Programme; Posters; Stills
Subject: SEXY GIRLS, SEXY APPLIANCES (AT, Emma-Kate Croghan, 1992)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 1 photograph : b&w ; 18 x 13 cm
Subject: SEXY GIRLS, SEXY APPLIANCES (AT, Emma-Kate Croghan, 1992)
Summary: Black and white photograph of woman inflating a balloon with a vacuum cleaner.

Call No: 802.27 SHI
Author: Pomerance, Murray
Source: US/UK
Place: New Brunswick, N.J.
Publisher: Rutgers University Press
PubDate: c2012
PhysDes: ix, 268 p. : ill. ; 24 cm
Series: Star decades: American culture/American cinema
Subject: ACTORS; STARS; HISTORY OF CINEMA; Damon, Matt; DEPP, JOHNNY; DOWNEY, ROBERT, Jr.; EASTWOOD, CLINT; FREEMAN, MORGAN; Aniston, Jennifer; FEY, TINA; BLACK, JACK; SANDLER, ADAM; STILLER, BEN; BARDEM, JAVIER; DEL TORO, BENICIO; HOFFMAN, PHILIP; SWANK, HILARY; ZELLWEGER, RENEE; LEDGER, HEATH; DICAPRIO, LEONARDO; PENN, SEAN; WINSLET, KATE; BLANCHETT, CATE; PITT, BRAD; JOLIE, ANGELINA; CLOONEY, GEORGE; FERRELL, WILL; GYLLENHAAL, MAGGIE
Summary: "In the 2000s, new technologies transformed the experiences of movie-going and movie-making, giving us the first generation of stars to be just as famous on the computer screen as on the silver screen. Shining in Shadows examines a wide range of Hollywood icons from a turbulent decade for the film industry and for America itself. Perhaps reflecting our own cultural fragmentation and uncertainty, Hollywood's star personas sent mixed messages about Americans' identities and ideals. Disheveled men-children like Will Ferrell and Jack Black shared the multiplex with debonair old-Hollywood standbys like George Clooney and Morgan Freeman. Iconic roles for women ranged from Renee Zellwegers's dithering romantics to Tina Fey's neurotic professionals to Hilary Swank's vulnerable boyish characters. And in this age of reality TV and TMZ, stars like Jennifer Aniston and "Brangelina" became more famous for their real-life romantic dramas - at the same time that former tabloid fixtures like Johnny Depp and Robert Downey Jr. reinvented themselves as dependable leading men. With a multigenerational, international cast of stars, this collection presents a fascinating composite portrait of Hollywood stardom today. " -- BOOK BLURB
Notes: Formerly CIP Includes bibliographical references and index
ISBN: 9780813551487
Donation: Donated by Senses of Cinema, 2013
Contents: -- acknowledgments -- Introduction: stardom in the 2000s / Murray Pomerance -- The wonder boys: Matt Damon, Johnny Depp, and Robert Downey, Jr. / Dominic Lennard -- Clint Eastwood and Morgan Freeman: million dollar seniors / Robert Eberwein -- Jennifer Aniston and Tina Fey: girls with glasses / Victoria E. Johnson -- Puerile pillars of the Frat Pack: Jack Black, Will Ferrell, Adam Sandler, and Ben Stiller / Brenda R. Weber -- Javier Bardem and Benicio Del Toro: beyond machismo / Mary C. Beltra´n -- Philip Seymour Hoffman: a´ Jesus of uncool / Jerry Mosher -- A postfeminist primer: Maggie Gyllenhaal, Hilary Swank, and Rene´e Zellweger / Corinn Columpar -- Heath Ledger: I'm not there / Claire Perkins -- Leonardo DiCaprio and Sean Penn: acting authentic / Michael K. Hammond -- Kate Winslet and Cate Blanchett: the performance is the star / Charlie Keil -- Brangelina: celebrity, credibility, and the composite u ¨berstar / Linda Ruth Williams -- George Clooney: The Issues Guy / David Sterritt -- In the Wings / Murray Pomerance -- works cited -- contributors -- index --

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: SIMONE DE BEAUVOIR'S BABIES (AT, Kate Woods, 1997)

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 11 photographs : b&w ; 13 x 18 - 21 x 26 cm
Subject: GRANT, HUGH; MCPHERSON, ELLE; RABE, PAMELA; NEILL, SAM; DE ROSSI, PORTIA; FITZGERALD, TARA; DUIGAN, JOHN; FISCHER, KATE; SIRENS (AT/UK, John Duigan, 1994)
Summary: 11 black and white photographs of scenes from the film, film crew, and film poster.
ID2: 195

