Special issue
serial
AMERICAN VIDEOGRAPHER September 1998.
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Special issue
serial
AMERICAN VIDEOGRAPHER April 1999.
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Special issue
serial
AMERICAN VIDEOGRAPHER April 1998.
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book
The avant-garde finds Andy Hardy / Robert B. Ray Cambridge, Mass.: Harvard University Press, 1995.
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annual report
Centre for Contemporary Photography Annual report / Centre for Contemporary Photography [Fitzroy, Vic.]: The Centre, [1993].
Call No: ANNUAL REPORT SHELVES; held 1998 -; Print copies no longer distributed; pdfs available from the website http://www.ccp.org.au/about.phpCorpAuthor: Centre for Contemporary PhotographySource: ATPlace: [Fitzroy, Vic.]Publisher: The CentrePubDate: [1993]PhysDes: v. ; 30 cmSubject: Centre for Contemporary Photography Notes: Cover titleOrder Notes: Current [Online]LON: 9885541
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book
Crafting truth : documentary form and meaning / by Louise Spence and Vinicius Navarro New Brunswick, NJ: Rutgers University Press, c2011.
Call No: 761 SPEAuthor: Spence, Louise ; Navarro, Vinicius Source: US/UKPlace: New Brunswick, NJPublisher: Rutgers University PressPubDate: c2011PhysDes: x, 281 p. : ill. ; 26 cmSubject: AESTHETICS ; AUTHORSHIP ; BIOGRAPHICAL FILMS ; CINEMATOGRAPHY ; COMMENTARY ; CONSTRUCTIVISM ; CONTINUITY ; CINEMA-DIRECT ; DOCUMENTARIES ; DOCUMENTARY FILMS ; EDITING ; ETHNOGRAPHIC FILMS ; HISTORY AND THE CINEMA ; INTERVIEWING ; INTERVIEWS IN FILMS ; LIGHTING ; LOCATION SHOOTING ; MEMORY IN FILMS ; MUSIC IN FILMS ; NARRATIVE IN FILMS ; NON-FICTION FILMS ; PALESTINE ; PHOTOGRAPHY AND THE CINEMA ; REALISM IN FILMS ; SOUND ; SOUND EQUIPMENT ; THEORY ; TRUTH IN FILMS ; VOICE OVER ; WORLD WAR II AND THE CINEMA ; AFRIQUE, JE TE PLUMERAI (CM/FR/G, Jean-Marie Téno, 1992) ; BERLIN DIE SINFONIE DER GROSSTADT (G, Walter Ruttman, 1927) ; CHRONIQUE D' UN ETE (FR, Jean Rouch/Edgar Morin, 1961) ; CHRONICLE OF A SUMMER (FR, Jean Rouch & Edgar Morin, 1961) ; GOKUSHITEKI EROSU: RENKA 1974 (JA, Kazuo Hara, 1974) ; FAR FROM POLAND (US, Jill Godmilow, 1984) ; HALVING THE BONES (US, Ruth Ozeki Lounsbury, 1995) ; HANDSWORTH SONGS (UK, John Akomfrah, 1986) ; HEARTS AND MINDS (US, Peter Davis, 1974) ; JOYCE AT 34 (US, Joyce Chopra, 1972) ; LESSONS OF DARKNESS (GG, Werner Herzog, 1992) ; LEKTIONEN IN FINSTERNIS (GG, Werner Herzog, 1992) ; LIFE AND TIMES OF ROSIE THE RIVETER, THE (US, Connie Field, 1980) ; NANOOK OF THE NORTH (US, Robert Flaherty, 1922) ; NEKAM ACHAT MISHTEY EYNAY (FR/IS, Avi Mograbi, 2005) ; NIGHT MAIL (UK, Basil Wright & Harry Watt, 1936) ; PRELUDE TO WAR (US, Frank Capra & Anatole Litvak, 1942) ; SANS SOLEIL (FR, Chris Marker, 1983) ; SHOAH (FR/SZ, Claude Lanzmann, 1985) ; TIES THAT BIND, THE (US, Su Friedrich, 1984) ; TITICUT FOLLIES (US, Frederick Wiseman, 1967) ; WAR GAME, THE (UK, Peter Watkins, 1966) Summary: "Although nonfiction film may have captured imaginations, many viewers enter and leave theaters with a naive concept of "reality"- for them, documentaries are sources of information. But is truth or reality readily available, easily acquired, or undisputed? Or do documentaries convey illusions of reality? What aesthetic means are used to build these illusions?
Crafting truth illuminates the way these films tell their stories; how they use the camera, editing, sound, and performance; what rhetorical devices they employ; and what the theoretical, practical, and ethical implications of those choices are. Complex documentary concepts are presented through easily accessible language, images, and a discussion of a wide range of films and videos to encourage new ways of thinking about and seeing nonfiction cinema. " -- BOOK BLURBISBN: 9780813549033Contents: -- acknowledgments -- Introduction -- Authenticity -- Evidence -- Authority --
Responsibility -- Argument -- Dramatic stories, poetic and essay documentaries --
Editing -- Camerawork -- The profilmic -- Sounds / coauthored with Carl Lewis --index --ID2: 90
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Documentary in American television : form, function, method / A. William Bluem New York: Hastings House, [1965].
Call No: 761(73) BLUAuthor: Bluem, A. William Source: USPlace: New YorkPublisher: Hastings HousePubDate: [1965]PhysDes: 311 p. illus., ports. 24 cmSubject: BIOGRAPHICAL FILMS ; DOCUMENTARIES. USA ; JOURNALISM IN THE CINEMA ; PHOTOGRAPHY AND THE CINEMA ; RADIO AND THE CINEMA ; TELEVISION JOURNALISM ; TELEVISION ; TELEVISION. USA ; TRUTH IN FILMS ; WAR AND TV Summary: "The documentary movement in American television is explored critically in this knowledgeable, and often controversial, book. Analyzed here are forms and functions of the television documentary; its heritage in other media (print, still photography, motion pictures, radio, living theatre); its major achievements; the people who have shaped it; the problems and the possibilities of its use in a free society." -- BOOK BLURBNotes: Bibliography: p. 297-301ISBN: 0803815271LON: 646183 8085578URL status: URL: 'http://-'
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Editing video / Wayne Levy Cibinong, Indonesia: Bakosurtanal Badan Koordinasi Survey dan Pemetaan Nasional, 1987.
Call No: 241(-4) LEVAuthor: Levy, Wayne Edition: 1987Place: Cibinong, IndonesiaPublisher: Bakosurtanal Badan Koordinasi Survey dan Pemetaan NasionalPubDate: 1987PhysDes: 23 leaves : illustrated ; 23 cmSubject: VIDEO PHOTOGRAPHY ; EDITING Language: English
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Fields of vision : essays in film studies, visual anthropology, and photography / edited by Leslie Devereaux and Roger Hillman Berkeley: University of California Press, 1995.
Call No: 62 FIEAuthor: Devereaux, Leslie ; Hillman, Roger Place: BerkeleyPublisher: University of California PressPubDate: 1995PhysDes: xiv, 362 p. : ill. ; 24 cmSubject: MONTAGE ; ETHNOGRAPHIC FILMS ; PHOTOGRAPHY AND THE CINEMA ; WAR AND THE CINEMA ; WAR IN FILMS ; MODERNISM AND THE CINEMA ; HORROR FILMS ; BODY IN FILMS ; MEN IN FILMS ; SPECTATORSHIP ; CARNIVAL AND THE CINEMA ; WOMEN AND THE CINEMA ; NARRATIVE IN FILMS ; SOUND ; ADAPTATIONS ; AUSTRALIAN ABORIGINES AND THE CINEMA ; DOCUMENTARY FILMS ; HOLLYWOOD ; EHE DER MARIA BRAUN, DIE (GW, Rainer Werner Fassbinber, 1979) ; NAME DER ROSE, DER (GW/IT/FR, Jean-Jacques Annaud, 1986) ; RIVERS OF SAND (US, Robert Gardner, 1974) Notes: Includes bibliographical references and indexISBN: 0520085248 (pbk. : alk. paper); 0520085221 (alk. paper)LON: 10726537
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Interim
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Frank Hurley : a photographer's life / Alasdair McGregor Camberwell, Vic.: Viking, 2004.