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SOUTHERN COMFORT (US, Kate Davis, 2001)

Call No: S STR
Author: Croghan, Emma-Kate; Kazantzidis, Stavros
PubDate: [1998?]
PhysDes: 109 leaves
Subject: STRANGE PLANET (AT, Emma-Kate Croghan, 1999)
Notes: Unpublished script

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Press kit
Subject: STRANGE PLANET (AT, Emma-Kate Croghan, 1999)

Author: Conlan, Pat
PhysDes: Review; Credits; Synopsis
Subject: STRANGE PLANET (AT, Emma-Kate Croghan, 1999)

Call No: S STR
Author: Croghan, Emma-Kate; Kazantzidis, Stavros
PubDate: [1998]
PhysDes: 109 leaves
Subject: STRANGE PLANET (AT, Emma-Kate Croghan, 1999)
Notes: Unpublished script

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STRIPPED TO KILL (US, Kate Shea Ruben, 1987)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: STRIPPED TO KILL 2 (US, Kate Shea Ruben, 1989)

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings
Subject: SURVIVING GEORGIA (AT, Sandra Sciberas, Kate Whitbread, 2011)

Call No: SUBJECT CLIPPINGS FILE; AUSTRALIANS IN FILMS [INTERNSHIP]
Author: Rawthorne, Sally -- Sharp, Annette -- Moran, Jonathon -- Halliwell, Elle -- Domjen, Briana
PhysDes: Clippings File Article
Subject: AUSTRALIANS IN FILMS [INTERNSHIP]; HEATH LEDGER SCHOLARSHIP; LEDGER, HEATH; LEDGER, KATE
Summary: Snippet on Kate Ledger joining the organisation Australian In Film, which awards the Heath Ledger Scholarship

Call No: TITLE CLIPPINGS FILE
PhysDes: Clippings; Article
Subject: SYLVANIA WATERS [TV] (AT, Brian Hill & Kate Woods, 1993)

PhysDes: Article
Subject: RETURN OF CAPTAIN INVINCIBLE, THE (AT, Philippe Mora, 1982); ARKIN, ALAN; KENNEDY, GRAHAM; FITZPATRICK, KATE; INDUSTRY, FILM. AUSTRALIA
Summary: In-depth synopsis of Phillipe Mora's 'The Return of Captain Invincible'.

Call No: 725.312(94) TOM
Author: Bowles, Kate; Turnbull, Sue
CorpAuthor: Australian Film Institute
Place: Melbourne
Publisher: Australian Film Institute
PubDate: 1994
PhysDes: 96 p. : ill., ports. ; 24 cm
Subject: SOAP OPERAS. AUSTRALIA; COUNTRY PRACTICE, A [TV] (AT, 1981-1995?); NEIGHBOURS [TV] (AT, 1985-); SYLVANIA WATERS [TV] (AT, Brian Hill & Kate Woods, 1993); BOLD AND THE BEAUTIFUL, THE [TV] (US, 1986-)
Notes: Bibliography: p.91-94
ISBN: 0646192094
LON: abn94179833; 10934498

Call No: TITLE STILLS AUSTRALIA
Source: AT
PhysDes: 3 photographs : b&w ; 13 x 19 - 26 x 21 cm
Subject: McCLEMENTS, CATHERINE; EHLERS, JEROME; FRIELS, COLIN; WEEKEND WITH KATE (AT, Arch Nicholson, 1990)
Summary: 3 black and white photographs of scenes from the film.