Call No: 81HUR MCGAuthor: McGregor, Alasdair Source: ATPlace: Camberwell, Vic.Publisher: VikingPubDate: 2004PhysDes: 460 p. : col. ill. ; 25 cmSubject: HURLEY, FRANK ; PHOTOGRAPHY AND THE CINEMA ; CINEMATOGRAPHY. AUSTRALIA Summary: This book is a biography on the Australian photographer and cinematographer Frank Hurley. The book features many of his photos, including shots taken during his trips to the Antarctic, war zones, and of his home-town Sydney.ISBN: 0670888958
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Hollywood color portraits / by John Kobal, Introduction by Carlos Clarens New York: Quill, c1981.
Call No: 802.27(084.2) KOBAuthor: Kobal, John Edition: 1st Quill ed.Source: USPlace: New YorkPublisher: QuillPubDate: c1981PhysDes: 159 p. : col. ill. ; 30cmSubject: ACTORS ; PHOTOGRAPHY ; PHOTOGRAPHY AND THE CINEMA ; HOLLYWOOD ; FIELDS, W.C. ; WEST, MAE ; COLBERT, CLAUDETTE ; DIETRICH, MARLENE ; LAMOUR, DOROTHY ; SWANSON, GLORIA ; SOTHERN, ANN ; MACDONALD, JEANETTE ; Stewart, James ; YOUNG, LORETTA ; COOPER, GARY ; LEIGH, VIVIEN ; TURNER, LANA ; GARLAND, JUDY ; ROONEY, MICKEY ; MONTEZ, MARIA ; DE HAVILLAND, OLIVIA ; FONTAINE, JOAN ; FAIRBANKS, DOUGLAS ; DAVIS, BETTE ; BOGART, HUMPHREY ; LAMARR, HEDY ; SHERIDAN, ANN ; TIERNEY, GENE ; LAKE, VERONICA ; LADD, ALAN ; CAGNEY, JAMES ; BERGMAN, INGRID ; GODDARD, PAULETEE ; WAYNE, JOHN ; Grable, Betty ; COOPER, GARY ; TAYLOR, ROBERT ; POWER, TYRONE ; HUTTON, BETTY ; ASTAIRE, FRED ; DARNELL, LINDA ; SINATRA, FRANK ; ROGERS, ROY ; TRIGGER (Horse) ; PAL (Canine actor) ; BACALL, LAUREN ; LANCASTER, BURT ; SCOTT, LIZABETH ; DOUGLAS, KIRK ; MIRANDA, CARMEN ; JONES, JENNIFER ; FORD, GLENN ; BALL, LUCILLE ; OBERON, MERLE ; PECK, GREGORY ; DIETRICH, MARLENE ; GRAHAME, GLORIA ; GRANT, CARY ; HAYWORTH, RITA ; VALLI, ALIDA ; JOURDAN, LOUIS ; TAYLOR, ELIZABETH ; ROBERT, RYAN ; MITCHUM, ROBERT ; CHARISSE, CYD ; BARKER, LEX ; RUSSELL, JANE ; GARBO, GRETA ; CLIFT, MONTGOMERY ; GARDNER, AVA ; TURNER, LANA ; MONROE, MARILYN ; CRAWFORD, JOAN ; DEAN, JAMES ; NOVAK, KIM ; MANSFIELD, JAYNE ; PRESLEY, ELVIS ; BRANDO, MARLON Summary: "John Kobal, the world's foremost film archivist, has amassed an unrivaled photographic treasure of Hollywood glamour portraits. As an author and noted film historian, he has also been a major force behind the tremendous revival of interest in the work of the great studio photographers such as George Hurrell, Ted Allan, Lazlo Willinger, and Clarence Sinclair Bull.
The selection of photographs in this book extends from the mid-1930s to the 1950s, the period in which color photography became established in Hollywood, and contains 74 spectacular images of the major stars." -- BOOK JACKETNotes: Includes bibliographical references (p. 17); Book contains pictures of various Hollywood actorsISBN: 0688007538
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How a film theory got lost : and other mysteries in cultural studies / Robert B Ray Bloomington: Indiana University Press, c2001.
Call No: 629PHO RAYAuthor: Ray, Robert B Source: USPlace: BloomingtonPublisher: Indiana University PressPubDate: c2001PhysDes: xiv, 164 p. : ill. ; 23 cmSubject: MOTION PICTURES - HISTORY ; FILM CULTURE ; THEORY ; PHOTOGRAPHY ; AVANT-GARDE FILMS ; BORDWELL, DAVID ; GODARD, JEAN-LUC ; ELVIS (US, John Carpenter, 1979) Summary: Robert B Ray, in this book attempts to revive forgotten film theory, for example the theory of photogenie, and looks at what is defined as "knowledge" in film studies. He challenges accepted theories, and attempts to develop a new way of looking at film and cultural studies.Notes: Includes bibliography; Includes indexISBN: 0253214386
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book
The image in dispute : art and cinema in the age of photography / edited by Dudley Andrew ; with the assistance of Sally Shafto Austin: University of Texas Press, 1997.
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Levy Collection
book
Life goes to the movies / David E. Scherman (ed.) New York: Time-Life Books, 1975.
Call No: 70(084.2) LIF; FOLIOAuthor: Scherman, David E. (ed.) CorpAuthor: Time-Life BooksSource: USPlace: New YorkPublisher: Time-Life BooksPubDate: 1975PhysDes: III, 304p. :ill. (some col.) ; 34cmSubject: HISTORY OF CINEMA ; ACTORS ; FILM WORKERS ; FILM. USA ; FILMMAKING ; FILM CULTURE ; STYLES, FILM ; PHOTOGRAPHY AND THE CINEMA Summary: "This book is about a magazine's love affair with an industry.From the start, Life and the movies were hooked by each other, behaving by turns like partners or rivals, soul mates or ragged enemies.....we had a wonderful time together. During Life's span, from 1936 to 1972. The movie department filled more pages than any other editorial beat except the focal " Newsfronts"section.....All this is reflected in the book you are now holding in your hands.It is by no means a systematic, conscientious history of Hollywood....We have chosen, instead, to win now the finest pictures in in LIFE's files more than 750 selections, which recaptures both the symbiosis between reporters and reportees and the art that the magazine itself brought to its photographic coverage of moviemaking." By Tom Prideaux former Entertainment Editor of Life. COVER JACKETNotes: This book contains portraits and images of filmworkers and film scenes, had been publishing in Life Magazie during 1936 to 1972ISBN: 0809416433Donation: donated by the family of Wayne Levy, 2006Contents: -- Chapter I: The Stars -- Chapter II: The Buildup -- Chapter III: The Movies --Chapter IV: The Studio -- Chapter V: Behind the Scenes --ID2: 229
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book
Light / Michael Freeman London: HarperCollins, 1992, c1990.
Call No: 232 FREAuthor: Freeman, Michael, 1945 Edition: Rev. edPlace: LondonPublisher: HarperCollinsPubDate: 1992, c1990PhysDes: 192 p. : ill. (some col.) ; 23 cmSeries: Collins photography workshopSubject: LIGHTING ; PHOTOGRAPHY AND THE CINEMA Notes: Reprint. Rev. ed. published: London : Collins, 1990; Includes index; Bibliography: p. 188ISBN: 0004122496; 0004125843 (pbk.)LON: 10780822
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journal article
Living on peanuts and paw-paws : Harold .J. Pollock in Lumiere (January-February, 1972) iss.13 p.24-26
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A man with a camera / Nestor Almendros ; translated from the Spanish by Rachel Phillips Belash London: Faber, 1985.