Call No: 462-02(94) SPE
Author: Speed, Sally
Place: [Australia] : [s.n.], 1984
PhysDes: 64 leaves ; 30 cm
Subject: WOMEN FILMMAKERS. AUSTRALIA; LYELL, LOTTIE; LOVELY, LOUISE; MCDONAGH, PAULETTE; MCDONAGH, ISABEL; PAVIS, YVONNE; HOWARD, KATE; MALLON, MARY; DE LA RUZE, JULIETTE; KELLERMAN, ANNETTE; SENTIMENTAL BLOKE, THE (AT, Raymond Longford, 1919); THOSE WHO LOVE (AT, Paulette McDonagh, 1926); FAR PARADISE, THE (AT, Paulette McDonagh, 1928); CHEATERS, THE (AT, Paulette McDonagh, 1931); TWO MINUTES SILENCE (AT, Paulette McDonagh, 1933); POSSUM PADDOCK (AT, Kate Howard, 1921); BLUE MOUNTAINS MYSTERY, THE (AT, Raymond Longford & Lottie Lyell, 1921); DINKUM BLOKE, THE (AT, Raymond Longford, 1923); FISHERS GHOST (AT, Lottie Lyell, 1924); PETER VERNON'S SILENCE (AT, Lottie Lyell, 1925); CIRCUMSTANCE (AT, Yvonne Pavis, 1922); DAUGHTER OF AUSTRALIA (AT, Yvonne Pavis, 1922); SUNSHINE SALLY (AT, Yvonne Pavis, 1922); JEWELLED NIGHTS (AT, Louise Lovely & Wilton Welch, 1925); CHEATERS, THE (AT, Paulette McDonagh, 1929); HISTORY OF CINEMA. AUSTRALIA; HISTORY OF CINEMA. SILENT PERIOD; HISTORY OF CINEMA. TRANSITION SILENT-SOUND; HISTORY OF CINEMA. 1920's; HISTORY OF CINEMA. 1930's; EXHIBITION OF SILENT FILMS
LON: abn98267376; 14063689

Call No: 626[396] JUH
Author: Juhasz, Alexandra
Source: US
Place: Minneapolis
Publisher: University of Minnesota Press
PubDate: c2001
PhysDes: xiii, 343 p. : ill. ; 27 cm.
Series: Visible evidence ; v. 9
Subject: FEMINISM AND THE CINEMA; WOMEN AND THE CINEMA; BOWSER, PEARL; SCHEEMANN, CAROLEE; HAMMER, BARBARA; HORSEFIELD, KATE; CAPLES, MARGARET; REICHERT, JULIA; CITRON, MICHELLE; GREEN, VANALYNE; PENLEY, CONSTANCE; MOGUL, SUSAN; LEIGH, CAROL; MOHAMMED, JUANITA; QUINN, WENDY; VESNA, VICTORIA; SOE, VALERIE; WELBON, YVONNE; NEGRON-MUNTANER, FRANCES; DUNYE, CHERYL; OISHI, EVE; CUNNINGHAM, MEGAN
Summary: "Alexandra Juhasz asked twenty-one women to tell their stories - women whose names make up a who's who (and who will be) of independent and experimental film and video. What emerged in the resulting conversations is a compelling (and previously underdocumented) history of feminism and feminist film and video, from its origins in the fifties and sixties to its apex in the seventies, to today." "Women of Vision is a companion piece to Juhasz's 1998 documentary of the same name. The book presents the complete interviews, allowing readers to hear directly the voices of these articulate, passionate women in an interactive remembering of feminist media history. Juhasz's introduction provides a historical, theoretical, and aesthetic context for the interviews." "Interviewees include: Pearl Bowser; Margaret Caples; Michelle Citron; Megan Cunningham; Cheryl Dunye; Vanalyne Green; Barbara Hammer; Kate Horsfield; Carol Leigh; Susan Mogul; Juanita Mohammed; Frances Negron-Muntaner; Eve Oishi; Constance Penley; Wendy Quinn; Julia Reichert; Carolee Scheemann; Valerie Soe; Victoria Vesna; and Yvonne Welbon."--BOOK JACKET.
Notes: Includes bibliographical references (p. 331-339)
ISBN: 081663372X

Call No: CRAWFORD STILL ZOO
Source: AT
Publisher: Crawford Productions [distributor]
PhysDes: 19 photographs : b&w ; 26 x 21 cm + 15 slides : col.
Subject: ORCSIK, JOHN; GIBNEY, REBECCA; FINLAYSON, JON; NEVINSON, GENNIE; MACIEK; JACOBSON, STEVE; GORMAN, KATE; CURTIN, PETER; SUMMERS, ROBERT; KOUNNAS, MELISSA; MCTERNAN, JOHN; BROOKE, BUNNY; COLOSIMO, VINCE; ZOO FAMILY [TV] (AT, 1985)
Summary: Photographs and slides relating to the TV series 'Zoo Family"
Notes: Arranged by record type: photographs with accompanying promotional sheet then slides with accompanying promotional sheet
Donation: Gift of Crawford Productions