Call No: 81ALM ALMAuthor: Almendros, Nestor Source: USPlace: LondonPublisher: FaberPubDate: 1985PhysDes: viii, 306 p. : ill. ; 23 cmSubject: CINEMATOGRAPHY ; PHOTOGRAPHY ; ALMENDROS, NESTOR ; PARIS VU PAR...VINGT ANS APRES (FR, Chantal Akerman, Bernard Dubois, Vincent Nordon, Phillipe Venault, Phillipe Garrel, Frederic Mitterand, 1984) ; COLLECTIONEUSE, LA (FR, Eric Rohmer, 1967) ; MA NUIT CHEZ MAUD (FR, Eric Rohmer, 1969) ; MY NIGHT AT MAUD'S (FR, Eric Rohmer, 1969) ; WILD CHILD (US/UK/FR, Nick Moore, 2008) ; TWO ENGLISH GIRLS (FR, Francois Truffaut, 1971) ; DEUX ANGLAISES ET LE CONTINENT, LES (FR, Francois Truffaut, 1971) ; CHLOE IN THE AFTERNOON (FR, Eric Rohmer, 1972) ; AMOUR L'APRES-MIDI, L' (FR, Eric Rohmer, 1972) ; GUEULE OUVERTE, LA (FR, Maurice Pialat, 1974) ; GENTLEMAN TRAMP, THE (US, Richard Patterson, 1975) ; COCKFIGHTER (US, Monte Hellman, 1974) ; STORY OF ADELE H., THE (FR, Francois Truffaut, 1975) ; HISTOIRE D'ADELE H., L' (FR, Francois Truffaut, 1975) ; MAITRESSE (FR, Barbet Schroeder, 1976) ; MARQUISE VON O..., DIE (GW/FR, Erich Rohmer, 1975) ; DAYS OF HEAVEN (US, Terrence Malick, 1978) ; MAN WHO LOVED WOMEN, THE (FR, Francois Truffaut, 1977) ; HOMME QUI AMAIT LES FEMMES, L' (FR, Francois Truffaut, 1977) ; KOKO, A TALKING GORILLA (FR, Barbet Schroeder, 1978) ; KOKO, LE GORILLE QUI PARLE (FR, Barbet Schroeder, 1978) ; MADAME ROSA (FR, Moshe Mizrahi, 1977) ; GOIN' SOUTH (US, Jack Nicholson, 1978) ; GREEN ROOM, THE (FR, Francois Truffaut, 1978) ; CHAMBRE VERT, LA (FR, Francois Truffaut, 1978) ; PERCEVAL LE GALLOIS (FR, Eric Rohmer, 1978) ; LOVE ON THE RUN (FR, Francois Truffaut, 1979) ; AMOUR EN FUITE, L` (FR, Francois Truffaut, 1979) ; KRAMER VS. KRAMER (US, Robert Benton, 1979) ; BLUE LAGOON, THE (US, Randal Kleiser, 1980) ; CONFIDENTIALLY YOURS (FR, Francois Truffaut, 1983) ; VIVEMENT DIMANCHE! (FR, Francois Truffaut, 1983) ; LAST METRO, THE (FR, Francois Truffaut, 1980) ; DERNIER METRO, LE (FR, Francois Truffaut, 1980) ; PAULINE A LA PLAGE (FR, Eric Rohmer, 1983) ; PAULINE AT THE BEACH (FR, Eric Rohmer, 1983) ; STILL OF THE NIGHT (US, Robert Benton, 1982) ; SOPHIE'S CHOICE (US, Alan J. Pakula, 1982) Summary: "In A MAN WITH A CAMERA, Nestor Almendros recalls his early days in Havana and emigration to Paris where he worked with Francois Truffaut and Eric Rohmer. He has photographed such highly acclaimed films as SOPHIE'S CHOICE, KRAMER VS. KRAMER, THE BLUE LAGOON and DAYS OF HEAVEN, for which he received an Academy Award. As he looks back and describes simply but comprehensively the specific techniques used in these and many other films, we are offered a unique look at how movies are made." [Book blurb]Notes: This translation first published: New York : Farrar, Straus, Giroux, 1984; Translation of: Dias deuna camera. Barcelona : Editorial Seix Barral, 1982; First published in French as: Un homme a la camera. Rennes-Lausanne : FOMA, 1980; Filmography: p. [289]-304ISBN: 0571135897 (pbk.)LON: abn85231033; 3994651
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Nature of film : the redemption of physical reality / Siegfried Kracauer London: Dennis Dobson, 1961.
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book
Novels into film Baltimore: Johns Hopkins Press, 1957.
Call No: 753.4 BLUAuthor: Bluestone, George Place: BaltimorePublisher: Johns Hopkins PressPubDate: 1957PhysDes: 237 p. : illus. ; 23 cmSubject: ADAPTATIONS ; ADAPTATIONS. BRONTE SISTERS ; PHOTOGRAPHY AND THE CINEMA ; INFORMER, THE (US, John Ford, 1935) ; WUTHERING HEIGHTS (US, William Wyler, 1939) ; GRAPES OF WRATH, THE (US, John Ford, 1940) ; PRIDE AND PREJUDICE (US, Robert Z. Leonard, 1940) ; OX-BOW INCIDENT, THE (US, William Wellman, 1943) ; MADAME BOVARY (US, Vincente Minnelli, 1949) Summary: "First published in 1957, this work of film theory analyzes the process - "the mysterious alchemy" - by which novels are transformed into films. Beginning with a discussion of the aesthetic limits of both the novel and the film, George Bluestone goes on to offer close readings of six films based on novels of serious literary merit - The Informer, Wuthering Heights, The Grapes of Wrath, Pride and Prejudice, The Ox-Bow Incident, and Madame Bovary - focusing on the additions, deletions, and other changes made by the filmmakers in adapting the source material for the screen. Based on both in-depth research into film archives and libraries and on interviews with the screenwriters, directors, and producers who worked on these films, Novels into Film concludes that because the novel lends itself to states of consciousness and the film to observed reality, the adaptation of one from the other produces a new and wholly autonomous art form."--BOOK JACKET.Notes: Includes bibliographiesISBN: 080187386XLON: 57008449; 637427Contents: Ch. 1. The Limits of the Novel and the Limits of the Film -- Ch. 2. The Informer -- Ch. 3. Wuthering Heights -- Ch. 4. Pride and Prejudice -- Ch. 5. The Grapes of Wrath -- Ch. 6. The Ox-Bow Incident -- Ch. 7. Madame Bovary.
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subject clippings file
PHOTOGRAPHY AND THE CINEMA
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Photography, early cinema and colonial modernity : Frank Hurley's synchronized lecture entertainments / by Robert Dixon Anthem Press, 2011.
Call No: 81HUR DIXAuthor: Dixon, Robert Source: UK/USPublisher: Anthem PressPubDate: 2011PhysDes: xxxi, 256 p. : ill., map ; 24 cmSeries: Anthem Australian humanities research seriesSubject: AUSTRALIA ; PHOTOGRAPHY ; PHOTOGRAPHY AND THE CINEMA ; CINEMATOGRAPHY ; CINEMATOGRAPHY. AUSTRALIA ; HURLEY, FRANK ; HOME OF THE BLIZZARD (AT, Frank Hurley, 1913) ; PEARLS AND SAVAGES (AT, Frank Hurley, 1921) ; ROSS SMITH FLIGHT, THE (AT, Frank Hurley, 1921) Summary: "Photography, Early Cinema and Colonial Modernity is not a biography of Frank Hurley the man; it is instead an examination of the social life of the many marvellous and meaningful things he made as a professional photographer and film maker. The focus of this volume surrounds the media events that encompassed these various creations - what Hurley called his 'synchronized lecture entertainments'. These media events were at once national and international; they involved Hurley in an entire culture industry that was constantly in movement along global lines of travel and communication. This raises complex questions both about the authorship of Hurley's photographic and filmic texts - which were often produced and presented by other people - and about their ontology, as they were often in a state of reassemblage in response to changing market opportunities. This unique study re-imagines, from inside the quiet and stillness of the archive, the prior social life enjoyed by Hurley's creations amidst the complicated topography of the early twentieth century's rapidly internationalizing mass-media landscape. As a way to conceive of that space, and of the social life of the people and things within it, this study uses the concept of 'colonial modernity'. -- BOOK BLURBNotes: Formerly CIP; Includes bibliographical references (p. 239-246) and indexISBN: 9780857287953Contents: -- list of illustrations -- list of abbreviations -- acknowledgments -- Introduction: Australia's Embrace of Colonial Modernity -- 1. 'The Home of the Blizzard': Douglas Mawson's synchronized lecture entertainment -- 2. Guided spectatorship: exhibiting the Great War -- 3. Touring the nation: Shackleton's 'Marvellous Moving Pictures' and the Australian season of 'In the Grip of the Polar Pack-Ice' -- 4. Entr'acte: 'Sir Ross Smith's Flight', aerial vision and colonial modernity -- 5. Colonial modernity and its others: 'Pearls and Savages' as a multi-media project -- conclusion -- notes -- bibliography -- index --
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newspaper article
Revel in disguise in Sydney Morning Herald [Spectrum] (25/06/2016) p.16
Call No: PERSONALITY CLIPPINGS FILE; SHERMAN, CINDYAuthor: McDonald, John PhysDes: Clippings File ArticleSubject: PHOTOGRAPHY AND THE CINEMA ; SHERMAN, CINDY Summary: Review of photographic artist Cindy Sherman whose work explores the depiction of film stars with herself taking on the role of various fictional film stars. An exhibition of her work is being held at the Gallery of Modern Art in Brisbane
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Shooting and editing video / Wayne Levy Cibinong, Indonesia: Bakosurtanal Badan Koordinasi Survey dan Pemetaan Nasional, 1987.
Call No: 23(-4) LEVAuthor: Levy, Wayne Edition: 1987Place: Cibinong, IndonesiaPublisher: Bakosurtanal Badan Koordinasi Survey dan Pemetaan NasionalPubDate: 1987PhysDes: 40 leaves : illustrated ; 30 cmSubject: VIDEO PHOTOGRAPHY ; EDITING
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Stanley Kubrick / Deutsches Filmmuseum 2004.
Call No: 175 KUBPubDate: 2004Subject: KUBRICK, STANLEY ; PHOTOGRAPHY AND THE CINEMA ; KILLING, THE (US, Stanley Kubrik, 1956) ; LOLITA (US, Stanley Kubrick, 1962) ; CLOCKWORK ORANGE, A (UK, Stanley Kubrick, 1971) ; BARRY LYNDON (UK, Stanley Kubrick, 1975) ; SHINING, THE (UK, Stanley Kubrick, 1980) ; FULL METAL JACKET (UK, Stanley Kubrick, 1987) ; EYES WIDE SHUT (US/UK, Stanley Kubrick, 1999) Summary: Exhibition catalogue for the Deutsches Filmmuseum’s exhibition dedicated to the late director and currently displayed at ACMI as “Stanley Kubrick: Inside the Mind of a Visionary Filmmaker”. “The whole idea seemed strange at first. Exhibiting Stanley’s equipment, his plans, notes, photos? It did not feel right and would have been unthinkable during his lifetime, yet on careful reflection and discussion with Christiane Kubrick it became quite clear that while his privacy had to be guarded, his professional output was for all to be seen to celebrate the life of a great filmmaker. The efforts, the hard work, the inventiveness and wealth of ideas are so interesting, whereas the mystery of artistic talent will always remain under seal. Stanley Kubrick’s films will remain a valid reflection of his time and culture for future generations.” [“Foreword”, Jan Harlan].ISBN: 3887990692
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Thunder in the dust : great shots from the western movies / John R. Hamilton; text by John Calvin Batchelor London: Aurum Press, 1987.
Call No: 736.1 HAMAuthor: Batchelor, John Calvin [text] ; Hamiliton, John R (John Ralph) [photography] Source: UKPlace: LondonPublisher: Aurum PressPubDate: 1987PhysDes: 155 p. : chiefly col. ill. ; 24 x 31cmSubject: WESTERNS ; PHOTOGRAPHY Summary: The American Western covers a large part of Hollywood's history, and John Hamiliton records some of this history, with a keen insight gained from his work on the sets of such films as "The Searchers"or "Cheyenne Autumn". John Calvin Batchelor provides the text for this collection of photographs. [ Taken from the book]ISBN: 0948149671Donation: donated by the family of Wayne Levy, 2006
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Interim
book
"To become immortal and then die" : The representation of home photographic materials in cinema / Adrian Danks
Call No: 61[77] DANAuthor: Danks, Adrian PhysDes: 233 p. ; 29 cm.Subject: AESTHETICS ; PHOTOGRAPHY AND THE CINEMA ; AUTEUR THEORY ; AVANT-GARDE FILMS ; AVANT-GARDE FILMS. AUSTRALIA ; EXPERIMENTAL FILMS ; EXPERIMENTAL FILMS. AUSTRALIA ; Powell, Michael ; PRESSBURGER, EMERIC ; BELLE NOISEUSE, LA (FR, Jacques Rivette, 1991) ; BADLANDS (US, Terrence Malick, 1973) ; SONG OF AIR (AT, Merilee Bennett, 1987) ; CANTERBURY TALE, A (UK, Michael Powell & Emeric Pressburger, 1944) ; PEEPING TOM (UK, Michael Powell, 1960) ; JFK (US, Oliver Stone, 1991) ; CALENDAR (CN/GG/AR, Atom Egoyan, 1993) ; WINDOW WATER BABY MOVING (US, Stan Brakhage, 1959) Summary: This thesis analyses the representation of 'home' photographic materials within a range of historically, aesthetically and generically diverse cinematic works. [Taken from thesis summary.]Notes: PhD thesis
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